Gilded bronze pair of fire dogs, Louis XV rococo (625)

19th century, France. The pair is made in a distinctive Louis XV rocaille spirit – a style that became the highest language of luxury in the mid-18th century and experienced a quality revival in the 19th century. Construction and decoration…

400,00 €

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Description

Gilded bronze pair of fire dogs – Louis XV rococo 40.0 cm × 31.0 cm This luxurious pair of gilded bronze fire dogs (Louis XV chenets) is a pure embodiment of the rococo movement, where the metal seems to forget its weight and begins to flow. The masters of the Louis XV period knew how to transform bronze into nature’s breath – and here each form twists like a wave, like water suddenly frozen in gold. Production period
19th century, France. The pair is made in a distinctive Louis XV rocaille spirit – a style that became the highest language of luxury in the mid-18th century and experienced a quality revival in the 19th century. Construction and decoration
Each fire dog consists of a free, asymmetrical rocaille composition: upward-pointing acanthus leaves, curls, and volutes that end at the top with an elegant, inwardly curved spiral. The lower part rests on an expressively shaped shell-shaped base with a wavy edge. The form is completely asymmetrical – two parts form a mirror image pair, as are authentic chenets. Material
Heavy, high-quality cast gilded bronze (ormolu). The thick, solid casting testifies to high craftsmanship. Condition
Good age-appropriate condition. The gilding is rich and shiny with a natural, time-appropriate patina in places. Small signs of wear testify to authentic age. The condition of the item is fully reflected in the photographs. Use
Decorative and functional fireplace fire dogs – equally impressive in a real fireplace or as a sculptural gilded bronze accent on a mantelpiece or console. We remind you that we have another pair of chenets from the same period in a different variant in our collection. Belle Époque snapshot: The author Guy de Maupassant had arrived late for dinner and was now standing alone in the living room while the hosts were still chatting in the hallway. In the fireplace, the fire was slowly dying out, and the last light glided over the gold, making the curls seem to move. He touched one of the cool spirals and thought of a story he had not yet written – about a woman who, in such a room, awaits a letter that will never come. Laughter was heard from the dining room; he withdrew his hand and put on his face the light, ironic smile that Paris expected of him. It was raining outside, and the city glittered like another bronze.