An exquisite, hand-painted three-drawer commode with craquelure finish and a delicate floral motif. A work signed by the author Godin with a certificate of authenticity, combining the elegance of Louis XV form with top-class French execution, c. 1920–1950. Original authentication certificate on the back (D.4804 / A.112.988). Height 80 cm × width 70 cm × depth 40 cm. 650,00 €
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Painted Wooden Chest of Drawers — Godin signature with Hand Painting and Craquelure, Venetian style, France, circa 1920 (6420)
Height 80 cm Width 70 cm Color NaturalCreamIvory
Description
Height: 80 cm Width: 70 cm Depth: 40 cm
Painted wooden commode — Godin signature
Literary snapshot, Guy de Maupassant “Bel-Ami” — Parisian salon: The spring evening breeze gently stirred the thin gauze curtains, bringing the scent of freshly bloomed lilacs and the distant hum of Parisian boulevards into the ladies’ salon. In the corner of the room, softly illuminated by the dim silk shade of a table lamp, stood a small, elegantly curved ivory-toned commode. Its surface was covered with a delicate, almost imperceptible network of craquelure lines, over which the master’s hand had scattered light, pastel-painted bouquets of wildflowers.
She extended her delicate, ring-adorned hand and opened the top drawer, whose interior surprised with its clean, rich blue tone — like an unexpected burst of passion behind a calm and polite facade. This piece of furniture, bearing the invisible mark of the eminent decorator Godin, seemed created to hold the most precious secrets, delicate lace, or love letters written on fragrant, thick paper. It was not just furniture; it was the soul of the room, quietly telling of the unspoken longings and aristocratic refinement of Parisian high society.
This charming and distinctly elegant three-drawer painted wooden commode is a rare and valuable example of mid-20th-century furniture art. Although visually inspired by the theatrical and romantic color palette of Venetian Rococo, its original workshop certificate on the back and clear copyright signature attest to the work of the master Godin, making this piece an exquisite example of the decorative school.
Period of manufacture Made around the mid-20th century (period from 1920 to 1950), a time when Europe’s best workshops created exclusive and high-value interpretations of historical styles for demanding interiors.
Design and finish The commode features a classic Louis XV style bombe or wavy curved front silhouette, resting on slender, graceful cabriole legs with light gilded accents. The surface is treated in a complex ivory/cream color technique with expressive artistic craquelure (a fine network of cracks), creating a sublime impression of antiquity. The top, sides, and drawer fronts of the commode are adorned with hand-painted floral bouquets and delicate green, winding decorative bands. Special charm is added to the furniture by the contrasting blue interior of the drawers, as well as the delicate, cast brass handles with leaf motifs.
Application With its compact and very practical size (80 cm height), this commode is universally applicable in interiors. It will serve perfectly as an exquisite bedside table or a lady’s boudoir cabinet in the bedroom, as an elegant console/commode in the hallway, or as an expressive, romantic accent in a classic living room.
Condition The furniture is in very good vintage condition. The wooden construction is sturdy, stable, and heavy. The painting and craquelure coating are excellently preserved, with very minor, natural vintage signs of use, which give the item a lively character and historical value. The drawers slide easily, and the original back label is clearly legible. The condition of the item is fully reflected in the photographs.
