Monumental Tsarist-era Riga apartment oak mirror with thick facet — circa 1900 (6832)

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Museum and collection level large size, massive and unusually heavy oak floor/wall mirror (height approx. 195 cm). Authentic Riga historical center tsarist-era apartment interior item. Gorgeous late Historicism and Louis XV style example with deep wood carvings – flower basket at the top, fruit and ribbon motifs at the base, and expressive lion paw feet. Original, thick faceted mirror glass.

1 350,00 €

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Height209 cm
Width

Description

Height 2.09 cm, width 72 cm.
Monumental, historic oak mirror from tsarist-era Riga with a thick faceted edge – circa 1900 (6832)
This impressive, large, and unusually heavy antique oak floor mirror, or solid wood floor and wall mirror, is an outstanding, monumental, and rare monument to European furniture art from the late 19th or early 20th century, and the interior design of Riga’s historic center. The item comes from an authentic, opulent tsarist-era apartment in Riga, where it once served as a central element of representation. It is masterfully crafted from high-quality, dense, and heavy solid oak wood, whose expressive, deep wood structure and saturated, warm tone give the construction impeccable visual substance and unwavering “old school” solidity.
The sculptural and artistic architecture of the mirror is determined by the magnificent canons of late Historicism and Louis XV (Rococo) style, where every detail is executed with exceptional plasticity and depth. The top of the frame, or crown, is adorned with a large, relief, and pierced woven flower basket (basket of roses), from which naturally flowing motifs of fully bloomed roses and leaves, transitioning into elegant side volutes and scrolls.
The lower part of the mirror frame is decorated with an equally expressive, deeply carved decorative panel in the wood – two large, juicy fruits (pear and apple/peach), connected by a magnificent, flowing textile ribbon and a Baroque-inspired acanthus leaf base. This entire monumental oak cabinet is stably supported on the base by two exceptionally massive, sculpturally perfect, and strong lion paw feet, which in furniture history have always symbolized power, home protection, and aristocracy.
The mirror in the center has retained its original, impeccable, and exceptionally thick faceted mirror glass (oval bevelled glass). The wide and deep bevel along the entire oval perimeter refracts light rays like the facets of a gemstone, adding extra visual depth and luxury to the room.
DIMENSIONS AND VOLUME:

Total height: Height 2.09 cm, width 72 cm.

Construction: Extremely heavy, solid, and monolithic oak body with the highest degree of detail in wood carving at the front and stable lion paw supports at the bottom.

PERIOD OF PRODUCTION, ART STYLE, EPOCH
Produced circa 1895–1905, it is a classic and authentic interior element from the tsarist era (Empire) during Riga’s “golden age of Art Nouveau and Eclecticism.” Mirrors of this size, weight, and expensive oak were exclusive commissions that only adorned the grand salons and entrance halls with high ceilings in the homes and apartments of the wealthiest city dwellers – -Baltic merchants, industrialists, or high-ranking officials. It served as an important status marker, visually expanded the space, and demonstrated the homeowner’s refined academic taste and prosperity.

MANUFACTURER AND COUNTRY OF ORIGIN
The sharpness of the wood carvings, the perfect plasticity of the rose petals, and the strong construction of the lion paw feet unequivocally testify to Riga’s leading art carpentry workshops and furniture factories of the 19th and 20th centuries (such as the legendary A. Mentzel furniture factory or similar Riga masters), which worked according to the highest academic furniture standards at the turn of the century.

RARITY AND IMPORTANCE
While small wall mirrors or simple, rectangular frames are relatively common on the antique market, such a monumental, almost two-meter-high, and exceptionally heavy oak mirror with a complete, undamaged, and so dense wood carving ensemble is an exceptional rarity. What makes this specimen particularly valuable is its direct origin from a historic tsarist-era apartment in Riga and the completely preserved original, thick faceted mirror glass without any signs of modern replacement. It is an authentic, local cultural-historical, and stylistic unique piece with very high collection value.

USE IN INTERIORS AND DESIGN
The mirror will serve as a magnificent, dominant, and immediately noticeable visual and architectural centerpiece in any room – a representative hall, a large living room, a private library, or an art gallery. Thanks to its large surface area and thick faceted edge, it wonderfully captures and reflects the room’s light and the exhibited collection objects. It is simply an outstanding and indispensable object for top-level historical interior reconstructions and for design photography.

CONDITION
The mirror is in excellent antique condition. The massive and heavy oak frame is completely rigid, monolithic, and stable. The wood is intact and dense. All the magnificent wood carvings – the upper flower basket, the medallion with fruit at the bottom, and both lion paw feet – are completely original, sharp, and without breaks or signs of restoration. The original, thick faceted mirror glass is in excellent condition, with minimal, natural historical patina accents and signs of aging of the amalgam, which only enhance the object’s authenticity and centuries-old origin story. The condition of the item is fully reflected in the photographs.

SNAPSHOT FROM THE EPOCH: A snapshot from the era: In the grand, high salon of an apartment in Riga’s historic center, a calm Sunday morning peace reigned… while the lilacs bloomed slowly outside the window and the first city trams rumbled in the distance. The room smelled of wax and freshly brewed coffee, and the sunbeams through the large windows illuminated the polished furniture and porcelain tableware on the consoles, which glittered beautifully in the monumental mirror surface. Its magnificent crown with the flower basket and the delicate wood carvings of fruit at the bottom seemed almost alive in the light. This noble object, approximately 195 cm high, exuded a genuine, unwavering “old school” elegance and domestic blessing from the era of the monarchy. It is precisely this kind of visual solidity and impeccable historical atmosphere that the producers of the international mega-series “Sisi” have chosen for their palace and salon scenes for five consecutive seasons, as such a mirror immediately transforms the room into a true sanctuary of living history art.