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\u0411\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u044f \u0441\u0432\u043e\u0438\u043c \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u043c \u043f\u0440\u043e\u043f\u043e\u0440\u0446\u0438\u044f\u043c \u0438 \u0432\u043f\u0435\u0447\u0430\u0442\u043b\u044f\u044e\u0449\u0435\u043c\u0443 \u043e\u0431\u0440\u0430\u0437\u0443 \u044d\u0442\u043e \u0437\u0435\u0440\u043a\u0430\u043b\u043e \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u043e \u043f\u043e\u0434\u043e\u0439\u0434\u0435\u0442 \u0432 \u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435 \u0433\u043b\u0430\u0432\u043d\u043e\u0433\u043e \u0430\u043a\u0446\u0435\u043d\u0442\u0430 \u0432 \u043f\u0440\u043e\u0441\u0442\u043e\u0440\u043d\u043e\u0439 \u043f\u0440\u0438\u0445\u043e\u0436\u0435\u0439, \u0440\u0435\u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0442\u0438\u0432\u043d\u043e\u0439 \u0433\u043e\u0441\u0442\u0438\u043d\u043e\u0439 \u043d\u0430\u0434 \u043a\u043e\u043d\u0441\u043e\u043b\u044c\u044e \u0438\u043b\u0438 \u0432 \u0441\u0442\u0440\u043e\u0433\u043e\u043c \u0440\u0430\u0431\u043e\u0447\u0435\u043c \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0435. \u041e\u043d\u043e \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u043d\u043e \u043f\u0440\u0438\u0434\u0430\u0435\u0442 \u043f\u043e\u043c\u0435\u0449\u0435\u043d\u0438\u044e \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0443\u044e \u043e\u0441\u043d\u043e\u0432\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0441\u0442\u044c \u0438 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u0441\u0442\u0432\u043e. \u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u043e\u0442\u043b\u0438\u0447\u043d\u043e\u043c \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u0438 \u0442\u0435\u0445\u043d\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438. \u0414\u0443\u0431\u043e\u0432\u0430\u044f \u0440\u0430\u043c\u0430 \u0438 \u0440\u0435\u0437\u043d\u044b\u0435 \u044d\u043b\u0435\u043c\u0435\u043d\u0442\u044b \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0441\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u044b, \u043f\u0440\u043e\u0447\u043d\u044b \u0438 \u043d\u0435 \u0438\u043c\u0435\u044e\u0442 \u0434\u0435\u0444\u0435\u043a\u0442\u043e\u0432, \u043e\u0431\u043b\u0430\u0434\u0430\u044f \u043f\u0440\u0438\u044f\u0442\u043d\u043e\u0439, \u0433\u043b\u0443\u0431\u043e\u043a\u043e\u0439 \u043f\u0430\u0442\u0438\u043d\u043e\u0439 \u0434\u0440\u0435\u0432\u0435\u0441\u0438\u043d\u044b. \u0417\u0435\u0440\u043a\u0430\u043b\u044c\u043d\u043e\u0435 \u043f\u043e\u043b\u043e\u0442\u043d\u043e \u0438\u043c\u0435\u0435\u0442 \u0434\u0432\u0443\u0445\u0441\u043e\u0441\u0442\u0430\u0432\u043d\u0443\u044e \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0443 \u0441 \u043c\u0438\u043d\u0438\u043c\u0430\u043b\u044c\u043d\u044b\u043c\u0438 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u043c\u0438 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u0430\u043c\u0438 \u0432\u0440\u0435\u043c\u0435\u043d\u0438. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n
\u0421\u043d\u0438\u043c\u043e\u043a \u043a\u043e\u043d\u0446\u0430 19 \u0432\u0435\u043a\u0430, \u041a\u0430\u0440\u043b\u0438\u0441 \u0417\u0430\u043b\u0435 (K\u0101rlis Z\u0101le):<\/i><\/b> \u041d\u0430\u043a\u0430\u043d\u0443\u043d\u0435 \u0440\u0443\u0431\u0435\u0436\u0430 \u0432\u0435\u043a\u043e\u0432 \u0433\u043e\u0440\u043e\u0434\u0441\u043a\u0430\u044f \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0430 \u0438 \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u0436\u0438\u0437\u043d\u044c \u0432\u043e \u0432\u0441\u0435\u043c \u0411\u0430\u043b\u0442\u0438\u0439\u0441\u043a\u043e\u043c \u0440\u0435\u0433\u0438\u043e\u043d\u0435 \u043f\u0435\u0440\u0435\u0436\u0438\u0432\u0430\u044e\u0442 \u043d\u0435\u0432\u0438\u0434\u0430\u043d\u043d\u044b\u0439 \u0440\u0430\u0441\u0446\u0432\u0435\u0442. \u041d\u0430 \u0443\u043b\u0438\u0446\u0430\u0445 \u0420\u0438\u0433\u0438, \u0422\u0430\u043b\u043b\u0438\u043d\u0430 \u0438 \u0412\u0438\u043b\u044c\u043d\u044e\u0441\u0430 \u0441\u0442\u0430\u0440\u0430\u044f, \u0442\u044f\u0436\u0435\u043b\u043e\u0432\u0435\u0441\u043d\u0430\u044f \u0438\u043c\u043f\u0435\u0440\u0441\u043a\u0430\u044f \u0430\u0442\u043c\u043e\u0441\u0444\u0435\u0440\u0430 \u043d\u0430\u0447\u0438\u043d\u0430\u0435\u0442 \u0441\u043c\u0435\u0448\u0438\u0432\u0430\u0442\u044c\u0441\u044f \u0441 \u043d\u043e\u0432\u044b\u043c \u0438\u043d\u0434\u0443\u0441\u0442\u0440\u0438\u0430\u043b\u044c\u043d\u044b\u043c \u0433\u0443\u043b\u043e\u043c \u0438 \u043f\u0435\u0440\u0432\u044b\u043c\u0438 \u0432\u0435\u044f\u043d\u0438\u044f\u043c\u0438 \u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u043c\u0430, \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u044f \u0443\u043d\u0438\u043a\u0430\u043b\u044c\u043d\u044b\u0439 \u043a\u043e\u043d\u0442\u0440\u0430\u0441\u0442 \u043d\u0430 \u043f\u0435\u0440\u0435\u043a\u0440\u0435\u0441\u0442\u043a\u0435 \u044d\u043f\u043e\u0445. \u041f\u043e\u043a\u0430 \u0432 \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u0435 \u0437\u0440\u0435\u0435\u0442 \u0436\u0430\u0436\u0434\u0430 \u043d\u043e\u0432\u044b\u0445 \u0444\u043e\u0440\u043c \u0438 \u0438\u0434\u0435\u0439, \u0432 \u0437\u0430\u043b\u0430\u0445 \u0438 \u0441\u0430\u043b\u043e\u043d\u0430\u0445 \u0431\u043e\u043b\u044c\u0448\u0438\u0445 \u0434\u043e\u043c\u043e\u0432 \u043f\u043e-\u043f\u0440\u0435\u0436\u043d\u0435\u043c\u0443 \u0434\u043e\u043c\u0438\u043d\u0438\u0440\u0443\u0435\u0442 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u0430\u044f \u043e\u0441\u043d\u043e\u0432\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0441\u0442\u044c \u0438 \u0434\u043e\u0441\u0442\u043e\u0439\u043d\u0430\u044f \u0434\u0432\u043e\u0440\u0446\u043e\u0432 \u0431\u0430\u0440\u043e\u0447\u043d\u0430\u044f \u0440\u043e\u0441\u043a\u043e\u0448\u044c, \u0433\u0434\u0435 \u043a\u0430\u0436\u0434\u0430\u044f \u043b\u0438\u043d\u0438\u044f \u0434\u0443\u0431\u043e\u0432\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u044b \u043a\u0430\u0436\u0435\u0442\u0441\u044f \u043f\u043e\u0432\u0435\u0441\u0442\u0432\u0443\u044e\u0449\u0435\u0439 \u043e \u043d\u0435\u043f\u0440\u0435\u043a\u043b\u043e\u043d\u043d\u043e\u0439 \u0441\u0438\u043b\u0435 \u0438\u0441\u0442\u043e\u0440\u0438\u0438.<\/i><\/p>\n
\u0412 \u043f\u043e\u043b\u0443\u043c\u0440\u0430\u043a\u0435 \u043a\u043e\u043c\u043d\u0430\u0442\u044b, \u0433\u0434\u0435 \u0432 \u0432\u043e\u0437\u0434\u0443\u0445\u0435 \u0435\u0449\u0435 \u0432\u0438\u0442\u0430\u0435\u0442 \u0430\u0440\u043e\u043c\u0430\u0442 \u0432\u043e\u0441\u043a\u0430 \u0438 \u0441\u0442\u0430\u0440\u044b\u0445 \u043a\u043d\u0438\u0433, \u041a\u0430\u0440\u043b\u0438\u0441 \u0417\u0430\u043b\u0435 (K\u0101rlis Z\u0101le) \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u043e\u0441\u0442\u0430\u043d\u0430\u0432\u043b\u0438\u0432\u0430\u0435\u0442\u0441\u044f, \u0432\u043d\u0438\u043c\u0430\u0442\u0435\u043b\u044c\u043d\u043e \u0438\u0437\u0443\u0447\u0430\u044f \u0432\u0438\u0441\u044f\u0449\u0435\u0435 \u043d\u0430 \u0441\u0442\u0435\u043d\u0435 \u0442\u044f\u0436\u0435\u043b\u043e\u0435, \u043c\u043e\u0449\u043d\u043e\u0435 \u0437\u0435\u0440\u043a\u0430\u043b\u043e. \u0412 \u0435\u0433\u043e \u0442\u0435\u043c\u043d\u043e\u0439 \u0434\u0443\u0431\u043e\u0432\u043e\u0439 \u0440\u0430\u043c\u0435, \u0441\u0440\u0435\u0434\u0438 \u0433\u043b\u0443\u0431\u043e\u043a\u043e \u0432\u044b\u0440\u0435\u0437\u0430\u043d\u043d\u044b\u0445 \u0440\u0430\u043a\u043e\u0432\u0438\u043d \u0438 \u0432\u0438\u0442\u0438\u0435\u0432\u0430\u0442\u044b\u0445 \u0432\u0438\u043d\u043e\u0433\u0440\u0430\u0434\u043d\u044b\u0445 \u043b\u043e\u0437, \u0432\u0441\u043f\u044b\u0445\u0438\u0432\u0430\u0435\u0442 \u043e\u0442\u0431\u043b\u0435\u0441\u043a \u043a\u043e\u043c\u043d\u0430\u0442\u043d\u044b\u0445 \u0441\u0432\u0435\u0447\u0435\u0439 \u0438 \u0441\u0435\u0440\u044c\u0435\u0437\u043d\u044b\u0439, \u0438\u0449\u0443\u0449\u0438\u0439 \u0432\u0437\u0433\u043b\u044f\u0434 \u0441\u0430\u043c\u043e\u0433\u043e \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u043e\u0440\u0430. \u042d\u0442\u0430 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u0430\u044f, \u043f\u043e\u0447\u0442\u0438 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u0430\u044f \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0430\u044f \u0444\u043e\u0440\u043c\u0430 \u0441\u0442\u043e\u0438\u0442 \u0432 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0435 \u043d\u0435 \u043f\u0440\u043e\u0441\u0442\u043e \u043a\u0430\u043a \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u0438\u0435, \u0430 \u043a\u0430\u043a \u0441\u0430\u043c\u043e \u0434\u044b\u0445\u0430\u043d\u0438\u0435 \u0438\u0441\u0442\u043e\u0440\u0438\u0438, \u0432\u044b\u0441\u0435\u0447\u0435\u043d\u043d\u043e\u0435 \u0432 \u043a\u0430\u043c\u043d\u0435 \u0438 \u0434\u0435\u0440\u0435\u0432\u0435 \u2014 \u0431\u0435\u0437\u043c\u043e\u043b\u0432\u043d\u044b\u0439 \u0438 \u043d\u0435\u043f\u0440\u0435\u043a\u043b\u043e\u043d\u043d\u044b\u0439 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u044c \u043c\u043e\u043c\u0435\u043d\u0442\u0430, \u043a\u043e\u0433\u0434\u0430 \u0432\u0435\u043a\u043e\u0432\u044b\u0435 \u0444\u043e\u0440\u043c\u044b \u0432\u0434\u043e\u0445\u043d\u043e\u0432\u043b\u044f\u044e\u0442 \u043d\u0430 \u0441\u043e\u0437\u0434\u0430\u043d\u0438\u0435 \u043d\u043e\u0432\u044b\u0445, \u0435\u0449\u0435 \u0431\u043e\u043b\u0435\u0435 \u0433\u0440\u0430\u043d\u0434\u0438\u043e\u0437\u043d\u044b\u0445 \u0438 \u043c\u043e\u0449\u043d\u044b\u0445 \u0438\u0434\u0435\u0439.<\/i><\/p>\n
Height: 117.5 cm Width: 62.5 cm<\/p>\n
Carved oak wall mirror \u2014 in Baroque style<\/b><\/p>\n
This exceptionally heavy and monumental wall mirror embodies the late Historicism period’s pursuit of grand representation, reviving the most opulent traditions of the Baroque style. The massive, dark-toned oak frame is rich with high-relief, deep, and sculptural hand-carvings. The frame’s cresting features an impressive cartouche composition centered with a stylized shell (rocaille) motif flanked by symmetrical, rolling acanthus leaves. The stiles are adorned with thick, cascading garlands of grape clusters, foliage, and blossoms, while the bottom rail incorporates the classic Renaissance and Baroque motif of stylized sea monsters (dolphins) supporting the central ornament. The two-part mirror plate is encased within this sculptural masterpiece, offering unparalleled visual depth.<\/p>\n
The item is an authentic original work of decorative art from the second half or late 19th century, crafted during the Historicism era when Europe’s finest cabinetmakers drew inspiration from palatial architecture and Baroque splendor. Mirrors of this weight and scale, bearing such detailed, multi-layered hand-carving that seamlessly unifies various classical Baroque elements, are highly rare. It serves as a striking testament to a time when every detail in the interiors of wealthy townhouses or country estates asserted the owner’s status and cultivated taste.<\/p>\n
Due to its expressive proportions and powerful visual presence, this mirror is perfectly suited as a statement focal point in a spacious hallway, a formal living room above a console table, or a dignified study. It instantly infuses a space with historical permanence and nobility. The mirror is in excellent historical and technical condition. The oak frame and carvings are fully intact, sturdy, and free of defects, displaying a beautiful, deep wood patina. The mirror plate retains its traditional two-part structure with minimal, natural signs of age. The condition of the item is fully reflected in the photographs.<\/p>\n
A snapshot from the late 19th century, K\u0101rlis Z\u0101le (K\u0101rlis Z\u0101le):<\/i><\/b> It is the eve of the turn of the century, and across the entire Baltic region, urban architecture and social life are experiencing an unprecedented renaissance. On the streets of Riga, Tallinn, and Vilnius, the old, heavy imperial atmosphere begins to merge with the fresh hum of industry and the earliest whispers of modernism, creating a unique contrast at the crossroads of eras. While a thirst for new forms and ideas stirs within society, the halls and salons of grand residences are still dominated by a monumental solidity and a palatial Baroque luxury, where every carved oak detail seems to speak of history’s unyielding power.<\/i><\/p>\n
In a room draped in twilight, where the scent of wax and old books still lingers in the air, K\u0101rlis Z\u0101le (K\u0101rlis Z\u0101le) pauses for a moment, intently studying the heavy, powerful mirror on the wall. Within its dark oak frame, amidst the deeply carved shell motifs and twisting grapevines, flashes the reflection of room candles and the sculptor’s own serious, searching gaze. This massive, almost monumental wooden form stands in the space not merely as decoration, but as the very breath of history carved in stone and wood \u2014 a silent, unwavering witness to the moment when centuries-old forms inspire the birth of new, even grander and more powerful ideas.<\/i><\/p>\n
H\u00f6he: 117,5 cm Breite: 62,5 cm<\/p>\n
Wandspiegel aus Eichenholz mit geschnitztem Rahmen \u2014 im Barockstil<\/b><\/p>\n
Dieser au\u00dfergew\u00f6hnlich schwere und monumentale Wandspiegel verk\u00f6rpert das Streben des sp\u00e4ten Historismus nach repr\u00e4sentativer Pracht und l\u00e4sst die prunkvollsten Traditionen des Barockstils aufleben. Der massive, dunkle Eichenrahmen ist reich an meisterhaften, tiefen Schnitzereien. Den oberen Teil des Rahmens kr\u00f6nt eine eindrucksvolle Kartusche mit einer stilisierten Muschel (Rocaille) und geschwungenen Akanthusbl\u00e4ttern. Die Seiten sind mit dichten Girlanden aus Weintrauben, Bl\u00e4ttern und Bl\u00fcten verziert, w\u00e4hrend im unteren Teil das typische Motiv stilisierter Seemonster (Delfine) eingearbeitet ist. Das zweiteilige Spiegelglas ist in dieses bildhauerische Meisterwerk eingefasst und verleiht ihm eine unvergleichliche Tiefe.<\/p>\n
Das St\u00fcck ist ein authentisches Originalwerk der dekorativen Kunst aus der zweiten H\u00e4lfte oder dem Ende des 19. Jahrhunderts. Spiegel dieses Kalibers mit so detailreicher, vielschichtiger Handschnitzerei sind \u00e4u\u00dferst selten. Sie zeugen von einer Zeit, in der in den Salons herrschaftlicher H\u00e4user jedes Detail den Status und den erlesenen Geschmack des Besitzers unterstreichen sollte.<\/p>\n
Aufgrund seiner ausdrucksstarken Proportionen eignet sich dieser Spiegel ideal als Hauptakzent in einem gro\u00dfz\u00fcgigen Flur, einem repr\u00e4sentativen Wohnzimmer \u00fcber einer Konsole oder in einem stilvollen Arbeitszimmer. Er befindet sich in einem hervorragenden historischen Zustand. Der Eichenrahmen ist stabil, fehlerfrei und besitzt eine tiefe Holzpatina. Das Glas weist minimale Altersspuren auf. Der Zustand des Artikels ist auf den Fotos vollst\u00e4ndig dargestellt.<\/p>\n
Eine Momentaufnahme aus dem sp\u00e4ten 19. Jahrhundert, Z\u0101le):<\/i><\/b> Am Vorabend der Jahrhundertwende erleben Architektur und gesellschaftliches Leben im gesamten baltischen Raum eine ungeahnte Bl\u00fctezeit. In den Stra\u00dfen von Riga, Tartu und Vilnius vermischt sich die alte, schwere Atmosph\u00e4re des Imperiums mit dem neuen industriellen Puls, was einen einzigartigen Kontrast schafft. W\u00e4hrend in der Gesellschaft der Wunsch nach neuen Ideen w\u00e4chst, dominiert in den gro\u00dfen S\u00e4len noch die barocke Pracht, in der jede eichene Schnitzerei von der unerbittlichen Kraft der Geschichte zu erz\u00e4hlen scheint.<\/i><\/p>\n
In der D\u00e4mmerung eines Raumes, in dem noch der Duft von Wachs und alten B\u00fcchern liegt, h\u00e4lt Z\u0101le) f\u00fcr einen Moment inne und betrachtet den schweren Spiegel an der Wand. In seinem dunklen Rahmen, zwischen tief geschnitzten Muscheln und Weinreben, spiegelt sich das Licht der Kerzen und der suchende Blick des Bildhauers wider. Diese massive Form steht wie der in Holz gemei\u00dfelte Atem der Geschichte im Raum \u2014 ein stummer Zeuge jenes Augenblicks, in dem jahrhundertealte Formen die Geburt neuer, noch kraftvollerer Ideen inspirieren.<\/i><\/p>\n
Hauteur: 117,5 cm Largeur: 62,5 cm<\/p>\n
Miroir mural en ch\u00eane sculpt\u00e9 \u2014 de style Baroque<\/b><\/p>\n
Ce miroir mural, exceptionnellement lourd et monumental, incarne la qu\u00eate de luxe repr\u00e9sentatif de la fin de la p\u00e9riode de l’Historicisme, faisant revivre les traditions les plus somptueuses du style Baroque. Le cadre massif en ch\u00eane fonc\u00e9 abonde en sculptures faites main riches, profondes et sculpturales. Le sommet du cadre est couronn\u00e9 par une impressionnante cartouche orn\u00e9e d’un motif de coquille stylis\u00e9e (rocaille) et de feuilles d’acanthe fluides. Les c\u00f4t\u00e9s sont par\u00e9s de riches guirlandes de grappes de raisins, de feuilles et de fleurs, tandis que la partie inf\u00e9rieure int\u00e8gre le motif classique des monstres marins (dauphins) soutenant l’ornement central. Le miroir en deux parties est ench\u00e2ss\u00e9 dans ce chef-d’\u0153uvre sculptural, cr\u00e9ant une profondeur visuelle unique.<\/p>\n
La pi\u00e8ce est une \u0153uvre originale authentique d’art d\u00e9coratif de la seconde moiti\u00e9 ou de la fin du 19e si\u00e8cle, cr\u00e9\u00e9e \u00e0 l’\u00e9poque de l’Historicisme, lorsque les ma\u00eetres s’inspiraient de l’architecture palatiale. Les miroirs de cette envergure avec un travail de sculpture fait main aussi d\u00e9taill\u00e9 et multicouche sont extr\u00eamement rares. Ils t\u00e9moignent d’une \u00e9poque o\u00f9 chaque d\u00e9tail dans les grands salons affirmait le statut et le go\u00fbt raffin\u00e9 du propri\u00e9taire.<\/p>\n
En raison de ses proportions expressives, ce miroir conviendra parfaitement comme accent principal dans un grand couloir, un salon d’apparat au-dessus d’une console ou un bureau de caract\u00e8re. Il est en excellent \u00e9tat historique et technique. Le cadre en ch\u00eane et les sculptures sont enti\u00e8rement intacts, solides et sans d\u00e9fauts, avec une belle patine profonde. Le verre conserve sa structure d’origine en deux parties avec des signes minimes de temps. L’\u00e9tat de l’objet est fid\u00e8lement refl\u00e9t\u00e9 par les photographies.<\/p>\n
Un instantan\u00e9 de la fin du 19e si\u00e8cle, Z\u0101le):<\/i><\/b> \u00c0 la veille du tournant du si\u00e8cle, l’architecture et la vie sociale dans toute la r\u00e9gion balte connaissent un essor sans pr\u00e9c\u00e9dent. Dans les rues de Riga, de Tallinn et de Vilnius, la vieille atmosph\u00e8re imp\u00e9riale commence \u00e0 se m\u00ealer \u00e0 la rumeur de l’industrie et aux premiers souffles de la modernit\u00e9, cr\u00e9ant un contraste unique. Tandis que la soci\u00e9t\u00e9 aspire \u00e0 de nouvelles formes, les salons des grandes demeures restent domin\u00e9s par une solidit\u00e9 monumentale et un luxe baroque digne des palais, o\u00f9 chaque sculpture sur ch\u00eane semble raconter la force de l’histoire.<\/i><\/p>\n
Dans la p\u00e9nombre d’une pi\u00e8ce o\u00f9 flottent encore des parfums de cire et de vieux livres, Z\u0101le) s’arr\u00eate un instant, observant le grand miroir lourd au mur. Dans son cadre en ch\u00eane sombre, parmi les coquilles sculpt\u00e9es et les vignes entrelac\u00e9es, se refl\u00e8tent les bougies de la pi\u00e8ce et le regard s\u00e9rieux du sculpteur. Cette forme massive, presque monumentale, se dresse comme le souffle m\u00eame de l’histoire grav\u00e9 dans le bois \u2014 le t\u00e9moin silencieux du moment o\u00f9 les formes s\u00e9culaires inspirent la naissance d’id\u00e9es nouvelles et encore plus puissantes.<\/i><\/p>\n
H\u00f8jde: 117,5 cm Bredde: 62,5 cm<\/p>\n
V\u00e6gspejl af egetr\u00e6 med udsk\u00e5ret ramme \u2014 i Barokstil<\/b><\/p>\n
Dette us\u00e6dvanligt tunge og monumentale v\u00e6gspejl legemligg\u00f8r den sene historismes str\u00e6ben efter repr\u00e6sentativ pragt og genopliver barokstilens mest overd\u00e5dige traditioner. Den massive ramme af m\u00f8rkt egetr\u00e6 er rig p\u00e5 mesterlige, dybe og skulpturelle udsk\u00e6ringer udf\u00f8rt i h\u00e5nden. Den \u00f8verste del af rammen krones af en imponerende kartouche med et stiliseret muslingemotiv (rocaille) og svungne akantusblade. Siderne er prydet med t\u00e6tte guirlander af vindruer, blade og blomster, mens den nederste del integrerer det klassiske motiv med stiliserede havmonstre (delfiner). Det todelte spejlglas er indfattet i dette billedhuggermesterv\u00e6rk og giver det en uforlignelig dybde.<\/p>\n
Stykket er et autentisk originalv\u00e6rk af dekorativ kunst fra anden halvdel eller slutningen af det 19. \u00e5rhundrede, skabt i historismens periode. Spejle af denne kaliber med s\u00e5 detaljeret, flerlagssnideri er yderst sj\u00e6ldne i dag. De vidner om en tid, hvor enhver detalje i herreg\u00e5rdenes og byhusenes interi\u00f8r skulle understrege ejerens status og smag.<\/p>\n
P\u00e5 grund af sine udtryksfulde proportioner egner dette spejl sig ideelt som hovedakcent i en rummelig gang, en repr\u00e6sentativ stue over en konsol eller i et stilfuldt arbejdsv\u00e6relse. Det er i fremragende historisk stand. Egetr\u00e6srammen er stabil, fejlfri og besidder en dyb tr\u00e6patina. Glasset viser minimale alderstegn. Genstandens tilstand er fuldt ud afspejlet p\u00e5 fotografierne.<\/p>\n
Et \u00f8jebliksbillede fra slutningen af det 19. \u00e5rhundrede, Z\u0101le):<\/i><\/b> P\u00e5 t\u00e6rsklen til \u00e5rhundreskiftet oplever arkitektur og samfundsliv i hele den baltiske region en uovertruffen blomstringstid. I gaderne i Riga, Tartu og Vilnius blandes den gamle, tunge atmosf\u00e6re fra imperiet med det nye industrielle puls, hvilket skaber en unik kontrast. Mens samfundet \u00f8nsker nye id\u00e9er, dominerer den monumentale barokke pragt stadig i de store sale, hvor enhver sk\u00e6ring i egetr\u00e6et synes at fort\u00e6lle om historiens ub\u00f8nh\u00f8rlige kraft.<\/i><\/p>\n
I skumringen af et rum, hvor duften af voks og gamle b\u00f8ger stadig h\u00e6nger i luften, holder Z\u0101le) inde for et \u00f8jeblik og betragter det tunge spejl p\u00e5 v\u00e6ggen. I dets m\u00f8rke ramme, mellem dybt udsk\u00e5rne muslinger og vinranker, spejles lyset fra lysene og billedhuggerens s\u00f8gende blik. Denne massive form st\u00e5r som et stumt vidne til det \u00f8jeblik, hvor \u00e5rhundredegamle former inspirerer f\u00f8dslen af nye, endnu mere kraftfulde id\u00e9er.<\/i><\/p>\n
H\u00f6jd: 117,5 cm Bredd: 62,5 cm<\/p>\n
V\u00e4ggspegel i ek med snidad ram \u2014 i Barockstil<\/b><\/p>\n
Denna exceptionellt tunga och monumentala v\u00e4ggspegel f\u00f6rkroppsligar den sena historismens str\u00e4van efter representativ prakt och v\u00e4cker barockstilens mest \u00f6verd\u00e5diga traditioner till liv. Den massiva ramen i m\u00f6rk ek \u00e4r rik p\u00e5 m\u00e4sterliga, djupa och skulpturala handsniderier. Den \u00f6vre delen av ramen kr\u00f6ns av en imponerande kartusch med ett stiliserat sn\u00e4ckmotiv (rocaille) och sv\u00e4ngda akantusblad. Sidorna \u00e4r prydda med t\u00e4ta girlander av vindruvor, blad och blommor, medan den nedre delen integrerar det klassiska motivet med stiliserade havsmonster (delfiner). Det tv\u00e5delade spegelglaset \u00e4r infattat i detta bildhuggar-m\u00e4sterverk och ger det ett oj\u00e4mf\u00f6rligt djup.<\/p>\n
F\u00f6rem\u00e5let \u00e4r ett autentiskt originalverk av dekorativ konst fr\u00e5n andra h\u00e4lften eller slutet av 1800-talet, skapat under historismens period. Speglar av denna kaliber med s\u00e5 detaljerat, flerskiktat snideri \u00e4r ytterst s\u00e4llsynta i dag. De vittnar om en tid d\u00e5 varje detalj i salongerna i herrg\u00e5rdar och stadshus skulle understryka \u00e4garens status och uts\u00f6kta smak.<\/p>\n
P\u00e5 grund av sina uttrycksfulla proportioner passar denna spegel perfekt som huvudaccent i en rymlig hall, ett representativt vardagsrum ovanf\u00f6r en konsol eller i ett stilfullt arbetsrum. Den \u00e4r i utm\u00e4rkt historiskt skick. Ekramen \u00e4r stabil, felfri och besitter en djup tr\u00e4patina. Glasset visar minimala \u00e5lderstecken. F\u00f6rem\u00e5lets skick \u00e5terspeglas till fullo p\u00e5 fotografierna.<\/p>\n
En \u00f6gonblicksbild fr\u00e5n slutet av 1800-talet, Z\u0101le):<\/i><\/b> P\u00e5 tr\u00f6skeln till sekelskiftet upplever arkitektur och samh\u00e4llsliv i hela den baltiska regionen en o\u00f6vertr\u00e4ffad blomstringstid. P\u00e5 gatorna i Riga, Tartu och Vilnius blandas den gamla, tunga atmosf\u00e4ren fr\u00e5n imperiet med den nya industriella pulsen, vilket skapar en unik kontrast. Medan samh\u00e4llet vill ha nya id\u00e9er, dominerar den monumentala barocka prakt fortfarande i de stora salarna, d\u00e4r varje snidning i eken tycks ber\u00e4tta om historiens obevekliga kraft.<\/i><\/p>\n
I skymningen av ett rum, d\u00e4r doften av vax och gamla b\u00f6cker fortfarande h\u00e4nger i luften, stannar Z\u0101le) till f\u00f6r ett \u00f6gonblick och betraktar den tunga spegeln p\u00e5 v\u00e4ggen. I dess m\u00f6rka ram, mellan djupt snidade sn\u00e4ckor och vinrankor, speglas ljuset fr\u00e5n ljusen och bildhuggarens s\u00f6kande blick. Denna massiva form st\u00e5r som ett stumt vittne till det \u00f6gonblick d\u00e5 \u00e5rhundradegamla former inspirerar f\u00f6delsen av nya, \u00e4nnu mer kraftfulla id\u00e9er.<\/i><\/p>\n
H\u00f8yde: 117,5 cm Bredde: 62,5 cm<\/p>\n
Veggspeil i eik med utsk\u00e5ret ramme \u2014 i Barokkstil<\/b><\/p>\n
Dette usedvanlig tunge og monumentale veggspeilet legemliggj\u00f8r den sene historismens streben etter representativ prakt og vekker barokkstilens mest overd\u00e5dige tradisjoner til live. Den massive rammen i m\u00f8rk eik er rik p\u00e5 mesterlige, dype og skulpturelle h\u00e5ndutskj\u00e6ringer. Den \u00f8verste delen av rammen krones av en imponerende kartusj med et stilisert muslingmotiv (rocaille) og svungne akantusblader. Sidene er prydet med tette guirlander av druer, blader og blomster, mens den nedre delen integrerer det klassiske motivet med stiliserte havmonstre (delfiner). Det todelte speilglasset er innfattet i dette billedhuggermesterverket og gir det en uforlignelig dybde.<\/p>\n
Stykket er et autentisk originalverk av dekorativ kunst fra andre halvdel eller slutten av 1800-tallet, skapt i historismens periode. Speil av denne kaliberen med s\u00e5 detaljert, flerlagsutskj\u00e6ring er ytterst sjelden i dag. De vitner om en tid da enhver detalje i herreg\u00e5rdenes og byhusenes interi\u00f8r skulle understreke eierens status og smak.<\/p>\n
P\u00e5 grunn av sine uttrykksfulle proporsjoner egner dette speilet seg ideelt som hovedaksent i en romslig gang, en representativ stue over en konsoll eller i et stilfullt arbeidsrom. Det er i utmerket historisk stand. Eikerammen er stabil, feilfri og besitter en dyp trepatina. Glasset viser minimale alderstegn. Gjenstandens tilstand er fullt ut gjenspeilet p\u00e5 fotografiene.<\/p>\n
Et \u00f8jeblikksbilde fra slutten av 1800-tallet, Z\u0101le):<\/i><\/b> P\u00e5 terskelen til \u00e5rhundreskiftet opplever arkitektur og samfunnsliv i hele den baltiske regionen en uovertruffen blomstringstid. I gatene i Riga, Tartu og Vilnius blandes den gamle, tunge atmosf\u00e6ren fra imperiet med den nye industrielle pulsen, noe som skaper en unik kontrast. Mens samfunnet \u00f8nsker nye id\u00e9er, dominerer den monumentale barokke prakten fortsatt i de store salene, hvor enhver utskj\u00e6ring i eikethreet synes \u00e5 fortelle om historiens ub\u00f8nh\u00f8rlige kraft.<\/i><\/p>\n
I skumringen av et rom hvor duften av voks og gamle b\u00f8ker fortsatt henger i luften, holder Z\u0101le) inne for et \u00f8yeblikk og betrakter det tunge speilet p\u00e5 veggen. I dens m\u00f8rke ramme, mellom dypt utsk\u00e5rne muslinger og vinranker, speiles lyset fra lysene og billedhuggerens s\u00f8kende blikk. Denne massive formen st\u00e5r som et stumt vitne til det \u00f8yeblikket n\u00e5r \u00e5rhundregamle former inspirerer f\u00f8dselen av nye, enda mer kraftfulde id\u00e9er.<\/i><\/p>\n
Korkeus: 117,5 cm Leveys: 62,5 cm<\/p>\n
Tamminen sein\u00e4peili veistetyll\u00e4 kehyksell\u00e4 \u2014 Barokkityyli\u00e4<\/b><\/p>\n
T\u00e4m\u00e4 poikkeuksellisen raskas ja monumentaalinen sein\u00e4peili ilment\u00e4\u00e4 my\u00f6h\u00e4isen historismin pyrkimyst\u00e4 edustavaan loistoon, her\u00e4tt\u00e4en eloon barokkityylin runsaimmat perinteet. Sen massiivisessa, tummassa tammikehyksess\u00e4 on eritt\u00e4in korkealaatuisia, syvi\u00e4 ja veistoksellisia k\u00e4sity\u00f6n\u00e4 tehtyj\u00e4 kaiverruksia. Kehyksen yl\u00e4osaa koristaa vaikuttava kartussi, jossa on stilisoidun simpukan (rocaille) ja akantuksenlehtien liike. Sivuja koristavat tihe\u00e4t viiniryp\u00e4leiden, lehtien ja kukkien k\u00f6ynn\u00f6kset, kun taas alaosassa on renessanssin ja barokin sisustukselle tyypillinen stilisoitujen merihirvi\u00f6iden (delfiinien) motiivi. Kaksiosainen peililasi on upotettu t\u00e4h\u00e4n kuvanveistotaiteen mestariteokseen, mik\u00e4 luo peilille ainutlaatuisen syvyyden.<\/p>\n
Esine on aito koristetaiteen alkuper\u00e4isteos 1800-luvun j\u00e4lkipuoliskolta tai lopulta, ja se on valmistettu historismin aikakaudella, jolloin parhaat eurooppalaiset mestarit inspiroituivat hoviarkkitehtuurista. T\u00e4m\u00e4n kokoluokan ja painon peilit, joissa on n\u00e4in yksityiskohtainen ja monikerroksinen k\u00e4sintehty kaiverrus, ovat eritt\u00e4in harvinaisia. Ne todistavat ajasta, jolloin jokainen yksityiskohta kartanoiden ja kaupunkitalojen salongeissa palveli omistajan aseman ja hienostuneen maun osoituksena.<\/p>\n
Ilmeikk\u00e4iden proportsioidensa vuoksi t\u00e4m\u00e4 peili sopii erinomaisesti p\u00e4\u00e4korosteeksi tilavaan k\u00e4yt\u00e4v\u00e4\u00e4n, edustavaan olohuoneeseen konsolin yl\u00e4puolelle tai tyylikk\u00e4\u00e4seen ty\u00f6huoneeseen. Se on eritt\u00e4in hyv\u00e4ss\u00e4 historiallisessa ja teknisess\u00e4 kunnossa. Tammikehys on tukeva ja virheet\u00f6n, ja siin\u00e4 on syv\u00e4 puun patina. Lasissa on v\u00e4h\u00e4n luonnollisia i\u00e4n merkkej\u00e4. Esineen kunto n\u00e4kyy t\u00e4ydellisesti valokuvissa.<\/p>\n
Tilannekuva 1800-luvun lopulta, Z\u0101le):<\/i><\/b> Vuosisadan vaihteen kynnyksell\u00e4 kaupunkiarkkitehtuuri ja julkinen el\u00e4m\u00e4 koko Baltian alueella kokevat ennenkuulumatonta kukoistusta. Riian, Tallinnan ja Vilnan kaduilla vanha, raskas imperiumin tunnelma alkaa sekoittua uuteen teolliseen vilin\u00e4\u00e4n ja modernismin ensimm\u00e4isiin tuuliin, luoden ainutlaatuisen kontrastin aikakausien risteyksess\u00e4. Kun yhteiskunnassa her\u00e4\u00e4 kaipaus uusiin muotoihin, suurten talojen salongeissa hallitsee edelleen monumentaalinen vankkuus ja hovikelpoinen barokkinen loisto, jossa jokainen tammen kaiverrus tuntuu kertovan historian muuttumattomasta voimasta.<\/i><\/p>\n
H\u00e4m\u00e4r\u00e4n peitt\u00e4m\u00e4ss\u00e4 huoneessa, jossa ilmassa tuoksuu yh\u00e4 vaha ja vanhat kirjat, Z\u0101le) pys\u00e4htyy hetkeksi tarkastelemaan sein\u00e4ll\u00e4 olevaa suurta, raskasta peili\u00e4. Sen tummassa tammikehyksess\u00e4, syv\u00e4\u00e4n veistettyjen simpukoiden ja viinik\u00f6ynn\u00f6sten keskell\u00e4, v\u00e4l\u00e4ht\u00e4\u00e4 kynttil\u00f6iden heijastus ja kuvanveist\u00e4j\u00e4n oma vakava, etsiv\u00e4 katse. T\u00e4m\u00e4 massiivinen, melkein monumentaalinen puinen muoto seisoo tilassa enemm\u00e4n kuin pelkk\u00e4n\u00e4 koristeena \u2014 se on kuin itse kiveen ja puuhun veistetty historian henk\u00e4ys, hiljainen ja j\u00e4rkkym\u00e4t\u00f6n todistaja hetkelle, jolloin vuosisataiset muodot inspiroivat uusien, entist\u00e4 suurempien ajatusten synty\u00e4.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"
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