{"id":778,"date":"2019-10-30T16:44:26","date_gmt":"2019-10-30T14:44:26","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=778"},"modified":"2026-09-07T20:11:48","modified_gmt":"2026-09-07T17:11:48","slug":"throne-chair-renaissance-revival-oak-37","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/throne-chair-renaissance-revival-oak-37\/","title":{"rendered":"Neorenesanses kara\u013ca kr\u0113sls ar lauv\u0101m, mor\u0113ts ozols ar kokgriezumiem, liela izm\u0113ra (37)"},"content":{"rendered":"

Cena nor\u0101d\u012bta par 1 kr\u0113slu.<\/strong><\/p>\n

Neorenesanses kara\u013ca kr\u0113sls ar lauv\u0101m \u2014 Mor\u0113ts ozols, 19. gs. otr\u0101 puse<\/strong><\/p>\n

\u0160is greznais “kara\u013ca” atp\u016btas kr\u0113sls (throne chair<\/em>) ir neorenesanses<\/strong> (Renaissance Revival) stila darbs no tum\u0161i mor\u0113ta ozolkoka<\/strong>, darin\u0101ts 19. gadsimta otraj\u0101 pus\u0113<\/strong>. Augsto atzveltni vainago izteiksm\u012bgs kokgriezuma heraldisks vairogs (kartu\u0161s) starp diviem pret\u012b st\u0101vo\u0161iem lauv\u0101m<\/strong> \u2014 abi izstr\u0101d\u0101ti ar dzi\u013cu, plastisku roku, ko rad\u012bjis prasm\u012bgs kokt\u0113lnieks. Roku balsti nosl\u0113dzas ar kokgriezuma lauvu galv\u0101m, bet atzveltni un s\u0113dvietu balsta virpotas, kanel\u0113tas kolonnas un mas\u012bvs H-veida k\u0101ju savienojums. Sarkanais vel\u016bra apvilkums ar zeltainu naglu apdari pie\u0161\u0137ir kr\u0113slam svin\u012bgu, gandr\u012bz tro\u0146a cien\u012bgu raksturu.<\/p>\n

Izm\u0113ri: Kr\u0113sls \u2014 augstums 134,5 cm, platums 65 cm, dzi\u013cums 60,5 cm.<\/p>\n

Izgatavo\u0161anas periods, m\u0101kslas stils, laikmets<\/strong><\/p>\n

Kr\u0113sls darin\u0101ts neorenesanses<\/strong> stil\u0101 19. gadsimta otraj\u0101 pus\u0113<\/strong>, kad historisma laikmets ar lepnumu atdz\u012bvin\u0101ja 16. gadsimta renesanses formu valodu. Stilam rakstur\u012bga arhitektoniska, kolonn\u0101m un vairogiem struktur\u0113ta uzb\u016bve, heraldiski mot\u012bvi un sp\u0113c\u012bgs figur\u0101lais kokgriezums \u2014 lauvas, maskaroni, akanta lapas. \u0160eit renesanses monument\u0101l\u0101 nopietn\u012bba savijas ar 19. gadsimta gaumi p\u0113c reprezent\u0101cijas, radot gabalu, kas dom\u0101ts domin\u0113t telp\u0101.<\/p>\n

\ud83c\uddf1\ud83c\uddfb Renesanses atdzim\u0161anas momentuz\u0146\u0113mums:<\/em> Kokt\u0113lnieks Ernests nolika kaltu un atk\u0101p\u0101s no darbgalda, \u013caujot r\u012bta gaismai no augst\u0101 darbn\u012bcas loga sl\u012bd\u0113t p\u0101r tikko pabeigto formu. Skaidu un e\u013c\u013cas smar\u017ea v\u0113l st\u0101v\u0113ja gais\u0101, kad vi\u0146a plauksta ap\u0146\u0113ma silt\u0101 ozola izliekumu un sajuta zem pirkstiem dz\u012bvnieka kr\u0113pju katru cirtu, v\u0113l asu no kalta. Aug\u0161\u0101, vairoga s\u0101nos, divi sp\u0113ka pilni st\u0101vi \u0161\u0137ita sastingu\u0161i pusl\u0113cien\u0101, gatavi sarg\u0101t to, kas v\u0113l nebija nosaukts. Meistars pav\u0113roja savu darbu ar kluso lepnumu, k\u0101ds rodas tikai tad, kad koks p\u0101rst\u0101j b\u016bt materi\u0101ls un s\u0101k elpot.<\/p>\n

Ra\u017eot\u0101js<\/strong><\/p>\n

Kr\u0113sls darin\u0101ts Eiropas darbn\u012bc\u0101, kas specializ\u0113j\u0101s mas\u012bv\u0101s neorenesanses m\u0113bel\u0113s ar augstv\u0113rt\u012bgu figur\u0101lo kokgriezumu. Lauvu un heraldisk\u0101 vairoga detaliz\u0101cija liecina par nopietnu kokt\u0113lnieka darbu, ne s\u0113rijveida ra\u017eojumu.<\/p>\n

Retums un noz\u012bme<\/strong><\/p>\n

Saglab\u0101ti neorenesanses “tro\u0146a” tipa kr\u0113sli ar pilnu, neboj\u0101tu figur\u0101lo kokgriezumu un lauv\u0101m tirg\u016b sastopami reti \u2014 tie ir iecien\u012bti k\u0101 centr\u0101ls, domin\u0113jo\u0161s interjera elements.<\/p>\n

Pielietojums interjer\u0101, dizain\u0101 un fotogr\u0101fij\u0101<\/strong><\/p>\n

Kr\u0113sls ir sp\u0113c\u012bgs akcents reprezentat\u012bv\u0101 kabinet\u0101, bibliot\u0113k\u0101, vestibil\u0101 vai pils stila interjer\u0101. Tum\u0161ais ozols un sarkanais vel\u016brs veido dramatisku, fotog\u0113nisku kompoz\u012bciju interjera, portreta un priek\u0161metu fotogr\u0101fij\u0101 \u2014 iecien\u012bts gan k\u0101 tronis fotosesij\u0101s, gan k\u0101 v\u0113sturisks akcents.<\/p>\n

St\u0101voklis<\/strong><\/p>\n

Kr\u0113sls atbilsto\u0161i vecumam labi saglab\u0101jies; ozolam un kokgriezumam rakstur\u012bga tum\u0161a patina. Vel\u016bra apvilkumam iesp\u0113jamas vieglas vecuma un nodiluma paz\u012bmes. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n

\n

\ud83c\uddf7\ud83c\uddfa \u042d\u0442\u043e \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u043e\u0435 \u00ab\u043a\u043e\u0440\u043e\u043b\u0435\u0432\u0441\u043a\u043e\u0435\u00bb \u043a\u0440\u0435\u0441\u043b\u043e (throne chair<\/em>) \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043e \u0432 \u0441\u0442\u0438\u043b\u0435 \u043d\u0435\u043e\u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441<\/strong> (Renaissance Revival) \u0438\u0437 \u0442\u0451\u043c\u043d\u043e \u043c\u043e\u0440\u0435\u043d\u043e\u0433\u043e \u0434\u0443\u0431\u0430<\/strong>, \u0441\u043e\u0437\u0434\u0430\u043d\u043e \u0432\u043e \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0435 XIX \u0432\u0435\u043a\u0430<\/strong>. \u0412\u044b\u0441\u043e\u043a\u0443\u044e \u0441\u043f\u0438\u043d\u043a\u0443 \u0432\u0435\u043d\u0447\u0430\u0435\u0442 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u0440\u0435\u0437\u043d\u043e\u0439 \u0433\u0435\u0440\u0430\u043b\u044c\u0434\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0449\u0438\u0442 (\u043a\u0430\u0440\u0442\u0443\u0448) \u043c\u0435\u0436\u0434\u0443 \u0434\u0432\u0443\u043c\u044f \u0441\u0442\u043e\u044f\u0449\u0438\u043c\u0438 \u0434\u0440\u0443\u0433 \u043f\u0440\u043e\u0442\u0438\u0432 \u0434\u0440\u0443\u0433\u0430 \u043b\u044c\u0432\u0430\u043c\u0438<\/strong> \u2014 \u043e\u0431\u0430 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u044b \u0433\u043b\u0443\u0431\u043e\u043a\u043e\u0439, \u043f\u043b\u0430\u0441\u0442\u0438\u0447\u043d\u043e\u0439 \u0440\u0443\u043a\u043e\u0439 \u043c\u0430\u0441\u0442\u0435\u0440\u0430-\u0440\u0435\u0437\u0447\u0438\u043a\u0430. \u041f\u043e\u0434\u043b\u043e\u043a\u043e\u0442\u043d\u0438\u043a\u0438 \u0437\u0430\u0432\u0435\u0440\u0448\u0430\u044e\u0442\u0441\u044f \u0440\u0435\u0437\u043d\u044b\u043c\u0438 \u043b\u044c\u0432\u0438\u043d\u044b\u043c\u0438 \u0433\u043e\u043b\u043e\u0432\u0430\u043c\u0438, \u0430 \u0441\u043f\u0438\u043d\u043a\u0443 \u0438 \u0441\u0438\u0434\u0435\u043d\u044c\u0435 \u043f\u043e\u0434\u0434\u0435\u0440\u0436\u0438\u0432\u0430\u044e\u0442 \u0442\u043e\u0447\u0451\u043d\u044b\u0435 \u043a\u0430\u043d\u043d\u0435\u043b\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0435 \u043a\u043e\u043b\u043e\u043d\u043d\u044b \u0438 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u043e\u0435 \u041d-\u043e\u0431\u0440\u0430\u0437\u043d\u043e\u0435 \u0441\u043e\u0435\u0434\u0438\u043d\u0435\u043d\u0438\u0435 \u043d\u043e\u0436\u0435\u043a. \u041a\u0440\u0430\u0441\u043d\u0430\u044f \u0432\u0435\u043b\u044e\u0440\u043e\u0432\u0430\u044f \u043e\u0431\u0438\u0432\u043a\u0430 \u0441 \u0437\u043e\u043b\u043e\u0442\u0438\u0441\u0442\u043e\u0439 \u043e\u0431\u0438\u0432\u043a\u043e\u0439 \u0433\u0432\u043e\u0437\u0434\u0438\u043a\u0430\u043c\u0438 \u043f\u0440\u0438\u0434\u0430\u0451\u0442 \u043a\u0440\u0435\u0441\u043b\u0443 \u0442\u043e\u0440\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439, \u043f\u043e\u0447\u0442\u0438 \u0442\u0440\u043e\u043d\u043d\u044b\u0439 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440.<\/p>\n

\u0420\u0430\u0437\u043c\u0435\u0440\u044b: \u041a\u0440\u0435\u0441\u043b\u043e \u2014 \u0432\u044b\u0441\u043e\u0442\u0430 134,5 \u0441\u043c, \u0448\u0438\u0440\u0438\u043d\u0430 65 \u0441\u043c, \u0433\u043b\u0443\u0431\u0438\u043d\u0430 60,5 \u0441\u043c.<\/p>\n

\u041a\u0440\u0435\u0441\u043b\u043e \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043e \u0432 \u0441\u0442\u0438\u043b\u0435 \u043d\u0435\u043e\u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441<\/strong> \u0432\u043e \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0435 XIX \u0432\u0435\u043a\u0430<\/strong>, \u043a\u043e\u0433\u0434\u0430 \u044d\u043f\u043e\u0445\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430 \u0441 \u0433\u043e\u0440\u0434\u043e\u0441\u0442\u044c\u044e \u0432\u043e\u0437\u0440\u043e\u0436\u0434\u0430\u043b\u0430 \u0444\u043e\u0440\u043c\u0430\u043b\u044c\u043d\u044b\u0439 \u044f\u0437\u044b\u043a \u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441\u0430 XVI \u0432\u0435\u043a\u0430. \u0421\u0442\u0438\u043b\u044e \u0441\u0432\u043e\u0439\u0441\u0442\u0432\u0435\u043d\u043d\u044b \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0438\u0447\u043d\u043e\u0441\u0442\u044c, \u043f\u043e\u0441\u0442\u0440\u043e\u0435\u043d\u0438\u0435 \u0438\u0437 \u043a\u043e\u043b\u043e\u043d\u043d \u0438 \u0449\u0438\u0442\u043e\u0432, \u0433\u0435\u0440\u0430\u043b\u044c\u0434\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043c\u043e\u0442\u0438\u0432\u044b \u0438 \u043c\u043e\u0449\u043d\u0430\u044f \u0444\u0438\u0433\u0443\u0440\u043d\u0430\u044f \u0440\u0435\u0437\u044c\u0431\u0430 \u2014 \u043b\u044c\u0432\u044b, \u043c\u0430\u0441\u043a\u0430\u0440\u043e\u043d\u044b, \u043b\u0438\u0441\u0442\u044c\u044f \u0430\u043a\u0430\u043d\u0442\u0430. \u0417\u0434\u0435\u0441\u044c \u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441\u043d\u0430\u044f \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u0430\u044f \u0441\u0435\u0440\u044c\u0451\u0437\u043d\u043e\u0441\u0442\u044c \u043f\u0435\u0440\u0435\u043f\u043b\u0435\u0442\u0430\u0435\u0442\u0441\u044f \u0441\u043e \u0432\u043a\u0443\u0441\u043e\u043c XIX \u0432\u0435\u043a\u0430 \u043a \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0441\u0442\u0438, \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u044f \u043f\u0440\u0435\u0434\u043c\u0435\u0442, \u043f\u0440\u0438\u0437\u0432\u0430\u043d\u043d\u044b\u0439 \u0434\u043e\u043c\u0438\u043d\u0438\u0440\u043e\u0432\u0430\u0442\u044c \u0432 \u043f\u043e\u043c\u0435\u0449\u0435\u043d\u0438\u0438.<\/p>\n

\ud83c\uddf7\ud83c\uddfa \u0421\u043d\u0438\u043c\u043e\u043a \u044d\u043f\u043e\u0445\u0438 \u0412\u043e\u0437\u0440\u043e\u0436\u0434\u0435\u043d\u0438\u044f-\u0440\u0435\u0432\u0430\u0439\u0432\u043b:<\/em> \u0420\u0435\u0437\u0447\u0438\u043a \u042d\u0440\u043d\u0435\u0441\u0442 \u043e\u0442\u043b\u043e\u0436\u0438\u043b \u0440\u0435\u0437\u0435\u0446 \u0438 \u043e\u0442\u0441\u0442\u0443\u043f\u0438\u043b \u043e\u0442 \u0432\u0435\u0440\u0441\u0442\u0430\u043a\u0430, \u043f\u043e\u0437\u0432\u043e\u043b\u044f\u044f \u0443\u0442\u0440\u0435\u043d\u043d\u0435\u043c\u0443 \u0441\u0432\u0435\u0442\u0443 \u0438\u0437 \u0432\u044b\u0441\u043e\u043a\u043e\u0433\u043e \u043e\u043a\u043d\u0430 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u043e\u0439 \u0441\u043a\u043e\u043b\u044c\u0437\u0438\u0442\u044c \u043f\u043e \u0442\u043e\u043b\u044c\u043a\u043e \u0447\u0442\u043e \u0437\u0430\u043a\u043e\u043d\u0447\u0435\u043d\u043d\u043e\u0439 \u0444\u043e\u0440\u043c\u0435. \u0417\u0430\u043f\u0430\u0445 \u0441\u0442\u0440\u0443\u0436\u043a\u0438 \u0438 \u043c\u0430\u0441\u043b\u0430 \u0435\u0449\u0451 \u0441\u0442\u043e\u044f\u043b \u0432 \u0432\u043e\u0437\u0434\u0443\u0445\u0435, \u043a\u043e\u0433\u0434\u0430 \u0435\u0433\u043e \u043b\u0430\u0434\u043e\u043d\u044c \u043e\u0431\u0445\u0432\u0430\u0442\u0438\u043b\u0430 \u0438\u0437\u0433\u0438\u0431 \u0442\u0451\u043f\u043b\u043e\u0433\u043e \u0434\u0443\u0431\u0430 \u0438 \u043e\u0449\u0443\u0442\u0438\u043b\u0430 \u043f\u043e\u0434 \u043f\u0430\u043b\u044c\u0446\u0430\u043c\u0438 \u043a\u0430\u0436\u0434\u044b\u0439 \u0437\u0430\u0432\u0438\u0442\u043e\u043a \u0437\u0432\u0435\u0440\u0438\u043d\u043e\u0439 \u0433\u0440\u0438\u0432\u044b, \u0435\u0449\u0451 \u043e\u0441\u0442\u0440\u044b\u0439 \u043e\u0442 \u0440\u0435\u0437\u0446\u0430. \u041d\u0430\u0432\u0435\u0440\u0445\u0443, \u043f\u043e \u0441\u0442\u043e\u0440\u043e\u043d\u0430\u043c \u0449\u0438\u0442\u0430, \u0434\u0432\u0435 \u043f\u043e\u043b\u043d\u044b\u0435 \u0441\u0438\u043b\u044b \u0444\u0438\u0433\u0443\u0440\u044b \u0441\u043b\u043e\u0432\u043d\u043e \u0437\u0430\u0441\u0442\u044b\u043b\u0438 \u0432 \u043f\u043e\u043b\u0443\u043f\u0440\u044b\u0436\u043a\u0435, \u0433\u043e\u0442\u043e\u0432\u044b\u0435 \u043e\u0445\u0440\u0430\u043d\u044f\u0442\u044c \u0442\u043e, \u0447\u0442\u043e \u0435\u0449\u0451 \u043d\u0435 \u0431\u044b\u043b\u043e \u043d\u0430\u0437\u0432\u0430\u043d\u043e. \u041c\u0430\u0441\u0442\u0435\u0440 \u0441\u043c\u043e\u0442\u0440\u0435\u043b \u043d\u0430 \u0441\u0432\u043e\u044e \u0440\u0430\u0431\u043e\u0442\u0443 \u0441 \u0442\u0435\u043c \u0442\u0438\u0445\u0438\u043c \u0433\u043e\u0440\u0434\u044b\u043c \u0447\u0443\u0432\u0441\u0442\u0432\u043e\u043c, \u043a\u043e\u0442\u043e\u0440\u043e\u0435 \u0440\u043e\u0436\u0434\u0430\u0435\u0442\u0441\u044f \u043b\u0438\u0448\u044c \u0442\u043e\u0433\u0434\u0430, \u043a\u043e\u0433\u0434\u0430 \u0434\u0435\u0440\u0435\u0432\u043e \u043f\u0435\u0440\u0435\u0441\u0442\u0430\u0451\u0442 \u0431\u044b\u0442\u044c \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u043e\u043c \u0438 \u043d\u0430\u0447\u0438\u043d\u0430\u0435\u0442 \u0434\u044b\u0448\u0430\u0442\u044c.<\/p>\n

\u0421\u043e\u0445\u0440\u0430\u043d\u0438\u0432\u0448\u0438\u0435\u0441\u044f \u043a\u0440\u0435\u0441\u043b\u0430-\u0442\u0440\u043e\u043d\u044b \u0432 \u0441\u0442\u0438\u043b\u0435 \u043d\u0435\u043e\u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441 \u0441 \u043f\u043e\u043b\u043d\u043e\u0439, \u043d\u0435\u043f\u043e\u0432\u0440\u0435\u0436\u0434\u0451\u043d\u043d\u043e\u0439 \u0444\u0438\u0433\u0443\u0440\u043d\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u043e\u0439 \u0438 \u043b\u044c\u0432\u0430\u043c\u0438 \u0432\u0441\u0442\u0440\u0435\u0447\u0430\u044e\u0442\u0441\u044f \u043d\u0430 \u0440\u044b\u043d\u043a\u0435 \u0440\u0435\u0434\u043a\u043e \u2014 \u043e\u043d\u0438 \u0446\u0435\u043d\u044f\u0442\u0441\u044f \u043a\u0430\u043a \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u044b\u0439, \u0434\u043e\u043c\u0438\u043d\u0438\u0440\u0443\u044e\u0449\u0438\u0439 \u044d\u043b\u0435\u043c\u0435\u043d\u0442 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430. \u041a\u0440\u0435\u0441\u043b\u043e \u0441\u0442\u0430\u043d\u0435\u0442 \u043c\u043e\u0449\u043d\u044b\u043c \u0430\u043a\u0446\u0435\u043d\u0442\u043e\u043c \u0432 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u043c \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0435, \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0435, \u0445\u043e\u043b\u043b\u0435 \u0438\u043b\u0438 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0435 \u0434\u0432\u043e\u0440\u0446\u043e\u0432\u043e\u0433\u043e \u0441\u0442\u0438\u043b\u044f. \u0422\u0451\u043c\u043d\u044b\u0439 \u0434\u0443\u0431 \u0438 \u043a\u0440\u0430\u0441\u043d\u044b\u0439 \u0432\u0435\u043b\u044e\u0440 \u043e\u0431\u0440\u0430\u0437\u0443\u044e\u0442 \u0434\u0440\u0430\u043c\u0430\u0442\u0438\u0447\u043d\u0443\u044e, \u0444\u043e\u0442\u043e\u0433\u0435\u043d\u0438\u0447\u043d\u0443\u044e \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044e \u0434\u043b\u044f \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u043d\u043e\u0439, \u043f\u043e\u0440\u0442\u0440\u0435\u0442\u043d\u043e\u0439 \u0438 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u043d\u043e\u0439 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0438 \u2014 \u0436\u0435\u043b\u0430\u043d\u043d\u044b\u0439 \u043a\u0430\u043a \u0442\u0440\u043e\u043d \u0434\u043b\u044f \u0444\u043e\u0442\u043e\u0441\u0435\u0441\u0441\u0438\u0439 \u0438 \u043a\u0430\u043a \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0430\u043a\u0446\u0435\u043d\u0442.<\/p>\n

\u041a\u0440\u0435\u0441\u043b\u043e \u0445\u043e\u0440\u043e\u0448\u043e \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u043e\u0441\u044c \u0441\u043e\u043e\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0435\u043d\u043d\u043e \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u0443; \u0434\u0443\u0431\u0443 \u0438 \u0440\u0435\u0437\u044c\u0431\u0435 \u0441\u0432\u043e\u0439\u0441\u0442\u0432\u0435\u043d\u043d\u0430 \u0442\u0451\u043c\u043d\u0430\u044f \u043f\u0430\u0442\u0438\u043d\u0430. \u041d\u0430 \u0432\u0435\u043b\u044e\u0440\u043e\u0432\u043e\u0439 \u043e\u0431\u0438\u0432\u043a\u0435 \u0432\u043e\u0437\u043c\u043e\u0436\u043d\u044b \u043b\u0451\u0433\u043a\u0438\u0435 \u0441\u043b\u0435\u0434\u044b \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u0430 \u0438 \u0438\u0437\u043d\u043e\u0441\u0430. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n

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\ud83c\uddec\ud83c\udde7 Renaissance Revival Throne Chair with Carved Lions<\/strong><\/h2>\n

This magnificent king’s armchair is a Renaissance Revival throne chair<\/strong> in dark-stained oak<\/strong>, made in the second half of the 19th century<\/strong>. The tall back is crowned by an expressive carved heraldic shield (cartouche) between two facing lions<\/strong> \u2014 both worked with the deep, plastic hand of a skilled woodcarver. The arms terminate in carved lion’s heads, while turned, fluted columns and a massive H-shaped leg stretcher support the back and seat. The red velvet upholstery with golden nail-head trim gives this throne chair<\/strong> a solemn, almost regal character.<\/p>\n

Dimensions: Chair \u2014 height 134.5 cm, width 65 cm, depth 60.5 cm.<\/p>\n

The Style of this Throne Chair<\/strong><\/p>\n

The chair is made in the Renaissance Revival<\/strong> style of the second half of the 19th century<\/strong>, when the historicist era proudly revived the formal language of the 16th-century Renaissance. The style is marked by an architectonic structure built of columns and shields, heraldic motifs and powerful figural carving \u2014 lions, mascarons, acanthus leaves. Here the monumental seriousness of the Renaissance interweaves with the 19th-century taste for display, producing a piece meant to dominate a room.<\/p>\n

\ud83c\uddec\ud83c\udde7 Renaissance Revival snapshot:<\/em> The woodcarver Ernest set down his chisel and stepped back from the bench, letting the morning light from the tall workshop window slide across the form he had just finished. The scent of shavings and oil still hung in the air as his palm closed around the curve of the warm oak and felt, beneath his fingers, every curl of the beast’s mane, still sharp from the blade. Above, on either side of the shield, two figures full of strength seemed frozen mid-leap, ready to guard what had not yet been named. The master regarded his work with the quiet pride that comes only when wood ceases to be material and begins to breathe.<\/p>\n

Surviving Renaissance Revival throne-type chairs with full, undamaged figural carving and lions are seldom found on the market \u2014 they are prized as a central, dominant element of an interior. The chair makes a powerful accent in a stately study, library, hall or palace-style interior. The dark oak and red velvet form a dramatic, photogenic composition for interior, portrait and object photography \u2014 favoured both as a throne for photo shoots and as a historical accent.<\/p>\n

The chair is well preserved for its age, with the dark patina natural to oak and carved wood. The velvet upholstery may show light signs of age and wear. The condition of the item is fully reflected in the photographs.<\/p>\n

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\ud83c\udde9\ud83c\uddea Dieser pr\u00e4chtige \u201eK\u00f6nigssessel” (throne chair<\/em>) ist eine Arbeit im Stil der Neorenaissance<\/strong> (Renaissance Revival) aus dunkel gebeiztem Eichenholz<\/strong>, gefertigt in der zweiten H\u00e4lfte des 19. Jahrhunderts<\/strong>. Die hohe Lehne kr\u00f6nt ein ausdrucksvoller geschnitzter heraldischer Schild (Kartusche) zwischen zwei einander gegen\u00fcberstehenden L\u00f6wen<\/strong> \u2014 beide mit der tiefen, plastischen Hand eines ge\u00fcbten Holzbildhauers gearbeitet. Die Armlehnen enden in geschnitzten L\u00f6wenk\u00f6pfen, w\u00e4hrend gedrechselte, kannelierte S\u00e4ulen und eine massive H-f\u00f6rmige Beinverstrebung Lehne und Sitz tragen. Der rote Velours-Bezug mit goldenem Ziernagelbesatz verleiht dem Sessel einen feierlichen, beinahe k\u00f6niglichen Charakter.<\/p>\n

Ma\u00dfe: Sessel \u2014 H\u00f6he 134,5 cm, Breite 65 cm, Tiefe 60,5 cm.<\/p>\n

Der Sessel ist im Stil der Neorenaissance<\/strong> der zweiten H\u00e4lfte des 19. Jahrhunderts<\/strong> gefertigt, als die historistische Epoche die Formensprache der Renaissance des 16. Jahrhunderts mit Stolz wiederbelebte. Den Stil kennzeichnen ein architektonischer, aus S\u00e4ulen und Schilden gebauter Aufbau, heraldische Motive und kraftvolle fig\u00fcrliche Schnitzerei \u2014 L\u00f6wen, Maskarons, Akanthusbl\u00e4tter. Hier verbindet sich die monumentale Ernsthaftigkeit der Renaissance mit dem repr\u00e4sentativen Geschmack des 19. Jahrhunderts zu einem St\u00fcck, das einen Raum beherrschen soll.<\/p>\n

\ud83c\udde9\ud83c\uddea Momentaufnahme der Neorenaissance-Zeit:<\/em> Der Holzbildhauer Ernst legte den Mei\u00dfel nieder und trat vom Werktisch zur\u00fcck, sodass das Morgenlicht aus dem hohen Werkstattfenster \u00fcber die eben vollendete Form glitt. Der Geruch von Sp\u00e4nen und \u00d6l hing noch in der Luft, als seine Handfl\u00e4che sich um die W\u00f6lbung der warmen Eiche legte und unter den Fingern jede Locke der Tierm\u00e4hne sp\u00fcrte, noch scharf vom Eisen. Oben, zu beiden Seiten des Schildes, schienen zwei kraftstrotzende Gestalten mitten im Sprung erstarrt, bereit zu bewachen, was noch nicht benannt war. Der Meister betrachtete sein Werk mit jenem stillen Stolz, der nur entsteht, wenn das Holz aufh\u00f6rt, Material zu sein, und zu atmen beginnt.<\/p>\n

Erhaltene Throsessel der Neorenaissance mit vollst\u00e4ndiger, unbesch\u00e4digter fig\u00fcrlicher Schnitzerei und L\u00f6wen sind auf dem Markt selten \u2014 sie werden als zentrales, dominierendes Element eines Interieurs gesch\u00e4tzt. Der Sessel bildet einen kraftvollen Akzent in einem repr\u00e4sentativen Arbeitszimmer, einer Bibliothek, einer Halle oder einem Interieur im Palaststil. Die dunkle Eiche und der rote Velours ergeben eine dramatische, fotogene Komposition f\u00fcr Interieur-, Portr\u00e4t- und Objektfotografie \u2014 beliebt als Thron f\u00fcr Fotoshootings und als historischer Akzent.<\/p>\n

Der Sessel ist altersgem\u00e4\u00df gut erhalten, mit der f\u00fcr Eiche und Schnitzwerk nat\u00fcrlichen dunklen Patina. Der Velours-Bezug kann leichte Alters- und Gebrauchsspuren zeigen. Der Zustand des Objekts ist auf den Fotografien vollst\u00e4ndig wiedergegeben.<\/p>\n

\n

\ud83c\uddeb\ud83c\uddf7 Ce magnifique fauteuil \u00ab royal \u00bb (throne chair<\/em>) est une \u0153uvre de style n\u00e9o-Renaissance<\/strong> (Renaissance Revival) en ch\u00eane<\/strong> teint\u00e9 fonc\u00e9, r\u00e9alis\u00e9e dans la seconde moiti\u00e9 du XIXe si\u00e8cle<\/strong>. Le haut dossier est couronn\u00e9 d’un expressif \u00e9cu h\u00e9raldique sculpt\u00e9 (cartouche) entre deux lions<\/strong> affront\u00e9s \u2014 tous deux travaill\u00e9s par la main profonde et plastique d’un sculpteur sur bois habile. Les accotoirs se terminent par des t\u00eates de lion sculpt\u00e9es, tandis que des colonnes tourn\u00e9es et cannel\u00e9es et une massive entretoise en H soutiennent le dossier et l’assise. Le rev\u00eatement en velours rouge \u00e0 garniture de clous dor\u00e9s conf\u00e8re au fauteuil un caract\u00e8re solennel, presque royal.<\/p>\n

Dimensions : Fauteuil \u2014 hauteur 134,5 cm, largeur 65 cm, profondeur 60,5 cm.<\/p>\n

Le fauteuil est r\u00e9alis\u00e9 dans le style n\u00e9o-Renaissance<\/strong> de la seconde moiti\u00e9 du XIXe si\u00e8cle<\/strong>, lorsque l’\u00e9poque historiciste faisait revivre avec fiert\u00e9 le langage formel de la Renaissance du XVIe si\u00e8cle. Le style se caract\u00e9rise par une construction architectonique faite de colonnes et d’\u00e9cus, des motifs h\u00e9raldiques et une puissante sculpture figurative \u2014 lions, mascarons, feuilles d’acanthe. Ici, la gravit\u00e9 monumentale de la Renaissance se m\u00eale au go\u00fbt du XIXe si\u00e8cle pour l’apparat, produisant une pi\u00e8ce destin\u00e9e \u00e0 dominer une pi\u00e8ce.<\/p>\n

\ud83c\uddeb\ud83c\uddf7 Instantan\u00e9 de la Renaissance retrouv\u00e9e :<\/em> Le sculpteur sur bois Ernest posa son ciseau et recula de l’\u00e9tabli, laissant la lumi\u00e8re du matin venue de la haute fen\u00eatre de l’atelier glisser sur la forme qu’il venait d’achever. L’odeur des copeaux et de l’huile flottait encore dans l’air lorsque sa paume \u00e9pousa la courbe du ch\u00eane chaud et sentit, sous ses doigts, chaque boucle de la crini\u00e8re de la b\u00eate, encore vive sous la lame. En haut, de part et d’autre de l’\u00e9cu, deux figures pleines de force semblaient fig\u00e9es en plein bond, pr\u00eates \u00e0 garder ce qui n’avait pas encore de nom. Le ma\u00eetre contempla son \u0153uvre avec cette fiert\u00e9 tranquille qui ne na\u00eet que lorsque le bois cesse d’\u00eatre mati\u00e8re et commence \u00e0 respirer.<\/p>\n

Les fauteuils-tr\u00f4nes n\u00e9o-Renaissance conserv\u00e9s, \u00e0 sculpture figurative compl\u00e8te et intacte et \u00e0 lions, se rencontrent rarement sur le march\u00e9 \u2014 ils sont pris\u00e9s comme \u00e9l\u00e9ment central et dominant d’un int\u00e9rieur. Le fauteuil forme un accent puissant dans un bureau d’apparat, une biblioth\u00e8que, un hall ou un int\u00e9rieur de style palais. Le ch\u00eane fonc\u00e9 et le velours rouge composent une composition dramatique et photog\u00e9nique pour la photographie d’int\u00e9rieur, de portrait et d’objet \u2014 appr\u00e9ci\u00e9 comme tr\u00f4ne pour les s\u00e9ances photo et comme accent historique.<\/p>\n

Le fauteuil est bien conserv\u00e9 pour son \u00e2ge, avec la patine fonc\u00e9e naturelle au ch\u00eane et au bois sculpt\u00e9. Le rev\u00eatement en velours peut pr\u00e9senter de l\u00e9gers signes d’\u00e2ge et d’usure. L’\u00e9tat de l’objet est enti\u00e8rement refl\u00e9t\u00e9 par les photographies.<\/p>\n","protected":false},"excerpt":{"rendered":"

Iespaid\u012bgs neorenesanses “tro\u0146a” kr\u0113sls no mor\u0113ta ozola ar kokgriezuma lauv\u0101m, heraldisku vairogu un sarkanu vel\u016bru. 19. gs. otr\u0101 puse. Reprezentat\u012bvs, domin\u0113jo\u0161s interjera gabals.<\/p>\n","protected":false},"featured_media":779,"template":"","meta":[],"product_brand":[],"product_cat":[214,207,204],"product_tag":[291,276,373,372,347],"class_list":["post-778","product","type-product","status-publish","has-post-thumbnail","product_cat-kresli","product_cat-mebeles","product_cat-visas-lietas","product_tag-arm-chair","product_tag-armchair","product_tag-kings-chair","product_tag-372","product_tag-347","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/779"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=778"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=778"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=778"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}