\ud83d\udcd0 Augstums 20 cm \u00d7 platums 20 cm.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n \u0160is ka\u0161po pieder tam augl\u012bgajam p\u0101rejas br\u012bdim, kad Aestheticism<\/strong> \u2014 ang\u013cu m\u0101kslas kust\u012bba, kas sludin\u0101ja “m\u0101kslu m\u0101kslas p\u0113c” un dabas skaistumu k\u0101 augst\u0101ko v\u0113rt\u012bbu \u2014 v\u0113l tur\u0113ja savas grafisk\u0101s, prec\u012bz\u0101s formas, bet J\u016bgendstils<\/strong> jau atnesa jaunu organisko l\u012bniju valodu. Abas est\u0113tikas \u0161eit sadz\u012bvo vien\u0101 objekt\u0101: kompoz\u012bcija ar dz\u0113rv\u0113m purvain\u0101 ainav\u0101 ir japonisme<\/em> ietekm\u0113ta ar ornitologa un bot\u0101ni\u0137a precizit\u0101ti \u2014 tie\u0161i tas bija Aestheticism<\/strong> un agr\u0101 J\u016bgendstila<\/strong> \u012bpa\u0161\u0101kais atradums, aizsniedzot jap\u0101\u0146u ukiyo-e<\/em> grafiku un tu\u0161as glezniec\u012bbu k\u0101 paraugu.<\/p>\n Galven\u0101 aina: divi br\u016bni dz\u0113rvju<\/em> tipa putni ar zilganiem galvas plankumiem st\u0101v sekla \u016bdens ain\u0101 ar sarkaniem lotosa ziediem, za\u013cu niedru un purvainu ve\u0123et\u0101ciju \u2014 panor\u0101ma, kas atg\u0101dina Jap\u0101nas sumi-e<\/em> trad\u012bciju, bet izpild\u012bta Eiropas transferdruka<\/em> ar roku pievienotu kr\u0101su tehnik\u0101. Otr\u0101 puse \u2014 prec\u012bzs bot\u0101nisks niedru un z\u0101les zari\u0146u studiju fragments uz tuk\u0161a balta fona, kas liecina par Aestheticism<\/strong> saudz\u012bgo minim\u0101lismu: klusums un telpa k\u0101 m\u0101ksliniecisks pa\u0146\u0113miens. Melnas filet<\/em> joslas aug\u0161\u0101 un apak\u0161\u0101 un neliela zelta filet<\/em> iek\u0161pus\u0113 veido vizu\u0101li disciplin\u0113tu ietvaru.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n Apak\u0161\u0101 redzams mazs drukas z\u012bmogs \u2014 visticam\u0101k Anglijas<\/strong> keramikas registry mark<\/em> vai ra\u017eot\u0101ja numurs, kas p\u0113c fotogr\u0101fijas kvalit\u0101tes nav piln\u012bb\u0101 salas\u0101ms. \u0160\u0101ds mar\u0137\u0113jums forma un atra\u0161an\u0101s vieta atbilst vair\u0101kiem Staffordshire<\/strong> un Potteries<\/strong> rajona ra\u017eot\u0101jiem, kas akt\u012bvi darboj\u0101s 1875.\u20131900. gados<\/strong> \u2014 perioda, kad ang\u013cu keramika piedz\u012bvoja savu otro ziedu laiku, eksport\u0113jot japonisme<\/em> iedvesmotus porcel\u0101na priek\u0161metus vis\u0101 Eirop\u0101, ASV un Britu imp\u0113rij\u0101. Dekora kvalit\u0101te \u2014 prec\u012bz\u0101 transferdruka<\/em> ar smalki uzkl\u0101tiem kr\u0101su akcentiem, lotosa roz\u0101 tonis, zilganais putnu spalvu efekts \u2014 nor\u0101da uz r\u016bp\u012bgi str\u0101d\u0101jo\u0161u profesion\u0101lu manufakt\u016bru.<\/p>\n Anglijas Potteries rajons \u2014 Staffordshire<\/strong>, kur\u0101 atrad\u0101s pils\u0113tas k\u0101 Stoke-on-Trent<\/strong>, Wedgwood<\/strong>, Minton<\/strong>, Spode<\/strong> un citas le\u0123end\u0101ras manufakt\u016bras \u2014 19. gs. otraj\u0101 pus\u0113 bija pasaules vado\u0161ais keramikas ra\u017eo\u0161anas centrs, kura izstr\u0101d\u0101jumi kl\u0101ja galdu traukus un dekorat\u012bvos priek\u0161metus Eiropas, \u0100zijas un Amerikas lab\u0101kaj\u0101s m\u0101jsaimniec\u012bb\u0101s.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n Ang\u013cu Aestheticism<\/strong> perioda ka\u0161po ar japonisme<\/em> dz\u0113rvju ainu un bot\u0101nisk\u0101 minim\u0101lisma otru pusi \u0161\u0101d\u0101 saglab\u0101t\u012bbas pak\u0101p\u0113 ir mekl\u0113ts kolekcion\u0101ru vid\u016b, kas v\u0101c Victorian<\/strong> un Aesthetic Movement<\/strong> keramiku. Dz\u0113rve k\u0101 mot\u012bvs ir dzi\u013ci simbolisks gan Jap\u0101nas, gan \u0136\u012bnas kult\u016br\u0101 \u2014 t\u0101 noz\u012bm\u0113 ilgm\u016b\u017e\u012bbu, uzticam\u012bbu un dv\u0113seles t\u012br\u012bbu \u2014 un \u0161\u012b simbolikas apzin\u0101t\u0101 izmanto\u0161ana Eiropas japonisme<\/em> keramik\u0101 19. gs. beig\u0101s padara \u0161\u0101du priek\u0161metu par iev\u0113rojamu kult\u016brv\u0113sturisko dokumentu.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n Ide\u0101ls k\u0101 interjera akcents<\/strong> bibliot\u0113k\u0101, konsol\u0113 vai uz palodzes Aestheticism<\/strong>, Arts & Crafts<\/strong>, J\u016bgendstila<\/strong> vai jap\u0101\u0146u minim\u0101lisma iedvesmot\u0101 interjer\u0101. Ka\u0161po darbojas lieliski ar\u012b ar za\u013ciem augiem iek\u0161\u0101 \u2014 dz\u012bv\u0101 ve\u0123et\u0101cija turpina apgleznoto niedru un purva augu tematiku. Izcils rekviz\u012bts dabas, bot\u0101nikas un jap\u0101niski iedvesmot\u0101 fotogr\u0101fij\u0101 \u2014 dzelteno ro\u017eu kombin\u0101cija fotogr\u0101fij\u0101s ir teicams piem\u0113rs.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n Dz\u0113rve ir ilgm\u016b\u017e\u012bbas un uzticam\u012bbas simbols \u0100zijas kult\u016br\u0101 \u2014 \u0161is ka\u0161po ir izsmalcin\u0101ta un p\u0101rdom\u0101ta d\u0101vana dabas m\u012b\u013cot\u0101jiem, Jap\u0101nas kult\u016bras entuziastiem un Victorian<\/strong> interjera kolekcion\u0101riem. Skaista d\u0101vana jubilejai vai m\u0101jas iek\u0101rto\u0161anas gad\u012bjum\u0101.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n Porcel\u0101na korpuss lab\u0101 st\u0101vokl\u012b, glaz\u016bra sp\u012bd\u012bga. Meln\u0101s filet<\/em> joslas ar nelielu nodilumu pie malas aug\u0161as. Apak\u0161\u0101 redzams neliels traipu sl\u0101nis uz foot ring<\/em> \u2014 liecina par izmanto\u0161anu k\u0101 pu\u0137u podam. Z\u012bmogs salas\u0101ms da\u013c\u0113ji. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n \ud83d\udcd0 Height 20 cm \u00d7 Width 20 cm.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f PERIOD, ART STYLE AND HISTORICAL CONTEXT<\/strong><\/p>\n This cachepot belongs to that fertile transitional moment when Aestheticism<\/strong> \u2014 the English art movement that proclaimed “art for art’s sake” and the beauty of nature as the highest value \u2014 still held its graphic, precise forms, while Art Nouveau<\/strong> was already introducing a new organic linear vocabulary. Both aesthetics coexist in a single object: the composition of cranes in a marsh landscape is japonisme<\/em>-influenced, executed with the precision of an ornithologist and botanist \u2014 precisely the defining discovery of Aestheticism<\/strong> and early Art Nouveau<\/strong>, reaching toward Japanese ukiyo-e<\/em> printmaking and ink painting as their model.<\/p>\n The primary scene: two brown crane-type birds with blue-tinged head markings stand in a shallow waterscape with pink lotus blooms, green reeds and marsh vegetation \u2014 a panorama evoking the Japanese sumi-e<\/em> tradition, rendered in European transfer print<\/em> with hand-applied colour accents. The reverse face presents a precise botanical study of grass and reed sprays on a plain white ground \u2014 a demonstration of Aestheticism<\/strong>‘s considered minimalism: silence and space as an artistic device. Black filet<\/em> lines at top and bottom and a slender gilt filet<\/em> inside provide a visually disciplined frame.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f MAKER AND MARK<\/strong><\/p>\n The base bears a small printed mark \u2014 most likely an English registry mark<\/em> or maker’s number which is not fully legible from the photograph. This form and placement of marking is consistent with several manufacturers from the Staffordshire<\/strong> and Potteries<\/strong> district active during 1875\u20131900<\/strong> \u2014 a period when English ceramics experienced their second golden age, exporting japonisme<\/em>-inspired porcelain across Europe, the United States and the British Empire. The quality of the decoration \u2014 precise transfer print<\/em> with finely applied colour accents, the pink lotus tone, the blue-tinged feather effect \u2014 indicates a carefully operating professional manufactory.<\/p>\n The Staffordshire<\/strong> Potteries district \u2014 home to legendary manufactories including Wedgwood<\/strong>, Minton<\/strong> and Spode<\/strong> \u2014 was the world’s leading ceramic production centre in the second half of the 19th century, whose wares graced the finest households across Europe, Asia and America.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n An English Aestheticism<\/strong> period cachepot bearing a japonisme<\/em> crane scene and a botanical minimalist reverse in this state of preservation is sought after among collectors of Victorian<\/strong> and Aesthetic Movement<\/strong> ceramics. The crane as a motif carries deep symbolic meaning in both Japanese and Chinese culture \u2014 representing longevity, fidelity and purity of spirit \u2014 and the conscious use of this symbolism in European japonisme<\/em> ceramics of the late 19th century makes such a piece a notable cultural-historical document.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n An ideal interior accent<\/strong> in a library, on a console or a windowsill in an Aestheticism<\/strong>, Arts & Crafts<\/strong>, Art Nouveau<\/strong> or Japanese minimalism-inspired interior. The cachepot works beautifully with living plants inside \u2014 living vegetation continues the painted theme of reeds and marsh plants. An outstanding prop for nature, botanical and Japanese-inspired photography \u2014 the combination with yellow roses in the photographs is an excellent demonstration of its visual potential.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 AS A GIFT<\/strong><\/p>\n The crane is a symbol of longevity and fidelity in Asian culture \u2014 this cachepot makes a refined and considered gift for nature lovers, Japanese culture enthusiasts and collectors of Victorian interior objects. A beautiful choice for an anniversary or housewarming.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d CONDITION<\/strong><\/p>\n The porcelain body is in good condition with a glossy glaze. The black filet<\/em> lines show minor wear at the upper rim. The base shows a light layer of surface soiling on the foot ring<\/em>, indicating use as a planter. The mark is partially legible. Condition is fully reflected in the photographs.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n","protected":false},"excerpt":{"rendered":" Ang\u013cu porcel\u0101na ka\u0161po ar dz\u0113rv\u0113m, lotosa ziediem un niedru ainavu. Japonisma ietekme. Aestheticism \/ J\u016bgendstils, Anglija, ap 1880.\u20131900. Augstums 20 cm \u00d7 platums 20 cm.<\/p>\n","protected":false},"featured_media":7716,"template":"","meta":[],"product_brand":[],"product_cat":[238,211,204],"product_tag":[],"class_list":["post-7715","product","type-product","status-publish","has-post-thumbnail","product_cat-pukpodi-kaspo","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/7715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/7716"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=7715"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=7715"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=7715"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=7715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Porcelain Cachepot with Cranes in Marsh Scene \u2014 Aestheticism \/ Art Nouveau, England, circa 1880\u20131900.<\/strong><\/h3>\n