\ud83d\udcd0 Augstums 17 cm \u00d7 garums 36 cm.<\/p>\n
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\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n \u0160is ka\u0161po pieder Historicisma<\/strong> laikmeta izsmalcin\u0101t\u0101kajai reljefu keramikas trad\u012bcijai \u2014 periodam, kad 19. gadsimta otr\u0101s puses Eiropas r\u016bpn\u012bcas un manufakt\u016bras ar akad\u0113misku dedz\u012bbu atgrieza dz\u012bv\u0113 Renesanses<\/strong> un Baroka<\/strong> ornament\u0101l\u0101s sist\u0113mas, izmantojot majolica<\/em> un barbotine<\/em> glaz\u016bru tehnikas, lai rad\u012btu skulptur\u0101las, tr\u012bsdimension\u0101las keramikas virsmas.<\/p>\n Dekors run\u0101 Neo-Renesanses<\/strong> un Neo-Baroka<\/strong> valod\u0101 ar pilnu ornamenta v\u0101rdn\u012bcu: centr\u0101laj\u0101 josl\u0101 \u2014 sp\u0101rnotie putto<\/em> jeb e\u0146\u0123e\u013ci, kas rota\u013c\u012bgi c\u012bn\u0101s ar delf\u012bna<\/em> tipa j\u016bras rad\u012bjumu akantus<\/em> lapu vijumu vid\u016b \u2014 \u0161is mot\u012bvs tie\u0161i atsaucas uz Rafa\u0113la<\/strong> un Mikeland\u017eelo<\/strong> dekor\u0101cij\u0101m Vatik\u0101na logij\u0101s un Fontainebleau<\/strong> skolas stucco<\/em> trad\u012bciju. Abos s\u0101nos \u2014 lauvas maskaroni<\/em> k\u0101 rokturi, kas pie\u0161\u0137ir traukam monument\u0101lu, arhitektonisku raksturu. Aug\u0161mal\u0101 \u2014 glieme\u017ev\u0101ku (coquille<\/em>) vainags un joslu cannelure<\/em> ornaments; apak\u0161\u0101 \u2014 stiliz\u0113ts meandrs<\/em>. Visa virsma kl\u0101ta ar tum\u0161za\u013cu un melnu barbotine<\/em> glaz\u016bru ar kr\u0113mkr\u0101sas augsto reljefu \u2014 klasiska Historicisma<\/strong> majolica<\/em> kr\u0101su kombin\u0101cija, kas rad\u012bja barokainu kontrastu starp tum\u0161o fonu un gai\u0161o skulptur\u0101lo dekoru.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n Apak\u0161\u0101 redzams neskaidrs z\u012bmogs \u2014 izskat\u0101s p\u0113c burtiem ar numuru, ta\u010du fotogr\u0101fij\u0101 nav piln\u012bb\u0101 salas\u0101ms. \u0160\u0101da reljefa majolica<\/em> ar putto<\/em>, lauvas maskaroniem un barbotine<\/em> glaz\u016bru ir rakstur\u012bga gan Francijas<\/strong> (Sarreguemines<\/em>, Choisy-le-Roi<\/em>, Gien<\/em>), gan V\u0101cijas<\/strong> (Villeroy & Boch<\/em>, Mettlach<\/em>, Schramberg<\/em>) keramikas manufakt\u016br\u0101m, kas 1870.\u20131900. gados<\/strong> ra\u017eoja reprezentat\u012bvus dekorat\u012bvos traukus Historicisma<\/strong> stil\u0101 Eiropas un starptautiskajam tirgum.<\/p>\n Sarreguemines<\/strong> manufakt\u016bra Francij\u0101<\/strong> (Lotring\u0101) un Villeroy & Boch<\/strong> V\u0101cij\u0101<\/strong> bija vado\u0161ie \u0161\u0101da tipa izstr\u0101d\u0101jumu ra\u017eot\u0101ji \u2014 to produkti tika izst\u0101d\u012bti Pasaules izst\u0101d\u0113s Par\u012bz\u0113<\/strong> (1878, 1889, 1900) un V\u012bn\u0113<\/strong> (1873), ieg\u016bstot augstus apbalvojumus un apg\u0101d\u0101jot Eiropas augst\u0101k\u0101s sabiedr\u012bbas interjera vajadz\u012bbas. Ar\u012b bez piln\u012bb\u0101 salas\u0101ma z\u012bmoga \u2014 reljefa kvalit\u0101te, glaz\u016bras dzi\u013cums un ornament\u0101l\u0101s sist\u0113mas precizit\u0101te liecina par profesion\u0101lu lielas manufakt\u016bras ra\u017eojumu.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n Majolica<\/em> ka\u0161po ar skulptur\u0101lu putto<\/em> un lauvas maskarona reljefu \u0161\u0101d\u0101 izm\u0113r\u0101 un saglab\u0101t\u012bbas pak\u0101p\u0113 ir izsmalcin\u0101ts kolekcion\u0101ru priek\u0161mets. Historicisma<\/strong> majolica<\/em> ar fig\u016br\u0101lu reljefu \u2014 \u012bpa\u0161i ar putto<\/em> un lauvu mot\u012bviem \u2014 saglab\u0101 stabilu piepras\u012bjumu Rietumeiropas un Zieme\u013camerikas antikv\u0101ru tirg\u016b. \u0160\u0101di trauki ir mekl\u0113ti gan k\u0101 autonomi skulptur\u0101li objekti, gan k\u0101 interjera akcentu p\u0101ri vai komplekti. Dekora programmas piln\u012bgums \u2014 putto<\/em>, maskaroni<\/em>, akantus<\/em>, coquille<\/em>, meandrs<\/em> \u2014 padara \u0161o trauku par enciklop\u0113disku Neo-Renesanses<\/strong> ornamenta paraugdemonstr\u0101ciju.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n \u0160is ka\u0161po ir domin\u0113jo\u0161s interjera akcents<\/strong> \u2014 pietiekami liels un skulptur\u0101li bag\u0101ts, lai domin\u0113tu uz kam\u012bnmalas, konsoles, bibliot\u0113kas plaukta vai centr\u0101l\u0101 galda jebkur\u0101 Historicisma<\/strong>, Neo-Renesanses<\/strong>, Baroka<\/strong> vai bag\u0101t\u012bg\u0101 eklektisk\u0101 interjer\u0101. Tum\u0161za\u013c\u0101 un meln\u0101 glaz\u016bra ar kr\u0113mkr\u0101sas reljefu lieliski papildina tum\u0161\u0101s koka m\u0113beles, bronzas akcentus un za\u013co augu dekor\u0101ciju \u2014 k\u0101 skaidri redzams fotogr\u0101fij\u0101s ar dzelteno ro\u017eu kompoz\u012bciju. Izcils rekviz\u012bts reprezentat\u012bv\u0101 interjera un produktu fotogr\u0101fij\u0101.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n Ka\u0161po ar lauvas maskaroniem ir reprezentat\u012bva d\u0101vana Lauvas horoskopa z\u012bmes<\/strong> \u012bpa\u0161niekam, vad\u012bt\u0101jam vai ikvienam, kas identific\u0113jas ar sp\u0113ka, varen\u012bbas un c\u0113luma simboliku. Putto<\/em> mot\u012bvs pie\u0161\u0137ir traukam papildu noz\u012bmi \u2014 tas ir m\u0101kslas, m\u012blest\u012bbas un rado\u0161uma simbols. Korporat\u012bv\u0101 vai diplom\u0101tisk\u0101 l\u012bme\u0146a d\u0101vana, kas izsaka augstu gaumi un kult\u016bras izpratni.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n Keramikas korpuss lab\u0101 st\u0101vokl\u012b, reljefs skaidrs un piln\u012bgs. Barbotine<\/em> glaz\u016bra ar dabisku patinu \u2014 neliels kr\u0113mkr\u0101sas reljefa nodilums vietumis atbilst trauka vecumam. Apak\u0161\u0101 redzams neskaidrs z\u012bmogs ar nelielu sarkanu ies\u0101r\u0146ojumu \u2014 iesp\u0113jams, vecas uzl\u012bmes vai kr\u0101sas p\u0113da. Foot ring<\/em> ar dabisku nolietojuma p\u0113d\u0101m. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n \ud83d\udcd0 Height 17 cm \u00d7 Length 36 cm.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f PERIOD, ART STYLE AND HISTORICAL CONTEXT<\/strong><\/p>\n This cachepot belongs to the most refined relief ceramics tradition of the Historicist<\/strong> era \u2014 a period when the factories and manufactories of late 19th-century Europe, with academic zeal, restored the ornamental systems of the Renaissance<\/strong> and Baroque<\/strong> to life, employing majolica<\/em> and barbotine<\/em> glaze techniques to create sculptural, three-dimensional ceramic surfaces.<\/p>\n The decoration speaks in the full vocabulary of Neo-Renaissance<\/strong> and Neo-Baroque<\/strong> ornament: the central register presents winged putti<\/em> playfully wrestling with dolphin-type sea creatures amid acanthus<\/em> leaf scrolls \u2014 a motif drawn directly from Raphael<\/strong>‘s Vatican Loggie decorations and the stucco<\/em> tradition of the Fontainebleau<\/strong> school. On either side, lion mascarons<\/em> serve as handles, lending the vessel a monumental, architectural character. The upper rim carries a coquille<\/em> shell crown and cannelure<\/em> band; the base features a stylised meander<\/em>. The entire surface is covered in dark green and black barbotine<\/em> glaze with cream-coloured high relief \u2014 the classic Historicist<\/strong> majolica<\/em> colour combination that creates a baroque contrast between the dark ground and the pale sculptural decoration.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f MAKER AND MARK<\/strong><\/p>\n The base bears a mark that is not fully legible in the photograph \u2014 it appears to show letters with a number. Relief majolica<\/em> of this type \u2014 with putti<\/em>, lion mascarons and barbotine<\/em> glaze \u2014 is characteristic of both French<\/strong> manufactories (Sarreguemines<\/em>, Choisy-le-Roi<\/em>, Gien<\/em>) and German<\/strong> ones (Villeroy & Boch<\/em>, Mettlach<\/em>, Schramberg<\/em>), which during 1870\u20131900<\/strong> produced representative decorative vessels in the Historicist<\/strong> style for the European and international market.<\/p>\n The Sarreguemines<\/strong> manufactory in France<\/strong> (Lorraine) and Villeroy & Boch<\/strong> in Germany<\/strong> were the leading producers of this type \u2014 their products were exhibited at the World Fairs in Paris<\/strong> (1878, 1889, 1900) and Vienna<\/strong> (1873), winning high awards and supplying the interior needs of European high society. Even without a fully legible mark, the quality of the relief modelling, the depth of the glaze and the precision of the ornamental system attest to the production of a professional large-scale manufactory.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n A majolica<\/em> cachepot with sculptural putto<\/em> and lion mascaron relief in this size and state of preservation is a refined collector’s piece. Historicist<\/strong> majolica<\/em> with figural relief \u2014 particularly with putti<\/em> and lion motifs \u2014 maintains steady demand on the Western European and North American antiques market. Such vessels are sought both as autonomous sculptural objects and as pairs or sets of interior accents. The completeness of the decorative programme \u2014 putti<\/em>, mascarons<\/em>, acanthus<\/em>, coquille<\/em>, meander<\/em> \u2014 makes this cachepot an encyclopaedic demonstration of Neo-Renaissance<\/strong> ornament.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n This cachepot is a dominant interior accent<\/strong> \u2014 large and sculptural enough to command a mantelpiece, console, library shelf or central table in any Historicist<\/strong>, Neo-Renaissance<\/strong>, Baroque<\/strong> or richly eclectic interior. The dark green and black glaze with cream relief complements dark wood furniture, bronze accents and living plant decoration beautifully \u2014 as clearly demonstrated in the photographs with the yellow rose composition. An outstanding prop for representative interior and product photography.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 AS A GIFT<\/strong><\/p>\n A cachepot bearing lion mascarons is a distinguished gift for those born under the Leo<\/strong> zodiac sign, for leaders, or for anyone who identifies with the symbolism of strength, nobility and authority. The putto<\/em> motif adds a further dimension \u2014 it is a symbol of art, love and creative spirit. A corporate or diplomatic-level gift expressing refined taste and cultural understanding.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d CONDITION<\/strong><\/p>\n The ceramic body is in good condition; the relief is clear and complete. The barbotine<\/em> glaze carries a natural patina \u2014 minor wear to the cream relief in places is consistent with the age of the piece. The base shows a partially legible mark with a small red stain \u2014 possibly the trace of an old label or pigment. The foot ring<\/em> shows natural signs of use. Condition is fully reflected in the photographs.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n","protected":false},"excerpt":{"rendered":" Majolica ka\u0161po ar dzi\u013cu skulptur\u0101lu reljefu: putto e\u0146\u0123e\u013ci, lauvas maskaronu rokturi, akantus vijumi, glieme\u017ev\u0101ku vainags. Barbotine glaz\u016bra melnza\u013c\u0101 un kr\u0113mkr\u0101s\u0101. Historicisms \/ Neo-Renesanse, Francija\/V\u0101cija, ap 1870.\u20131900. Augstums 17 cm \u00d7 garums 36 cm.<\/p>\n","protected":false},"featured_media":7705,"template":"","meta":[],"product_brand":[],"product_cat":[238,211,204],"product_tag":[],"class_list":["post-7704","product","type-product","status-publish","has-post-thumbnail","product_cat-pukpodi-kaspo","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/7704","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/7705"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=7704"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=7704"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=7704"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=7704"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Majolica Cachepot with Putti, Lion Masks and Acanthus Scrolls \u2014 Historicism \/ Neo-Renaissance, France or Germany, circa 1870\u20131900.<\/strong><\/h3>\n