﻿{"id":6583,"date":"2021-07-13T18:31:02","date_gmt":"2021-07-13T15:31:02","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=6583"},"modified":"2026-09-07T20:45:08","modified_gmt":"2026-09-07T17:45:08","slug":"wooden-vitrine-with-glass-and-bronze-detailing-2420","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/wooden-vitrine-with-glass-and-bronze-detailing-2420\/","title":{"rendered":"Riekstakoka Vitr\u012bna ar Marquetry Intarsiju, Izliektu Stiklu un Bronzas Ormolu \u2014 Luija XV stils, Francija, ap 1880.\u20131900. (2420)"},"content":{"rendered":"<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83d\udcd0 IZM\u0112RI<\/strong> Augstums 168 cm \u00d7 platums 86 cm \u00d7 dzi\u013cums 45 cm.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<h3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"><strong>Riekstakoka Vitr\u012bna ar <em>Marquetry<\/em> Intarsiju, Izliektu Stiklu un Bronzas <em>Ormolu<\/em> \u2014 Luija XV stils, Francija, ap 1880.\u20131900.<\/strong><\/h3>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\udfdb\ufe0f <strong>IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u0160\u012b vitr\u012bna ir <strong>Belle \u00c9poque<\/strong> Par\u012bzes galdniec\u012bbas m\u0101kslas kvintesence \u2014 viss, ko \u0161is laikmets m\u012bl\u0113ja, apvienots vien\u0101 priek\u0161met\u0101. Stilistiski t\u0101 pieder <strong>Luija XV<\/strong> (<em>Louis Quinze<\/em>) atdzim\u0161anai, kas <strong>Belle \u00c9poque<\/strong> period\u0101 (1871\u20131914) sasniedza savu otro kulmin\u0101ciju Francij\u0101: <em>serpentine<\/em> vi\u013c\u0146otais korpuss, <em>bomb\u00e9<\/em> formas s\u0101ni, izlie\u043a\u0442\u0101s <em>cabriole<\/em> k\u0101jas ar bronzas uzga\u013ciem, vi\u013c\u0146ot\u0101 aug\u0161da\u013ca ar bag\u0101t\u012bgu bronzas <em>ormolu<\/em> vainagu \u2014 tas viss run\u0101 18. gadsimta Versa\u013cas est\u0113tiskaj\u0101 valod\u0101, ko 19. gadsimts p\u0101rtulkoja ar industr\u0101l\u0101 laikmeta precizit\u0101ti un p\u0101rpiln\u012bbu.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Tr\u012bs elementi padara \u0161o vitr\u012bnu \u012bpa\u0161i izcilu. Pirmk\u0101rt \u2014 <em>marquetry<\/em> ziedu groza intarsija apak\u0161\u0113j\u0101 priek\u0161\u0113j\u0101 panel\u012b: smalki ielaidumi no gai\u0161\u0101ka koka uz tum\u0161\u0101 riekstakoka fona, ar pu\u0137u v\u0101zi un roz\u0113m k\u0101 centr\u0101lo mot\u012bvu \u2014 tas ir klasisks <em>Belle \u00c9poque<\/em> Par\u012bzes <em>marqueterie<\/em> \u017eanrs. Otrk\u0101rt \u2014 izlie\u043a\u0442ais <em>bomb\u00e9<\/em> stikls vitr\u012bnas durv\u012bs un s\u0101nu pane\u013cos, kas rada gandr\u012bz skulptur\u0101lu, dz\u012bv\u012bgu siluetu. Tre\u0161k\u0101rt \u2014 gai\u0161i zil\u0101 (<em>bleu ciel<\/em>) auduma iek\u0161puse, kas rad\u012bta, lai uz t\u0101 fona porcel\u0101ns vai stikls izskat\u012btos k\u0101 peldo\u0161s gais\u0101.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><em>Belle \u00c9poque momentuz\u0146\u0113mums:<\/em> Ren\u0101rs Magnuss Em\u012bls Zol\u0101 1880. gad\u0101 public\u0113ja rom\u0101nu &#8220;Nana&#8221; \u2014 un visa Par\u012bze run\u0101ja par saloniem, kur dz\u012bvoja vi\u0146a varones. Tie\u0161i \u0161\u0101das vitr\u012bnas ar zilu iek\u0161pusi un <em>marquetry<\/em> intarsij\u0101m rot\u0101ja t\u0101s dz\u012bvojam\u0101s istabas, ko Zol\u0101 aprakst\u012bja ar t\u0101du precizit\u0101ti, ka las\u012bt\u0101ji jut\u0101s, it k\u0101 st\u0101v\u0113tu tur pa\u0161i. \u0160\u012b vitr\u012bna <em>ir<\/em> tas salons.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u269c\ufe0f <strong>RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Konkr\u0113ts ra\u017eot\u0101ja mar\u0137\u0113jums nav saglab\u0101jies, ta\u010du <em>marquetry<\/em> intarsijas kvalit\u0101te, bronzas <em>ormolu<\/em> aplik\u0101ciju detaliz\u0101cija un izlie\u043a\u0442\u0101 stikla izmantojums skaidri nor\u0101da uz <strong>Par\u012bzes<\/strong> augst\u0101k\u0101s klases <em>\u00e9b\u00e9niste<\/em> tradiciju, <strong>ap 1880.\u20131900. gadu<\/strong>. Bronzas <em>rocaille<\/em> vainags aug\u0161da\u013c\u0101 \u2014 nep\u0101rtraukts vi\u013c\u0146ains zaru un lapu mot\u012bvs \u2014 ir tie\u0161i t\u0101 stila aplik\u0101cija, ko Par\u012bzes <em>fondeurs-ciseleurs<\/em> specializ\u0113t\u0101s bronzas darbn\u012bcas izgatavoja ekskluz\u012bvi \u0161\u0101diem skapjiem. Izlie\u043a\u0442ais <em>bomb\u00e9<\/em> stikls bija tehniski sare\u017e\u0123\u012bts un d\u0101rgs \u2014 tas liecina, ka skapnis pas\u016bt\u012bts augst\u0101k\u0101 cenu kategorij\u0101. \u0160\u0101da tipa vitr\u012bnas tika eksport\u0113tas uz vis\u0101m Eiropas galvaspils\u0113t\u0101m, tostarp Londonu, Berl\u012bni un Sanktp\u0113terburgu.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udc8e <strong>RETUMS UN NOZ\u012aME<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Luija XV<\/strong> stila vitr\u012bnas ar <em>visiem<\/em> \u010detriem izcilajiem elementiem vienlaikus \u2014 <em>marquetry<\/em> intarsiju, izliektu <em>bomb\u00e9<\/em> stiklu, pilnu bronzas <em>rocaille ormolu<\/em> programmu un ori\u0123in\u0101lu gai\u0161i zil\u0101 auduma iek\u0161pusi \u2014 ir iev\u0113rojami ret\u0101kas nek\u0101 standarta furniera skapji. Katrs no \u0161iem elementiem atsevi\u0161\u0137i jau paaugstina priek\u0161meta v\u0113rt\u012bbu; to apvienojums vien\u0101 skapn\u012b ir kolekcijas atradums. Gai\u0161i zil\u0101 (<em>bleu ciel<\/em>) iek\u0161puse ir saglab\u0101jusies, kas ir retums \u2014 parasti \u0161\u0101ds audums tiek aizst\u0101ts restaur\u0101cij\u0101. Izlie\u043a\u0442ais stikls \u2014 tr\u012bs puses \u2014 ir piln\u012bb\u0101 ori\u0123in\u0101ls. Piepras\u012bjums p\u0113c \u0161\u0101da tipa <strong>Belle \u00c9poque<\/strong> Par\u012bzes vitr\u012bn\u0101m starptautiskaj\u0101 tirg\u016b, \u012bpa\u0161i \u0100zij\u0101 un Zieme\u013camerik\u0101, ir past\u0101v\u012bgi augsts.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udd6f\ufe0f <strong>PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u0160\u012b vitr\u012bna ir salona centrs \u2014 ne tikai ekspoz\u012bcijas objekts, bet interjera skulpt\u016bra. Gai\u0161i zil\u0101 iek\u0161puse rada unik\u0101lu kr\u0101su dialogu ar riekstakoka tum\u0161o toni un bronzas zeltu \u2014 tr\u012bs kr\u0101sas, kas kop\u0101 rada <strong>Belle \u00c9poque<\/strong> greznuma saj\u016btu. \u010cetri vi\u013c\u0146oti plaukti iek\u0161pus\u0113 \u013cauj organiz\u0113t kolekciju pa l\u012bme\u0146iem. Interjera dizaineri to izmanto k\u0101 &#8220;kr\u0101su avotu&#8221; \u2014 no t\u0101s zil\u0101s iek\u0161puses aiz\u0146emas telpas akcentkr\u0101su spilvenam, aizkarei vai pakl\u0101jam. Fotogr\u0101fij\u0101 \u0161\u012b vitr\u012bna ir izcils rekviz\u012bts \u2014 t\u0101s izlie\u043a\u0442ais stikls atspogu\u013co gaismu neparedzam\u0101 veid\u0101, radot gandr\u012bz impresionistisku fonu.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\udf81 <strong>D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u0160\u012b vitr\u012bna ir izcila d\u0101vana augst\u0101k\u0101 l\u012bmen\u012b \u2014 cilv\u0113kam ar izsmalcin\u0101tu gaumi un m\u012blest\u012bbu pret Francijas m\u0101kslas v\u0113sturi. <em>Marquetry<\/em> ziedu mot\u012bvs un gai\u0161i zil\u0101 iek\u0161puse padara to par \u012bpa\u0161i piem\u0113rotu d\u0101vanu sievietei ar aizrau\u0161anos ar interjera dizainu vai ant\u012bkvari\u0101tu. T\u0101 ir ar\u012b reprezentat\u012bva korporat\u012bva d\u0101vana birojam vai restor\u0101nam ar fran\u010du est\u0113tikas amb\u012bcij\u0101m.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udd0d <strong>ST\u0100VOKLIS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Vitr\u012bna atrodas lab\u0101 antikv\u0101r\u0101 st\u0101vokl\u012b, atbilsto\u0161i vecumam. Riekstakoka furniers ar bag\u0101t\u012bgu tum\u0161o patinu. <em>Marquetry<\/em> ziedu groza intarsija apak\u0161\u0113j\u0101 panel\u012b \u2014 saglab\u0101jusies, ar nelielu dabiskai veco\u0161anai rakstur\u012bgu plais\u0101\u0161anu. Bronzas <em>ormolu<\/em> aplik\u0101cijas \u2014 <em>rocaille<\/em> vainags aug\u0161da\u013c\u0101, s\u0101nu joslas, k\u0101ju uzga\u013ci un apak\u0161as <em>cartouche<\/em> \u2014 visas kl\u0101t, ar pat\u012bkamu bronzas patinu. Izlie\u043a\u0442ais stikls \u2014 tr\u012bs pus\u0113s \u2014 ori\u0123in\u0101ls, ar rakstur\u012bgu ant\u012bka stikla virsmas dz\u012bv\u012bgumu. Gai\u0161i zil\u0101 auduma iek\u0161puse ar \u010detriem vi\u013c\u0146otiem plauktiem \u2014 saglab\u0101jusies, ar vecuma p\u0113d\u0101m. K\u0101jas ar bronzas uzga\u013ciem \u2014 visas kl\u0101t. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\uddec\ud83c\udde7 <strong>DESCRIPTION IN ENGLISH<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83d\udcd0 DIMENSIONS<\/strong> Height 168 cm \u00d7 Width 86 cm \u00d7 Depth 45 cm.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<h3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"><strong>Walnut Vitrine with <em>Marquetry<\/em> Inlay, Bowed Glass and Bronze <em>Ormolu<\/em> \u2014 Louis XV Style, France, c. 1880\u20131900.<\/strong><\/h3>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\udfdb\ufe0f <strong>PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">This vitrine is the quintessence of <strong>Belle \u00c9poque<\/strong> Parisian cabinetmaking \u2014 everything this era loved, united in a single object. Stylistically it belongs to the <strong>Louis XV<\/strong> (<em>Louis Quinze<\/em>) revival that reached its second great flowering in France during the <strong>Belle \u00c9poque<\/strong> period (1871\u20131914): the <em>serpentine<\/em> wavy corpus, <em>bomb\u00e9<\/em> bowed sides, curved <em>cabriole<\/em> legs with bronze sabots, and the undulating top with its rich bronze <em>ormolu<\/em> crown \u2014 all speak the 18th-century Versailles aesthetic language, translated by the 19th century with industrial-age precision and abundance.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Three elements make this vitrine particularly exceptional. First \u2014 the <em>marquetry<\/em> flower-basket inlay on the lower front panel: finely inlaid lighter wood on a dark walnut ground, with a floral vase and roses as the central motif \u2014 a classic <em>Belle \u00c9poque<\/em> Parisian <em>marqueterie<\/em> genre. Second \u2014 the bowed <em>bomb\u00e9<\/em> glass in the door and side panels, creating an almost sculptural, living silhouette. Third \u2014 the pale-blue (<em>bleu ciel<\/em>) fabric interior, designed so that porcelain or glass displayed within appears to float against the sky.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><em>Belle \u00c9poque snapshot:<\/em> \u00c9mile Zola published &#8220;Nana&#8221; in 1880 \u2014 and all of Paris talked about the salons where his heroines lived. Precisely these vitrines with blue interiors and <em>marquetry<\/em> inlays furnished the drawing rooms he described with such precision that readers felt they were standing in them. This vitrine <em>is<\/em> that salon.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u269c\ufe0f <strong>MAKER AND PROVENANCE<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">No maker&#8217;s mark survives, but the quality of the <em>marquetry<\/em> inlay, the detail of the bronze <em>ormolu<\/em> mounts and the use of bowed glass clearly point to the highest-grade <strong>Parisian<\/strong> <em>\u00e9b\u00e9niste<\/em> tradition, <strong>circa 1880\u20131900<\/strong>. The continuous <em>rocaille<\/em> bronze crown along the top \u2014 a flowing wave of branches and leaves \u2014 is precisely the type of mount produced by Parisian <em>fondeurs-ciseleurs<\/em> exclusively for cabinets of this class. Bowed <em>bomb\u00e9<\/em> glass was technically demanding and expensive \u2014 evidence that this cabinet was commissioned at the highest price point. Vitrines of this type were exported to all European capitals, including London, Berlin and Saint Petersburg.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udc8e <strong>RARITY AND SIGNIFICANCE<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Louis XV<\/strong> style vitrines combining <em>all four<\/em> exceptional elements simultaneously \u2014 <em>marquetry<\/em> inlay, bowed <em>bomb\u00e9<\/em> glass, a full bronze <em>rocaille ormolu<\/em> programme, and an original pale-blue fabric interior \u2014 are considerably rarer than standard veneered cabinets. Each of these elements individually already raises a piece&#8217;s significance; their combination in a single cabinet is a collector&#8217;s find. The pale-blue (<em>bleu ciel<\/em>) interior has survived, which is unusual \u2014 this fabric is typically replaced during restoration. The bowed glass on three sides is entirely original. Demand for this type of <strong>Belle \u00c9poque<\/strong> Parisian vitrine in international markets, particularly in Asia and North America, remains consistently high.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udd6f\ufe0f <strong>INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">This vitrine is a salon centrepiece \u2014 not merely a display object, but an interior sculpture. The pale-blue interior creates a unique colour dialogue with the dark walnut tone and the golden bronze \u2014 three colours that together generate an immediate sensation of <strong>Belle \u00c9poque<\/strong> luxury. Four scalloped shelves inside allow a collection to be organised by level. Interior designers use it as a &#8220;colour source&#8221; \u2014 borrowing its blue interior as an accent colour for a cushion, curtain or rug in the room. In photography this vitrine is an outstanding prop \u2014 its bowed glass reflects light in unpredictable ways, creating an almost Impressionist backdrop.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\udf81 <strong>AS A GIFT<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">This vitrine makes an outstanding gift at the highest level \u2014 for someone with refined taste and a love of French art history. The <em>marquetry<\/em> floral motif and pale-blue interior make it particularly suited as a gift for a woman with a passion for interior design or antiques. It is equally a distinguished corporate gift for an office or restaurant with French aesthetic ambitions.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udd0d <strong>CONDITION<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The vitrine is in good antique condition, consistent with its age. Walnut veneer with a rich dark patina. <em>Marquetry<\/em> flower-basket inlay on the lower panel is intact, with minor natural age-related craquelure. Bronze <em>ormolu<\/em> mounts \u2014 <em>rocaille<\/em> crown along the top, side strips, sabots and lower <em>cartouche<\/em> \u2014 all present, with a pleasing bronze patina. Bowed glass on three sides is original, with the characteristic lively surface quality of antique glass. Pale-blue fabric interior with four scalloped shelves is present, with age-related wear. All four legs with bronze sabots intact. The condition of the item is fully reflected in the photographs.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eleganta vitr\u012bna no riekstakoka furniera ar marquetry ziedu groza intarsiju, izliektu bomb\u00e9 stiklu tr\u012bs pus\u0113s un bag\u0101t\u012bgu bronzas ormolu rocaille aplik\u0101ciju programmu. Luija XV stils, Francija, ap 1880.\u20131900. Gai\u0161i zil\u0101 auduma iek\u0161puse ar \u010detriem vi\u013c\u0146otiem plauktiem. Augstums 168 cm \u00d7 platums 86 cm \u00d7 dzi\u013cums 45 cm.<\/p>\n","protected":false},"featured_media":6584,"template":"","meta":[],"product_brand":[],"product_cat":[207,204,218],"product_tag":[],"class_list":["post-6583","product","type-product","status-publish","has-post-thumbnail","product_cat-mebeles","product_cat-visas-lietas","product_cat-vitrinas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/6583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/6584"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=6583"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=6583"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=6583"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=6583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}