\ud83d\udcd0 Augstums 20,5 cm \u00d7 platums 21 cm.<\/p>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n \u0160is ka\u0161po ir rets piem\u0113rs emalj\u0113ta stikla<\/em> dekorat\u012bvaj\u0101 trad\u012bcij\u0101, kas uzplauka Historicisma<\/strong> laikmet\u0101 un sasniedza savu virsotni p\u0101rej\u0101 uz J\u016bgendstilu<\/strong> \u2014 apm\u0113ram 1880.\u20131910. gados. Stikls k\u0101 ka\u0161po materi\u0101ls ir neparasts un retums: liel\u0101k\u0101 da\u013ca \u0161\u0101 laikmeta pu\u0137u podu gatavota no fajansa, porcel\u0101na vai terakotas \u2014 stikla variants liecina par \u012bpa\u0161u pas\u016bt\u012bjumu vai augst\u0101k\u0101 segmenta dekorat\u012bv\u0101s r\u016bpniec\u012bbas produktu.<\/p>\n \u0136ermenis ir kr\u0113mbalts op\u0101la stikls<\/em> (verre opalin<\/em>) \u2014 necaursp\u012bd\u012bgs, ar maigu pienainu toni \u2014 ar spilgti sarkanu emalja<\/em> apmali aug\u0161\u0101 un apak\u0161\u0101. Priek\u0161pus\u0113 \u2014 pla\u0161a transferdruka<\/em> vai roku kr\u0101sota aina: sievietes fig\u016bra gai\u0161i zil\u0101 un oran\u017e\u0101 t\u0113rp\u0101, ieskauta diviem kailveid\u012bgiem putto<\/em> (m\u012blest\u012bbas dieva Amora<\/em> vai Erota<\/em> tipa b\u0113rniem), kas rota\u013c\u0101jas \u016bde\u0146aini zil\u0101 ainav\u0101. \u0160\u012b ikonogr\u0101fija \u2014 dieviete ar amori\u0146iem<\/em> dabas ark\u0101dij\u0101<\/em> \u2014 ir tie\u0161i saist\u0101ma ar Neoklasicisma<\/strong> un Historicisma<\/strong> mitolisk\u0101s glezniec\u012bbas trad\u012bciju, kas populariz\u0113ja Rafa\u0113la, Buger\u014d un citu meistaru est\u0113tiku pla\u0161\u0101kai publikai.<\/p>\n \u0160is priek\u0161mets pieder tam augl\u012bgajam p\u0101rejas br\u012bdim, kad Historicisms<\/strong> v\u0113l tur\u0113ja savas mitolisk\u0101s fig\u016bras un sarkano-kr\u0113mbalto kr\u0101su dramatur\u0123iju, bet J\u016bgendstils<\/strong> jau atnesa jaunu organisku ornament\u0101lo valodu \u2014 baltie akantus<\/em> un ziedu reljefi<\/em> otr\u0101 pus\u0113 ir tie\u0161i \u0161\u012bs p\u0101rejas z\u012bme. Abas est\u0113tikas \u0161eit sadz\u012bvo vien\u0101 objekt\u0101.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n Nav saglab\u0101jies ra\u017eot\u0101ja z\u012bmogs vai mar\u0137\u0113jums. P\u0113c op\u0101la stikla<\/em> kvalit\u0101tes, emalja<\/em> aplik\u0101cijas tehnikas un mitolisk\u0101s gleznojuma stila priek\u0161mets atbilst Boh\u0113mijas<\/strong> (\u010cehija \/ Austrija<\/em>), Francijas<\/strong> vai Be\u013c\u0123ijas<\/strong> stikla manufakt\u016bru produkcijai \u2014 re\u0123ioniem, kur emalj\u0113ts op\u0101la stikls<\/em> bija pla\u0161i ra\u017eots augst\u0101k\u0101 tirgus segmentam. L\u012bdz\u012bgus priek\u0161metus ra\u017eoja, piem\u0113ram, Moser<\/strong> (Karlsb\u0101de<\/em>) vai Baccarat<\/strong> (Francija<\/em>) tipa darbn\u012bcas, k\u0101 ar\u012b daudzas maz\u0101kas Boh\u0113mijas<\/strong> manufakt\u016bras, kas specializ\u0113j\u0101s dekorat\u012bvaj\u0101 emalj\u0113t\u0101 stikl\u0101<\/em> eksportam uz Rietumeiropu.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n Emalj\u0113ts op\u0101la stikls<\/em> ka\u0161po form\u0101t\u0101 ir neparasts \u2014 liel\u0101k\u0101 da\u013ca \u0161\u0101 materi\u0101la izstr\u0101d\u0101jumu bija v\u0101zes, lampas vai dekorat\u012bvi trauki. Ka\u0161po forma ar sarkano emalja<\/em> apmali un mitolisko ainu ir mekl\u0113ts kolekcion\u0101ru priek\u0161mets, kas apvieno stikla m\u0101kslas v\u0113sturi ar Historicisma<\/strong> mitolisko ikonogr\u0101fiju. Vieglums \u2014 at\u0161\u0137ir\u012bb\u0101 no keramikas vai porcel\u0101na analogiem \u2014 padara to par \u012bpa\u0161i pievilc\u012bgu un \u0113rtu dekor\u0101cijas elementu.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n \u0160is ka\u0161po ieder\u0113sies romantiski eklektisk\u0101, klasisk\u0101 vai boh\u0113misk\u0101<\/em><\/strong> interjer\u0101 \u2014 uz koka galda, gr\u0101matplaukta st\u016br\u012b vai pie loga, kur cauri sp\u012bd gaisma un izgaismo op\u0101la stikla<\/em> pienaino toni. Interjera dizaineriem<\/strong> \u2014 izcils akcentgabals Romantisma<\/em>, Victorian<\/em> vai Maximalism<\/em> stil\u0101 iek\u0101rtot\u0101s telp\u0101s. Fotogr\u0101fiem<\/strong> \u2014 ide\u0101ls prop<\/em> mitoliska, romantiski v\u0113sturiska vai pavasar\u012bga tematikas uz\u0146\u0113mumiem.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n Dievietes un putti<\/em> aina padara \u0161o ka\u0161po par \u013coti personisku un po\u0113tisku d\u0101vanu sievietei, kas m\u012bl klasisko m\u0101kslu, mitologiju vai romantisku est\u0113tiku. Piem\u0113rots k\u0101 dzim\u0161anas dienas, m\u0101tes dienas vai m\u0101jas iesv\u0113t\u012bbu<\/strong> d\u0101vana \u2014 viegls, elegants, vizu\u0101li st\u0101sto\u0161s. Var izmantot k\u0101 dekorat\u012bvu elementu vai k\u0101 podu mazam augam.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n Ka\u0161po ir lab\u0101 antikv\u0101r\u0101 st\u0101vokl\u012b. Stikls \u2014 bez \u0161\u0137emb\u0101m vai plais\u0101m. Emalja<\/em> kr\u0101sojums uz \u0137erme\u0146a labi saglab\u0101jies; viet\u0101m redzams viegls nolietojums, kas atbilst vecumam. Uz dibena \u2014 nelielas nolietojuma p\u0113das no lieto\u0161anas. Iek\u0161puse t\u012bra. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n \ud83d\udcd0 Height 20.5 cm \u00d7 Width 21 cm.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f PERIOD, ART STYLE, ERA<\/strong><\/p>\n This cachepot is a rare example of the enamelled glass<\/em> decorative tradition that flourished during the Historicism<\/strong> era and reached its peak in the transition to Art Nouveau<\/strong> \u2014 approximately 1880\u20131910. Glass as a cachepot material is unusual and uncommon: most plant pots of this period were made from faience, porcelain, or terracotta \u2014 a glass example indicates either a special commission or a high-end decorative industry product.<\/p>\n The body is cream-white opaline glass<\/em> (verre opalin<\/em>) \u2014 opaque, with a soft milky tone \u2014 with vivid red enamel<\/em> rims at the top and base. The front features a broad transfer-printed<\/em> or hand-painted scene: a female figure in pale blue and orange drapery, accompanied by two nude putto<\/em> figures (of the Amor<\/em> or Eros<\/em> type), playing in a watery blue landscape. This iconography \u2014 a goddess with amorini<\/em> in a natural Arcadia<\/em> \u2014 is directly linked to the Neoclassical<\/strong> and Historicist<\/strong> mythological painting tradition, which popularised the aesthetics of Raphael, Bouguereau, and their contemporaries for a wider audience.<\/p>\n This piece belongs to that fertile transitional moment when Historicism<\/strong> still held its mythological figures and red-and-cream colour dramaturgy, while Art Nouveau<\/strong> was already introducing a new organic ornamental language \u2014 the white acanthus<\/em> and floral reliefs<\/em> on the reverse are precisely this transitional signal. Both aesthetics coexist in a single object.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f MAKER AND MANUFACTURER’S MARK<\/strong><\/p>\n No maker’s mark or label has survived. Based on the quality of the opaline glass<\/em>, the enamel<\/em> application technique, and the mythological painting style, the piece corresponds to the production of Bohemian<\/strong> (Czechia \/ Austria<\/em>), French<\/strong>, or Belgian<\/strong> glass manufactories \u2014 regions where enamelled opaline glass<\/em> was widely produced for the upper market segment. Similar pieces were made by workshops in the tradition of Moser<\/strong> (Karlsbad<\/em>) or Baccarat<\/strong> (France<\/em>), as well as numerous smaller Bohemian<\/strong> manufactories specialising in decorative enamelled glass<\/em> for export to Western Europe.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n Enamelled opaline glass<\/em> in cachepot form is unusual \u2014 most objects in this material were vases, lamps, or decorative bowls. A cachepot with a red enamel<\/em> rim and mythological scene is a sought-after collector’s piece that unites the history of glass art with Historicist<\/strong> mythological iconography. Its lightness \u2014 in contrast to ceramic or porcelain equivalents \u2014 makes it a particularly appealing and practical decorative element.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n This cachepot suits a romantically eclectic, classical, or Bohemian<\/em><\/strong> interior \u2014 on a wooden table, in a bookshelf corner, or by a window where light passes through and illuminates the milky tone of the opaline glass<\/em>. For interior designers<\/strong> \u2014 an outstanding accent piece in Romanticism<\/em>, Victorian<\/em>, or Maximalism<\/em> styled rooms. For photographers<\/strong> \u2014 an ideal prop<\/em> for mythological, romantically historical, or spring-themed shoots.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 GIFT AND PERSONALISATION<\/strong><\/p>\n The goddess-and-putti<\/em> scene makes this cachepot a deeply personal and poetic gift for a woman who loves classical art, mythology, or romantic aesthetics. Ideal as a birthday, Mother’s Day, or housewarming<\/strong> gift \u2014 lightweight, elegant, and visually narrative. Can be used as a decorative object or as a planter for a small plant.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d CONDITION<\/strong><\/p>\n The cachepot is in good antique condition. The glass is free of chips or cracks. The enamel<\/em> decoration on the body is well preserved; minor wear consistent with age is visible in places. The base shows light signs of use. The interior is clean. The condition of the item is fully reflected in the photographs.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \n","protected":false},"excerpt":{"rendered":" Viegls op\u0101la stikla ka\u0161po ar roku kr\u0101sotu mitolisko ainu \u2014 dieviete un putti. Historicisms \/ J\u016bgendstila p\u0101reja, Boh\u0113mija \/ Francija, ap 1880.\u20131910. Sarkana emalja apmale. Augstums 20,5 cm \u00d7 platums 21 cm. Lab\u0101 antikv\u0101r\u0101 st\u0101vokl\u012b.<\/p>\n","protected":false},"featured_media":6226,"template":"","meta":[],"product_brand":[],"product_cat":[238,211,230,204],"product_tag":[],"class_list":["post-6225","product","type-product","status-publish","has-post-thumbnail","product_cat-pukpodi-kaspo","product_cat-trauki","product_cat-vases-porcelain","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/6225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/6226"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=6225"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=6225"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=6225"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=6225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Enamelled Opaline Glass Cachepot with Mythological Scene \u2014 Goddess and Putti \u2014 Historicism \/ Art Nouveau Transition, Europe, approximately 1880\u20131910.<\/strong><\/h3>\n