{"id":50757,"date":"2026-07-07T20:50:41","date_gmt":"2026-07-07T17:50:41","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=50757"},"modified":"2026-09-08T13:20:16","modified_gmt":"2026-09-08T10:20:16","slug":"5-antique-creil-montereau-faience-plates-chasse","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5-antique-creil-montereau-faience-plates-chasse\/","title":{"rendered":"Pieci ant\u012bki fajansa \u0161\u0137\u012bvji \u2014 Francija, Creil et Montereau (Five Faience Plates) (6986)"},"content":{"rendered":"<p data-path-to-node=\"1\">\ud83c\uddf1\ud83c\uddfb Platums: 20,5 cm<\/p>\n<p data-path-to-node=\"2\"><b data-path-to-node=\"2\" data-index-in-node=\"0\">Pieci ant\u012bki &#8220;Creil et Montereau&#8221; fajansa \u0161\u0137\u012bvji<\/b><\/p>\n<p data-path-to-node=\"3\"><b data-path-to-node=\"3\" data-index-in-node=\"0\"><i data-path-to-node=\"3\" data-index-in-node=\"0\">Francijas med\u012bbu sezonas momentuz\u0146\u0113mums, Aleksandrs Dim\u0101 (Alexandre Dumas):<\/i><\/b> <i data-path-to-node=\"3\" data-index-in-node=\"76\">Rudens r\u012bta dzestrums piepild\u012bja lauku mui\u017eas lielo \u0113damz\u0101li, kur gaisu sild\u012bja sprak\u0161\u0137o\u0161s kam\u012bns un tikko grauzd\u0113tas kafijas arom\u0101ts. Pie gara ozolkoka galda bija pulc\u0113ju\u0161ies kungi, t\u0113rpti med\u012bbu uzvalkos, ska\u013ci apsprie\u017eot gaid\u0101mo dienu un daloties p\u0101rsp\u012bl\u0113tos mednieku st\u0101stos.<\/i><\/p>\n<p data-path-to-node=\"4\"><i data-path-to-node=\"4\" data-index-in-node=\"0\">Vi\u0146u priek\u0161\u0101 uz galda bija izk\u0101rtoti fajansa \u0161\u0137\u012bvji, kas kalpoja par v\u0113l vienu jautr\u012bbas iemeslu. Smalkie melnbaltie z\u012bm\u0113jumi, ko iesk\u0101va za\u013cas med\u012bbu trofeju v\u012btnes, att\u0113loja tie\u0161i to komisko un neveiklo med\u012bbu pusi, par kuru kungi labpr\u0101t pasm\u0113j\u0101s. Rakstnieks, malkojot kafiju, smaidot noraudz\u012bj\u0101s \u0161aj\u0101 ain\u0101, saprotot, ka \u012bstais med\u012bbu prieks sl\u0113pjas nevis guvum\u0101, bet gan \u0161aj\u0101 neviltotaj\u0101 draudz\u012bb\u0101 un smieklos, ko tik tr\u0101p\u012bgi iem\u016b\u017ein\u0101jis porcel\u0101na meistars.<\/i><\/p>\n<p data-path-to-node=\"5\">\u0160is izteiksm\u012bgais piecu \u0161\u0137\u012bvju komplekts ir izgatavots Francij\u0101 19. gadsimta beig\u0101s (ap 1876.\u20131884. gadu) slavenaj\u0101 &#8220;Creil et Montereau&#8221; manufakt\u016br\u0101. \u0160\u0137\u012bvju aizmugur\u0113 redzamais z\u012bmogs &#8220;B &amp; Cie D\u00c9POS\u00c9 CREIL ET MONTEREAU&#8221; nor\u0101da uz Luija-Martina Barlu\u0113 (<i data-path-to-node=\"5\" data-index-in-node=\"252\">Louis-Martin Barluet<\/i>) vad\u012bbas periodu. \u0160\u012b manufakt\u016bra bija viena no noz\u012bm\u012bg\u0101kaj\u0101m Francijas fajansa (<i data-path-to-node=\"5\" data-index-in-node=\"353\">fa\u00efence fine<\/i>) ra\u017eotn\u0113m, kas slaveni izmantoja augstas kvalit\u0101tes dekoltehniku (<i data-path-to-node=\"5\" data-index-in-node=\"432\">transferware<\/i>).<\/p>\n<p data-path-to-node=\"6\">\u0160\u0137\u012bvji pieder pie izklaid\u0113jo\u0161\u0101s un humoristisk\u0101s s\u0113rijas &#8220;L&#8217;Ouverture de la Chasse&#8221; (Med\u012bbu atkl\u0101\u0161ana). Tie izce\u013cas ar skaistu, smalki z\u012bm\u0113tu za\u013cu apmali, ko rot\u0101 med\u012bbu atrib\u016btu (bises, taures, guvums) mot\u012bvi, un centr\u0101lo melnbalto (<i data-path-to-node=\"6\" data-index-in-node=\"234\">grisaille<\/i>) si\u017eetu. Katrs \u0161\u0137\u012bvis att\u0113lo at\u0161\u0137ir\u012bgu, komisku ainu no mednieku piedz\u012bvojumiem \u2014 no aizmirstiem iero\u010diem l\u012bdz negaid\u012btiem atkl\u0101jumiem me\u017e\u0101.<\/p>\n<p data-path-to-node=\"7\">\u0160ie \u0161\u0137\u012bvji ir lielisks interjera elements, ide\u0101li piem\u0113rots med\u012bbu m\u0101jai, lauku stila virtuvei vai k\u0101 ekspoz\u012bcija stiklot\u0101 bufet\u0113. Komplekts ir ant\u012bk\u0101 st\u0101vokl\u012b ar izteikt\u0101m sava vecuma paz\u012bm\u0113m. Fajansam ir izveidojies bl\u012bvs un dabisks vecuma krakel\u016bras t\u012bkls (glaz\u016bras plaisi\u0146as) un iev\u0113rojama vecuma pigment\u0101cija (br\u016bngani ple\u0137i), kas \u012bpa\u0161i redzama uz \u0161\u0137\u012bvju apmal\u0113m un aizmugur\u0113. \u0160\u012bs laika z\u012bmes neietekm\u0113 trauku struktur\u0101lo veselumu, bet pie\u0161\u0137ir tiem \u012bstenu, lauku stila (<i data-path-to-node=\"7\" data-index-in-node=\"475\">rustic<\/i>) ant\u012bko \u0161armu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"8\">\ud83c\uddf7\ud83c\uddfa \u0428\u0438\u0440\u0438\u043d\u0430: 20,5 \u0441\u043c<\/p>\n<p data-path-to-node=\"9\"><b data-path-to-node=\"9\" data-index-in-node=\"0\">\u041f\u044f\u0442\u044c \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0445 \u0444\u0430\u044f\u043d\u0441\u043e\u0432\u044b\u0445 \u0442\u0430\u0440\u0435\u043b\u043e\u043a &#8220;Creil et Montereau&#8221;<\/b><\/p>\n<p data-path-to-node=\"10\"><b data-path-to-node=\"10\" data-index-in-node=\"0\"><i data-path-to-node=\"10\" data-index-in-node=\"0\">\u0421\u043d\u0438\u043c\u043e\u043a \u0441\u0435\u0437\u043e\u043d\u0430 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0439 \u043e\u0445\u043e\u0442\u044b, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440 \u0414\u044e\u043c\u0430 (Alexandre Dumas):<\/i><\/b> <i data-path-to-node=\"10\" data-index-in-node=\"67\">\u041f\u0440\u043e\u0445\u043b\u0430\u0434\u0430 \u043e\u0441\u0435\u043d\u043d\u0435\u0433\u043e \u0443\u0442\u0440\u0430 \u043d\u0430\u043f\u043e\u043b\u043d\u0438\u043b\u0430 \u0431\u043e\u043b\u044c\u0448\u0443\u044e \u0441\u0442\u043e\u043b\u043e\u0432\u0443\u044e \u0437\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u043e\u0433\u043e \u043f\u043e\u043c\u0435\u0441\u0442\u044c\u044f, \u0433\u0434\u0435 \u0432\u043e\u0437\u0434\u0443\u0445 \u0441\u043e\u0433\u0440\u0435\u0432\u0430\u043b \u043f\u043e\u0442\u0440\u0435\u0441\u043a\u0438\u0432\u0430\u044e\u0449\u0438\u0439 \u043a\u0430\u043c\u0438\u043d \u0438 \u0430\u0440\u043e\u043c\u0430\u0442 \u0441\u0432\u0435\u0436\u0435\u043e\u0431\u0436\u0430\u0440\u0435\u043d\u043d\u043e\u0433\u043e \u043a\u043e\u0444\u0435. \u0417\u0430 \u0434\u043b\u0438\u043d\u043d\u044b\u043c \u0434\u0443\u0431\u043e\u0432\u044b\u043c \u0441\u0442\u043e\u043b\u043e\u043c \u0441\u043e\u0431\u0440\u0430\u043b\u0438\u0441\u044c \u0434\u0436\u0435\u043d\u0442\u043b\u044c\u043c\u0435\u043d\u044b, \u043e\u0434\u0435\u0442\u044b\u0435 \u0432 \u043e\u0445\u043e\u0442\u043d\u0438\u0447\u044c\u0438 \u043a\u043e\u0441\u0442\u044e\u043c\u044b, \u0433\u0440\u043e\u043c\u043a\u043e \u043e\u0431\u0441\u0443\u0436\u0434\u0430\u044f \u043f\u0440\u0435\u0434\u0441\u0442\u043e\u044f\u0449\u0438\u0439 \u0434\u0435\u043d\u044c \u0438 \u0434\u0435\u043b\u044f\u0441\u044c \u043f\u0440\u0435\u0443\u0432\u0435\u043b\u0438\u0447\u0435\u043d\u043d\u044b\u043c\u0438 \u043e\u0445\u043e\u0442\u043d\u0438\u0447\u044c\u0438\u043c\u0438 \u0431\u0430\u0439\u043a\u0430\u043c\u0438.<\/i><\/p>\n<p data-path-to-node=\"11\"><i data-path-to-node=\"11\" data-index-in-node=\"0\">\u041f\u0435\u0440\u0435\u0434 \u043d\u0438\u043c\u0438 \u043d\u0430 \u0441\u0442\u043e\u043b\u0435 \u0431\u044b\u043b\u0438 \u0440\u0430\u0441\u0441\u0442\u0430\u0432\u043b\u0435\u043d\u044b \u0444\u0430\u044f\u043d\u0441\u043e\u0432\u044b\u0435 \u0442\u0430\u0440\u0435\u043b\u043a\u0438, \u043f\u043e\u0441\u043b\u0443\u0436\u0438\u0432\u0448\u0438\u0435 \u0435\u0449\u0435 \u043e\u0434\u043d\u0438\u043c \u043f\u043e\u0432\u043e\u0434\u043e\u043c \u0434\u043b\u044f \u0432\u0435\u0441\u0435\u043b\u044c\u044f. \u0422\u043e\u043d\u043a\u0438\u0435 \u0447\u0435\u0440\u043d\u043e-\u0431\u0435\u043b\u044b\u0435 \u0440\u0438\u0441\u0443\u043d\u043a\u0438, \u043e\u0431\u0440\u0430\u043c\u043b\u0435\u043d\u043d\u044b\u0435 \u0437\u0435\u043b\u0435\u043d\u044b\u043c\u0438 \u0433\u0438\u0440\u043b\u044f\u043d\u0434\u0430\u043c\u0438 \u043e\u0445\u043e\u0442\u043d\u0438\u0447\u044c\u0438\u0445 \u0442\u0440\u043e\u0444\u0435\u0435\u0432, \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0430\u043b\u0438 \u0438\u043c\u0435\u043d\u043d\u043e \u0442\u0443 \u043a\u043e\u043c\u0438\u0447\u043d\u0443\u044e \u0438 \u043d\u0435\u043b\u043e\u0432\u043a\u0443\u044e \u0441\u0442\u043e\u0440\u043e\u043d\u0443 \u043e\u0445\u043e\u0442\u044b, \u043d\u0430\u0434 \u043a\u043e\u0442\u043e\u0440\u043e\u0439 \u0434\u0436\u0435\u043d\u0442\u043b\u044c\u043c\u0435\u043d\u044b \u043e\u0445\u043e\u0442\u043d\u043e \u043f\u043e\u0441\u043c\u0435\u0438\u0432\u0430\u043b\u0438\u0441\u044c. \u041f\u0438\u0441\u0430\u0442\u0435\u043b\u044c, \u043f\u043e\u0442\u044f\u0433\u0438\u0432\u0430\u044f \u043a\u043e\u0444\u0435, \u0441 \u0443\u043b\u044b\u0431\u043a\u043e\u0439 \u043d\u0430\u0431\u043b\u044e\u0434\u0430\u043b \u0437\u0430 \u044d\u0442\u043e\u0439 \u0441\u0446\u0435\u043d\u043e\u0439, \u043f\u043e\u043d\u0438\u043c\u0430\u044f, \u0447\u0442\u043e \u0438\u0441\u0442\u0438\u043d\u043d\u0430\u044f \u0440\u0430\u0434\u043e\u0441\u0442\u044c \u043e\u0445\u043e\u0442\u044b \u043a\u0440\u043e\u0435\u0442\u0441\u044f \u043d\u0435 \u0432 \u0434\u043e\u0431\u044b\u0447\u0435, \u0430 \u0432 \u044d\u0442\u043e\u0439 \u043d\u0435\u043f\u043e\u0434\u0434\u0435\u043b\u044c\u043d\u043e\u0439 \u0434\u0440\u0443\u0436\u0431\u0435 \u0438 \u0441\u043c\u0435\u0445\u0435, \u0441\u0442\u043e\u043b\u044c \u043c\u0435\u0442\u043a\u043e \u0437\u0430\u043f\u0435\u0447\u0430\u0442\u043b\u0435\u043d\u043d\u044b\u0445 \u043c\u0430\u0441\u0442\u0435\u0440\u043e\u043c \u0444\u0430\u044f\u043d\u0441\u0430.<\/i><\/p>\n<p data-path-to-node=\"12\">\u042d\u0442\u043e\u0442 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u043d\u0430\u0431\u043e\u0440 \u0438\u0437 \u043f\u044f\u0442\u0438 \u0442\u0430\u0440\u0435\u043b\u043e\u043a \u0431\u044b\u043b \u0438\u0437\u0433\u043e\u0442\u043e\u0432\u043b\u0435\u043d \u0432\u043e \u0424\u0440\u0430\u043d\u0446\u0438\u0438 \u0432 \u043a\u043e\u043d\u0446\u0435 19-\u0433\u043e \u0432\u0435\u043a\u0430 (\u043e\u043a\u043e\u043b\u043e 1876\u20131884 \u0433\u043e\u0434\u043e\u0432) \u043d\u0430 \u0437\u043d\u0430\u043c\u0435\u043d\u0438\u0442\u043e\u0439 \u043c\u0430\u043d\u0443\u0444\u0430\u043a\u0442\u0443\u0440\u0435 &#8220;Creil et Montereau&#8221;. \u041a\u043b\u0435\u0439\u043c\u043e \u043d\u0430 \u043e\u0431\u0440\u0430\u0442\u043d\u043e\u0439 \u0441\u0442\u043e\u0440\u043e\u043d\u0435 \u0442\u0430\u0440\u0435\u043b\u043e\u043a &#8220;B &amp; Cie D\u00c9POS\u00c9 CREIL ET MONTEREAU&#8221; \u0443\u043a\u0430\u0437\u044b\u0432\u0430\u0435\u0442 \u043d\u0430 \u043f\u0435\u0440\u0438\u043e\u0434 \u0440\u0443\u043a\u043e\u0432\u043e\u0434\u0441\u0442\u0432\u0430 \u041b\u0443\u0438-\u041c\u0430\u0440\u0442\u0435\u043d\u0430 \u0411\u0430\u0440\u043b\u044e\u044d (<i data-path-to-node=\"12\" data-index-in-node=\"281\">Louis-Martin Barluet<\/i>).<\/p>\n<p data-path-to-node=\"13\">\u0422\u0430\u0440\u0435\u043b\u043a\u0438 \u043f\u0440\u0438\u043d\u0430\u0434\u043b\u0435\u0436\u0430\u0442 \u043a \u0440\u0430\u0437\u0432\u043b\u0435\u043a\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0438 \u044e\u043c\u043e\u0440\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u0441\u0435\u0440\u0438\u0438 &#8220;L&#8217;Ouverture de la Chasse&#8221; (\u041e\u0442\u043a\u0440\u044b\u0442\u0438\u0435 \u043e\u0445\u043e\u0442\u044b). \u041e\u043d\u0438 \u0432\u044b\u0434\u0435\u043b\u044f\u044e\u0442\u0441\u044f \u043a\u0440\u0430\u0441\u0438\u0432\u043e\u0439, \u0442\u043e\u043d\u043a\u043e \u043f\u0440\u043e\u0440\u0438\u0441\u043e\u0432\u0430\u043d\u043d\u043e\u0439 \u0437\u0435\u043b\u0435\u043d\u043e\u0439 \u043a\u0430\u0439\u043c\u043e\u0439, \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u043d\u043e\u0439 \u043c\u043e\u0442\u0438\u0432\u0430\u043c\u0438 \u043e\u0445\u043e\u0442\u043d\u0438\u0447\u044c\u0438\u0445 \u0430\u0442\u0440\u0438\u0431\u0443\u0442\u043e\u0432 (\u0440\u0443\u0436\u044c\u044f, \u0440\u043e\u0436\u043a\u0438, \u0434\u0438\u0447\u044c), \u0438 \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u044b\u043c \u0447\u0435\u0440\u043d\u043e-\u0431\u0435\u043b\u044b\u043c (<i data-path-to-node=\"13\" data-index-in-node=\"257\">grisaille<\/i>) \u0441\u044e\u0436\u0435\u0442\u043e\u043c. \u041a\u0430\u0436\u0434\u0430\u044f \u0442\u0430\u0440\u0435\u043b\u043a\u0430 \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0430\u0435\u0442 \u043e\u0442\u0434\u0435\u043b\u044c\u043d\u0443\u044e \u043a\u043e\u043c\u0438\u0447\u043d\u0443\u044e \u0441\u0446\u0435\u043d\u0443 \u0438\u0437 \u043e\u0445\u043e\u0442\u043d\u0438\u0447\u044c\u0438\u0445 \u043f\u0440\u0438\u043a\u043b\u044e\u0447\u0435\u043d\u0438\u0439.<\/p>\n<p data-path-to-node=\"14\">\u041d\u0430\u0431\u043e\u0440 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438 \u0441 \u0432\u044b\u0440\u0430\u0436\u0435\u043d\u043d\u044b\u043c\u0438 \u0441\u043b\u0435\u0434\u0430\u043c\u0438 \u0441\u0432\u043e\u0435\u0433\u043e \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u0430. \u041d\u0430 \u0444\u0430\u044f\u043d\u0441\u0435 \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u043b\u0430\u0441\u044c \u043f\u043b\u043e\u0442\u043d\u0430\u044f \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u0441\u0435\u0442\u044c \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u043d\u043e\u0433\u043e \u043a\u0440\u0430\u043a\u0435\u043b\u044e\u0440\u0430 (\u0441\u0435\u0442\u043e\u0447\u043a\u0430 \u043c\u0435\u043b\u043a\u0438\u0445 \u0442\u0440\u0435\u0449\u0438\u043d \u0433\u043b\u0430\u0437\u0443\u0440\u0438) \u0438 \u0437\u043d\u0430\u0447\u0438\u0442\u0435\u043b\u044c\u043d\u0430\u044f \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u043d\u0430\u044f \u043f\u0438\u0433\u043c\u0435\u043d\u0442\u0430\u0446\u0438\u044f (\u043a\u043e\u0440\u0438\u0447\u043d\u0435\u0432\u0430\u0442\u044b\u0435 \u043f\u044f\u0442\u043d\u0430), \u043a\u043e\u0442\u043e\u0440\u0430\u044f \u043e\u0441\u043e\u0431\u0435\u043d\u043d\u043e \u0437\u0430\u043c\u0435\u0442\u043d\u0430 \u043d\u0430 \u043a\u0440\u0430\u044f\u0445 \u0438 \u043e\u0431\u0440\u0430\u0442\u043d\u043e\u0439 \u0441\u0442\u043e\u0440\u043e\u043d\u0435 \u0442\u0430\u0440\u0435\u043b\u043e\u043a. \u042d\u0442\u0438 \u0441\u043b\u0435\u0434\u044b \u0432\u0440\u0435\u043c\u0435\u043d\u0438 \u043d\u0435 \u0432\u043b\u0438\u044f\u044e\u0442 \u043d\u0430 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u043d\u0443\u044e \u0446\u0435\u043b\u043e\u0441\u0442\u043d\u043e\u0441\u0442\u044c \u043f\u043e\u0441\u0443\u0434\u044b, \u0430 \u043f\u0440\u0438\u0434\u0430\u044e\u0442 \u0435\u0439 \u0438\u0441\u0442\u0438\u043d\u043d\u044b\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u0448\u0430\u0440\u043c \u0432 \u0434\u0435\u0440\u0435\u0432\u0435\u043d\u0441\u043a\u043e\u043c \u0441\u0442\u0438\u043b\u0435 (<i data-path-to-node=\"14\" data-index-in-node=\"427\">rustic<\/i>). \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"15\">\ud83c\uddec\ud83c\udde7 Width: 20.5 cm<\/p>\n<h2 data-path-to-node=\"16\">Five antique Creil et Montereau faience plates<\/h2>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\"><i data-path-to-node=\"17\" data-index-in-node=\"0\">Snapshot of the French hunting season, Alexandre Dumas (Alexandre Dumas):<\/i><\/b> <i data-path-to-node=\"17\" data-index-in-node=\"74\">The chill of an autumn morning filled the large dining room of the country manor, where the air was warmed by a crackling fireplace and the aroma of freshly roasted coffee. Gentlemen dressed in hunting suits gathered around a long oak table, loudly discussing the upcoming day and sharing exaggerated hunting tales.<\/i><\/p>\n<p data-path-to-node=\"18\"><i data-path-to-node=\"18\" data-index-in-node=\"0\">Laid out on the table before them were faience plates that served as another source of amusement. The fine black-and-white drawings, framed by green garlands of hunting trophies, depicted exactly the comical and awkward side of hunting that the gentlemen gladly laughed at. The writer, sipping his coffee, watched the scene with a smile, realizing that the true joy of the hunt lay not in the catch, but in this unfeigned friendship and laughter, so aptly captured by the faience master.<\/i><\/p>\n<p data-path-to-node=\"19\">This expressive set of five plates was crafted in France during the late 19th century (circa 1876\u20131884) at the famous Creil et Montereau manufactory. The stamp on the back of the plates, &#8220;B &amp; Cie D\u00c9POS\u00c9 CREIL ET MONTEREAU&#8221;, indicates the management period of Louis-Martin Barluet.<\/p>\n<p data-path-to-node=\"20\">The plates belong to the entertaining and humorous &#8220;L&#8217;Ouverture de la Chasse&#8221; (The Opening of the Hunt) series. They feature a beautiful, finely drawn green border decorated with motifs of hunting attributes (guns, horns, game), and a central black-and-white (<i data-path-to-node=\"20\" data-index-in-node=\"260\">grisaille<\/i>) scene. Each plate depicts a different, comical vignette from hunters&#8217; adventures.<\/p>\n<p data-path-to-node=\"21\">The set is in antique condition with pronounced signs of its age. The faience has developed a dense and natural network of age crazing (fine glaze crackle) and significant age-related pigmentation (brownish stains), which is particularly visible on the borders and the backs of the plates. These marks of time do not affect the structural integrity of the dishes but give them a true, rustic antique charm. The condition of the item is fully reflected in the photographs.<\/p>\n<p data-path-to-node=\"22\">\ud83c\udde9\ud83c\uddea Breite: 20,5 cm<\/p>\n<h3 data-path-to-node=\"23\">F\u00fcnf antike Creil et Montereau Fayence-Teller<\/h3>\n<p data-path-to-node=\"24\"><b data-path-to-node=\"24\" data-index-in-node=\"0\"><i data-path-to-node=\"24\" data-index-in-node=\"0\">Momentaufnahme der franz\u00f6sischen Jagdsaison, Alexandre Dumas (Alexandre Dumas):<\/i><\/b> <i data-path-to-node=\"24\" data-index-in-node=\"80\">Die K\u00fchle eines Herbstmorgens erf\u00fcllte den gro\u00dfen Speisesaal des Landsitzes, wo die Luft durch ein knisterndes Kaminfeuer und den Duft von frisch ger\u00f6stetem Kaffee erw\u00e4rmt wurde. Herren in Jagdanz\u00fcgen hatten sich um einen langen Eichentisch versammelt, diskutierten lautstark \u00fcber den bevorstehenden Tag und tauschten \u00fcbertriebene Jagdgeschichten aus.<\/i><\/p>\n<p data-path-to-node=\"25\"><i data-path-to-node=\"25\" data-index-in-node=\"0\">Vor ihnen auf dem Tisch waren Fayence-Teller aufgereiht, die als weitere Quelle der Belustigung dienten. Die feinen Schwarz-Wei\u00df-Zeichnungen, eingerahmt von gr\u00fcnen Girlanden aus Jagdtroph\u00e4en, stellten genau die komische und unbeholfene Seite der Jagd dar, \u00fcber die die Herren gerne lachten. Der Schriftsteller nippte an seinem Kaffee und beobachtete die Szene mit einem L\u00e4cheln, da ihm klar wurde, dass die wahre Freude an der Jagd nicht in der Beute lag, sondern in dieser ungek\u00fcnstelten Freundschaft und dem Lachen, das vom Fayence-Meister so treffend eingefangen wurde.<\/i><\/p>\n<p data-path-to-node=\"26\">Dieses Set aus f\u00fcnf Tellern wurde im sp\u00e4ten 19. Jahrhundert (ca. 1876\u20131884) in der ber\u00fchmten Manufaktur Creil et Montereau in Frankreich hergestellt. Der Stempel &#8220;B &amp; Cie&#8221; verweist auf die Zeit von Louis-Martin Barluet. Die Teller geh\u00f6ren zur humorvollen Serie &#8220;L&#8217;Ouverture de la Chasse&#8221; (Die Er\u00f6ffnung der Jagd). Sie verf\u00fcgen \u00fcber einen fein gezeichneten gr\u00fcnen Rand, der mit Jagdatributen verziert ist, und eine zentrale Schwarz-Wei\u00df-Szene (<i data-path-to-node=\"26\" data-index-in-node=\"443\">Grisaille<\/i>). Das Set befindet sich in einem antiken Zustand mit deutlichen Altersspuren. Die Fayence hat ein dichtes Krakelee-Netzwerk und erhebliche altersbedingte Verf\u00e4rbungen (br\u00e4unliche Flecken) entwickelt, die den authentischen, rustikalen Charme unterstreichen.<\/p>\n<p data-path-to-node=\"27\">\ud83c\uddeb\ud83c\uddf7 Largeur : 20,5 cm<\/p>\n<h3 data-path-to-node=\"28\">Cinq assiettes anciennes en fa\u00efence Creil et Montereau<\/h3>\n<p data-path-to-node=\"29\"><b data-path-to-node=\"29\" data-index-in-node=\"0\"><i data-path-to-node=\"29\" data-index-in-node=\"0\">Instantan\u00e9 de la saison de chasse fran\u00e7aise, Alexandre Dumas (Alexandre Dumas):<\/i><\/b> <i data-path-to-node=\"29\" data-index-in-node=\"80\">La fra\u00eecheur d&#8217;un matin d&#8217;automne remplissait la grande salle \u00e0 manger du manoir de campagne, o\u00f9 l&#8217;air \u00e9tait r\u00e9chauff\u00e9 par un feu de chemin\u00e9e cr\u00e9pitant et l&#8217;ar\u00f4me du caf\u00e9 fra\u00eechement torr\u00e9fi\u00e9. Des gentilshommes v\u00eatus de costumes de chasse \u00e9taient rassembl\u00e9s autour d&#8217;une longue table en ch\u00eane, discutant bruyamment de la journ\u00e9e \u00e0 venir et partageant des histoires de chasse exag\u00e9r\u00e9es.<\/i><\/p>\n<p data-path-to-node=\"30\"><i data-path-to-node=\"30\" data-index-in-node=\"0\">Devant eux, sur la table, \u00e9taient dispos\u00e9es des assiettes en fa\u00efence qui servaient de source suppl\u00e9mentaire d&#8217;amusement. Les fins dessins en noir et blanc, encadr\u00e9s par des guirlandes vertes de troph\u00e9es de chasse, repr\u00e9sentaient exactement le c\u00f4t\u00e9 comique et maladroit de la chasse dont les gentilshommes aimaient tant rire. L&#8217;\u00e9crivain, sirotant son caf\u00e9, regardait la sc\u00e8ne avec le sourire, r\u00e9alisant que la v\u00e9ritable joie de la chasse ne r\u00e9sidait pas dans la prise, mais dans cette amiti\u00e9 et ces rires sinc\u00e8res, si justement captur\u00e9s par le ma\u00eetre fa\u00efencier.<\/i><\/p>\n<p data-path-to-node=\"31\">Cet ensemble de cinq assiettes a \u00e9t\u00e9 fabriqu\u00e9 en France \u00e0 la fin du 19\u00e8me si\u00e8cle (vers 1876-1884) par la c\u00e9l\u00e8bre manufacture de Creil et Montereau (p\u00e9riode Barluet &amp; Cie). Les assiettes font partie de la s\u00e9rie humoristique &#8220;L&#8217;Ouverture de la Chasse&#8221;. Chacune pr\u00e9sente une sc\u00e8ne centrale en grisaille illustrant des m\u00e9saventures de chasseurs, entour\u00e9e d&#8217;une belle frise verte aux motifs d&#8217;attributs de chasse. L&#8217;ensemble est en \u00e9tat antique avec des signes d&#8217;\u00e2ge prononc\u00e9s : on note un tressaillage important de la gla\u00e7ure et de fortes taches de pigmentation brune (surtout sur les bords et au dos), qui leur conf\u00e8rent un charme rustique et authentique.<\/p>\n<p data-path-to-node=\"32\">\ud83c\udde9\ud83c\uddf0 Bredde: 20,5 cm<\/p>\n<h3 data-path-to-node=\"33\">Fem antikke Creil et Montereau fajancetallerkener<\/h3>\n<p data-path-to-node=\"34\"><b data-path-to-node=\"34\" data-index-in-node=\"0\"><i data-path-to-node=\"34\" data-index-in-node=\"0\">\u00d8jebliksbillede af den franske jagts\u00e6son, Alexandre Dumas (Alexandre Dumas):<\/i><\/b> <i data-path-to-node=\"34\" data-index-in-node=\"77\">Kulden fra en efter\u00e5rsmorgen fyldte den store spisestue p\u00e5 herreg\u00e5rden, hvor luften blev varmet af en knitrende pejs og duften af friskristet kaffe. Herrer kl\u00e6dt i jagts\u00e6t samledes om et langt egetr\u00e6sbord, diskuterede h\u00f8jlydt den kommende dag og delte overdrevne jagthistorier.<\/i><\/p>\n<p data-path-to-node=\"35\"><i data-path-to-node=\"35\" data-index-in-node=\"0\">Foran dem p\u00e5 bordet var der anrettet fajancetallerkener, der fungerede som endnu en kilde til morskab. De fine sort-hvide tegninger, indrammet af gr\u00f8nne guirlander af jagttrof\u00e6er, skildrede pr\u00e6cis den komiske og akavede side af jagten, som herrerne med gl\u00e6de grinede af. Forfatteren, der drak af sin kaffe, betragtede scenen med et smil og inds\u00e5, at den sande gl\u00e6de ved jagten ikke l\u00e5 i fangsten, men i dette uforfalskede venskab og latter, s\u00e5 rammende indfanget af fajancemesteren.<\/i><\/p>\n<p data-path-to-node=\"36\">Dette charmerende s\u00e6t med fem tallerkener blev fremstillet i Frankrig i slutningen af det 19. \u00e5rhundrede (omkring 1876-1884) af den ber\u00f8mte producent Creil et Montereau. Stemplet &#8220;B &amp; Cie&#8221; p\u00e5 bagsiden angiver Barluet &amp; Cie-perioden. Tallerkenerne tilh\u00f8rer den humoristiske serie &#8220;L&#8217;Ouverture de la Chasse&#8221; (Jagts\u00e6sonens begyndelse) og har en smuk gr\u00f8n bort med jagtmotiver og et sort-hvidt centerbillede. S\u00e6ttet er i en rustik antik stand med kraftig krakelering i glasuren og tydelig brunlig alderspatinering, hvilket giver dem en autentisk landlig charme.<\/p>\n<p data-path-to-node=\"37\">\ud83c\uddf8\ud83c\uddea Bredd: 20,5 cm<\/p>\n<h3 data-path-to-node=\"38\">Fem antika Creil et Montereau fajanstallrikar<\/h3>\n<p data-path-to-node=\"39\"><b data-path-to-node=\"39\" data-index-in-node=\"0\"><i data-path-to-node=\"39\" data-index-in-node=\"0\">\u00d6gonblicksbild av den franska jakts\u00e4songen, Alexandre Dumas (Alexandre Dumas):<\/i><\/b> <i data-path-to-node=\"39\" data-index-in-node=\"79\">Kylan fr\u00e5n en h\u00f6stmorgon fyllde den stora matsalen p\u00e5 herrg\u00e5rden, d\u00e4r luften v\u00e4rmdes av en sprakande eldstad och doften av nyrostat kaffe. Herrar kl\u00e4dda i jaktdr\u00e4kter samlades runt ett l\u00e5ngt ekbord, diskuterade h\u00f6gljutt den kommande dagen och delade med sig av \u00f6verdrivna jakthistorier.<\/i><\/p>\n<p data-path-to-node=\"40\"><i data-path-to-node=\"40\" data-index-in-node=\"0\">Framf\u00f6r dem p\u00e5 bordet var fajanstallrikar framdukade, vilka fungerade som \u00e4nnu en k\u00e4lla till n\u00f6je. De fina svartvita teckningarna, inramade av gr\u00f6na girlanger av jakttrof\u00e9er, skildrade exakt den komiska och tafatta sidan av jakten som herrarna g\u00e4rna skrattade \u00e5t. F\u00f6rfattaren, som smuttade p\u00e5 sitt kaffe, betraktade scenen med ett leende, och ins\u00e5g att den sanna gl\u00e4djen i jakten inte l\u00e5g i bytet, utan i denna of\u00f6rst\u00e4llda v\u00e4nskap och skratt, s\u00e5 tr\u00e4ffande f\u00e5ngad av fajansm\u00e4staren.<\/i><\/p>\n<p data-path-to-node=\"41\">Detta set med fem tallrikar tillverkades i Frankrike under slutet av 1800-talet (ca 1876\u20131884) av den v\u00e4lk\u00e4nda fabriken Creil et Montereau. St\u00e4mpeln &#8220;B &amp; Cie&#8221; daterar dem till Louis-Martin Barluets tid. Tallrikarna tillh\u00f6r serien &#8220;L&#8217;Ouverture de la Chasse&#8221; (Jaktpremi\u00e4ren) och pryds av en gr\u00f6n b\u00e5rd med jaktattribut samt humoristiska svartvita scener i mitten. Tallrikarna b\u00e4r tydliga sp\u00e5r av sin \u00e5lder med kraftig krackelering i glasyren och m\u00f6rka missf\u00e4rgningar (patina) som ger dem en mycket rustik och lantlig karakt\u00e4r.<\/p>\n<p data-path-to-node=\"42\">\ud83c\uddf3\ud83c\uddf4 Bredde: 20,5 cm<\/p>\n<h3 data-path-to-node=\"43\">Fem antikke Creil et Montereau fajanse-tallerkener<\/h3>\n<p data-path-to-node=\"44\"><b data-path-to-node=\"44\" data-index-in-node=\"0\"><i data-path-to-node=\"44\" data-index-in-node=\"0\">\u00d8yeblikksbilde fra den franske jaktsesongen, Alexandre Dumas (Alexandre Dumas):<\/i><\/b> <i data-path-to-node=\"44\" data-index-in-node=\"80\">Kulden fra en h\u00f8stmorgen fylte den store spisestuen p\u00e5 herreg\u00e5rden, hvor luften ble varmet av en knitrende peis og aromaen av nybrent kaffe. Herrer kledd i jaktdrakter samlet seg rundt et langt eikebord, diskuterte h\u00f8ylytt den kommende dagen og delte overdrevne jakthistorier.<\/i><\/p>\n<p data-path-to-node=\"45\"><i data-path-to-node=\"45\" data-index-in-node=\"0\">Foran dem p\u00e5 bordet var fajanse-tallerkener dandert ut, som fungerte som enda en kilde til moro. De fine svart-hvite tegningene, innrammet av gr\u00f8nne girlandere av jakttrof\u00e9er, skildret n\u00f8yaktig den komiske og keitete siden av jakten som herrene gladelig lo av. Forfatteren, som nippet til kaffen sin, betraktet scenen med et smil, og inns\u00e5 at den sanne gleden ved jakten ikke l\u00e5 i fangsten, men i dette uforstilte vennskapet og latteren, s\u00e5 treffende fanget av fajansemesteren.<\/i><\/p>\n<p data-path-to-node=\"46\">Dette uttrykksfulle settet med fem tallerkener ble produsert i Frankrike mot slutten av 1800-tallet (ca. 1876\u20131884) av Creil et Montereau (merket B &amp; Cie). Serien heter &#8220;L&#8217;Ouverture de la Chasse&#8221; (Jaktstarten) og skildrer humoristiske scener fra jegernes uhell. Tallerkenene har en flott, gr\u00f8nn dekorativ kant. Settet er i en utpreget antikk, rustikk stand. Glasuren har kraftig krakelering og tydelige brunlige aldersflekker (spesielt p\u00e5 kantene og baksiden), som vitner om et langt liv og gir et sjarmerende, landlig preg.<\/p>\n<p data-path-to-node=\"47\">\ud83c\uddeb\ud83c\uddf7 Leveys: 20,5 cm<\/p>\n<h3 data-path-to-node=\"48\">Viisi antiikkista Creil et Montereau -fajanssilautasta<\/h3>\n<p data-path-to-node=\"49\"><b data-path-to-node=\"49\" data-index-in-node=\"0\"><i data-path-to-node=\"49\" data-index-in-node=\"0\">Tilannekuva Ranskan mets\u00e4styskaudelta, Alexandre Dumas (Alexandre Dumas):<\/i><\/b> <i data-path-to-node=\"49\" data-index-in-node=\"74\">Syysaamun viileys t\u00e4ytti maaseutukartanon suuren ruokasalin, jossa ilmaa l\u00e4mmitti r\u00e4tisev\u00e4 takka ja vastapaahdetun kahvin tuoksu. Mets\u00e4stysasuihin pukeutuneet herrat ker\u00e4\u00e4ntyiv\u00e4t pitk\u00e4n tammip\u00f6yd\u00e4n ymp\u00e4rille keskustellen \u00e4\u00e4nekk\u00e4\u00e4sti tulevasta p\u00e4iv\u00e4st\u00e4 ja jakaen liioiteltuja mets\u00e4stystarinoita.<\/i><\/p>\n<p data-path-to-node=\"50\"><i data-path-to-node=\"50\" data-index-in-node=\"0\">Heid\u00e4n edess\u00e4\u00e4n p\u00f6yd\u00e4ll\u00e4 oli fajanssilautasia, jotka toimivat toisena huvin l\u00e4hteen\u00e4. Hienot mustavalkoiset piirrokset, joita kehystiv\u00e4t mets\u00e4stystrofeiden vihre\u00e4t seppeleet, kuvasivat juuri sit\u00e4 mets\u00e4styksen koomista ja k\u00f6mpel\u00f6\u00e4 puolta, jolle herrat mielell\u00e4\u00e4n nauroivat. Kahviaan siemaileva kirjailija katseli kohtausta hymyillen ymm\u00e4rt\u00e4en, ett\u00e4 mets\u00e4styksen todellinen ilo ei piillyt saaliissa, vaan t\u00e4ss\u00e4 teeskentelem\u00e4tt\u00f6m\u00e4ss\u00e4 yst\u00e4vyydess\u00e4 ja naurussa, jonka fajanssimestari oli niin osuvasti vanginnut.<\/i><\/p>\n<p data-path-to-node=\"51\">T\u00e4m\u00e4 viiden lautasen sarja on valmistettu Ranskassa 1800-luvun lopulla (n. 1876\u20131884) kuuluisalla Creil et Montereau -tehtaalla. Lautaset kuuluvat humoristiseen &#8220;L&#8217;Ouverture de la Chasse&#8221; (Mets\u00e4styksen avaus) -sarjaan. Niit\u00e4 kiert\u00e4\u00e4 kaunis vihre\u00e4 reunus mets\u00e4stysaiheisilla koristeilla, ja keskell\u00e4 on mustavalkoinen kuva-aihe erilaisista mets\u00e4styskommelluksista. Lautaset ovat selke\u00e4sti antiikkisessa, rustiikkisessa kunnossa. Lasitteessa on voimakasta krakeloitumista ja runsaasti i\u00e4n tuomaa ruskeaa tummentumaa, mik\u00e4 antaa niille aitoa maalaisromanttista vieh\u00e4tyst\u00e4.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Piecu izteiksm\u012bgu 19. gadsimta beigu Francijas fajansa \u0161\u0137\u012bvju komplekts no slaven\u0101s &#8220;Creil et Montereau&#8221; manufakt\u016bras. \u0160\u0137\u012bvjus rot\u0101 humoristiskas med\u012bbu atkl\u0101\u0161anas ainas ar za\u013cu dekorat\u012bvo apmali.<\/p>\n","protected":false},"featured_media":50758,"template":"","meta":[],"product_brand":[],"product_cat":[229,211,204],"product_tag":[2466,2471,2463,2465,2462,833,2469,2468,2474,2470,2473,2475,2472,2464],"class_list":["post-50757","product","type-product","status-publish","has-post-thumbnail","product_cat-skivji","product_cat-trauki","product_cat-visas-lietas","product_tag-19th-century-ceramics","product_tag-antiki-skivji","product_tag-antique-plates","product_tag-barluet-cie","product_tag-creil-et-montereau","product_tag-french-faience","product_tag-green-border","product_tag-grisaille","product_tag-hunting-plates","product_tag-ironstone","product_tag-louverture-de-la-chasse","product_tag-medibu-skivji","product_tag-sienas-skivji","product_tag-transferware","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/50757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/50758"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=50757"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=50757"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=50757"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=50757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}