\ud83c\uddf1\ud83c\uddfb Platums: 20,5 cm<\/p>\n
Se\u0161i ant\u012bki “Creil et Montereau” fajansa \u0161\u0137\u012bvji<\/b><\/p>\n
Francijas lauku dz\u012bves momentuz\u0146\u0113mums, Em\u012bls Zol\u0101 (\u00c9mile Zola):<\/i><\/b> Rakstnieks s\u0113d\u0113ja pie smagn\u0113ja koka galda neliel\u0101 provinces krodzi\u0146\u0101, kur gaisu piepild\u012bja l\u0113ta v\u012bna, svaigi ceptas maizes un tabakas d\u016bmu smar\u017ea. \u0100r\u0101, ciema laukum\u0101, mutu\u013coja sv\u0113tku burzma \u2014 skan\u0113ja d\u016bdas, \u013caudis sm\u0113j\u0101s un dejoja, aizmirsu\u0161i ikdienas smago darbu. Zol\u0101 uzman\u012bgi v\u0113roja \u0161o raibo, ska\u013co un patieso dz\u012bves te\u0101tri, vi\u0146a ac\u012bm tverot katru komisko sejas izteiksmi un neveiklo dejas soli.<\/i><\/p>\n
Vakari\u0146\u0101m pasniegtais \u0161\u0137\u012bvis vi\u0146a priek\u0161\u0101 \u0161\u0137ita k\u0101 tie\u0161s atspulgs tam, kas notika aiz loga. Uz t\u0101 melnbalt\u0101, smalk\u0101 druk\u0101 bija att\u0113loti tie pa\u0161i vienk\u0101r\u0161ie lauku \u013caudis \u2014 komiski, p\u0101rsp\u012bl\u0113ti un bezgala dz\u012bvi, ietverti grezn\u0101 za\u013cu lapu v\u012btn\u0113. Vi\u0146\u0161 pasmaid\u012bja, saprotot, ka \u012bst\u0101 Francijas dv\u0113sele nesl\u0113pjas Par\u012bzes zelt\u012btajos salonos, bet gan \u0161aj\u0101 trok\u0161\u0146ainaj\u0101, neviltotaj\u0101 lauku sv\u0113tku priek\u0101, ko tik meistar\u012bgi porcel\u0101n\u0101 bija iem\u016b\u017ein\u0101ju\u0161i viet\u0113jie amatnieki.<\/i><\/p>\n
\u0160is burv\u012bgais se\u0161u \u0161\u0137\u012bvju komplekts ir izgatavots Francij\u0101 19. gadsimta beig\u0101s (ap 1876.\u20131884. gadu) slavenaj\u0101 “Creil et Montereau” manufakt\u016br\u0101. \u0160\u0137\u012bvju aizmugur\u0113 redzamais z\u012bmogs “B & Cie D\u00c9POS\u00c9 CREIL ET MONTEREAU” nor\u0101da uz Luija-Martina Barlu\u0113 (Louis-Martin Barluet<\/i>) vad\u012bbas periodu. \u0160\u012b manufakt\u016bra bija viena no noz\u012bm\u012bg\u0101kaj\u0101m Francijas fajansa (fa\u00efence fine<\/i>) jeb dzelzsakmens (ironstone<\/i>) ra\u017eotn\u0113m, kas \u012bpa\u0161i izslav\u0113ta ar savu augstas kvalit\u0101tes dekoltehniku (transferware<\/i>).<\/p>\n
\u0160\u0137\u012bvji pieder pie izklaid\u0113jo\u0161\u0101s s\u0113rijas “F\u00eate de Torboyaux la Piquette” (Torboyaux sv\u0113tki). Tie izce\u013cas ar skaistu, smalki z\u012bm\u0113tu za\u013cu apmali, ko rot\u0101 ziedu un lauku sv\u0113tku atrib\u016btu v\u012btnes, un centr\u0101lo melnbalto (grisaille<\/i>) si\u017eetu. Katrs \u0161\u0137\u012bvis att\u0113lo at\u0161\u0137ir\u012bgu, humoristisku ainu no lauku ciemata sv\u0113tkiem \u2014 no pazi\u0146ojuma nolas\u012b\u0161anas ar bung\u0101m l\u012bdz pat jautr\u0101m dej\u0101m un karuselim. \u0160\u0101di \u0161\u0137\u012bvji 19. gadsimt\u0101 kalpoja ne tikai malt\u012btei, bet ar\u012b k\u0101 sarunu un smieklu avots pie pusdienu galda.<\/p>\n
\u0160ie \u0161\u0137\u012bvji ir br\u012bni\u0161\u0137\u012bgs interjera elements. Tos var izmantot k\u0101 ori\u0123in\u0101lu un uzman\u012bbu piesaisto\u0161u sienas dekoru \u0113damistab\u0101 vai lauku stila virtuv\u0113, k\u0101 ar\u012b ekspon\u0113t stiklot\u0101 bufet\u0113. Komplekts ir lielisk\u0101, ant\u012bk\u0101 st\u0101vokl\u012b, kas atbilst t\u0101 vair\u0101k nek\u0101 140 gadu vecumam. Fajansam ir izveidojies dabisks vecuma krakel\u016bras t\u012bkls (glaz\u016bras plaisi\u0146as) un viet\u0101m redzami viegli vecuma pigment\u0101cijas plankumi (\u012bpa\u0161i \u0161\u0137\u012bvju aizmugur\u0113), kas pie\u0161\u0137ir tiem \u012bstenu ant\u012bko \u0161armu un autentiskumu, neietekm\u0113jot to struktur\u0101lo veselumu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
\ud83c\uddf7\ud83c\uddfa \u0428\u0438\u0440\u0438\u043d\u0430: 20,5 \u0441\u043c<\/p>\n
\u0428\u0435\u0441\u0442\u044c \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0445 \u0444\u0430\u044f\u043d\u0441\u043e\u0432\u044b\u0445 \u0442\u0430\u0440\u0435\u043b\u043e\u043a “Creil et Montereau”<\/b><\/p>\n
\u0421\u043d\u0438\u043c\u043e\u043a \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0439 \u0441\u0435\u043b\u044c\u0441\u043a\u043e\u0439 \u0436\u0438\u0437\u043d\u0438, \u042d\u043c\u0438\u043b\u044c \u0417\u043e\u043b\u044f (\u00c9mile Zola):<\/i><\/b> \u041f\u0438\u0441\u0430\u0442\u0435\u043b\u044c \u0441\u0438\u0434\u0435\u043b \u0437\u0430 \u0442\u044f\u0436\u0435\u043b\u044b\u043c \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u044b\u043c \u0441\u0442\u043e\u043b\u043e\u043c \u0432 \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u043e\u0439 \u043f\u0440\u043e\u0432\u0438\u043d\u0446\u0438\u0430\u043b\u044c\u043d\u043e\u0439 \u0442\u0430\u0432\u0435\u0440\u043d\u0435, \u0433\u0434\u0435 \u0432\u043e\u0437\u0434\u0443\u0445 \u0431\u044b\u043b \u043d\u0430\u043f\u043e\u043b\u043d\u0435\u043d \u0437\u0430\u043f\u0430\u0445\u043e\u043c \u0434\u0435\u0448\u0435\u0432\u043e\u0433\u043e \u0432\u0438\u043d\u0430, \u0441\u0432\u0435\u0436\u0435\u0438\u0441\u043f\u0435\u0447\u0435\u043d\u043d\u043e\u0433\u043e \u0445\u043b\u0435\u0431\u0430 \u0438 \u0442\u0430\u0431\u0430\u0447\u043d\u043e\u0433\u043e \u0434\u044b\u043c\u0430. \u0421\u043d\u0430\u0440\u0443\u0436\u0438, \u043d\u0430 \u0434\u0435\u0440\u0435\u0432\u0435\u043d\u0441\u043a\u043e\u0439 \u043f\u043b\u043e\u0449\u0430\u0434\u0438, \u0431\u0443\u0440\u043b\u0438\u043b\u0430 \u043f\u0440\u0430\u0437\u0434\u043d\u0438\u0447\u043d\u0430\u044f \u0441\u0443\u0435\u0442\u0430 \u2014 \u0437\u0432\u0443\u0447\u0430\u043b\u0438 \u0432\u043e\u043b\u044b\u043d\u043a\u0438, \u043b\u044e\u0434\u0438 \u0441\u043c\u0435\u044f\u043b\u0438\u0441\u044c \u0438 \u0442\u0430\u043d\u0446\u0435\u0432\u0430\u043b\u0438, \u0437\u0430\u0431\u044b\u0432 \u043e \u0442\u044f\u0436\u0435\u043b\u044b\u0445 \u043f\u043e\u0432\u0441\u0435\u0434\u043d\u0435\u0432\u043d\u044b\u0445 \u0442\u0440\u0443\u0434\u0430\u0445. \u0417\u043e\u043b\u044f \u0432\u043d\u0438\u043c\u0430\u0442\u0435\u043b\u044c\u043d\u043e \u043d\u0430\u0431\u043b\u044e\u0434\u0430\u043b \u0437\u0430 \u044d\u0442\u0438\u043c \u043f\u0435\u0441\u0442\u0440\u044b\u043c, \u0448\u0443\u043c\u043d\u044b\u043c \u0438 \u0438\u0441\u0442\u0438\u043d\u043d\u044b\u043c \u0442\u0435\u0430\u0442\u0440\u043e\u043c \u0436\u0438\u0437\u043d\u0438, \u0443\u043b\u0430\u0432\u043b\u0438\u0432\u0430\u044f \u043a\u0430\u0436\u0434\u043e\u0435 \u043a\u043e\u043c\u0438\u0447\u043d\u043e\u0435 \u0432\u044b\u0440\u0430\u0436\u0435\u043d\u0438\u0435 \u043b\u0438\u0446\u0430 \u0438 \u043d\u0435\u043b\u043e\u0432\u043a\u0438\u0439 \u0442\u0430\u043d\u0446\u0435\u0432\u0430\u043b\u044c\u043d\u044b\u0439 \u0448\u0430\u0433.<\/i><\/p>\n
\u0422\u0430\u0440\u0435\u043b\u043a\u0430, \u043f\u043e\u0434\u0430\u043d\u043d\u0430\u044f \u043a \u0443\u0436\u0438\u043d\u0443, \u043a\u0430\u0437\u0430\u043b\u0430\u0441\u044c \u043f\u0440\u044f\u043c\u044b\u043c \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u0438\u0435\u043c \u0442\u043e\u0433\u043e, \u0447\u0442\u043e \u043f\u0440\u043e\u0438\u0441\u0445\u043e\u0434\u0438\u043b\u043e \u0437\u0430 \u043e\u043a\u043d\u043e\u043c. \u041d\u0430 \u043d\u0435\u0439, \u0432 \u0442\u043e\u043d\u043a\u043e\u0439 \u0447\u0435\u0440\u043d\u043e-\u0431\u0435\u043b\u043e\u0439 \u043f\u0435\u0447\u0430\u0442\u0438, \u0431\u044b\u043b\u0438 \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u044b \u0442\u0435 \u0436\u0435 \u043f\u0440\u043e\u0441\u0442\u044b\u0435 \u0441\u0435\u043b\u044c\u0441\u043a\u0438\u0435 \u043b\u044e\u0434\u0438 \u2014 \u043a\u043e\u043c\u0438\u0447\u043d\u044b\u0435, \u043f\u0440\u0435\u0443\u0432\u0435\u043b\u0438\u0447\u0435\u043d\u043d\u044b\u0435 \u0438 \u0431\u0435\u0441\u043a\u043e\u043d\u0435\u0447\u043d\u043e \u0436\u0438\u0432\u044b\u0435, \u043e\u0431\u0440\u0430\u043c\u043b\u0435\u043d\u043d\u044b\u0435 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u043e\u0439 \u0433\u0438\u0440\u043b\u044f\u043d\u0434\u043e\u0439 \u0438\u0437 \u0437\u0435\u043b\u0435\u043d\u044b\u0445 \u043b\u0438\u0441\u0442\u044c\u0435\u0432. \u041e\u043d \u0443\u043b\u044b\u0431\u043d\u0443\u043b\u0441\u044f, \u043f\u043e\u043d\u0438\u043c\u0430\u044f, \u0447\u0442\u043e \u0438\u0441\u0442\u0438\u043d\u043d\u0430\u044f \u0434\u0443\u0448\u0430 \u0424\u0440\u0430\u043d\u0446\u0438\u0438 \u043a\u0440\u043e\u0435\u0442\u0441\u044f \u043d\u0435 \u0432 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u044b\u0445 \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u0438\u0445 \u0441\u0430\u043b\u043e\u043d\u0430\u0445, \u0430 \u0432 \u044d\u0442\u043e\u0439 \u0448\u0443\u043c\u043d\u043e\u0439, \u043d\u0435\u043f\u043e\u0434\u0434\u0435\u043b\u044c\u043d\u043e\u0439 \u0440\u0430\u0434\u043e\u0441\u0442\u0438 \u0434\u0435\u0440\u0435\u0432\u0435\u043d\u0441\u043a\u043e\u0433\u043e \u043f\u0440\u0430\u0437\u0434\u043d\u0438\u043a\u0430, \u0441\u0442\u043e\u043b\u044c \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u0438 \u0437\u0430\u043f\u0435\u0447\u0430\u0442\u043b\u0435\u043d\u043d\u043e\u0439 \u0432 \u0444\u0430\u044f\u043d\u0441\u0435 \u043c\u0435\u0441\u0442\u043d\u044b\u043c\u0438 \u0440\u0435\u043c\u0435\u0441\u043b\u0435\u043d\u043d\u0438\u043a\u0430\u043c\u0438.<\/i><\/p>\n
\u042d\u0442\u043e\u0442 \u043e\u0447\u0430\u0440\u043e\u0432\u0430\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u043d\u0430\u0431\u043e\u0440 \u0438\u0437 \u0448\u0435\u0441\u0442\u0438 \u0442\u0430\u0440\u0435\u043b\u043e\u043a \u0431\u044b\u043b \u0438\u0437\u0433\u043e\u0442\u043e\u0432\u043b\u0435\u043d \u0432\u043e \u0424\u0440\u0430\u043d\u0446\u0438\u0438 \u0432 \u043a\u043e\u043d\u0446\u0435 19-\u0433\u043e \u0432\u0435\u043a\u0430 (\u043e\u043a\u043e\u043b\u043e 1876\u20131884 \u0433\u043e\u0434\u043e\u0432) \u043d\u0430 \u0437\u043d\u0430\u043c\u0435\u043d\u0438\u0442\u043e\u0439 \u043c\u0430\u043d\u0443\u0444\u0430\u043a\u0442\u0443\u0440\u0435 “Creil et Montereau”. \u041a\u043b\u0435\u0439\u043c\u043e \u043d\u0430 \u043e\u0431\u0440\u0430\u0442\u043d\u043e\u0439 \u0441\u0442\u043e\u0440\u043e\u043d\u0435 \u0442\u0430\u0440\u0435\u043b\u043e\u043a “B & Cie D\u00c9POS\u00c9 CREIL ET MONTEREAU” \u0443\u043a\u0430\u0437\u044b\u0432\u0430\u0435\u0442 \u043d\u0430 \u043f\u0435\u0440\u0438\u043e\u0434 \u0440\u0443\u043a\u043e\u0432\u043e\u0434\u0441\u0442\u0432\u0430 \u041b\u0443\u0438-\u041c\u0430\u0440\u0442\u0435\u043d\u0430 \u0411\u0430\u0440\u043b\u044e\u044d (Louis-Martin Barluet<\/i>). \u042d\u0442\u0430 \u043c\u0430\u043d\u0443\u0444\u0430\u043a\u0442\u0443\u0440\u0430 \u0431\u044b\u043b\u0430 \u043e\u0434\u043d\u043e\u0439 \u0438\u0437 \u0441\u0430\u043c\u044b\u0445 \u0437\u043d\u0430\u0447\u0438\u043c\u044b\u0445 \u0432\u043e \u0424\u0440\u0430\u043d\u0446\u0438\u0438 \u043f\u043e \u043f\u0440\u043e\u0438\u0437\u0432\u043e\u0434\u0441\u0442\u0432\u0443 \u0442\u043e\u043d\u043a\u043e\u0433\u043e \u0444\u0430\u044f\u043d\u0441\u0430 (fa\u00efence fine<\/i>) \u0438 \u0441\u043b\u0430\u0432\u0438\u043b\u0430\u0441\u044c \u0441\u0432\u043e\u0435\u0439 \u0432\u044b\u0441\u043e\u043a\u043e\u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u0442\u0435\u0445\u043d\u0438\u043a\u043e\u0439 \u0434\u0435\u043a\u043e\u043b\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u044f (transferware<\/i>).<\/p>\n
\u0422\u0430\u0440\u0435\u043b\u043a\u0438 \u043f\u0440\u0438\u043d\u0430\u0434\u043b\u0435\u0436\u0430\u0442 \u043a \u0440\u0430\u0437\u0432\u043b\u0435\u043a\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0441\u0435\u0440\u0438\u0438 “F\u00eate de Torboyaux la Piquette” (\u041f\u0440\u0430\u0437\u0434\u043d\u0438\u043a \u0422\u043e\u0440\u0431\u0443\u0430\u0439\u043e). \u041e\u043d\u0438 \u0432\u044b\u0434\u0435\u043b\u044f\u044e\u0442\u0441\u044f \u043a\u0440\u0430\u0441\u0438\u0432\u043e\u0439, \u0442\u043e\u043d\u043a\u043e \u043f\u0440\u043e\u0440\u0438\u0441\u043e\u0432\u0430\u043d\u043d\u043e\u0439 \u0437\u0435\u043b\u0435\u043d\u043e\u0439 \u043a\u0430\u0439\u043c\u043e\u0439, \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u043d\u043e\u0439 \u0433\u0438\u0440\u043b\u044f\u043d\u0434\u0430\u043c\u0438 \u0438\u0437 \u0446\u0432\u0435\u0442\u043e\u0432 \u0438 \u0430\u0442\u0440\u0438\u0431\u0443\u0442\u043e\u0432 \u0434\u0435\u0440\u0435\u0432\u0435\u043d\u0441\u043a\u043e\u0433\u043e \u043f\u0440\u0430\u0437\u0434\u043d\u0438\u043a\u0430, \u0438 \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u044b\u043c \u0447\u0435\u0440\u043d\u043e-\u0431\u0435\u043b\u044b\u043c (grisaille<\/i>) \u0441\u044e\u0436\u0435\u0442\u043e\u043c. \u041a\u0430\u0436\u0434\u0430\u044f \u0442\u0430\u0440\u0435\u043b\u043a\u0430 \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0430\u0435\u0442 \u043e\u0442\u0434\u0435\u043b\u044c\u043d\u0443\u044e \u044e\u043c\u043e\u0440\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u0443\u044e \u0441\u0446\u0435\u043d\u043a\u0443 \u0438\u0437 \u0434\u0435\u0440\u0435\u0432\u0435\u043d\u0441\u043a\u043e\u0433\u043e \u043f\u0440\u0430\u0437\u0434\u043d\u0438\u043a\u0430 \u2014 \u043e\u0442 \u0437\u0430\u0447\u0438\u0442\u044b\u0432\u0430\u043d\u0438\u044f \u043e\u0431\u044a\u044f\u0432\u043b\u0435\u043d\u0438\u044f \u043f\u043e\u0434 \u0431\u0430\u0440\u0430\u0431\u0430\u043d \u0434\u043e \u0432\u0435\u0441\u0435\u043b\u044b\u0445 \u0442\u0430\u043d\u0446\u0435\u0432 \u0438 \u043a\u0430\u0440\u0443\u0441\u0435\u043b\u0438. \u0412 19 \u0432\u0435\u043a\u0435 \u0442\u0430\u043a\u0438\u0435 \u0442\u0430\u0440\u0435\u043b\u043a\u0438 \u0441\u043b\u0443\u0436\u0438\u043b\u0438 \u043d\u0435 \u0442\u043e\u043b\u044c\u043a\u043e \u0434\u043b\u044f \u0435\u0434\u044b, \u043d\u043e \u0438 \u043a\u0430\u043a \u0438\u0441\u0442\u043e\u0447\u043d\u0438\u043a \u0442\u0435\u043c \u0434\u043b\u044f \u0440\u0430\u0437\u0433\u043e\u0432\u043e\u0440\u043e\u0432 \u0438 \u0441\u043c\u0435\u0445\u0430 \u0437\u0430 \u043e\u0431\u0435\u0434\u0435\u043d\u043d\u044b\u043c \u0441\u0442\u043e\u043b\u043e\u043c.<\/p>\n
\u042d\u0442\u0438 \u0442\u0430\u0440\u0435\u043b\u043a\u0438 \u2014 \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u044b\u0439 \u044d\u043b\u0435\u043c\u0435\u043d\u0442 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430. \u0418\u0445 \u043c\u043e\u0436\u043d\u043e \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u043e\u0432\u0430\u0442\u044c \u043a\u0430\u043a \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0439 \u0438 \u043f\u0440\u0438\u0432\u043b\u0435\u043a\u0430\u044e\u0449\u0438\u0439 \u0432\u043d\u0438\u043c\u0430\u043d\u0438\u0435 \u043d\u0430\u0441\u0442\u0435\u043d\u043d\u044b\u0439 \u0434\u0435\u043a\u043e\u0440 \u0432 \u0441\u0442\u043e\u043b\u043e\u0432\u043e\u0439 \u0438\u043b\u0438 \u043a\u0443\u0445\u043d\u0435 \u0432 \u0434\u0435\u0440\u0435\u0432\u0435\u043d\u0441\u043a\u043e\u043c \u0441\u0442\u0438\u043b\u0435, \u0430 \u0442\u0430\u043a\u0436\u0435 \u044d\u043a\u0441\u043f\u043e\u043d\u0438\u0440\u043e\u0432\u0430\u0442\u044c \u0432 \u0437\u0430\u0441\u0442\u0435\u043a\u043b\u0435\u043d\u043d\u043e\u043c \u0431\u0443\u0444\u0435\u0442\u0435. \u041d\u0430\u0431\u043e\u0440 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u043e\u0442\u043b\u0438\u0447\u043d\u043e\u043c \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438, \u0441\u043e\u043e\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0443\u044e\u0449\u0435\u043c \u0435\u0433\u043e \u0431\u043e\u043b\u0435\u0435 \u0447\u0435\u043c 140-\u043b\u0435\u0442\u043d\u0435\u043c\u0443 \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u0443. \u041d\u0430 \u0444\u0430\u044f\u043d\u0441\u0435 \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u043b\u0430\u0441\u044c \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u0441\u0435\u0442\u044c \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u043d\u043e\u0433\u043e \u043a\u0440\u0430\u043a\u0435\u043b\u044e\u0440\u0430 (\u0441\u0435\u0442\u043e\u0447\u043a\u0430 \u043c\u0435\u043b\u043a\u0438\u0445 \u0442\u0440\u0435\u0449\u0438\u043d \u0433\u043b\u0430\u0437\u0443\u0440\u0438), \u0430 \u043c\u0435\u0441\u0442\u0430\u043c\u0438 \u0432\u0438\u0434\u043d\u044b \u043b\u0435\u0433\u043a\u0438\u0435 \u043f\u0438\u0433\u043c\u0435\u043d\u0442\u043d\u044b\u0435 \u043f\u044f\u0442\u043d\u0430 \u0432\u0440\u0435\u043c\u0435\u043d\u0438 (\u043e\u0441\u043e\u0431\u0435\u043d\u043d\u043e \u043d\u0430 \u043e\u0431\u0440\u0430\u0442\u043d\u043e\u0439 \u0441\u0442\u043e\u0440\u043e\u043d\u0435 \u0442\u0430\u0440\u0435\u043b\u043e\u043a), \u0447\u0442\u043e \u043f\u0440\u0438\u0434\u0430\u0435\u0442 \u0438\u043c \u0438\u0441\u0442\u0438\u043d\u043d\u044b\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u0448\u0430\u0440\u043c \u0438 \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u043e\u0441\u0442\u044c, \u043d\u0435 \u0432\u043b\u0438\u044f\u044f \u043d\u0430 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u043d\u0443\u044e \u0446\u0435\u043b\u043e\u0441\u0442\u043d\u043e\u0441\u0442\u044c. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n
\ud83c\uddec\ud83c\udde7 Width: 20.5 cm<\/p>\n
Six antique Creil et Montereau faience plates<\/b><\/p>\n
Snapshot of French provincial life, \u00c9mile Zola (\u00c9mile Zola):<\/i><\/b> The writer sat at a heavy wooden table in a small provincial tavern, where the air was thick with the scent of cheap wine, freshly baked bread, and tobacco smoke. Outside, in the village square, the festive bustle was in full swing\u2014bagpipes played, people laughed and danced, forgetting their hard daily labors. Zola carefully observed this colorful, loud, and genuine theater of life, his eyes catching every comical facial expression and awkward dance step.<\/i><\/p>\n
The plate served for his dinner seemed a direct reflection of what was happening outside the window. Printed in fine black-and-white detail, it depicted those same simple country folk\u2014comical, exaggerated, and infinitely alive, framed by a lush garland of green leaves. He smiled, realizing that the true soul of France lay not in the gilded Parisian salons, but in this noisy, unfeigned joy of a village fete, so masterfully captured in faience by local craftsmen.<\/i><\/p>\n
This charming set of six plates was crafted in France during the late 19th century (circa 1876\u20131884) at the famous Creil et Montereau manufactory. The stamp on the back of the plates, “B & Cie D\u00c9POS\u00c9 CREIL ET MONTEREAU”, indicates the management period of Louis-Martin Barluet. This manufactory was one of the most important producers of fine faience (fa\u00efence fine<\/i> or ironstone) in France, especially renowned for its high-quality transferware technique.<\/p>\n
The plates belong to the entertaining “F\u00eate de Torboyaux la Piquette” series. They feature a beautiful, finely drawn green border decorated with garlands of flowers and rustic festival attributes, along with a central black-and-white (grisaille<\/i>) scene. Each plate depicts a different, humorous vignette from a village festival\u2014from a town crier making an announcement with a drum to lively dancing and a carousel. In the 19th century, such plates served not only for dining but also as a source of conversation and laughter around the dinner table.<\/p>\n
These plates make a wonderful interior element. They can be used as original and eye-catching wall decor in a dining room or a country-style kitchen, or displayed in a glass-fronted cabinet. The set is in excellent antique condition, consistent with being over 140 years old. The faience has developed a natural network of age crazing (fine glaze crackle), and there are some light age-related stains in places (especially on the backs of the plates), which give them true antique charm and authenticity without affecting their structural integrity. The condition of the item is fully reflected in the photographs.<\/p>\n
\ud83c\udde9\ud83c\uddea Breite: 20,5 cm<\/p>\n
Sechs antike Creil et Montereau Fayence-Teller<\/b><\/p>\n
Momentaufnahme des franz\u00f6sischen Provinzlebens, \u00c9mile Zola (\u00c9mile Zola):<\/i><\/b> Der Schriftsteller sa\u00df an einem schweren Holztisch in einer kleinen Provinztaverne, wo die Luft dick vom Duft billigen Weins, frisch gebackenem Brot und Tabakrauch war. Drau\u00dfen auf dem Dorfplatz war das festliche Treiben in vollem Gange \u2013 Dudels\u00e4cke spielten, die Leute lachten und tanzten und verga\u00dfen ihre harte t\u00e4gliche Arbeit. Zola beobachtete aufmerksam dieses bunte, laute und unverf\u00e4lschte Theater des Lebens, seine Augen erfassten jeden komischen Gesichtsausdruck und jeden ungeschickten Tanzschritt.<\/i><\/p>\n
Der f\u00fcr sein Abendessen servierte Teller schien eine direkte Widerspiegelung dessen zu sein, was sich vor dem Fenster abspielte. In feinen Schwarz-Wei\u00df-Details gedruckt, zeigte er dieselben einfachen Landleute \u2013 komisch, \u00fcbertrieben und unendlich lebendig, umrahmt von einer \u00fcppigen Girlande aus gr\u00fcnen Bl\u00e4ttern. Er l\u00e4chelte, da ihm klar wurde, dass die wahre Seele Frankreichs nicht in den vergoldeten Pariser Salons lag, sondern in dieser lauten, ungek\u00fcnstelten Freude eines Dorffestes, die von lokalen Handwerkern so meisterhaft in Fayence eingefangen wurde.<\/i><\/p>\n
Dieses bezaubernde Set aus sechs Tellern wurde im sp\u00e4ten 19. Jahrhundert (ca. 1876\u20131884) in der ber\u00fchmten Manufaktur Creil et Montereau in Frankreich hergestellt. Der Stempel auf der R\u00fcckseite der Teller “B & Cie D\u00c9POS\u00c9 CREIL ET MONTEREAU” weist auf die Zeit unter der Leitung von Louis-Martin Barluet hin. Die Teller geh\u00f6ren zur humorvollen Serie “F\u00eate de Torboyaux la Piquette”. Sie verf\u00fcgen \u00fcber einen fein gezeichneten gr\u00fcnen Rand und eine zentrale Schwarz-Wei\u00df-Szene (Grisaille<\/i>), die jeweils eine andere komische Situation von einem Dorffest darstellt. Das Set befindet sich in einem sehr guten antiken Zustand. Die Fayence hat ein nat\u00fcrliches Krakelee-Netzwerk entwickelt, und es gibt stellenweise leichte, altersbedingte Verf\u00e4rbungen (besonders auf der R\u00fcckseite), die den authentischen antiken Charme der \u00fcber 140 Jahre alten Teller unterstreichen.<\/p>\n
\ud83c\uddeb\ud83c\uddf7 Largeur : 20,5 cm<\/p>\n
Six assiettes anciennes en fa\u00efence Creil et Montereau<\/b><\/p>\n
Instantan\u00e9 de la vie provinciale fran\u00e7aise, \u00c9mile Zola (\u00c9mile Zola):<\/i><\/b> L’\u00e9crivain \u00e9tait assis \u00e0 une lourde table en bois dans une petite taverne de province, o\u00f9 l’air \u00e9tait charg\u00e9 de l’odeur du vin bon march\u00e9, du pain fra\u00eechement cuit et de la fum\u00e9e de tabac. Dehors, sur la place du village, l’agitation festive battait son plein : les cornemuses jouaient, les gens riaient et dansaient, oubliant leurs durs labeurs quotidiens. Zola observait attentivement ce th\u00e9\u00e2tre de la vie, color\u00e9, bruyant et authentique, ses yeux captant chaque expression faciale comique et chaque pas de danse maladroit.<\/i><\/p>\n
L’assiette servie pour son d\u00eener semblait \u00eatre le reflet direct de ce qui se passait derri\u00e8re la fen\u00eatre. Imprim\u00e9e de fins d\u00e9tails en noir et blanc, elle repr\u00e9sentait ces m\u00eames simples gens de la campagne \u2014 comiques, exag\u00e9r\u00e9s et infiniment vivants, encadr\u00e9s par une guirlande luxuriante de feuilles vertes. Il sourit, r\u00e9alisant que la v\u00e9ritable \u00e2me de la France ne r\u00e9sidait pas dans les salons parisiens dor\u00e9s, mais dans cette joie bruyante et feinte d’une f\u00eate de village, si magistralement captur\u00e9e dans la fa\u00efence par les artisans locaux.<\/i><\/p>\n
Ce charmant ensemble de six assiettes a \u00e9t\u00e9 fabriqu\u00e9 en France \u00e0 la fin du 19\u00e8me si\u00e8cle (vers 1876-1884) par la c\u00e9l\u00e8bre manufacture de Creil et Montereau. Le tampon au dos “B & Cie D\u00c9POS\u00c9 CREIL ET MONTEREAU” correspond \u00e0 la p\u00e9riode de direction de Louis-Martin Barluet. Les assiettes font partie de la s\u00e9rie humoristique “F\u00eate de Torboyaux la Piquette”. Chacune pr\u00e9sente une sc\u00e8ne centrale en grisaille illustrant les festivit\u00e9s villageoises, entour\u00e9e d’une belle frise verte. L’ensemble est en tr\u00e8s bon \u00e9tat d’usage antique, avec un fin tressaillage de la gla\u00e7ure et quelques l\u00e9g\u00e8res taches d’anciennet\u00e9 (notamment au dos) qui ajoutent au charme authentique de ces pi\u00e8ces de plus de 140 ans.<\/p>\n
\ud83c\udde9\ud83c\uddf0 Bredde: 20,5 cm<\/p>\n
Seks antikke Creil et Montereau fajancetallerkener<\/b><\/p>\n
\u00d8jebliksbillede af det franske provinsliv, \u00c9mile Zola (\u00c9mile Zola):<\/i><\/b> Forfatteren sad ved et tungt tr\u00e6bord p\u00e5 et lille provinsv\u00e6rtshus, hvor luften var tyk af duften af billig vin, friskbagt br\u00f8d og tobaksr\u00f8g. Udenfor p\u00e5 landsbyens torv var den festlige travlhed i fuld gang \u2014 s\u00e6kkepiberne spillede, folk grinede og dansede og glemte deres h\u00e5rde daglige slid. Zola observerede n\u00f8je dette farverige, h\u00f8jlydte og \u00e6gte livets teater, og hans \u00f8jne fangede hvert et komisk ansigtsudtryk og kluntet dansetrin.<\/i><\/p>\n
Tallerkenen, der blev serveret til hans middag, virkede som en direkte afspejling af, hvad der skete uden for vinduet. Trykt i fine sort-hvide detaljer afbildede den de samme enkle landfolk \u2014 komiske, overdrevne og uendeligt levende, indrammet af en frodig guirlande af gr\u00f8nne blade. Han smilede, da det gik op for ham, at Frankrigs sande sj\u00e6l ikke l\u00e5 i de forgyldte parisiske saloner, men i denne st\u00f8jende, uforfalskede gl\u00e6de ved en landsbyfest, s\u00e5 mesterligt indfanget i fajance af lokale h\u00e5ndv\u00e6rkere.<\/i><\/p>\n
Dette charmerende s\u00e6t med seks tallerkener blev fremstillet i Frankrig i slutningen af det 19. \u00e5rhundrede (omkring 1876-1884) af den ber\u00f8mte producent Creil et Montereau. Stemplet “B & Cie” p\u00e5 bagsiden angiver Barluet & Cie-perioden. Tallerkenerne tilh\u00f8rer den satiriske serie “F\u00eate de Torboyaux la Piquette” og har en smuk gr\u00f8n bort med forskellige sort-hvide (grisaille<\/i>) motiver fra en landlig byfest i midten. S\u00e6ttet er i en fremragende antik stand med forventelig, naturlig krakelering i glasuren og lidt aldersrelateret misfarvning p\u00e5 bagsiden, som blot bidrager til den autentiske charme.<\/p>\n
\ud83c\uddf8\ud83c\uddea Bredd: 20,5 cm<\/p>\n
Sex antika Creil et Montereau fajanstallrikar<\/b><\/p>\n
\u00d6gonblicksbild av det franska provinslivet, \u00c9mile Zola (\u00c9mile Zola):<\/i><\/b> F\u00f6rfattaren satt vid ett tungt tr\u00e4bord p\u00e5 en liten provinskrog, d\u00e4r luften var tjock av doften av billigt vin, nybakat br\u00f6d och tobaksr\u00f6k. Utanf\u00f6r p\u00e5 bytorget var det festliga vimlet i full g\u00e5ng \u2014 s\u00e4ckpiporna spelade, folk skrattade och dansade och gl\u00f6mde sitt h\u00e5rda dagliga slit. Zola observerade noga denna f\u00e4rgstarka, h\u00f6gljudda och \u00e4kta livsteater, och hans \u00f6gon f\u00e5ngade varje komiskt ansiktsuttryck och klumpigt danssteg.<\/i><\/p>\n
Tallriken som serverades till hans middag verkade vara en direkt \u00e5terspegling av vad som h\u00e4nde utanf\u00f6r f\u00f6nstret. Tryckt i fina svartvita detaljer avbildade den samma enkla lantfolk \u2014 komiska, \u00f6verdrivna och o\u00e4ndligt levande, inramade av en frodig krans av gr\u00f6na l\u00f6v. Han log n\u00e4r han ins\u00e5g att Frankrikes sanna sj\u00e4l inte l\u00e5g i de f\u00f6rgyllda parisiska salongerna, utan i denna bullriga, of\u00f6rst\u00e4llda gl\u00e4dje p\u00e5 en byfest, s\u00e5 m\u00e4sterligt f\u00e5ngad i fajans av lokala hantverkare.<\/i><\/p>\n
Detta charmiga set med sex tallrikar tillverkades i Frankrike under slutet av 1800-talet (ca 1876\u20131884) av den v\u00e4lk\u00e4nda fabriken Creil et Montereau. St\u00e4mpeln p\u00e5 baksidan, “B & Cie D\u00c9POS\u00c9 CREIL ET MONTEREAU”, daterar dem till Louis-Martin Barluets tid. Tallrikarna tillh\u00f6r serien “F\u00eate de Torboyaux la Piquette” och pryds av en vacker gr\u00f6n b\u00e5rd samt humoristiska, svartvita motiv fr\u00e5n en fransk byfest. De \u00e4r i ett genuint antikt skick med naturlig krackelering i glasyren och vissa \u00e5ldersfl\u00e4ckar, framf\u00f6r allt p\u00e5 baksidan, vilket ger dem en vacker, rustik patina.<\/p>\n
\ud83c\uddf3\ud83c\uddf4 Bredde: 20,5 cm<\/p>\n
Seks antikke Creil et Montereau fajanse-tallerkener<\/b><\/p>\n
\u00d8yeblikksbilde fra det franske provinslivet, \u00c9mile Zola (\u00c9mile Zola):<\/i><\/b> Forfatteren satt ved et tungt trebord p\u00e5 et lite provinsvertshus, hvor luften var tykk av duften av billig vin, nybakt br\u00f8d og tobakksr\u00f8yk. Utenfor p\u00e5 landsbytorget var det festlige mylderet i full gang \u2014 sekkepipene spilte, folk lo og danset og glemte sitt harde daglige slit. Zola observerte n\u00f8ye dette fargerike, h\u00f8ylytte og ekte livsteateret, og \u00f8ynene hans fanget hvert komiske ansiktsuttrykk og kl\u00f8nete dansetrinn.<\/i><\/p>\n
Tallerkenen som ble servert til middagen hans virket som en direkte gjenspeiling av det som skjedde utenfor vinduet. Trykt i fine svart-hvite detaljer, avbildet den de samme enkle landsbyfolkene \u2014 komiske, overdrevne og uendelig levende, innrammet av en frodig krans av gr\u00f8nne blader. Han smilte da han inns\u00e5 at Frankrikes sanne sjel ikke l\u00e5 i de forgylte parisiske salongene, men i denne st\u00f8yende, uforstilte gleden p\u00e5 en landsbyfest, s\u00e5 mesterlig fanget i fajanse av lokale h\u00e5ndverkere.<\/i><\/p>\n
Dette herlige settet med seks tallerkener ble produsert i Frankrike mot slutten av 1800-tallet (ca. 1876\u20131884) av den anerkjente produsenten Creil et Montereau. Merket p\u00e5 baksiden (“B & Cie”) viser til perioden under Louis-Martin Barluet. Serien heter “F\u00eate de Torboyaux la Piquette” og skildrer humoristiske scener fra en landlig fest, omkranset av en gr\u00f8nn, dekorativ bord. Tallerkene har en nydelig, antikk sjarm med naturlig krakelering i glasuren og noe aldersrelatert misfarging, spesielt p\u00e5 undersiden, som vitner om over 140 \u00e5rs historie.<\/p>\n
\ud83c\uddeb\ud83c\uddf7 Leveys: 20,5 cm<\/p>\n
Kuusi antiikkista Creil et Montereau -fajanssilautasta<\/b><\/p>\n
Tilannekuva Ranskan maaseutuel\u00e4m\u00e4st\u00e4, \u00c9mile Zola (\u00c9mile Zola):<\/i><\/b> Kirjailija istui raskaan puup\u00f6yd\u00e4n \u00e4\u00e4ress\u00e4 pieness\u00e4 maaseutukievarissa, miss\u00e4 ilma oli sakeana halvan viinin, vastaleivotun leiv\u00e4n ja tupakan savun tuoksusta. Ulkona kyl\u00e4n aukiolla juhlava vilske oli t\u00e4ydess\u00e4 vauhdissa \u2014 s\u00e4kkipillit soivat, ihmiset nauroivat ja tanssivat unohtaen raskaat p\u00e4ivitt\u00e4iset aherruksensa. Zola tarkkaili huolellisesti t\u00e4t\u00e4 v\u00e4rik\u00e4st\u00e4, \u00e4\u00e4nek\u00e4st\u00e4 ja aitoa el\u00e4m\u00e4nteatteria, h\u00e4nen silmiens\u00e4 tavoittaessa jokaisen koomisen ilmeen ja k\u00f6mpel\u00f6n tanssiaskeleen.<\/i><\/p>\n
H\u00e4nen illalliselleen tarjoiltu lautanen n\u00e4ytti olevan suora heijastus siit\u00e4, mit\u00e4 ikkunan takana tapahtui. Hienoin mustavalkoisin yksityiskohdin painettuna se kuvasi noita samoja yksinkertaisia maalaisia \u2014 koomisia, liioiteltuja ja \u00e4\u00e4rett\u00f6m\u00e4n el\u00e4vi\u00e4, vehre\u00e4n vihreiden lehtien seppeleen kehyst\u00e4min\u00e4. H\u00e4n hymyili tajutessaan, ett\u00e4 Ranskan todellinen sielu ei piillyt kullatuissa pariisilaisissa salongeissa, vaan t\u00e4ss\u00e4 kyl\u00e4juhlan meluisassa, teeskentelem\u00e4tt\u00f6m\u00e4ss\u00e4 ilossa, jonka paikalliset k\u00e4sity\u00f6l\u00e4iset olivat niin mestarillisesti ikuistaneet fajanssiin.<\/i><\/p>\n
T\u00e4m\u00e4 hurmaava kuuden lautasen sarja on valmistettu Ranskassa 1800-luvun lopulla (n. 1876\u20131884) kuuluisalla Creil et Montereau -tehtaalla. Lautasten k\u00e4\u00e4nt\u00f6puolella oleva leima “B & Cie D\u00c9POS\u00c9 CREIL ET MONTEREAU” viittaa Louis-Martin Barluetin johtokauteen. Lautaset kuuluvat humoristiseen “F\u00eate de Torboyaux la Piquette” -sarjaan, ja niit\u00e4 kiert\u00e4\u00e4 kaunis vihre\u00e4 reunus. Keskell\u00e4 on mustavalkoinen kuva-aihe, joka esitt\u00e4\u00e4 erilaisia kyl\u00e4juhlien kohtauksia. Lautaset ovat upeassa antiikkisessa kunnossa; lasitteessa on normaalia i\u00e4n tuomaa krakeloitumista ja taustapuolella on hieman luonnollista tummentumaa, mik\u00e4 on tyypillist\u00e4 yli 140 vuotta vanhalle ranskalaiselle fajanssille.<\/p>\n","protected":false},"excerpt":{"rendered":"
Se\u0161u izteiksm\u012bgu 19. gadsimta beigu Francijas fajansa \u0161\u0137\u012bvju komplekts no slaven\u0101s “Creil et Montereau” manufakt\u016bras. \u0160\u0137\u012bvjus rot\u0101 humoristiskas fran\u010du ciemata sv\u0113tku ainas ar za\u013cu dekorat\u012bvo apmali.<\/p>\n","protected":false},"featured_media":50744,"template":"","meta":[],"product_brand":[],"product_cat":[229,211,204],"product_tag":[2466,2471,2463,2465,2462,2467,833,2469,2468,2470,2472,2464],"class_list":["post-50743","product","type-product","status-publish","has-post-thumbnail","product_cat-skivji","product_cat-trauki","product_cat-visas-lietas","product_tag-19th-century-ceramics","product_tag-antiki-skivji","product_tag-antique-plates","product_tag-barluet-cie","product_tag-creil-et-montereau","product_tag-fete-de-torboyaux","product_tag-french-faience","product_tag-green-border","product_tag-grisaille","product_tag-ironstone","product_tag-sienas-skivji","product_tag-transferware","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/50743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/50744"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=50743"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=50743"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=50743"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=50743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}