\ud83c\uddf1\ud83c\uddfb Platums: 20 cm \u010cetrpadsmit ant\u012bki \u0161\u0137\u012bvji no fajansa V\u0113sturisma stil\u0101<\/b><\/p>\n
Com\u00e9die-Fran\u00e7aise te\u0101tra aizkulises, \u017danna Samari (Jeanne Samary):<\/i><\/b> Klusaj\u0101, v\u0101ji apgaismotaj\u0101 \u0123\u0113rbtuv\u0113, kur gaisu piepild\u012bja p\u016bdera, v\u012bsto\u0161u ro\u017eu un g\u0101zes lampu sild\u012bt\u0101 met\u0101la smar\u017ea, aktrise s\u0113d\u0113ja pie zelt\u012bt\u0101 spogu\u013ca. Vi\u0146as pirksti nervozi sl\u012bd\u0113ja p\u0101r uz tualetes galdi\u0146a atst\u0101t\u0101 keramikas priek\u0161meta v\u0113so, glaz\u0113to malu, saj\u016btot smalkos, karm\u012bnsarkanos ornamentu reljefus zem savas \u0101das.<\/i><\/p>\n
P\u0113k\u0161\u0146s klauv\u0113jiens pie smagaj\u0101m ozolkoka durv\u012bm v\u0113st\u012bja par vi\u0146as dr\u012bzo izn\u0101cienu, izraisot tr\u012bsas zem z\u012bda t\u0113rpa. Tum\u0161\u0101s, vienkr\u0101sain\u0101s ilustr\u0101cijas trauka centr\u0101 \u2014 klusi st\u0101sti par viduslaiku drosmi un tra\u0123\u0113diju \u2014 \u0161\u0137ita nomierin\u0101m vi\u0146as strauji puksto\u0161o sirdi, sniedzot \u012bsu, apcer\u012bgu mirkli pirms do\u0161an\u0101s pretim ap\u017eilbino\u0161aj\u0101m skatuves ugun\u012bm un gaido\u0161ajam Par\u012bzes publikas troksnim.<\/i><\/p>\n
Ievads<\/b> \u0160is iespaid\u012bgais \u010detrpadsmit ant\u012bko fajansa \u0161\u0137\u012bvju komplekts ir br\u012bni\u0161\u0137\u012bgs Francijas keramikas m\u0101kslas un st\u0101stniec\u012bbas apvienojums, ko rad\u012bjusi slaven\u0101 Gien manufakt\u016bra. Katrs \u0161\u0137\u012bvis ir k\u0101 izteiksm\u012bga grafiska lappuse, kas ietverta grezn\u0101 V\u0113sturisma stila ietvar\u0101.<\/p>\n
Izgatavo\u0161anas periods<\/b> 19. gadsimta beigas, Francija.<\/p>\n
Ra\u017eot\u0101js un paraksts<\/b> \u0160\u0137\u012bvju aizmugur\u0113 ir redzams autentiskais “Porcelaine Opaque de Gien” z\u012bmogs ar klasisko pils mot\u012bvu, kas apstiprina to izcelsmi un augsto ra\u017eo\u0161anas kvalit\u0101ti.<\/p>\n
Dekors un si\u017eets<\/b> Komplekta pamat\u0101 ir le\u0123end\u0101r\u0101 “Histoire de Jeanne d’Arc” (\u017dannas d’Arkas v\u0113sture) s\u0113rija. Melnbaltaj\u0101s dekolkr\u0101sas (transferware) ain\u0101s centr\u0101 detaliz\u0113ti att\u0113loti noz\u012bm\u012bg\u0101kie fran\u010du varones dz\u012bves mirk\u013ci \u2014 no aitu gan\u012b\u0161anas b\u0113rn\u012bb\u0101 l\u012bdz Orle\u0101nas aplenkumam un tra\u0123iskajam s\u0101rtam Ru\u0101n\u0101 1431. gad\u0101. K\u0101 interesants papildin\u0101jums, \u0161aj\u0101 kolekcij\u0101 ir iek\u013cauti ar\u012b divi \u0161\u0137\u012bvji ar med\u012bbu ain\u0101m (“Chasse au Renard” un “Chasse au Faisan”), kas pie\u0161\u0137ir komplektam eklektisku fran\u010du lauku mui\u017eas noska\u0146u. Visas ainas ieskauj bag\u0101t\u012bga, karm\u012bnsarkana neorenesanses stila apmale ar smalkiem arabesku un grotesku mot\u012bviem.<\/p>\n
Pielietojums<\/b> \u0160ie trauki ir ide\u0101li piem\u0113roti sienas kompoz\u012bciju veido\u0161anai klasisk\u0101 \u0113damz\u0101l\u0113, med\u012bbu telp\u0101 vai lauku m\u0101jas interjer\u0101, radot izteikti francisku un v\u0113sturiski pies\u0101tin\u0101tu atmosf\u0113ru.<\/p>\n
St\u0101voklis<\/b> Komplekts ir labi saglab\u0101jies savam vecumam. Vair\u0101kiem \u0161\u0137\u012bvjiem ir v\u0113rojams skaists, dabisks glaz\u016bras krakel\u0113jums (crazing) un nelielas laika p\u0113das, kas tikai izce\u013c to ant\u012bko raksturu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
\ud83c\uddf7\ud83c\uddfa \u0428\u0438\u0440\u0438\u043d\u0430: 20 \u0441\u043c<\/p>\n
\u0417\u0430 \u043a\u0443\u043b\u0438\u0441\u0430\u043c\u0438 \u0442\u0435\u0430\u0442\u0440\u0430 \u041a\u043e\u043c\u0435\u0434\u0438 \u0424\u0440\u0430\u043d\u0441\u044d\u0437, \u0416\u0430\u043d\u043d\u0430 \u0421\u0430\u043c\u0430\u0440\u0438 (Jeanne Samary):<\/i><\/b> \u0412 \u0442\u0438\u0445\u043e\u0439, \u0442\u0443\u0441\u043a\u043b\u043e \u043e\u0441\u0432\u0435\u0449\u0435\u043d\u043d\u043e\u0439 \u0433\u0440\u0438\u043c\u0435\u0440\u043d\u043e\u0439, \u0433\u0434\u0435 \u0432\u043e\u0437\u0434\u0443\u0445 \u0431\u044b\u043b \u043d\u0430\u043f\u043e\u043b\u043d\u0435\u043d \u0437\u0430\u043f\u0430\u0445\u043e\u043c \u043f\u0443\u0434\u0440\u044b, \u0443\u0432\u044f\u0434\u0430\u044e\u0449\u0438\u0445 \u0440\u043e\u0437 \u0438 \u043d\u0430\u0433\u0440\u0435\u0442\u043e\u0433\u043e \u0433\u0430\u0437\u043e\u043c \u043c\u0435\u0442\u0430\u043b\u043b\u0430 \u043b\u0430\u043c\u043f, \u0430\u043a\u0442\u0440\u0438\u0441\u0430 \u0441\u0438\u0434\u0435\u043b\u0430 \u043f\u0435\u0440\u0435\u0434 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u044b\u043c \u0437\u0435\u0440\u043a\u0430\u043b\u043e\u043c. \u0415\u0435 \u043f\u0430\u043b\u044c\u0446\u044b \u043d\u0435\u0440\u0432\u043d\u043e \u0441\u043a\u043e\u043b\u044c\u0437\u0438\u043b\u0438 \u043f\u043e \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u043e\u043c\u0443, \u0433\u043b\u0430\u0437\u0443\u0440\u043e\u0432\u0430\u043d\u043d\u043e\u043c\u0443 \u043a\u0440\u0430\u044e \u043a\u0435\u0440\u0430\u043c\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430, \u043e\u0441\u0442\u0430\u0432\u043b\u0435\u043d\u043d\u043e\u0433\u043e \u043d\u0430 \u0442\u0443\u0430\u043b\u0435\u0442\u043d\u043e\u043c \u0441\u0442\u043e\u043b\u0438\u043a\u0435, \u043e\u0449\u0443\u0449\u0430\u044f \u043f\u043e\u0434 \u043a\u043e\u0436\u0435\u0439 \u0442\u043e\u043d\u043a\u0438\u0435 \u043a\u0430\u0440\u043c\u0438\u043d\u043d\u043e-\u043a\u0440\u0430\u0441\u043d\u044b\u0435 \u0440\u0435\u043b\u044c\u0435\u0444\u044b \u043e\u0440\u043d\u0430\u043c\u0435\u043d\u0442\u043e\u0432.<\/i><\/p>\n
\u0412\u043d\u0435\u0437\u0430\u043f\u043d\u044b\u0439 \u0441\u0442\u0443\u043a \u0432 \u0442\u044f\u0436\u0435\u043b\u0443\u044e \u0434\u0443\u0431\u043e\u0432\u0443\u044e \u0434\u0432\u0435\u0440\u044c \u0432\u043e\u0437\u0432\u0435\u0441\u0442\u0438\u043b \u043e \u0435\u0435 \u0441\u043a\u043e\u0440\u043e\u043c \u0432\u044b\u0445\u043e\u0434\u0435, \u0432\u044b\u0437\u0432\u0430\u0432 \u0434\u0440\u043e\u0436\u044c \u043f\u043e\u0434 \u0448\u0435\u043b\u043a\u043e\u0432\u044b\u043c \u043d\u0430\u0440\u044f\u0434\u043e\u043c. \u0422\u0435\u043c\u043d\u044b\u0435 \u043c\u043e\u043d\u043e\u0445\u0440\u043e\u043c\u043d\u044b\u0435 \u0438\u043b\u043b\u044e\u0441\u0442\u0440\u0430\u0446\u0438\u0438 \u0432 \u0446\u0435\u043d\u0442\u0440\u0435 \u0431\u043b\u044e\u0434\u0430 \u2014 \u0442\u0438\u0445\u0438\u0435 \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u043e \u0441\u0440\u0435\u0434\u043d\u0435\u0432\u0435\u043a\u043e\u0432\u043e\u043c \u043c\u0443\u0436\u0435\u0441\u0442\u0432\u0435 \u0438 \u0442\u0440\u0430\u0433\u0435\u0434\u0438\u0438 \u2014 \u043a\u0430\u0437\u0430\u043b\u043e\u0441\u044c, \u0443\u0441\u043f\u043e\u043a\u0430\u0438\u0432\u0430\u043b\u0438 \u0435\u0435 \u0443\u0447\u0430\u0449\u0435\u043d\u043d\u043e \u0431\u044c\u044e\u0449\u0435\u0435\u0441\u044f \u0441\u0435\u0440\u0434\u0446\u0435, \u0434\u0430\u0440\u044f \u043a\u043e\u0440\u043e\u0442\u043a\u043e\u0435, \u0437\u0430\u0434\u0443\u043c\u0447\u0438\u0432\u043e\u0435 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u043f\u0435\u0440\u0435\u0434 \u0442\u0435\u043c, \u043a\u0430\u043a \u0448\u0430\u0433\u043d\u0443\u0442\u044c \u043d\u0430\u0432\u0441\u0442\u0440\u0435\u0447\u0443 \u043e\u0441\u043b\u0435\u043f\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u043c \u043e\u0433\u043d\u044f\u043c \u0441\u0446\u0435\u043d\u044b \u0438 \u043e\u0436\u0438\u0434\u0430\u044e\u0449\u0435\u043c\u0443 \u0448\u0443\u043c\u0443 \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u043e\u0439 \u043f\u0443\u0431\u043b\u0438\u043a\u0438.<\/i><\/p>\n
\u042d\u0442\u043e\u0442 \u0432\u043f\u0435\u0447\u0430\u0442\u043b\u044f\u044e\u0449\u0438\u0439 \u043d\u0430\u0431\u043e\u0440 \u0438\u0437 \u0447\u0435\u0442\u044b\u0440\u043d\u0430\u0434\u0446\u0430\u0442\u0438 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0445 \u0444\u0430\u044f\u043d\u0441\u043e\u0432\u044b\u0445 \u0442\u0430\u0440\u0435\u043b\u043e\u043a \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u043e\u0435 \u0441\u043e\u0447\u0435\u0442\u0430\u043d\u0438\u0435 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0433\u043e \u043a\u0435\u0440\u0430\u043c\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043f\u043e\u0432\u0435\u0441\u0442\u0432\u043e\u0432\u0430\u043d\u0438\u044f, \u0441\u043e\u0437\u0434\u0430\u043d\u043d\u043e\u0435 \u0437\u043d\u0430\u043c\u0435\u043d\u0438\u0442\u043e\u0439 \u043c\u0430\u043d\u0443\u0444\u0430\u043a\u0442\u0443\u0440\u043e\u0439 Gien \u0432 \u043a\u043e\u043d\u0446\u0435 19 \u0432\u0435\u043a\u0430. \u041d\u0430 \u043e\u0431\u0440\u0430\u0442\u043d\u043e\u0439 \u0441\u0442\u043e\u0440\u043e\u043d\u0435 \u043a\u0430\u0436\u0434\u043e\u0433\u043e \u0438\u0437\u0434\u0435\u043b\u0438\u044f \u043f\u0440\u0438\u0441\u0443\u0442\u0441\u0442\u0432\u0443\u0435\u0442 \u0430\u0443\u0442\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0435 \u043a\u043b\u0435\u0439\u043c\u043e “Porcelaine Opaque de Gien” \u0441 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u0438\u043c \u043c\u043e\u0442\u0438\u0432\u043e\u043c \u0437\u0430\u043c\u043a\u0430, \u043f\u043e\u0434\u0442\u0432\u0435\u0440\u0436\u0434\u0430\u044e\u0449\u0435\u0435 \u0432\u044b\u0441\u043e\u043a\u043e\u0435 \u043a\u0430\u0447\u0435\u0441\u0442\u0432\u043e \u0438 \u043f\u0440\u043e\u0438\u0441\u0445\u043e\u0436\u0434\u0435\u043d\u0438\u0435.<\/p>\n
\u041e\u0441\u043d\u043e\u0432\u043e\u0439 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u0438 \u044f\u0432\u043b\u044f\u0435\u0442\u0441\u044f \u043b\u0435\u0433\u0435\u043d\u0434\u0430\u0440\u043d\u0430\u044f \u0441\u0435\u0440\u0438\u044f “Histoire de Jeanne d’Arc” (\u0418\u0441\u0442\u043e\u0440\u0438\u044f \u0416\u0430\u043d\u043d\u044b \u0434’\u0410\u0440\u043a). \u0412 \u0447\u0435\u0440\u043d\u043e-\u0431\u0435\u043b\u044b\u0445 \u0441\u0446\u0435\u043d\u0430\u0445, \u043d\u0430\u043d\u0435\u0441\u0435\u043d\u043d\u044b\u0445 \u043c\u0435\u0442\u043e\u0434\u043e\u043c \u0434\u0435\u043a\u043e\u043b\u0438, \u0434\u0435\u0442\u0430\u043b\u044c\u043d\u043e \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u044b \u0432\u0430\u0436\u043d\u0435\u0439\u0448\u0438\u0435 \u043c\u043e\u043c\u0435\u043d\u0442\u044b \u0436\u0438\u0437\u043d\u0438 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0439 \u0433\u0435\u0440\u043e\u0438\u043d\u0438 \u2014 \u043e\u0442 \u043f\u0430\u0441\u0442\u044c\u0431\u044b \u043e\u0432\u0435\u0446 \u0432 \u0434\u0435\u0442\u0441\u0442\u0432\u0435 \u0434\u043e \u043e\u0441\u0430\u0434\u044b \u041e\u0440\u043b\u0435\u0430\u043d\u0430 \u0438 \u0442\u0440\u0430\u0433\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043a\u043e\u0441\u0442\u0440\u0430 \u0432 \u0420\u0443\u0430\u043d\u0435 \u0432 1431 \u0433\u043e\u0434\u0443. \u0418\u043d\u0442\u0435\u0440\u0435\u0441\u043d\u044b\u043c \u0434\u043e\u043f\u043e\u043b\u043d\u0435\u043d\u0438\u0435\u043c \u0441\u043b\u0443\u0436\u0430\u0442 \u0434\u0432\u0435 \u0442\u0430\u0440\u0435\u043b\u043a\u0438 \u0441\u043e \u0441\u0446\u0435\u043d\u0430\u043c\u0438 \u043e\u0445\u043e\u0442\u044b (“Chasse au Renard” \u0438 “Chasse au Faisan”), \u043a\u043e\u0442\u043e\u0440\u044b\u0435 \u043f\u0440\u0438\u0434\u0430\u044e\u0442 \u043d\u0430\u0431\u043e\u0440\u0443 \u044d\u043a\u043b\u0435\u043a\u0442\u0438\u0447\u043d\u043e\u0435 \u043d\u0430\u0441\u0442\u0440\u043e\u0435\u043d\u0438\u0435 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0439 \u0437\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u043e\u0439 \u0443\u0441\u0430\u0434\u044c\u0431\u044b. \u0412\u0441\u0435 \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u044b\u0435 \u0441\u044e\u0436\u0435\u0442\u044b \u043e\u0431\u0440\u0430\u043c\u043b\u0435\u043d\u044b \u0431\u043e\u0433\u0430\u0442\u043e\u0439 \u043a\u0430\u0440\u043c\u0438\u043d\u043d\u043e-\u043a\u0440\u0430\u0441\u043d\u043e\u0439 \u043a\u0430\u0439\u043c\u043e\u0439 \u0432 \u0441\u0442\u0438\u043b\u0435 \u043d\u0435\u043e\u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441\u0430 \u0441 \u0442\u043e\u043d\u043a\u0438\u043c\u0438 \u0430\u0440\u0430\u0431\u0435\u0441\u043a\u0430\u043c\u0438 \u0438 \u0433\u0440\u043e\u0442\u0435\u0441\u043a\u0430\u043c\u0438.<\/p>\n
\u042d\u0442\u0438 \u0442\u0430\u0440\u0435\u043b\u043a\u0438 \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u043e \u043f\u043e\u0434\u0445\u043e\u0434\u044f\u0442 \u0434\u043b\u044f \u0441\u043e\u0437\u0434\u0430\u043d\u0438\u044f \u043d\u0430\u0441\u0442\u0435\u043d\u043d\u044b\u0445 \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0439 \u0432 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u0441\u0442\u043e\u043b\u043e\u0432\u043e\u0439, \u043e\u0445\u043e\u0442\u043d\u0438\u0447\u044c\u0435\u043c \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0435 \u0438\u043b\u0438 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0435 \u0437\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u043e\u0433\u043e \u0434\u043e\u043c\u0430, \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u044f \u044f\u0440\u043a\u043e \u0432\u044b\u0440\u0430\u0436\u0435\u043d\u043d\u0443\u044e \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0443\u044e \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438 \u043d\u0430\u0441\u044b\u0449\u0435\u043d\u043d\u0443\u044e \u0430\u0442\u043c\u043e\u0441\u0444\u0435\u0440\u0443. \u041d\u0430\u0431\u043e\u0440 \u0445\u043e\u0440\u043e\u0448\u043e \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u0441\u044f \u0434\u043b\u044f \u0441\u0432\u043e\u0435\u0433\u043e \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u0430. \u041d\u0430 \u043d\u0435\u043a\u043e\u0442\u043e\u0440\u044b\u0445 \u0442\u0430\u0440\u0435\u043b\u043a\u0430\u0445 \u043d\u0430\u0431\u043b\u044e\u0434\u0430\u0435\u0442\u0441\u044f \u043a\u0440\u0430\u0441\u0438\u0432\u044b\u0439, \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u043a\u0440\u0430\u043a\u0435\u043b\u044e\u0440 \u0433\u043b\u0430\u0437\u0443\u0440\u0438 \u0438 \u043d\u0435\u0437\u043d\u0430\u0447\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0435 \u0441\u043b\u0435\u0434\u044b \u0432\u0440\u0435\u043c\u0435\u043d\u0438, \u0447\u0442\u043e \u043b\u0438\u0448\u044c \u043f\u043e\u0434\u0447\u0435\u0440\u043a\u0438\u0432\u0430\u0435\u0442 \u0438\u0445 \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u044b\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n
\ud83c\uddec\ud83c\udde7 Width: 20 cm<\/p>\n
Backstage at the Com\u00e9die-Fran\u00e7aise, Jeanne Samary (Jeanne Samary):<\/i><\/b> In the quiet, dimly lit dressing room, where the air was filled with the scent of face powder, wilting roses, and the gas-heated metal of the lamps, the actress sat before the gilded mirror. Her fingers nervously traced the cool, glazed edge of the ceramic object left on the vanity table, feeling the fine, carmine-red reliefs of the ornaments beneath her skin.<\/i><\/p>\n
A sudden knock on the heavy oak door announced her imminent entrance, sending a shiver beneath her silk attire. The dark, monochrome illustrations in the center of the dish\u2014silent tales of medieval courage and tragedy\u2014seemed to calm her racing heart, offering a brief, contemplative moment before stepping out to face the blinding stage lights and the waiting roar of the Parisian audience.<\/i><\/p>\n
These 14 antique gien plates<\/b> represent a magnificent fusion of French ceramic art and historical storytelling, created by the renowned Gien manufactory in the late 19th century. The reverse side of each plate features the authentic “Porcelaine Opaque de Gien” mark with the classic castle motif, confirming their esteemed origin and high production quality.<\/p>\n
The core of this set is the legendary “Histoire de Jeanne d’Arc” (History of Joan of Arc) series. The black-and-white transferware scenes in the center meticulously depict the most significant moments of the French heroine’s life\u2014from tending sheep in her childhood to the siege of Orleans and the tragic stake in Rouen in 1431. As an interesting addition, this collection also includes two plates featuring hunting scenes (“Chasse au Renard” and “Chasse au Faisan”), which add an eclectic French country manor feel to the set. All scenes are surrounded by a rich, carmine-red Neo-Renaissance style border adorned with delicate arabesque and grotesque motifs.<\/p>\n
These pieces are perfectly suited for creating wall compositions in a classic dining room, hunting lodge, or country house interior, bringing a distinctly French and historically rich atmosphere to the space. The set is well preserved for its age. Several plates exhibit beautiful, natural crazing in the glaze and minor signs of time, which only highlight their genuine antique character. The condition of the item is fully reflected in the photographs.<\/p>\n
\ud83c\udde9\ud83c\uddea Breite: 20 cm<\/p>\n
Hinter den Kulissen der Com\u00e9die-Fran\u00e7aise, Jeanne Samary (Jeanne Samary):<\/i><\/b> In der ruhigen, schwach beleuchteten Garderobe, wo die Luft vom Duft nach Gesichtspuder, welken Rosen und dem gasbeheizten Metall der Lampen erf\u00fcllt war, sa\u00df die Schauspielerin vor dem vergoldeten Spiegel. Ihre Finger glitten nerv\u00f6s \u00fcber den k\u00fchlen, glasierten Rand des Keramikobjekts auf dem Schminktisch und sp\u00fcrten die feinen, karminroten Reliefs der Ornamente unter ihrer Haut.<\/i><\/p>\n
Ein pl\u00f6tzliches Klopfen an der schweren Eichent\u00fcr k\u00fcndigte ihren baldigen Auftritt an und lie\u00df sie unter ihrem Seidenkleid erschauern. Die dunklen, monochromen Illustrationen in der Mitte des Tellers \u2013 stille Geschichten von mittelalterlichem Mut und Trag\u00f6die \u2013 schienen ihr rasendes Herz zu beruhigen und boten einen kurzen, nachdenklichen Moment, bevor sie in das blendende B\u00fchnenlicht und das wartende Rauschen des Pariser Publikums trat.<\/i><\/p>\n
Dieses beeindruckende Set aus vierzehn antiken Fayence-Tellern wurde im sp\u00e4ten 19. Jahrhundert von der ber\u00fchmten Manufaktur Gien gefertigt. Die Teller sind Teil der ber\u00fchmten Serie “Histoire de Jeanne d’Arc” und zeigen in detaillierten Umdruck-Szenen das Leben der franz\u00f6sischen Nationalheldin. Erg\u00e4nzt wird das historische Ensemble durch zwei Jagdmotiv-Teller. Umrahmt werden die schwarzen Motive von einer pr\u00e4chtigen karminroten Neorenaissance-Bord\u00fcre. Auf der R\u00fcckseite befindet sich der authentische Gien-Stempel. Das Set ist f\u00fcr sein Alter gut erhalten, einige Teller weisen ein charmantes, altersbedingtes Krakelee auf. Der Zustand ist auf den Fotos vollst\u00e4ndig ersichtlich.<\/p>\n
\ud83c\uddeb\ud83c\uddf7 Largeur: 20 cm<\/p>\n
Dans les coulisses de la Com\u00e9die-Fran\u00e7aise, Jeanne Samary (Jeanne Samary):<\/i><\/b> Dans la loge calme et faiblement \u00e9clair\u00e9e, o\u00f9 l’air \u00e9tait empli du parfum de la poudre de riz, des roses fan\u00e9es et du m\u00e9tal chauff\u00e9 au gaz des lampes, l’actrice \u00e9tait assise devant le miroir dor\u00e9. Ses doigts glissaient nerveusement sur le bord frais et \u00e9maill\u00e9 de l’objet en c\u00e9ramique pos\u00e9 sur la coiffeuse, sentant sous sa peau les fins reliefs rouge carmin des ornements.<\/i><\/p>\n
Un soudain coup \u00e0 la lourde porte en ch\u00eane annon\u00e7a son entr\u00e9e imminente, provoquant un frisson sous sa tenue de soie. Les illustrations sombres et monochromes au centre du plat \u2013 histoires silencieuses de courage et de trag\u00e9die m\u00e9di\u00e9vale \u2013 semblaient apaiser son c\u0153ur battant, offrant un bref moment de contemplation avant d’affronter les lumi\u00e8res aveuglantes de la sc\u00e8ne et la rumeur de l’attente du public parisien.<\/i><\/p>\n
Cet impressionnant ensemble de quatorze assiettes anciennes en fa\u00efence a \u00e9t\u00e9 fabriqu\u00e9 \u00e0 la fin du 19\u00e8me si\u00e8cle par la c\u00e9l\u00e8bre manufacture de Gien. Les assiettes font partie de la s\u00e9rie historique “Histoire de Jeanne d’Arc”, illustrant la vie de l’h\u00e9ro\u00efne fran\u00e7aise. L’ensemble est compl\u00e9t\u00e9 par deux assiettes \u00e0 d\u00e9cor de chasse. Les motifs centraux noirs sont mis en valeur par une riche bordure de style N\u00e9o-Renaissance rouge carmin. Le revers porte le cachet authentique de Gien. L’ensemble est bien conserv\u00e9, avec de belles craquelures naturelles sur certaines pi\u00e8ces. L’\u00e9tat de l’objet est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies.<\/p>\n
\ud83c\udde9\ud83c\uddf0 Bredde: 20 cm<\/p>\n
Bag kulisserne p\u00e5 Com\u00e9die-Fran\u00e7aise, Jeanne Samary (Jeanne Samary):<\/i><\/b> I den stille, svagt oplyste garderobe, hvor luften var fyldt med duften af ansigtspudder, visnende roser og lampernes gasopvarmede metal, sad skuespillerinden foran det forgyldte spejl. Hendes fingre gled nerv\u00f8st over den k\u00f8lige, glaserede kant p\u00e5 keramikgenstanden p\u00e5 sminkebordet, mens hun m\u00e6rkede ornamenternes fine, karminr\u00f8de relieffer under huden.<\/i><\/p>\n
Et pludseligt bank p\u00e5 den tunge egetr\u00e6sd\u00f8r annoncerede hendes snarlige entr\u00e9 og sendte en gysen gennem hendes silkekjole. De m\u00f8rke, monokrome illustrationer i midten af fadet – stille historier om middelalderligt mod og tragedie – syntes at berolige hendes bankende hjerte og gav et kort, eftert\u00e6nksomt \u00f8jeblik, f\u00f8r hun tr\u00e5dte ud i det bl\u00e6ndende scenelys og det parisiske publikums ventende brusen.<\/i><\/p>\n
Dette imponerende s\u00e6t af fjorten antikke fajancetallerkener blev fremstillet i slutningen af det 19. \u00e5rhundrede af den ber\u00f8mte Gien-fabrik. Tallerkenerne er en del af den historiske serie “Histoire de Jeanne d’Arc”, der skildrer den franske heltindes liv. S\u00e6ttet suppleres af to tallerkener med jagtmotiver. De sorte centrale motiver er indrammet af en rig karminr\u00f8d borter i nyren\u00e6ssancestil. Bagsiden b\u00e6rer det autentiske Gien-stempel. S\u00e6ttet er velbevaret med smukke, naturlige krakeleringer p\u00e5 flere dele. Genstandens tilstand er fuldt ud afspejlet p\u00e5 fotografierne.<\/p>\n
\ud83c\uddf8\ud83c\uddea Bredd: 20 cm<\/p>\n
Bakom kulisserna p\u00e5 Com\u00e9die-Fran\u00e7aise, Jeanne Samary (Jeanne Samary):<\/i><\/b> I den tysta, svagt upplysta logen, d\u00e4r luften var fylld av doften av ansiktspuder, vissnande rosor och lampornas gasuppv\u00e4rmda metall, satt sk\u00e5despelerskan framf\u00f6r den f\u00f6rgyllda spegeln. Hennes fingrar gled nerv\u00f6st \u00f6ver den svala, glaserade kanten p\u00e5 keramikf\u00f6rem\u00e5let p\u00e5 sminkbordet, och hon k\u00e4nde ornamentens fina, karminr\u00f6da reliefer under huden.<\/i><\/p>\n
En pl\u00f6tslig knackning p\u00e5 den tunga ekd\u00f6rren tillk\u00e4nnagav hennes f\u00f6rest\u00e5ende entr\u00e9 och skickade en rysning genom hennes sidenkl\u00e4nning. De m\u00f6rka, monokroma illustrationerna i mitten av fatet \u2013 tysta historier om medeltida mod och tragedi \u2013 verkade lugna hennes bultande hj\u00e4rta och erbj\u00f6d ett kort, eftert\u00e4nksamt \u00f6gonblick innan hon klev ut i det bl\u00e4ndande scenljuset och den parisiska publikens v\u00e4ntande brus.<\/i><\/p>\n
Detta imponerande set med fjorton antika fajanstallrikar tillverkades i slutet av 1800-talet av den ber\u00f6mda Gien-fabriken. Tallrikarna \u00e4r en del av den historiska serien “Histoire de Jeanne d’Arc” som skildrar den franska hj\u00e4ltinnans liv. Setet kompletteras med tv\u00e5 tallrikar med jaktmotiv. De svarta centrala motiven ramas in av en rik karminr\u00f6d b\u00e5rd i nyren\u00e4ssansstil. Baksidan b\u00e4r den autentiska Gien-st\u00e4mpeln. Setet \u00e4r v\u00e4lbevarat, med vackra, naturliga krackeleringar p\u00e5 flera av tallrikarna. F\u00f6rem\u00e5lets skick \u00e5terspeglas till fullo p\u00e5 fotografierna.<\/p>\n
\ud83c\uddf3\ud83c\uddf4 Bredde: 20 cm<\/p>\n
Bak kulissene p\u00e5 Com\u00e9die-Fran\u00e7aise, Jeanne Samary (Jeanne Samary):<\/i><\/b> I den stille, svakt opplyste garderoben, hvor luften var fylt med duften av ansiktspudder, visnende roser og lampenes gassoppvarmede metall, satt skuespillerinnen foran det forgylte speilet. Fingrene hennes gled nerv\u00f8st over den kj\u00f8lige, glaserte kanten p\u00e5 keramikkjenstanden p\u00e5 sminkebordet, og hun kjente ornamentenes fine, karminr\u00f8de relieffer under huden.<\/i><\/p>\n
Et plutselig bank p\u00e5 den tunge eiked\u00f8ren kunngjorde hennes snarlige entr\u00e9 og sendte et gys gjennom silkekjolen hennes. De m\u00f8rke, monokrome illustrasjonene i midten av fatet \u2013 stille historier om middelaldersk mot og tragedie \u2013 s\u00e5 ut til \u00e5 berolige det bankende hjertet hennes og ga et kort, ettertenksomt \u00f8yeblikk f\u00f8r hun gikk ut i det blendende scenelyset og det parisiske publikummets ventende brus.<\/i><\/p>\n
Dette imponerende settet med fjorten antikke fajansetallerkener ble produsert p\u00e5 slutten av 1800-tallet av den ber\u00f8mte Gien-fabrikken. Tallerkenene er en del av den historiske serien “Histoire de Jeanne d’Arc” som skildrer den franske heltinnens liv. Settet suppleres med to tallerkener med jaktmotiver. De svarte sentrale motivene er innrammet av en rik karminr\u00f8d bord i nyrenessansestil. Baksiden b\u00e6rer det autentiske Gien-stempelet. Settet er godt bevart, med vakre, naturlige krakeleringer p\u00e5 flere deler. Gjenstandens tilstand er fullt ut gjenspeilet p\u00e5 fotografiene.<\/p>\n
\ud83c\uddeb\ud83c\uddee Leveys: 20 cm<\/p>\n
Kulisseissa Com\u00e9die-Fran\u00e7aisessa, Jeanne Samary (Jeanne Samary):<\/i><\/b> Hiljaisessa, h\u00e4m\u00e4r\u00e4sti valaistussa pukuhuoneessa, jossa ilma oli t\u00e4ynn\u00e4 kasvopuuterin, kuihtuvien ruusujen ja lamppujen kaasul\u00e4mmitteisen metallin tuoksua, n\u00e4yttelij\u00e4t\u00e4r istui kullatun peilin edess\u00e4. H\u00e4nen sormensa liukuivat hermostuneesti peilip\u00f6yd\u00e4lle j\u00e4tetyn keraamisen esineen viile\u00e4\u00e4, lasitettua reunaa pitkin, tuntien ihonsa alla ornamenttien hienot, karmiininpunaiset reliefit.<\/i><\/p>\n
\u00c4killinen koputus raskaaseen tammi oveen ilmoitti h\u00e4nen pian koittavasta sis\u00e4\u00e4ntulostaan ja l\u00e4hetti v\u00e4ristyksen h\u00e4nen silkkipukunsa l\u00e4pi. Tummat, yksiv\u00e4riset kuvitukset vadin keskell\u00e4 \u2013 hiljaiset tarinat keskiaikaisesta rohkeudesta ja tragediasta \u2013 tuntuivat rauhoittavan h\u00e4nen kiivaasti sykkiv\u00e4\u00e4 syd\u00e4nt\u00e4\u00e4n ja tarjosivat lyhyen, mietiskelev\u00e4n hetken ennen kuin h\u00e4n astui sokaisevaan n\u00e4ytt\u00e4m\u00f6valoon ja pariisilaisten odottavaan kohinaan.<\/i><\/p>\n
T\u00e4m\u00e4 vaikuttava nelj\u00e4ntoista antiikkisen fajanssilautasen sarja on valmistettu 1800-luvun lopulla kuuluisassa Gienin tehtaassa. Lautaset ovat osa historiallista “Histoire de Jeanne d’Arc” -sarjaa, joka kuvaa ranskalaisen sankarittaren el\u00e4m\u00e4\u00e4. Sarjaa t\u00e4ydent\u00e4\u00e4 kaksi mets\u00e4stysaiheista lautasta. Mustia keskusaiheita kehyst\u00e4\u00e4 rikas karmiininpunainen uusrenessanssityylinen reunus. Takapuolella on aito Gien-leima. Sarja on hyvin s\u00e4ilynyt, ja useissa osissa on kaunista, luonnollista krakeloitumista. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n","protected":false},"excerpt":{"rendered":"
Iespaid\u012bgs 14 ant\u012bku Francijas manufakt\u016bras Gien fajansa \u0161\u0137\u012bvju komplekts. Galvenok\u0101rt velt\u012bts \u017dannas d’Arkas v\u0113sturiskajam st\u0101stam. Izcils 19. gadsimta beigu V\u0113sturisma stila paraugs ar smalku karm\u012bnsarkanu apmali un melnbalt\u0101m st\u0101stniec\u012bbas ain\u0101m.<\/p>\n","protected":false},"featured_media":50413,"template":"","meta":[],"product_brand":[],"product_cat":[229,211,204],"product_tag":[2496,2466,2471,2501,2500,2502,2497,2498,2499,691,2491,2495],"class_list":["post-50412","product","type-product","status-publish","has-post-thumbnail","product_cat-skivji","product_cat-trauki","product_cat-visas-lietas","product_tag-14-antique-gien-plates","product_tag-19th-century-ceramics","product_tag-antiki-skivji","product_tag-antique-transferware","product_tag-francu-fajanss","product_tag-french-pottery","product_tag-gien-faience","product_tag-jeanne-darc","product_tag-porcelaine-opaque","product_tag-sienas-dekors","product_tag-vesturisks-dekors","product_tag-2495","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/50412","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/50413"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=50412"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=50412"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=50412"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=50412"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}