Zelt\u012bta porcel\u0101na kafijas serv\u012bze div\u0101m person\u0101m, “Les Perles” \u2014 Luija XV stil\u0101<\/strong><\/p>\n \u0160\u012b elegant\u0101 serv\u012bze ir d\u0101ma, kas nekad nesteidzas \u2014 t\u0101s biskv\u012bta virsma ir mat\u0113ta, k\u0101 \u0101das piesk\u0101riens, bet zelt\u012bjums uz rokturiem un mal\u0101m mirdz k\u0101 sv\u0113tdienas r\u012bts. Piecas da\u013cas \u2014 kafijas kanni\u0146a, cukurtrauks, kr\u0113jumtrauks un divas tas\u012btes ar apak\u0161tas\u012bt\u0113m \u2014 veido kopainu, kas rad\u012bta nevis lieto\u0161anai steig\u0101, bet mirklim, kad laiks apst\u0101jas uz br\u012bdi div\u0101m cilv\u0113kiem pret\u012b viens otram.<\/p>\n Skaist\u0101<\/em> <\/strong>laikmeta (Belle Epoque) momentuz\u0146\u0113mums, Berta Morizo (Berthe Morisot)<\/strong>: R\u012bta gaisma sl\u012bd p\u0101ri Pas\u012b atelj\u0113 gr\u012bdai, kad Berta noliek otu un piev\u0113r\u0161as nelielai sudraba papl\u0101tei uz galdi\u0146a loga tuvum\u0101 \u2014 draudzene ierad\u012bsies p\u0113c br\u012b\u017ea, un porcel\u0101na tas\u012btes jau gaida sav\u0101 viet\u0101, to zelt\u012bt\u0101s malas no\u0137er pirmos saules st\u016brus, kas ielau\u017eas caur mu\u0161el\u012bna aizkariem.<\/em><\/p>\n Vi\u0146a pieskaras vienai tas\u012btei \u2014 biskv\u012bta virsma ir v\u0113sa, bet \u0101tri sasilst plaukst\u0101, savuk\u0101rt zelt\u012bt\u0101 mala zem pirksta ir gluda k\u0101 z\u012bds. Uz mirkli glezna uz molberta paliek aizmirsta; \u0161is r\u012bta ritu\u0101ls, \u0161\u012b klus\u0101 gaid\u012b\u0161ana pirms pirm\u0101 malka un pirm\u0101 v\u0101rda, ir sava veida m\u0101ksla ar\u012b \u2014 tikpat r\u016bp\u012bgi k\u0101rtota k\u0101 otras kr\u0101su. Kaut kur aiz sienas atskan ielas trok\u0161\u0146i, bet \u0161eit, pie galda, valda tikai gaidas un r\u012bta klusums.<\/em><\/p>\n Izgatavo\u0161anas periods:<\/strong> 20. gadsimta vidus, izgatavots k\u0101 ierobe\u017eota izlaiduma modelis (“\u00e9dition d’art, mod\u00e8le \u00e0 tirage limit\u00e9”) v\u0113sturiskas fran\u010du manufakt\u016bras stil\u0101.<\/p>\n Ra\u017eot\u0101js:<\/strong> Manufacture de Couleuvre<\/strong> (Alli\u0113 departaments, Francija; manufakt\u016bra dibin\u0101ta 1789. gad\u0101). Serv\u012bzes apak\u0161\u0101 zelta kr\u0101s\u0101 iegrav\u0113ts manufakt\u016bras monogramms un uzraksts “Edition D’Art, Mod\u00e8le \u00e0 tirage limit\u00e9, Les Perles”. Uz abu tas\u012b\u0161u pamatn\u0113m redzama papildu zelta script monogramma “S” \u2014 visticam\u0101k, iepriek\u0161\u0113j\u0101 \u012bpa\u0161nieka inici\u0101lis vai serv\u012bzes numer\u0101cijas atz\u012bme, ko nevar dro\u0161i identific\u0113t bez papildu avotiem.<\/p>\n Retums un noz\u012bme:<\/strong> Modelis “Les Perles” (“P\u0113rles”) sa\u0146\u0113mis nosaukumu no rakstur\u012bgaj\u0101m vertik\u0101laj\u0101m p\u0113r\u013cveida rind\u0101m, kas rot\u0101 katras da\u013cas korpusu \u2014 smalki izpild\u012bts roka\u013cu kokgriezumam<\/strong> l\u012bdz\u012bgs porcel\u0101na reljefs, ko papildina bag\u0101t\u012bgs zelt\u012bjums uz vis\u0101m mal\u0101m, rokturiem un pamatn\u0113m. K\u0101 ierobe\u017eota izlaiduma modelis, tas nav bijis masveida ra\u017eojums.<\/p>\n Pielietojums:<\/strong> Serv\u012bze piem\u0113rota gan ikdienas lieto\u0161anai kafijas vai t\u0113jas baud\u012b\u0161anai div\u0101m person\u0101m, gan k\u0101 izteiksm\u012bgs interjera akcents vitr\u012bn\u0101 vai galda kompoz\u012bcij\u0101.<\/p>\n St\u0101voklis:<\/strong> Serv\u012bze lab\u0101 visp\u0101r\u0113j\u0101 st\u0101vokl\u012b, ar dab\u012bg\u0101m lieto\u0161anas p\u0113d\u0101m atbilsto\u0161i vecumam \u2014 viet\u0101m nedaudz nodilis zelt\u012bjums uz mal\u0101m un rokturiem, kas pie\u0161\u0137ir autentisku raksturu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n \u041f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u044b\u0439 \u0444\u0430\u0440\u0444\u043e\u0440\u043e\u0432\u044b\u0439 \u043a\u043e\u0444\u0435\u0439\u043d\u044b\u0439 \u0441\u0435\u0440\u0432\u0438\u0437 \u043d\u0430 \u0434\u0432\u043e\u0438\u0445, “Les Perles” \u2014 \u0432 \u0441\u0442\u0438\u043b\u0435 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV<\/strong><\/p>\n \u042d\u0442\u043e\u0442 \u0438\u0437\u044f\u0449\u043d\u044b\u0439 \u0441\u0435\u0440\u0432\u0438\u0437 \u043f\u043e\u0445\u043e\u0436 \u043d\u0430 \u0434\u0430\u043c\u0443, \u043a\u043e\u0442\u043e\u0440\u0430\u044f \u043d\u0438\u043a\u043e\u0433\u0434\u0430 \u043d\u0435 \u0441\u043f\u0435\u0448\u0438\u0442 \u2014 \u0435\u0433\u043e \u0431\u0438\u0441\u043a\u0432\u0438\u0442\u043d\u0430\u044f \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u044c \u043c\u0430\u0442\u043e\u0432\u0430\u044f, \u0441\u043b\u043e\u0432\u043d\u043e \u043f\u0440\u0438\u043a\u043e\u0441\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u043a\u043e\u0436\u0438, \u0430 \u043f\u043e\u0437\u043e\u043b\u043e\u0442\u0430 \u043d\u0430 \u0440\u0443\u0447\u043a\u0430\u0445 \u0438 \u043a\u0440\u0430\u044f\u0445 \u0441\u0438\u044f\u0435\u0442, \u043a\u0430\u043a \u0432\u043e\u0441\u043a\u0440\u0435\u0441\u043d\u043e\u0435 \u0443\u0442\u0440\u043e. \u041f\u044f\u0442\u044c \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u043e\u0432 \u2014 \u043a\u043e\u0444\u0435\u0439\u043d\u0438\u043a, \u0441\u0430\u0445\u0430\u0440\u043d\u0438\u0446\u0430, \u043c\u043e\u043b\u043e\u0447\u043d\u0438\u043a \u0438 \u0434\u0432\u0435 \u0447\u0430\u0448\u043a\u0438 \u0441 \u0431\u043b\u044e\u0434\u0446\u0430\u043c\u0438 \u2014 \u043e\u0431\u0440\u0430\u0437\u0443\u044e\u0442 \u0435\u0434\u0438\u043d\u044b\u0439 \u0430\u043d\u0441\u0430\u043c\u0431\u043b\u044c, \u0441\u043e\u0437\u0434\u0430\u043d\u043d\u044b\u0439 \u043d\u0435 \u0434\u043b\u044f \u0441\u0443\u0435\u0442\u044b, \u0430 \u0434\u043b\u044f \u0442\u043e\u0433\u043e \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u044f, \u043a\u043e\u0433\u0434\u0430 \u0432\u0440\u0435\u043c\u044f \u0437\u0430\u043c\u0438\u0440\u0430\u0435\u0442 \u043d\u0430 \u043c\u0438\u0433 \u043c\u0435\u0436\u0434\u0443 \u0434\u0432\u0443\u043c\u044f \u043b\u044e\u0434\u044c\u043c\u0438 \u043d\u0430\u043f\u0440\u043e\u0442\u0438\u0432 \u0434\u0440\u0443\u0433 \u0434\u0440\u0443\u0433\u0430.<\/p>\n \u041c\u043e\u043c\u0435\u043d\u0442 belle \u00e9poque, \u0411\u0435\u0440\u0442\u0430 \u041c\u043e\u0440\u0438\u0437\u043e (Berthe Morisot)<\/strong>: \u0423\u0442\u0440\u0435\u043d\u043d\u0438\u0439 \u0441\u0432\u0435\u0442 \u0441\u043a\u043e\u043b\u044c\u0437\u0438\u0442 \u043f\u043e \u043f\u043e\u043b\u0443 \u0430\u0442\u0435\u043b\u044c\u0435 \u0432 \u041f\u0430\u0441\u0441\u0438, \u043a\u043e\u0433\u0434\u0430 \u0411\u0435\u0440\u0442\u0430 \u043e\u0442\u043a\u043b\u0430\u0434\u044b\u0432\u0430\u0435\u0442 \u043a\u0438\u0441\u0442\u044c \u0438 \u043e\u0431\u0440\u0430\u0449\u0430\u0435\u0442\u0441\u044f \u043a \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u043e\u043c\u0443 \u0441\u0435\u0440\u0435\u0431\u0440\u044f\u043d\u043e\u043c\u0443 \u043f\u043e\u0434\u043d\u043e\u0441\u0443 \u0443 \u0441\u0442\u043e\u043b\u0438\u043a\u0430 \u0432\u043e\u0437\u043b\u0435 \u043e\u043a\u043d\u0430 \u2014 \u043f\u043e\u0434\u0440\u0443\u0433\u0430 \u043f\u043e\u044f\u0432\u0438\u0442\u0441\u044f \u0441 \u043c\u0438\u043d\u0443\u0442\u044b \u043d\u0430 \u043c\u0438\u043d\u0443\u0442\u0443, \u0438 \u0444\u0430\u0440\u0444\u043e\u0440\u043e\u0432\u044b\u0435 \u0447\u0430\u0448\u043a\u0438 \u0443\u0436\u0435 \u0436\u0434\u0443\u0442 \u043d\u0430 \u0441\u0432\u043e\u0438\u0445 \u043c\u0435\u0441\u0442\u0430\u0445, \u0438\u0445 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u044b\u0435 \u043a\u0440\u0430\u044f \u043b\u043e\u0432\u044f\u0442 \u043f\u0435\u0440\u0432\u044b\u0435 \u0441\u043e\u043b\u043d\u0435\u0447\u043d\u044b\u0435 \u043b\u0443\u0447\u0438, \u043f\u0440\u043e\u0431\u0438\u0432\u0430\u044e\u0449\u0438\u0435\u0441\u044f \u0441\u043a\u0432\u043e\u0437\u044c \u043c\u0443\u0441\u043b\u0438\u043d\u043e\u0432\u044b\u0435 \u0437\u0430\u043d\u0430\u0432\u0435\u0441\u043a\u0438.<\/em><\/p>\n \u041e\u043d\u0430 \u043a\u0430\u0441\u0430\u0435\u0442\u0441\u044f \u043e\u0434\u043d\u043e\u0439 \u0447\u0430\u0448\u043a\u0438 \u2014 \u0431\u0438\u0441\u043a\u0432\u0438\u0442\u043d\u0430\u044f \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u044c \u0445\u043e\u043b\u043e\u0434\u043d\u0430, \u043d\u043e \u0431\u044b\u0441\u0442\u0440\u043e \u0441\u043e\u0433\u0440\u0435\u0432\u0430\u0435\u0442\u0441\u044f \u0432 \u043b\u0430\u0434\u043e\u043d\u0438, \u0430 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u044b\u0439 \u043a\u0440\u0430\u0439 \u043f\u043e\u0434 \u043f\u0430\u043b\u044c\u0446\u0435\u043c \u0433\u043b\u0430\u0434\u043a\u0438\u0439, \u043a\u0430\u043a \u0448\u0451\u043b\u043a. \u041d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u043a\u0430\u0440\u0442\u0438\u043d\u0430 \u043d\u0430 \u043c\u043e\u043b\u044c\u0431\u0435\u0440\u0442\u0435 \u043e\u0441\u0442\u0430\u0451\u0442\u0441\u044f \u0437\u0430\u0431\u044b\u0442\u043e\u0439; \u044d\u0442\u043e \u0443\u0442\u0440\u0435\u043d\u043d\u0435\u0435 \u0434\u0435\u0439\u0441\u0442\u0432\u043e, \u044d\u0442\u043e \u0442\u0438\u0445\u043e\u0435 \u043e\u0436\u0438\u0434\u0430\u043d\u0438\u0435 \u043f\u0435\u0440\u0435\u0434 \u043f\u0435\u0440\u0432\u044b\u043c \u0433\u043b\u043e\u0442\u043a\u043e\u043c \u0438 \u043f\u0435\u0440\u0432\u044b\u043c \u0441\u043b\u043e\u0432\u043e\u043c, \u2014 \u0442\u043e\u0436\u0435 \u0441\u0432\u043e\u0435\u0433\u043e \u0440\u043e\u0434\u0430 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e, \u0441\u0442\u043e\u043b\u044c \u0436\u0435 \u0442\u0449\u0430\u0442\u0435\u043b\u044c\u043d\u043e \u0432\u044b\u0441\u0442\u0440\u043e\u0435\u043d\u043d\u043e\u0435, \u043a\u0430\u043a \u043f\u0430\u043b\u0438\u0442\u0440\u0430 \u043a\u0440\u0430\u0441\u043e\u043a. \u0413\u0434\u0435-\u0442\u043e \u0437\u0430 \u0441\u0442\u0435\u043d\u043e\u0439 \u0434\u043e\u043d\u043e\u0441\u0438\u0442\u0441\u044f \u0443\u043b\u0438\u0447\u043d\u044b\u0439 \u0448\u0443\u043c, \u043d\u043e \u0437\u0434\u0435\u0441\u044c, \u0443 \u0441\u0442\u043e\u043b\u0430, \u0446\u0430\u0440\u044f\u0442 \u043b\u0438\u0448\u044c \u043e\u0436\u0438\u0434\u0430\u043d\u0438\u0435 \u0438 \u0443\u0442\u0440\u0435\u043d\u043d\u044f\u044f \u0442\u0438\u0448\u0438\u043d\u0430.<\/em><\/p>\n \u041f\u0435\u0440\u0438\u043e\u0434 \u0438\u0437\u0433\u043e\u0442\u043e\u0432\u043b\u0435\u043d\u0438\u044f:<\/strong> \u0441\u0435\u0440\u0435\u0434\u0438\u043d\u0430 XX \u0432\u0435\u043a\u0430, \u0438\u0437\u0433\u043e\u0442\u043e\u0432\u043b\u0435\u043d\u043e \u043a\u0430\u043a \u043c\u043e\u0434\u0435\u043b\u044c \u043e\u0433\u0440\u0430\u043d\u0438\u0447\u0435\u043d\u043d\u043e\u0433\u043e \u0432\u044b\u043f\u0443\u0441\u043a\u0430 (“\u00e9dition d’art, mod\u00e8le \u00e0 tirage limit\u00e9”) \u0432 \u0441\u0442\u0438\u043b\u0435 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0439 \u043c\u0430\u043d\u0443\u0444\u0430\u043a\u0442\u0443\u0440\u044b.<\/p>\n \u041f\u0440\u043e\u0438\u0437\u0432\u043e\u0434\u0438\u0442\u0435\u043b\u044c:<\/strong> Manufacture de Couleuvre<\/strong> (\u0434\u0435\u043f\u0430\u0440\u0442\u0430\u043c\u0435\u043d\u0442 \u0410\u043b\u044c\u0435, \u0424\u0440\u0430\u043d\u0446\u0438\u044f; \u043c\u0430\u043d\u0443\u0444\u0430\u043a\u0442\u0443\u0440\u0430 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0430 \u0432 1789 \u0433\u043e\u0434\u0443). \u041d\u0430 \u0434\u043d\u0435 \u0441\u0435\u0440\u0432\u0438\u0437\u0430 \u0437\u043e\u043b\u043e\u0442\u043e\u043c \u0432\u044b\u0433\u0440\u0430\u0432\u0438\u0440\u043e\u0432\u0430\u043d\u0430 \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u043c\u043c\u0430 \u043c\u0430\u043d\u0443\u0444\u0430\u043a\u0442\u0443\u0440\u044b \u0438 \u043d\u0430\u0434\u043f\u0438\u0441\u044c “Edition D’Art, Mod\u00e8le \u00e0 tirage limit\u00e9, Les Perles”. \u041d\u0430 \u0434\u043e\u043d\u0446\u0430\u0445 \u043e\u0431\u0435\u0438\u0445 \u0447\u0430\u0448\u0435\u043a \u043f\u0440\u0438\u0441\u0443\u0442\u0441\u0442\u0432\u0443\u0435\u0442 \u0434\u043e\u043f\u043e\u043b\u043d\u0438\u0442\u0435\u043b\u044c\u043d\u0430\u044f \u0437\u043e\u043b\u043e\u0442\u0430\u044f \u0440\u0443\u043a\u043e\u043f\u0438\u0441\u043d\u0430\u044f \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u043c\u043c\u0430 “S” \u2014 \u0432\u0435\u0440\u043e\u044f\u0442\u043d\u043e, \u0438\u043d\u0438\u0446\u0438\u0430\u043b \u043f\u0440\u0435\u0436\u043d\u0435\u0433\u043e \u0432\u043b\u0430\u0434\u0435\u043b\u044c\u0446\u0430 \u0438\u043b\u0438 \u043e\u0442\u043c\u0435\u0442\u043a\u0430 \u043d\u0443\u043c\u0435\u0440\u0430\u0446\u0438\u0438 \u0441\u0435\u0440\u0432\u0438\u0437\u0430; \u0442\u043e\u0447\u043d\u043e \u0443\u0441\u0442\u0430\u043d\u043e\u0432\u0438\u0442\u044c \u0431\u0435\u0437 \u0434\u043e\u043f\u043e\u043b\u043d\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0445 \u0438\u0441\u0442\u043e\u0447\u043d\u0438\u043a\u043e\u0432 \u043d\u0435\u0432\u043e\u0437\u043c\u043e\u0436\u043d\u043e.<\/p>\n \u0420\u0435\u0434\u043a\u043e\u0441\u0442\u044c \u0438 \u0437\u043d\u0430\u0447\u0435\u043d\u0438\u0435:<\/strong> \u041c\u043e\u0434\u0435\u043b\u044c “Les Perles” (“\u0416\u0435\u043c\u0447\u0443\u0436\u0438\u043d\u044b”) \u043f\u043e\u043b\u0443\u0447\u0438\u043b\u0430 \u0441\u0432\u043e\u0451 \u043d\u0430\u0437\u0432\u0430\u043d\u0438\u0435 \u0431\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u044f \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u043d\u044b\u043c \u0432\u0435\u0440\u0442\u0438\u043a\u0430\u043b\u044c\u043d\u044b\u043c \u0436\u0435\u043c\u0447\u0443\u0436\u043d\u044b\u043c \u0440\u044f\u0434\u0430\u043c, \u0443\u043a\u0440\u0430\u0448\u0430\u044e\u0449\u0438\u043c \u043a\u043e\u0440\u043f\u0443\u0441 \u043a\u0430\u0436\u0434\u043e\u0433\u043e \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430, \u2014 \u0438\u0437\u044f\u0449\u043d\u043e \u0438\u0441\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u044b\u0439 \u0440\u0435\u043b\u044c\u0435\u0444 \u0432 \u0434\u0443\u0445\u0435 \u0440\u043e\u043a\u0430\u0439\u043b\u044c\u043d\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u044b \u043f\u043e \u0434\u0435\u0440\u0435\u0432\u0443<\/strong>, \u0434\u043e\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u044b\u0439 \u043e\u0431\u0438\u043b\u044c\u043d\u043e\u0439 \u043f\u043e\u0437\u043e\u043b\u043e\u0442\u043e\u0439 \u043f\u043e \u0432\u0441\u0435\u043c \u043a\u0440\u0430\u044f\u043c, \u0440\u0443\u0447\u043a\u0430\u043c \u0438 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u044f\u043c. \u041a\u0430\u043a \u043c\u043e\u0434\u0435\u043b\u044c \u043e\u0433\u0440\u0430\u043d\u0438\u0447\u0435\u043d\u043d\u043e\u0433\u043e \u0432\u044b\u043f\u0443\u0441\u043a\u0430, \u0441\u0435\u0440\u0432\u0438\u0437 \u043d\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u043e\u0434\u0438\u043b\u0441\u044f \u043c\u0430\u0441\u0441\u043e\u0432\u043e.<\/p>\n \u041f\u0440\u0438\u043c\u0435\u043d\u0435\u043d\u0438\u0435:<\/strong> \u0421\u0435\u0440\u0432\u0438\u0437 \u043f\u043e\u0434\u0445\u043e\u0434\u0438\u0442 \u043a\u0430\u043a \u0434\u043b\u044f \u043f\u043e\u0432\u0441\u0435\u0434\u043d\u0435\u0432\u043d\u043e\u0433\u043e \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u043e\u0432\u0430\u043d\u0438\u044f \u043f\u0440\u0438 \u043f\u043e\u0434\u0430\u0447\u0435 \u043a\u043e\u0444\u0435 \u0438\u043b\u0438 \u0447\u0430\u044f \u043d\u0430 \u0434\u0432\u043e\u0438\u0445, \u0442\u0430\u043a \u0438 \u0432 \u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u0430\u043a\u0446\u0435\u043d\u0442\u0430 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430 \u2014 \u0432 \u0432\u0438\u0442\u0440\u0438\u043d\u0435 \u0438\u043b\u0438 \u043d\u0430 \u0441\u0435\u0440\u0432\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u043e\u043c \u0441\u0442\u043e\u043b\u0435.<\/p>\n \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435:<\/strong> \u0421\u0435\u0440\u0432\u0438\u0437 \u0432 \u0445\u043e\u0440\u043e\u0448\u0435\u043c \u043e\u0431\u0449\u0435\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438, \u0441 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u043c\u0438 \u0441\u043b\u0435\u0434\u0430\u043c\u0438 \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u043e\u0432\u0430\u043d\u0438\u044f, \u0441\u043e\u043e\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0443\u044e\u0449\u0438\u043c\u0438 \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u0443, \u2014 \u043c\u0435\u0441\u0442\u0430\u043c\u0438 \u043b\u0451\u0433\u043a\u0430\u044f \u043f\u043e\u0442\u0451\u0440\u0442\u043e\u0441\u0442\u044c \u043f\u043e\u0437\u043e\u043b\u043e\u0442\u044b \u043d\u0430 \u043a\u0440\u0430\u044f\u0445 \u0438 \u0440\u0443\u0447\u043a\u0430\u0445, \u043f\u0440\u0438\u0434\u0430\u044e\u0449\u0430\u044f \u0438\u0437\u0434\u0435\u043b\u0438\u044e \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u044b\u0439 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n Gilt Porcelain Coffee Service for Two, “Les Perles” \u2014 Louis XV Style<\/strong><\/p>\n This elegant gilt porcelain coffee service<\/strong> carries itself like a lady who never hurries \u2014 its bisque surface is matte, almost like the touch of skin, while the gilding along the handles and rims catches the light like a Sunday morning. Five pieces \u2014 coffee pot, sugar bowl, creamer, and two cups with saucers \u2014 form an ensemble made not for haste, but for the moment when time pauses briefly between two people facing one another.<\/p>\n A Belle \u00c9poque snapshot, Berthe Morisot (Berthe Morisot)<\/strong>:<\/em> Morning light slides across the studio floor in Passy as Berthe sets down her brush and turns to a small silver tray by the window table \u2014 a friend will arrive any moment, and the porcelain cups already wait in their places, their gilded rims catching the first sunbeams breaking through the muslin curtains.<\/em><\/p>\n She touches one cup \u2014 the bisque surface is cool but warms quickly in her palm, while the gilded rim beneath her finger is smooth as silk. For a moment the painting on the easel is forgotten; this morning ritual, this quiet waiting before the first sip and the first word, is its own kind of art too \u2014 arranged as carefully as a palette of colors. Somewhere beyond the wall, street noise drifts past, but here, at the table, only anticipation and morning stillness remain.<\/em><\/p>\n This gilt porcelain coffee service<\/strong> exemplifies a mid-20th-century revival of Louis XV sensibilities, produced as a limited-edition art model rather than mass manufacture.<\/p>\n Manufacturing period:<\/strong> mid-20th century, produced as a limited-edition model (“\u00e9dition d’art, mod\u00e8le \u00e0 tirage limit\u00e9”) in the style of a historic French manufactory.<\/p>\n Manufacturer:<\/strong> Manufacture de Couleuvre<\/strong> (Allier department, France; the manufactory was founded in 1789). The underside bears a gilt-painted manufactory monogram and the inscription “Edition D’Art, Mod\u00e8le \u00e0 tirage limit\u00e9, Les Perles.” The bases of both cups carry an additional gilt script monogram “S” \u2014 likely a previous owner’s initial or a numbering mark for the set; this cannot be confirmed with certainty without further documentation.<\/p>\n Rarity and significance:<\/strong> The “Les Perles” (“Pearls”) model takes its name from the characteristic vertical rows of pearl-like beading that decorate the body of each piece \u2014 a finely executed rocaille relief reminiscent of hand-carved woodwork, complemented by generous gilding along every rim, handle, and foot. As a limited-edition coffee service<\/strong>, it was never produced in mass quantities.<\/p>\n Use:<\/strong> This coffee service<\/strong> suits everyday enjoyment of coffee or tea for two just as well as it serves as an expressive display piece in a cabinet or on a set table.<\/p>\n Condition:<\/strong> The service is in good overall condition, with natural signs of age-appropriate use \u2014 some light wear to the gilding along the rims and handles, lending it an authentic character. The item’s condition is fully reflected in the photographs.<\/p>\n Vergoldetes Porzellan-Kaffeeservice f\u00fcr Zwei, “Les Perles” \u2014 im Louis-XV-Stil<\/strong><\/p>\n Dieses elegante Service tr\u00e4gt sich wie eine Dame, die niemals in Eile ist \u2014 die Biskuitoberfl\u00e4che ist matt, fast wie eine Ber\u00fchrung der Haut, w\u00e4hrend die Vergoldung an Henkeln und R\u00e4ndern wie ein Sonntagmorgen gl\u00e4nzt. F\u00fcnf Teile \u2014 Kaffeekanne, Zuckerdose, Sahnegie\u00dfer und zwei Tassen mit Untertassen \u2014 bilden ein Ensemble, das nicht f\u00fcr Eile, sondern f\u00fcr jenen Moment geschaffen wurde, in dem die Zeit kurz inneh\u00e4lt, wenn zwei Menschen einander gegen\u00fcbersitzen.<\/p>\n Eine Belle-\u00c9poque-Momentaufnahme, Berthe Morisot<\/strong>:<\/em> Morgenlicht gleitet \u00fcber den Atelierboden in Passy, w\u00e4hrend Berthe ihren Pinsel ablegt und sich einem kleinen Silbertablett am Fenstertisch zuwendet \u2014 eine Freundin wird jeden Moment eintreffen, und die Porzellantassen warten bereits an ihrem Platz, ihre vergoldeten R\u00e4nder fangen die ersten Sonnenstrahlen ein, die durch die Musselinvorh\u00e4nge fallen.<\/em><\/p>\n Sie ber\u00fchrt eine Tasse \u2014 die Biskuitoberfl\u00e4che ist k\u00fchl, erw\u00e4rmt sich aber rasch in ihrer Hand, w\u00e4hrend der vergoldete Rand unter ihrem Finger seidig glatt ist. F\u00fcr einen Moment ger\u00e4t das Gem\u00e4lde auf der Staffelei in Vergessenheit; dieses morgendliche Ritual, dieses stille Warten vor dem ersten Schluck und dem ersten Wort, ist auf seine Weise auch Kunst \u2014 ebenso sorgf\u00e4ltig arrangiert wie eine Farbpalette.<\/em><\/p>\n Das Modell “Les Perles” (“Perlen”) wurde von der Manufacture de Couleuvre<\/strong> (D\u00e9partement Allier, Frankreich; gegr\u00fcndet 1789) als limitiertes Kunstmodell (“\u00e9dition d’art, mod\u00e8le \u00e0 tirage limit\u00e9”) gefertigt \u2014 vermutlich in der Mitte des 20. Jahrhunderts, im Stil der historischen Manufaktur. Der charakteristische Perlenreliefdekor in vertikalen Reihen erinnert an kunstvolle Holzschnitzerei und wird von gro\u00dfz\u00fcgiger Vergoldung an R\u00e4ndern, Henkeln und Standf\u00fc\u00dfen begleitet. Auf der Unterseite finden sich das goldene Manufakturmonogramm sowie die Inschrift “Edition D’Art, Mod\u00e8le \u00e0 tirage limit\u00e9, Les Perles”; an den Tassenb\u00f6den zus\u00e4tzlich ein goldenes Schreibschriftmonogramm “S” von unbekannter Herkunft. Das Service befindet sich in gutem Gesamtzustand mit altersgem\u00e4\u00dfen Gebrauchsspuren, insbesondere leichter Abnutzung der Vergoldung an R\u00e4ndern und Henkeln.<\/p>\n Service \u00e0 caf\u00e9 en porcelaine dor\u00e9e pour deux, “Les Perles” \u2014 style Louis XV<\/strong><\/p>\n Ce service \u00e9l\u00e9gant se comporte comme une dame qui ne se presse jamais \u2014 sa surface biscuit est mate, presque comme un contact de peau, tandis que la dorure des anses et des bords brille comme un dimanche matin. Cinq pi\u00e8ces \u2014 cafeti\u00e8re, sucrier, pot \u00e0 lait et deux tasses avec soucoupes \u2014 forment un ensemble con\u00e7u non pour la h\u00e2te, mais pour cet instant o\u00f9 le temps s’arr\u00eate bri\u00e8vement entre deux personnes face \u00e0 face.<\/p>\n Un instantan\u00e9 Belle \u00c9poque, Berthe Morisot<\/strong> : La lumi\u00e8re du matin glisse sur le sol de l’atelier \u00e0 Passy tandis que Berthe pose son pinceau et se tourne vers un petit plateau d’argent pr\u00e8s de la table de la fen\u00eatre \u2014 une amie arrivera d’un instant \u00e0 l’autre, et les tasses en porcelaine attendent d\u00e9j\u00e0 \u00e0 leur place, leurs bords dor\u00e9s captant les premiers rayons du soleil filtrant \u00e0 travers les rideaux de mousseline.<\/em><\/p>\n Elle touche une tasse \u2014 la surface biscuit est fra\u00eeche mais se r\u00e9chauffe vite dans sa paume, tandis que le bord dor\u00e9 sous son doigt est lisse comme la soie. Un instant, le tableau sur le chevalet est oubli\u00e9 ; ce rituel matinal, cette attente silencieuse avant la premi\u00e8re gorg\u00e9e et le premier mot, est aussi une forme d’art \u00e0 part enti\u00e8re \u2014 aussi soigneusement compos\u00e9 qu’une palette de couleurs.<\/em><\/p>\n Le mod\u00e8le “Les Perles” a \u00e9t\u00e9 produit par la Manufacture de Couleuvre<\/strong> (Allier, France ; fond\u00e9e en 1789) en tant que mod\u00e8le d’art \u00e0 tirage limit\u00e9 \u2014 vraisemblablement vers le milieu du XXe si\u00e8cle, dans le style de la manufacture historique. Le d\u00e9cor caract\u00e9ristique en perles verticales \u00e9voque le travail du sculpteur sur bois<\/strong>, rehauss\u00e9 d’une dorure g\u00e9n\u00e9reuse sur les bords, anses et pieds. Le dessous porte le monogramme dor\u00e9 de la manufacture et l’inscription “Edition D’Art, Mod\u00e8le \u00e0 tirage limit\u00e9, Les Perles” ; les tasses portent en outre un monogramme dor\u00e9 cursif “S” d’origine ind\u00e9termin\u00e9e. L’ensemble est en bon \u00e9tat g\u00e9n\u00e9ral, avec une usure l\u00e9g\u00e8re et coh\u00e9rente de la dorure sur les bords et les anses.<\/p>\n Forgyldt porcel\u00e6ns kaffeservice til to, “Les Perles” \u2014 i Louis XV-stil<\/strong><\/p>\n Denne elegante service b\u00e6rer sig som en dame, der aldrig har travlt \u2014 dens biscuitoverflade er mat, n\u00e6sten som en ber\u00f8ring af hud, mens forgyldningen p\u00e5 hanke og kanter skinner som en s\u00f8ndag morgen. Fem dele \u2014 kaffekande, sukkersk\u00e5l, fl\u00f8dekande og to kopper med underkopper \u2014 danner et ensemble skabt ikke til hastv\u00e6rk, men til det \u00f8jeblik hvor tiden standser kort mellem to mennesker over for hinanden.<\/p>\n Et Belle \u00c9poque-\u00f8jebliksbillede, Berthe Morisot<\/strong>:<\/em> Morgenlyset glider hen over atelierets gulv i Passy, mens Berthe l\u00e6gger penslen fra sig og vender sig mod en lille s\u00f8lvbakke ved vinduesbordet \u2014 en veninde ankommer om et \u00f8jeblik, og porcel\u00e6nskopperne venter allerede p\u00e5 deres plads, deres forgyldte kanter fanger de f\u00f8rste solstr\u00e5ler gennem musselinsgardinerne.<\/em><\/p>\n Hun r\u00f8rer ved en kop \u2014 biscuitoverfladen er k\u00f8lig, men varmes hurtigt i hendes h\u00e5ndflade, mens den forgyldte kant under fingeren er glat som silke. Et \u00f8jeblik glemmes maleriet p\u00e5 staffeliet; denne morgenrite, denne stille venten f\u00f8r den f\u00f8rste slurk og det f\u00f8rste ord, er ogs\u00e5 en slags kunst \u2014 lige s\u00e5 omhyggeligt arrangeret som en farvepalet.<\/em><\/p>\n Modellen “Les Perles” blev fremstillet af Manufacture de Couleuvre<\/strong> (Allier, Frankrig; grundlagt 1789) som en kunstmodel i begr\u00e6nset oplag \u2014 formentlig omkring midten af det 20. \u00e5rhundrede, i den historiske manufakturs stil. Det karakteristiske perledekor i lodrette r\u00e6kker minder om finttudf\u00f8rt tr\u00e6sk\u00e6rerarbejde, suppleret med rigelig forgyldning p\u00e5 kanter, hanke og f\u00f8dder. Undersiden b\u00e6rer manufakturens gyldne monogram samt indskriften “Edition D’Art, Mod\u00e8le \u00e0 tirage limit\u00e9, Les Perles”; kopbunde har desuden et gyldent kursivmonogram “S” af ukendt oprindelse. Servicet fremst\u00e5r i god generel stand med aldersvarende brugsspor, herunder let slid p\u00e5 forgyldningen ved kanter og hanke.<\/p>\n F\u00f6rgyllt porslinskaffeservis f\u00f6r tv\u00e5, “Les Perles” \u2014 i Louis XV-stil<\/strong><\/p>\n Denna eleganta servis b\u00e4r sig som en dam som aldrig har br\u00e5ttom \u2014 dess bisqueyta \u00e4r matt, n\u00e4stan som en ber\u00f6ring av hud, medan f\u00f6rgyllningen p\u00e5 handtag och kanter gl\u00e4nser som en s\u00f6ndagsmorgon. Fem delar \u2014 kaffekanna, sockersk\u00e5l, gr\u00e4ddkanna och tv\u00e5 koppar med fat \u2014 bildar en ensemble skapad inte f\u00f6r br\u00e5dska, utan f\u00f6r det \u00f6gonblick d\u00e5 tiden stannar kort mellan tv\u00e5 m\u00e4nniskor mitt emot varandra.<\/p>\n En Belle \u00c9poque-\u00f6gonblicksbild, Berthe Morisot<\/strong>:<\/em> Morgonljuset glider \u00f6ver atelj\u00e9golvet i Passy n\u00e4r Berthe l\u00e4gger ifr\u00e5n sig penseln och v\u00e4nder sig mot en liten silverbricka vid f\u00f6nsterbordet \u2014 en v\u00e4ninna anl\u00e4nder n\u00e4r som helst, och porslinskopparna v\u00e4ntar redan p\u00e5 sin plats, deras f\u00f6rgyllda kanter f\u00e5ngar de f\u00f6rsta solstr\u00e5larna genom musslinsgardinerna.<\/em><\/p>\n Hon r\u00f6r vid en kopp \u2014 bisqueytan \u00e4r sval men v\u00e4rms snabbt i hennes handflata, medan den f\u00f6rgyllda kanten under fingret \u00e4r len som siden. F\u00f6r ett \u00f6gonblick gl\u00f6ms m\u00e5lningen p\u00e5 staffliet bort; denna morgonrit, denna tysta v\u00e4ntan f\u00f6re den f\u00f6rsta klunken och det f\u00f6rsta ordet, \u00e4r ocks\u00e5 en sorts konst \u2014 lika omsorgsfullt arrangerad som en f\u00e4rgpalett.<\/em><\/p>\n Modellen “Les Perles” tillverkades av Manufacture de Couleuvre<\/strong> (Allier, Frankrike; grundad 1789) som en begr\u00e4nsad konstupplaga \u2014 sannolikt kring mitten av 1900-talet, i den historiska manufakturens stil. Det karakteristiska p\u00e4rldekoret i lodr\u00e4ta rader p\u00e5minner om fint utf\u00f6rt tr\u00e4snideri, kompletterat med rikligt guld p\u00e5 kanter, handtag och f\u00f6tter. Undersidan b\u00e4r manufakturens gyllene monogram samt inskriptionen “Edition D’Art, Mod\u00e8le \u00e0 tirage limit\u00e9, Les Perles”; kopparnas bottnar har dessutom ett gyllene kursivmonogram “S” av ok\u00e4nt ursprung. Servisen \u00e4r i gott allm\u00e4nt skick med \u00e5ldersenligt slitage, bland annat l\u00e4tt n\u00f6tning av f\u00f6rgyllningen vid kanter och handtag.<\/p>\n Forgylt porselenskaffeservise for to, “Les Perles” \u2014 i Louis XV-stil<\/strong><\/p>\n Denne elegante servisen b\u00e6rer seg som en dame som aldri har det travelt \u2014 bisqu\u00e9overflaten er matt, nesten som en ber\u00f8ring av hud, mens forgyllingen p\u00e5 hanker og kanter skinner som en s\u00f8ndag morgen. Fem deler \u2014 kaffekanne, sukkersk\u00e5l, fl\u00f8temugge og to kopper med sk\u00e5ler \u2014 danner et ensemble skapt ikke for hastverk, men for det \u00f8yeblikket hvor tiden stopper opp mellom to mennesker vendt mot hverandre.<\/p>\n Et Belle \u00c9poque-\u00f8yeblikksbilde, Berthe Morisot<\/strong>:<\/em> Morgenlyset glir over atelierets gulv i Passy mens Berthe legger fra seg penselen og vender seg mot et lite s\u00f8lvbrett ved vindusbordet \u2014 en venninne kommer n\u00e5r som helst, og porselenskoppene venter allerede p\u00e5 sin plass, deres forgylte kanter fanger de f\u00f8rste solstr\u00e5lene gjennom musselinsgardinene.<\/em><\/p>\n Hun r\u00f8rer ved en kopp \u2014 bisqu\u00e9overflaten er kj\u00f8lig, men varmes raskt i h\u00e5nden hennes, mens den forgylte kanten under fingeren er glatt som silke. Et \u00f8yeblikk glemmes maleriet p\u00e5 staffeliet; denne morgenriten, denne stille ventingen f\u00f8r den f\u00f8rste slurken og det f\u00f8rste ordet, er ogs\u00e5 en form for kunst \u2014 like omhyggelig arrangert som en fargepalett.<\/em><\/p>\n Modellen “Les Perles” ble fremstilt av Manufacture de Couleuvre<\/strong> (Allier, Frankrike; grunnlagt 1789) som en kunstmodell i begrenset opplag \u2014 antakelig rundt midten av 1900-tallet, i den historiske manufakturens stil. Det karakteristiske perledekoret i loddrette rader minner om fint utf\u00f8rt treskj\u00e6ring, supplert med rikelig forgylling p\u00e5 kanter, hanker og f\u00f8tter. Undersiden b\u00e6rer manufakturens gylne monogram samt innskriften “Edition D’Art, Mod\u00e8le \u00e0 tirage limit\u00e9, Les Perles”; koppbunnene har i tillegg et gyllent kursivmonogram “S” av ukjent opprinnelse. Servisen er i god generell stand med alderstilsvarende bruksspor, blant annet lett slitasje p\u00e5 forgyllingen ved kanter og hanker.<\/p>\n Kullattu posliininen kahviservisi kahdelle, “Les Perles” \u2014 Louis XV -tyyliin<\/strong><\/p>\n T\u00e4m\u00e4 tyylik\u00e4s servisi k\u00e4ytt\u00e4ytyy kuin nainen, jolla ei ole koskaan kiire \u2014 sen biskvipinta on matta, l\u00e4hes ihonkosketuksen kaltainen, kun taas kahvojen ja reunojen kultaus hohtaa kuin sunnuntaiaamu. Viisi osaa \u2014 kahvipannu, sokeriastia, kermakko ja kaksi kuppia aluslautasineen \u2014 muodostavat kokonaisuuden, joka on luotu ei kiireeseen vaan siihen hetkeen, jolloin aika pys\u00e4htyy hetkeksi kahden vastakkain istuvan ihmisen v\u00e4lill\u00e4.<\/p>\n Belle \u00c9poque -hetkikuva, Berthe Morisot<\/strong>:<\/em> Aamuvalo liukuu ateljeen lattialla Passyssa, kun Berthe laskee siveltimen k\u00e4dest\u00e4\u00e4n ja k\u00e4\u00e4ntyy pienen hopeatarjottimen puoleen ikkunap\u00f6yd\u00e4n \u00e4\u00e4ress\u00e4 \u2014 yst\u00e4v\u00e4t\u00e4r saapuu min\u00e4 hetken\u00e4 hyv\u00e4ns\u00e4, ja posliinikupit odottavat jo paikoillaan, niiden kullatut reunat sieppaavat ensimm\u00e4iset auringons\u00e4teet musliiniverhojen l\u00e4pi.<\/em><\/p>\n H\u00e4n koskettaa yht\u00e4 kuppia \u2014 biskvipinta on viile\u00e4 mutta l\u00e4mpenee nopeasti k\u00e4mmeness\u00e4, kun taas kullattu reuna sormen alla on silkinsile\u00e4. Hetkeksi maalaus telineell\u00e4 unohtuu; t\u00e4m\u00e4 aamurituaali, t\u00e4m\u00e4 hiljainen odotus ennen ensimm\u00e4ist\u00e4 kulausta ja ensimm\u00e4ist\u00e4 sanaa, on my\u00f6s oma taiteenlajinsa \u2014 yht\u00e4 huolellisesti aseteltu kuin v\u00e4ripaletti.<\/em><\/p>\n Malli “Les Perles” valmistettiin Manufacture de Couleuvren<\/strong> toimesta (Allier, Ranska; perustettu 1789) rajoitettuna taide-editiona \u2014 todenn\u00e4k\u00f6isesti 1900-luvun puoliv\u00e4lin tienoilla, historiallisen manufaktuurin tyyliss\u00e4. Ominainen pystysuuntainen helmikoriste muistuttaa taidokasta puunveistoa, ja sit\u00e4 t\u00e4ydent\u00e4\u00e4 runsas kultaus reunoissa, kahvoissa ja jaloissa. Pohjassa on manufaktuurin kultainen monogrammi sek\u00e4 teksti “Edition D’Art, Mod\u00e8le \u00e0 tirage limit\u00e9, Les Perles”; kuppien pohjissa on lis\u00e4ksi kultainen kaunokirjoitusmonogrammi “S”, jonka alkuper\u00e4\u00e4 ei voida varmuudella m\u00e4\u00e4ritt\u00e4\u00e4. Servisi on yleisesti hyv\u00e4ss\u00e4 kunnossa, i\u00e4n mukaisin k\u00e4yt\u00f6n j\u00e4lkin, mukaan lukien liev\u00e4 kultauksen kuluminen reunoissa ja kahvoissa.<\/p>\n","protected":false},"excerpt":{"rendered":" Elegants zelt\u012bta <\/span>porcel\u0101na kafijas\/t\u0113jas serv\u012bze div\u0101m <\/span>person\u0101m \u2014 Manufacture de Couleuvre, <\/span>modelis “Les Perles”. Roka\u013cu stila <\/span>reljefs, bag\u0101t\u012bgs zelt\u012bjums uz <\/span>rokturiem un mal\u0101m. Kanni\u0146a, <\/span>cukurtrauks, kr\u0113jumtrauks, 2 tas\u012btes ar <\/span>apak\u0161tas\u012bt\u0113m.<\/span><\/p>\n","protected":false},"featured_media":49437,"template":"","meta":[],"product_brand":[],"product_cat":[235,211,204],"product_tag":[2098,2096,1871,2093,2099,2094,2100,480,2095,523,2097,1047],"class_list":["post-49436","product","type-product","status-publish","has-post-thumbnail","product_cat-servizes","product_cat-trauki","product_cat-visas-lietas","product_tag-bisque-porcelain","product_tag-coffee-service","product_tag-french-porcelain","product_tag-gilt-porcelain-coffee-set","product_tag-kafijas-kannina","product_tag-les-perles","product_tag-limitets-izdevums","product_tag-luija-xv-stils","product_tag-manufacture-de-couleuvre","product_tag-porcelana-servize","product_tag-rokalu-stils","product_tag-zeltits-porcelans","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/49436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/49437"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=49436"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=49436"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=49436"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=49436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\ud83c\uddf7\ud83c\uddfa \u0420\u0423\u0421\u0421\u041a\u0418\u0419<\/h2>\n
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