Augstums: 26,5 cm
\nPlatums: 15,5 cm<\/p>\n
Samson Par\u012bzes armori\u0101la porcel\u0101na t\u0113jkanna ar \u0123erboni \u2014 \u0136\u012bnas eksporta stil\u0101<\/strong><\/p>\n \u0160\u012b trauka kl\u0101tb\u016btne ir gandr\u012bz teatr\u0101la \u2014 kron\u0113ts vairoga \u0123erbonis ar zeltainu lauvu, ko sarg\u0101 divi sp\u0101rnoti grifi, valda p\u0101r korpusu, ko ieskauj violetu vist\u0113riju v\u012bnst\u012bgas un sarkanas krizant\u0113mas. Tas ir Samson & Cie<\/strong> darbs \u2014 Par\u012bzes manufakt\u016bra, kas kop\u0161 1845. gada specializ\u0113jusies 18. gs. \u0136\u012bnas eksporta armori\u0101l\u0101 porcel\u0101na augstas kvalit\u0101tes atdarin\u0101jumos, radot priek\u0161metus, kas \u0161odien pa\u0161i ir kolekcion\u0113jami senlietu darbi.<\/p>\n Otr\u0101s imp\u0113rijas laikmeta momentuz\u0146\u0113mums, Edmons de Gonk\u016brs (Edmond de Goncourt):<\/strong><\/em> P\u0113cpusdienas gaisma sl\u012bd p\u0101r vi\u0146a Par\u012bzes m\u0101ju Auteuil rajon\u0101, kur plaukti l\u012bdz griestiem pilni ar Austrum\u0101zijas un Eiropas porcel\u0101nu \u2014 Gonk\u016brs apst\u0101jas pie jaunieguvuma, ko tikko atnesis sulainis, un uzman\u012bgi pace\u013c to pret gaismu, lai nov\u0113rt\u0113tu zelt\u012bjuma smalkumu uz roktura. Vi\u0146a pirksti seko \u0123erbo\u0146a apris\u0113m, kur grifu sp\u0101rni un lauvas siluets veido st\u0101stu, ko vi\u0146\u0161 pierakst\u012bs sav\u0101 dienasgr\u0101mat\u0101 v\u0113l\u0101k \u0161ovakar.<\/em><\/p>\n Istab\u0101 valda putek\u013cu un vec\u0101 pap\u012bra smar\u017ea, sajaukta ar svaigi grieztu ziedu arom\u0101tu no v\u0101zes uz rakst\u0101mgalda. \u0160is prieks \u2014 jauna priek\u0161meta pirm\u0101 apl\u016bko\u0161ana, t\u0101 v\u0113stures min\u0113\u0161ana, t\u0101 vietas atra\u0161ana kolekcij\u0101 \u2014 ir kaisl\u012bba, kas Gonk\u016bru pavada gadu desmitiem, un \u0161ovakar t\u0101 atkal piepilda istabu ar klusu, gandar\u012btu koncentr\u0113\u0161anos, kam\u0113r aiz loga Par\u012bze grimst vakara \u0113n\u0101s.<\/em><\/p>\n Izgatavo\u0161anas periods:<\/strong> 19. gadsimts, aptuveni 1850.\u20131890. gads (Edm\u0113 Samsona darb\u012bbas periods).<\/p>\n Ra\u017eot\u0101js:<\/strong> Edm\u00e9 Samson & Cie<\/strong>, Par\u012bze \u2014 manufakt\u016bra, ko 1845. gad\u0101 dibin\u0101jis Edm\u0113 Samsons, darbojusies l\u012bdz 1969. gadam. Uz\u0146\u0113mums k\u013cuvis paz\u012bstams ar augstas kvalit\u0101tes 18. gs. \u0136\u012bnas eksporta, Chelsea, Meisenes un Sevras porcel\u0101na reprodukcij\u0101m elit\u0101rai Eiropas kolekcion\u0101ru klient\u016brai. Trauka pamatn\u0113 redzamais sarkanais kvadr\u0101tveida z\u012bmogs ir Samson rakstur\u012bgais pseido-\u0137\u012bnie\u0161u (rouge-de-fer) z\u012bmogs<\/strong> \u2014 apz\u012bm\u0113jums, ko manufakt\u016bra izmantoja, lai at\u0161\u0137irtu savus darbus no ori\u0123in\u0101lajiem 18. gs. \u0136\u012bnas eksporta traukiem.<\/p>\n Retums un noz\u012bme:<\/strong> 19. gadsimta Samson darbi \u0161odien pa\u0161i par sevi ir nov\u0113rt\u0113ti kolekcion\u0101ru priek\u0161meti \u2014 tie apliecina laikmetu, kad Eiropas kolekcion\u0101ri, tostarp t\u0101di k\u0101 Edmons de Gonk\u016brs, akt\u012bvi v\u0101ku\u0161i un p\u0113t\u012bju\u0161i Austrum\u0101zijas m\u0101kslu, un Samson manufakt\u016bra apmierin\u0101ja piepras\u012bjumu p\u0113c gr\u016bti sasniedzamu 18. gs. ori\u0123in\u0101lu augstas kvalit\u0101tes alternat\u012bv\u0101m. \u0122erbo\u0146a kompoz\u012bcija ar kron\u0113tu vairogu un grifiem ir rakstur\u012bga Samson armori\u0101lajai produkcijai.<\/p>\n Pielietojums:<\/strong> Trauks ir izteiksm\u012bgs kolekcijas gabals vai interjera akcents vitr\u012bn\u0101, kur t\u0101 bag\u0101t\u012bgais dekors un heraldiskais mot\u012bvs piesaista uzman\u012bbu no jebkura skatpunkta.<\/p>\n St\u0101voklis:<\/strong> Trauks lab\u0101 visp\u0101r\u0113j\u0101 st\u0101vokl\u012b, ar dab\u012bg\u0101m vecuma p\u0113d\u0101m. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n \u0412\u044b\u0441\u043e\u0442\u0430: 26,5 \u0441\u043c \u041a\u0443\u0432\u0448\u0438\u043d Samson Paris \u0441 \u0433\u0435\u0440\u0431\u043e\u043c \u0432 \u0441\u0442\u0438\u043b\u0435 \u043a\u0438\u0442\u0430\u0439\u0441\u043a\u043e\u0433\u043e \u044d\u043a\u0441\u043f\u043e\u0440\u0442\u043d\u043e\u0433\u043e \u0444\u0430\u0440\u0444\u043e\u0440\u0430<\/strong><\/p>\n \u041f\u0440\u0438\u0441\u0443\u0442\u0441\u0442\u0432\u0438\u0435 \u044d\u0442\u043e\u0433\u043e \u0441\u043e\u0441\u0443\u0434\u0430 \u043f\u043e\u0447\u0442\u0438 \u0442\u0435\u0430\u0442\u0440\u0430\u043b\u044c\u043d\u043e \u2014 \u0443\u0432\u0435\u043d\u0447\u0430\u043d\u043d\u044b\u0439 \u043a\u043e\u0440\u043e\u043d\u043e\u0439 \u0433\u0435\u0440\u0431\u043e\u0432\u044b\u0439 \u0449\u0438\u0442 \u0441 \u0437\u043e\u043b\u043e\u0442\u0438\u0441\u0442\u044b\u043c \u043b\u044c\u0432\u043e\u043c, \u043e\u0445\u0440\u0430\u043d\u044f\u0435\u043c\u044b\u0439 \u0434\u0432\u0443\u043c\u044f \u043a\u0440\u044b\u043b\u0430\u0442\u044b\u043c\u0438 \u0433\u0440\u0438\u0444\u043e\u043d\u0430\u043c\u0438, \u0446\u0430\u0440\u0438\u0442 \u043d\u0430\u0434 \u043a\u043e\u0440\u043f\u0443\u0441\u043e\u043c, \u043e\u043a\u0440\u0443\u0436\u0451\u043d\u043d\u044b\u043c \u043b\u0438\u043b\u043e\u0432\u044b\u043c\u0438 \u0433\u0440\u043e\u0437\u0434\u044c\u044f\u043c\u0438 \u0433\u043b\u0438\u0446\u0438\u043d\u0438\u0438 \u0438 \u0430\u043b\u044b\u043c\u0438 \u0445\u0440\u0438\u0437\u0430\u043d\u0442\u0435\u043c\u0430\u043c\u0438. \u042d\u0442\u043e \u0440\u0430\u0431\u043e\u0442\u0430 \u043c\u0430\u043d\u0443\u0444\u0430\u043a\u0442\u0443\u0440\u044b Samson & Cie<\/strong> \u2014 \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u043e\u0439 \u0444\u0438\u0440\u043c\u044b, \u0441\u043f\u0435\u0446\u0438\u0430\u043b\u0438\u0437\u0438\u0440\u0443\u044e\u0449\u0435\u0439\u0441\u044f \u0441 1845 \u0433\u043e\u0434\u0430 \u043d\u0430 \u0432\u044b\u0441\u043e\u043a\u043e\u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0445 \u0440\u0435\u043f\u0440\u043e\u0434\u0443\u043a\u0446\u0438\u044f\u0445 \u0430\u0440\u043c\u043e\u0440\u0438\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0444\u0430\u0440\u0444\u043e\u0440\u0430 \u043a\u0438\u0442\u0430\u0439\u0441\u043a\u043e\u0433\u043e \u044d\u043a\u0441\u043f\u043e\u0440\u0442\u0430 XVIII \u0432\u0435\u043a\u0430, \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u044b \u043a\u043e\u0442\u043e\u0440\u043e\u0439 \u0441\u0435\u0433\u043e\u0434\u043d\u044f \u0441\u0430\u043c\u0438 \u0441\u0442\u0430\u043b\u0438 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u043d\u044b\u043c\u0438 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u043c\u0438 \u0438\u0437\u0434\u0435\u043b\u0438\u044f\u043c\u0438.<\/p>\n \u041c\u043e\u043c\u0435\u043d\u0442 \u044d\u043f\u043e\u0445\u0438 \u0412\u0442\u043e\u0440\u043e\u0439 \u0438\u043c\u043f\u0435\u0440\u0438\u0438, \u042d\u0434\u043c\u043e\u043d \u0434\u0435 \u0413\u043e\u043d\u043a\u0443\u0440 (Edmond de Goncourt):<\/strong><\/em> \u041f\u043e\u0441\u043b\u0435\u043f\u043e\u043b\u0443\u0434\u0435\u043d\u043d\u044b\u0439 \u0441\u0432\u0435\u0442 \u0441\u043a\u043e\u043b\u044c\u0437\u0438\u0442 \u043f\u043e \u0435\u0433\u043e \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u043e\u043c\u0443 \u0434\u043e\u043c\u0443 \u0432 \u043a\u0432\u0430\u0440\u0442\u0430\u043b\u0435 \u041e\u0442\u0451\u0439, \u0433\u0434\u0435 \u043f\u043e\u043b\u043a\u0438 \u0434\u043e \u043f\u043e\u0442\u043e\u043b\u043a\u0430 \u0437\u0430\u043f\u043e\u043b\u043d\u0435\u043d\u044b \u0432\u043e\u0441\u0442\u043e\u0447\u043d\u043e\u0430\u0437\u0438\u0430\u0442\u0441\u043a\u0438\u043c \u0438 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u0438\u043c \u0444\u0430\u0440\u0444\u043e\u0440\u043e\u043c \u2014 \u0413\u043e\u043d\u043a\u0443\u0440 \u043e\u0441\u0442\u0430\u043d\u0430\u0432\u043b\u0438\u0432\u0430\u0435\u0442\u0441\u044f \u0443 \u043d\u043e\u0432\u043e\u043f\u0440\u0438\u043e\u0431\u0440\u0435\u0442\u0451\u043d\u043d\u043e\u0433\u043e \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430, \u0442\u043e\u043b\u044c\u043a\u043e \u0447\u0442\u043e \u043f\u0440\u0438\u043d\u0435\u0441\u0451\u043d\u043d\u043e\u0433\u043e \u0441\u043b\u0443\u0433\u043e\u0439, \u0438 \u043e\u0441\u0442\u043e\u0440\u043e\u0436\u043d\u043e \u043f\u043e\u0434\u043d\u0438\u043c\u0430\u0435\u0442 \u0435\u0433\u043e \u043a \u0441\u0432\u0435\u0442\u0443, \u0447\u0442\u043e\u0431\u044b \u043e\u0446\u0435\u043d\u0438\u0442\u044c \u0442\u043e\u043d\u043a\u043e\u0441\u0442\u044c \u043f\u043e\u0437\u043e\u043b\u043e\u0442\u044b \u043d\u0430 \u0440\u0443\u0447\u043a\u0435. \u0415\u0433\u043e \u043f\u0430\u043b\u044c\u0446\u044b \u0441\u043b\u0435\u0434\u0443\u044e\u0442 \u043f\u043e \u043a\u043e\u043d\u0442\u0443\u0440\u0430\u043c \u0433\u0435\u0440\u0431\u0430, \u0433\u0434\u0435 \u043a\u0440\u044b\u043b\u044c\u044f \u0433\u0440\u0438\u0444\u043e\u043d\u043e\u0432 \u0438 \u0441\u0438\u043b\u0443\u044d\u0442 \u043b\u044c\u0432\u0430 \u0441\u043a\u043b\u0430\u0434\u044b\u0432\u0430\u044e\u0442\u0441\u044f \u0432 \u0438\u0441\u0442\u043e\u0440\u0438\u044e, \u043a\u043e\u0442\u043e\u0440\u0443\u044e \u043e\u043d \u0437\u0430\u043f\u0438\u0448\u0435\u0442 \u0432 \u0441\u0432\u043e\u0439 \u0434\u043d\u0435\u0432\u043d\u0438\u043a \u043f\u043e\u0437\u0436\u0435 \u044d\u0442\u0438\u043c \u0432\u0435\u0447\u0435\u0440\u043e\u043c.<\/em><\/p>\n \u0412 \u043a\u043e\u043c\u043d\u0430\u0442\u0435 \u0432\u0438\u0442\u0430\u0435\u0442 \u0437\u0430\u043f\u0430\u0445 \u043f\u044b\u043b\u0438 \u0438 \u0441\u0442\u0430\u0440\u043e\u0439 \u0431\u0443\u043c\u0430\u0433\u0438, \u0441\u043c\u0435\u0448\u0430\u043d\u043d\u044b\u0439 \u0441 \u0430\u0440\u043e\u043c\u0430\u0442\u043e\u043c \u0441\u0432\u0435\u0436\u0435\u0441\u0440\u0435\u0437\u0430\u043d\u043d\u044b\u0445 \u0446\u0432\u0435\u0442\u043e\u0432 \u0438\u0437 \u0432\u0430\u0437\u044b \u043d\u0430 \u043f\u0438\u0441\u044c\u043c\u0435\u043d\u043d\u043e\u043c \u0441\u0442\u043e\u043b\u0435. \u042d\u0442\u0430 \u0440\u0430\u0434\u043e\u0441\u0442\u044c \u2014 \u043f\u0435\u0440\u0432\u044b\u0439 \u043e\u0441\u043c\u043e\u0442\u0440 \u043d\u043e\u0432\u043e\u0433\u043e \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430, \u0434\u043e\u0433\u0430\u0434\u043a\u0438 \u043e \u0435\u0433\u043e \u0438\u0441\u0442\u043e\u0440\u0438\u0438, \u043f\u043e\u0438\u0441\u043a \u0435\u0433\u043e \u043c\u0435\u0441\u0442\u0430 \u0432 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u0438 \u2014 \u0441\u0442\u0440\u0430\u0441\u0442\u044c, \u0441\u043e\u043f\u0440\u043e\u0432\u043e\u0436\u0434\u0430\u044e\u0449\u0430\u044f \u0413\u043e\u043d\u043a\u0443\u0440\u0430 \u0434\u0435\u0441\u044f\u0442\u0438\u043b\u0435\u0442\u0438\u044f\u043c\u0438, \u0438 \u0441\u0435\u0433\u043e\u0434\u043d\u044f \u0432\u0435\u0447\u0435\u0440\u043e\u043c \u043e\u043d\u0430 \u0432\u043d\u043e\u0432\u044c \u043d\u0430\u043f\u043e\u043b\u043d\u044f\u0435\u0442 \u043a\u043e\u043c\u043d\u0430\u0442\u0443 \u0442\u0438\u0445\u043e\u0439, \u0443\u0434\u043e\u0432\u043b\u0435\u0442\u0432\u043e\u0440\u0451\u043d\u043d\u043e\u0439 \u0441\u043e\u0441\u0440\u0435\u0434\u043e\u0442\u043e\u0447\u0435\u043d\u043d\u043e\u0441\u0442\u044c\u044e, \u043f\u043e\u043a\u0430 \u0437\u0430 \u043e\u043a\u043d\u043e\u043c \u041f\u0430\u0440\u0438\u0436 \u043f\u043e\u0433\u0440\u0443\u0436\u0430\u0435\u0442\u0441\u044f \u0432 \u0432\u0435\u0447\u0435\u0440\u043d\u0438\u0435 \u0442\u0435\u043d\u0438.<\/em><\/p>\n \u041f\u0435\u0440\u0438\u043e\u0434 \u0438\u0437\u0433\u043e\u0442\u043e\u0432\u043b\u0435\u043d\u0438\u044f:<\/strong> XIX \u0432\u0435\u043a, \u043f\u0440\u0438\u043c\u0435\u0440\u043d\u043e 1850\u20131890 \u0433\u043e\u0434\u044b (\u043f\u0435\u0440\u0438\u043e\u0434 \u0434\u0435\u044f\u0442\u0435\u043b\u044c\u043d\u043e\u0441\u0442\u0438 \u042d\u0434\u043c\u043e\u043d\u0430 \u0421\u0430\u043c\u0441\u043e\u043d\u0430).<\/p>\n \u041f\u0440\u043e\u0438\u0437\u0432\u043e\u0434\u0438\u0442\u0435\u043b\u044c:<\/strong> Edm\u00e9 Samson & Cie<\/strong>, \u041f\u0430\u0440\u0438\u0436 \u2014 \u043c\u0430\u043d\u0443\u0444\u0430\u043a\u0442\u0443\u0440\u0430, \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u043d\u0430\u044f \u0432 1845 \u0433\u043e\u0434\u0443 \u042d\u0434\u043c\u043e\u043d\u043e\u043c \u0421\u0430\u043c\u0441\u043e\u043d\u043e\u043c, \u0434\u0435\u0439\u0441\u0442\u0432\u043e\u0432\u0430\u0432\u0448\u0430\u044f \u0434\u043e 1969 \u0433\u043e\u0434\u0430. \u0424\u0438\u0440\u043c\u0430 \u0441\u0442\u0430\u043b\u0430 \u0438\u0437\u0432\u0435\u0441\u0442\u043d\u0430 \u0431\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u044f \u0432\u044b\u0441\u043e\u043a\u043e\u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u043c \u0440\u0435\u043f\u0440\u043e\u0434\u0443\u043a\u0446\u0438\u044f\u043c \u043a\u0438\u0442\u0430\u0439\u0441\u043a\u043e\u0433\u043e \u044d\u043a\u0441\u043f\u043e\u0440\u0442\u043d\u043e\u0433\u043e \u0444\u0430\u0440\u0444\u043e\u0440\u0430 XVIII \u0432\u0435\u043a\u0430, \u0430 \u0442\u0430\u043a\u0436\u0435 \u0444\u0430\u0440\u0444\u043e\u0440\u0430 \u0427\u0435\u043b\u0441\u0438, \u041c\u0435\u0439\u0441\u0435\u043d\u0430 \u0438 \u0421\u0435\u0432\u0440\u0430 \u0434\u043b\u044f \u044d\u043b\u0438\u0442\u043d\u043e\u0439 \u043a\u043b\u0438\u0435\u043d\u0442\u0443\u0440\u044b \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u0438\u0445 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u0435\u0440\u043e\u0432. \u041a\u0440\u0430\u0441\u043d\u043e\u0435 \u043a\u0432\u0430\u0434\u0440\u0430\u0442\u043d\u043e\u0435 \u043a\u043b\u0435\u0439\u043c\u043e \u043d\u0430 \u0434\u043d\u0435 \u0441\u043e\u0441\u0443\u0434\u0430 \u2014 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u043d\u0430\u044f \u043f\u0441\u0435\u0432\u0434\u043e\u043a\u0438\u0442\u0430\u0439\u0441\u043a\u0430\u044f \u043c\u0430\u0440\u043a\u0430 (rouge-de-fer)<\/strong> Samson, \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u043e\u0432\u0430\u0432\u0448\u0430\u044f\u0441\u044f \u0434\u043b\u044f \u043e\u0442\u043b\u0438\u0447\u0438\u044f \u0441\u043e\u0431\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0445 \u0438\u0437\u0434\u0435\u043b\u0438\u0439 \u043e\u0442 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0445 \u043a\u0438\u0442\u0430\u0439\u0441\u043a\u0438\u0445 \u044d\u043a\u0441\u043f\u043e\u0440\u0442\u043d\u044b\u0445 \u0441\u043e\u0441\u0443\u0434\u043e\u0432 XVIII \u0432\u0435\u043a\u0430.<\/p>\n \u0420\u0435\u0434\u043a\u043e\u0441\u0442\u044c \u0438 \u0437\u043d\u0430\u0447\u0435\u043d\u0438\u0435:<\/strong> \u0418\u0437\u0434\u0435\u043b\u0438\u044f Samson XIX \u0432\u0435\u043a\u0430 \u0441\u0430\u043c\u0438 \u043f\u043e \u0441\u0435\u0431\u0435 \u0441\u0435\u0433\u043e\u0434\u043d\u044f \u044f\u0432\u043b\u044f\u044e\u0442\u0441\u044f \u0446\u0435\u043d\u043d\u044b\u043c\u0438 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u043d\u044b\u043c\u0438 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430\u043c\u0438 \u2014 \u043e\u043d\u0438 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u0443\u044e\u0442 \u043e\u0431 \u044d\u043f\u043e\u0445\u0435, \u043a\u043e\u0433\u0434\u0430 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u0438\u0435 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u0435\u0440\u044b, \u0432\u043a\u043b\u044e\u0447\u0430\u044f \u0442\u0430\u043a\u0438\u0445, \u043a\u0430\u043a \u042d\u0434\u043c\u043e\u043d \u0434\u0435 \u0413\u043e\u043d\u043a\u0443\u0440, \u0430\u043a\u0442\u0438\u0432\u043d\u043e \u0441\u043e\u0431\u0438\u0440\u0430\u043b\u0438 \u0438 \u0438\u0437\u0443\u0447\u0430\u043b\u0438 \u0432\u043e\u0441\u0442\u043e\u0447\u043d\u043e\u0430\u0437\u0438\u0430\u0442\u0441\u043a\u043e\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e, \u0430 \u043c\u0430\u043d\u0443\u0444\u0430\u043a\u0442\u0443\u0440\u0430 Samson \u0443\u0434\u043e\u0432\u043b\u0435\u0442\u0432\u043e\u0440\u044f\u043b\u0430 \u0441\u043f\u0440\u043e\u0441 \u043d\u0430 \u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0435 \u0430\u043b\u044c\u0442\u0435\u0440\u043d\u0430\u0442\u0438\u0432\u044b \u0442\u0440\u0443\u0434\u043d\u043e\u0434\u043e\u0441\u0442\u0443\u043f\u043d\u044b\u043c \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u0430\u043c XVIII \u0432\u0435\u043a\u0430. \u041a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044f \u0433\u0435\u0440\u0431\u0430 \u0441 \u043a\u043e\u0440\u043e\u043d\u043e\u0432\u0430\u043d\u043d\u044b\u043c \u0449\u0438\u0442\u043e\u043c \u0438 \u0433\u0440\u0438\u0444\u043e\u043d\u0430\u043c\u0438 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u043d\u0430 \u0434\u043b\u044f \u0430\u0440\u043c\u043e\u0440\u0438\u0430\u043b\u044c\u043d\u043e\u0439 \u043f\u0440\u043e\u0434\u0443\u043a\u0446\u0438\u0438 Samson.<\/p>\n \u041f\u0440\u0438\u043c\u0435\u043d\u0435\u043d\u0438\u0435:<\/strong> \u0421\u043e\u0441\u0443\u0434 \u0441\u043b\u0443\u0436\u0438\u0442 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u043c \u044d\u043b\u0435\u043c\u0435\u043d\u0442\u043e\u043c \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u0438 \u0438\u043b\u0438 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u043d\u044b\u043c \u0430\u043a\u0446\u0435\u043d\u0442\u043e\u043c \u0432 \u0432\u0438\u0442\u0440\u0438\u043d\u0435, \u0433\u0434\u0435 \u0435\u0433\u043e \u0431\u043e\u0433\u0430\u0442\u044b\u0439 \u0434\u0435\u043a\u043e\u0440 \u0438 \u0433\u0435\u0440\u0430\u043b\u044c\u0434\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043c\u043e\u0442\u0438\u0432 \u043f\u0440\u0438\u0432\u043b\u0435\u043a\u0430\u044e\u0442 \u0432\u043d\u0438\u043c\u0430\u043d\u0438\u0435 \u0441 \u043b\u044e\u0431\u043e\u0439 \u0442\u043e\u0447\u043a\u0438 \u043e\u0431\u0437\u043e\u0440\u0430.<\/p>\n \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435:<\/strong> \u0421\u043e\u0441\u0443\u0434 \u0432 \u0445\u043e\u0440\u043e\u0448\u0435\u043c \u043e\u0431\u0449\u0435\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438, \u0441 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u043c\u0438 \u0441\u043b\u0435\u0434\u0430\u043c\u0438 \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u0430. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n Height: 26.5 cm Samson Paris Armorial Porcelain Ewer with Coat of Arms \u2014 Chinese Export Style<\/strong><\/p>\n The presence of this Samson Paris armorial porcelain ewer<\/strong> is almost theatrical \u2014 a crowned shield bearing a golden lion, guarded by two winged griffins, presides over a body wreathed in purple wisteria and red chrysanthemum sprays. This is a work by Samson & Cie<\/strong>, the Paris manufactory that has specialized since 1845 in high-quality reproductions of 18th-century Chinese export armorial porcelain \u2014 pieces that have themselves become sought-after antiques today.<\/p>\n A Second Empire-era snapshot, Edmond de Goncourt (Edmond de Goncourt):<\/strong><\/em> Afternoon light drifts across his Paris home in the Auteuil quarter, where shelves rise to the ceiling, laden with East Asian and European porcelain \u2014 Goncourt pauses beside a new acquisition, just brought in by his servant, and carefully lifts it toward the light to judge the fineness of the gilding on its handle. His fingers trace the outline of the coat of arms, where the griffins’ wings and the lion’s silhouette form a story he will record in his diary later that evening.<\/em><\/p>\n The room carries the scent of dust and old paper, mingled with the fragrance of freshly cut flowers in a vase on the writing desk. This joy \u2014 the first inspection of a new piece, the guessing at its history, the search for its place within the collection \u2014 is a passion that has accompanied Goncourt for decades, and tonight it fills the room once more with a quiet, satisfied concentration, while beyond the window Paris sinks into evening shadow.<\/em><\/p>\n This Samson armorial ewer<\/strong> reflects the late 19th-century fascination with 18th-century Chinese export porcelain, when Parisian collectors and connoisseurs alike prized both the originals and their finest reproductions.<\/p>\n Manufacturing period:<\/strong> 19th century, approximately 1850\u20131890 (the Edm\u00e9 Samson period).<\/p>\n Manufacturer:<\/strong> Edm\u00e9 Samson & Cie<\/strong>, Paris \u2014 founded in 1845 by Edm\u00e9 Samson and operating until 1969. The firm became renowned for its high-quality reproductions of 18th-century Chinese export, Chelsea, Meissen, and S\u00e8vres porcelain, produced for an elite clientele of European collectors. The red square stamp on the base is Samson’s characteristic pseudo-Chinese (rouge-de-fer) mark<\/strong>, used to distinguish the firm’s own work from genuine 18th-century Chinese export pieces.<\/p>\n Rarity and significance:<\/strong> 19th-century Samson works are today valued as collectible antiques in their own right \u2014 testament to an era when European collectors, including figures such as Edmond de Goncourt, actively gathered and studied East Asian art, and the Samson manufactory met demand for fine alternatives to increasingly scarce 18th-century originals. The coat-of-arms composition, with its crowned shield and griffins, is characteristic of Samson’s armorial production.<\/p>\n Use:<\/strong> This armorial porcelain ewer<\/strong> makes a striking collector’s piece or display accent in a cabinet, where its rich decoration and heraldic motif draw the eye from every angle.<\/p>\n Condition:<\/strong> The ewer is in good overall condition, with natural signs of age. The item’s condition is fully reflected in the photographs.<\/p>\n H\u00f6he: 26,5 cm Samson-Paris-Armorialporzellankanne mit Wappen \u2014 im chinesischen Exportstil<\/strong><\/p>\n Die Pr\u00e4senz dieses Gef\u00e4\u00dfes ist fast theatralisch \u2014 ein gekr\u00f6ntes Wappenschild mit goldenem L\u00f6wen, bewacht von zwei gefl\u00fcgelten Greifen, thront \u00fcber einem Korpus, umschlungen von violetten Glyzinienranken und roten Chrysanthemenzweigen. Dies ist ein Werk von Samson & Cie<\/strong>, der Pariser Manufaktur, die sich seit 1845 auf hochwertige Reproduktionen von chinesischem Exportporzellan mit Wappenmotiven aus dem 18. Jahrhundert spezialisiert hat \u2014 St\u00fccke, die heute selbst begehrte Antiquit\u00e4ten sind.<\/p>\n Eine Momentaufnahme der Zeit des Zweiten Kaiserreichs, Edmond de Goncourt:<\/strong><\/em> Nachmittagslicht gleitet durch sein Pariser Haus im Viertel Auteuil, wo Regale bis zur Decke mit ostasiatischem und europ\u00e4ischem Porzellan gef\u00fcllt sind \u2014 Goncourt h\u00e4lt inne bei einem neuen Erwerb, den der Diener soeben hereingebracht hat, und hebt ihn vorsichtig ins Licht, um die Feinheit der Vergoldung am Henkel zu beurteilen. Seine Finger folgen den Konturen des Wappens, wo die Fl\u00fcgel der Greifen und die Silhouette des L\u00f6wen eine Geschichte formen, die er sp\u00e4ter an diesem Abend in seinem Tagebuch festhalten wird.<\/em><\/p>\n Im Zimmer liegt der Duft von Staub und altem Papier, vermischt mit dem Aroma frisch geschnittener Blumen in einer Vase auf dem Schreibtisch. Diese Freude \u2014 die erste Betrachtung eines neuen St\u00fccks, das R\u00e4tselraten \u00fcber seine Geschichte, die Suche nach seinem Platz in der Sammlung \u2014 ist eine Leidenschaft, die Goncourt seit Jahrzehnten begleitet.<\/em><\/p>\n Diese Samson-Armorialkanne<\/strong> stammt aus dem 19. Jahrhundert, etwa 1850\u20131890 (Periode Edm\u00e9 Samsons). Edm\u00e9 Samson & Cie<\/strong>, Paris \u2014 1845 gegr\u00fcndet, bis 1969 t\u00e4tig, bekannt f\u00fcr hochwertige Reproduktionen von chinesischem Exportporzellan, Chelsea-, Meissen- und S\u00e8vres-Porzellan f\u00fcr eine elit\u00e4re europ\u00e4ische Sammlerklientel. Der rote quadratische Stempel am Boden ist Samsons charakteristische pseudochinesische Marke (rouge-de-fer)<\/strong>. Werke von Samson aus dem 19. Jahrhundert gelten heute selbst als gesch\u00e4tzte Sammlerantiquit\u00e4ten. Die Kanne befindet sich in gutem Gesamtzustand mit altersgem\u00e4\u00dfen Spuren.<\/p>\n Hauteur : 26,5 cm Aigui\u00e8re en porcelaine armori\u00e9e Samson Paris \u2014 style export chinois<\/strong><\/p>\n La pr\u00e9sence de cette aigui\u00e8re est presque th\u00e9\u00e2trale \u2014 un \u00e9cu couronn\u00e9 portant un lion dor\u00e9, gard\u00e9 par deux griffons ail\u00e9s, domine un corps enlac\u00e9 de glycines violettes et de branches de chrysanth\u00e8mes rouges. C’est une \u0153uvre de Samson & Cie<\/strong>, la manufacture parisienne sp\u00e9cialis\u00e9e depuis 1845 dans les reproductions de haute qualit\u00e9 de porcelaine armori\u00e9e d’exportation chinoise du XVIIIe si\u00e8cle \u2014 des pi\u00e8ces devenues aujourd’hui elles-m\u00eames des antiquit\u00e9s recherch\u00e9es.<\/p>\n Un instantan\u00e9 de l’\u00e9poque du Second Empire, Edmond de Goncourt :<\/strong><\/em> La lumi\u00e8re de l’apr\u00e8s-midi glisse sur sa maison parisienne du quartier d’Auteuil, o\u00f9 des \u00e9tag\u00e8res montent jusqu’au plafond, charg\u00e9es de porcelaines est-asiatiques et europ\u00e9ennes \u2014 Goncourt s’arr\u00eate pr\u00e8s d’une nouvelle acquisition, tout juste apport\u00e9e par son domestique, et la soul\u00e8ve d\u00e9licatement vers la lumi\u00e8re pour juger de la finesse de la dorure de l’anse. Ses doigts suivent le contour des armoiries, o\u00f9 les ailes des griffons et la silhouette du lion composent une histoire qu’il consignera dans son journal ce soir m\u00eame.<\/em><\/p>\n La pi\u00e8ce porte l’odeur de la poussi\u00e8re et du vieux papier, m\u00eal\u00e9e au parfum des fleurs fra\u00eechement coup\u00e9es dans un vase sur le bureau. Cette joie \u2014 le premier examen d’une pi\u00e8ce nouvelle, les suppositions sur son histoire, la recherche de sa place dans la collection \u2014 est une passion qui accompagne Goncourt depuis des d\u00e9cennies.<\/em><\/p>\n Cette aigui\u00e8re armori\u00e9e Samson<\/strong> date du XIXe si\u00e8cle, vers 1850\u20131890 (p\u00e9riode d’Edm\u00e9 Samson). Edm\u00e9 Samson & Cie<\/strong>, Paris \u2014 fond\u00e9e en 1845, en activit\u00e9 jusqu’en 1969, r\u00e9put\u00e9e pour ses reproductions de haute qualit\u00e9 de porcelaine d’exportation chinoise, de Chelsea, de Meissen et de S\u00e8vres pour une client\u00e8le europ\u00e9enne d’\u00e9lite. La marque carr\u00e9e rouge au fond est la caract\u00e9ristique marque pseudo-chinoise (rouge-de-fer)<\/strong> de Samson. Les \u0153uvres de Samson du XIXe si\u00e8cle sont aujourd’hui elles-m\u00eames consid\u00e9r\u00e9es comme des antiquit\u00e9s de collection. L’aigui\u00e8re est en bon \u00e9tat g\u00e9n\u00e9ral, avec une usure conforme \u00e0 son \u00e2ge.<\/p>\n H\u00f8jde: 26,5 cm Samson Paris armorial porcel\u00e6nskande med v\u00e5benskjold \u2014 i kinesisk eksportstil<\/strong><\/p>\n Denne kandes tilstedev\u00e6relse er n\u00e6sten teatralsk \u2014 et kronet skjold med en gylden l\u00f8ve, vogtet af to bevingede griffe, tronende over en korpus omslynget af violette bl\u00e5regnsgrene og r\u00f8de krysantemumkviste. Dette er et v\u00e6rk af Samson & Cie<\/strong>, det parisiske manufaktur, der siden 1845 har specialiseret sig i f\u00f8rsteklasses gengivelser af kinesisk eksportporcel\u00e6n med v\u00e5benskjolde fra 1700-tallet \u2014 stykker, der i dag selv er eftertragtede antikviteter.<\/p>\n Et \u00f8jebliksbillede fra Det Andet Kejserriges tid, Edmond de Goncourt:<\/strong><\/em> Eftermiddagslyset glider hen over hans parisiske hjem i Auteuil-kvarteret, hvor hylder rejser sig til loftet, fyldt med \u00f8stasiatisk og europ\u00e6isk porcel\u00e6n \u2014 Goncourt standser ved et nyt erhvervelse, netop bragt ind af tjeneren, og l\u00f8fter det forsigtigt mod lyset for at bed\u00f8mme forgyldningens finhed p\u00e5 hanken. Hans fingre f\u00f8lger v\u00e5benskjoldets konturer, hvor griffenes vinger og l\u00f8vens silhuet danner en historie, han vil nedskrive i sin dagbog senere samme aften.<\/em><\/p>\n Rummet b\u00e6rer duften af st\u00f8v og gammelt papir, blandet med aromaen af nysk\u00e5rne blomster i en vase p\u00e5 skrivebordet. Denne gl\u00e6de \u2014 den f\u00f8rste unders\u00f8gelse af et nyt stykke, g\u00e6tterierne om dets historie, s\u00f8gningen efter dets plads i samlingen \u2014 er en lidenskab, der har fulgt Goncourt i \u00e5rtier.<\/em><\/p>\n Denne Samson armorial kande<\/strong> stammer fra 1800-tallet, cirka 1850\u20131890 (Edm\u00e9 Samsons periode). Edm\u00e9 Samson & Cie<\/strong>, Paris \u2014 grundlagt 1845, aktiv indtil 1969, kendt for sine gengivelser af kinesisk eksportporcel\u00e6n, Chelsea-, Meissen- og S\u00e8vres-porcel\u00e6n for en elit\u00e6r europ\u00e6isk samlerkreds. Det r\u00f8de kvadratiske stempel i bunden er Samsons karakteristiske pseudo-kinesiske m\u00e6rke (rouge-de-fer)<\/strong>. Samsons v\u00e6rker fra 1800-tallet betragtes i dag selv som eftertragtede samlerantikviteter. Kanden er i god generel stand med aldersvarende slid.<\/p>\n H\u00f6jd: 26,5 cm Samson Paris armorial porslinskanna med vapensk\u00f6ld \u2014 i kinesisk exportstil<\/strong><\/p>\n Denna kannas n\u00e4rvaro \u00e4r n\u00e4stan teatralisk \u2014 en kr\u00f6nt sk\u00f6ld med ett gyllene lejon, vaktad av tv\u00e5 bevingade grifoner, tronar \u00f6ver en korpus omslingrad av violetta bl\u00e5regnsklasar och r\u00f6da krysantemumkvistar. Detta \u00e4r ett verk av Samson & Cie<\/strong>, den parisiska manufaktur som sedan 1845 specialiserat sig p\u00e5 f\u00f6rstklassiga reproduktioner av kinesiskt exportporslin med vapensk\u00f6ldar fr\u00e5n 1700-talet \u2014 f\u00f6rem\u00e5l som idag sj\u00e4lva \u00e4r eftertraktade antikviteter.<\/p>\n En \u00f6gonblicksbild fr\u00e5n Andra kejsard\u00f6mets tid, Edmond de Goncourt:<\/strong><\/em> Eftermiddagsljuset glider \u00f6ver hans parisiska hem i Auteuil-kvarteren, d\u00e4r hyllor reser sig till taket, fyllda med \u00f6stasiatiskt och europeiskt porslin \u2014 Goncourt stannar vid ett nytt f\u00f6rv\u00e4rv, just inburet av tj\u00e4naren, och lyfter det f\u00f6rsiktigt mot ljuset f\u00f6r att bed\u00f6ma f\u00f6rgyllningens finess p\u00e5 handtaget. Hans fingrar f\u00f6ljer vapensk\u00f6lds konturer, d\u00e4r grifonernas vingar och lejonets siluett bildar en historia han ska anteckna i sin dagbok senare samma kv\u00e4ll.<\/em><\/p>\n Rummet b\u00e4r doften av damm och gammalt papper, blandad med aromen av nyskurna blommor i en vas p\u00e5 skrivbordet. Denna gl\u00e4dje \u2014 den f\u00f6rsta granskningen av ett nytt f\u00f6rem\u00e5l, gissningarna om dess historia, s\u00f6kandet efter dess plats i samlingen \u2014 \u00e4r en passion som f\u00f6ljt Goncourt i decennier.<\/em><\/p>\n Denna Samson armorial kanna<\/strong> h\u00e4rstammar fr\u00e5n 1800-talet, cirka 1850\u20131890 (Edm\u00e9 Samsons period). Edm\u00e9 Samson & Cie<\/strong>, Paris \u2014 grundad 1845, verksam till 1969, k\u00e4nd f\u00f6r sina reproduktioner av kinesiskt exportporslin, Chelsea-, Meissen- och S\u00e8vresporslin f\u00f6r en elit\u00e4r europeisk samlarkrets. Den r\u00f6da fyrkantiga st\u00e4mpeln i botten \u00e4r Samsons karakteristiska pseudokinesiska m\u00e4rke (rouge-de-fer)<\/strong>. Samsons verk fr\u00e5n 1800-talet betraktas idag sj\u00e4lva som eftertraktade samlarantikviteter. Kannan \u00e4r i gott allm\u00e4nt skick med \u00e5ldersenligt slitage.<\/p>\n H\u00f8yde: 26,5 cm Samson Paris armoriell porselenskanne med v\u00e5penskjold \u2014 i kinesisk eksportstil<\/strong><\/p>\n Denne kannens tilstedev\u00e6relse er nesten teatralsk \u2014 et kronet skjold med en gyllen l\u00f8ve, voktet av to vingede griffer, troner over en korpus omslynget av lilla bl\u00e5regnklaser og r\u00f8de krysantemumkvister. Dette er et verk av Samson & Cie<\/strong>, det parisiske manufakturet som siden 1845 har spesialisert seg p\u00e5 f\u00f8rsteklasses gjengivelser av kinesisk eksportporselen med v\u00e5penskjold fra 1700-tallet \u2014 gjenstander som i dag selv er ettertraktede antikviteter.<\/p>\n Et \u00f8yeblikksbilde fra Det andre keiserd\u00f8mmets tid, Edmond de Goncourt:<\/strong><\/em> Ettermiddagslyset glir over hans parisiske hjem i Auteuil-str\u00f8ket, der hyller reiser seg til taket, fylt med \u00f8stasiatisk og europeisk porselen \u2014 Goncourt stanser ved et nytt erverv, nettopp brakt inn av tjeneren, og l\u00f8fter det forsiktig mot lyset for \u00e5 bed\u00f8mme forgyllingens finhet p\u00e5 hanken. Fingrene hans f\u00f8lger v\u00e5penskjoldets konturer, der griffenes vinger og l\u00f8vens silhuett danner en historie han vil skrive ned i dagboken sin senere samme kveld.<\/em><\/p>\n Rommet b\u00e6rer duften av st\u00f8v og gammelt papir, blandet med aromaen av nykuttede blomster i en vase p\u00e5 skrivebordet. Denne gleden \u2014 den f\u00f8rste unders\u00f8kelsen av en ny gjenstand, gjetningene om dens historie, s\u00f8ket etter dens plass i samlingen \u2014 er en lidenskap som har fulgt Goncourt i ti\u00e5r.<\/em><\/p>\n Denne Samson armorielle kannen<\/strong> stammer fra 1800-tallet, omtrent 1850\u20131890 (Edm\u00e9 Samsons periode). Edm\u00e9 Samson & Cie<\/strong>, Paris \u2014 grunnlagt 1845, aktiv til 1969, kjent for sine gjengivelser av kinesisk eksportporselen, Chelsea-, Meissen- og S\u00e8vres-porselen for en elit\u00e6r europeisk samlerkrets. Det r\u00f8de firkantede stempelet i bunnen er Samsons karakteristiske pseudo-kinesiske merke (rouge-de-fer)<\/strong>. Samsons verk fra 1800-tallet betraktes i dag selv som ettertraktede samlerantikviteter. Kannen er i god generell stand med alderstilsvarende slitasje.<\/p>\n Korkeus: 26,5 cm Samson Paris -vaakunaposliinikannu vaakunalla \u2014 kiinalaisen vientityylin mukaan<\/strong><\/p>\n T\u00e4m\u00e4n kannun l\u00e4sn\u00e4olo on l\u00e4hes teatraalinen \u2014 kruunattu vaakunakilpi kultaisella leijonalla, jota vartioi kaksi siivek\u00e4st\u00e4 griippi\u00e4, hallitsee runkoa, jota kiert\u00e4v\u00e4t violetit glysiinik\u00f6ynn\u00f6kset ja punaiset krysanteemioksat. T\u00e4m\u00e4 on Samson & Cie:n<\/strong> ty\u00f6 \u2014 pariisilaisen manufaktuurin, joka on vuodesta 1845 erikoistunut korkealaatuisiin 1700-luvun kiinalaisen vientiposliinin vaakunareplikoihin \u2014 esineit\u00e4, jotka ovat nyky\u00e4\u00e4n itsess\u00e4\u00e4n haluttuja antiikkiesineit\u00e4.<\/p>\n Toisen keisarikunnan ajan hetkikuva, Edmond de Goncourt:<\/strong><\/em> Iltap\u00e4iv\u00e4n valo liukuu h\u00e4nen pariisilaisen kotinsa yli Auteuil’n kaupunginosassa, jossa hyllyt kohoavat kattoon asti t\u00e4ynn\u00e4 it\u00e4aasialaista ja eurooppalaista posliinia \u2014 Goncourt pys\u00e4htyy uuden hankinnan \u00e4\u00e4relle, jonka palvelija juuri toi sis\u00e4\u00e4n, ja nostaa sen varovasti valoa vasten arvioidakseen kahvan kultauksen hienoutta. H\u00e4nen sormensa seuraavat vaakunan \u00e4\u00e4riviivoja, joissa griippien siivet ja leijonan siluetti muodostavat tarinan, jonka h\u00e4n kirjaa p\u00e4iv\u00e4kirjaansa my\u00f6hemmin samana iltana.<\/em><\/p>\n Huoneessa on p\u00f6lyn ja vanhan paperin tuoksu, sekoittuneena tuoreiden leikkokukkien aromiin kirjoitusp\u00f6yd\u00e4n maljakossa. T\u00e4m\u00e4 ilo \u2014 uuden esineen ensimm\u00e4inen tarkastelu, arvailu sen historiasta, sen paikan etsiminen kokoelmassa \u2014 on intohimo, joka on seurannut Goncourtia vuosikymmeni\u00e4.<\/em><\/p>\n T\u00e4m\u00e4 Samson-vaakunakannu<\/strong> on per\u00e4isin 1800-luvulta, noin 1850\u20131890 (Edm\u00e9 Samsonin kausi). Edm\u00e9 Samson & Cie<\/strong>, Pariisi \u2014 perustettu 1845, toiminut vuoteen 1969 asti, tunnettu korkealaatuisista kiinalaisen vientiposliinin, Chelsean, Meissenin ja S\u00e8vresin posliinin replikoista eurooppalaiselle eliittiker\u00e4ilij\u00e4kunnalle. Punainen neli\u00f6nmuotoinen leima pohjassa on Samsonin tunnusomainen pseudokiinalainen merkki (rouge-de-fer)<\/strong>. Samsonin 1800-luvun teokset ovat nyky\u00e4\u00e4n itsess\u00e4\u00e4n arvostettuja ker\u00e4ilyantiikkeja. Kannu on yleisesti hyv\u00e4ss\u00e4 kunnossa, i\u00e4n mukaisin j\u00e4lkin.<\/p>\n","protected":false},"excerpt":{"rendered":" Samson (Edm\u00e9 Samson & <\/span>Cie, Par\u012bze) armori\u0101la porcel\u0101na <\/span>t\u0113jkanna, 19. gs. \u2014 kron\u0113ts <\/span>vairoga \u0123erbonis ar lauvu, <\/span>flank\u0113ts ar diviem sp\u0101rnotiem <\/span>grifiem, bag\u0101t\u012bga ziedu <\/span>polihromija un zelt\u012bjums \u0136\u012bnas <\/span>eksporta stil\u0101. Augstums 26,5 <\/span>cm, platums 15,5 cm.<\/span><\/p>\n","protected":false},"featured_media":49249,"template":"","meta":[],"product_brand":[],"product_cat":[211,204],"product_tag":[2120,2116,2118,2123,2125,2119,2117,2122,2124,1848,2115,2121],"class_list":["post-49248","product","type-product","status-publish","has-post-thumbnail","product_cat-trauki","product_cat-visas-lietas","product_tag-19th-century-french-porcelain","product_tag-armorial-porcelain","product_tag-chinese-export-style","product_tag-edme-samson","product_tag-famille-rose-style","product_tag-faux-chinese-mark","product_tag-gerbona-porcelans","product_tag-gilt-porcelain-ewer","product_tag-heraldiskais-porcelans","product_tag-kolekcijas-porcelans","product_tag-samson-paris","product_tag-tejkanna","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/49248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/49249"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=49248"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=49248"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=49248"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=49248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\ud83c\uddf7\ud83c\uddfa \u0420\u0423\u0421\u0421\u041a\u0418\u0419<\/h2>\n
\n\u0428\u0438\u0440\u0438\u043d\u0430: 15,5 \u0441\u043c<\/p>\n
\n\ud83c\uddec\ud83c\udde7 ENGLISH<\/h2>\n
\nWidth: 15.5 cm<\/p>\n
\n\ud83c\udde9\ud83c\uddea DEUTSCH<\/h2>\n
\nBreite: 15,5 cm<\/p>\n
\n\ud83c\uddeb\ud83c\uddf7 FRAN\u00c7AIS<\/h2>\n
\nLargeur : 15,5 cm<\/p>\n
\n\ud83c\udde9\ud83c\uddf0 DANSK<\/h2>\n
\nBredde: 15,5 cm<\/p>\n
\n\ud83c\uddf8\ud83c\uddea SVENSKA<\/h2>\n
\nBredd: 15,5 cm<\/p>\n
\n\ud83c\uddf3\ud83c\uddf4 NORSK<\/h2>\n
\nBredde: 15,5 cm<\/p>\n
\n\ud83c\uddeb\ud83c\uddee SUOMI<\/h2>\n
\nLeveys: 15,5 cm<\/p>\n