{"id":47093,"date":"2026-05-28T15:48:31","date_gmt":"2026-05-28T12:48:31","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=47093"},"modified":"2026-09-08T11:32:05","modified_gmt":"2026-09-08T08:32:05","slug":"6702","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/6702\/","title":{"rendered":"P\u0101ris kr\u0101\u0161\u0146u ant\u012bku bronzas sienas lampu \u2014 rokoko stil\u0101 (bronze wall sconces) (6702)"},"content":{"rendered":"<p data-path-to-node=\"9\">\ud83c\uddf1\ud83c\uddfb<\/p>\n<p data-path-to-node=\"10\">Augstums: 30,5 cm<\/p>\n<p data-path-to-node=\"11\">Platums: 23 cm<\/p>\n<h3 data-path-to-node=\"12\">P\u0101ris kr\u0101\u0161\u0146u ant\u012bku bronzas sienas lampu \u2014 rokoko stil\u0101 (bronze wall sconces)<\/h3>\n<p data-path-to-node=\"13\">M\u0101ksliniecisk\u0101 gr\u0101cija un 19. gadsimta nogales salonu atmosf\u0113ra satiekas \u0161aj\u0101 maza izm\u0113ra ant\u012bku bronzas sienas lampu (bra) p\u0101r\u012b. \u017duburu un pamatnes dizains p\u0101rst\u0101v kr\u0101\u0161\u0146o <i data-path-to-node=\"13\" data-index-in-node=\"172\">rokoko<\/i> stila retrospekciju \u2014 katrs gaismeklis ir veidots k\u0101 plastisks, teko\u0161s akanta lapu, dabas cirtu un maigu ziedu mot\u012bvu l\u0113jums. Divi simetriski izvietotie \u017euburi katr\u0101 lamp\u0101 nosl\u0113dzas ar rievotiem ligzdu kausiem, kas s\u0101kotn\u0113ji projekt\u0113ti v\u0113sturiskajam g\u0101zes apgaismojumam vai svec\u0113m. Lampas ir izgatavotas no augstv\u0113rt\u012bga, smaga bronzas sakaus\u0113juma, kas apstr\u0101d\u0101ts tradicion\u0101laj\u0101s tehnik\u0101s, pan\u0101kot izteiksm\u012bgu dzi\u013cuma, reljefa un \u0113nu sasp\u0113li, kas \u012bpa\u0161i skaisti izgaismojas vakara stund\u0101s.<\/p>\n<p data-path-to-node=\"14\"><b data-path-to-node=\"14\" data-index-in-node=\"0\">Izgatavo\u0161anas periods<\/b> 19. gadsimta p\u0113d\u0113j\u0101 ceturksne, aptuveni 1880.\u20131895. gads. Tas ir laiks, kad Eiropas un Baltijas liel\u0101ko pils\u0113tu arhitekt\u016br\u0101 un iek\u0161telpu dizain\u0101 vald\u012bja kr\u0101\u0161\u0146a eklektika, un \u0161\u0101da tipa gaismek\u013ci bija neat\u0146emama par\u0101des z\u0101\u013cu un priv\u0101to salonu sast\u0101vda\u013ca.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> Sienas lampu izpild\u012bjuma un aizmugur\u0113j\u0101s pamatnes stiprin\u0101jumu tehnika liecina par vado\u0161o Rietumeiropas (visticam\u0101k, Francijas vai V\u0101cijas) bronzas l\u0113jumu manufakt\u016bru darbu. \u0160\u0101da stila un m\u0113roga gaismek\u013cus p\u0113c katalogiem labpr\u0101t pas\u016bt\u012bja vado\u0161ie arhitekti un lieltirgot\u0101ji, lai iek\u0101rtotu sabiedrisk\u0101s \u0113kas un tur\u012bgo pilso\u0146u namus R\u012bg\u0101 un Libav\u0101.<\/p>\n<p data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">Retums un noz\u012bme<\/b> Gaismek\u013cu liel\u0101k\u0101 v\u0113rt\u012bba ir to saglab\u0101\u0161an\u0101s tie\u0161i <b data-path-to-node=\"16\" data-index-in-node=\"68\">p\u0101r\u012b<\/b> un nevainojam\u0101s proporcij\u0101s. Maza izm\u0113ra, smalki veidoti sienas bra ar tik detaliz\u0113tu un nesaboj\u0101tu ornamentu ir sal\u012bdzino\u0161i reti sastopami. \u012apa\u0161u v\u0113rt\u012bbu tiem pie\u0161\u0137ir v\u0113sturisk\u0101 konstrukcija \u2014 t\u0101s ir agr\u012bn\u0101 g\u0101zes apgaismojuma laikmeta liecinieces, kas v\u0113l\u0101k, att\u012bstoties tehnolo\u0123ij\u0101m, tiku\u0161as prasm\u012bgi piel\u0101gotas elektr\u012bbai.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\">Pielietojums<\/b> \u0160is sienas lampu p\u0101ris k\u013c\u016bs par izsmalcin\u0101tu un noska\u0146\u0101m bag\u0101tu akcentu priek\u0161nam\u0101, abpus spogulim viesistab\u0101, \u0113damistab\u0101 virs konsoles vai gu\u013camistab\u0101 virs gultas galvga\u013ca. To kompaktie izm\u0113ri \u013cauj lampu p\u0101ri viegli integr\u0113t gan v\u0113sturiskos, gan modern\u0101kos, eklektiskos interjeros, ienesot telp\u0101 c\u0113lu zelta mirdzumu.<\/p>\n<p data-path-to-node=\"18\"><b data-path-to-node=\"18\" data-index-in-node=\"0\">St\u0101voklis<\/b> Lampu p\u0101ris ir lielisk\u0101 ant\u012bk\u0101 st\u0101vokl\u012b. Bronzas korpusi ir piln\u012bgi stabili, bez l\u016bzumiem vai met\u0101la defektiem. Virsma ir saglab\u0101jusi autentisko, c\u0113lo laika patinu un zelt\u012bjuma p\u0113das, kas nav m\u0101ksl\u012bgi pul\u0113tas, saglab\u0101jot lietas v\u0113sturisko \u0161armu. Lampas ir elektrific\u0113tas un sagatavotas t\u016bl\u012bt\u0113jai mont\u0101\u017eai un lieto\u0161anai. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"19\"><b data-path-to-node=\"19\" data-index-in-node=\"0\"><i data-path-to-node=\"19\" data-index-in-node=\"0\">Laikmeta momentuz\u0146\u0113mums, arhitekts Makss Pauls Ber\u010di (Bertschy):<\/i><\/b> <i data-path-to-node=\"19\" data-index-in-node=\"65\">Topo\u0161\u0101 Libavas apgabaltiesas nama interjera apsprie\u0161an\u0101 valda v\u0113ls vakara klusums, ko klied\u0113 tikai g\u0101zes deg\u013cu klus\u0101 d\u016bk\u0161ana un pap\u012bra lok\u0161\u0146u \u0161alko\u0146a. Pie liel\u0101 darba galda s\u0113\u017e pils\u0113tas galvenais arhitekts Ber\u010di, kur\u0161 ar asu z\u012bmuli velk p\u0113d\u0113j\u0101s korekcijas tiesas s\u0113\u017eu z\u0101les sienu pane\u013cu ras\u0113jumos, kam\u0113r vi\u0146a asistents klusi ienes tikko sa\u0146emto s\u016bt\u012bjumu no V\u0101cijas. No koka kastes tiek izcelts neliels, smags bronzas sienas gaismeklis, kura rokoko stila akanta lapu vijumos dz\u012bvi atsp\u012bd telpas gaisma. Arhiteks pa\u0146em silto, patin\u0113to met\u0101lu rok\u0101s, pieliek to pie sienas un klusi pam\u0101j \u2014 \u0161\u012bs div\u017euburu lampas ar savu smalko, pl\u016bsto\u0161o l\u012bniju un g\u0101zes sprauslu kausiem ienes\u012bs tie\u0161i to nepiecie\u0161amo akad\u0113misko eleganci un gaismas siltumu, ko vi\u0146\u0161 tik \u013coti ir v\u0113l\u0113jies d\u0101vin\u0101t savas m\u012b\u013cot\u0101s pils\u0113tas jaunajiem, lepnajiem namu interjeriem.<\/i><\/p>\n<p data-path-to-node=\"21\">\ud83c\uddf7\ud83c\uddfa<\/p>\n<h3 data-path-to-node=\"22\">\u041f\u0430\u0440\u0430 \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u044b\u0445 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u0445 \u043d\u0430\u0441\u0442\u0435\u043d\u043d\u044b\u0445 \u043b\u0430\u043c\u043f \u0432 \u0441\u0442\u0438\u043b\u0435 \u0440\u043e\u043a\u043e\u043a\u043e \u2014 \u0431\u0440\u0430 (bronze wall sconces)<\/h3>\n<p data-path-to-node=\"23\">\u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u0433\u0440\u0430\u0446\u0438\u044f \u0438 \u0430\u0442\u043c\u043e\u0441\u0444\u0435\u0440\u0430 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u0438\u0445 \u0441\u0430\u043b\u043e\u043d\u043e\u0432 \u043a\u043e\u043d\u0446\u0430 XIX \u0432\u0435\u043a\u0430 \u0441\u043e\u0435\u0434\u0438\u043d\u0438\u043b\u0438\u0441\u044c \u0432 \u044d\u0442\u043e\u0439 \u043f\u0430\u0440\u0435 \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u0438\u0445 \u043d\u0430\u0441\u0442\u0435\u043d\u043d\u044b\u0445 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u0445 \u0441\u0432\u0435\u0442\u0438\u043b\u044c\u043d\u0438\u043a\u043e\u0432 (\u0431\u0440\u0430). \u0414\u0438\u0437\u0430\u0439\u043d \u0440\u043e\u0436\u043a\u043e\u0432 \u0438 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u044f \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 \u043f\u044b\u0448\u043d\u0443\u044e \u0440\u0435\u043f\u043b\u0438\u043a\u0443 \u0441\u0442\u0438\u043b\u044f <i data-path-to-node=\"23\" data-index-in-node=\"209\">\u0440\u043e\u043a\u043e\u043a\u043e<\/i> \u2014 \u043a\u0430\u0436\u0434\u044b\u0439 \u043f\u0440\u0435\u0434\u043c\u0435\u0442 \u043e\u0442\u043b\u0438\u0442 \u0432 \u0432\u0438\u0434\u0435 \u043f\u043b\u0430\u0441\u0442\u0438\u0447\u043d\u044b\u0445, \u0442\u0435\u043a\u0443\u0447\u0438\u0445 \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0430\u043a\u0430\u043d\u0442\u0430 \u0438 \u043d\u0435\u0436\u043d\u044b\u0445 \u0444\u043b\u043e\u0440\u0430\u043b\u044c\u043d\u044b\u0445 \u043c\u043e\u0442\u0438\u0432\u043e\u0432. \u0414\u0432\u0430 \u0441\u0438\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u044b\u0445 \u0440\u043e\u0436\u043a\u0430 \u043d\u0430 \u043a\u0430\u0436\u0434\u043e\u0439 \u043b\u0430\u043c\u043f\u0435 \u0437\u0430\u0432\u0435\u0440\u0448\u0430\u044e\u0442\u0441\u044f \u0440\u0438\u0444\u043b\u0435\u043d\u044b\u043c\u0438 \u0447\u0430\u0448\u0430\u043c\u0438, \u0438\u0437\u043d\u0430\u0447\u0430\u043b\u044c\u043d\u043e \u0441\u043f\u0440\u043e\u0435\u043a\u0442\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u043c\u0438 \u043f\u043e\u0434 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u0435 \u0433\u0430\u0437\u043e\u0432\u043e\u0435 \u043e\u0441\u0432\u0435\u0449\u0435\u043d\u0438\u0435 \u0438\u043b\u0438 \u0441\u0432\u0435\u0447\u0438. \u0411\u0440\u0430 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u044b \u0438\u0437 \u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0442\u044f\u0436\u0435\u043b\u043e\u0433\u043e \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u043e\u0433\u043e \u0441\u043f\u043b\u0430\u0432\u0430, \u043e\u0431\u0435\u0441\u043f\u0435\u0447\u0438\u0432\u0430\u044e\u0449\u0435\u0433\u043e \u0433\u043b\u0443\u0431\u043e\u043a\u0443\u044e \u0438\u0433\u0440\u0443 \u0441\u0432\u0435\u0442\u0430 \u0438 \u0442\u0435\u043d\u0435\u0439.<\/p>\n<p data-path-to-node=\"24\">\u041f\u0440\u0435\u0434\u043c\u0435\u0442\u044b \u0431\u044b\u043b\u0438 \u0441\u043e\u0437\u0434\u0430\u043d\u044b \u0432 \u043f\u043e\u0441\u043b\u0435\u0434\u043d\u0435\u0439 \u0447\u0435\u0442\u0432\u0435\u0440\u0442\u0438 XIX \u0432\u0435\u043a\u0430, \u043f\u0440\u0438\u043c\u0435\u0440\u043d\u043e \u0432 1880\u20131895 \u0433\u043e\u0434\u0430\u0445, \u043a\u043e\u0433\u0434\u0430 \u0432 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435 \u0420\u0438\u0433\u0438 \u0438 \u041b\u0438\u0431\u0430\u0432\u044b \u043f\u0440\u043e\u0446\u0432\u0435\u0442\u0430\u043b\u0430 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u0430\u044f \u044d\u043a\u043b\u0435\u043a\u0442\u0438\u043a\u0430. \u0422\u0430\u043a\u0438\u0435 \u0441\u0432\u0435\u0442\u0438\u043b\u044c\u043d\u0438\u043a\u0438 \u0447\u0430\u0441\u0442\u043e \u0437\u0430\u043a\u0430\u0437\u044b\u0432\u0430\u043b\u0438\u0441\u044c \u043f\u043e \u043a\u0430\u0442\u0430\u043b\u043e\u0433\u0430\u043c \u0432\u0435\u0434\u0443\u0449\u0438\u043c\u0438 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u0440\u0430\u043c\u0438 \u044d\u043f\u043e\u0445\u0438 \u0434\u043b\u044f \u043e\u0444\u043e\u0440\u043c\u043b\u0435\u043d\u0438\u044f \u043f\u0430\u0440\u0430\u0434\u043d\u044b\u0445 \u0437\u0430\u043b\u043e\u0432 \u0438 \u0436\u0438\u043b\u044b\u0445 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u043e\u0432 \u0438\u043d\u0442\u0435\u043b\u043b\u0438\u0433\u0435\u043d\u0446\u0438\u0438. \u0413\u043b\u0430\u0432\u043d\u0430\u044f \u0446\u0435\u043d\u043d\u043e\u0441\u0442\u044c \u043b\u043e\u0442\u0430 \u0437\u0430\u043a\u043b\u044e\u0447\u0430\u0435\u0442\u0441\u044f \u0432 \u0435\u0433\u043e <b data-path-to-node=\"24\" data-index-in-node=\"330\">\u043f\u0430\u0440\u043d\u043e\u0441\u0442\u0438<\/b> \u0438 \u0431\u0435\u0437\u0443\u043f\u0440\u0435\u0447\u043d\u043e\u0439 \u0441\u043e\u0445\u0440\u0430\u043d\u043d\u043e\u0441\u0442\u0438 \u0445\u0440\u0443\u043f\u043a\u043e\u0433\u043e \u043b\u0438\u0442\u044c\u044f. \u041c\u0435\u0442\u0430\u043b\u043b \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u0443\u044e \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u0443\u044e \u043f\u0430\u0442\u0438\u043d\u0443, \u043f\u043e\u0434\u0447\u0435\u0440\u043a\u0438\u0432\u0430\u044e\u0449\u0443\u044e \u0432\u043e\u0437\u0440\u0430\u0441\u0442 \u0432\u0435\u0449\u0435\u0439. \u041b\u0430\u043c\u043f\u044b \u044d\u043b\u0435\u043a\u0442\u0440\u0438\u0444\u0438\u0446\u0438\u0440\u043e\u0432\u0430\u043d\u044b \u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0433\u043e\u0442\u043e\u0432\u044b \u043a \u0443\u0441\u0442\u0430\u043d\u043e\u0432\u043a\u0435. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"25\"><b data-path-to-node=\"25\" data-index-in-node=\"0\"><i data-path-to-node=\"25\" data-index-in-node=\"0\">\u0417\u0430\u0440\u0438\u0441\u043e\u0432\u043a\u0430 \u044d\u043f\u043e\u0445\u0438, \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u0440 \u041c\u0430\u043a\u0441 \u041f\u0430\u0443\u043b\u044c \u0411\u0435\u0440\u0447\u0438 (Bertschy):<\/i><\/b> <i data-path-to-node=\"25\" data-index-in-node=\"57\">\u0412 \u0442\u0438\u0448\u0438\u043d\u0435 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u043e\u0439 \u0437\u0430 \u0447\u0435\u0440\u0442\u0435\u0436\u0430\u043c\u0438 \u043d\u043e\u0432\u043e\u0433\u043e \u0437\u0434\u0430\u043d\u0438\u044f \u043e\u043a\u0440\u0443\u0436\u043d\u043e\u0433\u043e \u0441\u0443\u0434\u0430 \u0432 \u041b\u0438\u0431\u0430\u0432\u0435 \u0437\u0430\u0441\u0438\u0434\u0435\u043b\u0441\u044f \u0433\u043e\u0440\u043e\u0434\u0441\u043a\u043e\u0439 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u0440 \u0411\u0435\u0440\u0447\u0438. \u041f\u043e\u0437\u0434\u043d\u0438\u0439 \u0432\u0435\u0447\u0435\u0440 \u043e\u0433\u043b\u0430\u0448\u0430\u0435\u0442\u0441\u044f \u043b\u0438\u0448\u044c \u0442\u0438\u0445\u0438\u043c \u0433\u0443\u043b\u043e\u043c \u0433\u0430\u0437\u043e\u0432\u044b\u0445 \u0440\u043e\u0436\u043a\u043e\u0432 \u0438 \u0448\u043e\u0440\u043e\u0445\u043e\u043c \u043f\u043b\u043e\u0442\u043d\u043e\u0439 \u0431\u0443\u043c\u0430\u0433\u0438. \u0410\u0441\u0441\u0438\u0441\u0442\u0435\u043d\u0442 \u0430\u043a\u043a\u0443\u0440\u0430\u0442\u043d\u043e \u0432\u043d\u043e\u0441\u0438\u0442 \u0432 \u043a\u043e\u043c\u043d\u0430\u0442\u0443 \u0442\u043e\u043b\u044c\u043a\u043e \u0447\u0442\u043e \u0434\u043e\u0441\u0442\u0430\u0432\u043b\u0435\u043d\u043d\u044b\u0439 \u044f\u0449\u0438\u043a \u0438\u0437 \u0413\u0435\u0440\u043c\u0430\u043d\u0438\u0438 \u0438 \u0434\u043e\u0441\u0442\u0430\u0435\u0442 \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u043e\u0439, \u0442\u044f\u0436\u0435\u043b\u044b\u0439 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u0439 \u043d\u0430\u0441\u0442\u0435\u043d\u043d\u044b\u0439 \u0441\u0432\u0435\u0442\u0438\u043b\u044c\u043d\u0438\u043a, \u0432 \u0437\u0430\u0432\u0438\u0442\u043a\u0430\u0445 \u043a\u043e\u0442\u043e\u0440\u043e\u0433\u043e \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u043d\u043e \u043f\u0440\u0435\u043b\u043e\u043c\u043b\u044f\u0435\u0442\u0441\u044f \u043f\u043b\u0430\u043c\u044f \u0441\u0432\u0435\u0447\u0438. \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u0440 \u0431\u0435\u0440\u0435\u0442 \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u044b\u0439 \u043f\u0430\u0442\u0438\u043d\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0439 \u043c\u0435\u0442\u0430\u043b\u043b, \u043f\u0440\u0438\u043a\u043b\u0430\u0434\u044b\u0432\u0430\u0435\u0442 \u0435\u0433\u043e \u043a \u0441\u0442\u0435\u043d\u0435 \u0438 \u0443\u0434\u043e\u0432\u043b\u0435\u0442\u0432\u043e\u0440\u0435\u043d\u043d\u043e \u043a\u0438\u0432\u0430\u0435\u0442 \u2014 \u044d\u0442\u0438 \u0434\u0432\u0443\u0445\u0440\u043e\u0436\u043a\u043e\u0432\u044b\u0435 \u0431\u0440\u0430 \u0441 \u0438\u0445 \u0442\u0435\u043a\u0443\u0447\u0438\u043c\u0438 \u043b\u0438\u043d\u0438\u044f\u043c\u0438 \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0430\u043a\u0430\u043d\u0442\u0430 \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u043e \u0432\u043f\u0438\u0448\u0443\u0442\u0441\u044f \u0432 \u0441\u0442\u0440\u043e\u0433\u0438\u0435 \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u044b\u0435 \u043f\u0430\u043d\u0435\u043b\u0438 \u043f\u0430\u0440\u0430\u0434\u043d\u043e\u0433\u043e \u0437\u0430\u043b\u0430, \u043f\u0440\u0438\u0432\u043d\u043e\u0441\u044f \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u0438\u0439 \u0448\u0438\u043a \u0438 \u043c\u044f\u0433\u043a\u0438\u0439 \u0441\u0432\u0435\u0442 \u0432 \u043d\u043e\u0432\u044b\u0435 \u0432\u0435\u043b\u0438\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0435 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u044b \u0433\u043e\u0440\u043e\u0434\u0430.<\/i><\/p>\n<p data-path-to-node=\"27\">\ud83c\uddec\ud83c\udde7<\/p>\n<h2 data-path-to-node=\"28\">Pair of Antique Bronze Wall Sconces \u2014 Representative Rococo Style Bra Lamps (bronze wall sconces)<\/h2>\n<p data-path-to-node=\"29\">Artistic grace and the ambient warmth of late 19th-century salons converge in this pair of small-sized antique bronze wall sconces (bra lamps). The design of the branches and backplates embodies the fluid elegance of the <i data-path-to-node=\"29\" data-index-in-node=\"221\">Rococo<\/i> revival era \u2014 each fixture realistically cast as sweeping acanthus leaves, organic C-scrolls, and delicate floral components. The twin symmetrical arms on each sconce terminate in fluted bobeches, originally engineered to support historic gas jets or candles. Crafted from a premium, heavy bronze alloy, these fixtures showcase deep relief detailing that captures and reflects light beautifully, creating a dramatic interplay of shadows.<\/p>\n<p data-path-to-node=\"30\">Dating to the final quarter of the 19th century, circa 1880\u20131895, these sconces originate from a period when eclecticism dominated the architecture of prominent Baltic cities. Prominent regional architects and merchants frequently sourced these high-quality bronzes from leading German or French foundries to illuminate representative halls and private townhouses. The principal significance of this pair is their survival as a <b data-path-to-node=\"30\" data-index-in-node=\"428\">matched set<\/b> in structurally unaltered condition. The bronze components display an authentic, noble aged patina with faint traces of original gilding left unpolished. The sconces have been carefully re-wired for modern electrical use and are ready for immediate installation. The condition of the item is fully reflected in the photos.<\/p>\n<p data-path-to-node=\"31\"><b data-path-to-node=\"31\" data-index-in-node=\"0\"><i data-path-to-node=\"31\" data-index-in-node=\"0\">Art Nouveau era snapshot, Architect Max Paul Bertschy (Bertschy):<\/i><\/b> <i data-path-to-node=\"31\" data-index-in-node=\"66\">Inside the drafting room, late into the evening, the chief city architect Bertschy sits over the blueprint sheets for the new Libava courthouse, the silence broken only by the low hiss of gas jets and the scratching of his pencil. His assistant quietly carries in a newly arrived crate from Germany, gently lifting out a compact, heavy bronze wall fixture whose rococo acanthus curls instantly catch the ambient room light. The architect takes the cool, patinated casting in his hands, holding it against the wooden wall paneling, and nods with quiet satisfaction\u2014these twin-arm sconces, with their fluid organic lines and historic gas-burner cups, will provide exactly the right touch of academic elegance and refined light he envisioned for the grand interiors of his city.<\/i><\/p>\n<p data-path-to-node=\"33\">\ud83c\udde9\ud83c\uddea<\/p>\n<h3 data-path-to-node=\"34\">Paar antike Bronze-Wandarme im Rokoko-Stil \u2014 Wandleuchten (bronze wall sconces)<\/h3>\n<p data-path-to-node=\"35\">K\u00fcnstlerische Eleganz und das warme Licht des sp\u00e4ten 19. Jahrhunderts verbinden sich in diesem Paar kleiner Bronze-Wandleuchten (Bras). Die geschwungenen, zweiflammigen Arme und die Wandplatten sind als plastische Akanthusbl\u00e4tter und florale Rocaillen gegossen. Die kannelierten T\u00fcllen wurden urspr\u00fcnglich f\u00fcr historische Gasbeleuchtung oder Kerzen entworfen. Hergestellt aus schwerem Bronzeguss, zeigt die Oberfl\u00e4che ein tiefes Relief mit feinem Licht- und Schattenspiel.<\/p>\n<p data-path-to-node=\"36\">Hergestellt um 1880\u20131895, fallen diese Wandarme in die Bl\u00fctezeit des Historismus in den baltischen Ostseemetropolen. Solche edlen Bronzen wurden oft f\u00fcr repr\u00e4sentative R\u00e4ume und b\u00fcrgerliche Salons verwendet. Der besondere Wert liegt in der Erhaltung als <b data-path-to-node=\"36\" data-index-in-node=\"254\">Paar<\/b> und dem unber\u00fchrten Zustand des Gusses mit edler Alterspatina. Die Leuchten wurden fachgerecht elektrifiziert und sind montagebereit. Der Zustand des Artikels ist auf den Fotos vollst\u00e4ndig wiedergegeben.<\/p>\n<p data-path-to-node=\"37\"><b data-path-to-node=\"37\" data-index-in-node=\"0\"><i data-path-to-node=\"37\" data-index-in-node=\"0\">Historische Epochenaufnahme, Stadtbaumeister Max Paul Bertschy (Bertschy):<\/i><\/b> <i data-path-to-node=\"37\" data-index-in-node=\"75\">In der Werkstatt des Stadtbaumeisters Bertschy herrscht sp\u00e4te Abendstille, nur das leise Zischen der Gasbrenner ist zu h\u00f6ren. Der Architekt korrigiert die letzten Details an den Entw\u00fcrfen f\u00fcr das neue Gerichtsgeb\u00e4ude in Libava, als sein Assistent eine Kiste aus Deutschland hereinbringt. Zum Vorschein kommt ein schwerer Bronze-Wandarm, in dessen Akanthuswindungen sich das Licht bricht. Bertschy nimmt das patinierte Metall in die Hand, h\u00e4lt es an die Wandpaneele und nickt zufrieden \u2014 diese zweiflammigen Leuchten werden genau die akademische Eleganz und das feine Licht in die Prunks\u00e4le bringen, die er f\u00fcr die neuen Bauten seiner Stadt vorgesehen hat.<\/i><\/p>\n<p data-path-to-node=\"39\">\ud83c\uddeb\ud83c\uddf7<\/p>\n<h3 data-path-to-node=\"40\">Paire d&#8217;Appliques Murales Antiques en Bronze \u2014 Style Rococo (bronze wall sconces)<\/h3>\n<p data-path-to-node=\"41\">La gr\u00e2ce artistique et le charme des salons de la fin du XIXe si\u00e8cle se rencontrent dans cette paire de petites appliques murales (<i data-path-to-node=\"41\" data-index-in-node=\"131\">bra<\/i>) en bronze. Le d\u00e9cor de la platine et des bras de lumi\u00e8re d\u00e9cline le vocabulaire du style <i data-path-to-node=\"41\" data-index-in-node=\"225\">Rococo<\/i> : feuilles d&#8217;acanthe mouvement\u00e9es, rinceaux et petits \u00e9l\u00e9ments floraux. Les deux bras sym\u00e9triques se terminent par des binets godronn\u00e9s, con\u00e7us \u00e0 l&#8217;origine pour l&#8217;\u00e9clairage historique au gaz ou \u00e0 la bougie. Fondues dans un bronze lourd de grande qualit\u00e9, ces appliques offrent un relief prononc\u00e9 jouant magnifiquement avec la lumi\u00e8re.<\/p>\n<p data-path-to-node=\"42\">Fabriqu\u00e9es vers 1880\u20131895, ces pi\u00e8ces s&#8217;inscrivent dans l&#8217;\u00e2ge d&#8217;or de l&#8217;\u00e9clectisme architectural des grandes cit\u00e9s baltes. Les architectes de renom les commandaient volontiers pour parer les salons bourgeois de Riga ou Libava. La grande valeur de cet ensemble r\u00e9side dans sa conservation en <b data-path-to-node=\"42\" data-index-in-node=\"291\">paire d&#8217;origine<\/b> et l&#8217;authenticit\u00e9 de sa patine ancienne, pr\u00e9serv\u00e9e de tout polissage agressif. Enti\u00e8rement \u00e9lectrifi\u00e9es, ces appliques sont pr\u00eates \u00e0 \u00eatre install\u00e9es. L&#8217;\u00e9tat de l&#8217;article est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<p data-path-to-node=\"43\"><b data-path-to-node=\"43\" data-index-in-node=\"0\"><i data-path-to-node=\"43\" data-index-in-node=\"0\">Instantan\u00e9 de l&#8217;\u00e9poque, l&#8217;architecte Max Paul Bertschy (Bertschy):<\/i><\/b> <i data-path-to-node=\"43\" data-index-in-node=\"67\">Dans le calme de la nuit, l&#8217;architecte en chef de la ville, Max Paul Bertschy, apporte les derni\u00e8res corrections aux plans du nouveau palais de justice de Libava, au seul son du sifflement des becs de gaz. Son assistant entre discr\u00e8tement, portant une caisse fra\u00eechement arriv\u00e9e d&#8217;Allemagne, et en extrait un petit luminaire en bronze massif dont les volutes de feuilles d&#8217;acanthe accrochent aussit\u00f4t la lumi\u00e8re. L&#8217;architecte prend en main le m\u00e9tal patin\u00e9, le pr\u00e9sente contre la boiserie et hoche la t\u00eate avec approbation : ces appliques \u00e0 deux bras, avec leurs lignes fluides et leurs coupelles de br\u00fbleurs \u00e0 gaz, apporteront exactement l&#8217;\u00e9l\u00e9gance acad\u00e9mique qu&#8217;il souhaitait donner aux int\u00e9rieurs de sa ville.<\/i><\/p>\n<p data-path-to-node=\"45\">\ud83c\udde9\ud83c\uddf0<\/p>\n<h3 data-path-to-node=\"46\">Antikt Par Forgyldte Bronze-V\u00e6glamper \u2014 Rokoko \/ Historisme (bronze wall sconces)<\/h3>\n<p data-path-to-node=\"47\">Naturformernes elegance og historismens fine salonstemning m\u00f8des i dette par sm\u00e5 antikke v\u00e6glamper (bra) i bronze. Lampens arme og v\u00e6gplade er rigt dekoreret med sirligt st\u00f8bte akantusblade og svungne rocailler. De to symmetriske arme p\u00e5 hver lampe ender i riflede lysesk\u00e5le, som oprindeligt blev skabt til historisk gasbelysning eller levende lys. Udf\u00f8rt i tung kvalitetsbronze, der giver et flot spil mellem lys og skygge.<\/p>\n<p data-path-to-node=\"48\">Fremstillet omkring 1880\u20131895, hvor den rige eklektiske stil pr\u00e6gede arkitekturen i de baltiske havnebyer. S\u00e5danne fine bronzelamper blev ofte importeret til udsmykning af r\u00e5dhuse og rige borgerhuse. Den store v\u00e6rdi ligger i, at lamperne er bevaret som et <b data-path-to-node=\"48\" data-index-in-node=\"256\">intakt par<\/b> med en flot m\u00f8rk originalpatina. Lamperne er blevet n\u00e6nsomt elektrificeret og er klar til oph\u00e6ngning. Varens stand er fuldt ud vist p\u00e5 billederne.<\/p>\n<p data-path-to-node=\"49\"><b data-path-to-node=\"49\" data-index-in-node=\"0\"><i data-path-to-node=\"49\" data-index-in-node=\"0\">Historistisk tidsbillede, arkitekt Max Paul Bertschy (Bertschy):<\/i><\/b> <i data-path-to-node=\"49\" data-index-in-node=\"65\">I tegnestuen i Libava hersker en sen aftenstilhed, kun brudt af den svage hvislen fra gasblussene. Stadsarkitekt Bertschy retter de sidste detaljer p\u00e5 tegningerne til den nye retsbygning, da hans assistent b\u00e6rer en tr\u00e6kasse ind, der netop er ankommet fra Tyskland. Op af kassen l\u00f8ftes en lille, tung v\u00e6glampe i bronze, hvis akantusblade straks fanger lyset i rummet. Arkitekten tager det patinerede metal i sine h\u00e6nder, holder det op mod v\u00e6gpanelet og nikker tilfreds \u2014 disse toarmede lamper med deres organiske linjer vil bringe lige netop den akademiske elegance og varme ind i salene, som han har \u00f8nsket for byens nye pragtbygninger.<\/i><\/p>\n<p data-path-to-node=\"51\">\ud83c\uddf8\ud83c\uddea<\/p>\n<h3 data-path-to-node=\"52\">Antikt Par V\u00e4gglampor i Brons \u2014 Rokoko (bronze wall sconces)<\/h3>\n<p data-path-to-node=\"53\">Konstn\u00e4rlig elegans och det sena 1800-talets salongsatmosf\u00e4r m\u00f6ts i detta par sm\u00e5 antika v\u00e4gglampor (bras) i brons. Formgivningen av armarna och v\u00e4ggf\u00e4stet pr\u00e4glas av den franska <i data-path-to-node=\"53\" data-index-in-node=\"179\">rokoko-stilen<\/i> med dess b\u00f6ljande akanthusblad och florala motiv. De tv\u00e5 symmetriska ljusarmarna avslutas med kannelerade manschetter, ursprungligen tillverkade f\u00f6r historisk gasbelysning eller levande ljus. Gjutna i tung brons av h\u00f6g kvalitet som ger ett vackert djup och skuggspel.<\/p>\n<p data-path-to-node=\"54\">Tillverkade omkring 1880\u20131895, en period d\u00e5 den eklektiska stilen blomstrade i de baltiska guvernementens st\u00e4der. Ledande arkitekter best\u00e4llde ofta dessa kvalitetsbronser fr\u00e5n kontinenten f\u00f6r att smycka offentliga byggnader och f\u00f6rn\u00e4ma hem i Riga och Libava. Det unika v\u00e4rdet ligger i att de har bevarats som ett <b data-path-to-node=\"54\" data-index-in-node=\"313\">intakt par<\/b> med sin vackra originalpatina. Lamporna \u00e4r elektrifierade och redo f\u00f6r montering. Varans skick \u00e4r helt reflekterat i bilderna.<\/p>\n<p data-path-to-node=\"55\"><b data-path-to-node=\"55\" data-index-in-node=\"0\"><i data-path-to-node=\"55\" data-index-in-node=\"0\">Historisk tidsbild, arkitekt Max Paul Bertschy (Bertschy):<\/i><\/b> <i data-path-to-node=\"55\" data-index-in-node=\"59\">I ritkontoret r\u00e5der sen kv\u00e4llsstilla, d\u00e4mpad endast av det svaga suset fr\u00e5n gasbr\u00e4nnarna. Stadsarkitekt Bertschy g\u00f6r de sista justeringarna p\u00e5 ritningarna till det nya domstolshuset i Libava n\u00e4r hans assistent b\u00e4r in en tr\u00e4l\u00e5da fr\u00e5n Tyskland. Ur l\u00e5dan lyfts en liten, tung v\u00e4ggarm i brons vars akantusblad genast f\u00e5ngar rummets ljus. Arkitekten tar det patinerade metallstycket i sina h\u00e4nder, h\u00e5ller det mot v\u00e4ggpanelen och nickar n\u00f6jt \u2014 dessa tv\u00e5armade lampor med sina organiska linjer och gasbr\u00e4nnarkoppar kommer att tillf\u00f6ra exakt den akademiska elegans och det varma ljus han velat ge stadens nya praktinteri\u00f6rer.<\/i><\/p>\n<p data-path-to-node=\"57\">\ud83c\uddf3\ud83c\uddf4<\/p>\n<h3 data-path-to-node=\"58\">Antikt Par Vegglamper i Bronse \u2014 Rokokko (bronze wall sconces)<\/h3>\n<p data-path-to-node=\"59\">Naturformenes eleganse og historismens fine salongstemning m\u00f8des i dette par sm\u00e5 antikke vegglamper (bra) i bronse. Lampens armer og veggplate er rikt dekorert med sirlig st\u00f8pte akantusblader og svungne rocailler. De to symmetriske armene p\u00e5 hver lampe ender i riflede lysesk\u00e5ler, som opprinnelig ble skapt til historisk gassbelysning eller levende lys. Utf\u00f8rt i tung kvalitetsbronse som gir et flott spill mellom lys og skygge.<\/p>\n<p data-path-to-node=\"60\">Fremstilt rundt 1880\u20131895, da den rike eklektiske stilen preget arkitekturen i de baltiske havnebyene. Slike fine bronselamper ble ofte importert til utsmykning av r\u00e5dhus og rike borgerhus. Den store verdien ligger i at lampene er bevart som et <b data-path-to-node=\"60\" data-index-in-node=\"245\">intakt par<\/b> med en flott m\u00f8rk originalpatina. Lampene er blitt elektrifisert og er klar til opphengning. Varens stand er fuldt ud vist p\u00e5 billederne.<\/p>\n<p data-path-to-node=\"61\"><b data-path-to-node=\"61\" data-index-in-node=\"0\"><i data-path-to-node=\"61\" data-index-in-node=\"0\">Historistisk tidsbilde, arkitekt Max Paul Bertschy (Bertschy):<\/i><\/b> <i data-path-to-node=\"61\" data-index-in-node=\"63\">I tegnestuen i Libava hersker en sen aftenstilhet, kun brutt av den svake hvisling fra gassblussene. Stadsarkitekt Bertschy retter de siste detaljene p\u00e5 tegningene til den nye rettsbygningen, da hans assistent b\u00e6rer en trekasse inn som nettopp er ankommet fra Tyskland. Opp av kassen l\u00f8ftes en lille, tung vegglampe i bronse, hvis akantusblader straks fanger lyset i rommet. Arkitekten tager det patinerte metall i sine hender, holder det opp mot veggpanelet og nikker tilfreds \u2014 disse toarmede lampene med deres organiske linjer vil bringe like netop den akademiske eleganse og varme inn i salene, som han har \u00f8nsket for byens nye pragtbygninger.<\/i><\/p>\n<p data-path-to-node=\"63\">\ud83c\uddeb\ud83c\uddee<\/p>\n<h3 data-path-to-node=\"64\">Anttiikki Pari Pronssisia Sein\u00e4valaisimia \u2014 Rokoko \/ Bra-lamput (bronze wall sconces)<\/h3>\n<p data-path-to-node=\"65\">Taiteellinen siro muotoilu ja 1800-luvun lopun salonkien hienostunut tunnelma kohtaavat t\u00e4ss\u00e4 pieness\u00e4 pronssisten sein\u00e4valaisimien (bra) parissa. Haarojen ja sein\u00e4laatan muotokieli edustaa <i data-path-to-node=\"65\" data-index-in-node=\"190\">rokoko<\/i>-tyylin upeaa paluuta \u2014 jokainen valaisin on valettu t\u00e4yteen plastisia akantuksenlehti\u00e4 ja herkki\u00e4 kasviornamentteja. Kummankin valaisimen kaksi symmetrist\u00e4 haaraa p\u00e4\u00e4ttyv\u00e4t uritettuihin pes\u00e4kuppeihin, jotka on alun perin suunniteltu historiallista kaasuvalaistusta tai kynttil\u00f6it\u00e4 varten. Valaisimet on valmistettu painavasta pronssiseoksesta, joka luo kauniin syvyyden ja varjojen leikin.<\/p>\n<p data-path-to-node=\"66\">Valmistettu noin 1880\u20131895, jolloin eklektinen arkkitehtuuri kukoisti Baltian kuvernementtien rannikkokaupungeissa. Johtavat arkkitehdit tilasivat n\u00e4it\u00e4 laadukkaita pronssivalaisimia Euroopasta julkisten rakennusten ja varakkaiden porvarien kotien kaunistukseksi. Kohteen suurin arvo piilee siin\u00e4, ett\u00e4 ne ovat s\u00e4ilyneet <b data-path-to-node=\"66\" data-index-in-node=\"321\">alkuper\u00e4isen\u00e4 parina<\/b> ja hienossa kunnossa. Pinta on s\u00e4ilytt\u00e4nyt arvokkaan tumman patinansa ilman mekaanista kiillotusta. Valaisimet on s\u00e4hk\u00f6istetty ja ne ovat valmiina asennettaviksi. Tuotteen kunto n\u00e4kyy t\u00e4ydellisesti valokuvissa.<\/p>\n<p data-path-to-node=\"67\"><b data-path-to-node=\"67\" data-index-in-node=\"0\"><i data-path-to-node=\"67\" data-index-in-node=\"0\">Historismin aikakauden tuokiokuva, arkkitehti Max Paul Ber\u010di (Bertschy):<\/i><\/b> <i data-path-to-node=\"67\" data-index-in-node=\"73\">Libavan uuden alueteatterin ja oikeustalon sisustuksen suunnittelussa vallitsee my\u00f6h\u00e4isillan hiljaisuus, jota rikkoo vain kaasupolttimien vaimea suhina ja paperiarkkien kahina. Kaupunginarkkitehti Ber\u010di viimeistelee lyijykyn\u00e4ll\u00e4 istuntosalin sein\u00e4paneelien piirustuksia, kun h\u00e4nen avustajansa kantaa sis\u00e4\u00e4n Saksasta juuri saapuneen puulaatikon. Laatikosta nostetaan pieni, painava pronssinen sein\u00e4valaisin, jonka rokokoo-tyylisiss\u00e4 akantuksenlehdiss\u00e4 huoneen valo kimmelt\u00e4\u00e4. Arkkitehti ottaa patinoidun metalliesineen k\u00e4siins\u00e4, asettaa sen puupaneelia vasten ja ny\u00f6kk\u00e4\u00e4 tyytyv\u00e4isen\u00e4 \u2014 n\u00e4m\u00e4 kaksihaaraiset bra-lamput tuovat kaasupesill\u00e4\u00e4n juuri sen akateemisen eleganssin ja valon pehmeyden, jonka h\u00e4n halusi kaupunkinsa uusiin arvokiinteist\u00f6ihin dynaamisesti lahjoittaa.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Izsmalcin\u0101ts p\u0101ris (2 gab.) maza izm\u0113ra ant\u012bku bronzas sienas lampu (bra) izteiksm\u012bg\u0101 rokoko stil\u0101. Katrai lampai ir divi vij\u012bgi \u017euburi, kas veidoti k\u0101 plastiski akanta lapu un flor\u0101lu mot\u012bvu kokgriezumu\/l\u0113jumu vijumi. S\u0101kotn\u0113ji kalpoju\u0161as k\u0101 g\u0101zes vai sve\u010du lampas, v\u0113l\u0101k prasm\u012bgi elektrific\u0113tas.<\/p>\n","protected":false},"featured_media":47094,"template":"","meta":[],"product_brand":[],"product_cat":[3068,208,204],"product_tag":[1105,1108,892,1110,1106,1109,1053,1112,1054,1111,456,1107],"class_list":["post-47093","product","type-product","status-publish","has-post-thumbnail","product_cat-bra-lampas","product_cat-lampas","product_cat-visas-lietas","product_tag-antikas-sienas-lampas","product_tag-berci-arhitektura","product_tag-bronzas-bra","product_tag-bronze-wall-sconces","product_tag-divzuburu-lampas","product_tag-gazes-apgaismojums","product_tag-libava","product_tag-pauls-marks-berci","product_tag-riga","product_tag-rococo-sconces","product_tag-rokoko-stils","product_tag-vesturisks-interjers","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/47093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/47094"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=47093"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=47093"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=47093"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=47093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}