{"id":47020,"date":"2026-05-28T09:27:38","date_gmt":"2026-05-28T06:27:38","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=47020"},"modified":"2026-09-08T11:30:25","modified_gmt":"2026-09-08T08:30:25","slug":"antique-silver-plated-salver-tray-6612","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/antique-silver-plated-salver-tray-6612\/","title":{"rendered":"Ant\u012bka apsudrabota papl\u0101te uz k\u0101ji\u0146\u0101m ar grav\u0113jumu \u2014 Viktorijas laikmeta stils (antique silver plated salver tray) (6612)"},"content":{"rendered":"<div class=\"container\">\n<div id=\"model-response-message-contentr_c75eb164f544a634\" class=\"markdown markdown-main-panel enable-luminous-fast-follows enable-updated-hr-color\" dir=\"ltr\" aria-busy=\"false\" aria-live=\"off\">\n<p data-path-to-node=\"8\">\ud83c\uddf1\ud83c\uddfb <b data-path-to-node=\"8\" data-index-in-node=\"5\">LATVIE\u0160U VALODAS BLOKS<\/b><\/p>\n<p data-path-to-node=\"9\">Izm\u0113ri: Augstums \u2014 5 cm Diametrs \u2014 31,5 cm<\/p>\n<p data-path-to-node=\"10\"><b data-path-to-node=\"10\" data-index-in-node=\"0\">Izsmalcin\u0101ta ant\u012bka apsudrabota papl\u0101te-stat\u012bvs ar bag\u0101t\u012bgu grav\u0113jumu<\/b><\/p>\n<p data-path-to-node=\"11\">Ekskluz\u012bvs un m\u0101kslinieciski augstv\u0113rt\u012bgs 19. gadsimta otr\u0101s puses galda kult\u016bras priek\u0161mets \u2014 apa\u013ca serv\u0113jam\u0101 vai prezent\u0101cijas papl\u0101te (<i data-path-to-node=\"11\" data-index-in-node=\"138\">salver<\/i> jeb <i data-path-to-node=\"11\" data-index-in-node=\"149\">salver-tray<\/i>) uz \u010detr\u0101m k\u0101ji\u0146\u0101m (<i data-path-to-node=\"11\" data-index-in-node=\"181\">antique silver-plated salver<\/i>). Papl\u0101tes neso\u0161\u0101 plakne ir piln\u012bb\u0101 nokl\u0101ta ar izcilu, ar roku izstr\u0101d\u0101tu grav\u0113jumu sist\u0113mu, kur\u0101 domin\u0113 smalki akanta lapu vijumi, flor\u0101lie mot\u012bvi un klasisk\u0101s bu\u0137e\u0161u kompoz\u012bcijas Viktorijas laikmeta est\u0113tik\u0101. Centr\u0101 iestr\u0101d\u0101ts gluds, neaizpild\u012bts vai heraldiska tipa vairoga medaljons, kas paredz\u0113ts dzimtas monogrammas vai inici\u0101\u013cu iegrav\u0113\u0161anai. Papl\u0101tes pacelto apmali rot\u0101 izteiksm\u012bgs un mas\u012bvs lietas bronzas vai baltmet\u0101la r\u0101mis, kas kl\u0101ts ar detaliz\u0113tu, reljefu v\u012bnogul\u0101ju zaru, lapu un ogu \u0137ekaru mot\u012bvu joslu. Visa konstrukcija ir uzst\u0101d\u012bta uz \u010detr\u0101m barok\u0101li izliekt\u0101m, liet\u0101m k\u0101ji\u0146\u0101m, kas dekor\u0113tas ar akanta lapu vol\u016bt\u0101m un pasarg\u0101 galda virsmas no saskares ar pamatni.<\/p>\n<p data-path-to-node=\"12\"><b data-path-to-node=\"12\" data-index-in-node=\"0\">Izgatavo\u0161anas periods<\/b> 19. gadsimta otr\u0101 puse, aptuveni 1870.\u20131890. gads. Viktorijas laikmets, Lielbrit\u0101nija vai Francija.<\/p>\n<p data-path-to-node=\"13\"><b data-path-to-node=\"13\" data-index-in-node=\"0\">Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> Papl\u0101tes apak\u0161pus\u0113 ir iestr\u0101d\u0101ti ori\u0123in\u0101li ra\u017eot\u0101ja spiedogi un sudraba p\u0101rkl\u0101juma kvalit\u0101tes proves mar\u0137\u0113jumi (<i data-path-to-node=\"13\" data-index-in-node=\"141\">hallmarks<\/i>), kas rakstur\u012bgi lab\u0101kaj\u0101m Anglijas (piem\u0113ram, \u0160ef\u012bldas vai Birmingemas) vai Francijas sudrablietu darbn\u012bc\u0101m. Z\u012bmogi liecina par augst\u0101ko <i data-path-to-node=\"13\" data-index-in-node=\"289\">Silver Plate<\/i> (galvanisk\u0101 apsudrabojuma) izpild\u012bjuma klasi.<\/p>\n<p data-path-to-node=\"14\"><b data-path-to-node=\"14\" data-index-in-node=\"0\">Retums un noz\u012bme<\/b> \u0160\u0101da m\u0113roga maz\u0101s, dekorat\u012bv\u0101s k\u0101ju papl\u0101tes, kur glud\u0101 un pul\u0113t\u0101 virsma kalpo par fonu tik bl\u012bvam un plastiskam reljefa l\u0113jumam, ir \u013coti piepras\u012btas kolekcion\u0101ru vid\u016b. At\u0161\u0137ir\u012bb\u0101 no vienk\u0101r\u0161\u0101m sadz\u012bves papl\u0101t\u0113m, \u0161is priek\u0161mets reprezent\u0113 augst\u0101k\u0101s sabiedr\u012bbas pusdienu un t\u0113jas pasnieg\u0161anas ritu\u0101lus, kur katram galda piederumam bija j\u0101nes maksim\u0101la m\u0101ksliniecisk\u0101 v\u0113rt\u012bba un vizu\u0101lais svars.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Pielietojums<\/b> Papl\u0101te ir piln\u012bb\u0101 funkcion\u0101la un izmantojama gan k\u0101 ekskluz\u012bvs serv\u0113jamais trauks dz\u0113rienu, kafijas vai t\u0113jas pasnieg\u0161anai, gan k\u0101 grezna pamatne jeb postaments uz konsoles, bufetes vai kam\u012bna dzegas. Uz t\u0101s var izvietot ant\u012bku krist\u0101la karafi, sudraba sve\u010dturus vai izsmalcin\u0101tas porcel\u0101na tas\u012btes, acumirkl\u012b pie\u0161\u0137irot telpai aristokr\u0101tisku akcentu.<\/p>\n<p data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">St\u0101voklis<\/b> Lielisk\u0101 ant\u012bk\u0101 saglab\u0101t\u012bb\u0101. Met\u0101la konstrukcija ir piln\u012bgi taisna, k\u0101ji\u0146as ir stabilas un stingras. Ori\u0123in\u0101lais, biezais sudraba p\u0101rkl\u0101jums ir lieliski saglab\u0101jies ar augstu pul\u0113juma mirdzumu. Uz met\u0101la virsmas, it \u012bpa\u0161i reljefa padzi\u013cin\u0101jumos un apak\u0161pus\u0113, ir redzama dabiski izveidojusies, kr\u0101\u0161\u0146a un nevienm\u0113r\u012bga v\u0113sturisk\u0101 pat\u012bna, kas apliecina lietas autentiskumu un pie\u0161\u0137ir tai pat\u012bkamu kontrastu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"17\">Luija XVI stila momentuz\u0146\u0113mums: Portretiste <i data-path-to-node=\"17\" data-index-in-node=\"44\">Vi\u017e\u0113-Lebr\u0113na (\u00c9lisabeth Vig\u00e9e Le Brun)<\/i> ar vieglu rokas kust\u012bbu nolika tikko izmazg\u0101t\u0101s otas uz apa\u013c\u0101, spo\u017e\u0101 palikt\u0146a sava Par\u012bzes salona st\u016br\u012b. Rudens r\u012bta saule, kas lauz\u0101s cauri smalkajiem aizkariem, izgaismoja apsudrabot\u0101s virsmas dzelten\u012bgo mirdzumu un dzi\u013cos v\u012bnogul\u0101ju mot\u012bvu reljefus, kas apvija malu. V\u0113s\u0101 un glud\u0101 met\u0101la pamatne zem vi\u0146as pirkstiem glab\u0101ja t\u012bru, lakonisku mieru, kontrast\u0113jot ar \u010detr\u0101m lietaj\u0101m k\u0101ji\u0146\u0101m, kas stingri balst\u012bj\u0101s pret tum\u0161o koka galdi\u0146u. Klusa kalpones so\u013cu ska\u0146a aiz durv\u012bm un porcel\u0101na trauku \u0161\u0137indo\u0146a piepild\u012bja telpu, p\u0101rv\u0113r\u0161ot parastu mirkli pirms k\u0101rt\u0113j\u0101 mar\u0137\u012bzes portreta glezno\u0161anas nemirst\u012bg\u0101 un aristokr\u0101tisk\u0101 ritu\u0101l\u0101.<\/p>\n<p data-path-to-node=\"19\">\ud83c\uddf7\ud83c\uddfa \u0420\u0423\u0421\u0421\u041a\u0418\u0419 \u0411\u041b\u041e\u041a<\/p>\n<p data-path-to-node=\"20\">\u0412\u044b\u0441\u043e\u0442\u0430 \u2014 5 \u0441\u043c \u0414\u0438\u0430\u043c\u0435\u0442\u0440 \u2014 31,5 \u0441\u043c<\/p>\n<h3 data-path-to-node=\"21\"><b data-path-to-node=\"21\" data-index-in-node=\"0\">\u0410\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u043f\u043e\u0441\u0435\u0440\u0435\u0431\u0440\u0435\u043d\u043d\u044b\u0439 \u043f\u043e\u0434\u043d\u043e\u0441 \u043d\u0430 \u043d\u043e\u0436\u043a\u0430\u0445 \u0441 \u0433\u0440\u0430\u0432\u0438\u0440\u043e\u0432\u043a\u043e\u0439 \u2014 \u0412\u0438\u043a\u0442\u043e\u0440\u0438\u0430\u043d\u0441\u043a\u0438\u0439 \u0441\u0442\u0438\u043b\u044c<\/b><\/h3>\n<p data-path-to-node=\"22\">\u0418\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u043e\u0435 \u0438 \u0432\u044b\u0441\u043e\u043a\u043e\u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0435 \u043a\u0440\u0443\u0433\u043b\u043e\u0435 \u0441\u0435\u0440\u0432\u0438\u0440\u043e\u0432\u043e\u0447\u043d\u043e\u0435 \u043f\u043b\u0430\u0442\u043e (\u043f\u043e\u0434\u043d\u043e\u0441-\u0441\u0430\u043b\u0432\u0435\u0440) \u043d\u0430 \u043d\u043e\u0436\u043a\u0430\u0445, \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u043e\u0435 \u0432\u043e \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0435 19 \u0432\u0435\u043a\u0430 \u0432 \u043b\u0443\u0447\u0448\u0438\u0445 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044f\u0445 <b data-path-to-node=\"22\" data-index-in-node=\"147\">\u0412\u0438\u043a\u0442\u043e\u0440\u0438\u0430\u043d\u0441\u043a\u043e\u0439 \u044d\u043f\u043e\u0445\u0438<\/b> (<i data-path-to-node=\"22\" data-index-in-node=\"168\">antique silver-plated salver tray<\/i>). \u0412\u0441\u044f \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u0430\u044f \u0437\u0435\u0440\u043a\u0430\u043b\u044c\u043d\u0430\u044f \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u044c \u043f\u043e\u0434\u043d\u043e\u0441\u0430 \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u0430 \u0442\u043e\u043d\u0447\u0430\u0439\u0448\u0435\u0439 \u0440\u0443\u0447\u043d\u043e\u0439 \u0433\u0440\u0430\u0432\u0438\u0440\u043e\u0432\u043a\u043e\u0439 \u0441 \u043c\u043e\u0442\u0438\u0432\u0430\u043c\u0438 \u0430\u043a\u0430\u043d\u0442\u043e\u0432\u044b\u0445 \u043b\u0438\u0441\u0442\u044c\u0435\u0432, \u0446\u0432\u0435\u0442\u043e\u0447\u043d\u044b\u0445 \u0437\u0430\u0432\u0438\u0442\u043a\u043e\u0432 \u0438 \u0433\u0438\u0440\u043b\u044f\u043d\u0434, \u0432 \u0446\u0435\u043d\u0442\u0440\u0435 \u043a\u043e\u0442\u043e\u0440\u044b\u0445 \u0440\u0430\u0441\u043f\u043e\u043b\u043e\u0436\u0435\u043d \u0447\u0438\u0441\u0442\u044b\u0439 \u0444\u0438\u0433\u0443\u0440\u043d\u044b\u0439 \u0449\u0438\u0442 \u0434\u043b\u044f \u043d\u0430\u043d\u0435\u0441\u0435\u043d\u0438\u044f \u0441\u0435\u043c\u0435\u0439\u043d\u043e\u0433\u043e \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u043c\u043c\u044b. \u041f\u043e\u0434\u043d\u044f\u0442\u044b\u0439 \u0431\u043e\u0440\u0442 \u0438\u0437\u0434\u0435\u043b\u0438\u044f \u043e\u0444\u043e\u0440\u043c\u043b\u0435\u043d \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u044b\u043c, \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u044b\u043c \u043b\u0438\u0442\u044b\u043c \u0440\u0435\u043b\u044c\u0435\u0444\u043e\u043c \u0432 \u0432\u0438\u0434\u0435 \u0432\u0438\u043d\u043e\u0433\u0440\u0430\u0434\u043d\u043e\u0439 \u043b\u043e\u0437\u044b, \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0438 \u0441\u043f\u0435\u043b\u044b\u0445 \u0433\u0440\u043e\u0437\u0434\u0435\u0439, \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u044b\u043c \u0441 \u044e\u0432\u0435\u043b\u0438\u0440\u043d\u043e\u0439 \u043f\u043b\u0430\u0441\u0442\u0438\u043a\u043e\u0439. \u041a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u044f \u0441\u0442\u043e\u043b\u0430 \u043e\u043f\u0438\u0440\u0430\u0435\u0442\u0441\u044f \u043d\u0430 \u0447\u0435\u0442\u044b\u0440\u0435 \u0444\u0438\u0433\u0443\u0440\u043d\u044b\u0435 \u043b\u0438\u0442\u044b\u0435 \u043d\u043e\u0436\u043a\u0438 \u0441 \u0432\u043e\u043b\u044e\u0442\u0430\u043c\u0438, \u043f\u0440\u0438\u043f\u043e\u0434\u043d\u0438\u043c\u0430\u044e\u0449\u0438\u0435 \u043f\u043e\u0434\u043d\u043e\u0441 \u043d\u0430\u0434 \u0441\u0442\u043e\u043b\u0435\u0448\u043d\u0438\u0446\u0435\u0439 \u0438 \u0437\u0430\u0449\u0438\u0449\u0430\u044e\u0449\u0438\u0435 \u043c\u0435\u0431\u0435\u043b\u044c \u043e\u0442 \u0446\u0430\u0440\u0430\u043f\u0438\u043d. \u041d\u0430 \u043e\u0431\u043e\u0440\u043e\u0442\u043d\u043e\u0439 \u0441\u0442\u043e\u0440\u043e\u043d\u0435 \u0441\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u044b \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0435 \u043c\u0430\u043d\u0443\u0444\u0430\u043a\u0442\u0443\u0440\u043d\u044b\u0435 \u043a\u043b\u0435\u0439\u043c\u0430 \u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0430 \u043f\u043e\u0441\u0435\u0440\u0435\u0431\u0440\u0435\u043d\u0438\u044f. \u041f\u043e\u0434\u043d\u043e\u0441 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u043e\u043c \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438, \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u0430\u044f \u0442\u0435\u043c\u043d\u0430\u044f \u043f\u0430\u0442\u0438\u043d\u0430 \u0432 \u0443\u0433\u043b\u0443\u0431\u043b\u0435\u043d\u0438\u044f\u0445 \u0440\u0435\u043b\u044c\u0435\u0444\u0430 \u043f\u043e\u0434\u0447\u0435\u0440\u043a\u0438\u0432\u0430\u0435\u0442 \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u043e\u0441\u0442\u044c \u0438 \u0441\u043e\u043b\u0438\u0434\u043d\u044b\u0439 \u0432\u043e\u0437\u0440\u0430\u0441\u0442 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"23\">\u0421\u043d\u0438\u043c\u043e\u043a \u0432 \u0441\u0442\u0438\u043b\u0435 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI: \u041f\u043e\u0440\u0442\u0440\u0435\u0442\u0438\u0441\u0442\u043a\u0430 <i data-path-to-node=\"23\" data-index-in-node=\"42\">\u00c9lisabeth Vig\u00e9e Le Brun (\u00c9lisabeth Vig\u00e9e Le Brun)<\/i> \u043b\u0435\u0433\u043a\u0438\u043c \u0434\u0432\u0438\u0436\u0435\u043d\u0438\u0435\u043c \u0440\u0443\u043a\u0438 \u043f\u043e\u043b\u043e\u0436\u0438\u043b\u0430 \u0442\u043e\u043b\u044c\u043a\u043e \u0447\u0442\u043e \u0432\u044b\u043c\u044b\u0442\u044b\u0435 \u043a\u0438\u0441\u0442\u0438 \u043d\u0430 \u043a\u0440\u0443\u0433\u043b\u043e\u0435, \u0431\u043b\u0435\u0441\u0442\u044f\u0449\u0435\u0435 \u043f\u043b\u0430\u0442\u043e \u0432 \u0443\u0433\u043b\u0443 \u0441\u0432\u043e\u0435\u0433\u043e \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u043e\u0433\u043e \u0441\u0430\u043b\u043e\u043d\u0430. \u041e\u0441\u0435\u043d\u043d\u0435\u0435 \u0443\u0442\u0440\u0435\u043d\u043d\u0435\u0435 \u0441\u043e\u043b\u043d\u0446\u0435, \u043f\u0440\u043e\u0431\u0438\u0432\u0430\u0432\u0448\u0435\u0435\u0441\u044f \u0441\u043a\u0432\u043e\u0437\u044c \u0442\u043e\u043d\u043a\u0438\u0435 \u0448\u0442\u043e\u0440\u044b, \u043e\u0441\u0432\u0435\u0449\u0430\u043b\u043e \u043f\u043e\u0441\u0435\u0440\u0435\u0431\u0440\u0435\u043d\u043d\u0443\u044e \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u044c \u0438 \u0433\u043b\u0443\u0431\u043e\u043a\u0438\u0435 \u0440\u0435\u043b\u044c\u0435\u0444\u044b \u0432\u0438\u043d\u043e\u0433\u0440\u0430\u0434\u043d\u044b\u0445 \u043c\u043e\u0442\u0438\u0432\u043e\u0432, \u043e\u0431\u0432\u0438\u0432\u0430\u0432\u0448\u0438\u0445 \u043a\u0440\u0430\u0439. \u041f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u0430\u044f \u0438 \u0433\u043b\u0430\u0434\u043a\u0430\u044f \u043c\u0435\u0442\u0430\u043b\u043b\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u043e\u0441\u043d\u043e\u0432\u0430 \u043f\u043e\u0434 \u0435\u0435 \u043f\u0430\u043b\u044c\u0446\u0430\u043c\u0438 \u0445\u0440\u0430\u043d\u0438\u043b\u0430 \u0447\u0438\u0441\u0442\u044b\u0439, \u043b\u0430\u043a\u043e\u043d\u0438\u0447\u043d\u044b\u0439 \u043f\u043e\u043a\u043e\u0439, \u043a\u043e\u043d\u0442\u0440\u0430\u0441\u0442\u0438\u0440\u0443\u044f \u0441 \u0447\u0435\u0442\u044b\u0440\u044c\u043c\u044f \u043b\u0438\u0442\u044b\u043c\u0438 \u043d\u043e\u0436\u043a\u0430\u043c\u0438, \u043f\u0440\u043e\u0447\u043d\u043e \u043e\u043f\u0438\u0440\u0430\u0432\u0448\u0438\u043c\u0438\u0441\u044f \u043d\u0430 \u0442\u0435\u043c\u043d\u044b\u0439 \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u044b\u0439 \u0441\u0442\u043e\u043b\u0438\u043a. \u0422\u0438\u0445\u0438\u0439 \u0437\u0432\u0443\u043a \u0448\u0430\u0433\u043e\u0432 \u0441\u043b\u0443\u0436\u0430\u043d\u043a\u0438 \u0437\u0430 \u0434\u0432\u0435\u0440\u044c\u044e \u0438 \u0437\u0432\u043e\u043d \u0444\u0430\u0440\u0444\u043e\u0440\u043e\u0432\u043e\u0439 \u043f\u043e\u0441\u0443\u0434\u044b \u043d\u0430\u043f\u043e\u043b\u043d\u044f\u043b\u0438 \u043a\u043e\u043c\u043d\u0430\u0442\u0443 \u043f\u0435\u0440\u0435\u0434 \u043d\u0430\u0447\u0430\u043b\u043e\u043c \u0440\u0430\u0431\u043e\u0442\u044b \u043d\u0430\u0434 \u043f\u043e\u0440\u0442\u0440\u0435\u0442\u043e\u043c \u043c\u0430\u0440\u043a\u0438\u0437\u044b, \u043f\u0440\u0435\u0432\u0440\u0430\u0449\u0430\u044f \u043e\u0431\u044b\u0434\u0435\u043d\u043d\u044b\u0439 \u0436\u0435\u0441\u0442 \u0432 \u0431\u0435\u0441\u0441\u043c\u0435\u0440\u0442\u043d\u044b\u0439 \u0438 \u0430\u0440\u0438\u0441\u0442\u043e\u043a\u0440\u0430\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0440\u0438\u0442\u0443\u0430\u043b.<\/p>\n<p data-path-to-node=\"25\">\ud83c\uddec\ud83c\udde7 ENGLISH BLOCK<\/p>\n<p data-path-to-node=\"26\">Height \u2014 5 cm Diameter \u2014 31.5 cm<\/p>\n<h2 data-path-to-node=\"27\"><b data-path-to-node=\"27\" data-index-in-node=\"0\">Antiquarian Silver-Plated Salver Tray with Vine Relief Rim \u2014 Victorian Style<\/b><\/h2>\n<p data-path-to-node=\"28\">This exceptional late 19th-century English serving salver is a definitive statement of period domestic luxury, featuring an extensively engraved surface on four low-profile support feet (<i data-path-to-node=\"28\" data-index-in-node=\"187\">antique silver-plated salver tray<\/i>). The heavy base plate is masterfully decorated across its entire interior with fine, hand-chased scrolling acanthus foliate and floral swags, flanking a central vacant cartouche meant for a family crest or monogram. The raised border is enveloped by an intensely detailed, high-relief cast metal rim realistically depicting intertwined grapevines, leaves, and hanging grape clusters. The entire configuration rests securely upon four heavily sculpted baroque-style feet detailed with scrolling acanthus volutes to protect underlying polished furniture surfaces. Bearing authentic stamped manufacturer hallmarks and silver-plate verification marks on the reverse, this elegant display tray serves as an impressive focal point for a formal sideboard or dining table, capturing the high-society aesthetic of the late <b data-path-to-node=\"28\" data-index-in-node=\"1036\">Victorian<\/b> era. The physical condition is excellent. The condition of the item is fully reflected in the photographs.<\/p>\n<p data-path-to-node=\"29\">Louis XVI Style snapshot: The portraitist <i data-path-to-node=\"29\" data-index-in-node=\"42\">\u00c9lisabeth Vig\u00e9e Le Brun (\u00c9lisabeth Vig\u00e9e Le Brun)<\/i> with a light movement of her hand placed her freshly washed brushes upon the round, shimmering tray in the corner of her Parisian salon. The autumn morning sun, breaking through the delicate curtains, illuminated the silvered surface and the deep reliefs of vine motifs that wrapped around the rim. The cool, smooth metal base beneath her fingers held a pure, laconic peace, contrasting with the four cast feet that rested firmly against the dark wooden side table. The quiet sound of a maid&#8217;s steps behind the door and the clinking of porcelain dishes filled the room before painting the marquise&#8217;s portrait, instantly transforming an ordinary moment into an immortal and noble ritual.<\/p>\n<p data-path-to-node=\"31\">\ud83c\udde9\ud83c\uddea GERMAN BLOCK<\/p>\n<p data-path-to-node=\"32\">H\u00f6he \u2014 5 cm Durchmesser \u2014 31,5 cm<\/p>\n<h3 data-path-to-node=\"33\"><b data-path-to-node=\"33\" data-index-in-node=\"0\">Antike versilberte Prunkplatte auf F\u00fc\u00dfchen mit Ziseliervorlage \u2014 im Viktorianischen Stil<\/b><\/h3>\n<p data-path-to-node=\"34\">Diese exquisite runde Servierplatte, im gehobenen europ\u00e4ischen Kunsthandwerk als \u201eSalver\u201c oder \u201ePresentation Tray\u201c bekannt, besticht durch ihre noble Materialit\u00e4t und Detailtiefe (<i data-path-to-node=\"34\" data-index-in-node=\"180\">antique silver-plated salver tray<\/i>). Die gesamte Spiegelfl\u00e4che ist mit feinsten, von Hand gestochenen Gravuren aus Akanthusvoluten, Blattranken und floralen Bouquets verziert, die eine freie Wappenkartusche in der Mitte einrahmen. Der erh\u00f6hte Rand wird von einer plastisch gegossenen Reling umschlossen, die ein plastisches Weinlaubmotiv mit detailreichen Trauben und Bl\u00e4ttern zeigt. Getragen wird die schwere Platte von vier barock geschwungenen F\u00fc\u00dfchen mit Akanthusblatt-Voluten. Auf der Unterseite befinden sich die originalen Manufaktur-Punzen der Silberschmiede, die f\u00fcr die hohe Qualit\u00e4t der Versilberung b\u00fcrgen. Dieses elegante Schaust\u00fcck der <b data-path-to-node=\"34\" data-index-in-node=\"829\">Viktorianischen<\/b> Epoche befindet sich in einem hervorragenden Erhaltungszustand mit herrlicher Originalversilberung und reizvollen dunklen Oxydationsspuren im Relief. Der Zustand des Gegenstands ist vollst\u00e4ndig auf den Bildern wiedergegeben.<\/p>\n<p data-path-to-node=\"35\">Momentaufnahme der Louis-XVI-Zeit: Die Portr\u00e4tistin <i data-path-to-node=\"35\" data-index-in-node=\"52\">\u00c9lisabeth Vig\u00e9e Le Brun (\u00c9lisabeth Vig\u00e9e Le Brun)<\/i> legte mit einer leichten Handbewegung ihre frisch gewaschenen Pinsel auf die runde, schimmernde Platte in der Ecke ihres Pariser Salons. Die herbstliche Morgensonne, die durch die zarten Vorh\u00e4nge brach, erhellte die versilberte Oberfl\u00e4che und die tiefen Reliefs der Weinlaubmotive, die den Rand umgaben. Die k\u00fchle, glatte Metallbasis unter ihren Fingern bewahrte eine reine, lakonische Ruhe und kontrastierte mit den vier gegossenen F\u00fc\u00dfen, die fest auf dem dunklen Holztischchen ruhten. Das leise Ger\u00e4usch der Schritte des Dienstm\u00e4dchens hinter der T\u00fcr und das Klirren von Porzellangeschirr erf\u00fcllten den Raum vor dem Malen des Portr\u00e4ts der Marquise und verwandelten eine allt\u00e4gliche Geste augenblicklich in ein unsterbliches und edles Ritual.<\/p>\n<p data-path-to-node=\"37\">\ud83c\uddeb\ud83c\uddf7 FRENCH BLOCK<\/p>\n<p data-path-to-node=\"38\">Hauteur \u2014 5 cm Diam\u00e8tre \u2014 31,5 cm<\/p>\n<h3 data-path-to-node=\"39\"><b data-path-to-node=\"39\" data-index-in-node=\"0\">Plateau de pr\u00e9sentation ancien en m\u00e9tal argent\u00e9 \u00e0 pieds \u2014 de style Victorien<\/b><\/h3>\n<p data-path-to-node=\"40\">Pr\u00e9cieux et \u00e9l\u00e9gant plateau de service circulaire \u00e0 pieds, dit &#8220;salver&#8221;, de la seconde moiti\u00e9 du XIXe si\u00e8cle, illustrant le grand raffinement de l&#8217;orf\u00e8vrerie de table (<i data-path-to-node=\"40\" data-index-in-node=\"168\">antique silver-plated salver tray<\/i>). La table centrale pr\u00e9sente un magnifique d\u00e9cor enti\u00e8rement grav\u00e9 au burin de rinceaux d&#8217;acanthe, de volutes et de guirlandes fleuries, centr\u00e9 d&#8217;un \u00e9cusson vierge destin\u00e9 \u00e0 accueillir des armoiries ou un chiffre. Le marli sur\u00e9lev\u00e9 est somm\u00e9 d&#8217;une importante bordure fondue en fort relief figurant une treille de vigne avec ses feuilles et ses grappes de raisins. L&#8217;ensemble s&#8217;\u00e9l\u00e8ve sur quatre petits pieds mouvement\u00e9s \u00e0 enroulements d&#8217;acanthe, \u00e9vitant tout contact avec les meubles. Le revers arbore des poin\u00e7ons de garantie d&#8217;argenture d&#8217;origine d&#8217;une belle nettet\u00e9. Ce t\u00e9moin de la haute culture de table de l&#8217;\u00e9poque <b data-path-to-node=\"40\" data-index-in-node=\"822\">victorienne<\/b> est dans un \u00e9tat de conservation exceptionnel, la dorure et l&#8217;argenture ayant conserv\u00e9 un tr\u00e8s bel \u00e9clat. L&#8217;\u00e9tat de l&#8217;objet est pleinement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<p data-path-to-node=\"41\">Instantan\u00e9 de la p\u00e9riode Louis XVI : La portraitiste <i data-path-to-node=\"41\" data-index-in-node=\"53\">\u00c9lisabeth Vig\u00e9e Le Brun (\u00c9lisabeth Vig\u00e9e Le Brun)<\/i> posa d&#8217;un geste l\u00e9ger ses pinceaux fra\u00eechement lav\u00e9s sur le plateau rond et miroitant dans un coin de son salon parisien. Le soleil d&#8217;un matin d&#8217;automne, per\u00e7ant \u00e0 travers les rideaux d\u00e9licats, illuminait la surface argent\u00e9e et les reliefs profonds de motifs de vigne qui enserraient le bord. La base m\u00e9tallique fra\u00eeche et lisse sous ses doigts rec\u00e9lait une paix pure et laconique, contrastant avec les quatre pieds fondus qui reposaient fermement sur la table basse en bois sombre. Le bruit discret des pas de la servante derri\u00e8re la porte et le tintement de la vaisselle en porcelaine emplissaient la pi\u00e8ce avant de commencer le portrait de la marquise, transformant instantan\u00e9ment un geste banal en un rituel immortel et noble.<\/p>\n<p data-path-to-node=\"43\">\ud83c\udde9\ud83c\uddf0 DANISH BLOCK<\/p>\n<p data-path-to-node=\"44\">H\u00f8jde \u2014 5 cm Diameter \u2014 31,5 cm<\/p>\n<h3 data-path-to-node=\"45\"><b data-path-to-node=\"45\" data-index-in-node=\"0\">Antik s\u00f8lvpletteret serveringsbakke p\u00e5 f\u00f8dder med gravering \u2014 i victoriansk stil<\/b><\/h3>\n<p data-path-to-node=\"46\">Denne sj\u00e6ldne og us\u00e6dvanligt smukke runde serveringsbakke (pr\u00e6sentationsfad eller &#8220;salver&#8221;) p\u00e5 fire f\u00f8dder er et pragtfuldt eksempel p\u00e5 engelsk s\u00f8lvpletarbejde (<i data-path-to-node=\"46\" data-index-in-node=\"161\">antique silver-plated salver tray<\/i>). Hele bakkens indvendige flade er d\u00e6kket af en fantastisk, fint udf\u00f8rt h\u00e5ndgravering med akantusblade, blomsterranker og guirlander, der omkranser en blank v\u00e5benskjoldskartouche i midten. Den forh\u00f8jede kant er omsluttet af en kraftig, formst\u00f8bt reliefrand, der forestiller en detaljeret vinranke med blade og vindrueklaser. Bakken hviler p\u00e5 fire barokt svungne, st\u00f8bte f\u00f8dder med akantusvolutter, som beskytter bordpladen. P\u00e5 undersiden ses de originale s\u00f8lvpletstempler, der garanterer den h\u00f8je h\u00e5ndv\u00e6rksm\u00e6ssige kvalitet i denne <b data-path-to-node=\"46\" data-index-in-node=\"726\">victorianske<\/b> epoke. Fremst\u00e5r i us\u00e6dvanlig flot antik stand med en smuk, dyb glans og charmerende m\u00f8rke iltningstoner i reliefdetaljerne. Genstandens tilstand er fuldt ud gengivet p\u00e5 fotografierne.<\/p>\n<p data-path-to-node=\"47\">\u00d8jebliksbillede fra Louis XVI-tiden: Portr\u00e6tmaleren <i data-path-to-node=\"47\" data-index-in-node=\"52\">\u00c9lisabeth Vig\u00e9e Le Brun (\u00c9lisabeth Vig\u00e9e Le Brun)<\/i> lagde med en let h\u00e5ndbev\u00e6gelse sine nyvaskede pensler p\u00e5 det runde, glitrende fad i hj\u00f8rnet af sin parisiske salon. Efter\u00e5rets morgensol, der br\u00f8d igennem de fine gardiner, oplyste den s\u00f8lvbelagte overflade og de dybe relieffer af vinrankemotiver, som omgav kanten. Den k\u00f8lige, glatte metalbund under hendes fingre gemte p\u00e5 en ren, lakonisk ro og kontrastede med de fire st\u00f8bte f\u00f8dder, der stod fast p\u00e5 det m\u00f8rke tr\u00e6bord. Den stille lyd af tjenestepigens skridt bag d\u00f8ren og klirren fra porcel\u00e6nst\u00f8j fyldte rummet f\u00f8r malingen af markisens portr\u00e6t og forvandlede \u00f8jeblikkeligt en hverdagsagtig gestus til et ud\u00f8deligt og \u00e6delt ritual.<\/p>\n<p data-path-to-node=\"49\">\ud83c\uddf8\ud83c\uddea SWEDISH BLOCK<\/p>\n<p data-path-to-node=\"50\">H\u00f6jd \u2014 5 cm Diameter \u2014 31,5 cm<\/p>\n<h3 data-path-to-node=\"51\"><b data-path-to-node=\"51\" data-index-in-node=\"0\">Antik f\u00f6rsilvrad serveringsbricka p\u00e5 f\u00f6tter med gravyr \u2014 i viktoriansk stil<\/b><\/h3>\n<p data-path-to-node=\"52\">En utomordentligt konstn\u00e4rlig och elegant rund serveringsbricka (presentationsbricka eller &#8220;salver&#8221;) p\u00e5 fyra f\u00f6tter, tillverkad i h\u00f6gklassigt engelskt nysilver (<i data-path-to-node=\"52\" data-index-in-node=\"161\">antique silver-plated salver tray<\/i>). Hela brickans spegelyta \u00e4r t\u00e4ckt av en fantastiskt fin, handgjord gravyr med akantusvoluter, blomslingor och girlanger som omger en tom vapensk\u00f6ld i mitten. Den upph\u00f6jda kanten omsluts av en kraftig, formst\u00f6tt reliefb\u00e5rd som f\u00f6rest\u00e4ller en detaljrik vinranka med blad och mogna vindruvsklasar. Brickan vilar p\u00e5 fyra barockt sv\u00e4ngda, gjutna f\u00f6tter med akantusvoluter f\u00f6r att skydda underlaget. P\u00e5 undersidan finns de ursprungliga silverst\u00e4mplarna som garanterar den gedigna hantverkskvaliteten fr\u00e5n den <b data-path-to-node=\"52\" data-index-in-node=\"699\">viktorianska<\/b> epoken. Mycket v\u00e4lbevarat antikskick med en djup originalglans och dekorativa m\u00f6rka oxideringar i reliefen. F\u00f6rem\u00e5lets skick \u00e5terges fullst\u00e4ndigt p\u00e5 fotografierna.<\/p>\n<p data-path-to-node=\"53\">\u00d6gonblicksbild fr\u00e5n Louis XVI-tiden: Portr\u00e4ttm\u00e5laren <i data-path-to-node=\"53\" data-index-in-node=\"53\">\u00c9lisabeth Vig\u00e9e Le Brun (\u00c9lisabeth Vig\u00e9e Le Brun)<\/i> lade med en l\u00e4tt handr\u00f6relse sina nytv\u00e4ttade penslar p\u00e5 den runda, skimrande brickan i h\u00f6rnet av sin parisiska salong. H\u00f6stmoronens sol, som br\u00f6t igenom de tunna gardinerna, lyste upp den f\u00f6rsilvrade ytan och de djupa relieferna av vinrankemotiv som oms\u00f6t kanten. Den svala, sl\u00e4ta metallbasen under hennes fingrar bar p\u00e5 en ren, lakonisk ro och kontrasterade med de fyra gjutna f\u00f6tterna som stod stadigt p\u00e5 det m\u00f6rka tr\u00e4bordet. Det tysta ljudet av tj\u00e4nsteflickans steg bakom d\u00f6rren och klirret fr\u00e5n porslinet fyllde rummet innan arbetet med markisinnans portr\u00e4tt p\u00e5b\u00f6rjades, vilket omedelbart f\u00f6rvandlade en vardaglig gest till en od\u00f6dlig och \u00e4del ritual.<\/p>\n<p data-path-to-node=\"55\">\ud83c\uddf3\ud83c\uddf4 NORWEGIAN BLOCK<\/p>\n<p data-path-to-node=\"56\">H\u00f8yde \u2014 5 cm Diameter \u2014 31,5 cm<\/p>\n<h3 data-path-to-node=\"57\"><b data-path-to-node=\"57\" data-index-in-node=\"0\">Antikk s\u00f8lvplett-serveringsbrett p\u00e5 f\u00f8tter med gravering \u2014 i viktoriansk stil<\/b><\/h3>\n<p data-path-to-node=\"58\">Dette er et usedvanlig vakkert og kunstnerisk rundt serveringsbrett (prestasjonsbrett eller &#8220;salver&#8221;) p\u00e5 fire f\u00f8tter, utf\u00f8rt i f\u00f8rsteklasses engelsk s\u00f8lvplett (<i data-path-to-node=\"58\" data-index-in-node=\"160\">antique silver-plated salver tray<\/i>). Hele brettets speilflate er dekket av et fantastisk, detaljert h\u00e5ndgravert arbeid med akantusblader, blomsterslynger og guirlander, som omkranser en blank v\u00e5penskjoldskartusj i midten. Den opph\u00f8yde kanten er omsluttet av en kraftig, st\u00f8pt relieffkant som viser en naturtro vinranke med blader og vindrueklaser. Brettet hviler p\u00e5 fire barokt svungne, st\u00f8pte f\u00f8tter med akantusvolutter, som l\u00f8fter brettet sk\u00e5nsomt fra bordflaten. P\u00e5 undersiden ses de originale stemplene som garanterer den h\u00f8ye h\u00e5ndverksmessige kvaliteten fra den <b data-path-to-node=\"58\" data-index-in-node=\"726\">viktorianske<\/b> perioden. Fremst\u00e5r i utmerket antikk stand med en dyp originalglans og vakre m\u00f8rke oksideringer i reliefdetaljene. Gjenstandens tilstand er fullstendig gjengitt p\u00e5 fotografiene.<\/p>\n<p data-path-to-node=\"59\">\u00d8yeblikksbilde fra Louis XVI-tiden: Portrettmaleren <i data-path-to-node=\"59\" data-index-in-node=\"52\">\u00c9lisabeth Vig\u00e9e Le Brun (\u00c9lisabeth Vig\u00e9e Le Brun)<\/i> la med en lett h\u00e5ndbevegelse sine nyvaskede pensler p\u00e5 det runde, glitrende brettet i hj\u00f8rnet av sin parisiske salong. H\u00f8stmorgensolen, som br\u00f8t gjennom de fine gardinene, opplyste den s\u00f8lvbelagte overflaten og de dype relieffene av vinrankemotiver som omgav kanten. Den kj\u00f8lige, glatte metallbunnen under hennes fingre gjemte p\u00e5 en ren, lakonisk ro og kontrasterte med de fire st\u00f8pte f\u00f8ttene som stod fast p\u00e5 det m\u00f8rke trebordet. Den stille lyden av tjenestepikens skritt bak d\u00f8ren og klirringen fra porselenst\u00f8y fylte rommet f\u00f8r malingen av markisens portrett, og forvandlet \u00f8yeblikkelig en hverdagsaktig gest til et ud\u00f8delig og edelt ritual.<\/p>\n<p data-path-to-node=\"61\">\ud83c\uddeb\ud83c\uddee FINNISH BLOCK<\/p>\n<p data-path-to-node=\"62\">Korkeus \u2014 5 cm Halkaisija \u2014 31,5 cm<\/p>\n<h3 data-path-to-node=\"63\"><b data-path-to-node=\"63\" data-index-in-node=\"0\">Antiikkinen hopeoitu tarjoiluvati jaloilla ja kaiverruksilla \u2014 viktoriaanista tyyli\u00e4<\/b><\/h3>\n<p data-path-to-node=\"64\">Eritt\u00e4in taiteellinen ja hienostunut py\u00f6re\u00e4 tarjoiluvati jaloilla (esittelyvati eli &#8220;salver&#8221;), joka edustaa perinteist\u00e4 englantilaista nysilm\u00e4ty\u00f6t\u00e4 parhaimmillaan (<i data-path-to-node=\"64\" data-index-in-node=\"164\">antique silver-plated salver tray<\/i>). Vadin koko peilipinta on peitetty eritt\u00e4in kauniilla, k\u00e4sity\u00f6n\u00e4 tehdyll\u00e4 kaiverruksella, jossa kiert\u00e4v\u00e4t akantuksenlehdet, kukkak\u00f6ynn\u00f6kset ja -kiehkurat tyhj\u00e4n vaakunakilven ymp\u00e4rill\u00e4. Korotettua reunaa ymp\u00e4r\u00f6i paksu, valettu kohokuvioinen reunus, joka esitt\u00e4\u00e4 yksityiskohtaista viinik\u00f6ynn\u00f6st\u00e4 lehtineen ja ryp\u00e4leineen. Vati lep\u00e4\u00e4 nelj\u00e4ll\u00e4 barokkityylisesti kaartuvalla valetulla jalalla, joissa on akantuskierteet huonekalujen pintojen suojaamiseksi. Alapinnassa on s\u00e4ilynyt alkuper\u00e4iset valmistajan leimat, jotka takaavat t\u00e4m\u00e4n <b data-path-to-node=\"64\" data-index-in-node=\"730\">viktoriaanisen<\/b> aikakauden esineen korkean laadun. Vati on eritt\u00e4in hienossa kunnossa, ja sen hopeointi kiilt\u00e4\u00e4 kauniisti saaden syvyytt\u00e4 kohokuvioiden tummasta patinasta. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n<p data-path-to-node=\"65\">Ludvig XVI -tyylin tunnelma: Muotokuvamaalari <i data-path-to-node=\"65\" data-index-in-node=\"46\">\u00c9lisabeth Vig\u00e9e Le Brun (\u00c9lisabeth Vig\u00e9e Le Brun)<\/i> laski kevyell\u00e4 k\u00e4denliikkeell\u00e4 juuri pestyt siveltimens\u00e4 py\u00f6re\u00e4lle, hohtavalle vadille pariisilaisen salonkinsa nurkassa. Syysaamun aurinko, joka siivil\u00f6ityi ohuiden verhojen l\u00e4pi, valaisi hopeoitua pintaa ja reunaa kiert\u00e4vi\u00e4 viinik\u00f6ynn\u00f6ksen syvi\u00e4 kohokuvioita. Viile\u00e4, sile\u00e4 metallialusta h\u00e4nen sormiensa alla s\u00e4ilytti levollisen rauhan, asettuen vastakkain nelj\u00e4n valetun jalan kanssa, jotka tukeutuivat vankasti tummaan puup\u00f6yt\u00e4\u00e4n. Palvelijattaren askelten hiljainen \u00e4\u00e4ni oven takana ja posliiniastioiden kilin\u00e4 t\u00e4yttiv\u00e4t huoneen ennen markiisittaren muotokuvan aloittamista, muuttaen arkisen eleen silm\u00e4nr\u00e4p\u00e4yksess\u00e4 kuolemattomaksi ja ylev\u00e4ksi rituaaliksi.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Izsmalcin\u0101ta 19. gadsimta beigu apa\u013ca vai nedaudz ov\u0101la serv\u0113jam\u0101 papl\u0101te jeb sal\u012bdzino\u0161i liels paliktnis (antique silver plated salver tray) ar kr\u0101\u0161\u0146u, reljefu v\u012bnogul\u0101ju zaru apmali un filigr\u0101ni grav\u0113tiem dabas mot\u012bviem ap centr\u0101lo monogrammas vairogu uz \u010detr\u0101m liet\u0101m k\u0101ji\u0146\u0101m.<\/p>\n","protected":false},"featured_media":47021,"template":"","meta":[],"product_brand":[],"product_cat":[256,211,204],"product_tag":[],"class_list":["post-47020","product","type-product","status-publish","has-post-thumbnail","product_cat-paplates","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/47020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/47021"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=47020"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=47020"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=47020"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=47020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}