﻿{"id":45863,"date":"2026-05-15T18:19:08","date_gmt":"2026-05-15T15:19:08","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=45863"},"modified":"2026-09-08T10:48:16","modified_gmt":"2026-09-08T07:48:16","slug":"6617","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/6617\/","title":{"rendered":"Apa\u013c\u0161 Salona Galds ar Maigi Roz\u0101 Marmoru uz Zelt\u012bta Pedesta \u2014 Neobaroks, It\u0101lija\/Francija, 19.gs. (6617)"},"content":{"rendered":"<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udcd0 <strong>IZM\u0112RI<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Virsmas diametrs 87,5 cm \u00d7 augstums 73 cm. \u013boti smags \u2014 marmora pl\u0101ksne nostiprin\u0101ta ar met\u0101la le\u0146\u0137u \u010detrst\u016bra konstrukciju.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<h3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"><strong>Apa\u013c\u0161 Salona Galds ar Maigi Roz\u0101 Marmora Virsmu uz Zelt\u012bta Koka Pedesta \u2014 Neobaroks \/ Historicisms, It\u0101lija vai Francija, ap 1860.\u20131890.<\/strong><\/h3>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\udfdb\ufe0f <strong>IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u0160is galds pieder <strong>Belle \u00c9poque<\/strong> laikmeta reprezentat\u012bv\u0101kajam \u017eanram \u2014 centr\u0101lajam salona galdam, <em>table de milieu<\/em>, kas bija gan praktisks virsmas elements, gan skaidra viesistabas hierarhijas z\u012bme. Kur\u0101 telpas vid\u016b tas atrodas, t\u0101 ir pati svar\u012bg\u0101k\u0101 telpa. Ap \u0161o galdi notiek saruna, limon\u0101des pasnieg\u0161ana, v\u0113stu\u013cu las\u012b\u0161ana bals\u012b \u2014 viss, kas veido <strong>Belle \u00c9poque<\/strong> soci\u0101l\u0101s dz\u012bves kodolu.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Galda <strong>Neobaroka<\/strong> k\u0101jas ar <em>akantus<\/em> lapu <em>volute<\/em> spir\u0101l\u0113m, daudzpak\u0101pju <em>balustrade<\/em> tipa stabs ar olu un enkura (<em>ove e dardo<\/em>) mot\u012bvu un \u010detr\u0101m izliegt\u0101m k\u0101ju zariem, kas beidzas rull\u012b\u0161veida <em>scroll<\/em> k\u0101j\u0101s \u2014 tas viss liecina par <strong>It\u0101lijas<\/strong> vai dienvidu <strong>Francijas<\/strong> augst\u0101k\u0101s klases galdniec\u012bbu, kur <strong>Historicisms<\/strong> mij\u0101s ar stipru baroka mantojumu un rad\u012bja \u0161o teatr\u0101li varen\u0101 pedesta formu.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Belle \u00c9poque<\/strong> \u2014 &#8220;Skaistais Laikmets&#8221; no 1871. l\u012bdz 1914. gadam \u2014 bija periods, kad \u0161\u0101di galdi st\u0101v\u0113ja Mil\u0101nas palazzo salonos, N\u012bcas viesn\u012bcu gaiten\u012b un Par\u012bzes bur\u017eu\u0101zijas dz\u012bvok\u013cu viesistab\u0101s. Tie\u0161i 1880. gad\u0101 it\u0101\u013cu komponists D\u017euzepe Verdi pabeidza <em>Otello<\/em> \u2014 un Mil\u0101nas <em>La Scala<\/em> lo\u017eas bija izrot\u0101tas ar tie\u0161i \u0161\u0101da veida m\u0113bel\u0113m: roz\u0101 marmors, zelts, damasts. \u0160is galds ir no t\u0101 pa\u0161a laika pasaules.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u269c\ufe0f <strong>RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Redzam\u0101 ra\u017eot\u0101ja z\u012bmoga nav. Galda k\u0101jas izpilde \u2014 dzi\u013ci cirsts <em>akantus<\/em> raksts ar prec\u012bziem <em>volute<\/em> loc\u012bjumiem, daudzpak\u0101pju staba profils ar <em>ove e dardo<\/em> joslu, zelt\u012b\u0161anas tehnika ar dabisk\u0101 zelta patinu \u2014 nor\u0101da uz kvalific\u0113tu <strong>It\u0101lijas vai Francijas dienvidu<\/strong> galdniec\u012bbas darbn\u012bcu, kas specializ\u0113j\u0101s Neobaroka un <strong>Historicisma<\/strong> reprezentat\u012bvaj\u0101s m\u0113bel\u0113s. Roz\u0101 marmora <em>plateau<\/em> ar pel\u0113kza\u013c\u0101m dz\u012bsl\u0101m atbilst <em>Rosa Portogallo<\/em> vai <em>Breccia Aurora<\/em> tipam \u2014 Portug\u0101les vai It\u0101lijas karjeru akmenim, ko Par\u012bzes un Mil\u0101nas galdnieki akt\u012bvi izmantoja 1860.\u20131890. gados.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Marmora nostiprin\u0101\u0161anas sist\u0113ma \u2014 met\u0101la le\u0146\u0137u \u010detrst\u016bra konstrukcija ar iedob\u0113m \u2014 ir augsti kvalific\u0113ta tehniska risin\u0101juma paz\u012bme, kas rakstur\u012bga profesion\u0101l\u0101m darbn\u012bc\u0101m, nevis serijas ra\u017eot\u0101jiem.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udc8e <strong>RETUMS UN NOZ\u012aME<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Centr\u0101lie salona galdi ar ori\u0123in\u0101lo marmora virsmu, zelt\u012btu Neobaroka pedesta konstrukciju un funkcion\u0101lu nostiprin\u0101\u0161anas sist\u0113mu ir viens no antikv\u0101ru tirgus mekl\u0113t\u0101kajiem \u017eanriem \u2014 bet ar\u012b viens no visbie\u017e\u0101k atdal\u012btajiem: marmors un k\u0101jas bie\u017ei vien non\u0101k pie da\u017e\u0101diem pirc\u0113jiem. \u0160is galds saglab\u0101jis vienotu komplektu. Roz\u0101 marmors ar pel\u0113kza\u013cu dz\u012bslu rakstu ir vizu\u0101li izcili dekorat\u012bvs un fotogr\u0101fij\u0101s izskat\u0101s dramatiski \u2014 tas ir papildu v\u0113rt\u012bba kolekcion\u0101riem un interjera dizaineriem.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udd6f\ufe0f <strong>PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Galds funkcion\u0113 k\u0101 telpu dominante \u2014 tas prasa telpu ap sevi un to attaisno. Ide\u0101ls k\u0101 centr\u0101lais galds klasisk\u0101 vai eklektisk\u0101 viesistab\u0101, liela kabineta centr\u0101, boutique viesn\u012bcas lobby vai galerij\u0101. Fotogr\u0101fij\u0101s roz\u0101 marmors ar zeltu rada gandr\u012bz neredzami smalku kr\u0101su harmoniju \u2014 tie\u0161i t\u0101p\u0113c \u0161\u0101di galdi bie\u017ei par\u0101d\u0101s <em>editorial<\/em> uz\u0146\u0113mumos un luksusa pre\u010du kampa\u0146\u0101s. Baltu ro\u017eu pu\u0161\u0137is uz t\u0101 \u2014 k\u0101 r\u0101da pa\u0161a galda fotogr\u0101fij\u0101s \u2014 ir pietiekami sp\u0113c\u012bgs vizu\u0101ls st\u0101sts.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\udf81 <strong>D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u0160is galds ir reprezentat\u012bva d\u0101vana augst\u0101kaj\u0101 l\u012bmen\u012b \u2014 piem\u0113rots k\u0101 korporat\u012bvs vai diplom\u0101tisks d\u0101vin\u0101jums jebkurai iest\u0101dei, kas v\u0113rt\u0113 Eiropas kult\u016brv\u0113sturisko mantojumu. K\u0101 person\u012bga d\u0101vana \u2014 ide\u0101ls m\u0101jas vai dz\u012bvok\u013ca iek\u0101rto\u0161anas entuziastiem ar izteiktu gaumi klasiskajam Eiropas interjerim.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udd0d <strong>ST\u0100VOKLIS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Laba antikv\u0101ra st\u0101vok\u013ca. Zelt\u012b\u0161ana ar vecuma nolietojuma p\u0113d\u0101m \u2014 viet\u0101m redzami tum\u0161\u0101ki to\u0146i un zeltojuma zudums, kas papildina autenticit\u0101ti un liecina par ori\u0123in\u0101lu 19. gadsimta izpild\u012bjumu. K\u0101jas un pedests bez struktur\u0101liem boj\u0101jumiem \u2014 galds stabils. Marmora virsma bez l\u016bzumiem vai dzi\u013ciem skr\u0101p\u0113jumiem; nelielas dabisk\u0101s dz\u012bslojuma vari\u0101cijas ir akmens dabisk\u0101s strukt\u016bras da\u013ca, nevis boj\u0101jums. Nostiprin\u0101\u0161anas konstrukcija funkcion\u0101la \u2014 marmors nekustas. <strong>Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\uddec\ud83c\udde7 <strong>DESCRIPTION IN ENGLISH<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udcd0 <strong>DIMENSIONS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Top diameter 87.5 cm \u00d7 height 73 cm. Very heavy \u2014 the marble slab is secured by a metal angle-iron square frame with recesses that prevent movement.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<h3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"><strong>Round Salon Table with Pink Marble Top on Gilded Wood Pedestal \u2014 Neo-Baroque \/ Historicism, Italy or France, circa 1860\u20131890.<\/strong><\/h3>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\udfdb\ufe0f <strong>PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">This table belongs to the most representative genre of <strong>Belle \u00c9poque<\/strong> furniture \u2014 the central salon table, <em>table de milieu<\/em>, which served simultaneously as a practical surface and a clear statement of the room&#8217;s hierarchy. Wherever it stands in the centre of a space, that is the most important room. Around this table conversation took place, lemonade was served, letters were read aloud \u2014 everything that formed the social core of <strong>Belle \u00c9poque<\/strong> life.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The table&#8217;s <strong>Neo-Baroque<\/strong> legs, with their <em>acanthus<\/em> leaf <em>volute<\/em> spirals, multi-tiered <em>balustrade<\/em>-type shaft with <em>ove e dardo<\/em> moulding, and four sweeping leg branches ending in scroll feet \u2014 all point to <strong>Italian<\/strong> or southern <strong>French<\/strong> high-grade cabinetmaking, where <strong>Historicism<\/strong> combined with a strong Baroque inheritance to produce this theatrically magnificent pedestal form.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Belle \u00c9poque<\/strong> \u2014 the &#8220;Beautiful Era&#8221; from 1871 to 1914 \u2014 was the period when such tables stood in the salons of Milanese <em>palazzi<\/em>, in the lounges of Nice hotels, and in the drawing rooms of Parisian bourgeois apartments. In precisely 1880, Giuseppe Verdi completed <em>Otello<\/em> \u2014 and the loges of Milan&#8217;s <em>La Scala<\/em> were furnished with exactly these materials: pink marble, gold, damask. This table belongs to that same world.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u269c\ufe0f <strong>MAKER AND PROVENANCE<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">No maker&#8217;s mark is visible. The execution of the pedestal \u2014 deeply carved <em>acanthus<\/em> ornament with precise <em>volute<\/em> scrollwork, the multi-tiered shaft with <em>ove e dardo<\/em> banding, the gilding technique with natural gold patina \u2014 points to a skilled <strong>Italian or southern French<\/strong> workshop specialising in Neo-Baroque and <strong>Historicist<\/strong> representational furniture. The pink marble <em>plateau<\/em> with grey-green veining corresponds to <em>Rosa Portogallo<\/em> or <em>Breccia Aurora<\/em> type \u2014 stone from Portuguese or Italian quarries widely used by Parisian and Milanese cabinetmakers between 1860 and 1890.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The marble securing system \u2014 a metal angle-iron frame with recesses \u2014 is a mark of high-quality professional craftsmanship, not serial production.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udc8e <strong>RARITY AND SIGNIFICANCE<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Central salon tables with original marble tops, gilded Neo-Baroque pedestal bases, and functional securing systems are among the most sought-after pieces in the antique trade \u2014 and also among those most frequently separated: marble tops and bases often find different buyers. This table preserves its complete unified ensemble. The pink marble with grey-green veining is visually exceptional and photographs dramatically \u2014 an additional asset for collectors and interior designers.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udd6f\ufe0f <strong>USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The table functions as a room&#8217;s dominant piece \u2014 it demands space around itself and justifies it. Ideal as a central table in a classical or eclectic drawing room, at the centre of a large study, in a boutique hotel lobby, or in a gallery. In photographs, the pink marble with gold creates an almost imperceptibly refined colour harmony \u2014 which is precisely why such tables frequently appear in <em>editorial<\/em> shoots and luxury goods campaigns. A bouquet of white roses upon it \u2014 as the table&#8217;s own photographs demonstrate \u2014 is a complete visual story in itself.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\udf81 <strong>AS A GIFT<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">This table represents a distinguished gift at the highest level \u2014 suitable as a corporate or diplomatic present for any institution that values European cultural heritage. As a personal gift \u2014 ideal for home decoration enthusiasts with a defined taste for classical European interiors.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udd0d <strong>CONDITION<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Good antique condition. The gilding shows natural age wear \u2014 darker tones and gilding losses in places, which enhance authenticity and confirm 19th-century original execution. Legs and pedestal without structural damage \u2014 the table is stable. Marble top without cracks or deep scratches; minor natural variations in the veining pattern are part of the stone&#8217;s inherent structure, not damage. The securing construction is functional \u2014 the marble does not shift. <strong>The condition of the piece is fully documented in the photographs.<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"p1\">\n","protected":false},"excerpt":{"rendered":"<p>Apa\u013c\u0161 salona galds ar roz\u0101\/b\u0113\u0161as marmora virsmu un zelt\u012bta koka Neobaroka pedesta ar akantus lapu volute k\u0101j\u0101m. Historicisms, It\u0101lija vai Francija, ap 1860.\u20131890. Diametrs 87,5 cm \u00d7 augstums 73 cm. \u013boti smags. Marmors nostiprin\u0101ts ar met\u0101la konstrukciju.<\/p>\n","protected":false},"featured_media":45864,"template":"","meta":[],"product_brand":[],"product_cat":[241,213,207,204],"product_tag":[],"class_list":["post-45863","product","type-product","status-publish","has-post-thumbnail","product_cat-edamgaldi","product_cat-galdi-mebeles","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/45863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/45864"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=45863"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=45863"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=45863"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=45863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}