\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n Augstums 69cm, platums ~41.5cm.<\/p>\n Svars \u2014 iev\u0113rojams, mas\u012bva terakota.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n \u0160\u012b fig\u016bra pieder tam \u012bpa\u0161ajam Eiropas t\u0113lniec\u012bbas periodam, kad Historicisma idealiz\u0113tais skat\u012bjums uz pag\u0101tni \u2014 jo \u012bpa\u0161i uz 18. gadsimta f\u00eate champ\u00eatre<\/em> un pastor\u0101l\u0101s ainas, ko Fragon\u0101rs un Bouchers iecien\u012bja Versa\u013cas galm\u0101 \u2014 v\u0113l tur\u0113ja firmu rok\u0101s Eiropas bur\u017eu\u0101ziskos salonos, bet Art Nouveau organisk\u0101 jutekl\u012bba jau ien\u0101ca t\u0113rpa krok\u0101s, rokas plastik\u0101 un sejas izteiksmes smalkum\u0101. Fig\u016bra att\u0113lo jaunu sievieti tautast\u0113rp\u0101 \u2014 ar platmali, korseti un pl\u016bsto\u0161u sv\u0101rku \u2014 kas sper soli uz priek\u0161u, vien\u0101 rok\u0101 turot grozu, bet otru roku izstiepusi ar neizteiktu, gandr\u012bz po\u0113tisku \u017eestu. \u0160\u012b ir genre sculpture<\/em> \u2014 \u017eanra t\u0113lniec\u012bba, kas 19. gadsimta otraj\u0101 pus\u0113 k\u013cuva par iecien\u012btu bur\u017eu\u0101zisk\u0101 interjera rot\u0101jumu vis\u0101 Eirop\u0101, no Par\u012bzes saloniem l\u012bdz V\u012bnes un Pr\u0101gas namiem.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n Uz pamatnes redzami vair\u0101ki svar\u012bgi mar\u0137\u0113jumi: uzraksts “REPRODUCTION R\u00c9SERV\u00c9E”<\/strong> (franciski \u2014 “reproduc\u0113\u0161ana aizliegta”) liecina, ka fig\u016bra bija aizsarg\u0101ta ar ra\u017eot\u0101ja autorties\u012bb\u0101m \u2014 prakse, kas Francij\u0101 un Austrij\u0101-Ung\u0101rij\u0101 k\u013cuva izplat\u012bta p\u0113c 1880. gada, kad m\u0101kslas tirgus aizsardz\u012bbas likumi nostiprin\u0101j\u0101s. Mode\u013ca numurs 3489<\/strong> nor\u0101da uz lielas manufakt\u016bras s\u0113rijveida kataloga produkciju. Izm\u0113ra apz\u012bm\u0113jums “XXX”<\/strong> ir tipisks Austroung\u0101rijas vai fran\u010du manufakt\u016bru lieluma kategorijas mar\u0137\u0113jums. Reljefa kartu\u0161s ar fig\u016bri\u0146u pamatn\u0113 ir visticam\u0101k manufakt\u016bras embl\u0113ma \u2014 \u0161\u0101ds mar\u0137\u0113jums ir rakstur\u012bgs V\u012bnes Goldscheider<\/em> manufakt\u016brai vai Francijas Soci\u00e9t\u00e9 Anonyme<\/em> tipa keramikas uz\u0146\u0113mumiem. Friedrich Goldscheider<\/em> manufakt\u016bra, dibin\u0101ta V\u012bn\u0113 1885. gad\u0101, specializ\u0113j\u0101s tie\u0161i \u0161\u0101da tipa polihrom\u0101s terakotas fig\u016br\u0101s ar detaliz\u0113tu tekst\u016bru un natur\u0101listisku kr\u0101sojumu \u2014 un eksport\u0113ja savus izstr\u0101d\u0101jumus uz visu Eiropu, tostarp Par\u012bzes un Londones m\u0101kslas tirgus.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n Liela izm\u0113ra terakotas \u017eanra fig\u016bras ar saglab\u0101tu ra\u017eot\u0101ja mar\u0137\u0113jumu, mode\u013ca numuru un autorties\u012bbu uzrakstu ir iev\u0113rojami ret\u0101ks atradums nek\u0101 nemar\u0137\u0113tas skulpt\u016bras. \u0160\u012bs fig\u016bras izm\u0113rs \u2014 virs 50 cm \u2014 autom\u0101tiski pie\u0161\u0137ir tai liel\u0101ku kolekcion\u0101ru v\u0113rt\u012bbu, jo maz\u0101kie izm\u0113ri bija ra\u017eoti daudz liel\u0101k\u0101 apjom\u0101. Polihromais kr\u0101sojums \u2014 ar at\u0161\u0137ir\u012bgu toni korsetes, sv\u0101rku un \u0101das zon\u0101s \u2014 ir augstv\u0113rt\u012bgas apdares paz\u012bme. Groza deta\u013cas precizit\u0101te (sav\u012bts malas apmale, pinuma strukt\u016bra) liecina par prasm\u012bga t\u0113lnieka rokas darbu ori\u0123in\u0101lmodel\u012b. \u0160\u012b fig\u016bra ir tikusi kl\u0101t diviem pasaules kariem un vesels gadsimts v\u0113stures vi\u0146ai ir tikai pie\u0161\u0137\u012bris dzi\u013cumu.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n Fig\u016bra ir dominante \u2014 t\u0101 nevar atrasties st\u016br\u012b. T\u0101 prasa savu vietu: uz konsoles, kam\u012bnplaukta, bibliot\u0113kas skapja aug\u0161da\u013cas vai atsevi\u0161\u0137a pjedest\u0101la. Klasiskos un eklektiskos interjeros t\u0101 funkcion\u0113 k\u0101 skulptur\u0101ls pazi\u0146ojums par saimnieka gaumi. Modernos interjeros \u2014 k\u0101 apzin\u0101ts kontrasts: terakotas silt\u0101 zelta-okera to\u0146u gamma lieliski atsaucas uz misi\u0146a, zelta un tum\u0161\u0101 koka elementiem. Fotogr\u0101fiem \u0161\u012b fig\u016bra ir sapnis \u2014 vi\u0146as sejas le\u0146\u0137is, noliekties uz leju, rada t\u0113laini bag\u0101tu “lieguma” momentu, ko objekt\u012bvs \u013coti m\u012bl.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n Fig\u016bra ir lab\u0101 ant\u012bk\u0101 st\u0101vokl\u012b, \u0146emot v\u0113r\u0101 t\u0101s vecumu. Terakotas masa bez l\u016bzumiem vai b\u016btiskiem boj\u0101jumiem. Polihromais kr\u0101sojums ar dabisku novecojumu \u2014 vietumis kr\u0101sa ir ieguvusi dzi\u013cumu un patinu, kas tikai pastiprina vizu\u0101lo efektu. Uz pamatnes redzamas nelielas apka\u013c\u0137ojuma p\u0113das. Z\u012bmogi un mode\u013ca numurs skaidri salas\u0101mi. Groza deta\u013cas veselas. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n DESCRIPTION IN <\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n Height 69cm, width ~41.5cm. Weight \u2014 considerable, solid terracotta.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f PERIOD, ART STYLE, HISTORICAL CONTEXT<\/strong><\/p>\n This figure belongs to that singular period in European sculpture when the Historicist idealisation of the past \u2014 above all the 18th-century f\u00eate champ\u00eatre<\/em> and pastoral scenes beloved by Fragonard and Boucher in the Versailles court \u2014 still held firm in the bourgeois salons of Europe, while the organic sensuality of Art Nouveau was already entering through the folds of the dress, the plasticity of the hand, and the refinement of the facial expression. The figure depicts a young woman in folk dress \u2014 broad-brimmed hat, corset, and flowing skirt \u2014 stepping forward, one hand carrying a basket and the other extended in an indeterminate, almost poetic gesture. This is genre sculpture<\/em> \u2014 a category that became a coveted bourgeois interior ornament across Europe in the second half of the 19th century, from the salons of Paris to the drawing rooms of Vienna and Prague.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n Several important markings are visible on the base: the inscription “REPRODUCTION R\u00c9SERV\u00c9E”<\/strong> (for “reproduction reserved \/ prohibited”) indicates that the figure was protected by the manufacturer’s copyright \u2014 a practice that became widespread in France and Austria-Hungary after 1880, as art market protection laws were consolidated. The model number 3489<\/strong> points to the catalogue production of a large manufactory. The size designation “XXX”<\/strong> is a typical size-category marking used by Austro-Hungarian or manufacturers. The relief cartouche with a figure on the base is most likely a manufactory emblem \u2014 such marking is characteristic of the Viennese Goldscheider<\/em> manufactory or Soci\u00e9t\u00e9 Anonyme<\/em>-type ceramic enterprises. The Friedrich Goldscheider<\/em> manufactory, founded in Vienna in 1885, specialised in precisely this type of polychrome terracotta figure with detailed texture and naturalistic colouring, exporting its products throughout Europe including the Paris and London art markets.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n Large-format terracotta genre figures retaining the manufacturer’s mark, model number, and copyright inscription are a considerably rarer find than unmarked sculpture. The scale of this figure \u2014 above 50 cm \u2014 automatically elevates its collector value, as smaller formats were produced in far greater quantities. The polychrome colouring \u2014 with distinct tonal differentiation across the corset, skirt, and skin areas \u2014 is a hallmark of high-quality finishing. The precision of the basket detail \u2014 the twisted rim, the woven structure \u2014 testifies to a skilled sculptor’s hand in the original model. This figure has lived through two world wars, and the century of history it carries has only added depth to its presence.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n This figure is a dominant presence \u2014 it cannot be placed in a corner. It demands its own position: on a console, a mantelpiece, the top of a library cabinet, or a dedicated plinth. In classical and eclectic interiors it functions as a sculptural declaration of the owner’s taste. In modern interiors it serves as a deliberate counterpoint: the warm golden-ochre tonal range of the terracotta responds beautifully to brass, gold, and dark wood elements. For photographers, this figure is a dream \u2014 the angle of her face, tilted downward, creates an expressively rich moment of restraint that a camera lens adores.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d CONDITION<\/strong><\/p>\n The figure is in good antique condition given its age. The terracotta body shows no fractures or significant damage. The polychrome colouring has aged naturally \u2014 in places the paint has gained depth and patina that only enhances the visual effect. Minor calcification traces are visible on the base. The marks and model number are clearly legible. The basket detail is intact. The condition of the item is fully reflected in the photographs.<\/p>\n","protected":false},"excerpt":{"rendered":" Terakotas Sievietes Fig\u016bra ar Grozu \u2014 Historicisms \/ Luija XVI stila ietekme, Francija \/ Austrija-Ung\u0101rija, ap 1880.\u20131910. \ud83d\udcd0 IZM\u0112RI Svars \u2014 iev\u0113rojams, mas\u012bva terakota. \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015 \ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS \u0160\u012b fig\u016bra pieder tam \u012bpa\u0161ajam Eiropas t\u0113lniec\u012bbas periodam, kad\u2026<\/p>\n","protected":false},"featured_media":45625,"template":"","meta":[],"product_brand":[],"product_cat":[232,204],"product_tag":[11962,492,11961,11820,11963],"class_list":["post-45624","product","type-product","status-publish","has-post-thumbnail","product_cat-figuras-2","product_cat-visas-lietas","product_tag-19-gadsimta-maksla","product_tag-francu-stils","product_tag-sieviskiga-skulptura","product_tag-terakotas-figura","product_tag-vines-keramika","first","instock","shipping-taxable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/45624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/45625"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=45624"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=45624"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=45624"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=45624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Terracotta Female Figure with Basket \u2014 Historicist \/ Louis XVI Influence, France \/ Austria-Hungary, circa 1880\u20131910<\/h2>\n