{"id":45276,"date":"2026-05-07T21:13:30","date_gmt":"2026-05-07T18:13:30","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=45276"},"modified":"2026-09-08T10:34:55","modified_gmt":"2026-09-08T07:34:55","slug":"6560","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/6560\/","title":{"rendered":"Elegants ant\u012bks misi\u0146a v\u0113stu\u013cu un salve\u0161u tur\u0113t\u0101js ar diviem nodal\u012bjumiem \u2014 historisma stil\u0101 (brass letter rack) (6560)"},"content":{"rendered":"<p data-path-to-node=\"9\">\ud83c\uddf1\ud83c\uddfb<\/p>\n<p data-path-to-node=\"10\">Augstums: 28,5 cm<\/p>\n<p data-path-to-node=\"11\">Platums: 20,5 cm<\/p>\n<p data-path-to-node=\"12\">Dzi\u013cums: 11 cm<\/p>\n<h3 data-path-to-node=\"13\">Elegants ant\u012bks misi\u0146a v\u0113stu\u013cu un salve\u0161u tur\u0113t\u0101js ar diviem nodal\u012bjumiem \u2014 historisma stil\u0101 (brass letter rack)<\/h3>\n<p data-path-to-node=\"14\">Smalkas galda eti\u0137etes kult\u016bra un 19. gadsimta nogales kancelejas est\u0113tika satiekas \u0161aj\u0101 neliela izm\u0113ra, bet izteiksm\u012bgaj\u0101 misi\u0146a un bronzas sakaus\u0113juma tur\u0113t\u0101j\u0101. S\u0101kotn\u0113ji projekt\u0113ts k\u0101 reprezentat\u012bvs v\u0113stu\u013cu un svar\u012bgu dokumentu stat\u012bvs (<i data-path-to-node=\"14\" data-index-in-node=\"240\">letter rack<\/i>) kungu darba kabinetam, m\u016bsdienu interjer\u0101 tas tikpat nevainojami kalpo k\u0101 kr\u0101\u0161\u0146\u0161 un funkcion\u0101ls salve\u0161u tur\u0113t\u0101js uz sv\u0113tku galda. Priek\u0161meta dizains ir ietur\u0113ts kr\u0101\u0161\u0146\u0101 <i data-path-to-node=\"14\" data-index-in-node=\"421\">historisma<\/i> (neobaroka) stil\u0101 \u2014 t\u0101 tr\u012bs paral\u0113l\u0101s sienas ir veidotas k\u0101 a\u017e\u016bri, filigr\u0101ni un caurviju tehnik\u0101 lieti ornamenti ar pl\u016bsto\u0161iem akanta lapu un dabas mot\u012bvu vijumiem. Divi \u0113rtie, dzi\u013cie nodal\u012bjumi \u013cauj p\u0101rskat\u0101mi k\u0101rtot korespondenci vai izvietot galda tekstilu, bet pa\u0161u pamatni stingri notur \u010detras izteiksm\u012bgas, reljefas k\u0101jas ar stiliz\u0113tiem flor\u0101liem elementiem.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Izgatavo\u0161anas periods<\/b> 19. gadsimta beigas, aptuveni 1885.\u20131895. gads. \u0160aj\u0101 laik\u0101 Eiropas pilsoniskaj\u0101 vid\u0113 un guber\u0146u centros \u012bpa\u0161a uzman\u012bba tika piev\u0113rsta rakst\u0101mgalda un pusdienu galda aksesu\u0101ru kr\u0101\u0161\u0146umam, kur katram s\u012bkumam bija j\u0101apliecina saimnieka statuss un izgl\u012bt\u012bbas l\u012bmenis.<\/p>\n<p data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> Stat\u012bvs ir augstv\u0113rt\u012bgs Rietumeiropas (visticam\u0101k, V\u0101cijas vai Francijas) m\u0101ksliniecisk\u0101s met\u0101lapstr\u0101des paraugs. Konstrukcijas deta\u013cu stiprin\u0101jumi ar v\u0113sturiskaj\u0101m skr\u016bv\u0113m un pamatnes sl\u012bp\u0113jums apliecina manufakt\u016bras r\u016bp\u012bgo roku darbu, k\u0101du labpr\u0101t savos salonos un kancelejas pre\u010du tirgotav\u0101s R\u012bg\u0101 un Libav\u0101 pied\u0101v\u0101ja elit\u0101rie tirgot\u0101ji.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\">Retums un noz\u012bme<\/b> \u0160\u0101du ikdienas kancelejas un galda priek\u0161metu v\u0113rt\u012bba sl\u0113pjas to neskartaj\u0101 dekorat\u012bvaj\u0101 st\u0101vokl\u012b. T\u0101 k\u0101 a\u017e\u016brais caurviju l\u0113jums ir smalks un trausls, daudzi l\u012bdz\u012bgi eksempl\u0101ri laika gait\u0101, mainoties paaudz\u0113m, guva l\u016bzumus vai zaud\u0113ja iek\u0161\u0113j\u0101s starpsienas. \u0160is priek\u0161mets ir sasniedzis m\u016bsu dienas piln\u012bg\u0101 konstrukcijas integrit\u0101t\u0113 \u2014 bez remontu p\u0113d\u0101m vai zudumiem.<\/p>\n<p data-path-to-node=\"18\"><b data-path-to-node=\"18\" data-index-in-node=\"0\">Pielietojums<\/b> \u0160is tur\u0113t\u0101js k\u013c\u016bs par izsmalcin\u0101tu un paman\u0101mu akcentu. Tas ide\u0101li papildin\u0101s mas\u012bva koka rakst\u0101mgaldu kabinet\u0101, sekret\u0101ru vai ant\u012bku konsoli priek\u0161nam\u0101 korespondences glab\u0101\u0161anai, k\u0101 ar\u012b ienes\u012bs nepiecie\u0161amo v\u0113sturisko \u0161armu un eleganci \u0113damistabas vai virtuves zon\u0101, kalpojot k\u0101 salve\u0161u stat\u012bvs.<\/p>\n<p data-path-to-node=\"19\"><b data-path-to-node=\"19\" data-index-in-node=\"0\">St\u0101voklis<\/b> Priek\u0161mets ir teicam\u0101 ant\u012bk\u0101 st\u0101vokl\u012b. Misi\u0146a\/bronzas korpuss ir stingrs, taisns un piln\u012bgi stabils. Met\u0101la virsma ir saglab\u0101jusi savu dabisko, c\u0113lo laika patinu ar pat\u012bkamu zelt\u012bto un tum\u0161\u0101ko bronzas \u0113nu kontrastu, kas apzin\u0101ti nav pul\u0113ts, lai neboj\u0101tu lietas v\u0113sturisko v\u0113rt\u012bbu. Nodal\u012bjumu starpsienas ir stingri nofiks\u0113tas. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"20\"><b data-path-to-node=\"20\" data-index-in-node=\"0\"><i data-path-to-node=\"20\" data-index-in-node=\"0\">Laikmeta momentuz\u0146\u0113mums, in\u017eenieris Luiss Vels (Louis Wells):<\/i><\/b> <i data-path-to-node=\"20\" data-index-in-node=\"62\">Tosmares ku\u0123ub\u016bv\u0113tavas galven\u0101 ras\u0113t\u0101ja un in\u017eeniera Luisa Vela kabinet\u0101 valda v\u0113ls vakara klusums, ko m\u012bkstina tikai dokumentu mapju \u0161alko\u0146a. Uz galda, blakus jaunajiem Francijas tvaiko\u0146u korpusu ras\u0113jumiem, starp gr\u0101mat\u0101m un tintn\u012bcu st\u0101v neliels, smags misi\u0146a v\u0113stu\u013cu tur\u0113t\u0101js, kura barok\u0101lajos caurviju vijumos \u0161ovakar k\u0101rt\u012bgi sak\u0101rtotas divas tikko pien\u0101ku\u0161as v\u0113stules no Par\u012bzes un Anglijas. Vels atbalsta galvu plaukst\u0101s un uz mirkli apst\u0101dina skatienu pie patin\u0113taj\u0101m akanta lapu form\u0101m \u2014 \u0161is smalkais priek\u0161mets, kur\u0101 tikko saskat\u0101ms gaismas staru sp\u0113les mirdzums, ir k\u0101 mazs, mier\u012bgs m\u0101kslas enkurs starp dzel\u017eainajiem apr\u0113\u0137iniem un d\u016bmojo\u0161ajiem doku skatiem \u0101rpus loga.<\/i><\/p>\n<p data-path-to-node=\"21\"><i data-path-to-node=\"21\" data-index-in-node=\"0\">Kam\u0113r kaimi\u0146u kabinetos direktori un kases p\u0101rzi\u0146i ar spalvask\u0101tiem skrupulozi fiks\u0113 guber\u0146as jaunos industri\u0101los pas\u016bt\u012bjumus un pasaule apsteidz laiku, \u0161eit, pie viena rakst\u0101mgalda, kancelejas eti\u0137ete un Par\u012bzes salonu elegance paliek neskarta, fiks\u0113ta vien\u0101 smag\u0101, ar rok\u0101m sl\u012bp\u0113t\u0101 misi\u0146a st\u0101v\u0101.<\/i><\/p>\n<p data-path-to-node=\"23\">\ud83c\uddf7\ud83c\uddfa<\/p>\n<h3 data-path-to-node=\"24\">\u0410\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u043b\u0430\u0442\u0443\u043d\u043d\u044b\u0439 \u043f\u043e\u0434\u0441\u0442\u0430\u043a\u0430\u043d\u043d\u0438\u043a \/ \u0434\u0435\u0440\u0436\u0430\u0442\u0435\u043b\u044c \u0434\u043b\u044f \u043f\u0438\u0441\u0435\u043c \u0438 \u0441\u0430\u043b\u0444\u0435\u0442\u043e\u043a \u0441 \u0434\u0432\u0443\u043c\u044f \u043e\u0442\u0434\u0435\u043b\u0435\u043d\u0438\u044f\u043c\u0438 \u2014 \u0441\u0442\u0438\u043b\u044c \u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c<\/h3>\n<p data-path-to-node=\"25\">\u0423\u0442\u043e\u043d\u0447\u0435\u043d\u043d\u0430\u044f \u043a\u0430\u043d\u0446\u0435\u043b\u044f\u0440\u0441\u043a\u0430\u044f \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0430 \u0438 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u043d\u0430\u0441\u0442\u043e\u043b\u044c\u043d\u043e\u0433\u043e \u044d\u0442\u0438\u043a\u0435\u0442\u0430 \u043a\u043e\u043d\u0446\u0430 XIX \u0432\u0435\u043a\u0430 \u0441\u043e\u0435\u0434\u0438\u043d\u0438\u043b\u0438\u0441\u044c \u0432 \u044d\u0442\u043e\u043c \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u043e\u043c, \u043d\u043e \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u043c \u0434\u0435\u0440\u0436\u0430\u0442\u0435\u043b\u0435 \u0438\u0437 \u043b\u0430\u0442\u0443\u043d\u0438 \u0438 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u043e\u0433\u043e \u0441\u043f\u043b\u0430\u0432\u0430. \u0418\u0437\u043d\u0430\u0447\u0430\u043b\u044c\u043d\u043e \u0441\u043e\u0437\u0434\u0430\u043d\u043d\u044b\u0439 \u043a\u0430\u043a \u0441\u0442\u0430\u0442\u0443\u0441\u043d\u044b\u0439 \u043d\u0430\u0441\u0442\u043e\u043b\u044c\u043d\u044b\u0439 \u043f\u0440\u0438\u0431\u043e\u0440 \u0434\u043b\u044f \u043f\u0438\u0441\u0435\u043c \u0438 \u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u043e\u0432 (<i data-path-to-node=\"25\" data-index-in-node=\"244\">letter rack<\/i>) \u0432 \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0435 \u0434\u0436\u0435\u043d\u0442\u043b\u044c\u043c\u0435\u043d\u0430, \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u043c \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0435 \u043e\u043d \u043e\u0434\u0438\u043d\u0430\u043a\u043e\u0432\u043e \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u043e \u0441\u043b\u0443\u0436\u0438\u0442 \u043a\u0430\u043a \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u0430\u044f \u0441\u0430\u043b\u0444\u0435\u0442\u043d\u0438\u0446\u0430 \u043d\u0430 \u043e\u0431\u0435\u0434\u0435\u043d\u043d\u043e\u043c \u0441\u0442\u043e\u043b\u0435. \u0414\u0438\u0437\u0430\u0439\u043d \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d \u0432 \u043f\u044b\u0448\u043d\u043e\u043c \u0441\u0442\u0438\u043b\u0435 <i data-path-to-node=\"25\" data-index-in-node=\"423\">\u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430<\/i> (\u043d\u0435\u043e\u0431\u0430\u0440\u043e\u043a\u043a\u043e) \u2014 \u0435\u0433\u043e \u0442\u0440\u0438 \u043f\u0430\u0440\u0430\u043b\u043b\u0435\u043b\u044c\u043d\u044b\u0435 \u0441\u0442\u0435\u043d\u043a\u0438 \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u044b \u0444\u0438\u043b\u0438\u0433\u0440\u0430\u043d\u043d\u044b\u043c, \u0441\u043a\u0432\u043e\u0437\u043d\u044b\u043c \u043a\u0440\u0443\u0436\u0435\u0432\u043d\u044b\u043c \u043b\u0438\u0442\u044c\u0435\u043c \u0441 \u043c\u043e\u0442\u0438\u0432\u0430\u043c\u0438 \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0430\u043a\u0430\u043d\u0442\u0430. \u0414\u0432\u0430 \u0433\u043b\u0443\u0431\u043e\u043a\u0438\u0445 \u043e\u0442\u0434\u0435\u043b\u0435\u043d\u0438\u044f \u043f\u043e\u0437\u0432\u043e\u043b\u044f\u044e\u0442 \u0443\u0434\u043e\u0431\u043d\u043e \u0440\u0430\u0437\u0434\u0435\u043b\u044f\u0442\u044c \u043a\u043e\u0440\u0440\u0435\u0441\u043f\u043e\u043d\u0434\u0435\u043d\u0446\u0438\u044e, \u0430 \u0441\u0430\u043c\u043e \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0435 \u043f\u0440\u043e\u0447\u043d\u043e \u043e\u043f\u0438\u0440\u0430\u0435\u0442\u0441\u044f \u043d\u0430 \u0447\u0435\u0442\u044b\u0440\u0435 \u0444\u0438\u0433\u0443\u0440\u043d\u044b\u0435 \u043d\u043e\u0436\u043a\u0438.<\/p>\n<p data-path-to-node=\"26\">\u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u0431\u044b\u043b \u0441\u043e\u0437\u0434\u0430\u043d \u0432 \u043f\u0435\u0440\u0438\u043e\u0434 \u0441 1885 \u043f\u043e 1895 \u0433\u043e\u0434, \u043a\u043e\u0433\u0434\u0430 \u0432 \u0431\u0430\u043b\u0442\u0438\u0439\u0441\u043a\u0438\u0445 \u0433\u0443\u0431\u0435\u0440\u043d\u0441\u043a\u0438\u0445 \u0446\u0435\u043d\u0442\u0440\u0430\u0445 \u043e\u0441\u043e\u0431\u043e\u0435 \u0432\u043d\u0438\u043c\u0430\u043d\u0438\u0435 \u0443\u0434\u0435\u043b\u044f\u043b\u043e\u0441\u044c \u0438\u0437\u044f\u0449\u0435\u0441\u0442\u0432\u0443 \u043d\u0430\u0441\u0442\u043e\u043b\u044c\u043d\u044b\u0445 \u0430\u043a\u0441\u0435\u0441\u0441\u0443\u0430\u0440\u043e\u0432. \u041b\u0430\u0442\u0443\u043d\u044c \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u0430 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u0443\u044e \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u0443\u044e \u043f\u0430\u0442\u0438\u043d\u0443 \u0441 \u0433\u043b\u0443\u0431\u043e\u043a\u0438\u043c\u0438 \u0442\u0435\u043d\u044f\u043c\u0438, \u043a\u043e\u0442\u043e\u0440\u0430\u044f \u0443\u043c\u044b\u0448\u043b\u0435\u043d\u043d\u043e \u043d\u0435 \u043f\u043e\u0434\u0432\u0435\u0440\u0433\u0430\u043b\u0430\u0441\u044c \u0433\u0440\u0443\u0431\u043e\u0439 \u043f\u043e\u043b\u0438\u0440\u043e\u0432\u043a\u0435 \u0434\u043b\u044f \u0441\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u0438\u044f \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u043e\u0441\u0442\u0438. \u0421\u043a\u0432\u043e\u0437\u043d\u043e\u0435 \u043b\u0438\u0442\u044c\u0435 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0446\u0435\u043b\u043e\u0435, \u0431\u0435\u0437 \u0442\u0440\u0435\u0449\u0438\u043d \u0438 \u0441\u043b\u0435\u0434\u043e\u0432 \u0440\u0435\u043c\u043e\u043d\u0442\u0430, \u0447\u0442\u043e \u0434\u0435\u043b\u0430\u0435\u0442 \u044d\u0442\u043e\u0442 \u043d\u0430\u0441\u0442\u043e\u043b\u044c\u043d\u044b\u0439 \u043f\u0440\u0438\u0431\u043e\u0440 \u0440\u0435\u0434\u043a\u043e\u0439 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u043d\u043e\u0439 \u043d\u0430\u0445\u043e\u0434\u043a\u043e\u0439. \u041e\u043d \u0433\u043e\u0442\u043e\u0432 \u0443\u043a\u0440\u0430\u0441\u0438\u0442\u044c \u0440\u0430\u0431\u043e\u0447\u0438\u0439 \u0441\u0442\u043e\u043b, \u0441\u0435\u043a\u0440\u0435\u0442\u0435\u0440 \u0438\u043b\u0438 \u043e\u0431\u0435\u0434\u0435\u043d\u043d\u0443\u044e \u0437\u043e\u043d\u0443, \u043f\u0440\u0438\u0432\u043d\u043e\u0441\u044f \u0432 \u0434\u043e\u043c \u0430\u0442\u043c\u043e\u0441\u0444\u0435\u0440\u0443 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0433\u043e \u0441\u0430\u043b\u043e\u043d\u0430 \u0440\u0443\u0431\u0435\u0436\u0430 \u0432\u0435\u043a\u043e\u0432. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"27\"><b data-path-to-node=\"27\" data-index-in-node=\"0\"><i data-path-to-node=\"27\" data-index-in-node=\"0\">\u0417\u0430\u0440\u0438\u0441\u043e\u0432\u043a\u0430 \u044d\u043f\u043e\u0445\u0438, \u0438\u043d\u0436\u0435\u043d\u0435\u0440 \u041b\u0443\u0438\u0441 \u0412\u0435\u043b\u043b\u0441 (Louis Wells):<\/i><\/b> <i data-path-to-node=\"27\" data-index-in-node=\"51\">\u0412 \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0435 \u0433\u043b\u0430\u0432\u043d\u043e\u0433\u043e \u0438\u043d\u0436\u0435\u043d\u0435\u0440\u0430 \u0441\u0443\u0434\u043e\u0441\u0442\u0440\u043e\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u0437\u0430\u0432\u043e\u0434\u0430 \u0432 \u0422\u043e\u0441\u043c\u0430\u0440\u0435 \u041b\u0443\u0438\u0441\u0430 \u0412\u0435\u043b\u043b\u0441\u0430 \u0446\u0430\u0440\u0438\u0442 \u043f\u043e\u0437\u0434\u043d\u0438\u0439 \u0432\u0435\u0447\u0435\u0440\u043d\u0438\u0439 \u043f\u043e\u043a\u043e\u0439, \u043f\u0440\u0435\u0440\u044b\u0432\u0430\u0435\u043c\u044b\u0439 \u043b\u0438\u0448\u044c \u0448\u0435\u043b\u0435\u0441\u0442\u043e\u043c \u043f\u0430\u043f\u043e\u043a \u0441 \u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043c\u0438. \u041d\u0430 \u0441\u0442\u043e\u043b\u0435, \u0440\u044f\u0434\u043e\u043c \u0441 \u043d\u043e\u0432\u044b\u043c\u0438 \u0447\u0435\u0440\u0442\u0435\u0436\u0430\u043c\u0438 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u0445 \u043f\u0430\u0440\u043e\u0432\u044b\u0445 \u0441\u0443\u0434\u043e\u0432, \u0441\u0440\u0435\u0434\u0438 \u043a\u043d\u0438\u0433 \u0438 \u0447\u0435\u0440\u043d\u0438\u043b\u044c\u043d\u0438\u0446 \u0441\u0442\u043e\u0438\u0442 \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u043e\u0439, \u0442\u044f\u0436\u0435\u043b\u044b\u0439 \u043b\u0430\u0442\u0443\u043d\u043d\u044b\u0439 \u0434\u0435\u0440\u0436\u0430\u0442\u0435\u043b\u044c \u0434\u043b\u044f \u043f\u0438\u0441\u0435\u043c, \u0432 \u0431\u0430\u0440\u043e\u0447\u043d\u044b\u0445 \u0441\u043a\u0432\u043e\u0437\u043d\u044b\u0445 \u0437\u0430\u0432\u0438\u0442\u043a\u0430\u0445 \u043a\u043e\u0442\u043e\u0440\u043e\u0433\u043e \u0441\u0435\u0433\u043e\u0434\u043d\u044f \u0430\u043a\u043a\u0443\u0440\u0430\u0442\u043d\u043e \u0440\u0430\u0437\u043b\u043e\u0436\u0435\u043d\u044b \u0434\u0432\u0430 \u0442\u043e\u043b\u044c\u043a\u043e \u0447\u0442\u043e \u043f\u0440\u0438\u0431\u044b\u0432\u0448\u0438\u0445 \u043a\u043e\u043d\u0432\u0435\u0440\u0442\u0430 \u0438\u0437 \u041f\u0430\u0440\u0438\u0436\u0430 \u0438 \u0410\u043d\u0433\u043b\u0438\u0438. \u0412\u0435\u043b\u043b\u0441 \u043e\u043f\u0438\u0440\u0430\u0435\u0442\u0441\u044f \u043f\u043e\u0434\u0431\u043e\u0440\u043e\u0434\u043a\u043e\u043c \u043d\u0430 \u043b\u0430\u0434\u043e\u043d\u0438 \u0438 \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u0437\u0430\u043c\u0438\u0440\u0430\u0435\u0442 \u0432\u0437\u0433\u043b\u044f\u0434\u043e\u043c \u043d\u0430 \u043f\u0430\u0442\u0438\u043d\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0445 \u0438\u0437\u0433\u0438\u0431\u0430\u0445 \u0430\u043a\u0430\u043d\u0442\u0430 \u2014 \u044d\u0442\u043e\u0442 \u0438\u0437\u044f\u0449\u043d\u044b\u0439 \u043f\u0440\u0438\u0431\u043e\u0440, \u0432 \u043a\u0440\u0443\u0436\u0435\u0432\u0435 \u043a\u043e\u0442\u043e\u0440\u043e\u0433\u043e \u043f\u0440\u0435\u043b\u043e\u043c\u043b\u044f\u0435\u0442\u0441\u044f \u0441\u0432\u0435\u0442 \u043b\u0430\u043c\u043f\u044b, \u043a\u0430\u0436\u0435\u0442\u0441\u044f \u043c\u0430\u043b\u0435\u043d\u044c\u043a\u0438\u043c \u0438 \u043c\u0438\u0440\u043d\u044b\u043c \u043e\u0441\u0442\u0440\u043e\u0432\u043a\u043e\u043c \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0441\u0440\u0435\u0434\u0438 \u0441\u0443\u0440\u043e\u0432\u044b\u0445 \u0440\u0430\u0441\u0447\u0435\u0442\u043e\u0432 \u0438 \u0434\u044b\u043c\u044f\u0449\u0438\u0445 \u0434\u043e\u043a\u043e\u0432 \u0437\u0430 \u043e\u043a\u043d\u043e\u043c.<\/i><\/p>\n<p data-path-to-node=\"28\"><i data-path-to-node=\"28\" data-index-in-node=\"0\">\u041f\u043e\u043a\u0430 \u0432 \u0441\u043e\u0441\u0435\u0434\u043d\u0438\u0445 \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0430\u0445 \u0434\u0438\u0440\u0435\u043a\u0442\u043e\u0440\u0430 \u0438 \u043a\u0430\u0437\u043d\u0430\u0447\u0435\u0438 \u0441 \u043f\u043e\u043c\u043e\u0449\u044c\u044e \u043f\u0435\u0440\u044c\u0435\u0432 \u0441\u043a\u0440\u0443\u043f\u0443\u043b\u0435\u0437\u043d\u043e \u0444\u0438\u043a\u0441\u0438\u0440\u0443\u044e\u0442 \u043d\u043e\u0432\u044b\u0435 \u0438\u043d\u0434\u0443\u0441\u0442\u0440\u0438\u0430\u043b\u044c\u043d\u044b\u0435 \u0437\u0430\u043a\u0430\u0437\u044b \u0433\u0443\u0431\u0435\u0440\u043d\u0438\u0438, \u0437\u0434\u0435\u0441\u044c, \u043d\u0430 \u043e\u0434\u043d\u043e\u043c \u0440\u0430\u0431\u043e\u0447\u0435\u043c \u0441\u0442\u043e\u043b\u0435, \u043a\u0430\u043d\u0446\u0435\u043b\u044f\u0440\u0441\u043a\u0438\u0439 \u044d\u0442\u0438\u043a\u0435\u0442 \u0438 \u044d\u043b\u0435\u0433\u0430\u043d\u0442\u043d\u043e\u0441\u0442\u044c \u0441\u0442\u0430\u0440\u043e\u0439 \u0415\u0432\u0440\u043e\u043f\u044b \u043e\u0441\u0442\u0430\u044e\u0442\u0441\u044f \u043d\u0435\u0438\u0437\u043c\u0435\u043d\u043d\u044b\u043c\u0438, \u0437\u0430\u0441\u0442\u044b\u0432 \u0432 \u0442\u044f\u0436\u0435\u043b\u043e\u043c, \u0432\u0440\u0443\u0447\u043d\u0443\u044e \u043e\u0431\u0440\u0430\u0431\u043e\u0442\u0430\u043d\u043d\u043e\u043c \u043c\u0435\u0442\u0430\u043b\u043b\u0435.<\/i><\/p>\n<p data-path-to-node=\"30\">\ud83c\uddec\ud83c\udde7<\/p>\n<h2 data-path-to-node=\"31\">Antique Brass Letter Rack with Two Compartments \u2014 Representative Historicist Style Napkin Holder (antique brass letter rack compartments napkin holder)<\/h2>\n<p data-path-to-node=\"32\">Refined Victorian-era stationary culture and timeless table etiquette converge in this small-sized yet imposing solid brass and bronze alloy stand. Originally engineered to serve as a prestigious desktop organizer for correspondence and vital papers (<i data-path-to-node=\"32\" data-index-in-node=\"251\">letter rack<\/i>) inside a gentleman&#8217;s study, this versatile piece transitions flawlessly into a contemporary setting as a regal napkin holder for formal dining. The design is deeply rooted in the ornate European <i data-path-to-node=\"32\" data-index-in-node=\"459\">Historicist<\/i> (Neo-Baroque) movement; its three parallel dividers are masterfully cast in a delicate openwork scrolling pattern displaying fluid acanthus foliage. The twin deep slots provide functional spatial separation for envelopes or fine linens, with the structured base elevated by four beautifully scrolled floral feet.<\/p>\n<p data-path-to-node=\"33\">Dating precisely to the decade of 1885\u20131895, this object represents the premium metalwork popular throughout the major Baltic civic hubs, imported directly from leading German or French foundries. Because fine openwork brass castings are notoriously susceptible to fracturing over the generations, specimens that survive completely free of broken scrolls or compromised partitions are highly sought after. The alloy retains its entirely untouched, noble aged patina with rich tonal contrasts between the deep bronze shadows and burnished highlights. It stands structurally sound, perfectly level, and ready to introduce an air of <i data-path-to-node=\"33\" data-index-in-node=\"630\">Belle \u00c9poque<\/i> academic sophistication to an executive desk or dining console. The condition of the item is fully reflected in the photos.<\/p>\n<p data-path-to-node=\"34\"><b data-path-to-node=\"34\" data-index-in-node=\"0\"><i data-path-to-node=\"34\" data-index-in-node=\"0\">Historicist era snapshot, Engineer Louis Wells (Louis Wells):<\/i><\/b> <i data-path-to-node=\"34\" data-index-in-node=\"62\">Inside the private study of Louis Wells, chief engineer at the Tosmare shipyard, a late evening stillness prevails, broken only by the rustle of official document folders. On his desk, adjacent to the fresh engineering schematics for French steamship hulls, rests a compact, heavy brass letter rack between his books and inkwell, its openwork baroque flourishes securely cradling two newly arrived dispatches from Paris and London. Wells rests his chin in his hands, his eyes tracking the dark, patinated acanthus curls\u2014this delicate metal piece, catching the soft glow of his lamp within its pierced borders, acts as a serene sanctuary of art amidst the stark calculations and smoking dry docks visible outside his window.<\/i><\/p>\n<p data-path-to-node=\"35\"><i data-path-to-node=\"35\" data-index-in-node=\"0\">While in the neighboring boardrooms directors and treasurers scrupulously dip their pens to log the governorate&#8217;s surging industrial contracts, here upon a single oak desk, old-world stationary etiquette and continental salon elegance remain perfectly preserved, frozen within a single heavy piece of hand-finished brass.<\/i><\/p>\n<p data-path-to-node=\"37\">\ud83c\udde9\ud83c\uddea<\/p>\n<h3 data-path-to-node=\"38\">Antiker Bronze-Briefst\u00e4nder mit zwei F\u00e4chern \u2014 Historismus (antique brass letter rack compartments napkin holder)<\/h3>\n<p data-path-to-node=\"39\">Erlesene Schreibkultur und historischer Tafelzierte verbinden sich in diesem kleinen, aber massiven St\u00e4nder aus vergoldetem Messingguss. Urspr\u00fcnglich als repr\u00e4sentativer Briefst\u00e4nder (<i data-path-to-node=\"39\" data-index-in-node=\"184\">Letter Rack<\/i>) f\u00fcr das herrschaftliche Arbeitszimmer entworfen, dient dieses vielseitige St\u00fcck heute ebenso perfekt als Serviettenhalter auf einer festlichen Tafel. Die drei parallelen W\u00e4nde sind als durchbrochene neobarocke Rocaillen gegossen. Zwei tiefe F\u00e4cher bieten Platz f\u00fcr Dokumente, gest\u00fctzt von vier reich verzierten F\u00fc\u00dfen.<\/p>\n<p data-path-to-node=\"40\">Hergestellt um 1885\u20131895 in einer westeurop\u00e4ischen Gie\u00dferei, dokumentiert der Briefhalter den Sinn f\u00fcr repr\u00e4sentative Details am \u0440\u0443\u0431\u0435\u0436 des Jahrhunderts. Der Guss befindet sich im unber\u00fchrten Originalzustand mit edler Alterspatina und tiefen Kontrasten im Relief, die nicht weggeputzt wurden. Die Trennw\u00e4nde sind stabil. Der Zustand des Artikels ist auf den Fotos vollst\u00e4ndig wiedergegeben.<\/p>\n<p data-path-to-node=\"41\"><b data-path-to-node=\"41\" data-index-in-node=\"0\"><i data-path-to-node=\"41\" data-index-in-node=\"0\">Historismus-Epochenaufnahme, Ingenieur Louis Wells (Louis Wells):<\/i><\/b> <i data-path-to-node=\"41\" data-index-in-node=\"66\">Im Arbeitszimmer von Louis Wells, dem Chefingenieur der Schiffswerft in Tosmare, herrscht sp\u00e4te Abendstille, nur das Rascheln von Akten ist zu h\u00f6ren. Auf dem Schreibtisch, neben den Entw\u00fcrfen neuer Schiffsk\u00f6rper, steht zwischen B\u00fcchern ein kleiner, schwerer Briefst\u00e4nder aus Bronze, in dessen durchbrochenen Windungen zwei frisch eingetroffene Briefe aus Paris und London stecken. Wells st\u00fctzt den Kopf in die H\u00e4nde und blickt auf die patinierten Akanthusbl\u00e4tter \u2014 dieses zarte St\u00fcck Metall, in dessen Relief sich das Lampenlicht bricht, wirkt wie ein friedlicher Anker der Kunst zwischen all den harten Berechnungen und den rauchenden Docks vor dem Fenster.<\/i><\/p>\n<p data-path-to-node=\"42\"><i data-path-to-node=\"42\" data-index-in-node=\"0\">W\u00e4hrend in den Nachbarb\u00fcros die Direktoren mit ihren Federn die neuen Industrieauftr\u00e4ge des Gouvernements protokollieren, bleibt hier am Schreibtisch die Eleganz der alten europ\u00e4ischen Salons bewahrt, festgehalten in schwerem, von Hand bearbeitetem Messing.<\/i><\/p>\n<p data-path-to-node=\"44\">\ud83c\uddeb\ud83c\uddf7<\/p>\n<h3 data-path-to-node=\"45\">Porte-Lettres Antique en Laiton \u00e0 Deux Compartiments \u2014 Style Historicisme (antique brass letter rack compartments napkin holder)<\/h3>\n<p data-path-to-node=\"46\">L&#8217;\u00e9l\u00e9gance de la papeterie victorienne et les codes des arts de la table s&#8217;unissent dans ce charmant porte-lettres (<i data-path-to-node=\"46\" data-index-in-node=\"116\">letter rack<\/i>) de la fin du XIXe si\u00e8cle en laiton massif. Con\u00e7u \u00e0 l&#8217;origine pour orner le bureau d&#8217;un cabinet de travail, cet objet raffin\u00e9 s&#8217;utilise aujourd&#8217;hui avec le m\u00eame bonheur comme porte-serviettes de table. Son d\u00e9cor rel\u00e8ve du style <i data-path-to-node=\"46\" data-index-in-node=\"356\">Historicisme<\/i> (N\u00e9o-Baroque) avec ses trois cloisons ajour\u00e9es \u00e0 rinceaux de feuilles d&#8217;acanthe coul\u00e9es \u00e0 la cime. Les deux compartiments permettent d&#8217;organiser le courrier, tandis que la base repose sur quatre pieds feuillag\u00e9s en relief.<\/p>\n<p data-path-to-node=\"47\">Fabriqu\u00e9 vers 1885\u20131895 par une fonderie d&#8217;art europ\u00e9enne, ce mod\u00e8le t\u00e9moigne du soin apport\u00e9 aux accessoires de bureau \u00e0 la Belle \u00c9poque. Le laiton a conserv\u00e9 sa patine d&#8217;origine aux reflets profonds, pr\u00e9serv\u00e9e de tout polissage. Les d\u00e9cors ajour\u00e9s sont intacts, sans aucun manque ni f\u00ealure, offrant une parfaite stabilit\u00e9. Id\u00e9al pour apporter une touche d&#8217;authenticit\u00e9 sur un secr\u00e9taire ou une table de salle \u00e0 manger. L&#8217;\u00e9tat de l&#8217;article est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<p data-path-to-node=\"48\"><b data-path-to-node=\"48\" data-index-in-node=\"0\"><i data-path-to-node=\"48\" data-index-in-node=\"0\">Instantan\u00e9 de l&#8217;\u00e9poque, l&#8217;ing\u00e9nieur Louis Wells (Louis Wells):<\/i><\/b> <i data-path-to-node=\"48\" data-index-in-node=\"63\">Dans le cabinet de Louis Wells, ing\u00e9nieur en chef des chantiers navals de Tosmare, le calme de la nuit s&#8217;installe, \u00e0 peine troubl\u00e9 par le bruissement des dossiers administratifs. Sur son bureau, \u00e0 c\u00f4t\u00e9 des plans des coques de navires, un petit porte-lettres en laiton massif tr\u00f4ne entre l&#8217;encrier et les livres, ses volutes baroques accueillant deux plis tout juste arriv\u00e9s de Paris et de Londres. Wells pose le menton dans ses mains et contemple les rinceaux patin\u00e9s : cet objet d\u00e9licat, dont les d\u00e9coupures retiennent la lumi\u00e8re de la lampe, forme un havre de paix po\u00e9tique au milieu des calculs aust\u00e8res et des cales s\u00e8ches sombres que l&#8217;on devine par la fen\u00eatre.<\/i><\/p>\n<p data-path-to-node=\"49\"><i data-path-to-node=\"49\" data-index-in-node=\"0\">Tandis que dans les bureaux voisins, directeurs et comptables enregistrent \u00e0 la plume les grands contrats industriels de la province, l&#8217;\u00e9tiquette de la correspondance et l&#8217;\u00e9l\u00e9gance des salons europ\u00e9ens demeurent ici intactes, fig\u00e9es dans le laiton lourd cisel\u00e9 \u00e0 la main.<\/i><\/p>\n<p data-path-to-node=\"51\">\ud83c\udde9\ud83c\uddf0<\/p>\n<h3 data-path-to-node=\"52\">Antik Brevholder i Messing med To Rum \u2014 Historisme \/ Servietholder (antique brass letter rack compartments napkin holder)<\/h3>\n<p data-path-to-node=\"53\">Klassisk skrivebordskultur og fin bordd\u00e6kningstradition m\u00f8des i denne lille, men tunge brevholder (<i data-path-to-node=\"53\" data-index-in-node=\"99\">letter rack<\/i>) i messing. Oprindeligt skabt til herrev\u00e6relset til sortering af korrespondance, fungerer denne alsidige genstand i dag liges\u00e5 smukt som kortholder eller servietholder p\u00e5 middagsbordet. Designet er i rig <i data-path-to-node=\"53\" data-index-in-node=\"315\">historistisk<\/i> stil, hvor de tre parallelle v\u00e6gge er st\u00f8bt som sirlige neobarokke rocailler og akantusblade. De to dybe rum underst\u00f8ttes af fire dekorative f\u00f8dder.<\/p>\n<p data-path-to-node=\"54\">Fremstillet omkring 1885\u20131895, vidner holderen om den h\u00f8je kvalitet i europ\u00e6isk metalst\u00f8bning. Messingen fremst\u00e5r i flot original stand med en m\u00f8rk, dyb patina i relieffet, som bevidst er bevaret for at beskytte det antikke udtryk. Skillev\u00e6ggene er fuldst\u00e6ndig stabile. Varens stand er fuldt ud vist p\u00e5 billederne.<\/p>\n<p data-path-to-node=\"55\"><b data-path-to-node=\"55\" data-index-in-node=\"0\"><i data-path-to-node=\"55\" data-index-in-node=\"0\">Historistisk tidsbillede, ingeni\u00f8r Louis Wells (Louis Wells):<\/i><\/b> <i data-path-to-node=\"55\" data-index-in-node=\"62\">P\u00e5 kontoret hos Louis Wells, chefingeni\u00f8ren p\u00e5 Tosmare-skibsv\u00e6rftet, hersker en sen aftenstilhed, kun brudt af papirers raslen. P\u00e5 skrivebordet, ved siden af de friske tegninger af dampskibsskrog, st\u00e5r en lille, tung brevholder i messing mellem b\u00f8gerne, og i dens gennembrudte m\u00f8nstre sidder to netop ankomne breve fra Paris og London. Wells st\u00f6tter hovedet i h\u00e6nderne og betragter de patinerede akantusblade \u2014 dette fine stykke metal, som fanger lampelyset i sit relief, virker som et fredeligt kunstnerisk anker midt i de r\u00e5 beregninger og de rygende dokker udenfor vinduet.<\/i><\/p>\n<p data-path-to-node=\"56\"><i data-path-to-node=\"56\" data-index-in-node=\"0\">Mens direkt\u00f8rerne i nabokontorerne flittigt f\u00f8rer fjerpennen for at bogf\u00f8re guvernementets nye store industriordrer, forbliver elegancen fra de gamle europ\u00e6iske saloner bevaret her ved skrivebordet, fastholdt i tungt, h\u00e5ndbearbejdet messing.<\/i><\/p>\n<p data-path-to-node=\"58\">\ud83c\uddf8\ud83c\uddea<\/p>\n<h3 data-path-to-node=\"59\">Antik Brevst\u00e4llare i M\u00e4ssing med Tv\u00e5 Fack \u2014 Historism \/ Servetth\u00e5llare (antique brass letter rack compartments napkin holder)<\/h3>\n<p data-path-to-node=\"60\">Klassisk skrivbordskultur och sekelskiftets dukningstradition m\u00f6ts i detta lilla men tunga brevst\u00e4ll (<i data-path-to-node=\"60\" data-index-in-node=\"102\">letter rack<\/i>) i gjuten m\u00e4ssing. Ursprungligen formgivet f\u00f6r herrummet f\u00f6r sortering av korespondens, fungerar detta m\u00e5ngsidiga f\u00f6rem\u00e5l i dag lika vackert som servetth\u00e5llare p\u00e5 det dukade bordet. Formgivningen \u00e4r i rik <i data-path-to-node=\"60\" data-index-in-node=\"319\">historism<\/i> (neobarock), d\u00e4r de tre parallella v\u00e4ggarna \u00e4r gjutna med sirligt genombrutna akantusblad och rocailler. De tv\u00e5 facken b\u00e4rs upp av fyra dekorativa f\u00f6tter.<\/p>\n<p data-path-to-node=\"61\">Tillverkat omkring 1885\u20131895 vid en europeisk konstmanufaktur, vittnar st\u00e4llet om den h\u00f6ga kvaliteten i tidens metallhantverk. M\u00e4ssingen har kvar sin or\u00f6rda originalpatina med djupa kontraster i relieffet, som medvetet bevarats. Mellanv\u00e4ggarna \u00e4r stabila och l\u00f6tningarna intakta. Varans skick \u00e4r helt reflekterat i bilderna.<\/p>\n<p data-path-to-node=\"62\"><b data-path-to-node=\"62\" data-index-in-node=\"0\"><i data-path-to-node=\"62\" data-index-in-node=\"0\">Historisk tidsbild, ingenj\u00f6r Louis Wells (Louis Wells):<\/i><\/b> <i data-path-to-node=\"62\" data-index-in-node=\"56\">P\u00e5 kontoret hos Louis Wells, chefsingenj\u00f6ren vid Tosmare-varvet, r\u00e5der en sen kv\u00e4llsstilla, st\u00f6rd endast av prasslet fr\u00e5n dokumentmappar. P\u00e5 skrivbordet, bredvid de nya ritningarna till \u00e5ngb\u00e5tsskrov, st\u00e5r ett litet, tungt brevst\u00e4ll i m\u00e4ssing mellan b\u00f6ckerna. I dess barocka m\u00f6nster vilar tv\u00e5 nyss anl\u00e4nda brev fr\u00e5n Paris och London. Wells st\u00f6der huvudet i h\u00e4nderna och betraktar de patinerade akantusbladen \u2014 detta fina metallf\u00f6rem\u00e5l, vars genombrutna former f\u00e5ngar lampans sken, blir som ett fridfullt konstn\u00e4rligt ankare mitt ibland de h\u00e5rda ber\u00e4kningarna och de rykande dockorna utanf\u00f6r f\u00f6nstret.<\/i><\/p>\n<p data-path-to-node=\"63\"><i data-path-to-node=\"63\" data-index-in-node=\"0\">Medan direkt\u00f6rerna i rummen bredvid doppar sina fj\u00e4derpennor f\u00f6r att protokollf\u00f6ra guvernementets nya industriorder, f\u00f6rblir elegancen fr\u00e5n det gamla Europas salonger bevarad h\u00e4r vid skrivbordet, frusen i tung m\u00e4ssing bearbetad f\u00f6r hand.<\/i><\/p>\n<p data-path-to-node=\"65\">\ud83c\uddf3\ud83c\uddf4<\/p>\n<h3 data-path-to-node=\"66\">Antikk Brevholder i Messing med To Rom \u2014 Historisme \/ Servietholder (antique brass letter rack compartments napkin holder)<\/h3>\n<p data-path-to-node=\"67\">Klassisk skrivebordskultur og fin borddekningstradisjon m\u00f8tes i denne lille, men tunge brevholderen (<i data-path-to-node=\"67\" data-index-in-node=\"101\">letter rack<\/i>) i messing. Opprinnelig skapt til herrev\u00e6relset til sortering av korrespondanse, fungerer denne allsidige gjenstanden i dag likes\u00e5 smukt som kortholder eller servietholder p\u00e5 middagsbordet. Designet er i rik <i data-path-to-node=\"67\" data-index-in-node=\"321\">historistisk<\/i> stil, hvor de tre parallelle veggene er st\u00f8pt som sirlige neobarokke rocailler og akantusblader. De to dype rommene underst\u00f8ttes av fire dekorative f\u00f8tter.<\/p>\n<p data-path-to-node=\"68\">Fremstilt omkring 1885\u20131895, vitner holderen om den h\u00f8ye kvaliteten i europeisk metallst\u00f8pning. Messingen fremst\u00e5r i flott original stand med en m\u00f8rk, dyp patina i relieffet, som bevisst er bevart for \u00e5 beskytte det antikke uttrykket. Skilleveggene er fullstendig stabile. Varens stand er fuldt ud vist p\u00e5 billederne.<\/p>\n<p data-path-to-node=\"69\"><b data-path-to-node=\"69\" data-index-in-node=\"0\"><i data-path-to-node=\"69\" data-index-in-node=\"0\">Historistisk tidsbilde, ingeni\u00f8r Louis Wells (Louis Wells):<\/i><\/b> <i data-path-to-node=\"69\" data-index-in-node=\"60\">P\u00e5 kontoret hos Louis Wells, sjefingeni\u00f8ren p\u00e5 Tosmare-skibsv\u00e6rftet, hersker en sen aftenstilhet, kun brutt av papirers rasling. P\u00e5 skrivebordet, ved siden av de friske tegningene av dampskibsskrog, st\u00e5r en lille, tung brevholder i messing mellom b\u00f8kene, og i dens gennembrudte m\u00f8nstre sitter to netop ankomne breve fra Paris og London. Wells st\u00f6tter hovedet i hendene og betrakter de patinerte akantusblade \u2014 dette fine stykke metall, som fanger lampelyset i sitt relieff, virker som et fredelig kunstnerisk anker midt i de r\u00e5 beregningene og de rygende dokker utenfor vinduet.<\/i><\/p>\n<p data-path-to-node=\"70\"><i data-path-to-node=\"70\" data-index-in-node=\"0\">Mens direkt\u00f8rene i nabokontorene flittig f\u00f8rer fjerpennen for at bogf\u00f8re guvernementets nye store industriordrer, forbliver elegansen fra de gamle europeiske saloner bevart her ved skrivebordet, fastholdt i tungt, h\u00e5ndbearbeidet messing.<\/i><\/p>\n<p data-path-to-node=\"72\">\ud83c\uddeb\ud83c\uddee<\/p>\n<h3 data-path-to-node=\"73\">Anttiikki Messinkinen Kirjeteline Kahdella Osastolla \u2014 Historismi \/ Servettiteline (antique brass letter rack compartments napkin holder)<\/h3>\n<p data-path-to-node=\"74\">Hienostunut kirjoitusp\u00f6yt\u00e4kulttuuri ja vuosisadanvaihteen p\u00f6yt\u00e4etiketti kohtaavat t\u00e4ss\u00e4 pieness\u00e4 mutta painavassa messinkisess\u00e4 kirjetelineess\u00e4 (<i data-path-to-node=\"74\" data-index-in-node=\"145\">letter rack<\/i>). Alun perin herrasmiehen ty\u00f6huoneeseen postin j\u00e4rjestelyyn luotu teline toimii nyky\u00e4\u00e4n yht\u00e4 tyylikk\u00e4\u00e4sti servettitelineen\u00e4 juhlap\u00f6yd\u00e4ss\u00e4. Muotoilu edustaa runsasta <i data-path-to-node=\"74\" data-index-in-node=\"322\">historismia<\/i> (uusbarokkia) \u2014 sen kolme rinnakkaista v\u00e4lisein\u00e4\u00e4 on valettu pitsim\u00e4isiksi akantuksenlehden ja rokaijin muotoisiksi. Kahta osastoa kannattelee nelj\u00e4 kohokuvioitua jalkaa.<\/p>\n<p data-path-to-node=\"75\">Valmistettu noin 1885\u20131895 eurooppalaisessa taidevalimossa, teline todistaa aikansa metallity\u00f6n korkeasta laadusta. Messingiss\u00e4 on s\u00e4ilynyt sen alkuper\u00e4inen tumma patina reliefeiss\u00e4, mik\u00e4 antaa esineelle hienon antiikkisen luonteen. V\u00e4lisein\u00e4t ovat t\u00e4ysin tukevat ja kiinnitykset alkuper\u00e4iset. Tuotteen kunto n\u00e4kyy t\u00e4ydellisesti valokuvissa.<\/p>\n<p data-path-to-node=\"76\"><b data-path-to-node=\"76\" data-index-in-node=\"0\"><i data-path-to-node=\"76\" data-index-in-node=\"0\">Historismin aikakauden tuokiokuva, insin\u00f6\u00f6ri Louis Wells (Louis Wells):<\/i><\/b> <i data-path-to-node=\"76\" data-index-in-node=\"72\">Tosmarin telakan p\u00e4\u00e4piirt\u00e4j\u00e4n ja insin\u00f6\u00f6rin Louis Wellsin ty\u00f6huoneessa vallitsee my\u00f6h\u00e4isillan hiljaisuus, jota rikkoo vain asiakirjakansioiden kahina. P\u00f6yd\u00e4ll\u00e4, uusien ranskalaisten h\u00f6yrylaivojen runkopiirustusten vieress\u00e4, seisoo kirjojen ja mustepullon v\u00e4liss\u00e4 pieni, painava messinkinen kirjeteline, jonka barokkilaisten k\u00f6ynn\u00f6sten suojassa lep\u00e4\u00e4 kaksi juuri saapunutta kirjett\u00e4 Pariisista ja Lontoosta. Wells nojaa leukaansa k\u00e4mmeniins\u00e4 ja pys\u00e4ytt\u00e4\u00e4 katseensa patinoituneisiin akantuksenlehtiin \u2014 t\u00e4m\u00e4 siro metalliesine, jonka pitsikuviot taittavat lampun valoa, toimii pienen\u00e4 taiteen ankkurina kuivien laskelmien ja ikkunan takana h\u00e4\u00e4m\u00f6tt\u00e4vien telakka-altaiden v\u00e4liss\u00e4.<\/i><\/p>\n<p data-path-to-node=\"77\"><i data-path-to-node=\"77\" data-index-in-node=\"0\">Samalla kun naapurihuoneissa johtajat ja rahastonhoitajat kirjaavat fanaattisesti kuvernementin uusia suuria teollisuustilauksia, t\u00e4\u00e4ll\u00e4 yhden ty\u00f6p\u00f6yd\u00e4n \u00e4\u00e4ress\u00e4 vanhan Euroopan salongin eleganssi s\u00e4ilyy koskemattomana, vangittuna raskaaseen, k\u00e4sin viimeisteltyyn messinkiin.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ekskluz\u012bvs, izsmalcin\u0101ts un neliela izm\u0113ra ant\u012bks misi\u0146a\/bronzas v\u0113stu\u013cu un dokumentu tur\u0113t\u0101js (izmantojams ar\u012b k\u0101 salve\u0161u stat\u012bvs) grezn\u0101 historisma stila izpild\u012bjum\u0101. Priek\u0161metu rot\u0101 filigr\u0101ns, caurviju tehnik\u0101 veidots barok\u0101ls ornaments, un tas ir sadal\u012bts divos nodal\u012bjumos. Konstrukciju balsta \u010detras plastiskas, reljefas k\u0101jas ar flor\u0101liem mot\u012bviem.<\/p>\n","protected":false},"featured_media":45277,"template":"","meta":[],"product_brand":[],"product_cat":[233,250,204],"product_tag":[1131,1139,1138,1134,1135,1136,568,1140,1133,420,1137,1054,1132,1087,1141],"class_list":["post-45276","product","type-product","status-publish","has-post-thumbnail","product_cat-mazas-lietas","product_cat-rakstamgalda-aksesuari","product_cat-visas-lietas","product_tag-antiks-vestulu-turetajs","product_tag-antique-napkin-holder","product_tag-brass-letter-rack","product_tag-caurviju-ornaments","product_tag-divi-nodalijumi","product_tag-galda-piederumi","product_tag-historisma-stils","product_tag-luiss-vels","product_tag-misina-stativs","product_tag-neobaroks","product_tag-rakstamlietas","product_tag-riga","product_tag-salvesu-turetajs","product_tag-tosmare","product_tag-tosmares-kugubuvetava","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/45276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/45277"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=45276"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=45276"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=45276"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=45276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}