{"id":44417,"date":"2026-05-02T20:05:17","date_gmt":"2026-05-02T17:05:17","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=44417"},"modified":"2026-09-08T10:15:57","modified_gmt":"2026-09-08T07:15:57","slug":"83182","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/83182\/","title":{"rendered":"Ant\u012bks Franz Anton Mehlem &#8220;Nymphaea&#8221; tualetes komplekts \u2014 V\u0101cija (Antique &#8220;Franz Anton Mehlem&#8221; wash set with water lilies) (6478)"},"content":{"rendered":"<p data-path-to-node=\"9\">\ud83c\uddf1\ud83c\uddfb Augstums kr\u016bkai: ~31,5 cm Diametrs b\u013codai: ~42 cm<\/p>\n<p data-path-to-node=\"10\"><b data-path-to-node=\"10\" data-index-in-node=\"0\">Ant\u012bks &#8220;Franz Anton Mehlem&#8221; keramikas tualetes komplekts ar \u016bdensroz\u0113m<\/b><\/p>\n<p data-path-to-node=\"11\"><b data-path-to-node=\"11\" data-index-in-node=\"0\"><i data-path-to-node=\"11\" data-index-in-node=\"0\">Impresionisma momentuz\u0146\u0113mums, L\u016bsija Delar\u012b-Mardrusa (Lucie Delarue-Mardrus):<\/i><\/b> <i data-path-to-node=\"11\" data-index-in-node=\"78\">Savas dzimt\u0101s Onfloras (Honfleur) m\u0101jas saules pielietaj\u0101 istab\u0101, no kuras pav\u0113r\u0101s elpu aizraujo\u0161s skats uz S\u0113nas estu\u0101ru un t\u0101 m\u016b\u017e\u012bgi main\u012bgaj\u0101m debes\u012bm, dzejniece un t\u0113lniece L\u016bsija Delar\u012b-Mardrusa nesteidz\u012bgi gatavoj\u0101s r\u012bta tualetei. Uz mas\u012bv\u0101 koka mazg\u0101\u0161an\u0101s galdi\u0146a, r\u012bta gaismas apmirdz\u0113ts, lepni st\u0101v\u0113ja iespaid\u012bgs keramikas komplekts, kas pavisam nesen bija atce\u013cojis no V\u0101cijas. T\u0101 kl\u0101tb\u016btne telp\u0101 ienesa pavisam jaunu, modernu un pl\u016bsto\u0161u ener\u0123iju.<\/i><\/p>\n<p data-path-to-node=\"12\"><i data-path-to-node=\"12\" data-index-in-node=\"0\">Komplekta sarkanbr\u016bnie \u016bdensro\u017eu mot\u012bvi (&#8220;Nymphaea&#8221;) un dabas veidot\u0101s, asimetrisk\u0101s reljefa l\u012bnijas dzejniecei tik \u013coti atg\u0101din\u0101ja impresionistu iecien\u012btos d\u012b\u0137us un ziedu kompoz\u012bcijas. T\u0101s bija t\u0101s pa\u0161as trausl\u0101s \u016bdensrozes, kuras vi\u0146as slavenais draugs un novadnieks Klods Mon\u0113 tik kaisl\u012bgi un nenogursto\u0161i iem\u016b\u017ein\u0101ja uz saviem audekliem, mekl\u0113jot gaismas un \u016bdens atspulgu ide\u0101lo sasp\u0113li. Katrs izliekums uz kr\u016bkas un b\u013codas \u0161\u0137ita k\u0101 rad\u012bts, lai svin\u0113tu dabas neierobe\u017eoto skaistumu.<\/i><\/p>\n<p data-path-to-node=\"13\"><i data-path-to-node=\"13\" data-index-in-node=\"0\">Svaigajam, v\u0113sajam \u016bdenim ar klusu \u0161\u013cakstu iegulstot lielaj\u0101 b\u013cod\u0101, trauka smalkais krakel\u016bras t\u012bklojums rad\u012bja saj\u016btu, ka \u0161\u012b keramika ir organiski saaugusi ar laiku un pa\u0161u dabu. \u0160is V\u0101cijas &#8220;Art Nouveau&#8221; meistardarbs L\u016bsijai nebija tikai vienk\u0101r\u0161s sadz\u012bves priek\u0161mets; tas bija ikr\u012bta est\u0113tisks baud\u012bjums, kas ienesa tradicion\u0101lajos normandie\u0161u r\u012btos Eiropas modern\u0101s m\u0101kslas dvesmu un atg\u0101din\u0101ja par m\u0101kslas sp\u0113ku p\u0101rv\u0113rst ikdienu dzej\u0101.<\/i><\/p>\n<p data-path-to-node=\"14\"><b data-path-to-node=\"14\" data-index-in-node=\"0\">Ievads<\/b> \u0160is iespaid\u012bg\u0101 izm\u0113ra un skaistuma ant\u012bkais tualetes komplekts (kr\u016bka, b\u013coda un trauci\u0146\u0161) ir izcils agr\u012bn\u0101 <i data-path-to-node=\"14\" data-index-in-node=\"114\">Art Nouveau<\/i> (J\u016bgendstila) un <i data-path-to-node=\"14\" data-index-in-node=\"143\">transferware<\/i> (transferdrukas) tehnikas paraugs. Izgatavots le\u0123end\u0101raj\u0101 V\u0101cijas r\u016bpn\u012bc\u0101, tas iemieso 19. un 20. gadsimta mijas m\u012blest\u012bbu pret pl\u016bsto\u0161\u0101m l\u012bnij\u0101m un dabas, \u012bpa\u0161i \u016bdens, elementiem.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Izgatavo\u0161anas periods<\/b> 19. gadsimta beigas \/ 20. gadsimta s\u0101kums (ap 1890.\u20131900. gadiem), Bonna, V\u0101cija.<\/p>\n<p data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">Ra\u017eot\u0101js un paraksts<\/b> Uz trauku pamatn\u0113m redzams sarkanbr\u016bns z\u012bmogs ar tor\u0146a simbolu un uzrakstiem &#8220;FM&#8221;, &#8220;BONN&#8221;, &#8220;NYMPHAEA&#8221; un &#8220;GERMANY&#8221;. \u0160is mar\u0137\u0113jums pieder v\u0113sturiskajai keramikas un porcel\u0101na fabrikai <i data-path-to-node=\"16\" data-index-in-node=\"204\">Franz Anton Mehlem<\/i>, kas atrad\u0101s Bonn\u0101 un darboj\u0101s l\u012bdz 1931. gadam (kad to p\u0101r\u0146\u0113ma <i data-path-to-node=\"16\" data-index-in-node=\"287\">Villeroy &amp; Boch<\/i>).<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\">Dizains un dekors<\/b> Komplekts ir ietur\u0113ts &#8220;NYMPHAEA&#8221; (\u016bdensroze) s\u0113rijas dizain\u0101. T\u0101 est\u0113tika ir spilgts <i data-path-to-node=\"17\" data-index-in-node=\"103\">Art Nouveau<\/i> paraugs \u2013 keramikas korpuss ir bag\u0101t\u012bgi rot\u0101ts ar asimetrisk\u0101m, pl\u016bsto\u0161\u0101m reljefa l\u012bnij\u0101m un izteiksm\u012bg\u0101m \u016bdensro\u017eu un to lapu form\u0101m. Reljefu papildina sarkanbr\u016bns (monohroms) tran\u0161\u0113\u0161anas jeb transferdrukas tehnikas z\u012bm\u0113jums, kur\u0101 smalki att\u0113lotas \u016bdensrozes. Glaz\u016brai ir izveidojies bl\u012bvs un \u013coti dekorat\u012bvs s\u012bku plaisi\u0146u t\u012bklojums (krakel\u016bra), kas fajansam piedod fantastisku, autentisku ant\u012bko raksturu.<\/p>\n<p data-path-to-node=\"18\"><b data-path-to-node=\"18\" data-index-in-node=\"0\">Pielietojums<\/b> \u0160is komplekts (liel\u0101 kr\u016bka, mas\u012bv\u0101 b\u013coda un iegarenais ziepju\/\u0137emmju trauci\u0146\u0161 ar v\u0101ku) ir lielisks kolekcijas priek\u0161mets. Pateicoties t\u0101 monument\u0101lajam izm\u0113ram (b\u013codas diametrs ir 42 cm), tas kalpos k\u0101 absol\u016bti unik\u0101ls un izteiksm\u012bgs dizaina elements vannas istab\u0101, lauku mui\u017eas gu\u013camistab\u0101 vai uz klasiskas kumodes.<\/p>\n<p data-path-to-node=\"19\"><b data-path-to-node=\"19\" data-index-in-node=\"0\">St\u0101voklis<\/b> Loti labs ant\u012bks st\u0101voklis, \u0146emot v\u0113r\u0101 komplekta vecumu un sadz\u012bves pielietojumu. Keramikai ir rakstur\u012bg\u0101 krakel\u016bra. Uz b\u013codas malas (fotogr\u0101fij\u0101s fiks\u0113ts) ir sena, dzelten\u012bga l\u016bzuma vai plaisas p\u0113da\/l\u012bm\u0113jums, kas gadu gait\u0101 ir ieguvis tum\u0161\u0101ku toni un sapl\u016bst ar kop\u0113jo ant\u012bko t\u0113lu, neietekm\u0113jot priek\u0161meta stabilit\u0101ti un est\u0113tisko v\u0113rt\u012bbu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"21\">\ud83c\uddf7\ud83c\uddfa \u0412\u044b\u0441\u043e\u0442\u0430 \u043a\u0443\u0432\u0448\u0438\u043d\u0430: ~31,5 \u0441\u043c \u0414\u0438\u0430\u043c\u0435\u0442\u0440 \u0442\u0430\u0437\u0430: ~42 \u0441\u043c <i data-path-to-node=\"21\" data-index-in-node=\"51\">\u041f\u0440\u0438\u043c\u0435\u0440\u043d\u044b\u0435 \u0440\u0430\u0437\u043c\u0435\u0440\u044b.<\/i><\/p>\n<h3 data-path-to-node=\"22\"><b data-path-to-node=\"22\" data-index-in-node=\"0\">\u0410\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u0442\u0443\u0430\u043b\u0435\u0442\u043d\u044b\u0439 \u043d\u0430\u0431\u043e\u0440 &#8220;Franz Anton Mehlem&#8221; \u0441 \u0432\u043e\u0434\u044f\u043d\u044b\u043c\u0438 \u043b\u0438\u043b\u0438\u044f\u043c\u0438<\/b><\/h3>\n<p data-path-to-node=\"23\"><b data-path-to-node=\"23\" data-index-in-node=\"0\"><i data-path-to-node=\"23\" data-index-in-node=\"0\">\u0421\u043d\u0438\u043c\u043e\u043a \u044d\u043f\u043e\u0445\u0438 \u0438\u043c\u043f\u0440\u0435\u0441\u0441\u0438\u043e\u043d\u0438\u0437\u043c\u0430, \u041b\u044e\u0441\u0438 \u0414\u0435\u043b\u0430\u0440\u044e-\u041c\u0430\u0440\u0434\u0440\u044e\u0441 (Lucie Delarue-Mardrus):<\/i><\/b> <i data-path-to-node=\"23\" data-index-in-node=\"74\">\u0412 \u0437\u0430\u043b\u0438\u0442\u043e\u0439 \u0441\u043e\u043b\u043d\u0446\u0435\u043c \u043a\u043e\u043c\u043d\u0430\u0442\u0435 \u0441\u0432\u043e\u0435\u0433\u043e \u0440\u043e\u0434\u043d\u043e\u0433\u043e \u0434\u043e\u043c\u0430 \u0432 \u041e\u043d\u0444\u043b\u0451\u0440\u0435 (Honfleur), \u043e\u0442\u043a\u0443\u0434\u0430 \u043e\u0442\u043a\u0440\u044b\u0432\u0430\u043b\u0441\u044f \u0437\u0430\u0445\u0432\u0430\u0442\u044b\u0432\u0430\u044e\u0449\u0438\u0439 \u0432\u0438\u0434 \u043d\u0430 \u0443\u0441\u0442\u044c\u0435 \u0421\u0435\u043d\u044b \u0438 \u0435\u0435 \u0432\u0435\u0447\u043d\u043e \u043c\u0435\u043d\u044f\u044e\u0449\u0435\u0435\u0441\u044f \u043d\u0435\u0431\u043e, \u043f\u043e\u044d\u0442\u0435\u0441\u0441\u0430 \u0438 \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u043e\u0440 \u041b\u044e\u0441\u0438 \u0414\u0435\u043b\u0430\u0440\u044e-\u041c\u0430\u0440\u0434\u0440\u044e\u0441 \u043d\u0435\u0441\u043f\u0435\u0448\u043d\u043e \u0433\u043e\u0442\u043e\u0432\u0438\u043b\u0430\u0441\u044c \u043a \u0443\u0442\u0440\u0435\u043d\u043d\u0435\u043c\u0443 \u0442\u0443\u0430\u043b\u0435\u0442\u0443. \u041d\u0430 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u043e\u043c \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u043e\u043c \u0443\u043c\u044b\u0432\u0430\u043b\u044c\u043d\u0438\u043a\u0435, \u043e\u0437\u0430\u0440\u0435\u043d\u043d\u044b\u0439 \u0443\u0442\u0440\u0435\u043d\u043d\u0438\u043c \u0441\u0432\u0435\u0442\u043e\u043c, \u0433\u043e\u0440\u0434\u043e \u0441\u0442\u043e\u044f\u043b \u0432\u043d\u0443\u0448\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u043a\u0435\u0440\u0430\u043c\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043d\u0430\u0431\u043e\u0440, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u0441\u043e\u0432\u0441\u0435\u043c \u043d\u0435\u0434\u0430\u0432\u043d\u043e \u043f\u0440\u0438\u0431\u044b\u043b \u0438\u0437 \u0413\u0435\u0440\u043c\u0430\u043d\u0438\u0438. \u0415\u0433\u043e \u043f\u0440\u0438\u0441\u0443\u0442\u0441\u0442\u0432\u0438\u0435 \u043f\u0440\u0438\u0432\u043d\u0435\u0441\u043b\u043e \u0432 \u043a\u043e\u043c\u043d\u0430\u0442\u0443 \u0441\u043e\u0432\u0435\u0440\u0448\u0435\u043d\u043d\u043e \u043d\u043e\u0432\u0443\u044e, \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0443\u044e \u0438 \u043f\u043b\u0430\u0432\u043d\u0443\u044e \u044d\u043d\u0435\u0440\u0433\u0438\u044e.<\/i><\/p>\n<p data-path-to-node=\"24\"><i data-path-to-node=\"24\" data-index-in-node=\"0\">\u041a\u0440\u0430\u0441\u043d\u043e-\u043a\u043e\u0440\u0438\u0447\u043d\u0435\u0432\u044b\u0435 \u043c\u043e\u0442\u0438\u0432\u044b \u0432\u043e\u0434\u044f\u043d\u044b\u0445 \u043b\u0438\u043b\u0438\u0439 (&#8220;Nymphaea&#8221;) \u0438 \u0441\u043e\u0437\u0434\u0430\u043d\u043d\u044b\u0435 \u043f\u0440\u0438\u0440\u043e\u0434\u043e\u0439 \u0430\u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u044b\u0435 \u0440\u0435\u043b\u044c\u0435\u0444\u043d\u044b\u0435 \u043b\u0438\u043d\u0438\u0438 \u0442\u0430\u043a \u0441\u0438\u043b\u044c\u043d\u043e \u043d\u0430\u043f\u043e\u043c\u0438\u043d\u0430\u043b\u0438 \u043f\u043e\u044d\u0442\u0435\u0441\u0441\u0435 \u0438\u0437\u043b\u044e\u0431\u043b\u0435\u043d\u043d\u044b\u0435 \u043f\u0440\u0443\u0434\u044b \u0438 \u0446\u0432\u0435\u0442\u043e\u0447\u043d\u044b\u0435 \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0438 \u0438\u043c\u043f\u0440\u0435\u0441\u0441\u0438\u043e\u043d\u0438\u0441\u0442\u043e\u0432. \u042d\u0442\u043e \u0431\u044b\u043b\u0438 \u0442\u0435 \u0441\u0430\u043c\u044b\u0435 \u0445\u0440\u0443\u043f\u043a\u0438\u0435 \u043a\u0443\u0432\u0448\u0438\u043d\u043a\u0438, \u043a\u043e\u0442\u043e\u0440\u044b\u0435 \u0435\u0435 \u0437\u043d\u0430\u043c\u0435\u043d\u0438\u0442\u044b\u0439 \u0434\u0440\u0443\u0433 \u0438 \u0437\u0435\u043c\u043b\u044f\u043a \u041a\u043b\u043e\u0434 \u041c\u043e\u043d\u0435 \u0442\u0430\u043a \u0441\u0442\u0440\u0430\u0441\u0442\u043d\u043e \u0438 \u043d\u0435\u0443\u0441\u0442\u0430\u043d\u043d\u043e \u0437\u0430\u043f\u0435\u0447\u0430\u0442\u043b\u0435\u0432\u0430\u043b \u043d\u0430 \u0441\u0432\u043e\u0438\u0445 \u0445\u043e\u043b\u0441\u0442\u0430\u0445, \u0432 \u043f\u043e\u0438\u0441\u043a\u0430\u0445 \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u043e\u0439 \u0438\u0433\u0440\u044b \u0441\u0432\u0435\u0442\u0430 \u0438 \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u0438\u0439 \u043d\u0430 \u0432\u043e\u0434\u0435. \u041a\u0430\u0436\u0434\u044b\u0439 \u0438\u0437\u0433\u0438\u0431 \u043a\u0443\u0432\u0448\u0438\u043d\u0430 \u0438 \u0442\u0430\u0437\u0430 \u043a\u0430\u0437\u0430\u043b\u0441\u044f \u0441\u043e\u0437\u0434\u0430\u043d\u043d\u044b\u043c \u0434\u043b\u044f \u0442\u043e\u0433\u043e, \u0447\u0442\u043e\u0431\u044b \u0432\u043e\u0441\u043f\u0435\u0432\u0430\u0442\u044c \u0431\u0435\u0437\u0433\u0440\u0430\u043d\u0438\u0447\u043d\u0443\u044e \u043a\u0440\u0430\u0441\u043e\u0442\u0443 \u043f\u0440\u0438\u0440\u043e\u0434\u044b.<\/i><\/p>\n<p data-path-to-node=\"25\"><i data-path-to-node=\"25\" data-index-in-node=\"0\">\u041a\u043e\u0433\u0434\u0430 \u0441\u0432\u0435\u0436\u0430\u044f, \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u0430\u044f \u0432\u043e\u0434\u0430 \u0441 \u0442\u0438\u0445\u0438\u043c \u043f\u043b\u0435\u0441\u043a\u043e\u043c \u043d\u0430\u043f\u043e\u043b\u043d\u0438\u043b\u0430 \u0431\u043e\u043b\u044c\u0448\u043e\u0439 \u0442\u0430\u0437, \u0442\u043e\u043d\u043a\u0430\u044f \u0441\u0435\u0442\u044c \u043a\u0440\u0430\u043a\u0435\u043b\u044e\u0440\u0430 \u043d\u0430 \u043f\u043e\u0441\u0443\u0434\u0435 \u0441\u043e\u0437\u0434\u0430\u043b\u0430 \u043e\u0449\u0443\u0449\u0435\u043d\u0438\u0435, \u0447\u0442\u043e \u044d\u0442\u0430 \u043a\u0435\u0440\u0430\u043c\u0438\u043a\u0430 \u043e\u0440\u0433\u0430\u043d\u0438\u0447\u043d\u043e \u0441\u0440\u043e\u0441\u043b\u0430\u0441\u044c \u0441\u043e \u0432\u0440\u0435\u043c\u0435\u043d\u0435\u043c \u0438 \u0441\u0430\u043c\u043e\u0439 \u043f\u0440\u0438\u0440\u043e\u0434\u043e\u0439. \u042d\u0442\u043e\u0442 \u043d\u0435\u043c\u0435\u0446\u043a\u0438\u0439 \u0448\u0435\u0434\u0435\u0432\u0440 &#8220;\u0430\u0440-\u043d\u0443\u0432\u043e&#8221; \u0431\u044b\u043b \u0434\u043b\u044f \u041b\u044e\u0441\u0438 \u043d\u0435 \u043f\u0440\u043e\u0441\u0442\u043e \u043e\u0431\u044b\u0447\u043d\u044b\u043c \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u043e\u043c \u0431\u044b\u0442\u0430; \u044d\u0442\u043e \u0431\u044b\u043b\u043e \u0435\u0436\u0435\u0434\u043d\u0435\u0432\u043d\u043e\u0435 \u0443\u0442\u0440\u0435\u043d\u043d\u0435\u0435 \u044d\u0441\u0442\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0435 \u043d\u0430\u0441\u043b\u0430\u0436\u0434\u0435\u043d\u0438\u0435, \u043a\u043e\u0442\u043e\u0440\u043e\u0435 \u043f\u0440\u0438\u0432\u043d\u043e\u0441\u0438\u043b\u043e \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u044b\u0435 \u043d\u043e\u0440\u043c\u0430\u043d\u0434\u0441\u043a\u0438\u0435 \u0443\u0442\u0440\u0430 \u0434\u0443\u0445 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0433\u043e \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0438 \u043d\u0430\u043f\u043e\u043c\u0438\u043d\u0430\u043b\u043e \u043e \u0441\u0438\u043b\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u043f\u0440\u0435\u0432\u0440\u0430\u0449\u0430\u0442\u044c \u043f\u043e\u0432\u0441\u0435\u0434\u043d\u0435\u0432\u043d\u043e\u0441\u0442\u044c \u0432 \u043f\u043e\u044d\u0437\u0438\u044e.<\/i><\/p>\n<p data-path-to-node=\"26\">\u042d\u0442\u043e\u0442 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u0442\u0443\u0430\u043b\u0435\u0442\u043d\u044b\u0439 \u043d\u0430\u0431\u043e\u0440 (\u043a\u0443\u0432\u0448\u0438\u043d, \u0442\u0430\u0437 \u0438 \u043c\u044b\u043b\u044c\u043d\u0438\u0446\u0430) \u0432\u043d\u0443\u0448\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0445 \u0440\u0430\u0437\u043c\u0435\u0440\u043e\u0432 \u0438 \u043a\u0440\u0430\u0441\u043e\u0442\u044b \u2014 \u0432\u044b\u0434\u0430\u044e\u0449\u0438\u0439\u0441\u044f \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u0440\u0430\u043d\u043d\u0435\u0433\u043e \u0441\u0442\u0438\u043b\u044f <i data-path-to-node=\"26\" data-index-in-node=\"125\">Art Nouveau<\/i> (\u043c\u043e\u0434\u0435\u0440\u043d) \u0438 \u0442\u0435\u0445\u043d\u0438\u043a\u0438 \u0442\u0440\u0430\u043d\u0441\u0444\u0435\u0440\u043d\u043e\u0439 \u043f\u0435\u0447\u0430\u0442\u0438 (transferware). \u0418\u0437\u0433\u043e\u0442\u043e\u0432\u043b\u0435\u043d \u0432 \u043a\u043e\u043d\u0446\u0435 19 &#8211; \u043d\u0430\u0447\u0430\u043b\u0435 20 \u0432\u0435\u043a\u0430 (\u043e\u043a\u043e\u043b\u043e 1890-1900 \u0433\u0433.) \u043d\u0430 \u043b\u0435\u0433\u0435\u043d\u0434\u0430\u0440\u043d\u043e\u0439 \u0444\u0430\u0431\u0440\u0438\u043a\u0435 \u0432 \u0411\u043e\u043d\u043d\u0435, \u0413\u0435\u0440\u043c\u0430\u043d\u0438\u044f.<\/p>\n<p data-path-to-node=\"27\">\u041d\u0430 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u044f\u0445 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u043a\u0440\u0430\u0441\u043d\u043e-\u043a\u043e\u0440\u0438\u0447\u043d\u0435\u0432\u043e\u0435 \u043a\u043b\u0435\u0439\u043c\u043e \u0441 \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u0435\u043c \u0431\u0430\u0448\u043d\u0438 \u0438 \u043d\u0430\u0434\u043f\u0438\u0441\u044f\u043c\u0438 &#8220;FM&#8221;, &#8220;BONN&#8221;, &#8220;NYMPHAEA&#8221; \u0438 &#8220;GERMANY&#8221;. \u042d\u0442\u0430 \u043c\u0430\u0440\u043a\u0438\u0440\u043e\u0432\u043a\u0430 \u043f\u0440\u0438\u043d\u0430\u0434\u043b\u0435\u0436\u0438\u0442 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u043a\u0435\u0440\u0430\u043c\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u0438 \u0444\u0430\u0440\u0444\u043e\u0440\u043e\u0432\u043e\u0439 \u0444\u0430\u0431\u0440\u0438\u043a\u0435 <i data-path-to-node=\"27\" data-index-in-node=\"194\">Franz Anton Mehlem<\/i>.<\/p>\n<p data-path-to-node=\"28\">\u041d\u0430\u0431\u043e\u0440 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d \u0432 \u0434\u0438\u0437\u0430\u0439\u043d\u0435 \u0441\u0435\u0440\u0438\u0438 &#8220;NYMPHAEA&#8221; (\u0432\u043e\u0434\u044f\u043d\u0430\u044f \u043b\u0438\u043b\u0438\u044f). \u041a\u0435\u0440\u0430\u043c\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043a\u043e\u0440\u043f\u0443\u0441 \u0431\u043e\u0433\u0430\u0442\u043e \u0443\u043a\u0440\u0430\u0448\u0435\u043d \u0430\u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u044b\u043c\u0438, \u043f\u043b\u0430\u0432\u043d\u044b\u043c\u0438 \u0440\u0435\u043b\u044c\u0435\u0444\u043d\u044b\u043c\u0438 \u043b\u0438\u043d\u0438\u044f\u043c\u0438 \u0438 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u043c\u0438 \u0444\u043e\u0440\u043c\u0430\u043c\u0438 \u0432\u043e\u0434\u044f\u043d\u044b\u0445 \u043b\u0438\u043b\u0438\u0439. \u0420\u0435\u043b\u044c\u0435\u0444 \u0434\u043e\u043f\u043e\u043b\u043d\u0435\u043d \u043a\u0440\u0430\u0441\u043d\u043e-\u043a\u043e\u0440\u0438\u0447\u043d\u0435\u0432\u044b\u043c (\u043c\u043e\u043d\u043e\u0445\u0440\u043e\u043c\u043d\u044b\u043c) \u0440\u0438\u0441\u0443\u043d\u043a\u043e\u043c. \u041d\u0430 \u0433\u043b\u0430\u0437\u0443\u0440\u0438 \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u043b\u0430\u0441\u044c \u043f\u043b\u043e\u0442\u043d\u0430\u044f \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u0430\u044f \u0441\u0435\u0442\u044c \u043c\u0435\u043b\u043a\u0438\u0445 \u0442\u0440\u0435\u0449\u0438\u043d\u043e\u043a (\u043a\u0440\u0430\u043a\u0435\u043b\u044e\u0440), \u043f\u0440\u0438\u0434\u0430\u044e\u0449\u0430\u044f \u0444\u0430\u044f\u043d\u0441\u0443 \u0444\u0430\u043d\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439, \u0430\u0443\u0442\u0435\u043d\u0442\u0438\u0447\u043d\u044b\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440. \u0411\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u044f \u0441\u0432\u043e\u0435\u043c\u0443 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u043e\u043c\u0443 \u0440\u0430\u0437\u043c\u0435\u0440\u0443, \u043d\u0430\u0431\u043e\u0440 \u043f\u043e\u0441\u043b\u0443\u0436\u0438\u0442 \u0443\u043d\u0438\u043a\u0430\u043b\u044c\u043d\u044b\u043c \u044d\u043b\u0435\u043c\u0435\u043d\u0442\u043e\u043c \u0434\u0438\u0437\u0430\u0439\u043d\u0430. \u041e\u0447\u0435\u043d\u044c \u0445\u043e\u0440\u043e\u0448\u0435\u0435 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u0435 \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435. \u041d\u0430 \u043a\u0440\u0430\u044e \u0442\u0430\u0437\u0430 \u0438\u043c\u0435\u0435\u0442\u0441\u044f \u0441\u0442\u0430\u0440\u044b\u0439 \u0441\u043b\u0435\u0434 \u0438\u0437\u043b\u043e\u043c\u0430\/\u0441\u043a\u043b\u0435\u0439\u043a\u0438, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u0441\u043e \u0432\u0440\u0435\u043c\u0435\u043d\u0435\u043c \u043f\u043e\u0442\u0435\u043c\u043d\u0435\u043b \u0438 \u043e\u0440\u0433\u0430\u043d\u0438\u0447\u043d\u043e \u0441\u043b\u0438\u0432\u0430\u0435\u0442\u0441\u044f \u0441 \u043e\u0431\u0449\u0438\u043c \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u044b\u043c \u043e\u0431\u043b\u0438\u043a\u043e\u043c. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"30\">\ud83c\uddec\ud83c\udde7 Jug Height: ~31.5 cm Bowl Diameter: ~42 cm <i data-path-to-node=\"30\" data-index-in-node=\"48\">Approximate dimensions.<\/i><\/p>\n<h2 data-path-to-node=\"31\"><b data-path-to-node=\"31\" data-index-in-node=\"0\">Antique &#8220;Franz Anton Mehlem&#8221; wash set with water lilies<\/b><\/h2>\n<p data-path-to-node=\"32\"><b data-path-to-node=\"32\" data-index-in-node=\"0\"><i data-path-to-node=\"32\" data-index-in-node=\"0\">A snapshot of the Impressionism era, Lucie Delarue-Mardrus:<\/i><\/b> <i data-path-to-node=\"32\" data-index-in-node=\"60\">In the sunlit room of her childhood home in Honfleur, offering a breathtaking view of the Seine estuary and its ever-changing sky, the poet and sculptor Lucie Delarue-Mardrus leisurely prepared for her morning toilette. On the massive wooden washstand, bathed in the morning light, proudly stood an impressive ceramic set that had recently arrived from Germany. Its presence brought a completely new, modern, and flowing energy into the room.<\/i><\/p>\n<p data-path-to-node=\"33\"><i data-path-to-node=\"33\" data-index-in-node=\"0\">The set&#8217;s red-brown water lily motifs (&#8220;Nymphaea&#8221;) and asymmetrical, nature-inspired relief lines strongly reminded the poet of the ponds and floral compositions so beloved by the Impressionists. These were the very same fragile water lilies that her famous friend Claude Monet so passionately and tirelessly immortalized on his canvases, seeking the perfect interplay of light and water reflections. Every curve on the jug and basin seemed designed to celebrate the boundless beauty of nature.<\/i><\/p>\n<p data-path-to-node=\"34\"><i data-path-to-node=\"34\" data-index-in-node=\"0\">As the fresh, cool water splashed softly into the large basin, the fine network of crazing on the vessel created the feeling that this ceramic had grown organically with time and nature itself. For Lucie, this German &#8220;Art Nouveau&#8221; masterpiece was not merely a simple household item; it was a daily aesthetic delight that brought the breath of modern European art into the traditional Norman mornings, serving as a reminder of art&#8217;s power to turn the everyday into poetry.<\/i><\/p>\n<p data-path-to-node=\"35\">This antique wash set (jug, basin, and soap dish) of impressive size and beauty is an outstanding example of early <i data-path-to-node=\"35\" data-index-in-node=\"115\">Art Nouveau<\/i> style and transferware technique. Crafted in the late 19th \/ early 20th century (circa 1890-1900) at a legendary factory in Bonn, Germany.<\/p>\n<p data-path-to-node=\"36\">The bases feature a red-brown stamp with a tower symbol and the inscriptions &#8220;FM&#8221;, &#8220;BONN&#8221;, &#8220;NYMPHAEA&#8221;, and &#8220;GERMANY&#8221;. This mark belongs to the historic <i data-path-to-node=\"36\" data-index-in-node=\"152\">Franz Anton Mehlem<\/i> ceramic and porcelain factory.<\/p>\n<p data-path-to-node=\"37\">The set features the &#8220;NYMPHAEA&#8221; (water lily) series design. The ceramic body is richly decorated with asymmetrical, flowing relief lines and expressive water lily forms. The relief is complemented by a red-brown (monochrome) transferware drawing. The glaze has developed a dense and highly decorative network of fine cracks (crazing), giving the faience a fantastic, authentic antique character. Thanks to its monumental size, it will serve as an absolutely unique and expressive design element in a bathroom or a country manor bedroom. Very good antique condition with characteristic crazing. There is an old, yellowish trace of a break\/repair on the edge of the basin, which has darkened over the years and blends with the overall antique look, not affecting its stability. The condition of the item is fully reflected in the photographs.<\/p>\n<p data-path-to-node=\"39\">\ud83c\udde9\ud83c\uddea Krug H\u00f6he: ~31,5 cm Waschsch\u00fcssel Durchmesser: ~42 cm <i data-path-to-node=\"39\" data-index-in-node=\"59\">Ungef\u00e4hre Ma\u00dfe.<\/i><\/p>\n<h3 data-path-to-node=\"40\"><b data-path-to-node=\"40\" data-index-in-node=\"0\">Antikes &#8220;Franz Anton Mehlem&#8221; Waschset mit Seerosen<\/b><\/h3>\n<p data-path-to-node=\"41\"><b data-path-to-node=\"41\" data-index-in-node=\"0\"><i data-path-to-node=\"41\" data-index-in-node=\"0\">Eine Momentaufnahme des Impressionismus, Lucie Delarue-Mardrus:<\/i><\/b> <i data-path-to-node=\"41\" data-index-in-node=\"64\">Im sonnendurchfluteten Zimmer ihres Elternhauses in Honfleur, das einen atemberaubenden Blick auf die Seine-M\u00fcndung und den ewig wechselnden Himmel bot, bereitete sich die Dichterin und Bildhauerin Lucie Delarue-Mardrus in aller Ruhe auf ihre Morgentoilette vor. Auf dem massiven h\u00f6lzernen Waschtisch, gebadet im Morgenlicht, stand stolz ein beeindruckendes Keramikset, das vor kurzem aus Deutschland eingetroffen war. Seine Pr\u00e4senz brachte eine v\u00f6llig neue, moderne und flie\u00dfende Energie in den Raum.<\/i><\/p>\n<p data-path-to-node=\"42\"><i data-path-to-node=\"42\" data-index-in-node=\"0\">Die rotbraunen Seerosenmotive (&#8220;Nymphaea&#8221;) und die asymmetrischen, von der Natur inspirierten Relieflinien erinnerten die Dichterin stark an die von den Impressionisten so geliebten Teiche und Blumenkompositionen. Es waren genau dieselben zerbrechlichen Seerosen, die ihr ber\u00fchmter Freund Claude Monet so leidenschaftlich und unerm\u00fcdlich auf seinen Leinw\u00e4nden verewigte, auf der Suche nach dem perfekten Zusammenspiel von Licht und Wasserreflexionen. Jede Kurve an Krug und Sch\u00fcssel schien entworfen zu sein, um die grenzenlose Sch\u00f6nheit der Natur zu feiern.<\/i><\/p>\n<p data-path-to-node=\"43\"><i data-path-to-node=\"43\" data-index-in-node=\"0\">Als das frische, k\u00fchle Wasser leise in das gro\u00dfe Becken pl\u00e4tscherte, erzeugte das feine Krakelee-Netzwerk auf dem Gef\u00e4\u00df das Gef\u00fchl, dass diese Keramik organisch mit der Zeit und der Natur selbst gewachsen sei. F\u00fcr Lucie war dieses deutsche Jugendstil-Meisterwerk nicht nur ein einfacher Haushaltsgegenstand; es war ein t\u00e4glicher \u00e4sthetischer Genuss, der den Hauch moderner europ\u00e4ischer Kunst in die traditionellen normannischen Morgenstunden brachte.<\/i><\/p>\n<p data-path-to-node=\"44\">Dieses antike Waschset von beeindruckender Gr\u00f6\u00dfe ist ein hervorragendes Beispiel f\u00fcr fr\u00fchen Jugendstil und Transferdruck-Technik. Hergestellt Ende des 19. \/ Anfang des 20. Jahrhunderts in Bonn, Deutschland. Auf der Unterseite befindet sich der Stempel &#8220;FM&#8221;, &#8220;BONN&#8221;, &#8220;NYMPHAEA&#8221; und &#8220;GERMANY&#8221; der Manufaktur Franz Anton Mehlem. Das Set (&#8220;NYMPHAEA&#8221;) ist reich mit asymmetrischen Reliefs und rotbraunen Seerosen im Transferdruck verziert. Die Glasur weist ein dichtes, dekoratives Krakelee auf. Sehr guter antiker Zustand. Am Rand der Sch\u00fcssel befindet sich eine alte, gelbliche Reparaturstelle, die nachgedunkelt ist und sich in das antike Gesamtbild einf\u00fcgt. Der Zustand ist auf den Fotos vollst\u00e4ndig ersichtlich.<\/p>\n<p data-path-to-node=\"46\">\ud83c\uddeb\ud83c\uddf7 Hauteur de la verseuse : ~31,5 cm Diam\u00e8tre de la cuvette : ~42 cm <i data-path-to-node=\"46\" data-index-in-node=\"71\">Dimensions approximatives.<\/i><\/p>\n<h3 data-path-to-node=\"47\"><b data-path-to-node=\"47\" data-index-in-node=\"0\">Ancien service de toilette &#8220;Franz Anton Mehlem&#8221; aux n\u00e9nuphars<\/b><\/h3>\n<p data-path-to-node=\"48\"><b data-path-to-node=\"48\" data-index-in-node=\"0\"><i data-path-to-node=\"48\" data-index-in-node=\"0\">Un instantan\u00e9 de l&#8217;\u00e9poque impressionniste, Lucie Delarue-Mardrus:<\/i><\/b> <i data-path-to-node=\"48\" data-index-in-node=\"66\">Dans la chambre ensoleill\u00e9e de sa maison d&#8217;enfance \u00e0 Honfleur, offrant une vue imprenable sur l&#8217;estuaire de la Seine et son ciel en perp\u00e9tuelle \u00e9volution, la po\u00e9tesse et sculptrice Lucie Delarue-Mardrus se pr\u00e9parait tranquillement pour sa toilette matinale. Sur le lavabo en bois massif, baign\u00e9 par la lumi\u00e8re du matin, se dressait fi\u00e8rement un impressionnant service en c\u00e9ramique r\u00e9cemment arriv\u00e9 d&#8217;Allemagne. Sa pr\u00e9sence apportait une \u00e9nergie compl\u00e8tement nouvelle, moderne et fluide dans la pi\u00e8ce.<\/i><\/p>\n<p data-path-to-node=\"49\"><i data-path-to-node=\"49\" data-index-in-node=\"0\">Les motifs de n\u00e9nuphars rouge-brun (&#8220;Nymphaea&#8221;) du service et les lignes en relief asym\u00e9triques inspir\u00e9es de la nature rappelaient fortement \u00e0 la po\u00e9tesse les \u00e9tangs et les compositions florales tant aim\u00e9s des impressionnistes. C&#8217;\u00e9taient les m\u00eames n\u00e9nuphars fragiles que son c\u00e9l\u00e8bre ami Claude Monet immortalisait si passionn\u00e9ment et inlassablement sur ses toiles, cherchant le jeu parfait de la lumi\u00e8re et des reflets de l&#8217;eau. Chaque courbe de la cruche et de la cuvette semblait con\u00e7ue pour c\u00e9l\u00e9brer la beaut\u00e9 sans limites de la nature.<\/i><\/p>\n<p data-path-to-node=\"50\"><i data-path-to-node=\"50\" data-index-in-node=\"0\">Alors que l&#8217;eau fra\u00eeche et fra\u00eeche clapotait doucement dans le grand bassin, le fin r\u00e9seau de craquelures sur le r\u00e9cipient cr\u00e9ait le sentiment que cette c\u00e9ramique avait grandi organiquement avec le temps et la nature elle-m\u00eame. Pour Lucie, ce chef-d&#8217;\u0153uvre de l&#8217;Art Nouveau allemand n&#8217;\u00e9tait pas un simple article m\u00e9nager ; c&#8217;\u00e9tait un d\u00e9lice esth\u00e9tique quotidien qui apportait le souffle de l&#8217;art europ\u00e9en moderne dans les matins normands traditionnels.<\/i><\/p>\n<p data-path-to-node=\"51\">Ce service de toilette ancien d&#8217;une taille impressionnante est un exemple exceptionnel du d\u00e9but de l&#8217;Art Nouveau et de la technique du transfert. Fabriqu\u00e9 \u00e0 la fin du 19\u00e8me \/ d\u00e9but du 20\u00e8me si\u00e8cle \u00e0 Bonn, Allemagne. Les bases portent l&#8217;estampille &#8220;FM&#8221;, &#8220;BONN&#8221;, &#8220;NYMPHAEA&#8221; et &#8220;GERMANY&#8221; de la manufacture Franz Anton Mehlem. Le service est richement d\u00e9cor\u00e9 de lignes en relief asym\u00e9triques et de n\u00e9nuphars rouge-brun. La gla\u00e7ure pr\u00e9sente un r\u00e9seau dense et d\u00e9coratif de craquelures. Tr\u00e8s bon \u00e9tat ancien. Il y a une ancienne trace jaun\u00e2tre de r\u00e9paration sur le bord de la cuvette, qui a fonc\u00e9 avec les ann\u00e9es. L&#8217;\u00e9tat de l&#8217;objet est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<p data-path-to-node=\"53\">\ud83c\udde9\ud83c\uddf0 Kandens h\u00f8jde: ~31,5 cm Fadets diameter: ~42 cm <i data-path-to-node=\"53\" data-index-in-node=\"53\">Omtrentlige m\u00e5l.<\/i><\/p>\n<h3 data-path-to-node=\"54\"><b data-path-to-node=\"54\" data-index-in-node=\"0\">Antikt &#8220;Franz Anton Mehlem&#8221; vaskes\u00e6t med \u00e5kander<\/b><\/h3>\n<p data-path-to-node=\"55\"><b data-path-to-node=\"55\" data-index-in-node=\"0\"><i data-path-to-node=\"55\" data-index-in-node=\"0\">Et \u00f8jebliksbillede af impressionismen, Lucie Delarue-Mardrus:<\/i><\/b> <i data-path-to-node=\"55\" data-index-in-node=\"62\">I det solbeskinnede v\u00e6relse i hendes barndomshjem i Honfleur, der b\u00f8d p\u00e5 en betagende udsigt over Seinen og dens evigt skiftende himmel, forberedte digteren og billedhuggeren Lucie Delarue-Mardrus sig roligt til sit morgentoilette. P\u00e5 den massive tr\u00e6vaskestand, badet i morgenlys, stod stolt et imponerende keramik-s\u00e6t, nyligt ankommet fra Tyskland. Dets tilstedev\u00e6relse bragte en helt ny, moderne og flydende energi ind i rummet.<\/i><\/p>\n<p data-path-to-node=\"56\"><i data-path-to-node=\"56\" data-index-in-node=\"0\">S\u00e6ttets r\u00f8dbrune \u00e5kandemotiver (&#8220;Nymphaea&#8221;) og asymmetriske, naturinspirerede relieflinjer mindede digteren st\u00e6rkt om de damme og blomsterkompositioner, der var s\u00e5 elsket af impressionisterne. Det var de selvsamme skr\u00f8belige \u00e5kander, som hendes ber\u00f8mte ven Claude Monet s\u00e5 lidenskabeligt og utr\u00e6tteligt forevigede p\u00e5 sine l\u00e6rreder, i jagten p\u00e5 det perfekte samspil mellem lys og vandrefleksioner. Hver kurve p\u00e5 kanden og bassinet syntes designet til at fejre naturens gr\u00e6nsel\u00f8se sk\u00f8nhed.<\/i><\/p>\n<p data-path-to-node=\"57\"><i data-path-to-node=\"57\" data-index-in-node=\"0\">Mens det friske, k\u00f8lige vand plaskede bl\u00f8dt ned i det store bassin, skabte det fine krakelering-netv\u00e6rk p\u00e5 karret f\u00f8lelsen af, at denne keramik var vokset organisk med tiden og naturen selv. For Lucie var dette tyske Art Nouveau-mesterv\u00e6rk ikke bare en simpel husholdningsgenstand; det var en daglig \u00e6stetisk gl\u00e6de, der bragte et pust af moderne europ\u00e6isk kunst ind i de traditionelle normanniske morgener.<\/i><\/p>\n<p data-path-to-node=\"58\">Dette antikke vaskes\u00e6t af imponerende st\u00f8rrelse er et fremragende eksempel p\u00e5 tidlig jugendstil og transferprint-teknik. Fremstillet i slutningen af det 19. \/ begyndelsen af det 20. \u00e5rhundrede i Bonn, Tyskland. Bunden b\u00e6rer stemplet &#8220;FM&#8221;, &#8220;BONN&#8221;, &#8220;NYMPHAEA&#8221; og &#8220;GERMANY&#8221; fra Franz Anton Mehlem. S\u00e6ttet er rigt dekoreret med asymmetriske relieflinjer og r\u00f8dbrune \u00e5kander. Glasuren har en t\u00e6t, dekorativ krakelering. Meget god antik stand. Der er et gammelt, gulligt spor af en reparation p\u00e5 kanten af fadet, som er m\u00f8rknet med \u00e5rene. Genstandens tilstand er fuldt ud afspejlet p\u00e5 fotografierne.<\/p>\n<p data-path-to-node=\"60\">\ud83c\uddf8\ud83c\uddea Kannans h\u00f6jd: ~31,5 cm Fatets diameter: ~42 cm <i data-path-to-node=\"60\" data-index-in-node=\"52\">Ungef\u00e4rliga m\u00e5tt.<\/i><\/p>\n<h3 data-path-to-node=\"61\"><b data-path-to-node=\"61\" data-index-in-node=\"0\">Antikt &#8220;Franz Anton Mehlem&#8221; tv\u00e4ttset med n\u00e4ckrosor<\/b><\/h3>\n<p data-path-to-node=\"62\"><b data-path-to-node=\"62\" data-index-in-node=\"0\"><i data-path-to-node=\"62\" data-index-in-node=\"0\">En \u00f6gonblicksbild av impressionismen, Lucie Delarue-Mardrus:<\/i><\/b> <i data-path-to-node=\"62\" data-index-in-node=\"61\">I det solbelysta rummet i hennes barndomshem i Honfleur, som erbj\u00f6d en hisnande utsikt \u00f6ver Seines mynning och dess st\u00e4ndigt f\u00f6r\u00e4nderliga himmel, f\u00f6rberedde sig poeten och skulpt\u00f6ren Lucie Delarue-Mardrus i lugn och ro f\u00f6r sin morgontoalett. P\u00e5 det massiva tv\u00e4ttst\u00e4llet i tr\u00e4, badande i morgonljus, stod stolt ett imponerande keramikset som nyligen anl\u00e4nt fr\u00e5n Tyskland. Dess n\u00e4rvaro f\u00f6rde in en helt ny, modern och flytande energi i rummet.<\/i><\/p>\n<p data-path-to-node=\"63\"><i data-path-to-node=\"63\" data-index-in-node=\"0\">Setets r\u00f6dbruna n\u00e4ckrosmotiv (&#8220;Nymphaea&#8221;) och asymmetriska, naturinspirerade relieflinjer p\u00e5minde poeten starkt om de dammar och blomsterkompositioner som var s\u00e5 \u00e4lskade av impressionisterna. Det var samma \u00f6mt\u00e5liga n\u00e4ckrosor som hennes ber\u00f6mda v\u00e4n Claude Monet s\u00e5 passionerat och outtr\u00f6ttligt f\u00f6revigade p\u00e5 sina dukar, s\u00f6kande efter det perfekta samspelet mellan ljus och vattenreflektioner. Varje kurva p\u00e5 kannan och bass\u00e4ngen verkade designad f\u00f6r att fira naturens gr\u00e4nsl\u00f6sa sk\u00f6nhet.<\/i><\/p>\n<p data-path-to-node=\"64\"><i data-path-to-node=\"64\" data-index-in-node=\"0\">N\u00e4r det friska, svala vattnet plaskade mjukt ner i den stora bass\u00e4ngen, skapade det fina n\u00e4tverket av krackeleringar p\u00e5 k\u00e4rlet en k\u00e4nsla av att denna keramik hade vuxit organiskt med tiden och naturen sj\u00e4lv. F\u00f6r Lucie var detta tyska jugendm\u00e4sterverk inte bara ett enkelt hush\u00e5llsf\u00f6rem\u00e5l; det var en daglig estetisk fr\u00f6jd som f\u00f6rde in en fl\u00e4kt av modern europeisk konst i de traditionella normandiska morgnarna.<\/i><\/p>\n<p data-path-to-node=\"65\">Detta antika tv\u00e4ttset av imponerande storlek \u00e4r ett enast\u00e5ende exempel p\u00e5 tidig jugend och transfertrycksteknik. Tillverkat i slutet av 1800-talet \/ b\u00f6rjan av 1900-talet i Bonn, Tyskland. Bottnarna b\u00e4r st\u00e4mpeln &#8220;FM&#8221;, &#8220;BONN&#8221;, &#8220;NYMPHAEA&#8221; och &#8220;GERMANY&#8221; fr\u00e5n Franz Anton Mehlem. Setet \u00e4r rikt dekorerat med asymmetriske relieflinjer och r\u00f6dbruna n\u00e4ckrosor. Glasyren har en t\u00e4t, dekorativ krackelering. Mycket gott antikt skick. Det finns ett gammalt, gulaktigt sp\u00e5r av en reparation p\u00e5 fatets kant, som har m\u00f6rknat med \u00e5ren. F\u00f6rem\u00e5lets skick \u00e5terspeglas till fullo p\u00e5 fotografierna.<\/p>\n<p data-path-to-node=\"67\">\ud83c\uddf3\ud83c\uddf4 Muggens h\u00f8yde: ~31,5 cm Vannfatets diameter: ~42 cm <i data-path-to-node=\"67\" data-index-in-node=\"57\">Omtrentlige m\u00e5l.<\/i><\/p>\n<h3 data-path-to-node=\"68\"><b data-path-to-node=\"68\" data-index-in-node=\"0\">Antikt &#8220;Franz Anton Mehlem&#8221; vaskesett med vannliljer<\/b><\/h3>\n<p data-path-to-node=\"69\"><b data-path-to-node=\"69\" data-index-in-node=\"0\"><i data-path-to-node=\"69\" data-index-in-node=\"0\">Et \u00f8yeblikksbilde fra impresjonismen, Lucie Delarue-Mardrus:<\/i><\/b> <i data-path-to-node=\"69\" data-index-in-node=\"61\">I det solfylte rommet i barndomshjemmet hennes i Honfleur, som b\u00f8d p\u00e5 en fantastisk utsikt over Seinen og dens stadig skiftende himmel, forberedte poeten og billedhuggeren Lucie Delarue-Mardrus seg rolig til morgentoilettet. P\u00e5 den massive trevaskestanden, badet i morgenlys, sto stolt et imponerende keramikksett som nylig hadde ankommet fra Tyskland. Dets tilstedev\u00e6relse brakte en helt ny, moderne og flytende energi inn i rommet.<\/i><\/p>\n<p data-path-to-node=\"70\"><i data-path-to-node=\"70\" data-index-in-node=\"0\">Settets r\u00f8dbrune vannliljemotiver (&#8220;Nymphaea&#8221;) og asymmetriske, naturinspirerte reliefflinjer minnet poeten sterkt om dammene og blomsterkomposisjonene som var s\u00e5 elsket av impresjonistene. Det var de samme skj\u00f8re vannliljene som hennes ber\u00f8mte venn Claude Monet s\u00e5 lidenskapelig og utrettelig ud\u00f8deliggjorde p\u00e5 lerretene sine, p\u00e5 jakt etter det perfekte samspillet mellom lys og vannrefleksjoner. Hver kurve p\u00e5 muggen og bassenget virket designet for \u00e5 feire naturens grensel\u00f8se skj\u00f8nnhet.<\/i><\/p>\n<p data-path-to-node=\"71\"><i data-path-to-node=\"71\" data-index-in-node=\"0\">Da det friske, kj\u00f8lige vannet plasket mykt ned i det store bassenget, skapte det fine krakeleringsnettverket p\u00e5 karet f\u00f8lelsen av at denne keramikken hadde vokst organisk med tiden og naturen selv. For Lucie var dette tyske Art Nouveau-mesterverket ikke bare en enkel husholdningsgjenstand; det var en daglig estetisk glede som brakte et pust av moderne europeisk kunst inn i de tradisjonelle normanniske morgenene.<\/i><\/p>\n<p data-path-to-node=\"72\">Dette antikke vaskesettet av imponerende st\u00f8rrelse er et enest\u00e5ende eksempel p\u00e5 tidlig jugendstil og transferprint-teknikk. Produsert p\u00e5 slutten av 1800-tallet \/ begynnelsen av 1900-tallet i Bonn, Tyskland. Bunnene b\u00e6rer stempelet &#8220;FM&#8221;, &#8220;BONN&#8221;, &#8220;NYMPHAEA&#8221; og &#8220;GERMANY&#8221; fra Franz Anton Mehlem. Settet er rikt dekorert med asymmetriske reliefflinjer og r\u00f8dbrune vannliljer. Glasuren har en tett, dekorativ krakelering. Veldig god antikk stand. Det er et gammelt, gulaktig spor av en reparasjon p\u00e5 kanten av fatet, som har m\u00f8rknet med \u00e5rene. Gjenstandens tilstand er fullt ut gjenspeilet p\u00e5 fotografiene.<\/p>\n<p data-path-to-node=\"74\">\ud83c\uddeb\ud83c\uddee Kannun korkeus: ~31,5 cm Pesuvadin halkaisija: ~42 cm <i data-path-to-node=\"74\" data-index-in-node=\"59\">Arviomitat.<\/i><\/p>\n<h3 data-path-to-node=\"75\"><b data-path-to-node=\"75\" data-index-in-node=\"0\">Antiikkinen &#8220;Franz Anton Mehlem&#8221; -pesusetti lumpeilla<\/b><\/h3>\n<p data-path-to-node=\"76\"><b data-path-to-node=\"76\" data-index-in-node=\"0\"><i data-path-to-node=\"76\" data-index-in-node=\"0\">V\u00e4l\u00e4hdys impressionismin aikakaudelta, Lucie Delarue-Mardrus:<\/i><\/b> <i data-path-to-node=\"76\" data-index-in-node=\"62\">Lapsuudenkotinsa aurinkoisessa huoneessa Honfleurissa, josta avautui henke\u00e4salpaava n\u00e4kym\u00e4 Seinen suistoon ja sen alati muuttuvalle taivaalle, runoilija ja kuvanveist\u00e4j\u00e4 Lucie Delarue-Mardrus valmistautui kiireett\u00f6m\u00e4sti aamutoimiinsa. Massiivisella puisella pesutelineell\u00e4, aamuvalon kylpem\u00e4n\u00e4, seisoi ylpe\u00e4n\u00e4 vaikuttava keramiikkasetti, joka oli \u00e4skett\u00e4in saapunut Saksasta. Sen l\u00e4sn\u00e4olo toi huoneeseen t\u00e4ysin uuden, modernin ja virtaavan energian.<\/i><\/p>\n<p data-path-to-node=\"77\"><i data-path-to-node=\"77\" data-index-in-node=\"0\">Setin punaruskeat lummemotiivit (&#8220;Nymphaea&#8221;) ja ep\u00e4symmetriset, luonnon innoittamat kohokuviolinjat toivat runoilijan mieleen voimakkaasti impressionistien rakastamat lammet ja kukkakoostumukset. Ne olivat niit\u00e4 samoja hauraita lumpeita, joita h\u00e4nen kuuluisa yst\u00e4v\u00e4ns\u00e4 Claude Monet niin intohimoisesti ja v\u00e4sym\u00e4tt\u00e4 ikuisti kankailleen, etsien t\u00e4ydellist\u00e4 valon ja veden heijastusten vuorovaikutusta. Jokainen kannun ja altaan kaarre n\u00e4ytti suunnitellun juhlimaan luonnon rajatonta kauneutta.<\/i><\/p>\n<p data-path-to-node=\"78\"><i data-path-to-node=\"78\" data-index-in-node=\"0\">Kun raikas, viile\u00e4 vesi loiskahti pehme\u00e4sti suureen altaaseen, astian hieno krakeloituminen loi tunteen, ett\u00e4 t\u00e4m\u00e4 keramiikka oli kasvanut orgaanisesti ajan ja itse luonnon kanssa. Lucielle t\u00e4m\u00e4 saksalainen jugend-mestariteos ei ollut vain yksinkertainen taloustavara; se oli p\u00e4ivitt\u00e4inen esteettinen ilo, joka toi modernin eurooppalaisen taiteen tuulahduksen perinteisiin normandialaisiin aamuihin.<\/i><\/p>\n<p data-path-to-node=\"79\">T\u00e4m\u00e4 vaikuttavan kokoinen antiikkinen pesusetti on erinomainen esimerkki varhaisesta jugendtyylist\u00e4 ja siirtokuvatekniikasta. Valmistettu 1800-luvun lopulla \/ 1900-luvun alussa Bonnissa, Saksassa. Pohjissa on Franz Anton Mehlemin leima &#8220;FM&#8221;, &#8220;BONN&#8221;, &#8220;NYMPHAEA&#8221; ja &#8220;GERMANY&#8221;. Setti on runsaasti koristeltu ep\u00e4symmetrisill\u00e4 kohokuviolinjoilla ja punaruskeilla lumpeilla. Lasitteessa on tihe\u00e4, koristeellinen krakeloituminen. Eritt\u00e4in hyv\u00e4 antiikkinen kunto. Vadin reunassa on vanha, kellert\u00e4v\u00e4 korjausj\u00e4lki, joka on tummunut vuosien my\u00f6t\u00e4. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Grezns ant\u012bks V\u0101cijas (Bonn) Franz Anton Mehlem tualetes komplekts ar \u016bdensro\u017eu dekoru &#8220;Nymphaea&#8221; (ap 1890.\u20131900. gadiem). Iespaid\u012bg\u0101 kr\u016bka, liel\u0101 b\u013coda un ziepju trauks rot\u0101ti ar smalku sarkanbr\u016bnu transferdrukas z\u012bm\u0113jumu un J\u016bgendstilam rakstur\u012bgiem reljefa elementiem. 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