{"id":43391,"date":"2026-04-12T21:59:29","date_gmt":"2026-04-12T18:59:29","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=43391"},"modified":"2026-09-08T09:53:47","modified_gmt":"2026-09-08T06:53:47","slug":"6388","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/6388\/","title":{"rendered":"Barok\u0101ls E\u0146\u0123elis-Sve\u010dturis ar P\u016bt\u0146u Pjedest\u0101lu \u2014 Baroks, V\u0101cija\/Austrija, ap 1700\u20131750 (6388)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Augstums 91 cm \u00d7 platums 31 cm.<\/p>\n

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Barok\u0101ls E\u0146\u0123elis-Sve\u010dturis ar P\u016bt\u0146u Seju Pjedest\u0101lu \u2014 Baroks \/ V\u0101cu-Austrijas trad\u012bcija, ap 1700.\u20131750. gads, restaur\u0113ts un parakst\u012bts 1977. gad\u0101<\/strong><\/h3>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n
\u0160\u012b monument\u0101l\u0101 koka skulpt\u016bra pieder Baroka<\/strong> laikmeta kulmin\u0101cijas periodam \u2014 aptuveni 1700.\u20131750. gadam<\/strong> \u2014 kad V\u0101cu<\/strong> un Austrijas<\/strong> meistari sasniedza virsotni bazn\u012bcas dekorat\u012bvaj\u0101 kokgreb\u0161an\u0101. Alt\u0101rplastika<\/em> \u0161aj\u0101 period\u0101 nebija tikai dekor\u0101cija: t\u0101 bija teolo\u0123isks v\u0113st\u012bjums, izteikts ar meistara kaltu. E\u0146\u0123elis ar sveci rok\u0101 \u2014 tas ir angelo cereoferario<\/em>, gaismas nes\u0113js, kas tradicion\u0101li st\u0101v\u0113ja alt\u0101ra abos s\u0101nos, vadot tic\u012bgo skatienu uz sv\u0113to nosl\u0113pumu.<\/p>\n
Fig\u016bras contrapposto<\/em> poza \u2014 solis uz priek\u0161u, viegli pagriezts \u0137ermenis, dr\u0101p\u0113juma panneau<\/em> vi\u013c\u0146i \u2014 atkl\u0101j skolotu meistaru, kur\u0161 p\u0101rzin\u0101ja ne tikai amatniec\u012bbu, bet ar\u012b trompe-l’oeil<\/em> efektus kok\u0101: audums \u0161\u0137iet p\u016bst v\u0113j\u0101, rokas \u017eesti ir dz\u012bvi un run\u0101. Sve\u010dtura vainags aug\u0161pus\u0113 veidots k\u0101 pinea<\/em> \u2014 \u010diekurs, senais m\u016b\u017e\u012bbas un gaismas simbols, v\u0113l no romie\u0161u un agr\u012bnas kristiet\u012bbas laikiem. Pie k\u0101j\u0101m \u2014 putti galvi\u0146as<\/em> un barok\u0101las vol\u016btas<\/em>, kas pjedest\u0101lu p\u0101rv\u0113r\u0161 par debesu m\u0101koni.<\/p>\n
Kr\u0101sa \u2014 polychromie<\/em> div\u0101s tonalit\u0101t\u0113s: \u0137erme\u0146a da\u013cas karne<\/em> (silt\u0101 okers\/ro\u017eaini br\u016bn\u0101) un dr\u0113bes verde antico<\/em> za\u013cgan\u0101 \u2014 ir tradicion\u0101la Dienvid-V\u0101cijas un Austrijas Tiroles bazn\u012bcas skulpt\u016bras tehnika. \u0160\u0101da Fassung<\/em> (ori\u0123in\u0101lo kr\u0101su uzk\u0101rtojums) m\u0101kslas v\u0113stur\u0113 tiek p\u0113t\u012bta tikpat nopietni k\u0101 pati forma.<\/p>\n
1977. gad\u0101<\/strong> skulpt\u016bra g\u0101jusi cauri profesion\u0101lai restaur\u0101cijai un pierakst\u012bta ar K. Willard<\/strong> parakstu \u2014 iesp\u0113jams, antikvari\u0101ta vai muzeja provenances atz\u012bme, kas pie\u0161\u0137ir priek\u0161metam papildu dokument\u0113tu v\u0113sturi un izsekojam\u012bbu.<\/p>\n
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\u269c\ufe0f RA\u017dOT\u0100JS UN PROVENANCE<\/strong><\/p>\n
Nav ori\u0123in\u0101l\u0101 barok\u0101l\u0101 m\u0101kslinieka paraksta \u2014 kas ir absol\u016bti tipisks \u0161\u012b perioda dievnamu plastikai: meistari str\u0101d\u0101ja anonim<\/em>, p\u0113c bazn\u012bcas pas\u016bt\u012bjuma, un vi\u0146u darbi pieder\u0113ja Dievam, nevis vi\u0146iem. Stilistiski skulpt\u016bra atbilst Dienvidv\u0101cijas \/ Austrijas Alpu re\u0123iona<\/strong> kokgreb\u0161anas trad\u012bcijai \u2014 tiem pa\u0161iem darbn\u012bcu apgabaliem, kas apg\u0101d\u0101ja Bav\u0101rijas, Tiroles, Boh\u0113mijas un Mor\u0101vijas bazn\u012bcas.<\/p>\n
Uz pamatnes skaidri las\u0101ms uzraksts “1977 K. WILLARD”<\/strong> \u2014 p\u0113c\u0101ka provenance atz\u012bme, kas liecina par skulpt\u016bras izie\u0161anu cauri zin\u0101mai kolekcijai vai restaur\u0101cijas procesam. \u0160\u0101di provenances pieraksti starptautiskaj\u0101 antikv\u0101ru pasaul\u0113 tiek nov\u0113rt\u0113ti k\u0101 papildu dokument\u0101cija.<\/p>\n
Angelo cereoferario<\/em> tipa sve\u010dturi p\u0101ros past\u0101v\u0113ja daudz\u0101s Centr\u0101leiropas bazn\u012bc\u0101s; to paire<\/em> veidoja alt\u0101ra kompoz\u012bciju. Ja \u0161is ir viens no p\u0101ra \u2014 tas tikai palielina mekl\u0113\u0161anas un kolekcijas v\u0113rt\u012bbu.<\/p>\n
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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n
Barok\u0101las alt\u0101rplastikas<\/em> skulpt\u016bras, kas saglab\u0101ju\u0161\u0101s \u0101rpus bazn\u012bcu \u0113k\u0101m un non\u0101ku\u0161as priv\u0101taj\u0101 aprit\u0113, ir izteikti reti priek\u0161meti. Vairums tika izn\u012bcin\u0101ti reform\u0101cijas laik\u0101, karos vai 20. gadsimta bazn\u012bcu rekonstrukcij\u0101s. Saglab\u0101t\u0101 polychromie<\/em> \u2014 divkr\u0101su Fassung<\/em> \u2014 ir sevi\u0161\u0137i trausla un reti lab\u0101 st\u0101vokl\u012b atrodama.<\/p>\n
Augstas kvalit\u0101tes angelo cereoferario<\/em> tipa skulpt\u016bras regul\u0101ri par\u0101d\u0101s Sotheby’s, Christie’s un Dorotheum V\u012bn\u0113 izsol\u0113s, kur t\u0101s sasniedz nopietnus kolekcion\u0101ru bud\u017eetus. Piepras\u012bjums n\u0101k no bazn\u012bcas m\u0101kslas kolekcion\u0101riem, baroka interjeristiem un priv\u0101tiem mecen\u0101tiem.<\/p>\n
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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n
Skulpt\u016bra ir absol\u016bts dominants jebkur\u0101 telp\u0101: 91 cm augstums nodro\u0161ina kl\u0101tb\u016btni gan uz galda, gan konsoles, gan kam\u012bna plaukta. T\u0101 harmoniski iek\u013caujas baroka, rokoko un eklektika<\/strong> interjeros, bet tikpat sp\u0113c\u012bgi kontrast\u0113 ar loft, industrial vai minim\u0101listisku<\/strong> telpu \u2014 kur t\u0101 k\u013c\u016bst par vien\u012bgo, bet \u0101rk\u0101rt\u012bgi sp\u0113c\u012bgu akcentu.<\/p>\n
Stilisti un fotogr\u0101fi izmanto \u0161\u0101da form\u0101ta sakr\u0101las skulpt\u016bras editorial<\/em> un fine art<\/em> uz\u0146\u0113mumos \u2014 t\u0101s nes konceptu\u0101lu dzi\u013cumu, ko nevar ieg\u0101d\u0101ties jaunra\u017eot\u0101 dekor\u0101. Sve\u010dtura funkcija ir saglab\u0101ta: pinea<\/em> vainaga centr\u0101 atrodas met\u0101la tapa sveces tur\u0113\u0161anai \u2014 skulpt\u016bru var izmantot ar\u012b k\u0101 re\u0101lu sve\u010dturi.<\/p>\n
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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n
\u0160\u0101da m\u0113roga sakr\u0101la skulpt\u016bra ir reprezentat\u012bva korporat\u012bv\u0101 vai person\u012bg\u0101 d\u0101vana<\/strong> kolekcion\u0101ram, m\u0101kslas mecen\u0101tam, arhitektam vai interjera dizaineram, kas nov\u0113rt\u0113 Eiropas bazn\u012bcas m\u0101kslas mantojumu. T\u0101 ir ar\u012b sp\u0113c\u012bga d\u0101vana cilv\u0113kam ar dzi\u013cu krist\u012bgo vai m\u0101kslas v\u0113sturisko identit\u0101ti \u2014 e\u0146\u0123elis ar gaismu rok\u0101 ir univers\u0101ls sarg\u0101\u0161anas un vad\u012b\u0161anas simbols.<\/p>\n
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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n
Skulpt\u016bra visp\u0101r\u012bgi lab\u0101 un stabil\u0101 st\u0101vokl\u012b, \u0146emot v\u0113r\u0101 aptuveni 300 gadu vecumu. Redzamas dabiskas koka noveco\u0161an\u0101s paz\u012bmes: nelielas plaisas dr\u0101p\u0113jum\u0101, da\u013c\u0113ja kr\u0101sas nolieto\u0161an\u0101s. Pamatnes barok\u0101lajos ornamentos redzams norm\u0101ls koka “t\u0101rpi\u0146u”<\/em> boj\u0101jums \u2014 tipisks \u0161\u012b vecuma priek\u0161metiem, kas nav samazin\u0101jis konstrukcijas stabilit\u0101ti. Polychromie<\/em> kr\u0101sa saglab\u0101jusies labi. Met\u0101la sveces tapa aug\u0161pus\u0113 \u2014 ori\u0123in\u0101la, ar laika pati\u0146u. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n
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\ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n
Height 91 cm \u00d7 width 31 cm.<\/p>\n
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Baroque Angel Candle-Bearer with Putti Pedestal \u2014 Baroque \/ South German\u2013Austrian Tradition, circa 1700\u20131750, restored and inscribed 1977<\/strong><\/h3>\n
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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, HISTORICAL CONTEXT<\/strong><\/p>\n
This monumental carved wood sculpture belongs to the high Baroque<\/strong> period \u2014 approximately 1700\u20131750<\/strong> \u2014 when German<\/strong> and Austrian<\/strong> master carvers reached the pinnacle of ecclesiastical decorative woodwork. The angelo cereoferario<\/em> \u2014 the candle-bearing angel \u2014 was not merely ornamental; it was a theological statement carved in wood, traditionally flanking the altar and drawing the faithful’s gaze toward the sacred mystery.<\/p>\n
The figure’s contrapposto<\/em> stance \u2014 one foot forward, body gently turned, drapery swirling as if caught by wind \u2014 reveals a trained master who understood not only craftsmanship but also trompe-l’oeil<\/em> illusion in wood. The candle crown is formed as a pinea<\/em> \u2014 a pine cone \u2014 the ancient symbol of eternity and divine light, inherited from Roman and early Christian iconography. The pedestal is carved with putti<\/em> faces and Baroque volutes<\/em>, transforming it into a heavenly cloud.<\/p>\n
The two-tone polychromie<\/em> \u2014 warm ochre carnation<\/em> for flesh, verde antico<\/em> green for drapery \u2014 is the hallmark of South German and Tyrolean church sculpture. This Fassung<\/em> technique is studied by art historians as seriously as the sculptural form itself.<\/p>\n
In 1977<\/strong>, the sculpture passed through professional restoration and was inscribed with the name K. Willard<\/strong> \u2014 most likely a provenance or collection mark, lending the piece traceable documentation valued in the international art market.<\/p>\n
Belle \u00c9poque snapshot:<\/em> In the decade before this sculpture’s probable creation, Johann Bernhard Fischer von Erlach was completing the final designs for the Karlskirche in Vienna \u2014 a cathedral that would crown the very tradition of which this angel is a product. The same workshops that supplied the great Bavarian pilgrimage churches were turning out figures exactly like this one, their chisels moving in the same rhythm as the organ pipes above.<\/p>\n
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\u269c\ufe0f MAKER AND PROVENANCE<\/strong><\/p>\n
No original Baroque master’s signature \u2014 entirely typical for ecclesiastical sculpture of the period, when craftsmen worked anonymously under church commission, their work belonging to God rather than to themselves. Stylistically, the piece corresponds to the South German \/ Austrian Alpine<\/strong> carving tradition \u2014 the same regional workshops that supplied churches across Bavaria, Tyrol, Bohemia and Moravia.<\/p>\n
The base bears a clear inscription: “1977 K. WILLARD”<\/strong> \u2014 a later provenance mark indicating the sculpture passed through a known collection or restoration process. Such documented provenance is valued in the international antique market as additional authentication.<\/p>\n
Angelo cereoferario<\/em> figures traditionally existed in paire<\/em> \u2014 flanking an altar in mirror composition. If this is one of a pair, its collection significance is correspondingly greater.<\/p>\n
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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n
Baroque altarpiece<\/em> sculptures that have survived outside church buildings and entered private circulation are genuinely rare objects. Most were destroyed during the Reformation, wars, or 20th-century church reconstructions. Preserved polychromie<\/em> in two-tone Fassung<\/em> is particularly fragile and rarely found in good condition. High-quality angelo cereoferario<\/em> figures regularly appear at Sotheby’s, Christie’s and Dorotheum Vienna, where they attract serious collector interest.<\/p>\n
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\ud83d\udd6f\ufe0f INTERIOR, DESIGN AND PHOTOGRAPHY USE<\/strong><\/p>\n
At 91 cm, this sculpture commands any room. It integrates naturally into Baroque, Rococo and eclectic<\/strong> interiors, but equally powerful as the singular accent in a loft, industrial or minimalist<\/strong> space. The candle-bearing function is preserved \u2014 the iron spike atop the pinea<\/em> crown accepts a real candle, making this both sculpture and working candlestick.<\/p>\n
Interior stylists and fine art photographers prize sacred sculpture of this scale for editorial<\/em> and fine art<\/em> shoots \u2014 it carries conceptual depth that no newly produced d\u00e9cor can replicate.<\/p>\n
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\ud83c\udf81 AS A GIFT<\/strong><\/p>\n
A sculpture of this scale and ecclesiastical heritage is an outstanding gift for a collector, art patron, architect or interior designer who values the tradition of European sacred art. The angel bearing light is a universal symbol of guidance and protection \u2014 meaningful across cultures and faiths.<\/p>\n
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\ud83d\udd0d CONDITION<\/strong><\/p>\n
Generally good and stable condition considering an approximate age of 300 years. Natural aging characteristics visible: minor cracks in drapery, partial paint wear. The Baroque pedestal ornaments show typical woodworm channels \u2014 expected for objects of this age, with no impact on structural stability. Polychromie<\/em> well preserved overall. Original iron candle spike atop, with natural patina. Condition fully reflected in photographs.<\/p>\n
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Mas\u012bvs, roku cirsts koka e\u0146\u0123elis ar sve\u010dturi \u2014 barok\u0101la alt\u0101rplastika. Divkr\u0101su polychromie: za\u013c\u0161 t\u0113rps, okera \u0137ermenis. \u010ciekuru vainags ar sveces tapu. Pjedest\u0101ls ar putti galvi\u0146\u0101m un vol\u016bt\u0101m. Paraksts: 1977 K.Willard. V\u0101cija\/Austrija, ap 1700\u20131750. Augstums 91 cm.<\/p>\n","protected":false},"featured_media":43392,"template":"","meta":[],"product_brand":[],"product_cat":[232,208,228,204],"product_tag":[],"class_list":["post-43391","product","type-product","status-publish","has-post-thumbnail","product_cat-figuras-2","product_cat-lampas","product_cat-svecturi","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/43391","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/43392"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=43391"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=43391"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=43391"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=43391"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}