Izm\u0113ri: Augstums 55 cm \u00d7 platums 41 cm<\/strong><\/p>\n<\/div>\n<\/div>\n

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Bahante ar v\u012bnogu vainagu (“Femme aux pampres”<\/em>) \u2014 J\u016bgendstils \/ Neobaroks<\/strong>, Be\u013c\u0123ija<\/strong>, ap 1890.\u20131905. gadu<\/strong><\/h3>\n<\/div>\n<\/div>\n
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Izgatavo\u0161anas periods, m\u0101kslas stils, laikmets<\/strong><\/p>\n<\/div>\n<\/div>\n
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\u0160\u012b iespaid\u012bg\u0101, smag\u0101 terakotas biste att\u0113lo jaunu bahanti \u2014 Bakha pavadoni \u2014 ar greznu v\u012bnogu un v\u012bnst\u012bgu vainagu matos. Forma pieder Be\u013c\u0123ijas j\u016bgendstila<\/strong> un neobaroka<\/strong> p\u0101rejas periodam, ap 19. un 20. gadsimta miju, kad Be\u013c\u0123ija bija viens no Eiropas m\u0101kslas avangarda centriem. Modelis atbilst t\u0113lnieka Jefa Lambeaux<\/strong> (Jef Lambeaux, 1852\u20131908)<\/em> darbam ar nosaukumu “Femme aux pampres”<\/em> \u2014 sieviete ar v\u012bnogu st\u012bg\u0101m, kas paz\u012bstams gan bronz\u0101, gan citos materi\u0101los. Galvas atliekums, pav\u0113rt\u0101s l\u016bpas un dinamisk\u0101 kakla l\u012bnija nes tie\u0161i to kust\u012bbu un juteklisko ener\u0123iju, par ko Lambeaux k\u013cuva slavens \u2014 un reiz\u0113m skandalozs.<\/p>\n<\/div>\n<\/div>\n
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\ud83c\uddf1\ud83c\uddfb J\u016bgendstila momentuz\u0146\u0113mums:<\/em> \u017defs Lambeaux (Jef Lambeaux)<\/em> apst\u0101j\u0101s Antverpenes darbn\u012bcas pustums\u0101. Pa logu iesl\u012bd\u0113ja v\u0113la p\u0113cpusdienas gaisma, un kaut kas mitrs un apa\u013c\u0161 iezalgoj\u0101s \u2014 vesela kopa, sasalusi m\u0101l\u0101, v\u0113l smar\u017eojo\u0161a p\u0113c rudens. Vi\u0146\u0161 pielika roku pie aukst\u0101s virsmas, kur pirksti reiz bija atst\u0101ju\u0161i savu p\u0113du. Aiz muguras k\u0101ds klusi pateica vi\u0146a v\u0101rdu, bet vi\u0146\u0161 nepagriez\u0101s \u2014 vi\u0146\u0161 klaus\u012bj\u0101s form\u0101, nevis cilv\u0113k\u0101.<\/p>\n<\/div>\n<\/div>\n
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Ra\u017eot\u0101js un parakts<\/strong><\/p>\n<\/div>\n<\/div>\n
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Biste s\u0101n\u0101 nes iegrieztu parakstu “Jef Lambeaux”<\/strong>, kas skaidri redzams fotogr\u0101fij\u0101s. Lambeaux dzimis Antverpen\u0113, m\u0101c\u012bjies Antverpenes T\u0113lot\u0101jm\u0101kslas akad\u0113mij\u0101 pie \u017dana H\u0113fsa, un k\u013cuva par vienu no iev\u0113rojam\u0101kajiem be\u013c\u0123u t\u0113lniekiem gadsimtu mij\u0101; vi\u0146a slaven\u0101kais darbs ir monument\u0101lais marmora reljefs “Cilv\u0113ka kaisl\u012bbas”<\/em> (Pavillon des Passions Humaines<\/em>, 1898) Brisel\u0113. \u0160is ir period\u0101 darin\u0101ts atl\u0113jums\/atveidojums ar t\u0113lnieka parakstu; autentiskuma autoriz\u0101cija nav atsevi\u0161\u0137i apstiprin\u0101ta, t\u0101p\u0113c pied\u0101v\u0101ts k\u0101 laikmeta darbs ar z\u012bmogu, nevis sertific\u0113ts ori\u0123in\u0101ls.<\/p>\n<\/div>\n<\/div>\n
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Retums un noz\u012bme<\/strong><\/p>\n<\/div>\n<\/div>\n
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Lambeaux “Femme aux pampres”<\/em> tipa bistes ir augsti v\u0113rt\u0113tas m\u0101kslas tirg\u016b, un period\u200b\u0101 darin\u0101ti eksempl\u0101ri reti par\u0101d\u0101s. Terakotas variants ir \u012bpa\u0161i interesants \u2014 tas saglab\u0101 t\u0113lnieka roku tie\u0161\u0101k nek\u0101 bronza, jo m\u0101ls fiks\u0113 katru model\u0113\u0161anas kust\u012bbu.<\/p>\n<\/div>\n<\/div>\n
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Pielietojums interjer\u0101, dizain\u0101 un fotogr\u0101fij\u0101<\/strong><\/p>\n<\/div>\n<\/div>\n
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Lieliski izteiksm\u012bgs akcents klasisk\u0101, eklektisk\u0101 vai j\u016bgendstila interjer\u0101 \u2014 uz konsoles, kam\u012bna dzegas vai atsevi\u0161\u0137a postamenta. Sp\u0113c\u012bga skulptur\u0101la dominante portretu un interjera fotogr\u0101fij\u0101.<\/p>\n<\/div>\n<\/div>\n
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D\u0101vana<\/strong><\/p>\n<\/div>\n<\/div>\n
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Noz\u012bm\u012bga d\u0101vana m\u0101kslas un antikvari\u0101ta cien\u012bt\u0101jam, kolekcion\u0101ram vai interjera dizainerim.<\/p>\n<\/div>\n<\/div>\n
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St\u0101voklis<\/strong><\/p>\n<\/div>\n<\/div>\n
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Vecuma patina un virsmas nodilumi atbilsto\u0161i priek\u0161meta vecumam; v\u012bnogu vainaga deta\u013c\u0101s redzams gai\u0161\u0101ks p\u0101rkl\u0101jums. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<\/div>\n<\/div>\n
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\ud83c\uddf7\ud83c\uddfa \u0411\u044e\u0441\u0442 \u0432\u0430\u043a\u0445\u0430\u043d\u043a\u0438 \u0441 \u0432\u0438\u043d\u043e\u0433\u0440\u0430\u0434\u043d\u044b\u043c \u0432\u0435\u043d\u043a\u043e\u043c (“Femme aux pampres”<\/em>) \u2014 \u043c\u043e\u0434\u0435\u0440\u043d \/ \u043d\u0435\u043e\u0431\u0430\u0440\u043e\u043a\u043a\u043e, \u0411\u0435\u043b\u044c\u0433\u0438\u044f, \u043e\u043a\u043e\u043b\u043e 1890\u20131905 \u0433\u0433.<\/strong><\/h3>\n<\/div>\n<\/div>\n
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\u042d\u0442\u043e\u0442 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u0442\u044f\u0436\u0451\u043b\u044b\u0439 \u0442\u0435\u0440\u0440\u0430\u043a\u043e\u0442\u043e\u0432\u044b\u0439 \u0431\u044e\u0441\u0442 \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0430\u0435\u0442 \u044e\u043d\u0443\u044e \u0432\u0430\u043a\u0445\u0430\u043d\u043a\u0443 \u0441 \u043f\u044b\u0448\u043d\u044b\u043c \u0432\u0435\u043d\u043a\u043e\u043c \u0438\u0437 \u0432\u0438\u043d\u043e\u0433\u0440\u0430\u0434\u0430 \u0438 \u043b\u043e\u0437\u044b \u0432 \u0432\u043e\u043b\u043e\u0441\u0430\u0445. \u0424\u043e\u0440\u043c\u0430 \u043f\u0440\u0438\u043d\u0430\u0434\u043b\u0435\u0436\u0438\u0442 \u043f\u0435\u0440\u0435\u0445\u043e\u0434\u043d\u043e\u043c\u0443 \u043f\u0435\u0440\u0438\u043e\u0434\u0443 \u0431\u0435\u043b\u044c\u0433\u0438\u0439\u0441\u043a\u043e\u0433\u043e \u043c\u043e\u0434\u0435\u0440\u043d\u0430 \u0438 \u043d\u0435\u043e\u0431\u0430\u0440\u043e\u043a\u043a\u043e \u043d\u0430 \u0440\u0443\u0431\u0435\u0436\u0435 XIX \u0438 XX \u0432\u0435\u043a\u043e\u0432, \u043a\u043e\u0433\u0434\u0430 \u0411\u0435\u043b\u044c\u0433\u0438\u044f \u0431\u044b\u043b\u0430 \u043e\u0434\u043d\u0438\u043c \u0438\u0437 \u0446\u0435\u043d\u0442\u0440\u043e\u0432 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0433\u043e \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0430\u0432\u0430\u043d\u0433\u0430\u0440\u0434\u0430. \u041c\u043e\u0434\u0435\u043b\u044c \u0441\u043e\u043e\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0443\u0435\u0442 \u0440\u0430\u0431\u043e\u0442\u0435 \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u043e\u0440\u0430 \u0416\u0435\u0444\u0430 \u041b\u0430\u043c\u0431\u043e (Jef Lambeaux, 1852\u20131908)<\/em> \u043f\u043e\u0434 \u043d\u0430\u0437\u0432\u0430\u043d\u0438\u0435\u043c “Femme aux pampres”<\/em> \u2014 \u0436\u0435\u043d\u0449\u0438\u043d\u0430 \u0441 \u0432\u0438\u043d\u043e\u0433\u0440\u0430\u0434\u043d\u044b\u043c\u0438 \u043b\u043e\u0437\u0430\u043c\u0438, \u0438\u0437\u0432\u0435\u0441\u0442\u043d\u043e\u0439 \u0432 \u0431\u0440\u043e\u043d\u0437\u0435 \u0438 \u0434\u0440\u0443\u0433\u0438\u0445 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u0430\u0445. \u0417\u0430\u043f\u0440\u043e\u043a\u0438\u043d\u0443\u0442\u0430\u044f \u0433\u043e\u043b\u043e\u0432\u0430, \u043f\u0440\u0438\u043e\u0442\u043a\u0440\u044b\u0442\u044b\u0435 \u0433\u0443\u0431\u044b \u0438 \u0434\u0438\u043d\u0430\u043c\u0438\u0447\u043d\u0430\u044f \u043b\u0438\u043d\u0438\u044f \u0448\u0435\u0438 \u043d\u0435\u0441\u0443\u0442 \u0442\u043e \u0441\u0430\u043c\u043e\u0435 \u0434\u0432\u0438\u0436\u0435\u043d\u0438\u0435 \u0438 \u0447\u0443\u0432\u0441\u0442\u0432\u0435\u043d\u043d\u0443\u044e \u044d\u043d\u0435\u0440\u0433\u0438\u044e, \u043a\u043e\u0442\u043e\u0440\u043e\u0439 \u041b\u0430\u043c\u0431\u043e \u043f\u0440\u043e\u0441\u043b\u0430\u0432\u0438\u043b\u0441\u044f \u2014 \u0438 \u043d\u0435\u0440\u0435\u0434\u043a\u043e \u0441\u043a\u0430\u043d\u0434\u0430\u043b\u0438\u0437\u0438\u0440\u043e\u0432\u0430\u043b \u043f\u0443\u0431\u043b\u0438\u043a\u0443.<\/p>\n<\/div>\n<\/div>\n
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\ud83c\uddf7\ud83c\uddfa \u0421\u043d\u0438\u043c\u043e\u043a \u044d\u043f\u043e\u0445\u0438 \u043c\u043e\u0434\u0435\u0440\u043d\u0430:<\/em> \u0416\u0435\u0444 \u041b\u0430\u043c\u0431\u043e (Jef Lambeaux)<\/em> \u043e\u0441\u0442\u0430\u043d\u043e\u0432\u0438\u043b\u0441\u044f \u0432 \u043f\u043e\u043b\u0443\u043c\u0440\u0430\u043a\u0435 \u0430\u043d\u0442\u0432\u0435\u0440\u043f\u0435\u043d\u0441\u043a\u043e\u0439 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u043e\u0439. \u0412 \u043e\u043a\u043d\u043e \u0441\u043a\u043e\u043b\u044c\u0437\u043d\u0443\u043b \u043f\u043e\u0437\u0434\u043d\u0438\u0439 \u043f\u043e\u0441\u043b\u0435\u043f\u043e\u043b\u0443\u0434\u0435\u043d\u043d\u044b\u0439 \u0441\u0432\u0435\u0442, \u0438 \u0447\u0442\u043e-\u0442\u043e \u0432\u043b\u0430\u0436\u043d\u043e\u0435 \u0438 \u043e\u043a\u0440\u0443\u0433\u043b\u043e\u0435 \u0431\u043b\u0435\u0441\u043d\u0443\u043b\u043e \u2014 \u0446\u0435\u043b\u0430\u044f \u0433\u0440\u043e\u0437\u0434\u044c, \u0437\u0430\u0441\u0442\u044b\u0432\u0448\u0430\u044f \u0432 \u0433\u043b\u0438\u043d\u0435, \u0435\u0449\u0451 \u043f\u0430\u0445\u043d\u0443\u0449\u0430\u044f \u043e\u0441\u0435\u043d\u044c\u044e. \u041e\u043d \u043a\u043e\u0441\u043d\u0443\u043b\u0441\u044f \u0445\u043e\u043b\u043e\u0434\u043d\u043e\u0439 \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u0438, \u0433\u0434\u0435 \u043f\u0430\u043b\u044c\u0446\u044b \u043a\u043e\u0433\u0434\u0430-\u0442\u043e \u043e\u0441\u0442\u0430\u0432\u0438\u043b\u0438 \u0441\u0432\u043e\u0439 \u0441\u043b\u0435\u0434. \u0417\u0430 \u0441\u043f\u0438\u043d\u043e\u0439 \u043a\u0442\u043e-\u0442\u043e \u0442\u0438\u0445\u043e \u043f\u0440\u043e\u0438\u0437\u043d\u0451\u0441 \u0435\u0433\u043e \u0438\u043c\u044f, \u043d\u043e \u043e\u043d \u043d\u0435 \u043e\u0431\u0435\u0440\u043d\u0443\u043b\u0441\u044f \u2014 \u043e\u043d \u0441\u043b\u0443\u0448\u0430\u043b \u0444\u043e\u0440\u043c\u0443, \u0430 \u043d\u0435 \u0447\u0435\u043b\u043e\u0432\u0435\u043a\u0430.<\/p>\n<\/div>\n<\/div>\n
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\u0411\u044e\u0441\u0442 \u043d\u0435\u0441\u0451\u0442 \u043d\u0430 \u0431\u043e\u043a\u0443 \u0433\u0440\u0430\u0432\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u0443\u044e \u043f\u043e\u0434\u043f\u0438\u0441\u044c “Jef Lambeaux”, \u0445\u043e\u0440\u043e\u0448\u043e \u0440\u0430\u0437\u043b\u0438\u0447\u0438\u043c\u0443\u044e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445. \u041b\u0430\u043c\u0431\u043e \u0440\u043e\u0434\u0438\u043b\u0441\u044f \u0432 \u0410\u043d\u0442\u0432\u0435\u0440\u043f\u0435\u043d\u0435, \u0443\u0447\u0438\u043b\u0441\u044f \u0432 \u0410\u043d\u0442\u0432\u0435\u0440\u043f\u0435\u043d\u0441\u043a\u043e\u0439 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0438 \u0438\u0437\u044f\u0449\u043d\u044b\u0445 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432 \u0443 \u0416\u0430\u043d\u0430 \u0413\u0435\u0444\u0441\u0430 \u0438 \u0441\u0442\u0430\u043b \u043e\u0434\u043d\u0438\u043c \u0438\u0437 \u0432\u044b\u0434\u0430\u044e\u0449\u0438\u0445\u0441\u044f \u0431\u0435\u043b\u044c\u0433\u0438\u0439\u0441\u043a\u0438\u0445 \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u043e\u0440\u043e\u0432 \u0440\u0443\u0431\u0435\u0436\u0430 \u0432\u0435\u043a\u043e\u0432; \u0435\u0433\u043e \u0441\u0430\u043c\u0430\u044f \u0437\u043d\u0430\u043c\u0435\u043d\u0438\u0442\u0430\u044f \u0440\u0430\u0431\u043e\u0442\u0430 \u2014 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u043c\u0440\u0430\u043c\u043e\u0440\u043d\u044b\u0439 \u0440\u0435\u043b\u044c\u0435\u0444 “\u0427\u0435\u043b\u043e\u0432\u0435\u0447\u0435\u0441\u043a\u0438\u0435 \u0441\u0442\u0440\u0430\u0441\u0442\u0438”<\/em> (1898) \u0432 \u0411\u0440\u044e\u0441\u0441\u0435\u043b\u0435. \u042d\u0442\u043e \u043e\u0442\u043b\u0438\u0432\u043a\u0430\/\u0432\u043e\u0441\u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0435 \u043f\u0435\u0440\u0438\u043e\u0434\u0430 \u0441 \u043f\u043e\u0434\u043f\u0438\u0441\u044c\u044e \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u043e\u0440\u0430; \u0430\u0432\u0442\u043e\u0440\u0438\u0437\u0430\u0446\u0438\u044f \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u043e\u0441\u0442\u0438 \u043e\u0442\u0434\u0435\u043b\u044c\u043d\u043e \u043d\u0435 \u043f\u043e\u0434\u0442\u0432\u0435\u0440\u0436\u0434\u0435\u043d\u0430, \u043f\u043e\u044d\u0442\u043e\u043c\u0443 \u043f\u0440\u0435\u0434\u043c\u0435\u0442 \u043f\u0440\u0435\u0434\u043b\u0430\u0433\u0430\u0435\u0442\u0441\u044f \u043a\u0430\u043a \u0438\u0437\u0434\u0435\u043b\u0438\u0435 \u044d\u043f\u043e\u0445\u0438 \u0441 \u043f\u043e\u0434\u043f\u0438\u0441\u044c\u044e, \u0430 \u043d\u0435 \u043a\u0430\u043a \u0441\u0435\u0440\u0442\u0438\u0444\u0438\u0446\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0439 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b. \u0422\u0435\u0440\u0440\u0430\u043a\u043e\u0442\u043e\u0432\u044b\u0439 \u0432\u0430\u0440\u0438\u0430\u043d\u0442 \u043e\u0441\u043e\u0431\u0435\u043d\u043d\u043e \u0438\u043d\u0442\u0435\u0440\u0435\u0441\u0435\u043d \u2014 \u043e\u043d \u0441\u043e\u0445\u0440\u0430\u043d\u044f\u0435\u0442 \u0440\u0443\u043a\u0443 \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u043e\u0440\u0430 \u043d\u0435\u043f\u043e\u0441\u0440\u0435\u0434\u0441\u0442\u0432\u0435\u043d\u043d\u0435\u0435, \u0447\u0435\u043c \u0431\u0440\u043e\u043d\u0437\u0430. \u041f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u044b\u0439 \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u0443\u0440\u043d\u044b\u0439 \u0430\u043a\u0446\u0435\u043d\u0442 \u0434\u043b\u044f \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e, \u044d\u043a\u043b\u0435\u043a\u0442\u0438\u0447\u043d\u043e\u0433\u043e \u0438\u043b\u0438 \u043c\u043e\u0434\u0435\u0440\u043d\u043e\u0432\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430 \u0438 \u0441\u0438\u043b\u044c\u043d\u0430\u044f \u0434\u043e\u043c\u0438\u043d\u0430\u043d\u0442\u0430 \u0432 \u043f\u043e\u0440\u0442\u0440\u0435\u0442\u043d\u043e\u0439 \u0438 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u043d\u043e\u0439 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0438. \u0417\u043d\u0430\u0447\u0438\u043c\u044b\u0439 \u043f\u043e\u0434\u0430\u0440\u043e\u043a \u0446\u0435\u043d\u0438\u0442\u0435\u043b\u044e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430, \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u0435\u0440\u0443 \u0438\u043b\u0438 \u0434\u0438\u0437\u0430\u0439\u043d\u0435\u0440\u0443 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430. \u0412\u043e\u0437\u0440\u0430\u0441\u0442\u043d\u0430\u044f \u043f\u0430\u0442\u0438\u043d\u0430 \u0438 \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u043d\u044b\u0435 \u043f\u043e\u0442\u0451\u0440\u0442\u043e\u0441\u0442\u0438 \u0441\u043e\u043e\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0443\u044e\u0442 \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u0443 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<\/div>\n<\/div>\n
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\ud83c\uddec\ud83c\udde7\u00a0 The Lambeaux Bacchante Bust \u2014 Art Nouveau Terracotta, Belgium, c. 1890\u20131905<\/strong><\/h2>\n
This expressive, heavy terracotta Lambeaux bacchante<\/strong> depicts a young follower of Bacchus crowned with a luxuriant wreath of grapes and vine leaves. The model corresponds to “Femme aux pampres”<\/em> by the Belgian sculptor Jef Lambeaux (Jef Lambeaux, 1852\u20131908)<\/em>, and this Lambeaux bacchante<\/strong> belongs to the transitional period between Belgian Art Nouveau and Neo-Baroque around the turn of the twentieth century.<\/p>\n
\ud83c\uddec\ud83c\udde7 Art Nouveau snapshot:<\/em> Jef Lambeaux (Jef Lambeaux)<\/em> paused in the half-light of his Antwerp studio. Late afternoon light slid through the window, and something moist and round glinted \u2014 a whole cluster, frozen in clay, still smelling of autumn. He laid his hand on the cold surface where his fingers had once left their mark. Behind him someone softly spoke his name, but he did not turn \u2014 he was listening to the form, not the person.<\/p>\n
The Lambeaux Bacchante and Its Maker<\/h4>\n
The tilted head, parted lips and dynamic line of the neck give this Lambeaux bacchante<\/strong> the movement and sensual energy for which the sculptor became famous \u2014 and at times scandalous. The bust bears an incised signature “Jef Lambeaux” on the side, clearly visible in the photographs. Born in Antwerp and trained at the Antwerp Academy of Fine Arts, Lambeaux became one of the most prominent Belgian sculptors of his era; his most famous work is the monumental marble relief Human Passions<\/em> (1898) in Brussels. This is a period cast bearing the sculptor’s signature; authenticity has not been separately certified, so it is offered as a signed period piece rather than a certified original.<\/p>\n
Collecting a Lambeaux Bacchante in Terracotta<\/strong><\/h4>\n
A terracotta Lambeaux bacchante<\/strong> is especially interesting, as the clay preserves the sculptor’s hand more directly than bronze. As a focal point it commands a classical, eclectic or Art Nouveau interior, and this Lambeaux bacchante<\/strong> also serves as a strong subject in portrait and interior photography. Age-appropriate patina and surface wear are present. The condition is fully reflected in the photographs.<\/p>\n<\/div>\n<\/div>\n
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\ud83c\udde9\ud83c\uddea B\u00fcste einer Bacchantin mit Weintraubenkranz (“Femme aux pampres”<\/em>) \u2014 Jugendstil \/ Neobarock, Belgien, um 1890\u20131905<\/strong><\/h3>\n<\/div>\n<\/div>\n
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Diese ausdrucksstarke, schwere Terrakotta-B\u00fcste zeigt eine junge Bacchantin mit einem \u00fcppigen Kranz aus Trauben und Weinlaub im Haar. Die Form geh\u00f6rt in die \u00dcbergangszeit zwischen belgischem Jugendstil und Neobarock um die Wende zum zwanzigsten Jahrhundert, als Belgien eines der Zentren der europ\u00e4ischen k\u00fcnstlerischen Avantgarde war. Das Modell entspricht dem Werk “Femme aux pampres”<\/em> des Bildhauers Jef Lambeaux (Jef Lambeaux, 1852\u20131908)<\/em>, das in Bronze und anderen Materialien bekannt ist. Der zur\u00fcckgeneigte Kopf, die leicht ge\u00f6ffneten Lippen und die dynamische Linie des Halses tragen genau jene Bewegung und sinnliche Energie, f\u00fcr die Lambeaux ber\u00fchmt \u2014 und mitunter ber\u00fcchtigt \u2014 wurde.<\/p>\n<\/div>\n<\/div>\n
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\ud83c\udde9\ud83c\uddea Momentaufnahme der Jugendstil-Zeit:<\/em> Jef Lambeaux (Jef Lambeaux)<\/em> hielt im Halbdunkel seines Antwerpener Ateliers inne. Sp\u00e4tes Nachmittagslicht glitt durch das Fenster, und etwas Feuchtes, Rundes gl\u00e4nzte auf \u2014 eine ganze Traube, im Ton erstarrt, noch nach Herbst duftend. Er legte die Hand auf die k\u00fchle Oberfl\u00e4che, wo seine Finger einst ihre Spur hinterlassen hatten. Hinter ihm sprach jemand leise seinen Namen, doch er drehte sich nicht um \u2014 er lauschte der Form, nicht dem Menschen.<\/p>\n<\/div>\n<\/div>\n
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Die B\u00fcste tr\u00e4gt seitlich die eingeritzte Signatur “Jef Lambeaux”, auf den Fotografien gut erkennbar. Lambeaux, geboren in Antwerpen und ausgebildet an der dortigen Kunstakademie, wurde zu einem der bedeutendsten belgischen Bildhauer der Jahrhundertwende; sein ber\u00fchmtestes Werk ist das monumentale Marmorrelief Menschliche Leidenschaften<\/em> (1898) in Br\u00fcssel. Es handelt sich um einen zeitgen\u00f6ssischen Guss bzw. eine Ausformung mit der Signatur des Bildhauers; die Echtheit wurde nicht gesondert zertifiziert. Die Terrakotta-Variante ist besonders reizvoll, da sie die Hand des Bildhauers unmittelbarer bewahrt als Bronze. Ein kraftvoller skulpturaler Akzent f\u00fcr ein klassisches, eklektisches oder Jugendstil-Interieur. Altersgem\u00e4\u00dfe Patina und Oberfl\u00e4chenspuren sind vorhanden. Der Zustand ist auf den Fotografien vollst\u00e4ndig wiedergegeben.<\/p>\n<\/div>\n<\/div>\n
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\ud83c\uddeb\ud83c\uddf7 Buste de bacchante au couronne de raisins (“Femme aux pampres”<\/em>) \u2014 Art nouveau \/ n\u00e9o-baroque, Belgique, vers 1890\u20131905<\/strong><\/h3>\n<\/div>\n<\/div>\n
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Ce buste en terre cuite expressif et lourd repr\u00e9sente une jeune bacchante coiff\u00e9e d’une luxuriante couronne de raisins et de pampres. La forme appartient \u00e0 la p\u00e9riode de transition entre l’Art nouveau belge et le n\u00e9o-baroque, au tournant du vingti\u00e8me si\u00e8cle, lorsque la Belgique \u00e9tait l’un des centres de l’avant-garde artistique europ\u00e9enne. Le mod\u00e8le correspond \u00e0 l’\u0153uvre “Femme aux pampres”<\/em> du sculpteur Jef Lambeaux (Jef Lambeaux, 1852\u20131908)<\/em>, connue en bronze et en d’autres mat\u00e9riaux. La t\u00eate renvers\u00e9e, les l\u00e8vres entrouvertes et la ligne dynamique du cou portent ce mouvement et cette \u00e9nergie sensuelle qui rendirent Lambeaux c\u00e9l\u00e8bre \u2014 et parfois scandaleux.<\/p>\n<\/div>\n<\/div>\n
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\ud83c\uddeb\ud83c\uddf7 Instantan\u00e9 de l’\u00e9poque Art nouveau :<\/em> Jef Lambeaux (Jef Lambeaux)<\/em> s’arr\u00eata dans la p\u00e9nombre de son atelier anversois. La lumi\u00e8re de fin d’apr\u00e8s-midi glissa par la fen\u00eatre, et quelque chose d’humide et de rond scintilla \u2014 une grappe enti\u00e8re, fig\u00e9e dans l’argile, sentant encore l’automne. Il posa la main sur la surface froide o\u00f9 ses doigts avaient jadis laiss\u00e9 leur empreinte. Derri\u00e8re lui, quelqu’un pronon\u00e7a doucement son nom, mais il ne se retourna pas \u2014 il \u00e9coutait la forme, non la personne.<\/p>\n<\/div>\n<\/div>\n
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Le buste porte sur le c\u00f4t\u00e9 la signature grav\u00e9e “Jef Lambeaux”, bien visible sur les photographies. N\u00e9 \u00e0 Anvers et form\u00e9 \u00e0 l’Acad\u00e9mie des beaux-arts d’Anvers, Lambeaux devint l’un des sculpteurs belges les plus \u00e9minents du tournant du si\u00e8cle ; son \u0153uvre la plus c\u00e9l\u00e8bre est le relief monumental en marbre Les Passions humaines<\/em> (1898) \u00e0 Bruxelles. Il s’agit d’une fonte\/\u00e9preuve d’\u00e9poque portant la signature du sculpteur ; l’authenticit\u00e9 n’a pas \u00e9t\u00e9 certifi\u00e9e s\u00e9par\u00e9ment. La variante en terre cuite est particuli\u00e8rement int\u00e9ressante, car elle conserve la main du sculpteur plus directement que le bronze. Un accent sculptural puissant pour un int\u00e9rieur classique, \u00e9clectique ou Art nouveau. Patine et usures de surface conformes \u00e0 l’\u00e2ge. L’\u00e9tat est enti\u00e8rement refl\u00e9t\u00e9 par les photographies.<\/p>\n<\/div>\n<\/div>\n
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<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
Iespaid\u012bga terakotas biste \u2014 bahante ar v\u012bnogu vainagu, parakst\u012bta “Jef Lambeaux”. Be\u013c\u0123ijas j\u016bgendstils\/neobaroks, ap 1890\u20131905. Augstums 55 cm. Period\u0101 darin\u0101ts darbs ar t\u0113lnieka parakstu.<\/p>\n","protected":false},"featured_media":43352,"template":"","meta":[],"product_brand":[],"product_cat":[232,204],"product_tag":[],"class_list":["post-43351","product","type-product","status-publish","has-post-thumbnail","product_cat-figuras-2","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/43351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/43352"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=43351"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=43351"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=43351"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=43351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}