{"id":42744,"date":"2026-01-06T13:27:00","date_gmt":"2026-01-06T11:27:00","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=42744"},"modified":"2026-09-08T09:39:34","modified_gmt":"2026-09-08T06:39:34","slug":"bronze-chenets-louis-xv-rococo-6328","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/bronze-chenets-louis-xv-rococo-6328\/","title":{"rendered":"Greznu zelt\u0113ta bronzas kam\u012bna sargu p\u0101ris (chenets), Luija XV stils (6328)"},"content":{"rendered":"<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddf1\ud83c\uddfb <strong>Greznu zelt\u0113ta bronzas kam\u012bna sargu p\u0101ris (chenets) \u2014 Luija XV \/ rokoko stils, Francija<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>Cena nor\u0101d\u012bta par 2 gabaliem (p\u0101ris \u2014 paire).<\/em><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u0160is iespaid\u012bgais kam\u012bna sargu (<em>bronze chenets<\/em>) p\u0101ris ir kr\u0101\u0161\u0146s <strong>zelt\u0113ta bronzas<\/strong> (<em>ormolu<\/em>) kalumu un kokgriezuma paraugs <strong>Luija XV<\/strong> un <strong>rokoko<\/strong> gar\u0101. Katru <em>chenet<\/em> veido bag\u0101t\u012bga, asimetriska <em>rocaille<\/em> kompoz\u012bcija \u2014 centr\u0101 v\u0113rien\u012bgs <strong>glieme\u017ev\u0101ks<\/strong> (<em>coquille<\/em>), ko ietver vij\u012bgas <strong>C un S vol\u016btas<\/strong>, akanta lapas un ziedu v\u012btnes, viss vainagots ar pu\u0161\u0137veida ziedu kroni. Aizmugur\u0113 saglab\u0101tas ori\u0123in\u0101l\u0101s <strong>kalt\u0101 dzelzs<\/strong> sliedes (<em>landiers<\/em>), uz kur\u0101m kam\u012bn\u0101 gul\u0113ja malka \u2014 apliecin\u0101jums, ka tie ir \u012bsti funkcion\u0101li <em>chenets<\/em>, ne tikai dekors.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Augstums [&#8230;] cm \u00b7 platums [&#8230;] cm \u00b7 dzi\u013cums [&#8230;] cm (katram dekoram)<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Izgatavo\u0161anas periods, m\u0101kslas stils, laikmets.<\/strong> P\u0101ris darin\u0101ts <strong>Luija XV stila<\/strong> (<em>style Louis XV<\/em>) trad\u012bcij\u0101, kuras pamat\u0101 ir 18. gadsimta vidus rokoko ar t\u0101 asimetriju, glieme\u017ev\u0101ka un vi\u013c\u0146a mot\u012bviem un dabas formu pl\u016bdumu. <em>Chenets<\/em> \u2014 kam\u012bna sargi \u2014 bija ne tikai praktiski malkas balsti, bet ar\u012b reprezentat\u012bvs kam\u012bna rot\u0101jums; grezn\u0101kajos salonos tie k\u013cuva par patst\u0101v\u012bgiem m\u0101kslas darbiem.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>Rokoko momentuz\u0146\u0113mums:<\/em> dekorators \u017dils Mar\u012b Openors (<em>Gilles-Marie Oppenord<\/em>) pietup\u0101s pie atdzisu\u0161a kam\u012bna agr\u0101 r\u012bt\u0101, kad pelni v\u0113l tur\u0113ja nakts siltumu. Vi\u0146a pirksti sekoja zelt\u012bt\u0101 glieme\u017ev\u0101ka l\u012bnijai, kas vij\u0101s k\u0101 vilnis, sastingis m\u016b\u017e\u012bg\u0101 kust\u012bb\u0101. Aiz loga Par\u012bzes jumti v\u0113l gul\u0113ja migl\u0101. Vi\u0146\u0161 zin\u0101ja: uguns kl\u0101tb\u016btn\u0113 \u0161\u012b forma dz\u012bvos \u2014 liesmas atspulgs \u013caus zeltam mirdz\u0113t un kust\u0113ties, it k\u0101 v\u0101ks elpotu.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Ra\u017eot\u0101js.<\/strong> Bez z\u012bmoga; model\u0113juma kvalit\u0101te, zelt\u0113juma dzi\u013cums un rocaille kompoz\u012bcijas br\u012bv\u012bba nor\u0101da uz labu fran\u010du <em>bronzier<\/em> darbn\u012bcu rokoko trad\u012bcij\u0101.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Retums un noz\u012bme.<\/strong> <em>Chenets<\/em> p\u0101ri ar piln\u012bb\u0101 saglab\u0101t\u0101m ori\u0123in\u0101laj\u0101m dzelzs slied\u0113m un neboj\u0101tu zelt\u0113jumu m\u016bsdien\u0101s ir v\u0113rt\u012bga atradne \u2014 sliedes bie\u017ei paz\u016bd, un zelt\u0113jums nodilst ugunsguns tuvum\u0101.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Pielietojums interjer\u0101, dizain\u0101 un fotogr\u0101fij\u0101.<\/strong> P\u0101ris kalpo gan funkcion\u0101l\u0101 kam\u012bn\u0101, gan k\u0101 dekorat\u012bvs akcents kam\u012bna priek\u0161\u0101 vai uz kam\u012bna malas. Tie lieliski papildina rokoko, klasisku vai eklektisku interjeru un veido kr\u0101\u0161\u0146u, fotog\u0113nu deta\u013cu interjera fotogr\u0101fij\u0101.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>D\u0101vana.<\/strong> Iespaid\u012bga d\u0101vana kam\u012bna \u012bpa\u0161niekam, antikvari\u0101ta cien\u012bt\u0101jam vai kolekcion\u0101ram.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>St\u0101voklis.<\/strong> Saglab\u0101ts zelt\u0113jums un ori\u0123in\u0101l\u0101s dzelzs sliedes; iesp\u0113jamas zelt\u0113juma nodiluma vietas, s\u012bki bronzas zaud\u0113jumi vai retu\u0161\u0113jumi un dzelzs korozija, kas atbilst vecumam un funkcijai. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddf7\ud83c\uddfa <strong>\u041f\u0430\u0440\u0430 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u044b\u0445 \u043a\u0430\u043c\u0438\u043d\u043d\u044b\u0445 \u043f\u043e\u0434\u0441\u0442\u0430\u0432\u043e\u043a (chenets) \u0438\u0437 \u0437\u043e\u043b\u043e\u0447\u0451\u043d\u043e\u0439 \u0431\u0440\u043e\u043d\u0437\u044b \u2014 \u0441\u0442\u0438\u043b\u044c \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV \/ \u0440\u043e\u043a\u043e\u043a\u043e, \u0424\u0440\u0430\u043d\u0446\u0438\u044f<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>\u0426\u0435\u043d\u0430 \u0443\u043a\u0430\u0437\u0430\u043d\u0430 \u0437\u0430 2 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 (\u043f\u0430\u0440\u0430 \u2014 paire).<\/em><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u042d\u0442\u0430 \u0432\u043f\u0435\u0447\u0430\u0442\u043b\u044f\u044e\u0449\u0430\u044f \u043f\u0430\u0440\u0430 \u043a\u0430\u043c\u0438\u043d\u043d\u044b\u0445 \u043f\u043e\u0434\u0441\u0442\u0430\u0432\u043e\u043a (<em>bronze chenets<\/em>) \u2014 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u044b\u0439 \u043e\u0431\u0440\u0430\u0437\u0435\u0446 <strong>\u0437\u043e\u043b\u043e\u0447\u0451\u043d\u043e\u0439 \u0431\u0440\u043e\u043d\u0437\u044b<\/strong> (<em>ormolu<\/em>) \u0438 \u0440\u0435\u0437\u044c\u0431\u044b \u0432 \u0434\u0443\u0445\u0435 <strong>\u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV<\/strong> \u0438 <strong>\u0440\u043e\u043a\u043e\u043a\u043e<\/strong>. \u041a\u0430\u0436\u0434\u044b\u0439 <em>chenet<\/em> \u043e\u0431\u0440\u0430\u0437\u0443\u0435\u0442 \u0431\u043e\u0433\u0430\u0442\u0430\u044f \u0430\u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u0430\u044f \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044f <em>rocaille<\/em> \u2014 \u0432 \u0446\u0435\u043d\u0442\u0440\u0435 \u043a\u0440\u0443\u043f\u043d\u0430\u044f <strong>\u0440\u0430\u043a\u043e\u0432\u0438\u043d\u0430<\/strong> (<em>coquille<\/em>), \u043e\u0431\u0440\u0430\u043c\u043b\u0451\u043d\u043d\u0430\u044f \u0432\u044c\u044e\u0449\u0438\u043c\u0438\u0441\u044f <strong>\u0432\u043e\u043b\u044e\u0442\u0430\u043c\u0438 C \u0438 S<\/strong>, \u043b\u0438\u0441\u0442\u044c\u044f\u043c\u0438 \u0430\u043a\u0430\u043d\u0442\u0430 \u0438 \u0446\u0432\u0435\u0442\u043e\u0447\u043d\u044b\u043c\u0438 \u0433\u0438\u0440\u043b\u044f\u043d\u0434\u0430\u043c\u0438, \u0443\u0432\u0435\u043d\u0447\u0430\u043d\u043d\u0430\u044f \u0431\u0443\u043a\u0435\u0442\u043d\u043e\u0439 \u043a\u043e\u0440\u043e\u043d\u043e\u0439. \u0421\u0437\u0430\u0434\u0438 \u0441\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u044b \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0435 <strong>\u043a\u043e\u0432\u0430\u043d\u044b\u0435 \u0436\u0435\u043b\u0435\u0437\u043d\u044b\u0435<\/strong> \u043f\u043e\u043b\u043e\u0437\u044c\u044f (<em>landiers<\/em>), \u043d\u0430 \u043a\u043e\u0442\u043e\u0440\u044b\u0445 \u0432 \u043a\u0430\u043c\u0438\u043d\u0435 \u043b\u0435\u0436\u0430\u043b\u0438 \u0434\u0440\u043e\u0432\u0430, \u2014 \u0434\u043e\u043a\u0430\u0437\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u0442\u043e\u0433\u043e, \u0447\u0442\u043e \u044d\u0442\u043e \u043d\u0430\u0441\u0442\u043e\u044f\u0449\u0438\u0435 \u0444\u0443\u043d\u043a\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u044b\u0435 <em>chenets<\/em>, \u0430 \u043d\u0435 \u0442\u043e\u043b\u044c\u043a\u043e \u0434\u0435\u043a\u043e\u0440.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u0412\u044b\u0441\u043e\u0442\u0430 [&#8230;] \u0441\u043c \u00b7 \u0448\u0438\u0440\u0438\u043d\u0430 [&#8230;] \u0441\u043c \u00b7 \u0433\u043b\u0443\u0431\u0438\u043d\u0430 [&#8230;] \u0441\u043c (\u043a\u0430\u0436\u0434\u044b\u0439)<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u041f\u0430\u0440\u0430 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u0430 \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438 <strong>\u0441\u0442\u0438\u043b\u044f \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV<\/strong> (<em>style Louis XV<\/em>), \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u043d\u043e\u0433\u043e \u043d\u0430 \u0440\u043e\u043a\u043e\u043a\u043e \u0441\u0435\u0440\u0435\u0434\u0438\u043d\u044b XVIII \u0432\u0435\u043a\u0430 \u0441 \u0435\u0433\u043e \u0430\u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0435\u0439, \u043c\u043e\u0442\u0438\u0432\u0430\u043c\u0438 \u0440\u0430\u043a\u043e\u0432\u0438\u043d\u044b \u0438 \u0432\u043e\u043b\u043d\u044b, \u0442\u0435\u043a\u0443\u0447\u0435\u0441\u0442\u044c\u044e \u043f\u0440\u0438\u0440\u043e\u0434\u043d\u044b\u0445 \u0444\u043e\u0440\u043c. <em>Chenets<\/em> \u2014 \u043a\u0430\u043c\u0438\u043d\u043d\u044b\u0435 \u043f\u043e\u0434\u0441\u0442\u0430\u0432\u043a\u0438 \u2014 \u0431\u044b\u043b\u0438 \u043d\u0435 \u0442\u043e\u043b\u044c\u043a\u043e \u043f\u0440\u0430\u043a\u0442\u0438\u0447\u043d\u043e\u0439 \u043e\u043f\u043e\u0440\u043e\u0439 \u0434\u043b\u044f \u0434\u0440\u043e\u0432, \u043d\u043e \u0438 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u043c \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u0438\u0435\u043c \u043a\u0430\u043c\u0438\u043d\u0430; \u0432 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u044b\u0445 \u0441\u0430\u043b\u043e\u043d\u0430\u0445 \u043e\u043d\u0438 \u0441\u0442\u0430\u043d\u043e\u0432\u0438\u043b\u0438\u0441\u044c \u0441\u0430\u043c\u043e\u0441\u0442\u043e\u044f\u0442\u0435\u043b\u044c\u043d\u044b\u043c\u0438 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f\u043c\u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>\u0421\u043d\u0438\u043c\u043e\u043a \u0440\u043e\u043a\u043e\u043a\u043e:<\/em> \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u043e\u0440 \u0416\u0438\u043b\u044c-\u041c\u0430\u0440\u0438 \u041e\u043f\u043f\u0435\u043d\u043e\u0440 (<em>Gilles-Marie Oppenord<\/em>) \u043f\u0440\u0438\u0441\u0435\u043b \u0443 \u043e\u0441\u0442\u044b\u0432\u0448\u0435\u0433\u043e \u043a\u0430\u043c\u0438\u043d\u0430 \u0440\u0430\u043d\u043d\u0438\u043c \u0443\u0442\u0440\u043e\u043c, \u043a\u043e\u0433\u0434\u0430 \u0437\u043e\u043b\u0430 \u0435\u0449\u0451 \u0445\u0440\u0430\u043d\u0438\u043b\u0430 \u043d\u043e\u0447\u043d\u043e\u0435 \u0442\u0435\u043f\u043b\u043e. \u0415\u0433\u043e \u043f\u0430\u043b\u044c\u0446\u044b \u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043b\u0438 \u043b\u0438\u043d\u0438\u0438 \u0437\u043e\u043b\u043e\u0447\u0451\u043d\u043e\u0439 \u0440\u0430\u043a\u043e\u0432\u0438\u043d\u044b, \u0447\u0442\u043e \u0432\u0438\u043b\u0430\u0441\u044c, \u0441\u043b\u043e\u0432\u043d\u043e \u0432\u043e\u043b\u043d\u0430, \u0437\u0430\u0441\u0442\u044b\u0432\u0448\u0430\u044f \u0432 \u0432\u0435\u0447\u043d\u043e\u043c \u0434\u0432\u0438\u0436\u0435\u043d\u0438\u0438. \u0417\u0430 \u043e\u043a\u043d\u043e\u043c \u043a\u0440\u044b\u0448\u0438 \u041f\u0430\u0440\u0438\u0436\u0430 \u0435\u0449\u0451 \u043b\u0435\u0436\u0430\u043b\u0438 \u0432 \u0442\u0443\u043c\u0430\u043d\u0435. \u041e\u043d \u0437\u043d\u0430\u043b: \u0432 \u043f\u0440\u0438\u0441\u0443\u0442\u0441\u0442\u0432\u0438\u0438 \u043e\u0433\u043d\u044f \u044d\u0442\u0430 \u0444\u043e\u0440\u043c\u0430 \u043e\u0436\u0438\u0432\u0451\u0442 \u2014 \u043e\u0442\u0431\u043b\u0435\u0441\u043a \u043f\u043b\u0430\u043c\u0435\u043d\u0438 \u0437\u0430\u0441\u0442\u0430\u0432\u0438\u0442 \u0437\u043e\u043b\u043e\u0442\u043e \u043c\u0435\u0440\u0446\u0430\u0442\u044c \u0438 \u0434\u0432\u0438\u0433\u0430\u0442\u044c\u0441\u044f, \u0431\u0443\u0434\u0442\u043e \u0440\u0430\u043a\u043e\u0432\u0438\u043d\u0430 \u0434\u044b\u0448\u0438\u0442.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u0411\u0435\u0437 \u043a\u043b\u0435\u0439\u043c\u0430; \u043a\u0430\u0447\u0435\u0441\u0442\u0432\u043e \u043c\u043e\u0434\u0435\u043b\u0438\u0440\u043e\u0432\u043a\u0438, \u0433\u043b\u0443\u0431\u0438\u043d\u0430 \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u0438\u044f \u0438 \u0441\u0432\u043e\u0431\u043e\u0434\u0430 \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0438 <em>rocaille<\/em> \u0443\u043a\u0430\u0437\u044b\u0432\u0430\u044e\u0442 \u043d\u0430 \u0445\u043e\u0440\u043e\u0448\u0443\u044e \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0443\u044e \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u0443\u044e <em>bronzier<\/em> \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438 \u0440\u043e\u043a\u043e\u043a\u043e. \u041f\u0430\u0440\u0430 <em>chenets<\/em> \u0441 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u0432\u0448\u0438\u043c\u0438\u0441\u044f \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u043c\u0438 \u0436\u0435\u043b\u0435\u0437\u043d\u044b\u043c\u0438 \u043f\u043e\u043b\u043e\u0437\u044c\u044f\u043c\u0438 \u0438 \u043d\u0435\u043f\u043e\u0432\u0440\u0435\u0436\u0434\u0451\u043d\u043d\u044b\u043c \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u0438\u0435\u043c \u0441\u0435\u0433\u043e\u0434\u043d\u044f \u2014 \u0446\u0435\u043d\u043d\u0430\u044f \u043d\u0430\u0445\u043e\u0434\u043a\u0430, \u0432\u0435\u0434\u044c \u043f\u043e\u043b\u043e\u0437\u044c\u044f \u0447\u0430\u0441\u0442\u043e \u0442\u0435\u0440\u044f\u044e\u0442\u0441\u044f, \u0430 \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u0438\u0435 \u0441\u0442\u0438\u0440\u0430\u0435\u0442\u0441\u044f \u0443 \u043e\u0433\u043d\u044f.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u041f\u0430\u0440\u0430 \u0441\u043b\u0443\u0436\u0438\u0442 \u043a\u0430\u043a \u0432 \u0434\u0435\u0439\u0441\u0442\u0432\u0443\u044e\u0449\u0435\u043c \u043a\u0430\u043c\u0438\u043d\u0435, \u0442\u0430\u043a \u0438 \u0432 \u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435 \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u043e\u0433\u043e \u0430\u043a\u0446\u0435\u043d\u0442\u0430 \u043f\u0435\u0440\u0435\u0434 \u043a\u0430\u043c\u0438\u043d\u043e\u043c. \u041e\u043d\u0438 \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u043e \u0434\u043e\u043f\u043e\u043b\u043d\u044f\u044e\u0442 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440 \u0440\u043e\u043a\u043e\u043a\u043e, \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0438\u043b\u0438 \u044d\u043a\u043b\u0435\u043a\u0442\u0438\u0447\u043d\u044b\u0439 \u0438 \u043e\u0431\u0440\u0430\u0437\u0443\u044e\u0442 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u0443\u044e, \u0444\u043e\u0442\u043e\u0433\u0435\u043d\u0438\u0447\u043d\u0443\u044e \u0434\u0435\u0442\u0430\u043b\u044c \u0432 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u043d\u043e\u0439 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0438. \u042d\u0442\u043e \u0432\u043f\u0435\u0447\u0430\u0442\u043b\u044f\u044e\u0449\u0438\u0439 \u043f\u043e\u0434\u0430\u0440\u043e\u043a \u0432\u043b\u0430\u0434\u0435\u043b\u044c\u0446\u0443 \u043a\u0430\u043c\u0438\u043d\u0430, \u0446\u0435\u043d\u0438\u0442\u0435\u043b\u044e \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u0438\u0430\u0442\u0430 \u0438\u043b\u0438 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u0435\u0440\u0443.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u0421\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u044b \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u0438\u0435 \u0438 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0435 \u0436\u0435\u043b\u0435\u0437\u043d\u044b\u0435 \u043f\u043e\u043b\u043e\u0437\u044c\u044f; \u0432\u043e\u0437\u043c\u043e\u0436\u043d\u044b \u043f\u043e\u0442\u0451\u0440\u0442\u043e\u0441\u0442\u0438 \u043f\u043e\u0437\u043e\u043b\u043e\u0442\u044b, \u043c\u0435\u043b\u043a\u0438\u0435 \u0443\u0442\u0440\u0430\u0442\u044b \u0431\u0440\u043e\u043d\u0437\u044b \u0438\u043b\u0438 \u0440\u0435\u0441\u0442\u0430\u0432\u0440\u0430\u0446\u0438\u0438 \u0438 \u043a\u043e\u0440\u0440\u043e\u0437\u0438\u044f \u0436\u0435\u043b\u0435\u0437\u0430, \u0441\u043e\u043e\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0443\u044e\u0449\u0438\u0435 \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u0443 \u0438 \u043d\u0430\u0437\u043d\u0430\u0447\u0435\u043d\u0438\u044e. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddec\ud83c\udde7 <strong>Pair of Gilt-Bronze Chenets \u2014 Louis XV Rococo Style, France<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>Price is for 2 pieces (a pair \u2014 paire).<\/em><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">This impressive pair of <strong>bronze chenets<\/strong> is a sumptuous example of <strong>gilt-bronze<\/strong> (<em>ormolu<\/em>) and carving in the spirit of <strong>Louis XV<\/strong> and the <strong>rococo<\/strong>. Each <em>chenet<\/em> is formed by a rich, asymmetrical <em>rocaille<\/em> composition \u2014 a bold central <strong>shell<\/strong> (<em>coquille<\/em>) framed by scrolling <strong>C- and S-volutes<\/strong>, acanthus leaves and floral garlands, crowned by a bouquet finial. At the back the original <strong>wrought-iron<\/strong> bars (<em>landiers<\/em>) survive, on which logs once rested in the hearth \u2014 proof that these are true working <strong>bronze chenets<\/strong>, not mere ornament.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Height [&#8230;] cm \u00b7 width [&#8230;] cm \u00b7 depth [&#8230;] cm (each)<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">The pair is made in the tradition of the <strong>Louis XV style<\/strong> (<em>style Louis XV<\/em>), rooted in the mid-18th-century rococo with its asymmetry, shell and wave motifs and the flow of natural forms. <em>Chenets<\/em> \u2014 firedogs \u2014 were not only practical log supports but also a presentation ornament of the hearth; in the grandest salons they became works of art in their own right. Unmarked, the quality of modelling, the depth of the gilding and the freedom of the <em>rocaille<\/em> composition point to a good French <em>bronzier<\/em> workshop in the rococo tradition.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>Rococo snapshot:<\/em> the decorator Gilles-Marie Oppenord (<em>Gilles-Marie Oppenord<\/em>) crouched by the cold hearth in the early morning, when the ashes still held the warmth of the night. His fingers followed the line of the gilded shell as it curled like a wave frozen in endless motion. Beyond the window the roofs of Paris still lay in mist. He knew that in the presence of fire this form would live \u2014 the flame&#8217;s reflection would let the gold shimmer and move, as if the shell were breathing.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">A pair of <strong>bronze chenets<\/strong> with their original iron bars fully preserved and undamaged gilding is a valuable find today, as the bars are often lost and the gilding wears away beside the fire. The pair serves both in a working fireplace and as a decorative accent before the hearth; it complements a rococo, classical or eclectic interior beautifully and forms a rich, photogenic detail in interior photography, as well as an impressive gift for the fireplace owner, the lover of antiques or the collector. The gilding and original iron bars are preserved; gilding wear, minor bronze losses or restorations and iron corrosion consistent with age and function are possible. The condition is fully reflected in the photographs.<\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\udde9\ud83c\uddea <strong>Paar pr\u00e4chtiger Kaminb\u00f6cke (Chenets) aus vergoldeter Bronze \u2014 Louis-XV-\/Rokoko-Stil, Frankreich<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>Preis gilt f\u00fcr 2 St\u00fcck (ein Paar \u2014 paire).<\/em><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Dieses eindrucksvolle Paar Kaminb\u00f6cke (<em>bronze chenets<\/em>) ist ein prunkvolles Beispiel f\u00fcr <strong>vergoldete Bronze<\/strong> (<em>ormolu<\/em>) und Schnitzkunst im Geist von <strong>Louis XV<\/strong> und des <strong>Rokoko<\/strong>. Jedes <em>Chenet<\/em> bildet eine reiche, asymmetrische <em>Rocaille<\/em>-Komposition \u2014 eine k\u00fchne zentrale <strong>Muschel<\/strong> (<em>coquille<\/em>), umrahmt von geschwungenen <strong>C- und S-Voluten<\/strong>, Akanthusbl\u00e4ttern und Bl\u00fctengirlanden, bekr\u00f6nt von einem Blumenbukett. Hinten sind die originalen Schienen aus <strong>Schmiedeeisen<\/strong> (<em>landiers<\/em>) erhalten, auf denen einst die Scheite im Kamin ruhten \u2014 Beweis, dass es sich um echte funktionale <em>Chenets<\/em> handelt, nicht um blo\u00dfes Zierwerk.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">H\u00f6he [&#8230;] cm \u00b7 Breite [&#8230;] cm \u00b7 Tiefe [&#8230;] cm (je)<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Das Paar entstand in der Tradition des <strong>Louis-XV-Stils<\/strong> (<em>style Louis XV<\/em>), der im Rokoko der Mitte des 18. Jahrhunderts wurzelt \u2014 mit seiner Asymmetrie, den Muschel- und Wellenmotiven und dem Fluss der Naturformen. <em>Chenets<\/em> \u2014 Kaminb\u00f6cke \u2014 waren nicht nur praktische Scheitst\u00fctzen, sondern auch ein repr\u00e4sentativer Schmuck des Kamins; in den pr\u00e4chtigsten Salons wurden sie zu eigenst\u00e4ndigen Kunstwerken. Ohne Marke; die Qualit\u00e4t der Modellierung, die Tiefe der Vergoldung und die Freiheit der <em>Rocaille<\/em>-Komposition deuten auf eine gute franz\u00f6sische <em>bronzier<\/em>-Werkstatt in der Rokoko-Tradition.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>Rokoko-Momentaufnahme:<\/em> der Dekorateur Gilles-Marie Oppenord (<em>Gilles-Marie Oppenord<\/em>) kauerte am fr\u00fchen Morgen am erkalteten Kamin, als die Asche noch die W\u00e4rme der Nacht hielt. Seine Finger folgten der Linie der vergoldeten Muschel, die sich wie eine in ewiger Bewegung erstarrte Welle wand. Vor dem Fenster lagen die D\u00e4cher von Paris noch im Nebel. Er wusste: in Gegenwart des Feuers w\u00fcrde diese Form leben \u2014 der Widerschein der Flamme lie\u00dfe das Gold schimmern und sich bewegen, als atmete die Muschel.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Ein Paar <em>Chenets<\/em> mit vollst\u00e4ndig erhaltenen originalen Eisenschienen und unversehrter Vergoldung ist heute ein wertvoller Fund, da die Schienen oft verloren gehen und die Vergoldung am Feuer abnutzt. Das Paar dient sowohl im funktionierenden Kamin als auch als dekorativer Akzent vor dem Herd; es erg\u00e4nzt ein Rokoko-, klassisches oder eklektisches Interieur wunderbar und bildet ein reiches, fotogenes Detail in der Interieurfotografie. Ein eindrucksvolles Geschenk f\u00fcr den Kaminbesitzer, den Liebhaber von Antiquit\u00e4ten oder den Sammler. Vergoldung und originale Eisenschienen sind erhalten; Abrieb der Vergoldung, kleine Bronzeverluste oder Restaurierungen und Eisenkorrosion entsprechend Alter und Funktion sind m\u00f6glich. Der Zustand ist in den Fotografien vollst\u00e4ndig wiedergegeben.<\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddeb\ud83c\uddf7 <strong>Paire de somptueux chenets en bronze dor\u00e9 \u2014 style Louis XV \/ rococo, France<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>Prix indiqu\u00e9 pour 2 pi\u00e8ces (une paire \u2014 paire).<\/em><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Cette impressionnante paire de chenets (<em>bronze chenets<\/em>) est un somptueux exemple de <strong>bronze dor\u00e9<\/strong> (<em>ormolu<\/em>) et de sculpture dans l&#8217;esprit de <strong>Louis XV<\/strong> et du <strong>rococo<\/strong>. Chaque <em>chenet<\/em> forme une riche composition <em>rocaille<\/em> asym\u00e9trique \u2014 une ample <strong>coquille<\/strong> centrale (<em>coquille<\/em>) encadr\u00e9e de <strong>volutes en C et en S<\/strong>, de feuilles d&#8217;acanthe et de guirlandes fleuries, couronn\u00e9e d&#8217;un bouquet. \u00c0 l&#8217;arri\u00e8re subsistent les barres d&#8217;origine en <strong>fer forg\u00e9<\/strong> (<em>landiers<\/em>), sur lesquelles reposaient jadis les b\u00fbches dans l&#8217;\u00e2tre \u2014 preuve qu&#8217;il s&#8217;agit de v\u00e9ritables <em>chenets<\/em> fonctionnels, et non d&#8217;un simple d\u00e9cor.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Hauteur [&#8230;] cm \u00b7 largeur [&#8230;] cm \u00b7 profondeur [&#8230;] cm (chacun)<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">La paire est r\u00e9alis\u00e9e dans la tradition du <strong>style Louis XV<\/strong> (<em>style Louis XV<\/em>), enracin\u00e9e dans le rococo du milieu du XVIII\u1d49 si\u00e8cle, avec son asym\u00e9trie, ses motifs de coquille et de vague et la fluidit\u00e9 des formes naturelles. Les <em>chenets<\/em> \u00e9taient non seulement un support pratique pour les b\u00fbches, mais aussi un ornement d&#8217;apparat de la chemin\u00e9e ; dans les plus beaux salons, ils devenaient des \u0153uvres d&#8217;art \u00e0 part enti\u00e8re. Sans estampille, la qualit\u00e9 de la mod\u00e9lisation, la profondeur de la dorure et la libert\u00e9 de la composition <em>rocaille<\/em> d\u00e9signent un bon atelier de <em>bronzier<\/em> fran\u00e7ais dans la tradition rococo.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>Instantan\u00e9 rococo :<\/em> le d\u00e9corateur Gilles-Marie Oppenord (<em>Gilles-Marie Oppenord<\/em>) s&#8217;accroupit devant l&#8217;\u00e2tre froid au petit matin, quand les cendres gardaient encore la chaleur de la nuit. Ses doigts suivaient la ligne de la coquille dor\u00e9e qui s&#8217;enroulait comme une vague fig\u00e9e dans un mouvement sans fin. Au-del\u00e0 de la fen\u00eatre, les toits de Paris reposaient encore dans la brume. Il le savait : en pr\u00e9sence du feu, cette forme vivrait \u2014 le reflet de la flamme ferait scintiller et bouger l&#8217;or, comme si la coquille respirait.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Une paire de <em>chenets<\/em> aux barres de fer d&#8217;origine enti\u00e8rement conserv\u00e9es et \u00e0 la dorure intacte est aujourd&#8217;hui une trouvaille pr\u00e9cieuse, car les barres sont souvent perdues et la dorure s&#8217;use aupr\u00e8s du feu. La paire sert aussi bien dans une chemin\u00e9e en fonction que comme accent d\u00e9coratif devant l&#8217;\u00e2tre ; elle compl\u00e8te \u00e0 merveille un int\u00e9rieur rococo, classique ou \u00e9clectique et forme un d\u00e9tail riche et photog\u00e9nique en photographie d&#8217;int\u00e9rieur. Un cadeau impressionnant pour le propri\u00e9taire d&#8217;une chemin\u00e9e, l&#8217;amateur d&#8217;antiquit\u00e9s ou le collectionneur. La dorure et les barres de fer d&#8217;origine sont conserv\u00e9es ; usure de la dorure, petites pertes de bronze ou restaurations et corrosion du fer conformes \u00e0 l&#8217;\u00e2ge et \u00e0 la fonction sont possibles. L&#8217;\u00e9tat est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mas\u012bvu zelt\u0113ta bronzas kam\u012bna sargu (chenets) p\u0101ris rokoko manier\u0113 ar glieme\u017ev\u0101ka, vol\u016btu un akanta kokgriezumu, ar ori\u0123in\u0101laj\u0101m kalt\u0101 dzelzs slied\u0113m. Luija XV stils. 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