{"id":42079,"date":"2025-12-17T12:11:57","date_gmt":"2025-12-17T10:11:57","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=42079"},"modified":"2026-09-08T09:26:08","modified_gmt":"2026-09-08T06:26:08","slug":"6269","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/6269\/","title":{"rendered":"Grezns zelt\u012bts sienas spogulis ar faceti \u2014 rokoko stil\u0101 (gilt rococo wall mirror) (6269)"},"content":{"rendered":"<p data-path-to-node=\"10\">Augstums: 94 cm Platums: 51 cm<\/p>\n<h3 data-path-to-node=\"11\">Grezns zelt\u012bts sienas spogulis ar faceti \u2014 rokoko stil\u0101 (gilt rococo wall mirror)<\/h3>\n<p data-path-to-node=\"12\">Laikmeta spo\u017eums un izsmalcin\u0101ta gaismas sp\u0113le satiekas \u0161aj\u0101 vid\u0113ja izm\u0113ra sienas spogul\u012b, kas p\u0101rst\u0101v vienu no dinamisk\u0101kajiem un kr\u0101\u0161\u0146\u0101kajiem Eiropas dekorat\u012bv\u0101s m\u0101kslas virzieniem. Spogu\u013ca r\u0101mis ir augstv\u0113rt\u012bgs un detaliz\u0113ts kokgriezuma un \u0123ip\u0161a mastikas l\u0113juma meistardarbs, kur\u0101 domin\u0113 t\u012bras <i data-path-to-node=\"12\" data-index-in-node=\"297\">rokoko<\/i> stila iez\u012bmes \u2014 vij\u012bgi akanta lapu mot\u012bvi, plastiskas ziedu v\u012btnes un asimetriskas cirtas jeb rokaji (glieme\u017ev\u0101ku formas elementi). \u012apa\u0161u c\u0113lumu un dzi\u013cumu priek\u0161metam pie\u0161\u0137ir biezais, kvalitat\u012bvais spogu\u013cstikls ar platu, sl\u012bp\u0113tu faceti pa visu perimetru, kas ne tikai lau\u017e gaismas starus, bet ar\u012b vizu\u0101li papla\u0161ina telpu, pie\u0161\u0137irot tai papildu dimensiju un svin\u012bgumu. R\u0101mis ir apstr\u0101d\u0101ts tradicion\u0101laj\u0101 zelt\u012bjuma tehnik\u0101, kur\u0101 mijas spo\u017ei pul\u0113tas un mat\u0113tas virsmas, radot izteiksm\u012bgu dzi\u013cuma un reljefa izj\u016btu.<\/p>\n<p data-path-to-node=\"13\"><b data-path-to-node=\"13\" data-index-in-node=\"0\">Izgatavo\u0161anas periods<\/b> 19. gadsimta otr\u0101 puse vai beigas, aptuveni 1870.\u20131890. gads. Priek\u0161mets darin\u0101ts k\u0101 kr\u0101\u0161\u0146s un reprezentat\u012bvs Otr\u0101 rokoko (historisma) laikmeta paraugs, kad Eiropas un imp\u0113rijas augst\u0101k\u0101 sabiedr\u012bba ar jaunu sp\u0113ku atgriez\u0101s pie Luija XV galma est\u0113tikas un grezn\u012bbas.<\/p>\n<p data-path-to-node=\"14\"><b data-path-to-node=\"14\" data-index-in-node=\"0\">Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> Lai gan uz r\u0101mja aizmugur\u0113j\u0101s koka pamatnes nav saglab\u0101ju\u0161ies tie\u0161i meistara paraksti, izpild\u012bjuma tehnika \u2014 \u012bpa\u0161i asimetrisko aug\u0161\u0113jo un apak\u0161\u0113jo kartu\u0161u v\u0113riens un r\u0101mja aizmugures konstrukcija ar ori\u0123in\u0101lo stiep\u013cu stiprin\u0101jumu \u2014 nep\u0101rprotami nor\u0101da uz vado\u0161aj\u0101m Rietumeiropas (visticam\u0101k, Francijas vai V\u0101cijas) m\u0113be\u013cu un interjera piederumu manufakt\u016br\u0101m. \u0160\u0101di spogu\u013ci bija neat\u0146emams importa elements t\u0101 laika guber\u0146u centru elit\u0101rajos salonos.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Retums un noz\u012bme<\/b> Spogu\u013ca v\u0113rt\u012bba sl\u0113pjas t\u0101 izcilaj\u0101s un proporcion\u0101li sabalans\u0113taj\u0101s proporcij\u0101s. Vid\u0113ja izm\u0113ra un vid\u0113ji smagi spogu\u013ci ar tik bl\u012bvu, caurviju ornamentu r\u0101mja aug\u0161da\u013c\u0101 un apak\u0161\u0101 ir saglab\u0101ju\u0161ies sal\u012bdzino\u0161i reti, jo smalkie, izvirz\u012btie gip\u0161a un koka elementi laika gait\u0101 bie\u017ei tika aplauzti. \u0160aj\u0101 eksempl\u0101r\u0101 visi plastiskie vijumi un flor\u0101lie mot\u012bvi ir piln\u012bb\u0101 autentiski un neskarti.<\/p>\n<p data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">Pielietojums<\/b> \u0160is spogulis k\u013c\u016bs par izteiksm\u012bgu un paman\u0101mu interjera dominanti. Tas ide\u0101li ieder\u0113sies virs klasiska kam\u012bna, salona konsoles, priek\u0161nam\u0101 vai \u0113damistab\u0101 starp diviem logiem. Zelt\u012btais r\u0101mis nevainojami sasp\u0113l\u0113sies gan ar ant\u012bk\u0101m historisma un amp\u012bra m\u0113bel\u0113m, gan ienes\u012bs nepiecie\u0161amo v\u0113sturisko kontrastu un gaismu modern\u0101k\u0101, eklektisk\u0101 interjer\u0101.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\">St\u0101voklis<\/b> Priek\u0161mets ir teicam\u0101 ant\u012bk\u0101 st\u0101vokl\u012b. R\u0101mis ir piln\u012bgi stabils, konstrukcija stingra. Zelt\u012bjums ir saglab\u0101jis savu c\u0113lo mirdzumu un dzi\u013cumu ar minim\u0101lu, dabisku un pat\u012bkamu laika patinu, kas tikai pastiprina lietas v\u0113sturisko v\u0113rt\u012bbu. Spogu\u013cstikls ir t\u012brs, bez b\u016btiskiem vecuma plankumiem vai amalgamas boj\u0101jumiem. Aizmugur\u0113 saglab\u0101ta autentisk\u0101 koka pamatne un stiprin\u0101jums. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<h2 data-path-to-node=\"19\"><i data-path-to-node=\"19\" data-index-in-node=\"0\">Rokoko laikmeta momentuz\u0146\u0113mums, Auguste \u017der\u0101ra (Auguste G\u00e9rard):<\/i><\/h2>\n<p data-path-to-node=\"20\"><i data-path-to-node=\"20\" data-index-in-node=\"0\">R\u012bgas centr\u0101 eso\u0161\u0101s Libavas viesn\u012bcas smalkaj\u0101 numur\u0101 valda p\u0113cpusdienas klusums, ko p\u0101rtrauc tikai z\u012bda me\u017e\u0123\u012b\u0146u \u0161alko\u0146a un d\u0101mas klusie smiekli. Pie loga, kur pils\u0113tas d\u016bmaka s\u0101k kr\u0101soties s\u0101rtos to\u0146os, s\u0113\u017e fran\u010du aktrise un imp\u0113rijas elites m\u012blule Auguste \u017der\u0101ra, kam\u0113r vi\u0146as person\u012bgais m\u0101kslinieks, tikko nolicis mal\u0101 otas un paleti, ar d\u0101vin\u0101tu rozi rok\u0101 noraug\u0101s uz vi\u0146as profilu. Aktrise pagrie\u017eas pret sienu, kur starp div\u0101m sve\u010du lier\u0113m mirdz pl\u016bsto\u0161a forma \u2014 vi\u0146as acis uz mirkli satiekas ar savu atspulgu caur caursp\u012bd\u012bgu, \u016bdens t\u012br\u012bbas stiklu, kura plato, sl\u012bp\u0113to malu facetes lau\u017e saulrieta starus k\u0101 d\u0101rgakmens. &#8220;\u0160is r\u0101mis, mon cher,&#8221; vi\u0146a klusi saka, ar pirkstu galiem pieskaroties v\u0113sajam, reljefajam zelt\u012bjumam un akanta lapu vijumiem, &#8220;man atg\u0101dina Par\u012bzes salonus pirms m\u016bsu ce\u013cojuma uz \u0161o t\u0101l\u0101ko Kurzemes guber\u0146as malu.&#8221;<\/i><\/p>\n<p data-path-to-node=\"21\"><i data-path-to-node=\"21\" data-index-in-node=\"0\">Tan\u012b pat laik\u0101, pavisam blakus, M\u012btavas dzelzce\u013ca stacijas uzgaid\u0101maj\u0101 z\u0101l\u0113 trok\u0161\u0146aini reportieri un av\u012b\u017eu puikas jau izkliedz p\u0113d\u0113j\u0101s zi\u0146as par Var\u0161avas vilciena pien\u0101k\u0161anu, bet t\u0101laj\u0101, kupolos mirdzo\u0161aj\u0101 Maskav\u0101 un P\u0113terburgas pil\u012bs aristokr\u0101tija po\u0161as k\u0101rt\u0113jai ziemas ballei. Kam\u0113r T\u0113rbatas un Dorpatas universit\u0101\u0161u profesoru kabinetos inteli\u0123ence diskut\u0113 par jaun\u0101 gadsimta m\u0101kslas str\u0101vojumiem, \u0161eit, klusaj\u0101 un uzposta numura mieri\u0146\u0101, laiks \u0161\u0137iet piln\u012bb\u0101 apst\u0101jies un koncentr\u0113jies vien\u0101 vien\u012bg\u0101 mirkl\u012b \u2014 ap zelt\u012btu glieme\u017ev\u0101ku mot\u012bvu, ro\u017eu smar\u017eu un divu m\u0101kslinieku kluso dialogu.<\/i><\/p>\n<h3 data-path-to-node=\"3\">Mademoiselle Georges (Margariete \u017dozef\u012bne Veimere) un \u017der\u0101ru dinastija<\/h3>\n<p data-path-to-node=\"4\">T\u0101 aktrise, kura re\u0101li 19. gadsimta pirmaj\u0101 pus\u0113 (1808.\u20131812. gad\u0101) b\u0113ga no Par\u012bzes un uz vair\u0101kiem gadiem k\u013cuva par visas Krievijas imp\u0113rijas te\u0101tra d\u012bvu, P\u0113terburgas elites m\u012bluli un pat cara Aleksandra I sirdsd\u0101mu, bija le\u0123end\u0101r\u0101 <b data-path-to-node=\"4\" data-index-in-node=\"233\">Mademoiselle Georges<\/b> (Mademu\u0101zele \u017dor\u017ea). Napoleons sav\u0101 laik\u0101 bija vi\u0146as kaisl\u012bgs piel\u016bdz\u0113js un m\u012b\u013c\u0101kais Par\u012bz\u0113.<\/p>\n<p data-path-to-node=\"5\">Kad m\u0113s run\u0101jam par fran\u010du aktris\u0113m ar uzv\u0101rdu <b data-path-to-node=\"5\" data-index-in-node=\"47\">\u017der\u0101ra<\/b> (<i data-path-to-node=\"5\" data-index-in-node=\"55\">G\u00e9rard<\/i>), tad te\u0101tra v\u0113sture uzreiz ved pie slaven\u0101s un daudz v\u0113l\u0101k\u0101s fran\u010du d\u012bvas <b data-path-to-node=\"5\" data-index-in-node=\"137\">Rozas \u017der\u0101ras<\/b> (<i data-path-to-node=\"5\" data-index-in-node=\"152\">Rose G\u00e9rard<\/i> jeb <i data-path-to-node=\"5\" data-index-in-node=\"168\">Rose Sybil<\/i>), kura sp\u012bd\u0113ja uz Par\u012bzes skatuv\u0113m 19. gadsimta beig\u0101s \u2014 tie\u0161i \u0161\u0101da stila spogu\u013ca rad\u012b\u0161anas un <i data-path-to-node=\"5\" data-index-in-node=\"268\">rokoko<\/i> historisma atdzim\u0161anas laikmet\u0101.<\/p>\n<p data-path-to-node=\"23\">\ud83c\uddf7\ud83c\uddfa<\/p>\n<h3 data-path-to-node=\"24\">\u0410\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u0435 \u043d\u0430\u0441\u0442\u0435\u043d\u043d\u043e\u0435 \u0437\u0435\u0440\u043a\u0430\u043b\u043e \u0432 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u043e\u0439 \u0440\u0430\u043c\u0435 \u0441 \u0444\u0430\u0446\u0435\u0442\u043e\u043c \u2014 \u0441\u0442\u0438\u043b\u044c \u0440\u043e\u043a\u043e\u043a\u043e<\/h3>\n<p data-path-to-node=\"25\">\u041f\u044b\u0448\u043d\u043e\u0441\u0442\u044c \u044d\u043f\u043e\u0445\u0438 \u0438 \u0443\u0442\u043e\u043d\u0447\u0435\u043d\u043d\u0430\u044f \u0438\u0433\u0440\u0430 \u0441\u0432\u0435\u0442\u0430 \u0441\u043e\u0435\u0434\u0438\u043d\u0438\u043b\u0438\u0441\u044c \u0432 \u044d\u0442\u043e\u043c \u043d\u0430\u0441\u0442\u0435\u043d\u043d\u043e\u043c \u0437\u0435\u0440\u043a\u0430\u043b\u0435 \u0441\u0440\u0435\u0434\u043d\u0435\u0433\u043e \u0440\u0430\u0437\u043c\u0435\u0440\u0430, \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u044e\u0449\u0435\u043c \u0441\u043e\u0431\u043e\u0439 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u044b\u0439 \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0433\u043e \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u043e-\u043f\u0440\u0438\u043a\u043b\u0430\u0434\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430. \u0420\u0430\u043c\u0430 \u0437\u0435\u0440\u043a\u0430\u043b\u0430 \u2014 \u044d\u0442\u043e \u0432\u044b\u0441\u043e\u043a\u043e\u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u0440\u0430\u0431\u043e\u0442\u0430 \u0438\u0437 \u0440\u0435\u0437\u043d\u043e\u0433\u043e \u0434\u0435\u0440\u0435\u0432\u0430 \u0438 \u0433\u0438\u043f\u0441\u043e\u0432\u043e\u0439 \u043c\u0430\u0441\u0442\u0438\u043a\u0438, \u0432 \u043a\u043e\u0442\u043e\u0440\u043e\u0439 \u0434\u043e\u043c\u0438\u043d\u0438\u0440\u0443\u044e\u0442 \u0447\u0438\u0441\u0442\u044b\u0435 \u0447\u0435\u0440\u0442\u044b \u0441\u0442\u0438\u043b\u044f <i data-path-to-node=\"25\" data-index-in-node=\"309\">\u0440\u043e\u043a\u043e\u043a\u043e<\/i> (\u0432\u0442\u043e\u0440\u043e\u0433\u043e \u0440\u043e\u043a\u043e\u043a\u043e \u043f\u0435\u0440\u0438\u043e\u0434\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430). \u041a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044e \u0444\u043e\u0440\u043c\u0438\u0440\u0443\u044e\u0442 \u0441\u0442\u0440\u0443\u044f\u0449\u0438\u0435\u0441\u044f \u043c\u043e\u0442\u0438\u0432\u044b \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0430\u043a\u0430\u043d\u0442\u0430, \u043f\u043b\u0430\u0441\u0442\u0438\u0447\u043d\u044b\u0435 \u0446\u0432\u0435\u0442\u043e\u0447\u043d\u044b\u0435 \u0433\u0438\u0440\u043b\u044f\u043d\u0434\u044b \u0438 \u0430\u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u044b\u0435 \u0437\u0430\u0432\u0438\u0442\u043a\u0438 \u2014 \u0440\u043e\u043a\u0430\u0439\u043b\u0438. \u041e\u0441\u043e\u0431\u043e\u0435 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u0441\u0442\u0432\u043e \u0438 \u0433\u043b\u0443\u0431\u0438\u043d\u0443 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0443 \u043f\u0440\u0438\u0434\u0430\u0435\u0442 \u0442\u043e\u043b\u0441\u0442\u043e\u0435 \u0437\u0435\u0440\u043a\u0430\u043b\u044c\u043d\u043e\u0435 \u043f\u043e\u043b\u043e\u0442\u043d\u043e \u0441 \u0448\u0438\u0440\u043e\u043a\u0438\u043c \u0444\u0430\u0446\u0435\u0442\u043e\u043c \u043f\u043e \u0432\u0441\u0435\u043c\u0443 \u043f\u0435\u0440\u0438\u043c\u0435\u0442\u0440\u0443, \u043a\u043e\u0442\u043e\u0440\u043e\u0435 \u044d\u0444\u0444\u0435\u043a\u0442\u043d\u043e \u043f\u0440\u0435\u043b\u043e\u043c\u043b\u044f\u0435\u0442 \u043b\u0443\u0447\u0438 \u0441\u0432\u0435\u0442\u0430 \u0438 \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u043e \u0440\u0430\u0441\u0448\u0438\u0440\u044f\u0435\u0442 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u043e. \u0420\u0430\u043c\u0430 \u043e\u0431\u0440\u0430\u0431\u043e\u0442\u0430\u043d\u0430 \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u043e\u0439 \u0442\u0435\u0445\u043d\u0438\u043a\u0435 \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u0438\u044f \u0441 \u0447\u0435\u0440\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0435\u043c \u0433\u043b\u044f\u043d\u0446\u0435\u0432\u044b\u0445 \u0438 \u043c\u0430\u0442\u043e\u0432\u044b\u0445 \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u0435\u0439, \u0447\u0442\u043e \u0441\u043e\u0437\u0434\u0430\u0435\u0442 \u0441\u0438\u043b\u044c\u043d\u043e\u0435 \u043e\u0449\u0443\u0449\u0435\u043d\u0438\u0435 \u0440\u0435\u043b\u044c\u0435\u0444\u0430 \u0438 \u043e\u0431\u044a\u0435\u043c\u0430.<\/p>\n<p data-path-to-node=\"26\">\u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u0431\u044b\u043b \u0441\u043e\u0437\u0434\u0430\u043d \u0432\u043e \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0435 XIX \u0432\u0435\u043a\u0430, \u043f\u0440\u0438\u043c\u0435\u0440\u043d\u043e \u0432 1870\u20131890 \u0433\u043e\u0434\u0430\u0445, \u043a\u043e\u0433\u0434\u0430 \u0432\u044b\u0441\u0448\u0435\u0435 \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u043e \u0420\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e\u0439 \u0438\u043c\u043f\u0435\u0440\u0438\u0438 \u0438 \u041e\u0441\u0442\u0437\u0435\u0439\u0441\u043a\u0438\u0445 \u0433\u0443\u0431\u0435\u0440\u043d\u0438\u0439 \u0441 \u043d\u043e\u0432\u043e\u0439 \u0441\u0438\u043b\u043e\u0439 \u0432\u0435\u0440\u043d\u0443\u043b\u043e\u0441\u044c \u043a \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u043e\u0439 \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0435 \u0434\u0432\u043e\u0440\u0430 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV. \u0422\u0435\u0445\u043d\u0438\u043a\u0430 \u0438\u0441\u043f\u043e\u043b\u043d\u0435\u043d\u0438\u044f \u2014 \u043e\u0441\u043e\u0431\u0435\u043d\u043d\u043e \u0440\u0430\u0437\u043c\u0430\u0445 \u0432\u0435\u0440\u0445\u043d\u0435\u0439 \u0438 \u043d\u0438\u0436\u043d\u0435\u0439 \u0441\u043a\u0432\u043e\u0437\u043d\u044b\u0445 \u043a\u0430\u0440\u0442\u0443\u0448\u0435\u0439, \u0430 \u0442\u0430\u043a\u0436\u0435 \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u044f \u043e\u0431\u043e\u0440\u043e\u0442\u043d\u043e\u0439 \u0441\u0442\u043e\u0440\u043e\u043d\u044b \u0441 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u043c \u043f\u0440\u043e\u0432\u043e\u043b\u043e\u0447\u043d\u044b\u043c \u043f\u043e\u0434\u0432\u0435\u0441\u043e\u043c \u2014 \u0443\u043a\u0430\u0437\u044b\u0432\u0430\u0435\u0442 \u043d\u0430 \u0440\u0430\u0431\u043e\u0442\u0443 \u0432\u0435\u0434\u0443\u0449\u0438\u0445 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\u00ab\u042d\u0442\u0430 \u0440\u0430\u043c\u0430, mon cher\u00bb, \u2014 \u0442\u0438\u0445\u043e \u0433\u043e\u0432\u043e\u0440\u0438\u0442 \u043e\u043d\u0430, \u043a\u0430\u0441\u0430\u044f\u0441\u044c \u043a\u043e\u043d\u0447\u0438\u043a\u0430\u043c\u0438 \u043f\u0430\u043b\u044c\u0446\u0435\u0432 \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u043e\u0439 \u0440\u0435\u043b\u044c\u0435\u0444\u043d\u043e\u0439 \u043f\u043e\u0437\u043e\u043b\u043e\u0442\u044b \u0438 \u0437\u0430\u0432\u0438\u0442\u043a\u043e\u0432 \u0430\u043a\u0430\u043d\u0442\u0430, \u2014 \u00ab\u043d\u0430\u043f\u043e\u043c\u0438\u043d\u0430\u0435\u0442 \u043c\u043d\u0435 \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u0438\u0435 \u0441\u0430\u043b\u043e\u043d\u044b \u043f\u0435\u0440\u0435\u0434 \u043d\u0430\u0448\u0438\u043c \u043f\u0443\u0442\u0435\u0448\u0435\u0441\u0442\u0432\u0438\u0435\u043c \u0432 \u044d\u0442\u043e\u0442 \u0434\u0430\u043b\u0435\u043a\u0438\u0439 \u043a\u0440\u0430\u0439 \u041a\u0443\u0440\u043b\u044f\u043d\u0434\u0441\u043a\u043e\u0439 \u0433\u0443\u0431\u0435\u0440\u043d\u0438\u0438\u00bb.<\/i><\/p>\n<p data-path-to-node=\"30\"><i data-path-to-node=\"30\" data-index-in-node=\"0\">\u0412 \u044d\u0442\u043e \u0436\u0435 \u0432\u0440\u0435\u043c\u044f, \u0441\u043e\u0432\u0441\u0435\u043c \u0440\u044f\u0434\u043e\u043c, \u0432 \u0437\u0430\u043b\u0435 \u043e\u0436\u0438\u0434\u0430\u043d\u0438\u044f \u0436\u0435\u043b\u0435\u0437\u043d\u043e\u0434\u043e\u0440\u043e\u0436\u043d\u043e\u0433\u043e \u0432\u043e\u043a\u0437\u0430\u043b\u0430 \u0432 \u041c\u0438\u0442\u0430\u0432\u0435 \u0448\u0443\u043c\u043d\u044b\u0435 \u0440\u0435\u043f\u043e\u0440\u0442\u0435\u0440\u044b \u0438 \u0433\u0430\u0437\u0435\u0442\u0447\u0438\u043a\u0438 \u0443\u0436\u0435 \u0432\u044b\u043a\u0440\u0438\u043a\u0438\u0432\u0430\u044e\u0442 \u043f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0435 \u043d\u043e\u0432\u043e\u0441\u0442\u0438 \u043e \u043f\u0440\u0438\u0431\u044b\u0442\u0438\u0438 \u0432\u0430\u0440\u0448\u0430\u0432\u0441\u043a\u043e\u0433\u043e \u043f\u043e\u0435\u0437\u0434\u0430, \u0430 \u0432 \u0434\u0430\u043b\u0435\u043a\u043e\u0439, \u0441\u0438\u044f\u044e\u0449\u0435\u0439 \u043a\u0443\u043f\u043e\u043b\u0430\u043c\u0438 \u041c\u043e\u0441\u043a\u0432\u0435 \u0438 \u0434\u0432\u043e\u0440\u0446\u0430\u0445 \u0421\u0430\u043d\u043a\u0442-\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0430 \u0430\u0440\u0438\u0441\u0442\u043e\u043a\u0440\u0430\u0442\u0438\u044f \u0433\u043e\u0442\u043e\u0432\u0438\u0442\u0441\u044f \u043a \u043e\u0447\u0435\u0440\u0435\u0434\u043d\u043e\u0439 \u0437\u0438\u043c\u043d\u0435\u0439 \u0431\u0430\u043b\u043b\u0435. \u041f\u043e\u043a\u0430 \u0432 \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0430\u0445 \u043f\u0440\u043e\u0444\u0435\u0441\u0441\u043e\u0440\u043e\u0432 \u0414\u0435\u0440\u043f\u0442\u0441\u043a\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430 \u0438\u043d\u0442\u0435\u043b\u043b\u0438\u0433\u0435\u043d\u0446\u0438\u044f \u0441\u043f\u043e\u0440\u0438\u0442 \u043e \u043d\u043e\u0432\u044b\u0445 \u0442\u0435\u0447\u0435\u043d\u0438\u044f\u0445 \u0432 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435, \u0437\u0434\u0435\u0441\u044c, \u0432 \u0442\u0438\u0448\u0438\u043d\u0435 \u0438 \u0443\u044e\u0442\u0435 \u0443\u0431\u0440\u0430\u043d\u043d\u043e\u0433\u043e \u043d\u043e\u043c\u0435\u0440\u0430, \u0432\u0440\u0435\u043c\u044f \u0441\u043b\u043e\u0432\u043d\u043e \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0441\u0442\u0430\u043d\u043e\u0432\u0438\u043b\u043e\u0441\u044c \u0438 \u0441\u043e\u0441\u0440\u0435\u0434\u043e\u0442\u043e\u0447\u0438\u043b\u043e\u0441\u044c \u0432 \u043e\u0434\u043d\u043e\u043c-\u0435\u0434\u0438\u043d\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u043c\u043e\u043c\u0435\u043d\u0442\u0435 \u2014 \u0432\u043e\u043a\u0440\u0443\u0433 \u0437\u043e\u043b\u043e\u0442\u043e\u0433\u043e \u043c\u043e\u0442\u0438\u0432\u0430 \u0440\u043e\u043a\u0430\u0439\u043b\u044f, \u0430\u0440\u043e\u043c\u0430\u0442\u0430 \u0440\u043e\u0437 \u0438 \u0442\u0438\u0445\u043e\u0433\u043e \u0434\u0438\u0430\u043b\u043e\u0433\u0430 \u0434\u0432\u0443\u0445 \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a\u043e\u0432.<\/i><\/p>\n<p data-path-to-node=\"32\">\ud83c\uddec\ud83c\udde7<\/p>\n<h2 data-path-to-node=\"33\">Antique Gilt Wall Mirror with Bevelled Glass \u2014 Rococo Style<\/h2>\n<p data-path-to-node=\"34\">The opulence of the era and an exquisite play of light converge in this medium-sized wall mirror, which represents one of the most dynamic movements in European decorative arts. The mirror frame is a high-quality example of carved wood and gypsum composition craftsmanship, dominating in pure <i data-path-to-node=\"34\" data-index-in-node=\"293\">Rococo<\/i> revival (Historicist) features \u2014 flowing acanthus leaves, masterfully sculpted floral garlands, and asymmetrical stylized shell motifs known as rocaille. Exceptional elegance and depth are given to the piece by the thick, historic mirror plate featuring a wide bevel around the perimeter, which beautifully refracts ambient light and visually expands the room. The frame is finished in traditional gilding techniques, alternating between burnished and matte surfaces to create a powerful sense of dimension and relief.<\/p>\n<p data-path-to-node=\"35\">The mirror was crafted during the second half of the 19th century, circa 1870\u20131890, a period when the high society of the Baltic provinces and major imperial cities eagerly embraced the luxury of Louis XV court aesthetics. The execution \u2014 particularly the sweep of the openwork top and bottom crestings, alongside the reverse construction with its original heavy wire hanger \u2014 points directly to premium Western European (likely French or German) manufacturers. In a contemporary setting, this <b data-path-to-node=\"35\" data-index-in-node=\"494\">gilt rococo wall mirror<\/b> filters light effortlessly and serves as an imposing focal point over a mantelpiece, a console table, or between large windows. The frame is structurally sound, with the gilding retaining its rich luster under a gentle, noble patina, and all fine floral scrolls remain fully intact. The condition of the item is fully reflected in the photos.<\/p>\n<h2 data-path-to-node=\"37\"><i data-path-to-node=\"37\" data-index-in-node=\"0\">Rococo era snapshot, Auguste G\u00e9rard (Auguste G\u00e9rard):<\/i><\/h2>\n<p data-path-to-node=\"38\"><i data-path-to-node=\"38\" data-index-in-node=\"0\">Inside a refined room of the Hotel Libava in the very heart of Riga, an afternoon silence prevails, broken only by the rustle of silk lace and a lady&#8217;s soft laughter. By the window, where the city fog begins to blush in crimson tones, sits the French actress and darling of the imperial public, Auguste G\u00e9rard, while her personal artist, having just set aside his brushes and palette, admires her profile with a gifted rose in hand. The actress turns toward the wall where a fluid form shimmers between two candle sconces \u2014 her eyes meet her reflection for a moment through clear glass of water-like purity, the wide bevelled edges of which refract the sunset rays like a gemstone. &#8220;This frame, mon cher,&#8221; she whispers, her fingertips brushing the cool, embossed gilding and acanthus leaf scrolls, &#8220;reminds me of the Parisian salons before our journey to this distant edge of the Courland Governorate.&#8221;<\/i><\/p>\n<p data-path-to-node=\"39\"><i data-path-to-node=\"39\" data-index-in-node=\"0\">At the very same time, just nearby, in the waiting hall of the M\u012btava railway station, loud reporters and newsboys are already shouting the latest updates regarding the Warsaw train&#8217;s arrival, while in far-off, dome-glimmering Moscow and the palaces of St. Petersburg, the aristocracy prepares for the next winter ball. While inside the lecture halls of Dorpat University, scholars debate the new philosophies of art, here, in the quiet sanctuary of the dressed room, time seems to stand still, captured entirely in a single moment around a golden rocaille motif, the scent of roses, and the quiet dialogue of two artists.<\/i><\/p>\n<p data-path-to-node=\"41\">\ud83c\udde9\ud83c\uddea<\/p>\n<h3 data-path-to-node=\"42\">Antiker vergoldeter Wandspiegel mit Facettenschliff \u2014 Rokoko<\/h3>\n<p data-path-to-node=\"43\">K\u00fcnstlerische Raffinesse und pr\u00e4chtige Lichtspiele vereinen sich in diesem mittelschweren Wandspiegel aus dem sp\u00e4ten 19. Jahrhundert. Die detailreich geschnitzte und mit Stuckmasse verzierte Rahmenkomposition zeigt reinste Merkmale des <i data-path-to-node=\"43\" data-index-in-node=\"236\">Zweiten Rokoko<\/i> (Historismus) \u2014 geschwungene Akanthusbl\u00e4tter, florale Girlanden und asymmetrische Muschelmotive (Rocaillen). Das dicke originale Spiegelglas mit breitem Facettenschliff verleiht dem Raum optische Tiefe. Die Vergoldung besticht durch das herk\u00f6mmliche Wechselspiel aus Glanz- und Mattgold.<\/p>\n<p data-path-to-node=\"44\">Hergestellt um 1870\u20131890, stammt der Spiegel aus einer f\u00fchrenden westeurop\u00e4ischen Manufaktur und war ein begehrtes Luxusgut f\u00fcr die Salons von Riga und M\u012btava. Alle filigranen Stuckelemente sind im hervorragenden originalen Erhaltungszustand ohne Ausbr\u00fcche. Der Zustand des Artikels ist auf den Fotos vollst\u00e4ndig wiedergegeben.<\/p>\n<h2 data-path-to-node=\"46\"><i data-path-to-node=\"46\" data-index-in-node=\"0\">Historisma laikmeta momentuz\u0146\u0113mums, Auguste G\u00e9rard (Auguste G\u00e9rard):<\/i><\/h2>\n<p data-path-to-node=\"47\"><i data-path-to-node=\"47\" data-index-in-node=\"0\">Im eleganten Zimmer des H\u00f4tels Libava im Herzen von Riga herrscht Nachmittagsstille, nur das Rauschen von Seidenspitze ist zu h\u00f6ren. Am Fenster sitzt die franz\u00f6sische Aktrice Auguste G\u00e9rard, w\u00e4hrend ihr Maler mit einer Rose in der Hand ihr Profil bewundert. Die Aktrice blickt zur Wand, wo eine geschwungene Form zwischen zwei Kerzenleuchtern schimmert \u2014 ihre Augen treffen ihr Spiegelbild im klaren Glas, dessen breite Facetten das Abendlicht wie ein Edelstein brechen. \u201eDieser Rahmen, mon cher\u201c, fl\u00fcstert sie und ber\u00fchrt die k\u00fchle Vergoldung, \u201eerinnert mich an die Pariser Salons vor unserer Reise in dieses ferne Kurland.\u201c<\/i><\/p>\n<p data-path-to-node=\"48\"><i data-path-to-node=\"48\" data-index-in-node=\"0\">Zur gleichen Zeit rufen in der Bahnhofshalle von M\u012btava die Zeitungsjungen die Ankunft des Zuges aus Warschau aus, w\u00e4hrend sich in Moskau und St. Petersburg die Elite auf den Winterball vorbereitet. In den S\u00e4len der Universit\u00e4t Dorpat wird \u00fcber Kunst debattiert, doch hier, in der Stille des Zimmers, scheint die Zeit um ein vergoldetes Rocaillenmotiv und den Duft von Rosen stillzustehen.<\/i><\/p>\n<p data-path-to-node=\"50\">\ud83c\uddeb\ud83c\uddf7<\/p>\n<h3 data-path-to-node=\"51\">Miroir Mural Antique Dor\u00e9 avec Glace Biseaut\u00e9e \u2014 Style Rococo<\/h3>\n<p data-path-to-node=\"52\">L&#8217;\u00e9l\u00e9gance du style rocaille et un superbe jeu de lumi\u00e8re se rencontrent dans ce miroir mural de la seconde moiti\u00e9 du XIXe si\u00e8cle. La richesse d\u00e9corative du cadre en bois sculpt\u00e9 et stuc dor\u00e9 pr\u00e9sente les attributs classiques du <i data-path-to-node=\"52\" data-index-in-node=\"229\">Second Rococo<\/i> : feuilles d&#8217;acanthe sinueuses, guirlandes de fleurs et rocailles asym\u00e9triques. La glace d&#8217;origine, \u00e9paisse et dot\u00e9e d&#8217;un large biseau, apporte une belle luminosit\u00e9 et de la profondeur \u00e0 l&#8217;espace. La dorure alterne des surfaces polies \u00e0 l&#8217;agate et des fonds mats.<\/p>\n<p data-path-to-node=\"53\">Fabriqu\u00e9 vers 1870\u20131890 par une grande manufacture europ\u00e9enne, ce miroir de salon se trouve dans un \u00e9tat de conservation remarquable. Les sculptures fines et les stucs ajour\u00e9s sont intacts, et la dorure pr\u00e9sente une patine ancienne des plus nobles. L&#8217;\u00e9tat de l&#8217;article est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<h2 data-path-to-node=\"55\"><i data-path-to-node=\"55\" data-index-in-node=\"0\">Miroir mural antique dor\u00e9 avec glace biseaut\u00e9e, Auguste G\u00e9rard (Auguste G\u00e9rard):<\/i><\/h2>\n<p data-path-to-node=\"56\"><i data-path-to-node=\"56\" data-index-in-node=\"0\">Dans la suite raffin\u00e9e de l&#8217;H\u00f4tel Libava, au c\u0153ur de Riga, r\u00e8gne le calme de l&#8217;apr\u00e8s-midi, \u00e0 peine troubl\u00e9 par le froufrou des dentelles. Pr\u00e8s de la fen\u00eatre, l&#8217;actrice fran\u00e7aise Auguste G\u00e9rard est assise, tandis que son peintre attitr\u00e9 admire son profil, une rose \u00e0 la main. L&#8217;actrice se tourne vers le mur o\u00f9 une forme fluide scintille entre deux appliques \u2014 ses yeux croisent son reflet dans le verre pur, dont le large biseau r\u00e9fracte les rayons du couchant comme une gemme. \u00ab Ce cadre, mon cher, \u00bb dit-elle en effleurant la dorure fra\u00eeche et les feuilles d&#8217;acanthe, \u00ab me rappelle les salons parisiens avant notre voyage dans cette lointaine province de Courlande. \u00bb<\/i><\/p>\n<p data-path-to-node=\"57\"><i data-path-to-node=\"57\" data-index-in-node=\"0\">Au m\u00eame moment, dans la gare de M\u012btava, les crieurs de journaux annoncent l&#8217;arriv\u00e9e du train de Varsovie, tandis qu&#8217;\u00e0 Moscou et Saint-P\u00e9tersbourg, l&#8217;aristocratie se pr\u00e9pare pour le bal. Alors que l&#8217;on d\u00e9bat d&#8217;art \u00e0 l&#8217;universit\u00e9 de Dorpat, ici, le temps semble s&#8217;arr\u00eater autour d&#8217;une rocaille dor\u00e9e et du parfum des roses.<\/i><\/p>\n<p data-path-to-node=\"59\">\ud83c\udde9\ud83c\uddf0<\/p>\n<h3 data-path-to-node=\"60\">Antikt Forgyldt V\u00e6gspejl med Facetslebet Glas \u2014 Rokoko<\/h3>\n<p data-path-to-node=\"61\">Dette herrliske v\u00e6gspejl fra anden halvdel af det 19. \u00e5rhundrede udg\u00f8r et fornemt eksempel p\u00e5 europ\u00e6isk <i data-path-to-node=\"61\" data-index-in-node=\"104\">historistisk rokoko<\/i> (Anden Rokoko). Rammen i sk\u00e5ret tr\u00e6 og gipsmastik er rigt dekoreret med asymmetriske muslingeornamenter (rocailler), akantusblade og fine blomsterranker. Den tykke originale spejlplade med bred facetslibning fanger og reflekterer lyset p\u00e5 smukkeste vis.<\/p>\n<p data-path-to-node=\"62\">Fremstillet omkring 1870\u20131890, repr\u00e6senterer spejlet den ypperste stil, som var h\u00f8jt elsket i salonerne i Riga og M\u012btava. Spejlet fremst\u00e5r i en sj\u00e6lden flot stand, hvor alle fine gipsdetaljer og den originale forgyldning med dens rige dybde og lette historiske patina er smukt bevaret. Varens stand er fuldt ud vist p\u00e5 billederne.<\/p>\n<h2 data-path-to-node=\"64\"><i data-path-to-node=\"64\" data-index-in-node=\"0\">Sk\u00f8nvirke-tidsbillede, Auguste G\u00e9rard (Auguste G\u00e9rard):<\/i><\/h2>\n<p data-path-to-node=\"65\"><i data-path-to-node=\"65\" data-index-in-node=\"0\">I det elegante v\u00e6relse p\u00e5 H\u00f4tel Libava i hjertet af Riga hersker en dyb eftermiddagsro, kun afbrudt af silkesblonde og en dames d\u00e6mpede latter. Ved vinduet sidder den franske aktrice Auguste G\u00e9rard, mens hendes maler beundrer hendes profil med en rose i h\u00e5nden. Hun vender sig mod v\u00e6ggen, hvor en svungen form glimter mellem to lysestager \u2014 hendes \u00f8jne m\u00f8der spejlbilledet i det klare glas, hvis brede facetter bryder solnedgangens str\u00e5ler som en \u00e6delsten. \u201eDenne ramme, mon cher,\u201c hvisker hun og r\u00f8rer ved den k\u00f8lige forgyldning, \u201eminder mig om salonerne i Paris f\u00f8r vores rejse til dette fjerne hj\u00f8rne af Kurland.\u201c<\/i><\/p>\n<p data-path-to-node=\"66\"><i data-path-to-node=\"66\" data-index-in-node=\"0\">Samtidig i baneg\u00e5rdshallen i M\u012btava r\u00e5ber avisdrengene nyhederne om toget fra Warszawa, mens eliten i Moskva og St. Petersborg g\u00f8r sig klar til vinterbal. Mens der debatteres kunst p\u00e5 Dorpat Universitet, synes tiden her at st\u00e5 stille om et forgyldt rocaillestykke og duften af roser.<\/i><\/p>\n<p data-path-to-node=\"68\">\ud83c\uddf8\ud83c\uddea<\/p>\n<h3 data-path-to-node=\"69\">Antik F\u00f6rgylld V\u00e4ggspegel med Facettslipat Glas \u2014 Rokoko<\/h3>\n<p data-path-to-node=\"70\">Denna magnifika v\u00e4ggspegel fr\u00e5n 1800-talets senare h\u00e4lft utg\u00f6r ett str\u00e5lande exempel p\u00e5 den franska <i data-path-to-node=\"70\" data-index-in-node=\"100\">andra rokoko-stilen<\/i> (historism). Den skulpturala ramen i skuret tr\u00e4 och gipsmastik pryds av asymmetriska sn\u00e4ckmotiv (rocailler), frodiga akantusblad och florala girlanger. Spegelglaset \u00e4r kraftigt och har en bred, h\u00f6gkvalitativ facettslipning som bryter ljuset och ger rummet rymd.<\/p>\n<p data-path-to-node=\"71\">Tillverkad omkring 1870\u20131890, var denna typ av spegel en lyxvara i de f\u00f6rn\u00e4ma hemmen i Riga, M\u012btava och Libava. Spegeln \u00e4r i ett synnerligen fint antikt skick; de sk\u00f6ra, genombrutna ornamenten \u00e4r helt intakta och f\u00f6rgyllningen har en djup, varm ton med fin historisk patina. Varans skick \u00e4r helt reflekterat i bilderna.<\/p>\n<h2 data-path-to-node=\"73\"><i data-path-to-node=\"73\" data-index-in-node=\"0\">Jugend-tidsbild, Auguste G\u00e9rard (Auguste G\u00e9rard):<\/i><\/h2>\n<p data-path-to-node=\"74\"><i data-path-to-node=\"74\" data-index-in-node=\"0\">I det eleganta rummet p\u00e5 H\u00f4tel Libava i hj\u00e4rtat av Riga r\u00e5der en stilla eftermiddag, endast avbruten av silkesspetsarnas prassel. Vid f\u00f6nstret sitter den franska aktrisen Auguste G\u00e9rard, medan hennes m\u00e5lare beundrar hennes profil med en ros i handen. Hon v\u00e4nder sig mot v\u00e4ggen d\u00e4r en b\u00f6ljande form skimrar mellan tv\u00e5 ljusarmar \u2014 hennes \u00f6gon m\u00f6ter spegelbilden i det klara glaset, vars breda facetter bryter solnedg\u00e5ngens str\u00e5lar som en \u00e4delsten. \u201dDenna ram, mon cher\u201d, viskar hon och r\u00f6r vid den svala f\u00f6rgyllningen, \u201dp\u00e5minner mig om salongerna i Paris f\u00f6re v\u00e5r resa till denna avl\u00e4gsna del av Kurland.\u201d<\/i><\/p>\n<p data-path-to-node=\"75\"><i data-path-to-node=\"75\" data-index-in-node=\"0\">Samtidigt i v\u00e4ntsalen p\u00e5 M\u012btavas j\u00e4rnv\u00e4gsstation ropar tidningspojkarna ut ankomsten av t\u00e5get fr\u00e5n Warszawa, medan eliten i Moskva och St. Petersburg kl\u00e4r sig f\u00f6r vinterbal. Medan konst debatteras vid Dorpats universitet, verkar tiden h\u00e4r st\u00e5 stilla kring en f\u00f6rgylld rocaille och doften av rosor.<\/i><\/p>\n<p data-path-to-node=\"77\">\ud83c\uddf3\ud83c\uddf4<\/p>\n<h3 data-path-to-node=\"78\">Antikk Forgylt Veggspeil med Facettslipt Glass \u2014 Rokokko<\/h3>\n<p data-path-to-node=\"79\">Dette elegante veggspeilet fra andre halvdel av det 19. \u00e5rhundre er et praktfullt eksemplar p\u00e5 europeisk <i data-path-to-node=\"79\" data-index-in-node=\"105\">historistisk rokokko<\/i> (andre rokokko). Rammen i sk\u00e5ret tre og gips er rikt dekorert med asymmetriske muslingmotiver (rocailler), akantusblader og blomsterranker. Det tykke speilglasset har en bred facetsliping som fanger og bryter lyset p\u00e5 en sofistikert m\u00e5te.<\/p>\n<p data-path-to-node=\"80\">Produsert rundt 1870\u20131890, var slike speil en viktig mark\u00f8r for luksus i salonene i Riga og M\u012btava. Speilet fremst\u00e5r i en usedvanlig flott antikk stand, der alle fine gipsdetaljer og den originale forgyllingen med dens rike dybde og lette historiske patina er perfekt bevart. Tingens tilstand er uttrykt i bildene.<\/p>\n<h2 data-path-to-node=\"82\"><i data-path-to-node=\"82\" data-index-in-node=\"0\">Jugendstil-tidsbilde, Auguste G\u00e9rard (Auguste G\u00e9rard):<\/i><\/h2>\n<p data-path-to-node=\"83\"><i data-path-to-node=\"83\" data-index-in-node=\"0\">I det elegante v\u00e6relset p\u00e5 H\u00f4tel Libava i hjertet av Riga hersker en dyp ettermiddagsro, kun avbrutt av silkesblonde og en dames dempede latter. Ved vinduet sitter den franske aktrisen Auguste G\u00e9rard, mens hennes maler beundrer hennes profil med en rose i h\u00e5nden. Hun vender seg mot veggen, hvor en svungen form glimter mellom to lysestaker \u2014 hennes \u00f8yne m\u00f8ter speilbildet i det klare glasset, hvis brede fasetter bryter solnedgangens str\u00e5ler som en edelsten. \u201eDenne rammen, mon cher,\u201c hvisker hun og r\u00f8rer ved den kj\u00f8lige forgyllingen, \u201eminner meg om salonene i Paris f\u00f8r v\u00e5r reise til dette fjerne hj\u00f8rnet av Kurland.\u201c<\/i><\/p>\n<p data-path-to-node=\"84\"><i data-path-to-node=\"84\" data-index-in-node=\"0\">Samtidig i baneg\u00e5rdshallen i M\u012btava roper avisguttene nyhetene om toget fra Warszawa, mens eliten i Moskva og St. Petersburg gj\u00f8r seg klar til vinterball. Mens det debatteres kunst p\u00e5 Dorpat universitet, synes tiden her \u00e5 st\u00e5 stille om et forgyldt rocaillestykke og duften av roser.<\/i><\/p>\n<p data-path-to-node=\"86\">\ud83c\uddeb\ud83c\uddee<\/p>\n<h3 data-path-to-node=\"87\">Anttiikki Kullattu Sein\u00e4peili Fasettihiotulla Lasilla \u2014 Rokoko<\/h3>\n<p data-path-to-node=\"88\">T\u00e4m\u00e4 upea 1800-luvun j\u00e4lkipuoliskon sein\u00e4peili on edustava esimerkki kerronnan <i data-path-to-node=\"88\" data-index-in-node=\"79\">toisen rokokoon<\/i> (historismin) aikakaudesta. Puusta veistetty\u00e4 ja kipsimassalla rikastettua kehyst\u00e4 koristavat tyylipuhtaat asymmetriset simpukkakuviot (rokaijit), akantuksenlehdet sek\u00e4 hienostuneet kukkak\u00f6ynn\u00f6kset. Paksu ja kirkas peililasi leve\u00e4ll\u00e4 fasetti hionnalla tuo tilaan arvokasta valoa ja syvyytt\u00e4. Kultaus vuorottelee upeasti kiilt\u00e4vien ja mattapintojen v\u00e4lill\u00e4.<\/p>\n<p data-path-to-node=\"89\">Valmistettu noin 1870\u20131890 johtavassa eurooppalaisessa manufaktuurissa, peili oli aikansa haluttu ylellisyystuote Riian ja M\u012btavan salongeissa. Kohokuviointi ja pitsim\u00e4iset koristeet ovat s\u00e4ilyneet poikkeuksellisen hienossa alkuper\u00e4iskunnossa ilman murtumia. Tuotteen kunto n\u00e4kyy t\u00e4ydellisesti valokuvissa.<\/p>\n<h2 data-path-to-node=\"91\"><i data-path-to-node=\"91\" data-index-in-node=\"0\">Jugend-aikakauden tuokiokuva, Auguste G\u00e9rard (Auguste G\u00e9rard):<\/i><\/h2>\n<p data-path-to-node=\"92\"><i data-path-to-node=\"92\" data-index-in-node=\"0\">Riian keskustassa sijaitsevan H\u00f4tel Libavan hienossa huoneessa vallitsee iltap\u00e4iv\u00e4n hiljaisuus, jonka rikkoo vain silkkipitsien kahina ja naisen hiljainen nauru. Ikkunan \u00e4\u00e4ress\u00e4 istuu ranskalainen n\u00e4yttelij\u00e4t\u00e4r Auguste G\u00e9rard, kun taas h\u00e4nen hovimaalarinsa ihailee h\u00e4nen profiiliaan ruusu k\u00e4dess\u00e4\u00e4n. N\u00e4yttelij\u00e4t\u00e4r k\u00e4\u00e4ntyy sein\u00e4\u00e4 kohti, miss\u00e4 kahden kynttil\u00e4njalan v\u00e4liss\u00e4 kimmelt\u00e4\u00e4 kaartuva muoto \u2014 h\u00e4nen silm\u00e4ns\u00e4 kohtaavat peilikuvansa kirkkaassa lasissa, jonka leve\u00e4t fasettireunat taittavat auringonlaskun s\u00e4teit\u00e4 kuin jalokivi. \u201dT\u00e4m\u00e4 kehys, mon cher\u201d, h\u00e4n sanoo hiljaa koskettaen viile\u00e4\u00e4 kultausta ja akantuksenlehti\u00e4, \u201dmuistuttaa minua Pariisin salongeista ennen matkaamme t\u00e4h\u00e4n Kurlandin kuvernementin kaukaiseen kolkkaan.\u201d<\/i><\/p>\n<p data-path-to-node=\"93\"><i data-path-to-node=\"93\" data-index-in-node=\"0\">Samaan aikaan M\u012btavan rautatieaseman odotussalissa \u00e4\u00e4nekk\u00e4\u00e4t reportterit ja sanomalehtipojat huutavat jo viimeisi\u00e4 uutisia Varsovan junan saapumisesta, ja Moskovan sek\u00e4 Pietarin palatseissa ylimyst\u00f6 valmistautuu talvitanssiaisiin. Kun Tarton ja Dorpatin yliopiston saleissa v\u00e4itell\u00e4\u00e4n taiteesta, t\u00e4\u00e4ll\u00e4 huoneen rauhassa aika tuntuu pys\u00e4htyv\u00e4n kultaisen rokaiji-kuvion, ruusujen tuoksun ja kahden taiteilijan hiljaisen vuoropuhelun ymp\u00e4rille.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Elegants vid\u0113ja izm\u0113ra ant\u012bks sienas spogulis ar kr\u0101\u0161\u0146u, zelt\u012btu un reljefu koka\/gip\u0161a r\u0101mi izteiksm\u012bg\u0101 rokoko stil\u0101. R\u0101mi rot\u0101 asimetriski glieme\u017ev\u0101ku (rokaju) mot\u012bvi, vij\u012bgi akanta lapu kokgriezumi un ziedu v\u012btnes. Spogu\u013ca stikls papildin\u0101ts ar platu, kvalitat\u012bvu faceti.<\/p>\n","protected":false},"featured_media":42080,"template":"","meta":[],"product_brand":[],"product_cat":[210,224,204],"product_tag":[1076,1081,1080,1077,1078,1053,1075,1054,1079,456,758,687],"class_list":["post-42079","product","type-product","status-publish","has-post-thumbnail","product_cat-spoguli","product_cat-spoguli-spoguli","product_cat-visas-lietas","product_tag-antiks-spogulis","product_tag-auguste-gerard","product_tag-bevelled-glass","product_tag-facetets-stikls","product_tag-gilt-wall-mirror","product_tag-libava","product_tag-mitava","product_tag-riga","product_tag-rococo-mirror","product_tag-rokoko-stils","product_tag-sienas-spogulis","product_tag-zeltits-ramis","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/42079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/42080"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=42079"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=42079"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=42079"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=42079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}