{"id":39501,"date":"2025-10-08T18:13:09","date_gmt":"2025-10-08T15:13:09","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=39501"},"modified":"2026-09-08T08:34:41","modified_gmt":"2026-09-08T05:34:41","slug":"6079","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/6079\/","title":{"rendered":"Grezns Bronzas Kandelabrs devi\u0146\u0101m Svec\u0113m ar \u0136eruba Fig\u016bru \u2014 Baroka stil\u0101, (antique bronze cherub candelabra dark patina \u2014 Baroque Style) (6079)"},"content":{"rendered":"<p data-path-to-node=\"12\">\ud83c\uddf1\ud83c\uddfb<\/p>\n<h3 data-path-to-node=\"13\">Grezns Bronzas Kandelabrs devi\u0146\u0101m Svec\u0113m ar \u0136eruba Fig\u016bru \u2014 Baroka stil\u0101<\/h3>\n<p data-path-to-node=\"14\">Izsmalcin\u0101ts un izteikti autentisks antikv\u0101r\u0101 met\u0101la m\u0101kslas priek\u0161mets (<i data-path-to-node=\"14\" data-index-in-node=\"73\">antique bronze cherub candelabra dark patina<\/i>), kas rad\u012bts k\u0101 iespaid\u012bgs un v\u0113sturiski pies\u0101tin\u0101ts interjera akcents. \u0160is daudzzuburu sve\u010dturis ir veidots kr\u0101\u0161\u0146\u0101 un dinamisk\u0101 <b data-path-to-node=\"14\" data-index-in-node=\"252\">baroka<\/b> stila est\u0113tik\u0101, kur katra l\u012bnija un apjoms tiecas telp\u0101 ar majest\u0101tisku dramatismu. Kompoz\u012bcijas centr\u0101lais balsts ir detaliz\u0113ta e\u0146\u0123e\u013ca \u2014 \u017e\u0113lsird\u012bga <b data-path-to-node=\"14\" data-index-in-node=\"408\">(\u0137eruba)<\/b> skulptur\u0101l\u0101 fig\u016bra, kuras paceltaj\u0101s rok\u0101s iestr\u0101d\u0101tas divas maz\u0101kas sve\u010du ligzdas. Kopum\u0101 kandelabram ir devi\u0146as sve\u010du vietas, kas izk\u0101rtotas divos l\u012bme\u0146os uz izliektiem, rievotiem zariem ar kr\u0101\u0161\u0146\u0101m akanta lapu un ziedu rozet\u0113m. \u0160is konkr\u0113tais eksempl\u0101rs piesaista uzman\u012bbu ar savu c\u0113lo, izteikti tum\u0161o un dzi\u013co laika patinu, kas vizu\u0101li pastiprina reljefa dzi\u013cumu un pie\u0161\u0137ir priek\u0161metam izteiktu senatnes auru.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Izgatavo\u0161anas periods<\/b> Izgatavots 19. gadsimta otraj\u0101 pus\u0113 vai gadsimtu mij\u0101, <b data-path-to-node=\"15\" data-index-in-node=\"77\">historisma<\/b> period\u0101, kad Eiropas lab\u0101kie bronzas l\u0113j\u0113ji ar lielu piet\u0101ti atdz\u012bvin\u0101ja un interpret\u0113ja varenos un plastiskos <b data-path-to-node=\"15\" data-index-in-node=\"199\">baroka<\/b> laikmeta dekorat\u012bv\u0101s m\u0101kslas kanonus.<\/p>\n<p data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> Kandelabrs ir izgatavots p\u0113c klasiskaj\u0101m fran\u010du dekorat\u012bv\u0101s bronzas apstr\u0101des metod\u0113m bez redzama manufakt\u016bras z\u012bmoga vai paraksta. Tas nor\u0101da uz darbu specializ\u0113t\u0101 m\u0101ksliniecisk\u0101s bronzas lietuv\u0113, kas fokus\u0113j\u0101s uz individu\u0101liem pas\u016bt\u012bjumiem un augst\u0101k\u0101s klases salonu interjeru apr\u012bko\u0161anu.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\">Retums un noz\u012bme<\/b> Sve\u010dtura galven\u0101 m\u0101ksliniecisk\u0101 un kolekcijas v\u0113rt\u012bba sl\u0113pjas sare\u017e\u0123\u012btaj\u0101 devi\u0146u \u017euburu divl\u012bme\u0146u konstrukcij\u0101 un izcilaj\u0101 centr\u0101l\u0101 t\u0113la izstr\u0101d\u0113. Maz\u0101 e\u0146\u0123e\u013ca jeb <b data-path-to-node=\"17\" data-index-in-node=\"180\">(\u0137eruba)<\/b> anatomisk\u0101 plastika un sejas izteiksme liecina par augsta l\u012bme\u0146a t\u0113lniec\u012bbas prasm\u0113m, padarot \u0161o priek\u0161metu par patst\u0101v\u012bgu maz\u0101s formas t\u0113lniec\u012bbas \u0161edevru.<\/p>\n<p data-path-to-node=\"18\"><b data-path-to-node=\"18\" data-index-in-node=\"0\">Pielietojums<\/b> Kandelabrs kalpos k\u0101 izcils sv\u0113tku mielasta galda centrs, k\u0101 ar\u012b eleganti izskat\u012bsies uz mas\u012bvas konsoles, bufetes vai kam\u012bna malas l\u012bdz\u0101s antikv\u0101r\u0101m glezn\u0101m. M\u016bsu kr\u0101jum\u0101 ir pieejams ar\u012b otrs, vizu\u0101li sader\u012bgs \u0161\u012b mode\u013ca kandelabrs, kas \u013cauj tos interjer\u0101 izvietot k\u0101 kr\u0101\u0161\u0146u p\u0101ri.<\/p>\n<p data-path-to-node=\"19\"><b data-path-to-node=\"19\" data-index-in-node=\"0\">St\u0101voklis<\/b> Priek\u0161mets ir teicam\u0101 tehnisk\u0101 un v\u0113sturisk\u0101 st\u0101vokl\u012b. Mas\u012bv\u0101 bronzas konstrukcija ir piln\u012bb\u0101 stabila un stingra. Porcel\u0101na vai met\u0101la boj\u0101jumu nav, visi zari un sve\u010du ligzdas ir veselas. Met\u0101la virsmai ir izteikta, pat\u012bkama un nevienm\u0113r\u012bga dabisk\u0101 laika patina ar tum\u0161\u0101kiem oksid\u0101cijas akcentiem reljefa padzi\u013cin\u0101jumos un uz e\u0146\u0123e\u013ca fig\u016bras aizmugures, kas tikai apliecina t\u0101 c\u0113lo vecumu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"20\"><b data-path-to-node=\"20\" data-index-in-node=\"0\"><i data-path-to-node=\"20\" data-index-in-node=\"0\">Baroka laikmeta momentuz\u0146\u0113mums:<\/i><\/b> <i data-path-to-node=\"20\" data-index-in-node=\"32\">D\u017eans Lorenco Bern\u012bni (Gian Lorenzo Bernini) noliek mal\u0101 kaltu un atk\u0101pjas telpas dzi\u013cum\u0101, \u013caujot vakara gaismai ielauzties vi\u0146a Romie\u0161u darbn\u012bc\u0101 starp marmora skaid\u0101m un nepabeigt\u0101m skic\u0113m. Uz mas\u012bv\u0101 koka galda l\u012bdz\u0101s m\u0101la mode\u013ciem laist\u0101s c\u0113ls un tum\u0161s bronzas mirdzums, kura akanta lapu vijumi \u0161\u0137iet tikpat dinamiski k\u0101 vi\u0146a pa\u0161a veidot\u0101s skulpt\u016bras. Vi\u0146a pirksti p\u0101rvelk p\u0101ri izteikti patin\u0113tajai virsmai, j\u016btot katru met\u0101la joslu un maz\u0101 e\u0146\u0123e\u013ca pleca izliekumu, kas telpas kr\u0113sl\u0101 tver r\u0101mas un dzi\u013cas \u0113nas. Devi\u0146i izliektie zari tiecas aug\u0161up k\u0101 sastingu\u0161i bronzas vi\u013c\u0146i, radot telp\u0101 nesatricin\u0101mu miera un monument\u0101las gaismas harmoniju. Kad sve\u010du liesmas s\u0101k dabiski atsp\u012bd\u0113t met\u0101la reljefos, meistaru p\u0101r\u0146em piln\u012bgs m\u0101kslinieciska gandar\u012bjuma un rado\u0161a miera mirklis pirms jaun\u0101s dienas darbiem.<\/i><\/p>\n<p data-path-to-node=\"22\">\ud83c\uddf7\ud83c\uddfa<\/p>\n<h3 data-path-to-node=\"23\">\u0420\u043e\u0441\u043a\u043e\u0448\u043d\u044b\u0439 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u0439 \u043a\u0430\u043d\u0434\u0435\u043b\u044f\u0431\u0440 \u043d\u0430 \u0434\u0435\u0432\u044f\u0442\u044c \u0441\u0432\u0435\u0447\u0435\u0439 \u0441 \u0444\u0438\u0433\u0443\u0440\u043e\u0439 \u0430\u043d\u0433\u0435\u043b\u0430 \u2014 \u0432 \u0441\u0442\u0438\u043b\u0435 \u0431\u0430\u0440\u043e\u043a\u043a\u043e<\/h3>\n<p data-path-to-node=\"24\">\u042d\u0442\u043e\u0442 \u0432\u0435\u043b\u0438\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u043a\u0430\u043d\u0434\u0435\u043b\u044f\u0431\u0440 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 \u0440\u0435\u0434\u043a\u0438\u0439 \u044d\u043a\u0437\u0435\u043c\u043f\u043b\u044f\u0440 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0433\u043e \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u043b\u0438\u0442\u044c\u044f \u0438\u0437 \u0431\u0440\u043e\u043d\u0437\u044b. \u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d \u043d\u0430 \u0434\u0435\u0432\u044f\u0442\u044c \u0441\u0432\u0435\u0447\u0435\u0439 \u0432 \u0431\u043e\u0433\u0430\u0442\u044b\u0445 \u0438 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0445 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044f\u0445 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0441\u0442\u0438\u043b\u044f <b data-path-to-node=\"24\" data-index-in-node=\"215\">\u0431\u0430\u0440\u043e\u043a\u043a\u043e<\/b>. \u0426\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u044b\u043c \u044d\u043b\u0435\u043c\u0435\u043d\u0442\u043e\u043c \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0438 \u0441\u043b\u0443\u0436\u0438\u0442 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u0430\u044f \u0444\u0438\u0433\u0443\u0440\u0430 \u0430\u043d\u0433\u0435\u043b\u0430 \u2014 <b data-path-to-node=\"24\" data-index-in-node=\"294\">(\u0445\u0435\u0440\u0443\u0432\u0438\u043c\u0430)<\/b>, \u0443\u0434\u0435\u0440\u0436\u0438\u0432\u0430\u044e\u0449\u0435\u0433\u043e \u0432 \u043f\u043e\u0434\u043d\u044f\u0442\u044b\u0445 \u0440\u0443\u043a\u0430\u0445 \u0434\u0432\u0435 \u0441\u0432\u0435\u0447\u043d\u044b\u0435 \u0447\u0430\u0448\u0438. \u041e\u0441\u0442\u0430\u043b\u044c\u043d\u044b\u0435 \u0433\u043d\u0435\u0437\u0434\u0430 \u0440\u0430\u0441\u043f\u043e\u043b\u043e\u0436\u0435\u043d\u044b \u0432 \u0434\u0432\u0430 \u044f\u0440\u0443\u0441\u0430 \u043d\u0430 \u0434\u0438\u043d\u0430\u043c\u0438\u0447\u043d\u044b\u0445, \u0437\u0430\u043a\u0440\u0443\u0447\u0435\u043d\u043d\u044b\u0445 \u0440\u043e\u0436\u043a\u0430\u0445 \u0441 \u0440\u0435\u043b\u044c\u0435\u0444\u043d\u044b\u043c\u0438 \u043b\u0438\u0441\u0442\u044c\u044f\u043c\u0438 \u0430\u043a\u0430\u043d\u0442\u0430. \u0414\u0430\u043d\u043d\u044b\u0439 \u044d\u043a\u0437\u0435\u043c\u043f\u043b\u044f\u0440 \u043e\u0442\u043b\u0438\u0447\u0430\u0435\u0442\u0441\u044f \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u043e\u0439, \u0433\u043b\u0443\u0431\u043e\u043a\u043e\u0439 \u0438 \u0437\u0430\u043c\u0435\u0442\u043d\u043e \u0431\u043e\u043b\u0435\u0435 \u0442\u0435\u043c\u043d\u043e\u0439 \u0432\u0435\u043a\u043e\u0432\u043e\u0439 \u043f\u0430\u0442\u0438\u043d\u043e\u0439, \u043a\u043e\u0442\u043e\u0440\u0430\u044f \u044d\u0444\u0444\u0435\u043a\u0442\u043d\u043e \u043f\u043e\u0434\u0447\u0435\u0440\u043a\u0438\u0432\u0430\u0435\u0442 \u043f\u043b\u0430\u0441\u0442\u0438\u043a\u0443 \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u0443\u0440\u044b \u0438 \u043f\u0440\u0438\u0434\u0430\u0435\u0442 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0443 \u0432\u044b\u0440\u0430\u0436\u0435\u043d\u043d\u044b\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440. \u0412 \u043d\u0430\u0448\u0435\u043c \u0430\u0441\u0441\u043e\u0440\u0442\u0438\u043c\u0435\u043d\u0442\u0435 \u0442\u0430\u043a\u0436\u0435 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u0435\u043d \u0432\u0442\u043e\u0440\u043e\u0439, \u043f\u0430\u0440\u043d\u044b\u0439 \u043f\u043e\u0434\u0441\u0432\u0435\u0447\u043d\u0438\u043a \u044d\u0442\u043e\u0439 \u0441\u0435\u0440\u0438\u0438. \u0418\u0437\u0434\u0435\u043b\u0438\u0435 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438, \u043c\u0435\u0442\u0430\u043b\u043b\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u044f \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0441\u0442\u0430\u0431\u0438\u043b\u044c\u043d\u0430. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"25\"><b data-path-to-node=\"25\" data-index-in-node=\"0\"><i data-path-to-node=\"25\" data-index-in-node=\"0\">\u0421\u043d\u0438\u043c\u043e\u043a \u044d\u043f\u043e\u0445\u0438 \u0431\u0430\u0440\u043e\u043a\u043a\u043e:<\/i><\/b> <i data-path-to-node=\"25\" data-index-in-node=\"22\">\u0414\u0436\u0430\u043d \u041b\u043e\u0440\u0435\u043d\u0446\u043e \u0411\u0435\u0440\u043d\u0438\u043d\u0438 (Gian Lorenzo Bernini) \u043e\u0442\u043a\u043b\u0430\u0434\u044b\u0432\u0430\u0435\u0442 \u0432 \u0441\u0442\u043e\u0440\u043e\u043d\u0443 \u0440\u0435\u0437\u0435\u0446 \u0438 \u043e\u0442\u0445\u043e\u0434\u0438\u0442 \u0432 \u0433\u043b\u0443\u0431\u0438\u043d\u0443 \u0441\u0432\u043e\u0435\u0439 \u0440\u0438\u043c\u0441\u043a\u043e\u0439 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u043e\u0439, \u043f\u043e\u0437\u0432\u043e\u043b\u044f\u044f \u043f\u0440\u0435\u0434\u0432\u0435\u0447\u0435\u0440\u043d\u0435\u043c\u0443 \u0441\u0432\u0435\u0442\u0443 \u043f\u0440\u043e\u043d\u0438\u043a\u043d\u0443\u0442\u044c \u0441\u043a\u0432\u043e\u0437\u044c \u043e\u043a\u043d\u0430 \u0441\u0440\u0435\u0434\u0438 \u043c\u0440\u0430\u043c\u043e\u0440\u043d\u043e\u0439 \u043a\u0440\u043e\u0448\u043a\u0438 \u0438 \u044d\u0441\u043a\u0438\u0437\u043e\u0432. \u041d\u0430 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u043e\u043c \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u043e\u043c \u0441\u0442\u043e\u043b\u0435 \u0440\u044f\u0434\u043e\u043c \u0441 \u0433\u043b\u0438\u043d\u044f\u043d\u044b\u043c\u0438 \u043c\u043e\u0434\u0435\u043b\u044f\u043c\u0438 \u0441\u0438\u044f\u0435\u0442 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u0439 \u0442\u0435\u043c\u043d\u044b\u0439 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u0439 \u0431\u043b\u0435\u0441\u043a, \u0447\u044c\u0438 \u0438\u0437\u0433\u0438\u0431\u044b \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0430\u043a\u0430\u043d\u0442\u0430 \u043a\u0430\u0436\u0443\u0442\u0441\u044f \u0442\u0430\u043a\u0438\u043c\u0438 \u0436\u0435 \u0434\u0438\u043d\u0430\u043c\u0438\u0447\u043d\u044b\u043c\u0438, \u043a\u0430\u043a \u0438 \u0435\u0433\u043e \u0441\u043e\u0431\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0435 \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u0443\u0440\u044b. \u0415\u0433\u043e \u043f\u0430\u043b\u044c\u0446\u044b \u043f\u0440\u043e\u0432\u043e\u0434\u044f\u0442 \u043f\u043e \u0433\u043b\u0443\u0431\u043e\u043a\u043e \u043f\u0430\u0442\u0438\u043d\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u043e\u0439 \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u0438, \u043e\u0449\u0443\u0449\u0430\u044f \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u0443 \u043c\u0435\u0442\u0430\u043b\u043b\u0430 \u0438 \u043a\u0430\u0436\u0434\u044b\u0439 \u0438\u0437\u0433\u0438\u0431 \u043f\u043b\u0435\u0447\u0430 \u043c\u0430\u043b\u0435\u043d\u044c\u043a\u043e\u0433\u043e \u0430\u043d\u0433\u0435\u043b\u0430, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u0432 \u043f\u043e\u043b\u0443\u043c\u0440\u0430\u043a\u0435 \u043a\u043e\u043c\u043d\u0430\u0442\u044b \u0443\u043b\u0430\u0432\u043b\u0438\u0432\u0430\u0435\u0442 \u0433\u043b\u0443\u0431\u043e\u043a\u0438\u0435 \u0442\u0435\u043d\u0438. \u0414\u0435\u0432\u044f\u0442\u044c \u0438\u0437\u043e\u0433\u043d\u0443\u0442\u044b\u0445 \u0440\u043e\u0436\u043a\u043e\u0432 \u0443\u0441\u0442\u0440\u0435\u043c\u043b\u044f\u044e\u0442\u0441\u044f \u0432\u0432\u0435\u0440\u0445, \u0441\u043b\u043e\u0432\u043d\u043e \u0437\u0430\u0441\u0442\u044b\u0432\u0448\u0438\u0435 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u0435 \u0432\u043e\u043b\u043d\u044b, \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u044f \u043e\u0449\u0443\u0449\u0435\u043d\u0438\u0435 \u043d\u0435\u043f\u043e\u043a\u043e\u043b\u0435\u0431\u0438\u043c\u043e\u0433\u043e \u043f\u043e\u043a\u043e\u044f \u0438 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u043e\u0439 \u0433\u0430\u0440\u043c\u043e\u043d\u0438\u0438. \u041a\u043e\u0433\u0434\u0430 \u043f\u043b\u0430\u043c\u044f \u0441\u0432\u0435\u0447\u0435\u0439 \u043d\u0430\u0447\u0438\u043d\u0430\u0435\u0442 \u043e\u0442\u0440\u0430\u0436\u0430\u0442\u044c\u0441\u044f \u0432 \u0443\u0437\u043e\u0440\u0430\u0445, \u043c\u0430\u0441\u0442\u0435\u0440\u0430 \u043d\u0430\u043f\u043e\u043b\u043d\u044f\u0435\u0442 \u0447\u0443\u0432\u0441\u0442\u0432\u043e \u0438\u0441\u0442\u0438\u043d\u043d\u043e\u0433\u043e \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0443\u0434\u043e\u0432\u043b\u0435\u0442\u0432\u043e\u0440\u0435\u043d\u0438\u044f.<\/i><\/p>\n<p data-path-to-node=\"27\">\ud83c\uddec\ud83c\udde7<\/p>\n<h2 data-path-to-node=\"28\">Elegant Antique Bronze Cherub Candelabra \u2014 Baroque Style<\/h2>\n<p data-path-to-node=\"29\">This monumental and highly sculptural <b data-path-to-node=\"29\" data-index-in-node=\"38\">antique bronze cherub candelabra dark patina<\/b> serves as a paramount example of late 19th-century European metalwork, crafted in the theatrical spirit of the <b data-path-to-node=\"29\" data-index-in-node=\"199\">Baroque<\/b> era. The central column features a meticulously detailed full-figure angel \u2014 a <b data-path-to-node=\"29\" data-index-in-node=\"286\">(cherub)<\/b>, raising two light sockets aloft. The surrounding seven candle branches scroll dynamically across two distinct tiers, heavily ornamented with high-relief acanthus leaves.<\/p>\n<p data-path-to-node=\"30\">This particular piece is distinguished by a deeply layered, rich dark time-worn patina that enriches the contours of the bronze castings and highlights its historical authenticity. A second matching candelabra from the same series is also available in our collection to form a magnificent pair. The entire structure is sturdy and perfectly preserved, free of any structural damages. The object&#8217;s condition is fully reflected in the photographs.<\/p>\n<p data-path-to-node=\"31\"><b data-path-to-node=\"31\" data-index-in-node=\"0\"><i data-path-to-node=\"31\" data-index-in-node=\"0\">Baroque era snapshot:<\/i><\/b> <i data-path-to-node=\"31\" data-index-in-node=\"22\">Gian Lorenzo Bernini (Gian Lorenzo Bernini) sets down his chisel and steps back into the depths of his Roman studio, letting the evening light pierce through marble chips and unfinished sketches. On a massive wooden table beside clay models, a noble and dark bronze gleam catches the eye, its scrolling acanthus leaves feeling just as dynamic as his own sculptures. His fingers run over the deeply patinated surface, feeling every cast contour and the curvature of the small angel\u2019s shoulder, which captures deep shadows in the room\u2019s twilight. Nine scrolled branches rise like frozen bronze waves, bringing an unshakeable sense of peace and monumental light to the space. As the candle flames reflect in the dark metal, a moment of deep artistic contentment settles over the master.<\/i><\/p>\n<p data-path-to-node=\"33\">\ud83c\udde9\ud83c\uddea<\/p>\n<h3 data-path-to-node=\"34\">Prachtvoller antiker Bronze-Kandelaber f\u00fcr neun Kerzen mit Engelsfigur \u2014 im Barockstil<\/h3>\n<p data-path-to-node=\"35\">Dieser monumentale, antike <b data-path-to-node=\"35\" data-index-in-node=\"27\">Bronze<\/b>-Kandelaber f\u00fcr neun Kerzen ist ein exquisites Meisterwerk des europ\u00e4ischen Historismus, gefertigt im prunkvollen Stil des <b data-path-to-node=\"35\" data-index-in-node=\"156\">Barock<\/b>. Die Mitte wird von der ausdrucksstarken skulpturalen Figur eines Engels \u2014 eines <b data-path-to-node=\"35\" data-index-in-node=\"244\">(Cherubs)<\/b> \u2014 beherrscht, der in seinen erhobenen H\u00e4nden zwei Kerzent\u00fcllen tr\u00e4gt. Die \u00fcbrigen Arme schwingen sich auf zwei Ebenen elegant empor und sind reich mit Akanthusbl\u00e4ttern verziert.<\/p>\n<p data-path-to-node=\"36\">Dieses spezifische Exemplar zeichnet sich durch eine besonders tiefe, dunkle Alterspatina aus, die den skulpturalen Charakter der Gussarbeit hervorragend betont. Ein zweiter, passender Kandelaber aus derselben Serie ist ebenfalls in unserem Sortiment erh\u00e4ltlich. Die schwere Konstruktion ist absolut stabil und ohne Besch\u00e4digungen erhalten. Der Zustand des Gegenstandes ist vollst\u00e4ndig auf den Bildern wiedergegeben.<\/p>\n<p data-path-to-node=\"37\"><b data-path-to-node=\"37\" data-index-in-node=\"0\"><i data-path-to-node=\"37\" data-index-in-node=\"0\">Momentaufnahme der Barockzeit:<\/i><\/b> <i data-path-to-node=\"37\" data-index-in-node=\"31\">Gian Lorenzo Bernini (Gian Lorenzo Bernini) legt seinen Mei\u00dfel beiseite und tritt in die Tiefe seines r\u00f6mischen Ateliers zur\u00fcck, w\u00e4hrend das Abendlicht zwischen Marmorsp\u00e4nen und Skizzen hereinbricht. Auf einem massiven Holztisch neben Tonmodellen gl\u00e4nzt ein edler, dunkler Bronzeton, dessen Akanthusbl\u00e4tter ebenso dynamisch wirken wie seine eigenen Skulpturen. Seine Finger gleiten \u00fcber die tief patinierte Oberfl\u00e4che, sp\u00fcren jede Kontur und die Kr\u00fcmmung der Schulter des kleinen Engels, der im Zwielicht des Raumes tiefe Schatten einf\u00e4ngt. Neun geschwungene Arme ragen wie erstarrte Bronzewellen empor und bringen eine harmonische Ruhe in den Raum. Wenn die Kerzenflammen im dunklen Metall zu reflektieren beginnen, erf\u00fcllt den Meister ein Gef\u00fchl von tiefer kreativer Zufriedenheit.<\/i><\/p>\n<p data-path-to-node=\"39\">\ud83c\uddeb\ud83c\uddf7<\/p>\n<h3 data-path-to-node=\"40\">Grand cand\u00e9labre en bronze \u00e0 neuf lumi\u00e8res au ch\u00e9rubin \u2014 de style Baroque<\/h3>\n<p data-path-to-node=\"41\">Ce monumental cand\u00e9labre d&#8217;apparat en <b data-path-to-node=\"41\" data-index-in-node=\"38\">bronze<\/b> patin\u00e9 illustre \u00e0 la perfection la puissance cr\u00e9ative du style <b data-path-to-node=\"41\" data-index-in-node=\"108\">Baroque<\/b>. L&#8217;amortissement central est constitu\u00e9 d&#8217;une superbe figure en ronde-bosse repr\u00e9sentant un ange \u2014 un <b data-path-to-node=\"41\" data-index-in-node=\"217\">(ch\u00e9rubin)<\/b>, brandissant \u00e0 bout de bras deux binets. Les sept autres lumi\u00e8res se d\u00e9ploient sur deux registres de bras en consoles mouvement\u00e9es, riches de rinceaux et de feuilles d&#8217;acanthe.<\/p>\n<p data-path-to-node=\"42\">Cette pi\u00e8ce sp\u00e9cifique se distingue par une patine d&#8217;oxydation naturelle particuli\u00e8rement profonde, dense et sombre, qui accentue la force de la ciselure et son authenticit\u00e9 historique. Un second cand\u00e9labre identique est disponible dans notre fonds pour former une paire. La structure est d&#8217;une parfaite solidit\u00e9. L&#8217;\u00e9tat de l&#8217;objet est pleinement repr\u00e9sent\u00e9 sur les photographies.<\/p>\n<p data-path-to-node=\"43\"><b data-path-to-node=\"43\" data-index-in-node=\"0\"><i data-path-to-node=\"43\" data-index-in-node=\"0\">Instantan\u00e9 de l&#8217;\u00e9poque Baroque :<\/i><\/b> <i data-path-to-node=\"43\" data-index-in-node=\"33\">Gian Lorenzo Bernini (Gian Lorenzo Bernini) pose son ciseau et se retire dans la p\u00e9nombre de son atelier romain, laissant la lumi\u00e8re du soir filtrer parmi les \u00e9clats de marbre et les esquisses. Sur une table en bois massif, un bronze sombre et noble capte les derniers feux du jour, ses consoles de feuilles d&#8217;acanthe vibrant d&#8217;une dynamique digne de ses propres sculptures. Ses doigts effleurent la surface profond\u00e9ment patin\u00e9e, sensible \u00e0 chaque relief et \u00e0 la cambrure du petit ange qui retient des ombres denses dans le cr\u00e9puscule. Neuf bras de lumi\u00e8re s&#8217;\u00e9l\u00e8vent comme des vagues de bronze fig\u00e9es, installant une harmonie po\u00e9tique dans la pi\u00e8ce. Quand les flammes commencent \u00e0 danser dans le m\u00e9tal sombre, un sentiment d&#8217;une paix absolue s&#8217;installe.<\/i><\/p>\n<p data-path-to-node=\"45\">\ud83c\udde9\ud83c\uddf0<\/p>\n<h3 data-path-to-node=\"46\">Pragtfuld antikt bronze kandelaber til ni lys med englefigur \u2014 i barokstil<\/h3>\n<p data-path-to-node=\"47\">Dette imponerende antikke <b data-path-to-node=\"47\" data-index-in-node=\"26\">bronze<\/b> kandelaber til ni lys er et sandt pragteksemplar fra historismen, udf\u00f8rt i den storsl\u00e5ede <b data-path-to-node=\"47\" data-index-in-node=\"123\">barokstil<\/b>. Kandelaberens centrale akse prydes af en smukt udformet skulpturel figur af en ung engel \u2014 en <b data-path-to-node=\"47\" data-index-in-node=\"228\">(kerub)<\/b>, med to lysestager i de opstrakte h\u00e6nder. De \u00f8vrige arme fordeler sig p\u00e5 to niveauer, rigt dekoreret med akantusblade.<\/p>\n<p data-path-to-node=\"48\">Dette specifikke eksemplar udm\u00e6rker sig med en s\u00e6rlig dyb, m\u00f8rk og kraftig tidspatina, der fremh\u00e6ver relieffets detaljer og giver genstanden en fantastisk aura af alder. En anden matchende kandelaber fra samme serie er ogs\u00e5 tilg\u00e6ngelig i vores samling. Den tunge konstruktion er fuldst\u00e6ndig stabil og uden skader. Genstandens tilstand er fuldt ud gengivet p\u00e5 fotografierne.<\/p>\n<p data-path-to-node=\"49\"><b data-path-to-node=\"49\" data-index-in-node=\"0\"><i data-path-to-node=\"49\" data-index-in-node=\"0\">\u00d8jebliksbillede fra barokken:<\/i><\/b> <i data-path-to-node=\"49\" data-index-in-node=\"30\">Gian Lorenzo Bernini (Gian Lorenzo Bernini) l\u00e6gger mejslen fra sig og tr\u00e6der tilbage i sit romerske v\u00e6rksted, mens aftenlyset str\u00f8mmer ind mellem marmorstykker og ufuldendte skitser. P\u00e5 et massivt tr\u00e6bord ved siden af lermodeller glitrer en \u00e6del, m\u00f8rk bronzetone, hvis akantusblade virker lige s\u00e5 dynamiske som hans egne skulpturer. Hans fingre glider over den dybpatinerede overflade, m\u00e6rker hver kontur og den lille engels skulder, som indfanger dybe skygger i rummets skumring. Ni svungne arme h\u00e6ver sig som stivnede b\u00f8lgeformationer og bringer en rolig harmoni ind i rummet. Da lysglimtene begynder at genspejles i det m\u00f8rke metal, overv\u00e6ldes mesteren af en dyb kunstnerisk tilfredshed.<\/i><\/p>\n<p data-path-to-node=\"51\">\ud83c\uddf8\ud83c\uddea<\/p>\n<h3 data-path-to-node=\"52\">Praktfull antik bronskandelaber f\u00f6r nio ljus med \u00e4nglafigur \u2014 i barockstil<\/h3>\n<p data-path-to-node=\"53\">Denna monumentala antika <b data-path-to-node=\"53\" data-index-in-node=\"25\">brons<\/b>-kandelaber f\u00f6r nio ljus \u00e4r ett enast\u00e5ende m\u00e4sterverk som perfekt representerar <b data-path-to-node=\"53\" data-index-in-node=\"110\">barockstilens<\/b> storslagna estetik. Kandelaberns centrala axel utg\u00f6rs av en skulptural figur f\u00f6rest\u00e4llande en ung \u00e4ngel \u2014 en <b data-path-to-node=\"53\" data-index-in-node=\"233\">(kerub)<\/b>, som h\u00e5ller tv\u00e5 mindre ljuspipor i sina uppstr\u00e4ckta h\u00e4nder. De \u00f6vriga sju armarna \u00e4r f\u00f6rdelade p\u00e5 tv\u00e5 niv\u00e5er prydda med akantusblad.<\/p>\n<p data-path-to-node=\"54\">Just detta exemplar utm\u00e4rker sig genom en s\u00e4rskilt djup, m\u00f6rk och rik tidspatina som framh\u00e4ver gjutningens skulpturala konturer och ger f\u00f6rem\u00e5let en p\u00e5taglig k\u00e4nsla av \u00e5lder. En andra matchande kandelaber fr\u00e5n samma serie finns ocks\u00e5 tillg\u00e4nglig i v\u00e5rt sortiment. Den tunga konstruktionen \u00e4r helt stabil och utan skador. F\u00f6rem\u00e5lets skick \u00e5terges fullst\u00e4ndigt p\u00e5 fotografierna.<\/p>\n<p data-path-to-node=\"55\"><b data-path-to-node=\"55\" data-index-in-node=\"0\"><i data-path-to-node=\"55\" data-index-in-node=\"0\">\u00d6gonblicksbild fr\u00e5n barocken:<\/i><\/b> <i data-path-to-node=\"55\" data-index-in-node=\"30\">Gian Lorenzo Bernini (Gian Lorenzo Bernini) l\u00e4gger undan sin mejsel och drar sig tillbaka i sitt romerska atelj\u00e9, medan kv\u00e4llsljuset bryter in mellan marmorsp\u00e5n och skisser. P\u00e5 ett massivt tr\u00e4bord bredvid lermodeller gl\u00e4nser en \u00e4del, m\u00f6rk bronston, vars akantusblad verkar lika dynamiska som hans egna skulpturer. Hans fingrar glider \u00f6ver den djupt patinerade ytan, k\u00e4nner varje kontur och kr\u00f6kningen av den lilla \u00e4ngelns axel, som f\u00e5ngar djupa skuggor i rummets skymning. Nio sv\u00e4ngda armar reser sig som frusna bronsv\u00e5gor och sk\u00e4nker en harmonisk ro till rummet. N\u00e4r ljusl\u00e5gorna b\u00f6rjar reflekteras i den m\u00f6rka metallen, fylls m\u00e4staren av en orubblig konstn\u00e4rlig tillfredsst\u00e4llelse.<\/i><\/p>\n<p data-path-to-node=\"57\">\ud83c\uddf3\ud83c\uddf4<\/p>\n<h3 data-path-to-node=\"58\">Eksklusiv antik bronseskandelaber til ni lys med englefigur \u2014 i barokstil<\/h3>\n<p data-path-to-node=\"59\">En usedvanlig herskapelig og tung kandelaber i st\u00f8pt <b data-path-to-node=\"59\" data-index-in-node=\"53\">bronse<\/b>, utf\u00f8rt i den storslagne <b data-path-to-node=\"59\" data-index-in-node=\"85\">barokstilen<\/b>. Midtaksen preges av en vakkert utformet skulpturell figur av en ung engel \u2014 en <b data-path-to-node=\"59\" data-index-in-node=\"177\">(kjerub)<\/b>, som holder to mindre lysestaker opp i sine utstrakte hender. De \u00f8vrige armene er fordelt over to niv\u00e5er, dekorert med akantusblader i relieff.<\/p>\n<p data-path-to-node=\"60\">Dette spesifikke eksemplaret utmerker seg med en s\u00e6rlig dyp, m\u00f8rk og kraftig tidspatina, noe som fremhever bronsest\u00f8pets detaljer og gir gjenstanden en utpreget f\u00f8lelse av alder. En annen matchende kandelaber fra samme serie er ogs\u00e5 tilgjengelig i v\u00e5r samling for \u00e5 danne et par. Den tunge konstruksjonen er fullstendig stabil og uten skader. Gjenstandens tilstand er fullstendig gjengitt p\u00e5 fotografiene.<\/p>\n<p data-path-to-node=\"61\"><b data-path-to-node=\"61\" data-index-in-node=\"0\"><i data-path-to-node=\"61\" data-index-in-node=\"0\">\u00d8yeblikksbilde fra barokken:<\/i><\/b> <i data-path-to-node=\"61\" data-index-in-node=\"29\">Gian Lorenzo Bernini (Gian Lorenzo Bernini) legger ned meiselen og trekker seg tilbake i salongen i Roma, mens kveldslyset faller inn mellom marmorfliser og uferdige skisser. P\u00e5 et massivt trebord ved siden av leiremodeller glitrer en edel, m\u00f8rk bronsestone, hvis akantusblader virker like dynamiske som hans egne skulpturer. Fingrene hans glir over den dyp-patinerte overflaten, m\u00e6rker hver kontur og den lille engelens skulder, som fanger dype skygger i rommets skumring. Sju svingte armer hever seg som stivnede bronsseb\u00f8lger og bringer en rolig harmoni inn i rommet. Idet lysflammene begynner \u00e5 leke i det m\u00f8rke metallet, fylles mesteren av en urokkelig ro.<\/i><\/p>\n<p data-path-to-node=\"63\">\ud83c\uddeb\ud83c\uddee<\/p>\n<h3 data-path-to-node=\"64\">Monumentaalinen antikkinen pronssikandelaberi yhdeks\u00e4lle kynttil\u00e4lle enkelihahmolla \u2014 barokkityyli\u00e4<\/h3>\n<p data-path-to-node=\"65\">T\u00e4m\u00e4 poikkeuksellisen upea antiikkinen <b data-path-to-node=\"65\" data-index-in-node=\"39\">pronssinen<\/b> kynttil\u00e4njalka on loistava taidonn\u00e4yte historismin aikakaudelta, ja se kunnioittaa <b data-path-to-node=\"65\" data-index-in-node=\"133\">barokkityylin<\/b> mahtipontista estetiikkaa. Valaisimen keski\u00f6ss\u00e4 on eritt\u00e4in yksityiskohtaisesti muotoiltu nuoren enkelin \u2014 <b data-path-to-node=\"65\" data-index-in-node=\"254\">(kerubin)<\/b> veistoksellinen hahmo, jonka kohotetuissa k\u00e4siss\u00e4 on kaksi kynttil\u00e4pes\u00e4\u00e4. Loput haarat jakautuvat kahteen tasoon kaareville haaroille, joita koristavat runsas akantuksenlehtikuviointi.<\/p>\n<p data-path-to-node=\"66\">T\u00e4m\u00e4 nimenomainen yksil\u00f6 erottuu edukseen erityisen syv\u00e4ll\u00e4, tummalla ja rikkaalla ajan tuomalla patinallaan, joka korostaa upeasti valuty\u00f6n yksityiskohtia ja antaa esineelle aidon antiikkisen luonteen. Toinen saman sarjan yhteensopiva kandelaberi on my\u00f6s saatavilla valikoimastamme. Rakenne on t\u00e4ysin vakaa ja virheet\u00f6n. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n<p data-path-to-node=\"67\"><b data-path-to-node=\"67\" data-index-in-node=\"0\"><i data-path-to-node=\"67\" data-index-in-node=\"0\">Tunnelma barokin ajalta:<\/i><\/b> <i data-path-to-node=\"67\" data-index-in-node=\"25\">Gian Lorenzo Bernini (Gian Lorenzo Bernini) laskee taltan k\u00e4dest\u00e4\u00e4n ja astuu taaksep\u00e4in roomalaisessa ty\u00f6tilassaan seuraten, kuinka iltap\u00e4iv\u00e4n valo siivil\u00f6ityy ikkunoista marmorisirujen ja luonnosten keskelle. Lattialla savimallien vieress\u00e4 kimaltaa jalo, tumma pronssinen hohde, jonka akantuksenlehdet n\u00e4ytt\u00e4v\u00e4t yht\u00e4 dynaamisilta kuin h\u00e4nen omat veistoksensa. H\u00e4nen sormensa liukuvat syv\u00e4n patinoidulla pinnalla tuntien jokaisen valun muodon ja pienen enkelin olkap\u00e4\u00e4n, joka vangitsee tummia varjoja huoneen h\u00e4m\u00e4r\u00e4ss\u00e4. Yhdeks\u00e4n haaraa nousevat kuin j\u00e4hmettyneet pronssiaallot tuoden tilaan horjumattoman rauhan ja monumentaalisen valon tunteen. Kun liekit alkavat loistaa tummassa metallissa, mestarin t\u00e4ytt\u00e4\u00e4 syv\u00e4 taiteellinen tyytyv\u00e4isyys.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\ud83c\uddf1\ud83c\uddfb Grezns Bronzas Kandelabrs devi\u0146\u0101m Svec\u0113m ar \u0136eruba Fig\u016bru \u2014 Baroka stil\u0101 Izsmalcin\u0101ts un izteikti autentisks antikv\u0101r\u0101 met\u0101la m\u0101kslas priek\u0161mets<\/p>\n","protected":false},"featured_media":39502,"template":"","meta":[],"product_brand":[],"product_cat":[208,228,204],"product_tag":[],"class_list":["post-39501","product","type-product","status-publish","has-post-thumbnail","product_cat-lampas","product_cat-svecturi","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/39501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/39502"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=39501"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=39501"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=39501"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=39501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}