{"id":39410,"date":"2025-10-07T09:01:44","date_gmt":"2025-10-07T06:01:44","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=39410"},"modified":"2026-09-08T08:32:38","modified_gmt":"2026-09-08T05:32:38","slug":"6070","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/6070\/","title":{"rendered":"Ov\u0101ls kokgriezuma spogulis ar akanta rot\u0101jumu \u2014 baroka stil\u0101 (Carved Wood Oval Mirror in Baroque Style) (6070)"},"content":{"rendered":"<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddf1\ud83c\uddfb <strong>LV<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Izm\u0113ri:<br \/>\nAugstums \u2014 92,5 cm<br \/>\nPlatums \u2014 ~57 cm<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Ov\u0101ls kokgriezuma spogulis ar akanta rot\u0101jumu \u2014 baroka stil\u0101<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Vid\u0113ja izm\u0113ra ov\u0101ls sienas spogulis (<em>carved wood oval mirror<\/em>), kura r\u0101mis piln\u012bb\u0101 veidots roku darin\u0101t\u0101 kokgriezum\u0101 \u2014 bag\u0101t\u012bgi vijas akanta lapas, spir\u0101lveida vol\u016btas un glieme\u017ev\u0101ku (rocaille) mot\u012bvi, kas rakstur\u012bgi baroka dekorat\u012bvajai valodai. At\u0161\u0137ir\u012bb\u0101 no daudziem \u0161\u012b stila spogu\u013ciem, r\u0101mis palicis nezelt\u012bts \u2014 koka dab\u012bg\u0101 tekst\u016bra un siltais rieksta tonis ir apzin\u0101ti saglab\u0101ti k\u0101 galven\u0101 izteiksmes forma, \u013caujot kokgriez\u0113ja meistar\u012bbai run\u0101t bez zelt\u012bjuma starpniec\u012bbas.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Izgatavo\u0161anas periods:<\/strong> Darin\u0101ts 20. gadsimta otraj\u0101 pus\u0113, baroka stila kokgriezuma trad\u012bcijas turpin\u0101jum\u0101.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Ra\u017eot\u0101js:<\/strong> Ra\u017eot\u0101ja z\u012bme vai skaidri las\u0101ms mar\u0137\u0113jums nav dro\u0161i konstat\u0113jams. Kokgriezuma dzi\u013cums un rokas darba raksturs liecina par amatniec\u012bbas darbn\u012bcas izcelsmi, k\u0101da bija tipiska baroka stila kokgriezuma spogu\u013cu ra\u017eo\u0161anai 20. gadsimta vidus un otr\u0101s puses dekorat\u012bvo priek\u0161metu tirg\u016b (bie\u017ei saist\u012bta ar It\u0101lijas vai Vidusj\u016bras re\u0123iona kokgriez\u0113ju trad\u012bciju).<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Retums un noz\u012bme:<\/strong> \u0160\u0101da dzi\u013cuma un apjoma roku kokgriezums (nevis liets vai pres\u0113ts imit\u0113jums) m\u016bsdien\u0101s sastopams ret\u0101k \u2014 tas prasa iev\u0113rojamu amata prasmi un laiku, un \u0161obr\u012bd l\u012bdz\u012bgus gabalus bie\u017e\u0101k aizst\u0101j r\u016bpnieciski veidoti analogi.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Pielietojums:<\/strong> Piem\u0113rots k\u0101 izteiksm\u012bgs akcents priek\u0161telp\u0101, virs komodes, k\u0101p\u0146u telp\u0101 vai salon\u0101, kur kokgriezuma reljefs var piln\u012bb\u0101 atkl\u0101ties s\u0101nu apgaismojum\u0101.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>St\u0101voklis:<\/strong> Kokgriezums lab\u0101 st\u0101vokl\u012b, ar dab\u012bgu koka tekst\u016bras sp\u0113li un neliel\u0101m lieto\u0161anas p\u0113d\u0101m, kas neietekm\u0113 konstrukciju. Spogu\u013ca stikls skaidrs. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong><em>Baroka laikmeta momentuz\u0146\u0113mums<\/em> &#8211; <em>D\u017eovanni Bold\u012bni (Giovanni Boldini)<\/em>:<\/strong> <em>R\u012bta gaisma iepl\u016bst darbn\u012bc\u0101 sl\u012bpi caur augsto logu, un vi\u0146\u0161 uz br\u012bdi atliek otu, piev\u0113r\u0161ot skatienu spogu\u013ca virsmai, pirms tas atkal piev\u0113r\u0161as audeklam. Kokgriezuma reljefs met dzi\u013cas, kust\u012bgas \u0113nas p\u0101r stiklu, un rokas, kas nupat piesk\u0101r\u0101s oto virsmai, uz mirkli apst\u0101jas gais\u0101. Skaidu smar\u017ea darbn\u012bc\u0101 sajaucas ar terpent\u012bna asumu \u2014 divi amatniec\u012bbas pasaules, kas \u0161eit satiekas. Kaut kas simtiem rei\u017eu redz\u0113ts atspulg\u0101 \u0161oreiz \u0161\u0137iet cits, un vi\u0146\u0161 saraucas pieri, m\u0113\u0123in\u0101dams saprast, kas tie\u0161i main\u012bjies. Pa durv\u012bm ien\u0101k pal\u012bgs ar jaunu audekla ietvaru, un mirklis izgaist, neizrun\u0101ts.<\/em><\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddf7\ud83c\uddfa <strong>RU<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u0420\u0430\u0437\u043c\u0435\u0440\u044b:<br \/>\n\u0412\u044b\u0441\u043e\u0442\u0430 \u2014 92,5 \u0441\u043c<br \/>\n\u0428\u0438\u0440\u0438\u043d\u0430 \u2014 ~57 \u0441\u043c<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>\u041e\u0432\u0430\u043b\u044c\u043d\u043e\u0435 \u0437\u0435\u0440\u043a\u0430\u043b\u043e \u0441 \u0440\u0435\u0437\u044c\u0431\u043e\u0439 \u043f\u043e \u0434\u0435\u0440\u0435\u0432\u0443 \u0432 \u0441\u0442\u0438\u043b\u0435 \u0431\u0430\u0440\u043e\u043a\u043a\u043e<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u041d\u0430\u0441\u0442\u0435\u043d\u043d\u043e\u0435 \u0437\u0435\u0440\u043a\u0430\u043b\u043e \u0441\u0440\u0435\u0434\u043d\u0435\u0433\u043e \u0440\u0430\u0437\u043c\u0435\u0440\u0430 (<em>carved wood oval mirror<\/em>) \u0441 \u0440\u0430\u043c\u043e\u0439, \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u043e\u0439 \u0432 \u0442\u0435\u0445\u043d\u0438\u043a\u0435 \u0440\u0443\u0447\u043d\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u044b \u043f\u043e \u0434\u0435\u0440\u0435\u0432\u0443 \u2014 \u0430\u043a\u0430\u043d\u0442\u043e\u0432\u044b\u0435 \u043b\u0438\u0441\u0442\u044c\u044f, \u0441\u043f\u0438\u0440\u0430\u043b\u0435\u0432\u0438\u0434\u043d\u044b\u0435 \u0432\u043e\u043b\u044e\u0442\u044b \u0438 \u0440\u0430\u043a\u043e\u0432\u0438\u043d\u043d\u044b\u0435 (\u0440\u043e\u043a\u0430\u0439\u043b\u044c\u043d\u044b\u0435) \u043c\u043e\u0442\u0438\u0432\u044b \u043f\u043b\u0435\u0442\u0443\u0442\u0441\u044f \u0432 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u043d\u043e\u043c \u0434\u043b\u044f \u0431\u0430\u0440\u043e\u043a\u043a\u043e \u043e\u0440\u043d\u0430\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u043e\u043c \u044f\u0437\u044b\u043a\u0435. \u0412 \u043e\u0442\u043b\u0438\u0447\u0438\u0435 \u043e\u0442 \u043c\u043d\u043e\u0433\u0438\u0445 \u0437\u0435\u0440\u043a\u0430\u043b \u044d\u0442\u043e\u0433\u043e \u0441\u0442\u0438\u043b\u044f, \u0440\u0430\u043c\u0430 \u0437\u0434\u0435\u0441\u044c \u043e\u0441\u0442\u0430\u0432\u043b\u0435\u043d\u0430 \u043d\u0435\u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u043e\u0439: \u0442\u0451\u043f\u043b\u044b\u0439 \u043e\u0440\u0435\u0445\u043e\u0432\u044b\u0439 \u0442\u043e\u043d \u0438 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u0442\u0435\u043a\u0441\u0442\u0443\u0440\u0430 \u0434\u0435\u0440\u0435\u0432\u0430 \u043d\u0430\u043c\u0435\u0440\u0435\u043d\u043d\u043e \u0441\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u044b \u043a\u0430\u043a \u0433\u043b\u0430\u0432\u043d\u043e\u0435 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0435 \u0441\u0440\u0435\u0434\u0441\u0442\u0432\u043e, \u043f\u043e\u0437\u0432\u043e\u043b\u044f\u044f \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u0442\u0432\u0443 \u0440\u0435\u0437\u0447\u0438\u043a\u0430 \u0433\u043e\u0432\u043e\u0440\u0438\u0442\u044c \u0431\u0435\u0437 \u043f\u043e\u0441\u0440\u0435\u0434\u043d\u0438\u0447\u0435\u0441\u0442\u0432\u0430 \u043f\u043e\u0437\u043e\u043b\u043e\u0442\u044b.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u0418\u0437\u0433\u043e\u0442\u043e\u0432\u043b\u0435\u043d\u043e \u0432\u043e \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0435 XX \u0432\u0435\u043a\u0430 \u043a\u0430\u043a \u043f\u0440\u043e\u0434\u043e\u043b\u0436\u0435\u043d\u0438\u0435 \u0431\u0430\u0440\u043e\u0447\u043d\u043e\u0439 \u0440\u0435\u0437\u043d\u043e\u0439 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438 \u2014 \u0432\u0435\u0449\u044c \u043d\u0435 \u043f\u0440\u0435\u0442\u0435\u043d\u0434\u0443\u0435\u0442 \u043d\u0430 \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u043e\u0441\u0442\u044c \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u043e\u0433\u043e \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u0430. \u041a\u043b\u0435\u0439\u043c\u043e \u0438\u043b\u0438 \u0447\u0451\u0442\u043a\u0430\u044f \u043c\u0430\u0440\u043a\u0430 \u043f\u0440\u043e\u0438\u0437\u0432\u043e\u0434\u0438\u0442\u0435\u043b\u044f \u043d\u0435 \u043e\u0431\u043d\u0430\u0440\u0443\u0436\u0435\u043d\u044b; \u0433\u043b\u0443\u0431\u0438\u043d\u0430 \u0440\u0435\u0437\u044c\u0431\u044b \u0438 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440 \u0440\u0443\u0447\u043d\u043e\u0439 \u0440\u0430\u0431\u043e\u0442\u044b \u0443\u043a\u0430\u0437\u044b\u0432\u0430\u044e\u0442 \u043d\u0430 \u043f\u0440\u043e\u0438\u0441\u0445\u043e\u0436\u0434\u0435\u043d\u0438\u0435 \u0438\u0437 \u0440\u0435\u043c\u0435\u0441\u043b\u0435\u043d\u043d\u043e\u0439 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u043e\u0439, \u0442\u0438\u043f\u0438\u0447\u043d\u043e\u0439 \u0434\u043b\u044f \u043f\u0440\u043e\u0438\u0437\u0432\u043e\u0434\u0441\u0442\u0432\u0430 \u0440\u0435\u0437\u043d\u044b\u0445 \u0437\u0435\u0440\u043a\u0430\u043b \u0432 \u0441\u0442\u0438\u043b\u0435 \u0431\u0430\u0440\u043e\u043a\u043a\u043e \u0441\u0435\u0440\u0435\u0434\u0438\u043d\u044b \u0438 \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u044b XX \u0432\u0435\u043a\u0430, \u043d\u0435\u0440\u0435\u0434\u043a\u043e \u0441\u0432\u044f\u0437\u0430\u043d\u043d\u043e\u0439 \u0441\u043e \u0441\u0440\u0435\u0434\u0438\u0437\u0435\u043c\u043d\u043e\u043c\u043e\u0440\u0441\u043a\u043e\u0439, \u0432 \u0447\u0430\u0441\u0442\u043d\u043e\u0441\u0442\u0438 \u0438\u0442\u0430\u043b\u044c\u044f\u043d\u0441\u043a\u043e\u0439, \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0435\u0439 \u0440\u0435\u0437\u044c\u0431\u044b \u043f\u043e \u0434\u0435\u0440\u0435\u0432\u0443. \u0422\u0430\u043a\u0430\u044f \u0433\u043b\u0443\u0431\u0438\u043d\u0430 \u0438 \u043e\u0431\u044a\u0451\u043c \u0440\u0443\u0447\u043d\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u044b, \u0432 \u043e\u0442\u043b\u0438\u0447\u0438\u0435 \u043e\u0442 \u043b\u0438\u0442\u044b\u0445 \u0438\u043b\u0438 \u043f\u0440\u0435\u0441\u0441\u043e\u0432\u0430\u043d\u043d\u044b\u0445 \u0438\u043c\u0438\u0442\u0430\u0446\u0438\u0439, \u0441\u0435\u0433\u043e\u0434\u043d\u044f \u0432\u0441\u0442\u0440\u0435\u0447\u0430\u044e\u0442\u0441\u044f \u0440\u0435\u0436\u0435 \u2014 \u043e\u043d\u0438 \u0442\u0440\u0435\u0431\u0443\u044e\u0442 \u0437\u043d\u0430\u0447\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u0442\u0432\u0430 \u0438 \u0432\u0440\u0435\u043c\u0435\u043d\u0438, \u0438 \u043f\u043e\u0434\u043e\u0431\u043d\u044b\u0435 \u0432\u0435\u0449\u0438 \u0432\u0441\u0451 \u0447\u0430\u0449\u0435 \u0437\u0430\u043c\u0435\u043d\u044f\u044e\u0442\u0441\u044f \u043f\u0440\u043e\u043c\u044b\u0448\u043b\u0435\u043d\u043d\u044b\u043c\u0438 \u0430\u043d\u0430\u043b\u043e\u0433\u0430\u043c\u0438.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u0417\u0435\u0440\u043a\u0430\u043b\u043e \u0445\u043e\u0440\u043e\u0448\u043e \u043f\u043e\u0434\u0445\u043e\u0434\u0438\u0442 \u0434\u043b\u044f \u043f\u0440\u0438\u0445\u043e\u0436\u0435\u0439, \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0430 \u043d\u0430\u0434 \u043a\u043e\u043c\u043e\u0434\u043e\u043c, \u043b\u0435\u0441\u0442\u043d\u0438\u0447\u043d\u043e\u0433\u043e \u0445\u043e\u043b\u043b\u0430 \u0438\u043b\u0438 \u0433\u043e\u0441\u0442\u0438\u043d\u043e\u0439, \u0433\u0434\u0435 \u0440\u0435\u043b\u044c\u0435\u0444 \u0440\u0435\u0437\u044c\u0431\u044b \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0440\u0430\u0441\u043a\u0440\u044b\u0432\u0430\u0435\u0442\u0441\u044f \u043f\u0440\u0438 \u0431\u043e\u043a\u043e\u0432\u043e\u043c \u043e\u0441\u0432\u0435\u0449\u0435\u043d\u0438\u0438.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u0420\u0435\u0437\u044c\u0431\u0430 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u0445\u043e\u0440\u043e\u0448\u0435\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438, \u0441 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u0438\u0433\u0440\u043e\u0439 \u0442\u0435\u043a\u0441\u0442\u0443\u0440\u044b \u0434\u0435\u0440\u0435\u0432\u0430 \u0438 \u043d\u0435\u0437\u043d\u0430\u0447\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u043c\u0438 \u0441\u043b\u0435\u0434\u0430\u043c\u0438 \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u043e\u0432\u0430\u043d\u0438\u044f, \u043d\u0435 \u0432\u043b\u0438\u044f\u044e\u0449\u0438\u043c\u0438 \u043d\u0430 \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u044e; \u0437\u0435\u0440\u043a\u0430\u043b\u044c\u043d\u043e\u0435 \u0441\u0442\u0435\u043a\u043b\u043e \u0447\u0438\u0441\u0442\u043e\u0435. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong><em>\u0421\u043d\u0438\u043c\u043e\u043a \u044d\u043f\u043e\u0445\u0438 \u0431\u0430\u0440\u043e\u043a\u043a\u043e<\/em> &#8211; <em>\u0414\u0436\u043e\u0432\u0430\u043d\u043d\u0438 \u0411\u043e\u043b\u044c\u0434\u0438\u043d\u0438 (Giovanni Boldini)<\/em>:<\/strong> <em>\u0423\u0442\u0440\u0435\u043d\u043d\u0438\u0439 \u0441\u0432\u0435\u0442 \u043a\u043e\u0441\u043e \u043b\u044c\u0451\u0442\u0441\u044f \u0432 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u0443\u044e \u0441\u043a\u0432\u043e\u0437\u044c \u0432\u044b\u0441\u043e\u043a\u043e\u0435 \u043e\u043a\u043d\u043e, \u0438 \u043e\u043d \u043d\u0430 \u043c\u0438\u0433 \u043e\u0442\u043a\u043b\u0430\u0434\u044b\u0432\u0430\u0435\u0442 \u043a\u0438\u0441\u0442\u044c, \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u044f \u0432\u0437\u0433\u043b\u044f\u0434 \u043d\u0430 \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u044c \u0437\u0435\u0440\u043a\u0430\u043b\u0430, \u043f\u0440\u0435\u0436\u0434\u0435 \u0447\u0435\u043c \u0432\u043d\u043e\u0432\u044c \u0432\u0435\u0440\u043d\u0443\u0442\u044c\u0441\u044f \u043a \u0445\u043e\u043b\u0441\u0442\u0443. \u0420\u0435\u0437\u043d\u043e\u0439 \u0440\u0435\u043b\u044c\u0435\u0444 \u043e\u0442\u0431\u0440\u0430\u0441\u044b\u0432\u0430\u0435\u0442 \u043d\u0430 \u0441\u0442\u0435\u043a\u043b\u043e \u0433\u043b\u0443\u0431\u043e\u043a\u0438\u0435, \u043f\u043e\u0434\u0432\u0438\u0436\u043d\u044b\u0435 \u0442\u0435\u043d\u0438, \u0438 \u0440\u0443\u043a\u0430, \u0442\u043e\u043b\u044c\u043a\u043e \u0447\u0442\u043e \u043a\u0430\u0441\u0430\u0432\u0448\u0430\u044f\u0441\u044f \u043a\u0438\u0441\u0442\u0438, \u043d\u0430 \u0441\u0435\u043a\u0443\u043d\u0434\u0443 \u0437\u0430\u043c\u0438\u0440\u0430\u0435\u0442 \u0432 \u0432\u043e\u0437\u0434\u0443\u0445\u0435. \u0417\u0430\u043f\u0430\u0445 \u0441\u0442\u0440\u0443\u0436\u043a\u0438 \u0432 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u043e\u0439 \u0441\u043c\u0435\u0448\u0438\u0432\u0430\u0435\u0442\u0441\u044f \u0441 \u0440\u0435\u0437\u043a\u043e\u0441\u0442\u044c\u044e \u0441\u043a\u0438\u043f\u0438\u0434\u0430\u0440\u0430 \u2014 \u0434\u0432\u0435 \u0440\u0435\u043c\u0435\u0441\u043b\u0435\u043d\u043d\u044b\u0435 \u0441\u0442\u0438\u0445\u0438\u0438 \u0432\u0441\u0442\u0440\u0435\u0447\u0430\u044e\u0442\u0441\u044f \u0437\u0434\u0435\u0441\u044c. \u0427\u0442\u043e-\u0442\u043e \u0432 \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u0438\u0438, \u0432\u0438\u0434\u0435\u043d\u043d\u043e\u043c \u0442\u044b\u0441\u044f\u0447\u0438 \u0440\u0430\u0437, \u0432\u0434\u0440\u0443\u0433 \u043a\u0430\u0436\u0435\u0442\u0441\u044f \u0438\u043d\u044b\u043c, \u0438 \u043e\u043d \u0445\u043c\u0443\u0440\u0438\u0442\u0441\u044f, \u043f\u044b\u0442\u0430\u044f\u0441\u044c \u043f\u043e\u043d\u044f\u0442\u044c, \u0447\u0442\u043e \u0438\u043c\u0435\u043d\u043d\u043e \u0438\u0437\u043c\u0435\u043d\u0438\u043b\u043e\u0441\u044c. \u0412 \u0434\u0432\u0435\u0440\u044c \u0432\u0445\u043e\u0434\u0438\u0442 \u043f\u043e\u043c\u043e\u0449\u043d\u0438\u043a \u0441 \u043d\u043e\u0432\u044b\u043c \u043f\u043e\u0434\u0440\u0430\u043c\u043d\u0438\u043a\u043e\u043c, \u0438 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u0443\u0433\u0430\u0441\u0430\u0435\u0442, \u043d\u0435\u0432\u044b\u0441\u043a\u0430\u0437\u0430\u043d\u043d\u044b\u043c.<\/em><\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddec\ud83c\udde7 <strong>EN<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Dimensions:<br \/>\nHeight \u2014 92.5 cm<br \/>\nWidth \u2014 ~57 cm<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Carved Wood Oval Mirror in Baroque Style<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">This medium-sized <strong>carved wood oval mirror<\/strong> is framed entirely in hand-executed woodcarving \u2014 acanthus leaves, spiralling scrolls, and shell (rocaille) motifs unfold in the ornamental vocabulary typical of the Baroque. Unlike many mirrors of this style, the frame has been deliberately left ungilded: the warm walnut tone and natural grain of the wood remain the primary expressive element, letting the carver&#8217;s skill speak without the mediation of gold leaf.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">This <strong>carved wood oval mirror<\/strong> was made in the second half of the 20th century as a continuation of the Baroque woodcarving tradition, and it makes no claim to period authenticity as an antique original. No maker&#8217;s mark or clear workshop stamp could be identified; the depth of the carving and the character of the handwork point to an artisan workshop typical of Baroque-style carved mirror production in the mid-to-late 20th century, often associated with Mediterranean \u2014 and particularly Italian \u2014 woodcarving traditions. Carving of this depth and volume, executed by hand rather than cast or pressed from a mould, is increasingly uncommon today, since it demands considerable skill and time that industrial reproductions no longer require.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">This <strong>carved wood oval mirror<\/strong> suits an entrance hall, the space above a chest of drawers, a stairwell, or a living room, where raking light lets the full relief of the carving come alive.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">The carving is in good condition, with a natural play of wood grain and only minor signs of handling that do not affect the structure; the mirror glass itself is clear. The condition of the piece is fully shown in the photographs.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong><em>Baroque-era snapshot<\/em> &#8211; <em>Giovanni Boldini (Giovanni Boldini)<\/em>:<\/strong> <em>Morning light slants into the studio through the tall window, and for a moment he sets down his brush, turning his eyes toward the mirrored surface before returning to the canvas. The carved relief throws deep, shifting shadows across the glass, and the hand that had just touched the brush pauses briefly in the air. The smell of wood shavings mingles with the sharpness of turpentine \u2014 two crafts meeting in the same room. Something in the reflection, seen a thousand times before, suddenly seems different, and he frowns, trying to place what has changed. An assistant enters with a fresh stretcher frame, and the moment dissolves, unspoken.<\/em><\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\udde9\ud83c\uddea <strong>DE<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Ma\u00dfe:<br \/>\nH\u00f6he \u2014 92,5 cm<br \/>\nBreite \u2014 ~57 cm<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Ovaler Spiegel mit Holzschnitzerei im Barockstil<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Dieser mittelgro\u00dfe Spiegel mit tiefem, handgeschnitztem Rahmen vereint Akanthusbl\u00e4tter, spiralf\u00f6rmige Voluten und muschelartige Rocaille-Motive im typischen Formenvokabular des Barock. Anders als viele Spiegel dieses Stils blieb der Rahmen bewusst ungoldet: Der warme Nussbaumton und die nat\u00fcrliche Maserung des Holzes bleiben das eigentliche Ausdrucksmittel und lassen die Handwerkskunst des Schnitzers ohne den Umweg \u00fcber Blattgold sprechen. Entstanden ist das St\u00fcck in der zweiten H\u00e4lfte des 20. Jahrhunderts als Fortf\u00fchrung der barocken Schnitztradition, ohne Anspruch auf historische Originalit\u00e4t. Eine Hersteller- oder Werkstattmarke ist nicht eindeutig feststellbar; die Tiefe der Schnitzerei und der Charakter der Handarbeit deuten auf eine Kunsthandwerkstatt hin, wie sie f\u00fcr die Produktion barocker Schnitzspiegel Mitte bis Ende des 20. Jahrhunderts typisch war. Der Spiegel eignet sich f\u00fcr den Flur, den Bereich \u00fcber einer Kommode, das Treppenhaus oder das Wohnzimmer, wo Streiflicht das volle Relief zur Geltung bringt. Die Schnitzerei ist in gutem Zustand, mit nat\u00fcrlichem Spiel der Holzmaserung und nur geringen Gebrauchsspuren; das Spiegelglas ist klar. Der Zustand des Objekts ist vollst\u00e4ndig auf den Fotografien dokumentiert.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong><em>Momentaufnahme der Barockzeit<\/em> &#8211; <em>Giovanni Boldini (Giovanni Boldini)<\/em>:<\/strong> <em>Morgenlicht f\u00e4llt schr\u00e4g durch das hohe Atelierfenster, und f\u00fcr einen Moment legt er den Pinsel beiseite, sein Blick wandert zur Spiegelfl\u00e4che, ehe er sich wieder der Leinwand zuwendet. Das geschnitzte Relief wirft tiefe, bewegte Schatten auf das Glas, und die Hand, die eben noch den Pinsel ber\u00fchrte, verharrt kurz in der Luft. Der Geruch von Holzsp\u00e4nen mischt sich mit der Sch\u00e4rfe des Terpentins \u2014 zwei Handwerke begegnen sich hier. Etwas an der tausendfach gesehenen Spiegelung scheint pl\u00f6tzlich anders, und er runzelt die Stirn, um zu begreifen, was sich ver\u00e4ndert hat. Ein Gehilfe tritt mit einem neuen Keilrahmen ein, und der Moment verklingt, unausgesprochen.<\/em><\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddeb\ud83c\uddf7 <strong>FR<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Dimensions :<br \/>\nHauteur \u2014 92,5 cm<br \/>\nLargeur \u2014 ~57 cm<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Miroir ovale en bois sculpt\u00e9 de style baroque<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Ce miroir mural de taille moyenne est enti\u00e8rement encadr\u00e9 d&#8217;un bois sculpt\u00e9 \u00e0 la main \u2014 feuilles d&#8217;acanthe, volutes en spirale et motifs de coquille (rocaille) se d\u00e9ploient dans le langage ornemental propre au baroque. Contrairement \u00e0 beaucoup de miroirs de ce style, le cadre est d\u00e9lib\u00e9r\u00e9ment rest\u00e9 non dor\u00e9 : la teinte noyer chaleureuse et le veinage naturel du bois demeurent l&#8217;\u00e9l\u00e9ment expressif principal, laissant s&#8217;exprimer le savoir-faire du sculpteur sans la m\u00e9diation de la feuille d&#8217;or. R\u00e9alis\u00e9 dans la seconde moiti\u00e9 du XXe si\u00e8cle en continuit\u00e9 de la tradition du bois sculpt\u00e9 baroque, cet objet ne pr\u00e9tend pas \u00e0 l&#8217;authenticit\u00e9 d&#8217;un original d&#8217;\u00e9poque. Aucune marque de fabricant ou d&#8217;atelier n&#8217;est clairement identifiable ; la profondeur de la sculpture \u00e9voque un atelier artisanal typique de la production de miroirs sculpt\u00e9s baroques du milieu et de la seconde moiti\u00e9 du XXe si\u00e8cle, souvent associ\u00e9e \u00e0 la tradition m\u00e9diterran\u00e9enne, notamment italienne. Ce miroir trouve naturellement sa place dans une entr\u00e9e, au-dessus d&#8217;une commode, dans une cage d&#8217;escalier ou un salon, o\u00f9 la lumi\u00e8re rasante r\u00e9v\u00e8le pleinement le relief. La sculpture est en bon \u00e9tat, avec un jeu naturel du veinage et de l\u00e9g\u00e8res traces d&#8217;usage ; le verre du miroir est clair. L&#8217;\u00e9tat de l&#8217;objet est enti\u00e8rement visible sur les photographies.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong><em>Instantan\u00e9 de l&#8217;\u00e9poque baroque<\/em> &#8211; <em>Giovanni Boldini (Giovanni Boldini)<\/em>\u00a0:<\/strong> <em>La lumi\u00e8re du matin traverse l&#8217;atelier en biais par la haute fen\u00eatre, et un instant, il pose son pinceau, le regard tourn\u00e9 vers la surface du miroir avant de revenir \u00e0 la toile. Le relief sculpt\u00e9 projette sur le verre des ombres profondes et mouvantes, et la main qui venait de toucher le pinceau s&#8217;immobilise un bref instant dans l&#8217;air. L&#8217;odeur des copeaux de bois se m\u00eale \u00e0 l&#8217;\u00e2cret\u00e9 de la t\u00e9r\u00e9benthine \u2014 deux artisanats se croisent ici. Quelque chose dans ce reflet vu mille fois semble soudain diff\u00e9rent, et il fronce les sourcils, cherchant \u00e0 comprendre ce qui a chang\u00e9. Un assistant entre avec un nouveau ch\u00e2ssis, et l&#8217;instant s&#8217;efface, rest\u00e9 sans mots.<\/em><\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\udde9\ud83c\uddf0 <strong>DK<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">M\u00e5l:<br \/>\nH\u00f8jde \u2014 92,5 cm<br \/>\nBredde \u2014 ~57 cm<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Ovalt tr\u00e6sk\u00e5ret spejl i barokstil<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Dette mellemstore v\u00e6gspejl har en ramme, der udelukkende er formet i h\u00e5ndudsk\u00e5ret tr\u00e6 \u2014 akantusblade, spiralsnoede voluter og muslingemotiver (rocaille) folder sig ud i barokkens ornamentsprog. Modsat mange spejle i denne stil er rammen bevidst ikke forgyldt: den varme valn\u00f8ddetone og tr\u00e6ets naturlige \u00e5ring forbliver det prim\u00e6re udtryksmiddel. Spejlet er fremstillet i anden halvdel af det 20. \u00e5rhundrede som en videref\u00f8relse af den barokke tr\u00e6sk\u00e6retradition og g\u00f8r ikke krav p\u00e5 historisk \u00e6gthed. Der er ikke fundet nogen tydelig producent- eller v\u00e6rkstedsm\u00e6rkning; udsk\u00e6ringens dybde peger p\u00e5 et h\u00e5ndv\u00e6rksv\u00e6rksted, typisk for produktionen af barokke tr\u00e6spejle midt i og i anden halvdel af det 20. \u00e5rhundrede, ofte forbundet med den italienske tr\u00e6sk\u00e6retradition. Spejlet passer i entr\u00e9en, over en kommode, i trapperummet eller stuen, hvor strejflys lader udsk\u00e6ringens fulde relief folde sig ud. Udsk\u00e6ringen er i god stand med naturligt spil i tr\u00e6ets \u00e5ring og kun mindre brugsspor; spejlglasset er klart. Genstandens tilstand er fuldt ud gengivet p\u00e5 fotografierne.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong><em>\u00d8jebliksbillede fra barokken<\/em> &#8211; <em>Giovanni Boldini (Giovanni Boldini)<\/em>:<\/strong> <em>Morgenlyset falder skr\u00e5t ind i atelieret gennem det h\u00f8je vindue, og et \u00f8jeblik l\u00e6gger han penslen fra sig, mens blikket s\u00f8ger mod spejlets overflade, f\u00f8r han igen vender sig mod l\u00e6rredet. Det udsk\u00e5rne relief kaster dybe, bev\u00e6gelige skygger over glasset, og h\u00e5nden, der lige r\u00f8rte penslen, standser kort i luften. Duften af tr\u00e6sp\u00e5ner blander sig med terpentinens skarphed \u2014 to h\u00e5ndv\u00e6rk m\u00f8des her. Noget ved spejlbilledet, set tusind gange f\u00f8r, synes pludselig anderledes, og han rynker panden for at forst\u00e5, hvad der er \u00e6ndret. En assistent tr\u00e6der ind med en ny blindramme, og \u00f8jeblikket forsvinder, usagt.<\/em><\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddf8\ud83c\uddea <strong>SWE<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">M\u00e5tt:<br \/>\nH\u00f6jd \u2014 92,5 cm<br \/>\nBredd \u2014 ~57 cm<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Ovalspegel med tr\u00e4snideri i barockstil<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Denna medelstora v\u00e4ggspegel har en ram som helt formats i handsnidat tr\u00e4 \u2014 akantusblad, spiralformade voluter och musselmotiv (rocaille) veckas fram i barockens ornamentspr\u00e5k. Till skillnad fr\u00e5n m\u00e5nga speglar i denna stil har ramen medvetet l\u00e4mnats of\u00f6rgylld: den varma valn\u00f6tstonen och tr\u00e4ets naturliga \u00e5dring f\u00f6rblir det fr\u00e4msta uttrycksmedlet. Spegeln \u00e4r tillverkad under andra h\u00e4lften av 1900-talet som en forts\u00e4ttning p\u00e5 den barocka tr\u00e4snideritraditionen och g\u00f6r inte anspr\u00e5k p\u00e5 historisk \u00e4kthet. Ingen tydlig tillverkar- eller verkstadsm\u00e4rkning har hittats; snideriets djup pekar mot en hantverksverkstad, typisk f\u00f6r tillverkningen av barocka tr\u00e4speglar under mitten och andra h\u00e4lften av 1900-talet, ofta f\u00f6rknippad med den italienska tr\u00e4snideritraditionen. Spegeln passar i hallen, ovanf\u00f6r en byr\u00e5, i trapphuset eller vardagsrummet, d\u00e4r strilande sidoljus l\u00e5ter snideriets fulla relief komma till sin r\u00e4tt. Snideriet \u00e4r i gott skick, med naturligt spel i tr\u00e4ets \u00e5dring och endast sm\u00e4rre brukstecken; spegelglaset \u00e4r klart. F\u00f6rem\u00e5lets skick \u00e5terges fullst\u00e4ndigt p\u00e5 fotografierna.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong><em>\u00d6gonblicksbild fr\u00e5n barocken<\/em> &#8211; <em>Giovanni Boldini (Giovanni Boldini)<\/em>:<\/strong>\u00a0<em>Morgonljuset faller snett in i atelj\u00e9n genom det h\u00f6ga f\u00f6nstret, och ett \u00f6gonblick l\u00e4gger han ner penseln, blicken vandrar mot spegelns yta innan den \u00e5terv\u00e4nder till duken. Det snidade reliefet kastar djupa, r\u00f6rliga skuggor \u00f6ver glaset, och handen som just r\u00f6rt penseln stannar hastigt i luften. Doften av tr\u00e4sp\u00e5n blandas med terpentinets sk\u00e4rpa \u2014 tv\u00e5 hantverk m\u00f6ts h\u00e4r. N\u00e5got i spegelbilden, sedd tusen g\u00e5nger f\u00f6rr, tycks pl\u00f6tsligt annorlunda, och han rynkar pannan f\u00f6r att f\u00f6rst\u00e5 vad som \u00e4ndrats. En medhj\u00e4lpare tr\u00e4der in med en ny blindram, och \u00f6gonblicket f\u00f6rflyktigas, outtalat.<\/em><\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddf3\ud83c\uddf4 <strong>NOR<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">M\u00e5l:<br \/>\nH\u00f8yde \u2014 92,5 cm<br \/>\nBredde \u2014 ~57 cm<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Ovalt tresk\u00e5ret speil i barokkstil<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Dette mellomstore veggspeilet har en ramme utformet utelukkende i h\u00e5ndsk\u00e5ret tre \u2014 akantusblader, spiralformede voluter og skjellmotiver (rocaille) folder seg ut i barokkens ornamentspr\u00e5k. I motsetning til mange speil i denne stilen er rammen bevisst latt uforgylt: den varme valn\u00f8ttonen og treets naturlige \u00e5ring forblir det prim\u00e6re uttrykksmiddelet. Speilet er laget i andre halvdel av 1900-tallet som en videref\u00f8ring av den barokke treskj\u00e6retradisjonen, og gj\u00f8r ikke krav p\u00e5 historisk autentisitet. Ingen tydelig produsent- eller verkstedmerking er funnet; utskj\u00e6ringens dybde peker mot et h\u00e5ndverksverksted, typisk for produksjonen av barokke tresk\u00e5rne speil p\u00e5 midten og i andre halvdel av 1900-tallet, ofte forbundet med den italienske treskj\u00e6retradisjonen. Speilet passer i entreen, over en kommode, i trapperommet eller stuen, der str\u00f8kent lys lar utskj\u00e6ringens fulle relieff komme til sin rett. Utskj\u00e6ringen er i god stand, med naturlig spill i treets \u00e5ring og kun mindre bruksspor; speilglasset er klart. Gjenstandens tilstand er fullstendig gjengitt p\u00e5 fotografiene.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong><em>\u00d8yeblikksbilde fra barokken<\/em> &#8211; <em>Giovanni Boldini (Giovanni Boldini)<\/em>:<\/strong> <em>Morgenlyset faller skr\u00e5tt inn i atelieret gjennom det h\u00f8ye vinduet, og et \u00f8yeblikk legger han penselen fra seg, blikket vandrer mot speilflaten f\u00f8r det vender tilbake til lerretet. Det utsk\u00e5rne relieffet kaster dype, bevegelige skygger over glasset, og h\u00e5nden som nettopp r\u00f8rte penselen stanser kort i luften. Duften av trespon blander seg med terpentinens skarphet \u2014 to h\u00e5ndverk m\u00f8tes her. Noe ved speilbildet, sett tusen ganger f\u00f8r, synes plutselig annerledes, og han rynker pannen for \u00e5 forst\u00e5 hva som er endret. En assistent trer inn med en ny blindramme, og \u00f8yeblikket forsvinner, usagt.<\/em><\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddeb\ud83c\uddee <strong>FIN<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Mitat:<br \/>\nKorkeus \u2014 92,5 cm<br \/>\nLeveys \u2014 ~57 cm<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Soikea k\u00e4sinveistetty peili barokkityyliin<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">T\u00e4m\u00e4n keskikokoisen sein\u00e4peilin kehys on muotoiltu kokonaan k\u00e4sin veistetyst\u00e4 puusta \u2014 akantuksenlehdet, kierteiset volyytit ja simpukkamotiivit (rocaille) polveilevat barokille ominaisessa koristeellisessa muotokieless\u00e4. Toisin kuin monissa t\u00e4m\u00e4n tyylin peileiss\u00e4, kehys on tietoisesti j\u00e4tetty kultaamatta: l\u00e4mmin p\u00e4hkin\u00e4puun s\u00e4vy ja puun luonnollinen syykuvio s\u00e4ilyv\u00e4t p\u00e4\u00e4asiallisena ilmaisukeinona. Peili on valmistettu 1900-luvun j\u00e4lkipuoliskolla barokin puunveistoperinteen jatkumona, eik\u00e4 se v\u00e4it\u00e4 olevansa aikakauden alkuper\u00e4iskappale. Selke\u00e4\u00e4 valmistajan tai verstaan merkki\u00e4 ei ole l\u00f6ydett\u00e4viss\u00e4; veiston syvyys viittaa k\u00e4sity\u00f6verstaaseen, joka oli tyypillinen barokkityylisten puuveistospeilien tuotannolle 1900-luvun puoliv\u00e4liss\u00e4 ja j\u00e4lkipuoliskolla, usein yhdistettyn\u00e4 italialaiseen puunveistoperinteeseen. Peili sopii eteiseen, lipaston yl\u00e4puolelle, porrask\u00e4yt\u00e4v\u00e4\u00e4n tai olohuoneeseen, jossa viisto valo tuo veiston koko reliefin esiin. Veisto on hyv\u00e4ss\u00e4 kunnossa, puun syykuvion luonnollisine vaihteluineen ja vain v\u00e4h\u00e4isin k\u00e4yt\u00f6n j\u00e4lkinen; peilin lasi on kirkas. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong><em>Tunnelma barokin ajalta<\/em> &#8211; <em>Giovanni Boldini (Giovanni Boldini)<\/em>:<\/strong> <em>Aamun valo lankeaa vinosti ateljeehen korkean ikkunan l\u00e4pi, ja hetkeksi h\u00e4n laskee siveltimen k\u00e4sist\u00e4\u00e4n, katse siirtyy peilin pintaan ennen kuin palaa taas kankaalle. Veistetty reliefi heitt\u00e4\u00e4 lasille syvi\u00e4, liikkuvia varjoja, ja k\u00e4si, joka juuri kosketti sivellint\u00e4, pys\u00e4htyy hetkeksi ilmaan. Puulastujen tuoksu sekoittuu t\u00e4rp\u00e4tin ter\u00e4vyyteen \u2014 kaksi k\u00e4sity\u00f6taitoa kohtaa t\u00e4\u00e4ll\u00e4. Jokin tuhat kertaa n\u00e4hdyss\u00e4 peilikuvassa tuntuu yht\u00e4kki\u00e4 toiselta, ja h\u00e4n rypist\u00e4\u00e4 kulmiaan yritt\u00e4en ymm\u00e4rt\u00e4\u00e4, mik\u00e4 on muuttunut. Avustaja astuu sis\u00e4\u00e4n uuden kehyksen kanssa, ja hetki haihtuu, sanomattomana.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vid\u0113ja izm\u0113ra mas\u012bvkoka spogulis ar bag\u0101t\u012bgu, roku darin\u0101tu akanta lapu un vol\u016btu kokgriezumu baroka stil\u0101. Dab\u012bgs koka tonis bez zelt\u012bjuma \u2014 izteiksm\u012bgs akcents priek\u0161telpai, k\u0101p\u0146u telpai vai salonam.<\/p>\n","protected":false},"featured_media":39411,"template":"","meta":[],"product_brand":[],"product_cat":[210,224,204],"product_tag":[850,849,437,848,847,855,856,846,853,852,851,854],"class_list":["post-39410","product","type-product","status-publish","has-post-thumbnail","product_cat-spoguli","product_cat-spoguli-spoguli","product_cat-visas-lietas","product_tag-acanthus-scroll","product_tag-akanta-lapas","product_tag-baroka-stils","product_tag-baroque-style","product_tag-carved-wood-mirror","product_tag-florencisu-darbs","product_tag-hand-carved-wall-decor","product_tag-kokgriezuma-spogulis","product_tag-masivkoks","product_tag-oval-mirror","product_tag-ovals-spogulis","product_tag-solid-wood","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/39410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/39411"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=39410"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=39410"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=39410"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=39410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}