{"id":36247,"date":"2025-07-01T15:57:58","date_gmt":"2025-07-01T12:57:58","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=36247"},"modified":"2026-09-08T02:29:50","modified_gmt":"2026-09-07T23:29:50","slug":"5787","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5787\/","title":{"rendered":"Grezna bronzas vitr\u012bna ar sfinks\u0101m un za\u013co marmoru \u2014 Napol\u00e9on III stil\u0101 (Rare Napoleon III Bronze Display Cabinet with Sphinx Mounts and Green Marble) (5787)"},"content":{"rendered":"<p data-path-to-node=\"14\">\ud83c\uddf1\ud83c\uddfb Izm\u0113ri: Augstums 130 cm \u00d7 platums 50,5 cm \u00d7 dzi\u013cums 25 cm<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Grezna bronzas vitr\u012bna ar sfinks\u0101m un za\u013co marmoru \u2014 Napol\u00e9on III stil\u0101<\/b><\/p>\n<p data-path-to-node=\"16\">\u0160\u012b izsmalcin\u0101t\u0101 stikla vitr\u012bna uz skulptur\u0101la postamenta pieder tam aug\u013cotajam laikmetam, kad Neoklasicisms un <i data-path-to-node=\"16\" data-index-in-node=\"111\">Second Empire<\/i> stils sasniedza savu kulminaciju Francij\u0101 \u2014 Napoleona III vald\u012b\u0161anas laik\u0101 un t\u016bl\u012bt p\u0113c tam. Tie\u0161i \u0161aj\u0101 period\u0101 <i data-path-to-node=\"16\" data-index-in-node=\"237\">haute bourgeoisie<\/i> un aristokr\u0101tija pas\u016bt\u012bja reprezentat\u012bvas vitr\u012bnas un <i data-path-to-node=\"16\" data-index-in-node=\"309\">\u00e9tag\u00e8res<\/i> d\u0101rglietu, porcel\u0101na miniat\u016bru un kolekcion\u0101ru priek\u0161metu izst\u0101d\u012b\u0161anai. Priek\u0161mets apvieno <i data-path-to-node=\"16\" data-index-in-node=\"409\">Empire<\/i> stila stingr\u012bbu un simetriju ar Neoklasicisma bag\u0101t\u012bgo ornamentikas valodu \u2014 sfinksu fig\u016bras st\u016bros ir tie\u0161a atsauce uz Napoleona \u0112\u0123iptes kampa\u0146as iedvesmoto <i data-path-to-node=\"16\" data-index-in-node=\"574\">style retour d\u2019\u00c9gypte<\/i> modi, kas Francij\u0101 saglab\u0101j\u0101s vis\u0101 19. gadsimt\u0101. Starp <i data-path-to-node=\"16\" data-index-in-node=\"651\">Second Empire<\/i> greznumu un eklektikas teatralit\u0101ti \u0161is objekts ir abu dialogs: klasisma discipl\u012bna un romantikas jutekl\u012bgums \u0161eit sadz\u012bvo vien\u0101 t\u0113l\u0101.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\"><i data-path-to-node=\"17\" data-index-in-node=\"0\">Liter\u0101rais momentuz\u0146\u0113mums, Stefana Malarm\u0113 (St\u00e9phane Mallarm\u00e9) simbolisma salons Par\u012bz\u0113:<\/i><\/b> <i data-path-to-node=\"17\" data-index-in-node=\"89\">Otrdienas vakara puskr\u0113sla dzejnieka salon\u0101 Romas iel\u0101 l\u0113ni klied\u0113ja dienas trok\u0161\u0146us, un telp\u0101 iest\u0101j\u0101s svin\u012bgs, gandr\u012bz mistisks klusums. Gais\u0101 virmoja d\u0101rga tabakas d\u016bmu, veca pap\u012bra un tikko grieztu liliju arom\u0101ts, kam\u0113r sve\u010du gaismas tr\u012bco\u0161ie stari rota\u013c\u0101j\u0101s telpas st\u016bros. Tur, starp smagajiem samta aizkariem, k\u0101 cildens un nosl\u0113pumains monuments sl\u0113j\u0101s \u0161aura, augsta zelt\u012btas bronzas vitr\u012bna, kuras za\u013c\u0101 marmora pamatne un stiklotais korpuss \u0161\u0137ita glab\u0101jam nevis vienk\u0101r\u0161as lietas, bet gan pa\u0161as dzejas un gaisto\u0161o sap\u0146u materi\u0101lo formu.<\/i><\/p>\n<p data-path-to-node=\"18\"><i data-path-to-node=\"18\" data-index-in-node=\"0\">Malarm\u0113 l\u0113ni pieg\u0101ja pie dzidr\u0101 stikla, aiz kura uz diviem trausliem plauktiem, roz\u0101 z\u012bda kapiton\u0113 polster\u0113juma ieskautas, dusa retas d\u0101rglietas un ant\u012bkas miniat\u016bras. Zelt\u012bt\u0101s sfinksu fig\u016bras r\u0101mja st\u016bros ar saviem vilt\u012bgajiem un m\u012btiskajiem sejas vaibstiem klusi raudz\u012bj\u0101s telp\u0101, it k\u0101 sarg\u0101tu k\u0101du apsl\u0113ptu, v\u0113l neuzrakst\u012btu simbolisma sonetu. \u0160aj\u0101 mirkl\u012b gaismas un \u0113nu sasp\u0113le starp spodro met\u0101lu un za\u013c\u0101 akmens dz\u012bsl\u0101m rad\u012bja absol\u016btas piln\u012bbas un vizu\u0101las harmonijas il\u016bziju, padarot \u0161o objektu par m\u0101kslas darbu, kas st\u0101v p\u0101ri laika nepiel\u016bdzamajam skr\u0113jienam.<\/i><\/p>\n<p data-path-to-node=\"19\"><i data-path-to-node=\"19\" data-index-in-node=\"0\">Vitr\u012bnas skulptur\u0101lais postaments, rot\u0101ts ar smag\u0101m lauru lapu v\u012btn\u0113m un gracioziem sievie\u0161u t\u0113liem, stingri balst\u012bja visu konstrukciju uz mas\u012bv\u0101s, pak\u0101pienveida pamatnes. Tas bija kluss, elegants un nevainojams sabiedrotais telp\u0101, kur\u0101 katrs priek\u0161mets tika izv\u0113l\u0113ts ar visaugst\u0101ko est\u0113tisko discipl\u012bnu. \u0160\u012b m\u0113bele nesa sev\u012b to \u012bpa\u0161o, p\u0113ctec\u012bgo Otr\u0101s imp\u0113rijas varen\u012bbas elpu, kur\u0101 klasisk\u0101 simetrija un romantiskais jutekl\u012bgums bija sapl\u016bdu\u0161i vien\u0101 neatk\u0101rtojam\u0101 un m\u016b\u017e\u012bg\u0101 interjera d\u0101rgum\u0101.<\/i><\/p>\n<p data-path-to-node=\"20\">\u0160\u012b \u0101rk\u0101rt\u012bgi ret\u0101 un muzeja m\u0113roga zelt\u012btas bronzas un za\u013c\u0101 marmora vitr\u012bna ir izsmalcin\u0101ts un meistar\u012bgs <b data-path-to-node=\"20\" data-index-in-node=\"106\">20. gadsimta vidus atdarin\u0101jums, kas tapis k\u0101 tie\u0161s un uzticams Napoleona III un Second Empire est\u0113tikas turpin\u0101jums<\/b>. Priek\u0161mets ir struktur\u0101li sadal\u012bts div\u0101s da\u013c\u0101s: aug\u0161\u0113j\u0101 stiklotaj\u0101 vitr\u012bn\u0101 un t\u0113lnieciski izstr\u0101d\u0101t\u0101, smag\u0101 postament\u0101 (k\u0101j\u0101), kas kalpo k\u0101 patst\u0101v\u012bgs m\u0101kslas objekts. Vitr\u012bnas s\u0101nu joslas rot\u0101 unik\u0101li za\u013c\u0101 marmora ielikt\u0146i, bet t\u0101s iek\u0161puse ir iz\u0161\u016bta ar ori\u0123in\u0101lu, roz\u0101 z\u012bda audumu d\u0101rgaj\u0101 fran\u010du <i data-path-to-node=\"20\" data-index-in-node=\"522\">capitonn\u00e9<\/i> (pogu d\u016briena) tehnik\u0101.<\/p>\n<p data-path-to-node=\"21\"><b data-path-to-node=\"21\" data-index-in-node=\"0\">Materi\u0101li un m\u0101ksliniecisk\u0101 v\u0113rt\u012bba<\/b> Skulptur\u0101lo postamentu un vitr\u012bnas korpusu veido augst\u0101k\u0101 l\u0113juma bronza ar ori\u0123in\u0101lu, da\u013c\u0113ji mat\u0113tu un sp\u012bd\u012bgu zelt\u012bjumu (<i data-path-to-node=\"21\" data-index-in-node=\"158\">ormolu<\/i>). \u012apa\u0161u kolekcijas v\u0113rt\u012bbu priek\u0161metam pie\u0161\u0137ir izteiksm\u012bg\u0101s, grie\u0137u\/\u0113\u0123iptie\u0161u manier\u0113 veidot\u0101s sievie\u0161u-sfinksu kr\u016b\u0161ut\u0113lu fig\u016bras, kas kalpo k\u0101 konsoles balsti, un bag\u0101t\u012bgi liet\u0101s lauru lapu un ziedu v\u012btnes (<i data-path-to-node=\"21\" data-index-in-node=\"373\">guirlandes<\/i>), kas apvij pamatni. Postamenta lejasda\u013ca nosl\u0113dzas ar pak\u0101pienveida, mas\u012bvu za\u013c\u0101 marmora pamatni, kas perfekti sabalans\u0113 objekta svaru un sniedz tam nevainojamu stabilit\u0101ti.<\/p>\n<p data-path-to-node=\"22\"><b data-path-to-node=\"22\" data-index-in-node=\"0\">Pielietojums<\/b> Ar saviem elit\u0101rajiem izm\u0113riem (augstums 130 cm) \u0161is priek\u0161mets ir rad\u012bts k\u0101 galvenais fokusa punkts un d\u0101rgumu skapis ekskluz\u012bv\u0101 interjer\u0101. T\u0101 ir ide\u0101li piem\u0113rota retu ant\u012bku d\u0101rglietu, zelta miniat\u016bru, d\u0101rgu smar\u017eu flakonu vai v\u0113sturiska porcel\u0101na ekspon\u0113\u0161anai, ienesot d\u0101mu salon\u0101 vai priv\u0101t\u0101 kolekciju telp\u0101 patiesu Par\u012bzes pils \u0161armu.<\/p>\n<p data-path-to-node=\"23\"><b data-path-to-node=\"23\" data-index-in-node=\"0\">St\u0101voklis<\/b> Vitr\u012bna atrodas teicam\u0101, autentisk\u0101 v\u0113sturisk\u0101 st\u0101vokl\u012b. Bronzas l\u0113jums un zelt\u012bjums ir saglab\u0101jis savu karalisko sp\u012bdumu un dzi\u013cumu, ar pat\u012bkamu un cildenu laika patinu. Za\u013c\u0101 marmora deta\u013cas ir piln\u012bb\u0101 veselas, bez plais\u0101m vai robiem. Stikla plaukti un durti\u0146as darbojas nevainojami, un z\u012bda polster\u0113jums iek\u0161pus\u0113 ir kopts un t\u012brs. Viss vizu\u0101lais un struktur\u0101lais st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"25\">\ud83c\uddf7\ud83c\uddfa \u0420\u0430\u0437\u043c\u0435\u0440\u044b: \u0412\u044b\u0441\u043e\u0442\u0430 130 \u0441\u043c \u00d7 \u0448\u0438\u0440\u0438\u043d\u0430 50,5 \u0441\u043c \u00d7 \u0433\u043b\u0443\u0431\u0438\u043d\u0430 25 \u0441\u043c<\/p>\n<h3 data-path-to-node=\"26\"><b data-path-to-node=\"26\" data-index-in-node=\"0\">\u0420\u043e\u0441\u043a\u043e\u0448\u043d\u0430\u044f \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u0430\u044f \u0432\u0438\u0442\u0440\u0438\u043d\u0430 \u0441\u043e \u0441\u0444\u0438\u043d\u043a\u0441\u0430\u043c\u0438 \u0438 \u0437\u0435\u043b\u0435\u043d\u044b\u043c \u043c\u0440\u0430\u043c\u043e\u0440\u043e\u043c \u2014 \u0432 \u0441\u0442\u0438\u043b\u0435 \u041d\u0430\u043f\u043e\u043b\u0435\u043e\u043d\u0430 III<\/b><\/h3>\n<p data-path-to-node=\"27\">\u042d\u0442\u0430 \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u0430\u044f \u0441\u0442\u0435\u043a\u043b\u044f\u043d\u043d\u0430\u044f \u0432\u0438\u0442\u0440\u0438\u043d\u0430 \u043d\u0430 \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u0443\u0440\u043d\u043e\u043c \u043f\u043e\u0441\u0442\u0430\u043c\u0435\u043d\u0442\u0435 \u043f\u0440\u0438\u043d\u0430\u0434\u043b\u0435\u0436\u0438\u0442 \u043a \u0442\u043e\u0439 \u043f\u043b\u043e\u0434\u043e\u0442\u0432\u043e\u0440\u043d\u043e\u0439 \u044d\u043f\u043e\u0445\u0435, \u043a\u043e\u0433\u0434\u0430 \u043d\u0435\u043e\u043a\u043b\u0430\u0441\u0441\u0438\u0446\u0438\u0437\u043c \u0438 \u0441\u0442\u0438\u043b\u044c \u0412\u0442\u043e\u0440\u043e\u0433\u043e \u0430\u043c\u043f\u0438\u0440\u0430 (<i data-path-to-node=\"27\" data-index-in-node=\"143\">Second Empire<\/i>) \u0434\u043e\u0441\u0442\u0438\u0433\u043b\u0438 \u0441\u0432\u043e\u0435\u0433\u043e \u043f\u0438\u043a\u0430 \u0432\u043e \u0424\u0440\u0430\u043d\u0446\u0438\u0438 \u2014 \u0432\u043e \u0432\u0440\u0435\u043c\u044f \u043f\u0440\u0430\u0432\u043b\u0435\u043d\u0438\u044f \u041d\u0430\u043f\u043e\u043b\u0435\u043e\u043d\u0430 III \u0438 \u0441\u0440\u0430\u0437\u0443 \u043f\u043e\u0441\u043b\u0435 \u043d\u0435\u0433\u043e. \u0418\u043c\u0435\u043d\u043d\u043e \u0432 \u044d\u0442\u043e\u0442 \u043f\u0435\u0440\u0438\u043e\u0434 \u043a\u0440\u0443\u043f\u043d\u0430\u044f \u0431\u0443\u0440\u0436\u0443\u0430\u0437\u0438\u044f \u0438 \u0430\u0440\u0438\u0441\u0442\u043e\u043a\u0440\u0430\u0442\u0438\u044f \u0437\u0430\u043a\u0430\u0437\u044b\u0432\u0430\u043b\u0438 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0435 \u0432\u0438\u0442\u0440\u0438\u043d\u044b \u0438 \u044d\u0442\u0430\u0436\u0435\u0440\u043a\u0438 \u0434\u043b\u044f \u0434\u0435\u043c\u043e\u043d\u0441\u0442\u0440\u0430\u0446\u0438\u0438 \u0434\u0440\u0430\u0433\u043e\u0446\u0435\u043d\u043d\u043e\u0441\u0442\u0435\u0439, \u0444\u0430\u0440\u0444\u043e\u0440\u043e\u0432\u044b\u0445 \u043c\u0438\u043d\u0438\u0430\u0442\u044e\u0440 \u0438 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u043e\u0432 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u044f. \u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u0441\u043e\u0447\u0435\u0442\u0430\u0435\u0442 \u0432 \u0441\u0435\u0431\u0435 \u0441\u0442\u0440\u043e\u0433\u043e\u0441\u0442\u044c \u0438 \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u044e \u0441\u0442\u0438\u043b\u044f \u0430\u043c\u043f\u0438\u0440 \u0441 \u0431\u043e\u0433\u0430\u0442\u044b\u043c \u043e\u0440\u043d\u0430\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u043c \u044f\u0437\u044b\u043a\u043e\u043c \u043d\u0435\u043e\u043a\u043b\u0430\u0441\u0441\u0438\u0446\u0438\u0437\u043c\u0430 \u2014 \u0444\u0438\u0433\u0443\u0440\u044b \u0441\u0444\u0438\u043d\u043a\u0441\u043e\u0432 \u043f\u043e \u0443\u0433\u043b\u0430\u043c \u044f\u0432\u043b\u044f\u044e\u0442\u0441\u044f \u043f\u0440\u044f\u043c\u043e\u0439 \u043e\u0442\u0441\u044b\u043b\u043a\u043e\u0439 \u043a \u043c\u043e\u0434\u0435 <i data-path-to-node=\"27\" data-index-in-node=\"595\">style retour d\u2019\u00c9gypte<\/i>, \u0432\u0434\u043e\u0445\u043d\u043e\u0432\u043b\u0435\u043d\u043d\u043e\u0439 \u0435\u0433\u0438\u043f\u0435\u0442\u0441\u043a\u043e\u0439 \u043a\u0430\u043c\u043f\u0430\u043d\u0438\u0435\u0439 \u041d\u0430\u043f\u043e\u043b\u0435\u043e\u043d\u0430, \u043a\u043e\u0442\u043e\u0440\u0430\u044f \u0441\u043e\u0445\u0440\u0430\u043d\u044f\u043b\u0430\u0441\u044c \u0432\u043e \u0424\u0440\u0430\u043d\u0446\u0438\u0438 \u043d\u0430 \u043f\u0440\u043e\u0442\u044f\u0436\u0435\u043d\u0438\u0438 \u0432\u0441\u0435\u0433\u043e XIX \u0432\u0435\u043a\u0430. \u041c\u0435\u0436\u0434\u0443 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u0438\u0435\u043c \u0412\u0442\u043e\u0440\u043e\u0439 \u0438\u043c\u043f\u0435\u0440\u0438\u0438 \u0438 \u0442\u0435\u0430\u0442\u0440\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u044c\u044e \u044d\u043a\u043b\u0435\u043a\u0442\u0438\u043a\u0438 \u044d\u0442\u043e\u0442 \u043e\u0431\u044a\u0435\u043a\u0442 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 \u0434\u0438\u0430\u043b\u043e\u0433 \u0434\u0432\u0443\u0445 \u043d\u0430\u0447\u0430\u043b: \u0434\u0438\u0441\u0446\u0438\u043f\u043b\u0438\u043d\u0430 \u043a\u043b\u0430\u0441\u0441\u0438\u0446\u0438\u0437\u043c\u0430 \u0438 \u0447\u0443\u0432\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0441\u0442\u044c \u0440\u043e\u043c\u0430\u043d\u0442\u0438\u0437\u043c\u0430 \u0441\u043e\u0441\u0443\u0449\u0435\u0441\u0442\u0432\u0443\u044e\u0442 \u0437\u0434\u0435\u0441\u044c \u0432 \u0435\u0434\u0438\u043d\u043e\u043c \u043e\u0431\u0440\u0430\u0437\u0435.<\/p>\n<p data-path-to-node=\"28\"><b data-path-to-node=\"28\" data-index-in-node=\"0\"><i data-path-to-node=\"28\" data-index-in-node=\"0\">\u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u044b\u0439 \u043c\u043e\u043c\u0435\u043d\u0442, \u0421\u0442\u0435\u0444\u0430\u043d \u041c\u0430\u043b\u043b\u0430\u0440\u043c\u0435 (St\u00e9phane Mallarm\u00e9) \u0432 \u0441\u0432\u043e\u0435\u043c \u0441\u0438\u043c\u0432\u043e\u043b\u0438\u0441\u0442\u0441\u043a\u043e\u043c \u0441\u0430\u043b\u043e\u043d\u0435 \u0432 \u041f\u0430\u0440\u0438\u0436\u0435:<\/i><\/b> <i data-path-to-node=\"28\" data-index-in-node=\"96\">\u0412\u0435\u0447\u0435\u0440\u043d\u0438\u0439 \u043f\u043e\u043b\u0443\u043c\u0440\u0430\u043a \u0432 \u0441\u0430\u043b\u043e\u043d\u0435 \u043f\u043e\u044d\u0442\u0430 \u043d\u0430 \u0443\u043b\u0438\u0446\u0435 \u0420\u0438\u043c \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u043e \u0440\u0430\u0441\u0441\u0435\u0438\u0432\u0430\u043b \u0434\u043d\u0435\u0432\u043d\u044b\u0435 \u0448\u0443\u043c\u044b, \u0438 \u0432 \u043a\u043e\u043c\u043d\u0430\u0442\u0435 \u0432\u043e\u0446\u0430\u0440\u0438\u043b\u0430\u0441\u044c \u0442\u043e\u0440\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f, \u043f\u043e\u0447\u0442\u0438 \u043c\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0442\u0438\u0448\u0438\u043d\u0430. \u0412 \u0432\u043e\u0437\u0434\u0443\u0445\u0435 \u0432\u0438\u0442\u0430\u043b \u0442\u043e\u043d\u043a\u0438\u0439 \u0430\u0440\u043e\u043c\u0430\u0442 \u0434\u043e\u0440\u043e\u0433\u043e\u0433\u043e \u0442\u0430\u0431\u0430\u0447\u043d\u043e\u0433\u043e \u0434\u044b\u043c\u0430, \u0441\u0442\u0430\u0440\u043e\u0433\u043e \u043f\u0435\u0440\u0433\u0430\u043c\u0435\u043d\u0442\u0430 \u0438 \u0441\u0432\u0435\u0436\u0435\u0441\u0440\u0435\u0437\u0430\u043d\u043d\u044b\u0445 \u043b\u0438\u043b\u0438\u0439, \u043f\u043e\u043a\u0430 \u0434\u0440\u043e\u0436\u0430\u0449\u0438\u0435 \u043b\u0443\u0447\u0438 \u0441\u0432\u0435\u0447\u0435\u0439 \u0438\u0433\u0440\u0430\u043b\u0438 \u0432 \u0443\u0433\u043b\u0430\u0445 \u043a\u043e\u043c\u043d\u0430\u0442\u044b. \u0422\u0430\u043c, \u043c\u0435\u0436\u0434\u0443 \u0442\u044f\u0436\u0435\u043b\u044b\u043c\u0438 \u0431\u0430\u0440\u0445\u0430\u0442\u043d\u044b\u043c\u0438 \u0448\u0442\u043e\u0440\u0430\u043c\u0438, \u043a\u0430\u043a \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u0439 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442 \u0432\u044b\u0441\u0438\u043b\u0430\u0441\u044c \u0443\u0437\u043a\u0430\u044f, \u0432\u044b\u0441\u043e\u043a\u0430\u044f \u0432\u0438\u0442\u0440\u0438\u043d\u0430 \u0438\u0437 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u043e\u0439 \u0431\u0440\u043e\u043d\u0437\u044b, \u0447\u044c\u0435 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0435 \u0438\u0437 \u0437\u0435\u043b\u0435\u043d\u043e\u0433\u043e \u043c\u0440\u0430\u043c\u043e\u0440\u0430 \u0438 \u0437\u0430\u0441\u0442\u0435\u043a\u043b\u0435\u043d\u043d\u044b\u0439 \u043a\u043e\u0440\u043f\u0443\u0441 \u0441\u043b\u043e\u0432\u043d\u043e \u0445\u0440\u0430\u043d\u0438\u043b\u0438 \u043d\u0435 \u043f\u0440\u043e\u0441\u0442\u043e \u0432\u0435\u0449\u0438, \u0430 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u044c\u043d\u0443\u044e \u0444\u043e\u0440\u043c\u0443 \u0441\u0430\u043c\u043e\u0439 \u043f\u043e\u044d\u0437\u0438\u0438 \u0438 \u0443\u0441\u043a\u043e\u043b\u044c\u0437\u0430\u044e\u0449\u0438\u0445 \u0433\u0440\u0435\u0437.<\/i><\/p>\n<p data-path-to-node=\"29\"><i data-path-to-node=\"29\" data-index-in-node=\"0\">\u041c\u0430\u043b\u043b\u0430\u0440\u043c\u0435 \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u043e \u043f\u043e\u0434\u043e\u0448\u0435\u043b \u043a \u0447\u0438\u0441\u0442\u043e\u043c\u0443 \u0441\u0442\u0435\u043a\u043b\u0443, \u0437\u0430 \u043a\u043e\u0442\u043e\u0440\u044b\u043c \u043d\u0430 \u0434\u0432\u0443\u0445 \u0445\u0440\u0443\u043f\u043a\u0438\u0445 \u043f\u043e\u043b\u043a\u0430\u0445, \u043e\u043a\u0440\u0443\u0436\u0435\u043d\u043d\u044b\u0435 \u0441\u043e\u0447\u043d\u043e\u0439 \u0440\u043e\u0437\u043e\u0432\u043e\u0439 \u0448\u0435\u043b\u043a\u043e\u0432\u043e\u0439 \u043e\u0431\u0438\u0432\u043a\u043e\u0439 \u043a\u0430\u043f\u0438\u0442\u043e\u043d\u0435, \u043f\u043e\u043a\u043e\u0438\u043b\u0438\u0441\u044c \u0440\u0435\u0434\u043a\u0438\u0435 \u0434\u0440\u0430\u0433\u043e\u0446\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u0438 \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u044b\u0435 \u043c\u0438\u043d\u0438\u0430\u0442\u044e\u0440\u044b. \u041f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u044b\u0435 \u0444\u0438\u0433\u0443\u0440\u044b \u0441\u0444\u0438\u043d\u043a\u0441\u043e\u0432 \u043f\u043e \u0443\u0433\u043b\u0430\u043c \u0440\u0430\u043c\u044b \u0441\u043e \u0441\u0432\u043e\u0438\u043c\u0438 \u043b\u0443\u043a\u0430\u0432\u044b\u043c\u0438 \u0438 \u043c\u0438\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u043c\u0438 \u0447\u0435\u0440\u0442\u0430\u043c\u0438 \u043b\u0438\u0446\u0430 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\u0430\u0431\u0441\u043e\u043b\u044e\u0442\u043d\u043e\u0433\u043e \u0441\u043e\u0432\u0435\u0440\u0448\u0435\u043d\u0441\u0442\u0432\u0430, \u043f\u0440\u0435\u0432\u0440\u0430\u0449\u0430\u044f \u044d\u0442\u043e\u0442 \u043f\u0440\u0435\u0434\u043c\u0435\u0442 \u0432 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430, \u0441\u0442\u043e\u044f\u0449\u0435\u0435 \u0432\u043d\u0435 \u043d\u0435\u0443\u043c\u043e\u043b\u0438\u043c\u043e\u0433\u043e \u0431\u0435\u0433\u0430 \u0432\u0440\u0435\u043c\u0435\u043d\u0438.<\/i><\/p>\n<p data-path-to-node=\"30\">\u042d\u0442\u0430 \u0438\u0441\u043a\u043b\u044e\u0447\u0438\u0442\u0435\u043b\u044c\u043d\u043e \u0440\u0435\u0434\u043a\u0430\u044f \u0432\u0438\u0442\u0440\u0438\u043d\u0430 \u0438\u0437 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u043e\u0439 \u0431\u0440\u043e\u043d\u0437\u044b \u0438 \u0437\u0435\u043b\u0435\u043d\u043e\u0433\u043e \u043c\u0440\u0430\u043c\u043e\u0440\u0430 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 <b data-path-to-node=\"30\" data-index-in-node=\"94\">\u0432\u044b\u0441\u043e\u043a\u043e\u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0443\u044e \u043a\u043e\u043f\u0438\u044e \u0441\u0435\u0440\u0435\u0434\u0438\u043d\u044b 20 \u0432\u0435\u043a\u0430, \u0441\u043e\u0437\u0434\u0430\u043d\u043d\u0443\u044e \u043a\u0430\u043a \u043f\u0440\u044f\u043c\u043e\u0435 \u0438 \u0432\u0435\u0440\u043d\u043e\u0435 \u043f\u0440\u043e\u0434\u043e\u043b\u0436\u0435\u043d\u0438\u0435 \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0438 \u041d\u0430\u043f\u043e\u043b\u0435\u043e\u043d\u0430 III \u0438 \u0441\u0442\u0438\u043b\u044f \u0412\u0442\u043e\u0440\u043e\u0439 \u0438\u043c\u043f\u0435\u0440\u0438\u0438<\/b>. \u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u043d\u043e \u0440\u0430\u0437\u0434\u0435\u043b\u0435\u043d \u043d\u0430 \u0434\u0432\u0435 \u0447\u0430\u0441\u0442\u0438: \u0432\u0435\u0440\u0445\u043d\u044e\u044e \u0437\u0430\u0441\u0442\u0435\u043a\u043b\u0435\u043d\u043d\u0443\u044e \u0432\u0438\u0442\u0440\u0438\u043d\u0443 \u0438 \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u0443\u0440\u043d\u043e \u043f\u0440\u043e\u0440\u0430\u0431\u043e\u0442\u0430\u043d\u043d\u044b\u0439 \u0442\u044f\u0436\u0435\u043b\u044b\u0439 \u043f\u043e\u0441\u0442\u0430\u043c\u0435\u043d\u0442, \u0441\u043b\u0443\u0436\u0430\u0449\u0438\u0439 \u0441\u0430\u043c\u043e\u0441\u0442\u043e\u044f\u0442\u0435\u043b\u044c\u043d\u044b\u043c \u0430\u0440\u0442-\u043e\u0431\u044a\u0435\u043a\u0442\u043e\u043c. \u0411\u043e\u043a\u043e\u0432\u044b\u0435 \u043f\u043b\u0430\u043d\u043a\u0438 \u0432\u0438\u0442\u0440\u0438\u043d\u044b \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u044b \u0432\u0441\u0442\u0430\u0432\u043a\u0430\u043c\u0438 \u0438\u0437 \u0437\u0435\u043b\u0435\u043d\u043e\u0433\u043e \u043c\u0440\u0430\u043c\u043e\u0440\u0430, \u0430 \u0435\u0435 \u0432\u043d\u0443\u0442\u0440\u0435\u043d\u043d\u044f\u044f \u0447\u0430\u0441\u0442\u044c \u043e\u0431\u0438\u0442\u0430 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u043c \u0440\u043e\u0437\u043e\u0432\u044b\u043c \u0448\u0435\u043b\u043a\u043e\u043c \u0432 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u043e\u0439 \u0442\u0435\u0445\u043d\u0438\u043a\u0435 <i data-path-to-node=\"30\" data-index-in-node=\"522\">\u043a\u0430\u043f\u0438\u0442\u043e\u043d\u0435<\/i>.<\/p>\n<p data-path-to-node=\"31\">\u041a\u043e\u0440\u043f\u0443\u0441 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d \u0438\u0437 \u0432\u044b\u0441\u043e\u043a\u043e\u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u043e\u0433\u043e \u043b\u0438\u0442\u044c\u044f \u0441 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u043c \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u0438\u0435\u043c (<i data-path-to-node=\"31\" data-index-in-node=\"83\">ormolu<\/i>). \u041e\u0441\u043e\u0431\u0443\u044e \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u043d\u0443\u044e \u0446\u0435\u043d\u043d\u043e\u0441\u0442\u044c \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0443 \u043f\u0440\u0438\u0434\u0430\u044e\u0442 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0435 \u0444\u0438\u0433\u0443\u0440\u044b \u0441\u0444\u0438\u043d\u043a\u0441\u043e\u0432 \u0432 \u0432\u0438\u0434\u0435 \u0436\u0435\u043d\u0441\u043a\u0438\u0445 \u0431\u044e\u0441\u0442\u043e\u0432, \u0441\u043b\u0443\u0436\u0430\u0449\u0438\u0435 \u043e\u043f\u043e\u0440\u0430\u043c\u0438 \u043a\u043e\u043d\u0441\u043e\u043b\u0438, \u0438 \u0431\u043e\u0433\u0430\u0442\u043e \u043e\u0442\u043b\u0438\u0442\u044b\u0435 \u043b\u0430\u0432\u0440\u043e\u0432\u044b\u0435 \u0433\u0438\u0440\u043b\u044f\u043d\u0434\u044b. \u041d\u0438\u0436\u043d\u044f\u044f \u0447\u0430\u0441\u0442\u044c \u043f\u043e\u0441\u0442\u0430\u043c\u0435\u043d\u0442\u0430 \u0437\u0430\u0432\u0435\u0440\u0448\u0430\u0435\u0442\u0441\u044f \u0441\u0442\u0443\u043f\u0435\u043d\u0447\u0430\u0442\u044b\u043c \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0435\u043c \u0438\u0437 \u0437\u0435\u043b\u0435\u043d\u043e\u0433\u043e \u043c\u0440\u0430\u043c\u043e\u0440\u0430. \u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u043e\u0442\u043b\u0438\u0447\u043d\u043e\u043c \u0430\u0443\u0442\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u043c \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438, \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0441\u043e\u043e\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0443\u044e\u0449\u0435\u043c \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u043c.<\/p>\n<p data-path-to-node=\"33\">\ud83c\uddec\ud83c\udde7 Dimensions: Height 130 cm \u00d7 Width 50.5 cm \u00d7 Depth 25 cm<\/p>\n<h2 data-path-to-node=\"34\"><b data-path-to-node=\"34\" data-index-in-node=\"0\">Rare Napoleon III Bronze Display Cabinet \u2014 with Sphinx Mounts and Green Marble<\/b><\/h2>\n<p data-path-to-node=\"35\">This exquisite glass display cabinet on a sculptural pedestal belongs to that fertile era when Neoclassicism and the Second Empire style reached their culmination in France\u2014during the reign of Napoleon III and immediately after. It was during this period that the <i data-path-to-node=\"35\" data-index-in-node=\"264\">haute bourgeoisie<\/i> and aristocracy commissioned representative showcases and <i data-path-to-node=\"35\" data-index-in-node=\"340\">\u00e9tag\u00e8res<\/i> for the display of jewelry, porcelain miniatures, and collectors&#8217; items. The object combines the rigidity and symmetry of the Empire style with the rich ornamental language of Neoclassicism\u2014the sphinx figures at the corners are a direct reference to the <i data-path-to-node=\"35\" data-index-in-node=\"603\">style retour d\u2019\u00c9gypte<\/i> fashion inspired by Napoleon\u2019s Egyptian campaign, which persisted in France throughout the 19th century. Between the splendor of the Second Empire and the theatricality of eclecticism, this object is a dialogue between the two: the discipline of classicism and the sensuality of romance coexist here in a single image.<\/p>\n<p data-path-to-node=\"36\"><b data-path-to-node=\"36\" data-index-in-node=\"0\"><i data-path-to-node=\"36\" data-index-in-node=\"0\">Literary snapshot, St\u00e9phane Mallarm\u00e9 (St\u00e9phane Mallarm\u00e9) in his Symbolist salon in Paris:<\/i><\/b> <i data-path-to-node=\"36\" data-index-in-node=\"90\">The evening twilight in the poet\u2019s salon on Rue de Rome slowly dispelled the day&#8217;s noises, and a solemn, almost mystical silence settled over the room. A subtle, intoxicating aroma of expensive tobacco smoke, old parchment, and freshly cut lilies drifted through the space, while the flickering candle flames danced in the corners. There, between the heavy velvet curtains, stood a slender, tall gilded bronze display cabinet like a noble monument, its green marble pedestal and glazed casing appearing to guard not mere objects, but the physical form of poetry and fleeting dreams.<\/i><\/p>\n<p data-path-to-node=\"37\"><i data-path-to-node=\"37\" data-index-in-node=\"0\">Mallarm\u00e9 slowly approached the clear glass, behind which on two fragile shelves, enclosed by rich pink silk capitonn\u00e9 upholstery, rested rare jewels and antique miniatures. The gilded sphinx figures at the corners of the frame, with their subtle yet mythical facial features, gazed silently into the room, as if guarding a hidden, unwritten sonnet of symbolism. In this moment, the play of light and shadow between the bright metal and the veins of the green stone created an illusion of absolute perfection, turning this piece into a work of art standing outside the relentless march of time.<\/i><\/p>\n<p data-path-to-node=\"38\">This exceptionally <b data-path-to-node=\"38\" data-index-in-node=\"19\">rare napoleon iii bronze display cabinet<\/b> is a magnificent, <b data-path-to-node=\"38\" data-index-in-node=\"78\">high-quality mid-20th-century reproduction crafted as a direct and faithful continuation of the Napoleon III and Second Empire design aesthetic<\/b>. The item is structurally divided into two distinct sections: an upper glazed vitrine and a sculpturally elaborate, heavy pedestal base that serves as a standalone artistic statement. The side panels of the vitrine feature beautiful green marble inserts, while the interior is lined with original pink silk fabric stitched in the luxurious French <i data-path-to-node=\"38\" data-index-in-node=\"569\">capitonn\u00e9<\/i> (tufted button) technique.<\/p>\n<p data-path-to-node=\"39\"><b data-path-to-node=\"39\" data-index-in-node=\"0\">Materials and Artistic Value<\/b> Both the sculptural pedestal and the vitrine casing are crafted from premium cast bronze featuring its original, partially matte and burnished gilt finish (<i data-path-to-node=\"39\" data-index-in-node=\"185\">ormolu<\/i>). Adding particular collector value to this rare napoleon iii bronze display cabinet are the expressive, classicizing female-sphinx busts acting as console supports, accompanied by richly cast laurel and floral garlands (<i data-path-to-node=\"39\" data-index-in-node=\"413\">guirlandes<\/i>) draping the core column. The bottom of the pedestal terminates in a tiered, solid green marble base that perfectly counterbalances the unit&#8217;s weight for flawless structural stability.<\/p>\n<p data-path-to-node=\"40\"><b data-path-to-node=\"40\" data-index-in-node=\"0\">Application<\/b> Standing at an elite height of 130 cm, this rare napoleon iii bronze display cabinet is designed to be the definitive focal point of an exclusive room. It is perfectly suited for showcasing high-end antique jewelry, gold miniatures, valuable perfume flacons, or fine porcelain, introducing true Parisian palace charm into a lady&#8217;s salon or a private connoisseur&#8217;s cabinet.<\/p>\n<p data-path-to-node=\"41\"><b data-path-to-node=\"41\" data-index-in-node=\"0\">Condition<\/b> The showcase is in excellent, authentic historical condition. The bronze casting and gold gilding retain their royal depth and radiance, highlighted by a citable age patina. The green marble components are completely intact, free of cracks, chips, or restoration lines. The glass shelves and door operate smoothly, and the silk interior remains well-maintained and clean. The entire physical and structural condition is fully supported by the provided photographs.<\/p>\n<p data-path-to-node=\"43\">\ud83c\udde9\ud83c\uddea Abmessungen: H\u00f6he 130 cm \u00d7 Breite 50,5 cm \u00d7 Tiefe 25 cm<\/p>\n<h3 data-path-to-node=\"44\"><b data-path-to-node=\"44\" data-index-in-node=\"0\">Seltene Bronze-Vitrine mit Sphinxen und gr\u00fcnem Marmor \u2014 im Napoleon III.-Stil<\/b><\/h3>\n<p data-path-to-node=\"45\">Diese exquisite Glasvitrine auf einem skulpturalen Postament geh\u00f6rt zu jener fruchtbaren Epoche, in der der Neoklassizismus und der Stil des Zweiten Kaiserreichs (<i data-path-to-node=\"45\" data-index-in-node=\"163\">Second Empire<\/i>) in Frankreich ihren H\u00f6hepunkt erreichten \u2013 w\u00e4hrend der Regierungszeit von Napoleon III. und unmittelbar danach. In dieser Zeit gab das Gro\u00dfb\u00fcrgertum und der Adel repr\u00e4sentative Vitrinen und Etageren zur Schaustellung von Schmuck, Porzellanminiaturen und Sammlerst\u00fccken in Auftrag. Das Objekt verbindet die Strenge des Empire-Stils mit der reichen Ornamentik des Neoklassizismus \u2013 die Sphinx-Figuren an den Ecken sind eine direkte Referenz an den von Napoleons \u00c4gyptenfeldzug inspirierten <i data-path-to-node=\"45\" data-index-in-node=\"666\">Style retour d\u2019\u00c9gypte<\/i>. Zwischen der Pracht des Zweiten Kaiserreichs und der Theatralik des Eklektizismus bildet dieses Objekt einen Dialog: Die Disziplin des Klassizismus und die Sinnlichkeit der Romantik koexistieren hier in einem einzigen Bild.<\/p>\n<p data-path-to-node=\"46\"><b data-path-to-node=\"46\" data-index-in-node=\"0\"><i data-path-to-node=\"46\" data-index-in-node=\"0\">Literarische Momentaufnahme, St\u00e9phane Mallarm\u00e9 (St\u00e9phane Mallarm\u00e9) in seinem Symbolisten-Salon in Paris:<\/i><\/b> <i data-path-to-node=\"46\" data-index-in-node=\"105\">Die abendliche D\u00e4mmerung im Salon des Dichters in der Rue de Rome verdr\u00e4ngte langsam die Ger\u00e4usche des Tages, und eine feierliche, fast mystische Stille legte sich \u00fcber den Raum. Ein subtiler Duft von teurem Tabakrauch, altem Pergament und frisch geschnittenen Lilien erf\u00fcllte den Raum, w\u00e4hrend die flackernden Kerzenflammen in den Ecken tanzten. Dort, zwischen den schweren Samtvorh\u00e4ngen, ragte eine schlanke, hohe vergoldete Bronzevitrine wie ein edles Monument empor, deren gr\u00fcnes Marmorpostament und verglastes Geh\u00e4use nicht nur Gegenst\u00e4nde zu h\u00fcten schienen, sondern die physische Form von Poesie und fl\u00fcchtigen Tr\u00e4umen.<\/i><\/p>\n<p data-path-to-node=\"47\">Diese au\u00dfergew\u00f6hnlich seltene Vitrine ist eine <b data-path-to-node=\"47\" data-index-in-node=\"47\">hochwertige Replik aus der Mitte des 20. Jahrhunderts, die als direkte und getreue Fortf\u00fchrung der \u00c4sthetik Napoleons III. und des Stils des Zweiten Kaiserreichs gefertigt wurde<\/b>. Das Objekt ist strukturell in zwei Abschnitte unterteilt: eine obere verglaste Vitrine und ein skulpturaler, schwerer Sockel. Die Seitenw\u00e4nde der Vitrine sind mit gr\u00fcnem Marmor eingelegt, w\u00e4hrend das Innere mit originalem rosa Seidenstoff in der luxuri\u00f6sen franz\u00f6sischen <i data-path-to-node=\"47\" data-index-in-node=\"497\">Capitonn\u00e9<\/i>-Technik (Knopfpolsterung) ausgekleidet ist. Der Korpus aus feuervergoldeter Bronze (<i data-path-to-node=\"47\" data-index-in-node=\"591\">Ormolu<\/i>) wird von plastischen Sphinxen-B\u00fcsten und gegossenen Lorbeergirlanden geziert. Die Vitrine befindet sich in einem exzellenten Zustand.<\/p>\n<p data-path-to-node=\"49\">\ud83c\uddeb\ud83c\uddf7 Dimensions : Hauteur 130 cm \u00d7 Largeur 50,5 cm \u00d7 Profondeur 25 cm<\/p>\n<h3 data-path-to-node=\"50\"><b data-path-to-node=\"50\" data-index-in-node=\"0\">Vitrine en bronze aux sphinx et marbre vert \u2014 Style Napol\u00e9on III<\/b><\/h3>\n<p data-path-to-node=\"51\">Cette exquise vitrine en verre sur pi\u00e9destal sculptural appartient \u00e0 cette \u00e9poque fertile o\u00f9 le n\u00e9oclassicisme et le style Second Empire atteignirent leur apog\u00e9e en France \u2014 sous le r\u00e8gne de Napol\u00e9on III. C&#8217;est \u00e0 cette p\u00e9riode que la haute bourgeoisie et l&#8217;aristocratie commandaient des vitrines d&#8217;apparat et des \u00e9tag\u00e8res pour l&#8217;exposition de bijoux, de miniatures en porcelaine et d&#8217;objets de collection. L&#8217;objet associe la rigueur et la sym\u00e9trie du style Empire au riche langage ornemental du n\u00e9oclassicisme \u2014 les figures de sphinx aux angles sont une r\u00e9f\u00e9rence directe au style retour d&#8217;\u00c9gypte inspir\u00e9 par la campagne d&#8217;\u00c9gypte de Napol\u00e9on. Entre la splendeur du Second Empire et la th\u00e9\u00e2tralit\u00e9 de l&#8217;\u00e9clectisme, cet objet est un dialogue entre les deux : la discipline du classicisme et la sensualit\u00e9 du romantisme cohabitent ici en une seule image.<\/p>\n<p data-path-to-node=\"52\"><b data-path-to-node=\"52\" data-index-in-node=\"0\"><i data-path-to-node=\"52\" data-index-in-node=\"0\">Instantan\u00e9 litt\u00e9raire, St\u00e9phane Mallarm\u00e9 (St\u00e9phane Mallarm\u00e9) dans son salon symboliste \u00e0 Paris :<\/i><\/b> <i data-path-to-node=\"52\" data-index-in-node=\"97\">Le cr\u00e9puscule du soir dans le salon du po\u00e8te, rue de Rome, dissipait lentement les bruits de la journ\u00e9e, et un silence solennel, presque mystique, s&#8217;installait dans la pi\u00e8ce. Une odeur subtile et enivrante de fum\u00e9e de tabac cher, de vieux parchemin et de lys fra\u00eechement coup\u00e9s flottait dans l&#8217;air, tandis que les lueurs tremblantes des bougies dansaient dans les coins. L\u00e0, entre les lourds rideaux de velours, se dressait une vitrine \u00e9troite et haute en bronze dor\u00e9 comme un noble monument, dont le pi\u00e9destal en marbre vert et le bo\u00eetier vitr\u00e9 semblaient garder la forme physique de la po\u00e9sie et des r\u00eaves \u00e9ph\u00e9m\u00e8res.<\/i><\/p>\n<p data-path-to-node=\"53\">Cette vitrine d&#8217;\u00e9poque Napol\u00e9on III est une <b data-path-to-node=\"53\" data-index-in-node=\"44\">reproduction de haute qualit\u00e9 du milieu du XXe si\u00e8cle, cr\u00e9\u00e9e comme un prolongement direct et fid\u00e8le de l&#8217;esth\u00e9tique d\u00e9corative de Napol\u00e9on III et du Second Empire<\/b>. Elle se divise en deux parties : une vitrine vitr\u00e9e sup\u00e9rieure et un important pi\u00e9tement sculptural en bronze. Les montants sont enrichis de plaques de marbre vert, tandis que l&#8217;int\u00e9rieur est capitonn\u00e9 de soie rose d&#8217;origine. Le d\u00e9cor se compose de bustes de sphinx de style retour d&#8217;\u00c9gypte formant consoles et de riches guirlandes de laurier. La base repose sur un socle en marbre vert d&#8217;origine. La pi\u00e8ce est en excellent \u00e9tat historique, pr\u00e9serv\u00e9e avec sa patine d&#8217;origine.<\/p>\n<p data-path-to-node=\"55\">\ud83c\udde9\ud83c\uddf0 Dimensioner: H\u00f8jde 130 cm \u00d7 Bredde 50,5 cm \u00d7 Dybde 25 cm<\/p>\n<h3 data-path-to-node=\"56\"><b data-path-to-node=\"56\" data-index-in-node=\"0\">Sj\u00e6lden bronzevitrine med sfinxer og gr\u00f8n marmor \u2014 i Napoleon III-stil<\/b><\/h3>\n<p data-path-to-node=\"57\">Denne uds\u00f8gte glasvitrine p\u00e5 et skulpturelt postament tilh\u00f8rer den frugtbare epoke, hvor neoklassicismen og stilen fra det andet kejserd\u00f8mme (<i data-path-to-node=\"57\" data-index-in-node=\"142\">Second Empire<\/i>) n\u00e5ede deres kulmination i Frankrig \u2013 under Napoleon III&#8217;s regeringstid og umiddelbart efter. Det var i denne periode, at storborgerne og aristokratiet bestilte repr\u00e6sentative montrer og etagerer til fremvisning af smykker, porcel\u00e6nsminiaturer og samlerobjekter. Objektet kombinerer Empire-stilens strenghed med neoklassicismens rige ornamentik \u2013 sfinx-figurerne p\u00e5 hj\u00f8rnerne er en direkte reference til <i data-path-to-node=\"57\" data-index-in-node=\"560\">Style retour d\u2019\u00c9gypte<\/i>. Mellem det andet kejserd\u00f8mmes pragt og eklekticismens teateragtige udtryk danner dette objekt en dialog: Klassicismens disciplin og romantikkens sensualitet danner her et f\u00e6lles billede.<\/p>\n<p data-path-to-node=\"58\"><b data-path-to-node=\"58\" data-index-in-node=\"0\"><i data-path-to-node=\"58\" data-index-in-node=\"0\">Litter\u00e6rt \u00f8jebliksbillede, St\u00e9phane Mallarm\u00e9 (St\u00e9phane Mallarm\u00e9) i sin symbolistiske salon i Paris:<\/i><\/b> <i data-path-to-node=\"58\" data-index-in-node=\"100\">Aftentusm\u00f8rket i digterens salon p\u00e5 Rue de Rome fordrev langsomt dagens larm, og en h\u00f8jtidelig, n\u00e6sten mystisk stilhed lagde sig over rummet. En subtil, bjergtagende duft af dyr tobaksr\u00f8g, gammelt pergament og nysk\u00e5rne liljer fyldte rummet, mens de flakkende levende lys dansede i hj\u00f8rnerne. Der, mellem de tunge fl\u00f8jlsegardiner, rejste en slank, h\u00f8j forgyldt bronzevitrine sig som et \u00e6delt monument, hvis gr\u00f8nne marmorbase og glasmonter syntes at vogte over poesiens og de flygtige dr\u00f8mmes fysiske form.<\/i><\/p>\n<p data-path-to-node=\"59\">Denne enest\u00e5ende vitrine er en <b data-path-to-node=\"59\" data-index-in-node=\"31\">h\u00f8jkvalitetsreproduktion fra midten af det 20. \u00e5rhundrede, skabt som en direkte og trofast forts\u00e6ttelse af Napoleon III og Second Empire-design\u00e6stetikken<\/b>. S\u00e6ttet best\u00e5r af en \u00f8vre glasmonter og en smukt udformet, tung bronzepiedestal. Vitrinens sider er indlagt med gr\u00f8n marmor, mens interi\u00f8ret er polstret med original rosa silke i klassisk fransk <i data-path-to-node=\"59\" data-index-in-node=\"380\">capitonn\u00e9<\/i>-teknik (knapsyning). Korpusset i forgyldt bronze (<i data-path-to-node=\"59\" data-index-in-node=\"440\">ormolu<\/i>) prydes af detaljerede sfinx-buster og st\u00f8bte laurb\u00e6rguirlandere. Den er i fremragende stand.<\/p>\n<p data-path-to-node=\"61\">\ud83c\uddf8\ud83c\uddea Dimensioner: H\u00f6jd 130 cm \u00d7 Bredd 50,5 cm \u00d7 Djup 25 cm<\/p>\n<h3 data-path-to-node=\"62\"><b data-path-to-node=\"62\" data-index-in-node=\"0\">S\u00e4llsynt bronsvitrin med sfinxer och gr\u00f6n marmor \u2014 i Napoleon III-stil<\/b><\/h3>\n<p data-path-to-node=\"63\">Denna uts\u00f6kta glasvitrin auf einem skulpturalt postament tillh\u00f6r den fruktsamma epok d\u00e5 neoklassicismen och stilen fr\u00e5n det andra kejsard\u00f6met (<i data-path-to-node=\"63\" data-index-in-node=\"143\">Second Empire<\/i>) n\u00e5dde sin kulmen i Frankrike \u2013 under Napoleon III:s regeringstid och omedelbart d\u00e4refter. Det var under denna period som storbourgeoisien och aristokratin best\u00e4llde representativa montrar och etagerer f\u00f6r visning av smycken, porslinsminiatyrer och samlarobjekt. Objektet kombinerar Empire-stilens stramhet med neoklassicismens rige ornamentik \u2013 sfinxfigurerna p\u00e5 h\u00f6rnen \u00e4r en direkt referens till <i data-path-to-node=\"63\" data-index-in-node=\"555\">Style retour d\u2019\u00c9gypte<\/i>. Mellan det andra kejsard\u00f6mets prakt och eklekticismens dekorativa uttryck bildar detta objekt en dialog: Klassicismens disciplin och romantikens sensualitet samlas h\u00e4r i en enda bild.<\/p>\n<p data-path-to-node=\"64\"><b data-path-to-node=\"64\" data-index-in-node=\"0\"><i data-path-to-node=\"64\" data-index-in-node=\"0\">Litter\u00e4r \u00f6gonblicksbild, St\u00e9phane Mallarm\u00e9 (St\u00e9phane Mallarm\u00e9) i sin symbolistsalong i Paris:<\/i><\/b> <i data-path-to-node=\"64\" data-index-in-node=\"94\">Skymningen i poetens salong p\u00e5 Rue de Rome skingrade l\u00e5ngsamt dagens brus, och en h\u00f6gtidlig, n\u00e4stan mystisk tystnad lade sig \u00f6ver rummet. En subtil, berusande doft av dyr tobaksr\u00f6k, gammalt pergament och nyklippta liljor fyllde rummet, medan de fladdrande ljusen dansade i h\u00f6rnen. D\u00e4r, mellan de tunga sammetsgardinerna, reste sig en slank, h\u00f6g f\u00f6rgylld bronsvitrin som ett \u00e4delt monument, vars gr\u00f6na marmorbas och inglasade stomme tycktes vakta poesins och de flyktiga dr\u00f6mmarnas fysiska form.<\/i><\/p>\n<p data-path-to-node=\"65\">Denna unika vitrin \u00e4r en <b data-path-to-node=\"65\" data-index-in-node=\"25\">h\u00f6gkvalitativ reproduktion fr\u00e5n mitten av 1900-talet, skapad som en direkt och trogen forts\u00e4ttning p\u00e5 Napoleon III- och Second Empire-estetiken<\/b>. Setet best\u00e5r av en \u00f6vre glasmonter och en m\u00e4sterligt skulptural, tung bronsbystfot. Vitrinens sidor \u00e4r inlagda med exklusiv gr\u00f6n marmor, medan interi\u00f6ren \u00e4r kl\u00e4dd med rosa silke i klassisk fransk <i data-path-to-node=\"65\" data-index-in-node=\"366\">capitonn\u00e9<\/i>-teknik (djuph\u00e4ftad knapps\u00f6mnad). Stommen i br\u00e4nnf\u00f6rgylld brons (<i data-path-to-node=\"65\" data-index-in-node=\"440\">ormolu<\/i>) pryds av sfinxbuster och gjutna lagerkransguirlander. Vitrinen \u00e4r i utm\u00e4rkt skick.<\/p>\n<p data-path-to-node=\"67\">\ud83c\uddf3\ud83c\uddf4 Dimensjoner: H\u00f8yde 130 cm \u00d7 Bredde 50,5 cm \u00d7 Dybde 25 cm<\/p>\n<h3 data-path-to-node=\"68\"><b data-path-to-node=\"68\" data-index-in-node=\"0\">Sjelden bronsevitrine med sfinxer og gr\u00f8nn marmor \u2014 i Napoleon III-stil<\/b><\/h3>\n<p data-path-to-node=\"69\">Denne uts\u00f8kte glassvitrinen p\u00e5 et skulpturelt postament tilh\u00f8rer den fruktbare epoken da neoklassisismen og stilen fra det andre keiserd\u00f8mmet (<i data-path-to-node=\"69\" data-index-in-node=\"143\">Second Empire<\/i>) n\u00e5dde sin kulminasjon i Frankrig \u2013 under Napoleon IIIs regjeringstid og umiddelbart etterp\u00e5. Det var i denne perioden at storborgerne og aristokratiet bestilte representative montre og etasjerer for fremvisning av smykker, porselensminiatyrer og samlerobjekter. Objektet kombinerer Empire-stilens strenghet med neoklassisismens rige ornamentikk \u2013 sfinx-figurene p\u00e5 hj\u00f8rnene er en direkte referanse til <i data-path-to-node=\"69\" data-index-in-node=\"560\">Style retour d\u2019\u00c9gypte<\/i>. Mellom det andre keiserd\u00f8mmets prakt og eklektisismens teatralske uttrykk danner dette objektet en dialog: Klassisismens disiplin og romantikkens sensualitet forenes her i ett felles bilde.<\/p>\n<p data-path-to-node=\"70\"><b data-path-to-node=\"70\" data-index-in-node=\"0\"><i data-path-to-node=\"70\" data-index-in-node=\"0\">Liter\u00e6rt \u00f8yeblikksbilde, St\u00e9phane Mallarm\u00e9 (St\u00e9phane Mallarm\u00e9) i sin symbolistiske salong i Paris:<\/i><\/b> <i data-path-to-node=\"70\" data-index-in-node=\"99\">Kveldstusm\u00f8rket i dikterens salong i Rue de Rome fordrev sakte dagens st\u00f8y, og en h\u00f8ytidelig, nesten mystisk stillhet la seg over rommet. En subtil, berusende duft av dyr tobakksr\u00f8yk, gammelt pergament og nysk\u00e5rne liljer fylte rommet, mens de flakkende levende lysene danset i hj\u00f8rnene. Der, mellom de tunge fl\u00f8yelsgardinene, reiste det seg en slank, h\u00f8y forgylt bronsevitrine som et edelt monument, hvis gr\u00f8nne marmorbase og glassmonter syntes \u00e5 vokte over poesiens og de flyktige dr\u00f8mmenes fysiske form.<\/i><\/p>\n<p data-path-to-node=\"71\">Dette enest\u00e5ende vitrineskapet er en <b data-path-to-node=\"71\" data-index-in-node=\"37\">h\u00f8ykvalitets reproduksjon fra midten av det 20. \u00e5rhundre, skapt som en direkte og trofast videref\u00f8ring av designestetikken til Napoleon III og Second Empire<\/b>. Settet best\u00e5r av en \u00f8vre glassmonter og en vakkert utformet, tung bronsepiedestall. Vitrinens sider er innlagt med gr\u00f8nn marmor, mens interi\u00f8ret er polstret med original rosa silke i klassisk fransk <i data-path-to-node=\"71\" data-index-in-node=\"394\">capitonn\u00e9<\/i>-teknik (knapps\u00f8m). Korpuset i forgylt bronse (<i data-path-to-node=\"71\" data-index-in-node=\"450\">ormolu<\/i>) prydes av detaljerte sfinx-byster og st\u00f8pte laurb\u00e6rguirlandere. Det er i utmerket stand.<\/p>\n<p data-path-to-node=\"73\">\ud83c\uddebiin Mitat: Korkeus 130 cm \u00d7 Leveys 50,5 cm \u00d7 Syvyys 25 cm<\/p>\n<h3 data-path-to-node=\"74\"><b data-path-to-node=\"74\" data-index-in-node=\"0\">Harvinainen pronssivitriini sfinkseill\u00e4 ja vihre\u00e4ll\u00e4 marmorilla \u2014 Napoleon III -tyyliin<\/b><\/h3>\n<p data-path-to-node=\"75\">T\u00e4m\u00e4 hieno lasivitriini skulpturaalisella jalustalla kuuluu siihen hedelm\u00e4lliseen aikakauteen, jolloin neoklassisismi ja toisen keisarikunnan tyyli (<i data-path-to-node=\"75\" data-index-in-node=\"149\">Second Empire<\/i>) saavuttivat huippunsa Ranskassa \u2013 Napoleon III:n hallituskaudella ja v\u00e4litt\u00f6m\u00e4sti sen j\u00e4lkeen. Juuri t\u00e4n\u00e4 aikana suurporvaristo ja aristokratia tilasivat edustavia vitriinej\u00e4 ja hyllykk\u00f6j\u00e4 korujen, posliiniminiatyyrien ja ker\u00e4ilyesineiden esillepanoon. Esineess\u00e4 yhdistyv\u00e4t empiretyylin tiukkuus ja neoklassisismin rikas koristeellinen kieli \u2013 kulmien sfinksihahmot ovat suora viittaus Napoleonin Egyptin-sotaretken inspiroimaan <i data-path-to-node=\"75\" data-index-in-node=\"593\">Style retour d\u2019\u00c9gypte<\/i> -muotiin. Toisen keisarikunnan loiston ja eklektiikan teatraalisuuden v\u00e4lill\u00e4 t\u00e4m\u00e4 kohde on n\u00e4iden kahden v\u00e4linen vuoropuhelu: klassismin kuri ja romantiikan aistillisuus el\u00e4v\u00e4t t\u00e4ss\u00e4 rinnakkain samassa kuvassa.<\/p>\n<p data-path-to-node=\"76\"><b data-path-to-node=\"76\" data-index-in-node=\"0\"><i data-path-to-node=\"76\" data-index-in-node=\"0\">Kirjallinen tilannekuva, St\u00e9phane Mallarm\u00e9 (St\u00e9phane Mallarm\u00e9) symbolistisessa salongissaan Pariisissa:<\/i><\/b> <i data-path-to-node=\"76\" data-index-in-node=\"104\">Iltah\u00e4m\u00e4r\u00e4 runoilijan salongissa Rue de Romella karkotti hitaasti p\u00e4iv\u00e4n melun, ja huoneeseen laskeutui juhlallinen, melkein mystinen hiljaisuus. Kalliin tupakan savun, vanhan pergamentin ja tuoreiden liljojen hienovaraiset tuoksut t\u00e4yttiv\u00e4t huoneen, kun lep\u00e4\u00e4v\u00e4t kynttil\u00e4nliekit tanssivat nurkissa. Siell\u00e4, raskaiden samettiverhojen v\u00e4liss\u00e4, kohosi kapea, korkea kullattu pronssivitriini kuin jalo muistomerkki, jonka vihre\u00e4 marmorijalusta ja lasitettu runko n\u00e4yttiv\u00e4t vartioivan runouden ja pakenevien unelmien fyysist\u00e4 muotoa.<\/i><\/p>\n<p data-path-to-node=\"77\">T\u00e4m\u00e4 poikkeuksellisen harvinainen vitriini on <b data-path-to-node=\"77\" data-index-in-node=\"46\">korkealaatuinen 1900-luvun puoliv\u00e4lin j\u00e4ljenn\u00f6s, joka on luotu suoraksi ja uskolliseksi jatkoksi Napoleon III:n ja toisen keisarikunnan muotoiluestetiikalle<\/b>. Esine on jaettu rakenteellisesti kahteen osaan: ylemp\u00e4\u00e4n lasitettuun vitriiniin ja veistokselliseen, raskaaseen pronssijalustaan. Vitriinin sivut on upotettu vihre\u00e4ll\u00e4 marmorilla, ja sis\u00e4puoli on verhoiltu alkuper\u00e4isell\u00e4 vaaleanpunaisella silkkikankaalla ylellisell\u00e4 ranskalaisella <i data-path-to-node=\"77\" data-index-in-node=\"486\">capitonn\u00e9<\/i>-tekniikalla (nappitikkaus). Kullatusta pronssista (<i data-path-to-node=\"77\" data-index-in-node=\"547\">ormolu<\/i>) valmistettua runkoa koristavat sfinksirintakuvat ja valetut laakeriseppeleet. Se on erinomaisessa kunnossa.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Izsmalcin\u0101ta un monument\u0101la zelt\u012btas bronzas vitr\u012bna uz skulptur\u0101la postamenta, kas rad\u012bta 20. gadsimta vid\u016b k\u0101 kr\u0101\u0161\u0146s Napoleona III (Second Empire) est\u0113tikas turpin\u0101jums. Apr\u012bkota ar za\u013c\u0101 marmora virsm\u0101m, greznu roz\u0101 z\u012bda kapiton\u0113 (<i data-path-to-node=\"8\" data-index-in-node=\"235\">capitonn\u00e9<\/i>) polster\u0113jumu un m\u012btisk\u0101m sfinksu fig\u016br\u0101m. Unik\u0101ls un ekskluz\u012bvs dekorat\u012bv\u0101s m\u0101kslas priek\u0161mets.<\/p>\n","protected":false},"featured_media":36248,"template":"","meta":[],"product_brand":[],"product_cat":[207,204,218],"product_tag":[1550,1554,1551,1558,1553,1559,1555,1549,1557,1560,1552,1170,1561,1556],"class_list":["post-36247","product","type-product","status-publish","has-post-thumbnail","product_cat-mebeles","product_cat-visas-lietas","product_cat-vitrinas","product_tag-antika-stikla-vitrina","product_tag-antikvara-vitrina","product_tag-bronze-ormolu-vitrine","product_tag-damu-salons","product_tag-darglietu-vitrina","product_tag-ekskluzivas-mebeles","product_tag-empire-style-cabinet","product_tag-rare-napoleon-iii-bronze-display-cabinet","product_tag-skulpturals-postaments","product_tag-stefana-malarme-stephane-mallarme-simbolisma-salons-parize","product_tag-style-retour-degypte","product_tag-zalais-marmors","product_tag-1561","product_tag-1556","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/36247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/36248"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=36247"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=36247"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=36247"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=36247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}