{"id":36185,"date":"2025-07-01T15:46:23","date_gmt":"2025-07-01T12:46:23","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=36185"},"modified":"2026-09-08T02:28:47","modified_gmt":"2026-09-07T23:28:47","slug":"5784","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5784\/","title":{"rendered":"Stikla Vitr\u012bna uz Augst\u0101m K\u0101j\u0101m ar Bronzas Aplik\u0101cij\u0101m \u2014 Luija XV stils, Par\u012bze, ap 1880.\u20131910. (Wooden vitrine on high legs with bronze hardware) (5784)"},"content":{"rendered":"<p data-path-to-node=\"9\">\ud83c\uddf1\ud83c\uddfb Izm\u0113ri: Augstums 163,5 cm \u00d7 platums 71,5 cm \u00d7 dzi\u013cums 34 cm<\/p>\n<p data-path-to-node=\"10\"><b data-path-to-node=\"10\" data-index-in-node=\"0\">Koka vitr\u012bna uz augst\u0101m k\u0101j\u0101m ar bronzas aplik\u0101cij\u0101m<\/b><\/p>\n<p data-path-to-node=\"11\"><b data-path-to-node=\"11\" data-index-in-node=\"0\"><i data-path-to-node=\"11\" data-index-in-node=\"0\">P\u0101rlaic\u012bg\u0101s elegances momentuz\u0146\u0113mums, \u012avs Senlor\u0101ns (Yves Saint Laurent):<\/i><\/b> <i data-path-to-node=\"11\" data-index-in-node=\"74\">Savas elegant\u0101s Par\u012bzes rezidences (rue de Babylone) klusum\u0101 le\u0123end\u0101rais modes dizainers \u012avs Senlor\u0101ns, kur\u0161 bija kaisl\u012bgs un smalks m\u0101kslas un antikvari\u0101ta kolekcion\u0101rs, apbr\u012bnoja savu jaun\u0101ko atradumu. T\u0101 bija neticami gracioza Lu\u012b XV stila vitr\u012bna uz augst\u0101m, slaid\u0101m k\u0101j\u0101m. M\u0113bele st\u0101v\u0113ja telp\u0101 k\u0101 trausla baler\u012bna uz pirkstgaliem, t\u0101s siltie koka to\u0146i un zelt\u012bt\u0101s bronzas aplik\u0101cijas uztv\u0113ra maigo p\u0113cpusdienas gaismu, kas pl\u016bda caur lielajiem logiem.<\/i><\/p>\n<p data-path-to-node=\"12\"><i data-path-to-node=\"12\" data-index-in-node=\"0\">Vitr\u012bnas visvaldzino\u0161\u0101k\u0101 iez\u012bme bija t\u0101s iek\u0161puse, kas izkl\u0101ta ar izteiksm\u012bgu, zili dzeltenu rakstainu audumu. \u012avam \u0161is audums nebija tikai fons; tas kalpoja k\u0101 iedvesmas avots, atg\u0101dinot par bag\u0101t\u012bgajiem un drosm\u012bgajiem tekstilizstr\u0101d\u0101jumiem, ko vi\u0146\u0161 izmantoja sav\u0101s &#8220;haute couture&#8221; kolekcij\u0101s. Uz stikla plauktiem vi\u0146\u0161 r\u016bp\u012bgi novietoja savas m\u012b\u013c\u0101k\u0101s miniat\u016br\u0101s skulpt\u016bras un krist\u0101la flakonus, v\u0113rojot, k\u0101 gaisma bez piep\u016bles dejo cauri stikla pane\u013ciem, nevainojami izgaismojot katru izst\u0101d\u012bto priek\u0161metu.<\/i><\/p>\n<p data-path-to-node=\"13\"><i data-path-to-node=\"13\" data-index-in-node=\"0\">Viegli aizverot durvis, vi\u0146a skatiens aiz\u0137\u0113r\u0101s pie mazas, iek\u0161pus\u0113 saglab\u0101ju\u0161\u0101s eti\u0137etes: &#8220;Les Fils d&#8217;Alfred Wimphen Paris&#8221;. \u0160\u012b necil\u0101 z\u012bm\u012bte bija patiesas Par\u012bzes meistar\u012bbas z\u012bmogs. Taj\u0101 klusaj\u0101 mirkl\u012b vitr\u012bna p\u0101rst\u0101ja b\u016bt tikai m\u0113bele; t\u0101 k\u013cuva par tiltu cauri laikam, savienojot 20. gadsimta s\u0101kuma Par\u012bzes meistar\u012bgos amatniekus ar vienu no t\u0101s izcil\u0101kajiem modernajiem rad\u012bt\u0101jiem, kalpojot k\u0101 m\u016b\u017e\u012bgs piemineklis fran\u010du elegancei.<\/i><\/p>\n<p data-path-to-node=\"14\"><b data-path-to-node=\"14\" data-index-in-node=\"0\">Ievads un izcelsme<\/b> \u0160\u012b neparasti elegant\u0101 koka vitr\u012bna ir klasisks Francijas m\u0113be\u013cu dizaina paraugs. T\u0101 iemieso 18. gadsimta <i data-path-to-node=\"14\" data-index-in-node=\"124\">Rococo<\/i> (Lu\u012b XV) atmodas stila lab\u0101k\u0101s iez\u012bmes, ta\u010du izce\u013cas ar \u012bpa\u0161u vizu\u0101lo vieglumu. Iek\u0161pus\u0113 saglab\u0101jusies ori\u0123in\u0101l\u0101 ra\u017eot\u0101ja eti\u0137ete &#8220;Ameublements, Meubles de Fantaisie \/ LES FILS d&#8217;ALFRED WIMPHEN \/ 25, rue du Faubourg St. Antoine 25 \/ PARIS&#8221;, kas nor\u0101da uz t\u0101s izcelsmi vien\u0101 no v\u0113sturiski slaven\u0101kajiem Par\u012bzes m\u0113be\u013cu ra\u017eo\u0161anas rajoniem 20. gadsimta pirmaj\u0101 pus\u0113.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Dizains un materi\u0101li<\/b> Vitr\u012bnas dizainu raksturo neparasti augstas, slaidas un izliektas <i data-path-to-node=\"15\" data-index-in-node=\"87\">cabriole<\/i> k\u0101ji\u0146as, kas pie\u0161\u0137ir m\u0113belei lidojo\u0161u un trauslu izskatu. Koka virsmas rot\u0101 skaists, diagon\u0101li un simetriski veidots finier\u0113jums. St\u016brus, k\u0101ju izliekumus un apak\u0161\u0113jo cokolu akcent\u0113 smalkas, zelt\u012btas bronzas aplik\u0101cijas (ormolu) ar klasiskiem rokoko glieme\u017ev\u0101ku un lapu mot\u012bviem. Iek\u0161puse (gan aizmugure, gan pamatne) ir izkl\u0101ta ar ori\u0123in\u0101lu audumu ar \u0123eometrisku zili-dzelteni-baltu rakstu. Vitr\u012bna ir apr\u012bkota ar stikla plauktiem, kas nodro\u0161ina maksim\u0101lu gaismas caurlaid\u012bbu.<\/p>\n<p data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">Pielietojums<\/b> Pateicoties savam slaidajam siluetam (163,5 cm augstums, bet tikai 71,5 cm platums), \u0161\u012b vitr\u012bna neaiz\u0146em daudz vietas, ta\u010du k\u013c\u016bst par izteiksm\u012bgu interjera dominanti. T\u0101 ir ide\u0101la izv\u0113le smalku porcel\u0101na fig\u016bri\u0146u, smar\u017eu flakonu, nelielu kolekciju vai juvelierizstr\u0101d\u0101jumu izst\u0101d\u012b\u0161anai. T\u0101 br\u012bni\u0161\u0137\u012bgi ieder\u0113sies gu\u013camistab\u0101, budu\u0101r\u0101 vai elegant\u0101 viesistab\u0101.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\">St\u0101voklis<\/b> Loti labs vintage\/ant\u012bks st\u0101voklis. Koka virsmai ir saglab\u0101jies skaists tonis un sp\u012bdums ar neliel\u0101m, dabisk\u0101m laika un lieto\u0161anas p\u0113d\u0101m. Bronzas aplik\u0101cijas ir veselas. Stikls un iek\u0161\u0113jais audums ir lab\u0101 st\u0101vokl\u012b (audumam iesp\u0113jamas vieglas laika atst\u0101tas p\u0113das). Sl\u0113dzene darbojas, vitr\u012bnai ir atsl\u0113ga. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"19\">\ud83c\uddf7\ud83c\uddfa \u0420\u0430\u0437\u043c\u0435\u0440\u044b: \u0412\u044b\u0441\u043e\u0442\u0430 163,5 \u0441\u043c \u00d7 \u0448\u0438\u0440\u0438\u043d\u0430 71,5 \u0441\u043c \u00d7 \u0433\u043b\u0443\u0431\u0438\u043d\u0430 34 \u0441\u043c<\/p>\n<h3 data-path-to-node=\"20\"><b data-path-to-node=\"20\" data-index-in-node=\"0\">\u0414\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0430\u044f \u0432\u0438\u0442\u0440\u0438\u043d\u0430 \u043d\u0430 \u0432\u044b\u0441\u043e\u043a\u0438\u0445 \u043d\u043e\u0436\u043a\u0430\u0445 \u0441 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u043c\u0438 \u0434\u0435\u0442\u0430\u043b\u044f\u043c\u0438<\/b><\/h3>\n<p data-path-to-node=\"21\"><b data-path-to-node=\"21\" data-index-in-node=\"0\"><i data-path-to-node=\"21\" data-index-in-node=\"0\">\u0421\u043d\u0438\u043c\u043e\u043a \u0432\u043d\u0435\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u044d\u043b\u0435\u0433\u0430\u043d\u0442\u043d\u043e\u0441\u0442\u0438, \u0418\u0432 \u0421\u0435\u043d-\u041b\u043e\u0440\u0430\u043d (Yves Saint Laurent):<\/i><\/b> <i data-path-to-node=\"21\" data-index-in-node=\"69\">\u0412 \u0442\u0438\u0448\u0438\u043d\u0435 \u0441\u0432\u043e\u0435\u0439 \u044d\u043b\u0435\u0433\u0430\u043d\u0442\u043d\u043e\u0439 \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u043e\u0439 \u0440\u0435\u0437\u0438\u0434\u0435\u043d\u0446\u0438\u0438 (rue de Babylone) \u043b\u0435\u0433\u0435\u043d\u0434\u0430\u0440\u043d\u044b\u0439 \u043c\u043e\u0434\u0435\u043b\u044c\u0435\u0440 \u0418\u0432 \u0421\u0435\u043d-\u041b\u043e\u0440\u0430\u043d, \u0441\u0442\u0440\u0430\u0441\u0442\u043d\u044b\u0439 \u0438 \u0442\u043e\u043d\u043a\u0438\u0439 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u0435\u0440 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0438 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u0438\u0430\u0442\u0430, \u043b\u044e\u0431\u043e\u0432\u0430\u043b\u0441\u044f \u0441\u0432\u043e\u0438\u043c \u043f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u043c \u043f\u0440\u0438\u043e\u0431\u0440\u0435\u0442\u0435\u043d\u0438\u0435\u043c. \u042d\u0442\u043e \u0431\u044b\u043b\u0430 \u043d\u0435\u0432\u0435\u0440\u043e\u044f\u0442\u043d\u043e \u0433\u0440\u0430\u0446\u0438\u043e\u0437\u043d\u0430\u044f \u0432\u0438\u0442\u0440\u0438\u043d\u0430 \u0432 \u0441\u0442\u0438\u043b\u0435 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV \u043d\u0430 \u0432\u044b\u0441\u043e\u043a\u0438\u0445 \u0441\u0442\u0440\u043e\u0439\u043d\u044b\u0445 \u043d\u043e\u0436\u043a\u0430\u0445. \u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u043c\u0435\u0431\u0435\u043b\u0438 \u0441\u0442\u043e\u044f\u043b \u0432 \u043a\u043e\u043c\u043d\u0430\u0442\u0435, \u0441\u043b\u043e\u0432\u043d\u043e \u0445\u0440\u0443\u043f\u043a\u0430\u044f \u0431\u0430\u043b\u0435\u0440\u0438\u043d\u0430 \u043d\u0430 \u043f\u0443\u0430\u043d\u0442\u0430\u0445, \u0435\u0433\u043e \u0442\u0435\u043f\u043b\u044b\u0435 \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u044b\u0435 \u0442\u043e\u043d\u0430 \u0438 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u044b\u0435 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u0435 \u0430\u043f\u043f\u043b\u0438\u043a\u0430\u0446\u0438\u0438 \u043b\u043e\u0432\u0438\u043b\u0438 \u043c\u044f\u0433\u043a\u0438\u0439 \u043f\u043e\u0441\u043b\u0435\u043f\u043e\u043b\u0443\u0434\u0435\u043d\u043d\u044b\u0439 \u0441\u0432\u0435\u0442, \u0441\u0442\u0440\u0443\u044f\u0449\u0438\u0439\u0441\u044f \u0441\u043a\u0432\u043e\u0437\u044c \u0431\u043e\u043b\u044c\u0448\u0438\u0435 \u043e\u043a\u043d\u0430.<\/i><\/p>\n<p data-path-to-node=\"22\"><i data-path-to-node=\"22\" data-index-in-node=\"0\">\u0421\u0430\u043c\u043e\u0439 \u0437\u0430\u0432\u043e\u0440\u0430\u0436\u0438\u0432\u0430\u044e\u0449\u0435\u0439 \u0447\u0435\u0440\u0442\u043e\u0439 \u0432\u0438\u0442\u0440\u0438\u043d\u044b \u0431\u044b\u043b\u0430 \u0435\u0435 \u0432\u043d\u0443\u0442\u0440\u0435\u043d\u043d\u044f\u044f \u0447\u0430\u0441\u0442\u044c, \u043e\u0431\u0438\u0442\u0430\u044f \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0442\u043a\u0430\u043d\u044c\u044e \u0441 \u0441\u0438\u043d\u0435-\u0436\u0435\u043b\u0442\u044b\u043c \u0443\u0437\u043e\u0440\u043e\u043c. \u0414\u043b\u044f \u0418\u0432\u0430 \u044d\u0442\u0430 \u0442\u043a\u0430\u043d\u044c \u0431\u044b\u043b\u0430 \u043d\u0435 \u043f\u0440\u043e\u0441\u0442\u043e \u0444\u043e\u043d\u043e\u043c; \u043e\u043d\u0430 \u0441\u043b\u0443\u0436\u0438\u043b\u0430 \u0438\u0441\u0442\u043e\u0447\u043d\u0438\u043a\u043e\u043c \u0432\u0434\u043e\u0445\u043d\u043e\u0432\u0435\u043d\u0438\u044f, \u043d\u0430\u043f\u043e\u043c\u0438\u043d\u0430\u044f \u043e \u0431\u043e\u0433\u0430\u0442\u043e\u043c \u0438 \u0441\u043c\u0435\u043b\u043e\u043c \u0442\u0435\u043a\u0441\u0442\u0438\u043b\u0435, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u043e\u043d \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u043e\u0432\u0430\u043b \u0432 \u0441\u0432\u043e\u0438\u0445 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u044f\u0445 haute couture. \u041d\u0430 \u0441\u0442\u0435\u043a\u043b\u044f\u043d\u043d\u044b\u0445 \u043f\u043e\u043b\u043a\u0430\u0445 \u043e\u043d \u0431\u0435\u0440\u0435\u0436\u043d\u043e \u0440\u0430\u0441\u0441\u0442\u0430\u0432\u043b\u044f\u043b \u0441\u0432\u043e\u0438 \u043b\u044e\u0431\u0438\u043c\u044b\u0435 \u043c\u0438\u043d\u0438\u0430\u0442\u044e\u0440\u043d\u044b\u0435 \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u0443\u0440\u044b \u0438 \u0445\u0440\u0443\u0441\u0442\u0430\u043b\u044c\u043d\u044b\u0435 \u0444\u043b\u0430\u043a\u043e\u043d\u044b, \u043d\u0430\u0431\u043b\u044e\u0434\u0430\u044f, \u043a\u0430\u043a \u0441\u0432\u0435\u0442 \u0431\u0435\u0437 \u0443\u0441\u0438\u043b\u0438\u0439 \u0442\u0430\u043d\u0446\u0443\u0435\u0442 \u0441\u043a\u0432\u043e\u0437\u044c \u0441\u0442\u0435\u043a\u043b\u044f\u043d\u043d\u044b\u0435 \u043f\u0430\u043d\u0435\u043b\u0438, \u0431\u0435\u0437\u0443\u043f\u0440\u0435\u0447\u043d\u043e \u043e\u0441\u0432\u0435\u0449\u0430\u044f \u043a\u0430\u0436\u0434\u044b\u0439 \u0432\u044b\u0441\u0442\u0430\u0432\u043b\u0435\u043d\u043d\u044b\u0439 \u043f\u0440\u0435\u0434\u043c\u0435\u0442.<\/i><\/p>\n<p data-path-to-node=\"23\"><i data-path-to-node=\"23\" data-index-in-node=\"0\">\u041e\u0441\u0442\u043e\u0440\u043e\u0436\u043d\u043e \u0437\u0430\u043a\u0440\u044b\u0432 \u0434\u0432\u0435\u0440\u0446\u0443, \u043e\u043d \u0437\u0430\u043c\u0435\u0442\u0438\u043b \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u0443\u044e \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u0432\u0448\u0443\u044e\u0441\u044f \u0432\u043d\u0443\u0442\u0440\u0438 \u044d\u0442\u0438\u043a\u0435\u0442\u043a\u0443: &#8220;Les Fils d&#8217;Alfred Wimphen Paris&#8221;. \u042d\u0442\u0430 \u0441\u043a\u0440\u043e\u043c\u043d\u0430\u044f \u0442\u0430\u0431\u043b\u0438\u0447\u043a\u0430 \u0431\u044b\u043b\u0430 \u0437\u043d\u0430\u043a\u043e\u043c \u0438\u0441\u0442\u0438\u043d\u043d\u043e\u0433\u043e \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u043e\u0433\u043e \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u0442\u0432\u0430. \u0412 \u044d\u0442\u043e\u0442 \u0442\u0438\u0445\u0438\u0439 \u043c\u0438\u0433 \u0432\u0438\u0442\u0440\u0438\u043d\u0430 \u043f\u0435\u0440\u0435\u0441\u0442\u0430\u043b\u0430 \u0431\u044b\u0442\u044c \u043f\u0440\u043e\u0441\u0442\u043e \u043c\u0435\u0431\u0435\u043b\u044c\u044e; \u043e\u043d\u0430 \u0441\u0442\u0430\u043b\u0430 \u043c\u043e\u0441\u0442\u043e\u043c \u0441\u043a\u0432\u043e\u0437\u044c \u0432\u0440\u0435\u043c\u044f, \u0441\u043e\u0435\u0434\u0438\u043d\u044f\u044e\u0449\u0438\u043c \u0438\u0441\u043a\u0443\u0441\u043d\u044b\u0445 \u043c\u0430\u0441\u0442\u0435\u0440\u043e\u0432 \u041f\u0430\u0440\u0438\u0436\u0430 \u043d\u0430\u0447\u0430\u043b\u0430 20-\u0433\u043e \u0432\u0435\u043a\u0430 \u0441 \u043e\u0434\u043d\u0438\u043c \u0438\u0437 \u0435\u0433\u043e \u0432\u0435\u043b\u0438\u0447\u0430\u0439\u0448\u0438\u0445 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0445 \u0442\u0432\u043e\u0440\u0446\u043e\u0432, \u0441\u043b\u0443\u0436\u0430 \u0432\u0435\u0447\u043d\u044b\u043c \u043f\u0430\u043c\u044f\u0442\u043d\u0438\u043a\u043e\u043c \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0439 \u044d\u043b\u0435\u0433\u0430\u043d\u0442\u043d\u043e\u0441\u0442\u0438.<\/i><\/p>\n<p data-path-to-node=\"24\">\u042d\u0442\u0430 \u043d\u0435\u043e\u0431\u044b\u0447\u0430\u0439\u043d\u043e \u044d\u043b\u0435\u0433\u0430\u043d\u0442\u043d\u0430\u044f \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0430\u044f \u0432\u0438\u0442\u0440\u0438\u043d\u0430 \u044f\u0432\u043b\u044f\u0435\u0442\u0441\u044f \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u0438\u043c \u043e\u0431\u0440\u0430\u0437\u0446\u043e\u043c \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0433\u043e \u043c\u0435\u0431\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u0434\u0438\u0437\u0430\u0439\u043d\u0430. \u041e\u043d\u0430 \u0432\u043e\u043f\u043b\u043e\u0449\u0430\u0435\u0442 \u043b\u0443\u0447\u0448\u0438\u0435 \u0447\u0435\u0440\u0442\u044b \u0441\u0442\u0438\u043b\u044f \u0440\u043e\u043a\u043e\u043a\u043e (\u041b\u044e\u0434\u043e\u0432\u0438\u043a XV), \u043d\u043e \u043e\u0442\u043b\u0438\u0447\u0430\u0435\u0442\u0441\u044f \u043e\u0441\u043e\u0431\u043e\u0439 \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u043e\u0439 \u043b\u0435\u0433\u043a\u043e\u0441\u0442\u044c\u044e. \u0412\u043d\u0443\u0442\u0440\u0438 \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u0430\u0441\u044c \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u0430\u044f \u044d\u0442\u0438\u043a\u0435\u0442\u043a\u0430 \u043f\u0440\u043e\u0438\u0437\u0432\u043e\u0434\u0438\u0442\u0435\u043b\u044f &#8220;Les Fils d&#8217;Alfred Wimphen \/ PARIS&#8221;, \u0447\u0442\u043e \u0443\u043a\u0430\u0437\u044b\u0432\u0430\u0435\u0442 \u043d\u0430 \u0435\u0435 \u043f\u0440\u043e\u0438\u0441\u0445\u043e\u0436\u0434\u0435\u043d\u0438\u0435 \u0432 \u043e\u0434\u043d\u043e\u043c \u0438\u0437 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438 \u0438\u0437\u0432\u0435\u0441\u0442\u043d\u044b\u0445 \u043c\u0435\u0431\u0435\u043b\u044c\u043d\u044b\u0445 \u0440\u0430\u0439\u043e\u043d\u043e\u0432 \u041f\u0430\u0440\u0438\u0436\u0430 \u0432 \u043f\u0435\u0440\u0432\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0435 20 \u0432\u0435\u043a\u0430.<\/p>\n<p data-path-to-node=\"25\">\u0414\u0438\u0437\u0430\u0439\u043d \u0432\u0438\u0442\u0440\u0438\u043d\u044b \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0437\u0443\u0435\u0442\u0441\u044f \u043d\u0435\u043e\u0431\u044b\u0447\u043d\u043e \u0432\u044b\u0441\u043e\u043a\u0438\u043c\u0438, \u0441\u0442\u0440\u043e\u0439\u043d\u044b\u043c\u0438 \u0438 \u0438\u0437\u043e\u0433\u043d\u0443\u0442\u044b\u043c\u0438 \u043d\u043e\u0436\u043a\u0430\u043c\u0438 <i data-path-to-node=\"25\" data-index-in-node=\"81\">cabriole<\/i>. \u0414\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u044b\u0435 \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u0438 \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u044b \u043a\u0440\u0430\u0441\u0438\u0432\u044b\u043c, \u0434\u0438\u0430\u0433\u043e\u043d\u0430\u043b\u044c\u043d\u043e \u0438 \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u043e \u0440\u0430\u0441\u043f\u043e\u043b\u043e\u0436\u0435\u043d\u043d\u044b\u043c \u0448\u043f\u043e\u043d\u043e\u043c. \u0423\u0433\u043b\u044b \u0438 \u0438\u0437\u0433\u0438\u0431\u044b \u043d\u043e\u0436\u0435\u043a \u0430\u043a\u0446\u0435\u043d\u0442\u0438\u0440\u043e\u0432\u0430\u043d\u044b \u0438\u0437\u044f\u0449\u043d\u044b\u043c\u0438 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u044b\u043c\u0438 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u043c\u0438 \u043d\u0430\u043a\u043b\u0430\u0434\u043a\u0430\u043c\u0438 (\u043e\u0440\u043c\u043e\u043b\u0443). \u0412\u043d\u0443\u0442\u0440\u0435\u043d\u043d\u044f\u044f \u0447\u0430\u0441\u0442\u044c \u043e\u0431\u0438\u0442\u0430 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u043e\u0439 \u0442\u043a\u0430\u043d\u044c\u044e \u0441 \u0433\u0435\u043e\u043c\u0435\u0442\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u043c \u0441\u0438\u043d\u0435-\u0436\u0435\u043b\u0442\u043e-\u0431\u0435\u043b\u044b\u043c \u0443\u0437\u043e\u0440\u043e\u043c. \u0412\u0438\u0442\u0440\u0438\u043d\u0430 \u043e\u0441\u043d\u0430\u0449\u0435\u043d\u0430 \u0441\u0442\u0435\u043a\u043b\u044f\u043d\u043d\u044b\u043c\u0438 \u043f\u043e\u043b\u043a\u0430\u043c\u0438.<\/p>\n<p data-path-to-node=\"26\">\u0411\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u044f \u0441\u0432\u043e\u0435\u043c\u0443 \u0441\u0442\u0440\u043e\u0439\u043d\u043e\u043c\u0443 \u0441\u0438\u043b\u0443\u044d\u0442\u0443 \u044d\u0442\u0430 \u0432\u0438\u0442\u0440\u0438\u043d\u0430 \u043d\u0435 \u0437\u0430\u043d\u0438\u043c\u0430\u0435\u0442 \u043c\u043d\u043e\u0433\u043e \u043c\u0435\u0441\u0442\u0430, \u043d\u043e \u0441\u0442\u0430\u043d\u043e\u0432\u0438\u0442\u0441\u044f \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0434\u043e\u043c\u0438\u043d\u0430\u043d\u0442\u043e\u0439 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430. \u042d\u0442\u043e \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u044b\u0439 \u0432\u044b\u0431\u043e\u0440 \u0434\u043b\u044f \u0434\u0435\u043c\u043e\u043d\u0441\u0442\u0440\u0430\u0446\u0438\u0438 \u0442\u043e\u043d\u043a\u0438\u0445 \u0444\u0430\u0440\u0444\u043e\u0440\u043e\u0432\u044b\u0445 \u0444\u0438\u0433\u0443\u0440\u043e\u043a \u0438\u043b\u0438 \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u0438\u0445 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u0439. \u041e\u0442\u043b\u0438\u0447\u043d\u043e\u0435 \u0432\u0438\u043d\u0442\u0430\u0436\u043d\u043e\u0435 \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435. \u0414\u0435\u0440\u0435\u0432\u043e \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u043e \u043a\u0440\u0430\u0441\u0438\u0432\u044b\u0439 \u0442\u043e\u043d \u0441 \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u0438\u043c\u0438 \u0441\u043b\u0435\u0434\u0430\u043c\u0438 \u0432\u0440\u0435\u043c\u0435\u043d\u0438. \u0411\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u0435 \u0430\u043f\u043f\u043b\u0438\u043a\u0430\u0446\u0438\u0438 \u0446\u0435\u043b\u044b. \u0421\u0442\u0435\u043a\u043b\u043e \u0438 \u0432\u043d\u0443\u0442\u0440\u0435\u043d\u043d\u044f\u044f \u0442\u043a\u0430\u043d\u044c \u0432 \u0445\u043e\u0440\u043e\u0448\u0435\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438. \u0417\u0430\u043c\u043e\u043a \u0440\u0430\u0431\u043e\u0442\u0430\u0435\u0442, \u043a\u043b\u044e\u0447 \u0432 \u043a\u043e\u043c\u043f\u043b\u0435\u043a\u0442\u0435. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"28\">\ud83c\uddec\ud83c\udde7 Dimensions: Height 163.5 cm \u00d7 Width 71.5 cm \u00d7 Depth 34 cm<\/p>\n<h2 data-path-to-node=\"29\"><b data-path-to-node=\"29\" data-index-in-node=\"0\">Wooden vitrine on high legs with bronze hardware<\/b><\/h2>\n<p data-path-to-node=\"30\"><b data-path-to-node=\"30\" data-index-in-node=\"0\"><i data-path-to-node=\"30\" data-index-in-node=\"0\">A snapshot of timeless elegance, Yves Saint Laurent:<\/i><\/b> <i data-path-to-node=\"30\" data-index-in-node=\"53\">In the quiet of his elegant Parisian residence (rue de Babylone), the legendary fashion designer Yves Saint Laurent, a passionate and discerning collector of art and antiques, admired his latest acquisition. It was an incredibly graceful Louis XV style vitrine on high, slender legs. The piece stood in the room like a fragile ballerina on pointe, its warm wooden tones and gilded bronze appliqu\u00e9s catching the soft afternoon light streaming through the large windows.<\/i><\/p>\n<p data-path-to-node=\"31\"><i data-path-to-node=\"31\" data-index-in-node=\"0\">The vitrine\u2019s most captivating feature was its interior, lined with a distinct blue and yellow patterned fabric. For Yves, this fabric was not just a backdrop; it served as a source of inspiration, a reminder of the rich and bold textiles he used in his haute couture collections. On the glass shelves, he carefully placed his favorite miniature sculptures and crystal flacons, watching as the light effortlessly danced through the glass panels, flawlessly illuminating each displayed object.<\/i><\/p>\n<p data-path-to-node=\"32\"><i data-path-to-node=\"32\" data-index-in-node=\"0\">Gently closing the door, his eyes caught the small label preserved inside: &#8220;Les Fils d&#8217;Alfred Wimphen Paris&#8221;. This modest plaque was a seal of true Parisian craftsmanship. In that quiet moment, the vitrine ceased to be merely furniture; it became a bridge across time, connecting the masterful artisans of early 20th-century Paris with one of its greatest modern creators, serving as a timeless monument to French elegance.<\/i><\/p>\n<p data-path-to-node=\"33\">This unusually elegant wooden vitrine is a classic example of French furniture design. It embodies the best features of the 18th-century Rococo (Louis XV) revival style, yet stands out with a particular visual lightness. Inside, the original manufacturer&#8217;s label &#8220;Ameublements, Meubles de Fantaisie \/ LES FILS d&#8217;ALFRED WIMPHEN \/ 25, rue du Faubourg St. Antoine 25 \/ PARIS&#8221; has been preserved, indicating its origin in one of the historically famous Parisian furniture manufacturing districts in the first half of the 20th century.<\/p>\n<p data-path-to-node=\"34\">The design of the vitrine is characterized by unusually high, slender, and curved <i data-path-to-node=\"34\" data-index-in-node=\"82\">cabriole<\/i> legs, giving the piece a flying and fragile appearance. The wooden surfaces are decorated with a beautiful, diagonally and symmetrically arranged veneer. The corners, leg curves, and lower apron are accentuated by fine, gilded bronze appliqu\u00e9s (ormolu) featuring classic rococo shell and leaf motifs. The interior is lined with the original fabric featuring a geometric blue-yellow-white pattern. The vitrine is equipped with glass shelves, ensuring maximum light transmission.<\/p>\n<p data-path-to-node=\"35\">Thanks to its slender silhouette (163.5 cm high, but only 71.5 cm wide), this vitrine does not take up much space but becomes an expressive interior dominant. It is an ideal choice for displaying fine porcelain figurines, perfume bottles, small collections, or jewelry. It will fit wonderfully into a bedroom, boudoir, or elegant living room.<\/p>\n<p data-path-to-node=\"36\">Very good vintage\/antique condition. The wooden surface has retained a beautiful tone and shine with minor, natural signs of age and use. The bronze appliqu\u00e9s are intact. The glass and interior fabric are in good condition (the fabric may show slight signs of age). The lock works, and the vitrine comes with a key. The condition of the item is fully reflected in the photographs.<\/p>\n<p data-path-to-node=\"38\">\ud83c\udde9\ud83c\uddea Ma\u00dfe: H\u00f6he 163,5 cm \u00d7 Breite 71,5 cm \u00d7 Tiefe 34 cm<\/p>\n<h3 data-path-to-node=\"39\"><b data-path-to-node=\"39\" data-index-in-node=\"0\">Holzvitrine auf hohen Beinen mit Bronzebeschl\u00e4gen<\/b><\/h3>\n<p data-path-to-node=\"40\"><b data-path-to-node=\"40\" data-index-in-node=\"0\"><i data-path-to-node=\"40\" data-index-in-node=\"0\">Eine Momentaufnahme zeitloser Eleganz, Yves Saint Laurent:<\/i><\/b> <i data-path-to-node=\"40\" data-index-in-node=\"59\">In der Stille seiner eleganten Pariser Residenz bewunderte der legend\u00e4re Modedesigner Yves Saint Laurent, ein leidenschaftlicher Sammler von Kunst und Antiquit\u00e4ten, seine neueste Erwerbung. Es war eine unglaublich anmutige Vitrine im Louis-XV-Stil auf hohen, schlanken Beinen. Das M\u00f6belst\u00fcck stand im Raum wie eine zerbrechliche Ballerina; seine warmen Holzt\u00f6ne und die vergoldeten Bronzeapplikationen fingen das weiche Nachmittagslicht ein.<\/i><\/p>\n<p data-path-to-node=\"41\"><i data-path-to-node=\"41\" data-index-in-node=\"0\">Das faszinierendste Merkmal der Vitrine war ihr Inneres, das mit einem markanten blau-gelb gemusterten Stoff ausgekleidet war. F\u00fcr Yves war dieser Stoff nicht nur ein Hintergrund; er diente als Inspirationsquelle und erinnerte ihn an die reichen Textilien seiner Haute-Couture-Kollektionen. Auf den Glasb\u00f6den platzierte er sorgf\u00e4ltig seine liebsten Miniaturskulpturen und Kristallflakons.<\/i><\/p>\n<p data-path-to-node=\"42\"><i data-path-to-node=\"42\" data-index-in-node=\"0\">Als er die T\u00fcr sanft schloss, fiel sein Blick auf das kleine Etikett im Inneren: &#8220;Les Fils d&#8217;Alfred Wimphen Paris&#8221;. In diesem ruhigen Moment h\u00f6rte die Vitrine auf, nur ein M\u00f6belst\u00fcck zu sein; sie wurde zu einer Br\u00fccke durch die Zeit, die die meisterhaften Handwerker des Paris des fr\u00fchen 20. Jahrhunderts mit einem seiner gr\u00f6\u00dften modernen Sch\u00f6pfer verband.<\/i><\/p>\n<p data-path-to-node=\"43\">Diese au\u00dfergew\u00f6hnlich elegante Holzvitrine ist ein klassisches Beispiel f\u00fcr franz\u00f6sisches M\u00f6beldesign. Sie verk\u00f6rpert die besten Eigenschaften des Rokoko-Stils, zeichnet sich jedoch durch eine besondere optische Leichtigkeit aus. Im Inneren ist das Originaletikett des Herstellers &#8220;Les Fils d&#8217;Alfred Wimphen \/ PARIS&#8221; erhalten geblieben.<\/p>\n<p data-path-to-node=\"44\">Das Design zeichnet sich durch ungew\u00f6hnlich hohe, schlanke und geschwungene <i data-path-to-node=\"44\" data-index-in-node=\"76\">Cabriole<\/i>-Beine aus. Die Holzoberfl\u00e4chen sind mit einem sch\u00f6nen, diagonal angeordneten Furnier verziert. Die Ecken und Beinrundungen werden durch feine, vergoldete Bronzeapplikationen (Ormolu) akzentuiert. Der Innenraum ist mit einem originellen Stoff mit geometrischem Muster ausgekleidet.<\/p>\n<p data-path-to-node=\"45\">Dank ihrer schlanken Silhouette nimmt diese Vitrine nicht viel Platz ein. Sehr guter Vintage-Zustand. Die Holzoberfl\u00e4che hat einen sch\u00f6nen Ton mit leichten Altersspuren bewahrt. Die Bronzebeschl\u00e4ge sind intakt. Das Glas und der Innenstoff sind in gutem Zustand. Das Schloss funktioniert, Schl\u00fcssel ist vorhanden. Der Zustand ist auf den Fotos vollst\u00e4ndig ersichtlich.<\/p>\n<p data-path-to-node=\"47\">\ud83c\uddeb\ud83c\uddf7 Dimensions : Hauteur 163,5 cm \u00d7 Largeur 71,5 cm \u00d7 Profondeur 34 cm<\/p>\n<h3 data-path-to-node=\"48\"><b data-path-to-node=\"48\" data-index-in-node=\"0\">Vitrine en bois sur hauts pieds avec ferrures en bronze<\/b><\/h3>\n<p data-path-to-node=\"49\"><b data-path-to-node=\"49\" data-index-in-node=\"0\"><i data-path-to-node=\"49\" data-index-in-node=\"0\">Un instantan\u00e9 d&#8217;\u00e9l\u00e9gance intemporelle, Yves Saint Laurent :<\/i><\/b> <i data-path-to-node=\"49\" data-index-in-node=\"60\">Dans le calme de son \u00e9l\u00e9gante r\u00e9sidence parisienne (rue de Babylone), le l\u00e9gendaire cr\u00e9ateur de mode Yves Saint Laurent, collectionneur passionn\u00e9 et exigeant d&#8217;art et d&#8217;antiquit\u00e9s, admirait sa derni\u00e8re acquisition. C&#8217;\u00e9tait une vitrine de style Louis XV incroyablement gracieuse sur de hauts pieds fins. Le meuble se tenait dans la pi\u00e8ce comme une fragile ballerine sur les pointes, ses tons de bois chauds et ses applications en bronze dor\u00e9 captant la douce lumi\u00e8re de l&#8217;apr\u00e8s-midi.<\/i><\/p>\n<p data-path-to-node=\"50\"><i data-path-to-node=\"50\" data-index-in-node=\"0\">La caract\u00e9ristique la plus captivante de la vitrine \u00e9tait son int\u00e9rieur, tapiss\u00e9 d&#8217;un tissu distinct \u00e0 motifs bleus et jaunes. Pour Yves, ce tissu n&#8217;\u00e9tait pas seulement une toile de fond ; il servait de source d&#8217;inspiration, un rappel des textiles riches et audacieux qu&#8217;il utilisait dans ses collections de haute couture. Sur les \u00e9tag\u00e8res en verre, il pla\u00e7a soigneusement ses sculptures miniatures pr\u00e9f\u00e9r\u00e9es et ses flacons en cristal.<\/i><\/p>\n<p data-path-to-node=\"51\"><i data-path-to-node=\"51\" data-index-in-node=\"0\">En fermant doucement la porte, son regard s&#8217;est arr\u00eat\u00e9 sur la petite \u00e9tiquette conserv\u00e9e \u00e0 l&#8217;int\u00e9rieur : &#8220;Les Fils d&#8217;Alfred Wimphen Paris&#8221;. Dans ce moment de calme, la vitrine a cess\u00e9 d&#8217;\u00eatre un simple meuble ; elle est devenue un pont \u00e0 travers le temps, reliant les artisans magistraux du Paris du d\u00e9but du 20\u00e8me si\u00e8cle \u00e0 l&#8217;un de ses plus grands cr\u00e9ateurs modernes.<\/i><\/p>\n<p data-path-to-node=\"52\">Cette vitrine en bois exceptionnellement \u00e9l\u00e9gante est un exemple classique du design de mobilier fran\u00e7ais. Elle incarne les meilleures caract\u00e9ristiques du style Rococo (Louis XV), mais se distingue par une l\u00e9g\u00e8ret\u00e9 visuelle particuli\u00e8re. \u00c0 l&#8217;int\u00e9rieur, l&#8217;\u00e9tiquette d&#8217;origine du fabricant &#8220;Les Fils d&#8217;Alfred Wimphen \/ PARIS&#8221; a \u00e9t\u00e9 conserv\u00e9e, indiquant son origine dans l&#8217;un des quartiers de fabrication de meubles parisiens historiquement c\u00e9l\u00e8bres dans la premi\u00e8re moiti\u00e9 du 20\u00e8me si\u00e8cle.<\/p>\n<p data-path-to-node=\"53\">Le design se caract\u00e9rise par des pieds <i data-path-to-node=\"53\" data-index-in-node=\"39\">cabriole<\/i> exceptionnellement hauts, fins et incurv\u00e9s. Les surfaces en bois sont d\u00e9cor\u00e9es d&#8217;un beau placage dispos\u00e9 en diagonale. Les coins et les courbes des pieds sont accentu\u00e9s par de fines applications en bronze dor\u00e9 (ormolu). L&#8217;int\u00e9rieur est tapiss\u00e9 du tissu d&#8217;origine pr\u00e9sentant un motif g\u00e9om\u00e9trique bleu-jaune-blanc.<\/p>\n<p data-path-to-node=\"54\">Gr\u00e2ce \u00e0 sa silhouette \u00e9lanc\u00e9e, cette vitrine ne prend pas beaucoup de place mais devient une dominante expressive de l&#8217;int\u00e9rieur. Tr\u00e8s bon \u00e9tat vintage. La surface en bois a conserv\u00e9 un beau ton avec des signes mineurs de l&#8217;\u00e2ge. Les applications en bronze sont intactes. Le verre et le tissu int\u00e9rieur sont en bon \u00e9tat. La serrure fonctionne et la vitrine est livr\u00e9e avec une cl\u00e9. L&#8217;\u00e9tat de l&#8217;objet est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<p data-path-to-node=\"56\">\ud83c\udde9\ud83c\uddf0 M\u00e5l: H\u00f8jde 163,5 cm \u00d7 Bredde 71,5 cm \u00d7 Dybde 34 cm<\/p>\n<h3 data-path-to-node=\"57\"><b data-path-to-node=\"57\" data-index-in-node=\"0\">Tr\u00e6vitrine p\u00e5 h\u00f8je ben med bronzebeslag<\/b><\/h3>\n<p data-path-to-node=\"58\"><b data-path-to-node=\"58\" data-index-in-node=\"0\"><i data-path-to-node=\"58\" data-index-in-node=\"0\">Et \u00f8jebliksbillede af tidl\u00f8s elegance, Yves Saint Laurent:<\/i><\/b> <i data-path-to-node=\"58\" data-index-in-node=\"59\">I roen i sin elegante parisiske residens beundrede den legendariske modedesigner Yves Saint Laurent, en lidenskabelig samler af kunst og antikviteter, sin seneste erhvervelse. Det var en utrolig yndefuld Louis XV-stil vitrine p\u00e5 h\u00f8je, slanke ben. M\u00f8blet stod i rummet som en skr\u00f8belig ballerina; dets varme tr\u00e6toner og forgyldte bronzeapplikationer fangede det bl\u00f8de eftermiddagslys.<\/i><\/p>\n<p data-path-to-node=\"59\"><i data-path-to-node=\"59\" data-index-in-node=\"0\">Vitrinens mest f\u00e6ngslende tr\u00e6k var dens indre, foret med et markant bl\u00e5t og gult m\u00f8nstret stof. For Yves var dette stof ikke bare en baggrund; det fungerede som en inspirationskilde, en p\u00e5mindelse om de rige tekstiler, han brugte i sine haute couture-kollektioner. P\u00e5 glashylderne placerede han omhyggeligt sine yndlings miniatureskulpturer og krystalflakoner.<\/i><\/p>\n<p data-path-to-node=\"60\"><i data-path-to-node=\"60\" data-index-in-node=\"0\">Da han forsigtigt lukkede d\u00f8ren, fangede hans \u00f8jne den lille etiket bevaret indeni: &#8220;Les Fils d&#8217;Alfred Wimphen Paris&#8221;. I det stille \u00f8jeblik oph\u00f8rte vitrinen med at v\u00e6re blot m\u00f8bler; det blev en bro over tid, der forbandt de mesterlige h\u00e5ndv\u00e6rkere i det tidlige 20. \u00e5rhundredes Paris med en af dets st\u00f8rste moderne skabere.<\/i><\/p>\n<p data-path-to-node=\"61\">Denne us\u00e6dvanligt elegante tr\u00e6vitrine er et klassisk eksempel p\u00e5 fransk m\u00f8beldesign. Den inkarnerer de bedste tr\u00e6k fra rokokostilen, men skiller sig ud med en s\u00e6rlig visuel lethed. Indeni er den originale producents etiket &#8220;Les Fils d&#8217;Alfred Wimphen \/ PARIS&#8221; bevaret.<\/p>\n<p data-path-to-node=\"62\">Designet er karakteriseret ved us\u00e6dvanligt h\u00f8je, slanke og buede <i data-path-to-node=\"62\" data-index-in-node=\"65\">cabriole<\/i> ben. Tr\u00e6overfladerne er dekoreret med en smuk, diagonalt arrangeret finer. Hj\u00f8rnerne og benkurverne fremh\u00e6ves af fine, forgyldte bronzeapplikationer (ormolu). Indersiden er foret med det originale stof med et geometrisk m\u00f8nster.<\/p>\n<p data-path-to-node=\"63\">Takket v\u00e6re sin slanke silhuet tager denne vitrine ikke meget plads. Meget god vintage stand. Tr\u00e6overfladen har bevaret en smuk tone med mindre alderstegn. Bronzebeslagene er intakte. Glasset og det indvendige stof er i god stand. L\u00e5sen fungerer, og der medf\u00f8lger en n\u00f8gle. Genstandens tilstand er fuldt ud afspejlet p\u00e5 fotografierne.<\/p>\n<p data-path-to-node=\"65\">\ud83c\uddf8\ud83c\uddea M\u00e5tt: H\u00f6jd 163,5 cm \u00d7 Bredd 71,5 cm \u00d7 Djup 34 cm<\/p>\n<h3 data-path-to-node=\"66\"><b data-path-to-node=\"66\" data-index-in-node=\"0\">Tr\u00e4vitrin p\u00e5 h\u00f6ga ben med bronsbeslag<\/b><\/h3>\n<p data-path-to-node=\"67\"><b data-path-to-node=\"67\" data-index-in-node=\"0\"><i data-path-to-node=\"67\" data-index-in-node=\"0\">En \u00f6gonblicksbild av tidl\u00f6s elegans, Yves Saint Laurent:<\/i><\/b> <i data-path-to-node=\"67\" data-index-in-node=\"57\">I lugnet i sin eleganta parisiska bostad beundrade den legendariske modedesignern Yves Saint Laurent, en passionerad samlare av konst och antikviteter, sitt senaste f\u00f6rv\u00e4rv. Det var en otroligt graci\u00f6s vitrin i Louis XV-stil p\u00e5 h\u00f6ga, smala ben. M\u00f6beln stod i rummet som en br\u00e4cklig ballerina; dess varma tr\u00e4toner och f\u00f6rgyllda bronsapplikationer f\u00e5ngade det mjuka eftermiddagsljuset.<\/i><\/p>\n<p data-path-to-node=\"68\"><i data-path-to-node=\"68\" data-index-in-node=\"0\">Vitrinens mest f\u00e4ngslande drag var dess insida, fodrad med ett distinkt bl\u00e5tt och gult m\u00f6nstrat tyg. F\u00f6r Yves var detta tyg inte bara en bakgrund; det fungerade som en inspirationsk\u00e4lla, en p\u00e5minnelse om de rika textilier han anv\u00e4nde i sina haute couture-kollektioner. P\u00e5 glashyllorna placerade han noggrant sina favoritminiatyrskulpturer och kristallflakonger.<\/i><\/p>\n<p data-path-to-node=\"69\"><i data-path-to-node=\"69\" data-index-in-node=\"0\">N\u00e4r han f\u00f6rsiktigt st\u00e4ngde d\u00f6rren, f\u00e5ngade hans \u00f6gon den lilla etiketten som bevarats inuti: &#8220;Les Fils d&#8217;Alfred Wimphen Paris&#8221;. I den tysta stunden upph\u00f6rde vitrinen att bara vara en m\u00f6bel; den blev en bro \u00f6ver tiden, som f\u00f6rband de m\u00e4sterliga hantverkarna i tidigt 1900-tals Paris med en av dess st\u00f6rsta moderna skapare.<\/i><\/p>\n<p data-path-to-node=\"70\">Denna ovanligt eleganta tr\u00e4vitrin \u00e4r ett klassiskt exempel p\u00e5 fransk m\u00f6beldesign. Den f\u00f6rkroppsligar de b\u00e4sta egenskaperna hos rokokostilen, men sticker ut med en s\u00e4rskild visuell l\u00e4tthet. Inuti har originaltillverkarens etikett &#8220;Les Fils d&#8217;Alfred Wimphen \/ PARIS&#8221; bevarats.<\/p>\n<p data-path-to-node=\"71\">Designen k\u00e4nnetecknas av ovanligt h\u00f6ga, smala och b\u00f6jda <i data-path-to-node=\"71\" data-index-in-node=\"56\">cabriole<\/i>-ben. Tr\u00e4ytorna \u00e4r dekorerade med ett vackert, diagonalt arrangerat faner. H\u00f6rnen och benkurvorna accentueras av fina, f\u00f6rgyllda bronsapplikationer (ormolu). Insidan \u00e4r kl\u00e4dd med originaltyget med ett geometriskt m\u00f6nster.<\/p>\n<p data-path-to-node=\"72\">Tack vare sin slanka siluett tar denna vitrin inte mycket plats. Mycket gott vintage skick. Tr\u00e4ytan har beh\u00e5llit en vacker ton med mindre \u00e5lderstecken. Bronsbeslagen \u00e4r intakta. Glaset och det inre tyget \u00e4r i gott skick. L\u00e5set fungerar och en nyckel medf\u00f6ljer. F\u00f6rem\u00e5lets skick \u00e5terspeglas till fullo p\u00e5 fotografierna.<\/p>\n<p data-path-to-node=\"74\">\ud83c\uddf3\ud83c\uddf4 M\u00e5l: H\u00f8yde 163,5 cm \u00d7 Bredde 71,5 cm \u00d7 Dybde 34 cm<\/p>\n<h3 data-path-to-node=\"75\"><b data-path-to-node=\"75\" data-index-in-node=\"0\">Trevitrine p\u00e5 h\u00f8ye ben med bronsebeslag<\/b><\/h3>\n<p data-path-to-node=\"76\"><b data-path-to-node=\"76\" data-index-in-node=\"0\"><i data-path-to-node=\"76\" data-index-in-node=\"0\">Et \u00f8yeblikksbilde av tidl\u00f8s eleganse, Yves Saint Laurent:<\/i><\/b> <i data-path-to-node=\"76\" data-index-in-node=\"58\">I roen i sin elegante parisiske residens beundret den legendariske motedesigneren Yves Saint Laurent, en lidenskapelig samler av kunst og antikviteter, sin siste ervervelse. Det var en utrolig grasi\u00f8s Louis XV-stil vitrine p\u00e5 h\u00f8ye, slanke ben. M\u00f8belet sto i rommet som en skj\u00f8r ballerina; dets varme tretoner og forgylte bronseapplikasjoner fanget det myke ettermiddagslyset.<\/i><\/p>\n<p data-path-to-node=\"77\"><i data-path-to-node=\"77\" data-index-in-node=\"0\">Vitrinens mest fengslende trekk var dens indre, foret med et distinkt bl\u00e5tt og gult m\u00f8nstret stoff. For Yves var dette stoffet ikke bare en bakgrunn; det fungerte som en inspirasjonskilde, en p\u00e5minnelse om de rike tekstilene han brukte i sine haute couture-kolleksjoner. P\u00e5 glasshyllene plasserte han forsiktig sine favoritt miniatyrskulpturer og krystallflakonger.<\/i><\/p>\n<p data-path-to-node=\"78\"><i data-path-to-node=\"78\" data-index-in-node=\"0\">Da han forsiktig lukket d\u00f8ren, fanget \u00f8ynene hans den lille etiketten bevart inni: &#8220;Les Fils d&#8217;Alfred Wimphen Paris&#8221;. I det stille \u00f8yeblikket opph\u00f8rte vitrinen \u00e5 v\u00e6re bare m\u00f8bler; det ble en bro over tid, som forbandt de mesterlige h\u00e5ndverkerne i det tidlige 20. \u00e5rhundres Paris med en av dets st\u00f8rste moderne skapere.<\/i><\/p>\n<p data-path-to-node=\"79\">Denne uvanlig elegante trevitrinen er et klassisk eksempel p\u00e5 fransk m\u00f8beldesign. Den legemliggj\u00f8r de beste egenskapene fra rokokkostilen, men skiller seg ut med en spesiell visuell letthet. Innvendig er den originale produsentens etikett &#8220;Les Fils d&#8217;Alfred Wimphen \/ PARIS&#8221; bevart.<\/p>\n<p data-path-to-node=\"80\">Designet er karakterisert av uvanlig h\u00f8ye, slanke og buede <i data-path-to-node=\"80\" data-index-in-node=\"59\">cabriole<\/i> ben. Treoverflatene er dekorert med en vakker, diagonalt arrangert finer. Hj\u00f8rnene og benkurvene fremheves av fine, forgylte bronseapplikasjoner (ormolu). Innsiden er foret med originalstoffet med et geometrisk m\u00f8nster.<\/p>\n<p data-path-to-node=\"81\">Takket v\u00e6re sin slanke silhuett tar denne vitrinen ikke mye plass. Veldig god vintage stand. Treoverflaten har beholdt en vakker tone med mindre alderstegn. Bronsebeslagene er intakte. Glasset og det innvendige stoffet er i god stand. L\u00e5sen fungerer, og det f\u00f8lger med en n\u00f8kkel. Gjenstandens tilstand er fullt ut gjenspeilet p\u00e5 fotografiene.<\/p>\n<p data-path-to-node=\"83\">\ud83c\uddeb\ud83c\uddee Mitat: Korkeus 163,5 cm \u00d7 Leveys 71,5 cm \u00d7 Syvyys 34 cm<\/p>\n<h3 data-path-to-node=\"84\"><b data-path-to-node=\"84\" data-index-in-node=\"0\">Puuviilu korkeilla jaloilla ja pronssiheloilla<\/b><\/h3>\n<p data-path-to-node=\"85\"><b data-path-to-node=\"85\" data-index-in-node=\"0\"><i data-path-to-node=\"85\" data-index-in-node=\"0\">V\u00e4l\u00e4hdys ajatonta eleganssia, Yves Saint Laurent:<\/i><\/b> <i data-path-to-node=\"85\" data-index-in-node=\"50\">Tyylikk\u00e4\u00e4n pariisilaisen asuntonsa rauhassa legendaarinen muotisuunnittelija Yves Saint Laurent, intohimoinen taiteen ja antiikin ker\u00e4ilij\u00e4, ihaili uusinta hankintaansa. Se oli uskomattoman siro Louis XV -tyylinen vitriini korkeilla, hoikilla jaloilla. Huonekalu seisoi huoneessa kuin hauras ballerina; sen l\u00e4mpim\u00e4t puuns\u00e4vyt ja kullatut pronssisovellukset vangitsivat pehme\u00e4n iltap\u00e4iv\u00e4n valon.<\/i><\/p>\n<p data-path-to-node=\"86\"><i data-path-to-node=\"86\" data-index-in-node=\"0\">Vitriinin kiehtovin piirre oli sen sis\u00e4puoli, joka oli vuorattu erottuvalla sini-keltakuvioisella kankaalla. Yvesille t\u00e4m\u00e4 kangas ei ollut vain tausta; se toimi inspiraation l\u00e4hteen\u00e4, muistutuksena rikkaista tekstiileist\u00e4, joita h\u00e4n k\u00e4ytti haute couture -kokoelmissaan. Lasihyllyille h\u00e4n asetti varovasti suosikki miniatyyriveistoksensa ja kristallipullonsa.<\/i><\/p>\n<p data-path-to-node=\"87\"><i data-path-to-node=\"87\" data-index-in-node=\"0\">Sulkiessaan oven varovasti h\u00e4nen silm\u00e4ns\u00e4 osuivat sis\u00e4ll\u00e4 s\u00e4ilyneeseen pieneen etikettiin: &#8220;Les Fils d&#8217;Alfred Wimphen Paris&#8221;. Tuona hiljaisena hetken\u00e4 vitriini lakkasi olemasta vain huonekalu; siit\u00e4 tuli silta ajan halki, yhdist\u00e4en 1900-luvun alun Pariisin mestarilliset k\u00e4sity\u00f6l\u00e4iset yhteen sen suurimmista moderneista luojista.<\/i><\/p>\n<p data-path-to-node=\"88\">T\u00e4m\u00e4 ep\u00e4tavallisen tyylik\u00e4s puinen vitriini on klassinen esimerkki ranskalaisesta huonekalusuunnittelusta. Se ilment\u00e4\u00e4 rokokootyylin parhaita piirteit\u00e4, mutta erottuu erityisell\u00e4 visuaalisella keveydell\u00e4. Sis\u00e4ll\u00e4 on s\u00e4ilynyt alkuper\u00e4isen valmistajan etiketti &#8220;Les Fils d&#8217;Alfred Wimphen \/ PARIS&#8221;.<\/p>\n<p data-path-to-node=\"89\">Suunnittelulle ovat ominaisia poikkeuksellisen korkeat, hoikat ja kaarevat <i data-path-to-node=\"89\" data-index-in-node=\"75\">cabriole<\/i>-jalat. Puupinnat on koristeltu kauniilla, vinosti asetetulla viilulla. Kulmia ja jalkojen kaaria korostavat hienot, kullatut pronssisovellukset (ormolu). Sis\u00e4puoli on vuorattu alkuper\u00e4isell\u00e4 kankaalla, jossa on geometrinen kuvio.<\/p>\n<p data-path-to-node=\"90\">Hoikan siluettinsa ansiosta t\u00e4m\u00e4 vitriini ei vie paljon tilaa. Eritt\u00e4in hyv\u00e4 vintage-kunto. Puupinta on s\u00e4ilytt\u00e4nyt kauniin s\u00e4vyn pienill\u00e4 i\u00e4n merkeill\u00e4. Pronssihelat ovat ehj\u00e4t. Lasi ja sis\u00e4kangas ovat hyv\u00e4ss\u00e4 kunnossa. Lukko toimii ja avain on mukana. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eleganta un \u0101rk\u0101rt\u012bgi smalka Francijas Lu\u012b XV stila koka vitr\u012bna uz augst\u0101m, izliekt\u0101m k\u0101j\u0101m. M\u0113beli rot\u0101 klasiskas bronzas aplik\u0101cijas, bet t\u0101s iek\u0161puse izkl\u0101ta ar zili dzeltenu rakstainu audumu un apr\u012bkota ar stikla plauktiem. Saglab\u0101jusies ori\u0123in\u0101l\u0101 ra\u017eot\u0101ja &#8220;Les Fils d&#8217;Alfred Wimphen Paris&#8221; eti\u0137ete. Izm\u0113ri: 163,5 \u00d7 71,5 \u00d7 34 cm.<\/p>\n","protected":false},"featured_media":36186,"template":"","meta":[],"product_brand":[],"product_cat":[207,204,218],"product_tag":[3021,2192,378,1889,3008,2129,2999,3022,3025,3023,1366,995,3010,3020,3007,3024],"class_list":["post-36185","product","type-product","status-publish","has-post-thumbnail","product_cat-mebeles","product_cat-visas-lietas","product_cat-vitrinas","product_tag-alfred-wimphen-paris","product_tag-antikas-mebeles","product_tag-antique-vitrine","product_tag-bronzas-dekori","product_tag-bronze-hardware","product_tag-cabriole-legs","product_tag-french-furniture","product_tag-glass-cabinet","product_tag-haute-couture","product_tag-ivs-senlorans-yves-saint-laurent","product_tag-koka-vitrina","product_tag-louis-xv-style","product_tag-ormolu-mounts","product_tag-tall-display-cabinet","product_tag-vintage-furniture","product_tag----yves-saint-laurent","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/36185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/36186"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=36185"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=36185"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=36185"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=36185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}