\ud83d\udcd0 IZM\u0112RI<\/strong> Augstums 190 cm \u00d7 platums 205 cm \u00d7 dzi\u013cums 53 cm. \u013boti smaga \u2014 p\u0101rvieto\u0161anai nepiecie\u0161ami vismaz 4 cilv\u0113ki.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

Monument\u0101la Eboniz\u0113ta Ozola Bufete Divst\u0101vos \u2014 Neorenensanse \/ Historicisms, Francija vai Be\u013c\u0123ija, ap 1870.\u20131895.<\/strong><\/h3>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n
\u0160\u012b bufete pieder Belle \u00c9poque<\/strong> ziedu laikam \u2014 tam p\u0101rsteidzo\u0161i augl\u012bgajam periodam starp 1871. un 1914. gadu, kad Francija<\/strong> un Be\u013c\u0123ija<\/strong> rad\u012bja Eiropas izsmalcin\u0101t\u0101k\u0101s m\u0113beles reprezentat\u012bviem pils\u0113tu namiem un priv\u0101tajiem pil\u012bm. M\u0101kslinieciskais stils ir Neorenensanse<\/strong> \u2014 viens no Historizisma<\/strong> vado\u0161ajiem virzieniem, kur\u0101 19. gadsimta kabinetisti apvienoja Renesanses arhitektonisko discipl\u012bnu ar baroka dekorat\u012bvo ener\u0123iju.<\/p>\n
Buffet deux corps<\/em> \u2014 divst\u0101vu bufete \u2014 bija presti\u017e\u0101kais \u0113damistabas m\u0113be\u013cu form\u0101ts Francij\u0101 un Be\u013c\u0123ij\u0101. \u0160\u0101du gabalu pas\u016bt\u012bja tikai augst\u0101kais bur\u017eu\u0101zijas sl\u0101nis un aristokr\u0101ti \u2014 tas bija m\u0101jas statusa un kult\u016bras l\u012bme\u0146a apliecin\u0101jums, redzams ikvienam viesim, kas ien\u0101ca \u0113damistab\u0101.<\/p>\n
Maskaroni<\/em> \u2014 lauvu un d\u0113monu sejas, cirsti ar virtuozu precizit\u0101ti \u2014 bija Renesanses arhitekt\u016bras mot\u012bvs, kas Historizisma<\/strong> laikmet\u0101 ieguva jaunu dz\u012bvi. Kanel\u0113t\u0101s kolonnas ar joniskajiem<\/em> kapite\u013ciem, akantus<\/em> lapu vainagi, p\u0113r\u013cu<\/em> fr\u012bze un vijo\u0161\u0101s voliutas<\/em> s\u0101nu pane\u013cos veido piln\u012bgu arhitektonisku kompoz\u012bciju, kur\u0101 katra deta\u013ca ir dom\u0101ta un izpild\u012bta ar meistarklases roku.<\/p>\n
Bronzas interlaced<\/em> rokturi uz atvilktn\u0113m \u2014 vien\u012bgais zelta akcents uz intens\u012bvi meln\u0101s virsmas \u2014 rada vizu\u0101lo spriedzi, kas rakstur\u012bga lab\u0101kajiem Par\u012bzes un Briseles kabinetistiem.<\/p>\n
Taj\u0101 pa\u0161\u0101 laik\u0101, kad \u0161\u012b bufete tika rad\u012bta, \u00c9mile Zola<\/strong> rakst\u012bja savu Nana<\/em><\/strong> \u2014 rom\u0101nu par Par\u012bzes haute bourgeoisie<\/em><\/strong> dz\u012bvi. Tie\u0161i \u0161\u0101d\u0101s \u0113damistab\u0101s, pie tie\u0161i \u0161\u0101d\u0101m bufet\u0113m, vi\u0146a varo\u0146i r\u012bkoja savus vakari\u0146u galdus \u2014 ar dimanta rotasliet\u0101m un sudraba trauku papl\u0101t\u0113m un Burgundijas v\u012bniem. M\u0113bele nav tikai priek\u0161mets. T\u0101 ir lieciniece.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n
Redzama ra\u017eot\u0101ja z\u012bmoga nav. Ta\u010du izpildes kvalit\u0101te \u2014 eboniz\u0101cijas<\/em> dzi\u013cums un vienm\u0113r\u012bgums, maskaronu<\/em> plastiskums, kolonnu kanel\u016bru precizit\u0101te un interjera ozola apdarin\u0101jums \u2014 nep\u0101rprotami liecina par profesion\u0101lu kabinetista darbn\u012bcu Par\u012bz\u0113<\/strong> vai Brisel\u0113<\/strong>. Ab\u0101s pils\u0113t\u0101s 1870.\u20131895. gados darboj\u0101s vair\u0101kas augst\u0101k\u0101s klases m\u0113be\u013cu manufakt\u016bras, kas specializ\u0113j\u0101s tie\u0161i \u0161\u0101dos reprezentat\u012bvos Neorenensanses<\/strong> gab…<\/p>\n
Par\u012bzes \u00e9b\u00e9nistes<\/em> \u2014 melnkoku meistari \u2014 baud\u012bja Eiropas augst\u0101ko reput\u0101ciju, savuk\u0101rt Brisele bija Par\u012bzes cien\u012bga konkurente ar savu sp\u0113c\u012bgo menuisiers<\/em> trad\u012bciju. \u0160\u012bs divas pils\u0113tas 19. gadsimta otraj\u0101 pus\u0113 noteica Eiropas reprezentat\u012bv\u0101s m\u0113bel\u0113s standartus.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n
Piln\u012bb\u0101 saglab\u0101tas buffet deux corps<\/em> formas m\u0113beles \u0161\u0101d\u0101 izm\u0113r\u0101, \u0161\u0101d\u0101 izpildes l\u012bmen\u012b un \u0161\u0101d\u0101 st\u0101vokl\u012b \u2014 starptautiskaj\u0101 antikv\u0101ru tirg\u016b ir \u0101rk\u0101rt\u012bgi reti. Liel\u0101k\u0101 da\u013ca \u0161\u0101du gabalu laika gait\u0101 ir sadal\u012bta, p\u0101rlakota vai zaud\u0113jusi s\u0101kotn\u0113jo eboniz\u0101ciju<\/em>.<\/p>\n
\u0160is eksempl\u0101rs ir saglab\u0101jis visu: ori\u0123in\u0101lo melno virsk\u0101rtu, bronzas furnit\u016bru, iek\u0161\u0113j\u0101s ozola plauktu sist\u0113mas un visu skulptur\u0101lo apdarin\u0101jumu piln\u0101 integrit\u0101t\u0113. T\u0101da saglab\u0101t\u012bba ir iz\u0146\u0113mums, nevis likums.<\/p>\n
Kolekcion\u0101ru un interjera dizaineru pasaul\u0113 eboniz\u0113t\u0101s Neorenensanses<\/em> bufetes ir piepras\u012btas k\u0101 centr\u0101lie akcentgabali reprezentat\u012bvos interjeross \u2014 muzejos, v\u0113sturisk\u0101s rezidenc\u0113s, augst\u0101k\u0101s klases priv\u0101tm\u0101j\u0101s un viesn\u012bc\u0101s.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n
\u0160\u012b bufete ir telpas kodols \u2014 ne akcents, bet arhitekt\u016bra. T\u0101 prasa augstus griestus un pla\u0161u \u0113damistabu vai reprezent\u0101cijas z\u0101li, kur t\u0101 var run\u0101t piln\u0101 bals\u012b.<\/p>\n
Klasiskaj\u0101 interjer\u0101 \u2014 v\u0113sturisk\u0101 nam\u0101, pil\u012b vai rezidenc\u0113 \u2014 t\u0101 atrod savu dabisko vietu. Eklektiskaj\u0101 interjer\u0101 t\u0101 darbojas k\u0101 dramatisks tum\u0161ais balasts pret gai\u0161\u0101m sien\u0101m un sudraba vai zelta akcentiem. M\u016bsdienu minim\u0101listisk\u0101 telp\u0101 \u2014 t\u0101 k\u013c\u016bst par absol\u016btu izteiksm\u012bgu kontrastdeklar\u0101ciju.<\/p>\n
Interjera fotogr\u0101fi un set design<\/em> speci\u0101listi \u0161\u0101du gabalu izmanto k\u0101 neapstr\u012bdamu fona dominanti \u2014 melnais eboniz\u0113tais<\/em> koks uz gaismas sienas ir vizu\u0101li nep\u0101rsp\u0113jams. Modes un st\u0101stu fotogr\u0101fij\u0101 \u0161\u0101da bufete pie\u0161\u0137ir kadram epohu un st\u0101stu bez v\u0101rdiem.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n
\u0160\u0101da m\u0113bele ir reprezentat\u012bva korporat\u012bv\u0101 vai diplom\u0101tisk\u0101 d\u0101vana augst\u0101kaj\u0101 l\u012bmen\u012b \u2014 v\u0113stnieka rezidencei, uz\u0146\u0113muma galvenajam birojam, priv\u0101tai kolekcijai. T\u0101 ir d\u0101vana, kas nekad netiek aizmirsta \u2014 jo ir nesaraujami saist\u012bta ar telpu, kur\u0101 t\u0101 atrodas.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n
\u013boti labs visp\u0101r\u0113jais st\u0101voklis priek\u0161metam \u0161\u0101da vecuma un m\u0113roga m\u0113belei. Eboniz\u0101cija<\/em> saglab\u0101jusies vienm\u0113r\u012bga, bez lieliem lokveida vai plais\u0101jumiem. Atsevi\u0161\u0137\u0101s viet\u0101s \u2014 \u0161\u0137aut\u0146u dabisks nolietojums, kas rakstur\u012bgs vecuma patinai un apliecina autentiskumu. Iek\u0161puse \u2014 t\u012bra, ozola plaukti lab\u0101 st\u0101vokl\u012b. Bronzas rokturi \u2014 ori\u0123in\u0101li, ar dabisku zeltainu patinu.<\/p>\n
Detaliz\u0113ti boj\u0101jumi, ja t\u0101di ir, piln\u012bb\u0101 atspogu\u013coti fotogr\u0101fij\u0101s. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n
\ud83d\udcd0 DIMENSIONS<\/strong> Height 190 cm \u00d7 width 205 cm \u00d7 depth 53 cm. Extremely heavy \u2014 minimum 4 people required for moving.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
Monumental Two-Tier Ebonized Oak Buffet \u2014 Neo-Renaissance \/ Historicism, France or Belgium, circa 1870\u20131895.<\/strong><\/h3>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n
This buffet belongs to the golden years of the Belle \u00c9poque<\/strong> \u2014 that extraordinarily fertile period between 1871 and 1914 when France<\/strong> and Belgium<\/strong> produced the finest furniture in Europe for the grand city residences and private estates of the haute bourgeoisie<\/em>. The artistic style is Neo-Renaissance<\/strong> \u2014 one of the leading currents within Historicism<\/strong> \u2014 in which 19th-century cabinetmakers united the architectural discipline of the Renaissance with the decorative energy of the Baroque.<\/p>\n
The buffet deux corps<\/em> \u2014 a two-tier buffet \u2014 was the most prestigious dining room furniture format in France and Belgium. Such a piece was commissioned only by the upper bourgeoisie and aristocracy: it was a declaration of status and cultural refinement, visible to every guest who entered the dining room.<\/p>\n
The mascarons<\/em> \u2014 lion and demon faces carved with virtuoso precision \u2014 were a Renaissance architectural motif that found new life in the Historicism<\/strong> era. Fluted columns with Ionic<\/em> capitals, acanthus<\/em> leaf friezes, pearl<\/em> mouldings, and scrolling volutes<\/em> on the side panels compose a complete architectural statement, in which every detail is conceived and executed by a master hand.<\/p>\n
The bronze interlaced<\/em> drawer pulls \u2014 the only golden accent against the intensely black surface \u2014 create a visual tension characteristic of the finest Parisian and Brussels cabinetmakers.<\/p>\n
At the very time this buffet was being made, \u00c9mile Zola<\/strong> was writing Nana<\/em><\/strong> \u2014 his novel of Parisian <\/strong>haute bourgeoisi<\/strong>e<\/em> life. It was in dining rooms exactly like this one, beside sideboards exactly like this, that his characters hosted their dinner parties, with diamond-set silverware and Burgundy wines. This piece is not merely an object. It is a witness.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n
No visible maker’s mark. However, the quality of execution \u2014 the depth and uniformity of the ebonization<\/em>, the plastic mastery of the mascarons<\/em>, the precision of the column fluting, and the natural oak interior finish \u2014 unmistakably points to a professional cabinetmaker’s workshop in Paris<\/strong> or Brussels<\/strong>. Both cities in the 1870s\u20131895 were home to several elite furniture manufacturers specialising precisely in this type of monumental Neo-Renaissance<\/strong> piece.<\/p>\n
Parisian \u00e9b\u00e9nistes<\/em> \u2014 ebony masters \u2014 held the highest reputation in Europe, while Brussels was a worthy rival with its powerful menuisiers<\/em> tradition. These two cities set the standard for Europe’s finest representative furniture in the second half of the 19th century.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n
Fully intact buffet deux corps<\/em> pieces of this scale, this level of execution, and in this condition are exceptionally rare on the international antiques market. The majority of such pieces have been separated, re-lacquered, or have lost their original ebonization<\/em> over time.<\/p>\n
This example retains everything: the original black surface, the bronze hardware, the interior oak shelving systems, and the complete sculptural decoration in full integrity. Such preservation is the exception, not the rule.<\/p>\n
Among collectors and interior designers, ebonized Neo-Renaissance<\/em> buffets are among the most sought-after centrepiece furniture \u2014 in museums, historic residences, high-end private homes and hotels.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83d\udd6f\ufe0f INTERIOR, DESIGN AND PHOTOGRAPHY USE<\/strong><\/p>\n
This buffet is not a room accent \u2014 it is architecture. It calls for high ceilings and a generous dining room or reception hall where it can speak at full volume.<\/p>\n
In a classical interior \u2014 a historic house, palace or residence \u2014 it finds its natural place. In an eclectic setting it functions as a dramatic dark anchor against pale walls and silver or golden accents. In a contemporary minimalist space it becomes an absolute, eloquent declaration of contrast.<\/p>\n
Interior photographers and set designers use such a piece as an undisputed background dominant \u2014 the ebonized<\/em> black wood against a light wall is visually unsurpassable. In fashion and narrative photography, a buffet like this gives the frame an era and a story without a single word.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83c\udf81 AS A GIFT<\/strong><\/p>\n
A piece of this stature represents the highest level of corporate or diplomatic gifting \u2014 for an ambassador’s residence, a company’s principal office, a private collection. It is a gift that is never forgotten, because it becomes inseparably bound to the room it inhabits.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83d\udd0d CONDITION<\/strong><\/p>\n
Very good overall condition for a piece of this age and scale. The ebonization<\/em> is preserved evenly, without significant lifting or cracking. Some natural edge wear in places, consistent with the age patina and confirming authenticity. Interior clean; oak shelving in good condition. Bronze hardware original, with a natural warm patina.<\/p>\n
Any detailed wear is fully visible in the photographs. The condition of the piece is fully reflected in the photographs.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
<\/div>\n","protected":false},"excerpt":{"rendered":"
Monument\u0101la divst\u0101vu eboniz\u0113ta ozola bufete ar maskaronu, lauvu seju un akantus lapu grie\u0161anu. Kanel\u0113tas kolonnas, bronzas rokturi. Neorenensanse \/ Historicisms, Francija vai Be\u013c\u0123ija, ap 1870.\u20131895. Augstums 190 cm \u00d7 platums 205 cm \u00d7 dzi\u013cums 53 cm.<\/p>\n","protected":false},"featured_media":36159,"template":"","meta":[],"product_brand":[],"product_cat":[221,207,215,204],"product_tag":[],"class_list":["post-36158","product","type-product","status-publish","has-post-thumbnail","product_cat-kumodes","product_cat-mebeles","product_cat-skapji","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/36158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/36159"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=36158"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=36158"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=36158"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=36158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}