\ud83d\udcd0 Augstums 44 cm \u00d7 platums 45,5 cm.<\/p>\n
\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n \u0160is izcilais septi\u0146viet\u012bgais sve\u010dturis pieder Belle \u00c9poque<\/strong> laikmeta reli\u0123iskajai lieti\u0161\u0137ajai m\u0101kslai \u2014 tam augl\u012bgajam periodam starp 1871. un 1914. gadu, kad Eiropas bazn\u012bcas un priv\u0101tie kolekcij\u0101ri vien\u0101di tiec\u0101s p\u0113c greznas, v\u0113sturiski iedvesmotas zeltain\u0101s bronzas. M\u0101kslinieciskais stils \u2014 Neogotika<\/strong> ar Historicisma<\/strong> elementiem \u2014 izpau\u017eas atv\u0113rtaj\u0101 filigr\u0101naj\u0101<\/em> konstrukcij\u0101, kur vol\u016btas<\/em> un akantus lapas<\/em> sadz\u012bvo ar gotiskajiem lokiem un krustu virsotn\u0113. Septi\u0146u gaismu skaits nav nejau\u0161s: septi\u0146as sveces simboliz\u0113 Sv\u0113t\u0101 Gara septi\u0146as d\u0101vanas un tie\u0161i atsaucas uz Vec\u0101s Der\u012bbas menoru<\/em> \u2014 \u0161\u0101di sve\u010dturi rot\u0101ja gan katedr\u0101\u013cu alt\u0101rus, gan aristokr\u0101tisku \u0123ime\u0146u kapelas un oratorijas.<\/p>\n Centr\u0101lais elements \u2014 Marijas monogramms<\/strong> (stiliz\u0113ts M ar krustu) \u2014 ir Sancta Maria<\/em> dievbij\u012bg\u0101s kult\u016bras z\u012bme, kas 19. gadsimta beig\u0101s piedz\u012bvoja \u012bpa\u0161u renesansi l\u012bdz ar neogoticisma kust\u012bbu vis\u0101 Rietumeirop\u0101. Pamatne veidota ar trim mas\u012bviem volutu<\/em> k\u0101j\u0101m, bag\u0101t\u012bgu akantus lapu<\/em> un \u010daulas<\/em> (coquille<\/em>) dekoru \u2014 tas ir klasisks Second Empire<\/strong> un v\u0113l\u0101 Historicisma<\/strong> pamatnes risin\u0101jums, ko lietoja gan Par\u012bzes, gan Briseles bazn\u012bcu piederumu darbn\u012bcas.<\/p>\n Taj\u0101 pa\u0161\u0101 laik\u0101, ap 1890. gadu, arhitekts Viol\u0113-le-Diks jau bija miris, ta\u010du vi\u0146a neogoticisma mantojums dz\u012bvoja ar pilnu sp\u0113ku \u2014 Par\u012bz\u0113 un Brjug\u0113, Lje\u017e\u0101 un Lion\u0101 str\u0101dnieki l\u0113ja bronzu t\u0101diem alt\u0101ra piederumiem, k\u0101ds ir \u0161is sve\u010dturis, un tos veda uz Be\u013c\u0123ijas un Francijas lielkatedr\u0101l\u0113m, kur sveces dega gan par dz\u012bvajiem, gan kritu\u0161ajiem 1870.\u201371. gada kar\u0101.<\/em><\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n Redzamaj\u0101s fotogr\u0101fij\u0101s manufakt\u016bras z\u012bmogs nav skaidri identific\u0113jams. P\u0113c izstr\u0101d\u0101juma kvalit\u0101tes, filigr\u0101n\u0101<\/em> l\u0113juma precizit\u0101tes un ornament\u0101lo deta\u013cu bag\u0101t\u012bbas \u2014 \u0161is sve\u010dturis visticam\u0101k n\u0101k no Be\u013c\u0123ijas vai Francijas<\/strong> specializ\u0113tas bazn\u012bcas piederumu manufakt\u016bras, manier\u0113<\/em> t\u0101diem ra\u017eot\u0101jiem k\u0101 Bourdon<\/strong> (Par\u012bze), Verheggen<\/strong> (Brisele) vai citi 19. gs. beigu reli\u0123isko izstr\u0101d\u0101jumu meistari. \u0160\u0101da veida bronzas un misi\u0146a bazn\u012bcas piederumus Be\u013c\u0123ija eksport\u0113ja pa visu Eiropu \u2014 tie bija pieejami gan katedr\u0101l\u0113m, gan tur\u012bgu mui\u017enieku priv\u0101taj\u0101m kapel\u0101m. Pamatn\u0113 v\u0113rojama noapa\u013cota soklveida forma ar perfor\u0101cij\u0101m \u2014 klasiska Be\u013c\u0123ijas un zieme\u013cfranc\u016bzie\u0161u darbn\u012bcu iez\u012bme.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n Piln\u012bgi saglab\u0101ju\u0161ies septi\u0146viet\u012bgi misi\u0146a sve\u010dturi ar reli\u0123isku monogrammu no Belle \u00c9poque<\/strong> perioda antikv\u0101ru tirg\u016b par\u0101d\u0101s aizvien ret\u0101k \u2014 liel\u0101k\u0101 da\u013ca tika p\u0101rdota vai p\u0101rkaus\u0113ta 20. gadsimta karu un kolektiviz\u0101cijas laik\u0101. \u0160is eksempl\u0101rs izskat\u0101s izcil\u0101 st\u0101vokl\u012b ar spilgti saglab\u0101tu patin\u0113tu<\/em> misi\u0146a virsmu. Kolekcion\u0101ru vid\u016b piepras\u012bjums p\u0113c autentiskiem bazn\u012bcas bronzas piederumiem steadily aug \u2014 \u012bpa\u0161i Rietumeiropas un ASV tirg\u016b, kur interjerus veido eclectique<\/em> un neoklasicisma trad\u012bcij\u0101.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n \u0160is sve\u010dturis ir izcils interjera akcentu elements<\/strong> gan autentisk\u0101 v\u0113sturisk\u0101 interjer\u0101, gan modern\u0101 eklektik\u0101. Tas izskat\u0101s majest\u0101tiski uz marmora kam\u012bna plaukta, sen\u0101 koka konsoles vai pret \u0137ie\u0123e\u013cu sienu \u2014 k\u0101 skaidri redzams pa\u0161\u0101s fotogr\u0101fij\u0101s. Septi\u0146as dego\u0161as sveces rada neatvair\u0101mu atmosf\u0113ru. Fotogr\u0101fi un stilisti<\/strong> to izmanto k\u0101 galveno rekviz\u012btu k\u0101zu, portreta un editorial<\/em> uz\u0146\u0113mumos. Interjera dizaineri<\/strong> to izv\u0113las gan klasiskos, gan industrial chic<\/em> projektos \u2014 bronzas zeltainums veido kontrastu ar neapstr\u0101d\u0101tu sienu vai tum\u0161u koksni.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n Sve\u010dturis ar Marijas monogrammu ir izcila reprezentat\u012bva d\u0101vana<\/strong> \u2014 piem\u0113rota bazn\u012bcas kopienas vad\u012bt\u0101jiem, m\u0101kslas un v\u0113stures kolekcion\u0101riem, arhib\u012bskapij\u0101m un priv\u0101t\u0101m kapel\u0101m. Tas ir r\u016bp\u012bgi p\u0101rdom\u0101ta un \u013coti person\u012bga d\u0101vana cilv\u0113kam ar dzi\u013cu tic\u012bbu vai est\u0113tisku interesi par Eiropas bazn\u012bcas m\u0101kslu. Piem\u0113rots ar\u012b k\u0101 korporat\u012bva vai diplom\u0101tiska d\u0101vana<\/strong> kult\u016bras un reli\u0123isko organiz\u0101ciju vad\u012bt\u0101jiem.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n Sve\u010dturis izskat\u0101s lieliski saglab\u0101jies \u2014 misi\u0146a virsma spilgta, ar vienm\u0113r\u012bgu patinu<\/em>, bez redzamiem l\u016bzumiem, deform\u0101cij\u0101m vai tr\u016bksto\u0161\u0101m da\u013c\u0101m. Visi septi\u0146i sve\u010du tur\u0113t\u0101ji ir kl\u0101t un vien\u0101di. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n \ud83d\udcd0 Height 44 cm \u00d7 Width 45.5 cm.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n This magnificent seven-light candelabrum belongs to the ecclesiastical decorative arts of the Belle \u00c9poque<\/strong> \u2014 that fertile period between 1871 and 1914 when European churches and private collectors alike sought richly ornate, historically inspired gilded bronze. The artistic style \u2014 Neo-Gothic<\/strong> with Historicism<\/strong> elements \u2014 is expressed in the open filigree<\/em> construction, where volutes<\/em> and acanthus leaves<\/em> coexist with Gothic arches and a cross at the apex. The number seven is no coincidence: seven candles symbolise the seven gifts of the Holy Spirit, directly echoing the Old Testament menorah<\/em> \u2014 candelabra of this type adorned cathedral altars as well as the private chapels and oratories of aristocratic families.<\/p>\n The central element \u2014 the Marian monogram<\/strong> (a stylised M surmounted by a cross) \u2014 is a devotional sign of Sancta Maria<\/em> that enjoyed a particular renaissance in the late 19th century alongside the Neo-Gothic movement across Western Europe. The base is formed by three substantial volute<\/em> feet, richly decorated with acanthus leaves<\/em> and shell<\/em> (coquille<\/em>) motifs \u2014 a classic Second Empire<\/strong> and late Historicism<\/strong> base treatment used by Parisian and Brussels workshops producing ecclesiastical furnishings.<\/p>\n Around 1890, the great architect Viollet-le-Duc had already passed, but his Neo-Gothic legacy lived on in full force \u2014 in Paris and Bruges, in Li\u00e8ge and Lyon, craftsmen cast bronze for altar pieces exactly like this candelabrum, sending them to the great cathedrals of Belgium and France, where candles burned for the living and for those lost in the war of 1870\u201371.<\/em><\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f MAKER AND HALLMARK<\/strong><\/p>\n No maker’s mark is clearly visible in the photographs. Based on the quality of casting, the precision of the filigree<\/em> work, and the richness of the ornamental detail, this candelabrum most likely originates from a specialised Belgian or French ecclesiastical metalwork workshop, in the manner<\/em> of such makers as Bourdon<\/strong> (Paris), Verheggen<\/strong> (Brussels), or other late 19th-century masters of religious bronzes. Belgium exported ecclesiastical bronze and brass pieces of this kind throughout Europe \u2014 supplying both great cathedrals and the private chapels of wealthy nobility. The rounded, perforated socle base is a characteristic feature of Belgian and northern French workshops.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n Fully intact seven-light brass candelabra with religious monograms from the Belle \u00c9poque<\/strong> period appear with increasing rarity on the antiques market \u2014 the majority were sold or melted down during the wars and confiscations of the 20th century. This example appears to be in outstanding condition, retaining a bright and even patina<\/em>. Collector demand for authentic ecclesiastical bronze pieces continues to grow steadily \u2014 particularly in Western European and North American markets, where interiors are conceived in the eclectique<\/em> and neo-classical tradition.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n This candelabrum is an exceptional focal accent piece<\/strong> in both authentic period interiors and modern eclectic settings. It looks magnificent on a marble mantelpiece, an antique console, or against a bare brick wall \u2014 as clearly demonstrated in the photographs themselves. Seven burning candles create an irresistible atmosphere. Photographers and stylists<\/strong> use pieces like this as the centrepiece of wedding, portrait, and editorial shoots. Interior designers<\/strong> choose it for both classical and industrial chic<\/em> projects \u2014 the golden warmth of brass creates a striking contrast against raw walls or dark timber.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 AS A GIFT<\/strong><\/p>\n A candelabrum bearing the Marian monogram is an outstanding representative gift<\/strong> \u2014 ideal for church community leaders, arts and history collectors, dioceses, and private chapels. It is a deeply considered and very personal gift for someone with a sincere faith or an aesthetic passion for European ecclesiastical art. Suitable also as a corporate or diplomatic gift<\/strong> for leaders of cultural and religious organisations.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d CONDITION<\/strong><\/p>\n The candelabrum appears exceptionally well preserved \u2014 the brass surface is bright with an even patina<\/em>, showing no visible cracks, deformation, or missing parts. All seven candle holders are present and uniform. The condition of the item is fully reflected in the photographs.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n","protected":false},"excerpt":{"rendered":" Septi\u0146viet\u012bgs misi\u0146a sve\u010dturis ar filigr\u0101nu zaru ornamentiku, Marijas monogrammu (M ar krustu) un mas\u012bvu tr\u012bsk\u0101ju pamatni ar akantus lap\u0101m. Neogotika \/ Bazn\u012bcas Historicisms, Be\u013c\u0123ija vai Francija, ap 1880.\u20131910. Augstums 44 cm \u00d7 platums 45,5 cm.<\/p>\n","protected":false},"featured_media":35821,"template":"","meta":[],"product_brand":[],"product_cat":[208,228,204],"product_tag":[],"class_list":["post-35820","product","type-product","status-publish","has-post-thumbnail","product_cat-lampas","product_cat-svecturi","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/35820","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/35821"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=35820"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=35820"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=35820"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=35820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Seven-Light Brass Candelabrum with Marian Monogram and Cross \u2014 Neo-Gothic \/ Church Historicism, Belgium or France, c. 1880\u20131910.<\/strong><\/h3>\n