Augstums: 96 cm Platums: 58 cm Dzi\u013cums: 40,5 cm<\/p>\n
\ud83c\uddf1\ud83c\uddfb Melnkoka to\u0146a spogu\u013ca aizslietnis \u2014 Napoleona III stil\u0101<\/b><\/p>\n
Pies\u0101tin\u0101ts melns tonis, attur\u012bga elegance un funkcion\u0101ls dizains apvienojas \u0161aj\u0101 izsmalcin\u0101taj\u0101 spogu\u013ca aizslietn\u012b. \u0160\u0101di br\u012bvi st\u0101vo\u0161i spogu\u013ci v\u0113sturiski kalpoja gan k\u0101 praktiski elementi \u0123\u0113rb\u0161an\u0101s un tualetes zon\u0101s, gan k\u0101 dekorat\u012bvi kam\u012bna aizsliet\u0146i, lai atstarotu gaismu un siltumu telp\u0101. T\u0101 pl\u016bsto\u0161\u0101 aug\u0161\u0113j\u0101 l\u012bnija un izteiksm\u012bgi virpotie apak\u0161\u0113jie balsti demonstr\u0113 smalku l\u012bdzsvaru starp mas\u012bvumu un vizu\u0101lo vieglumu.<\/p>\n
Izgatavo\u0161anas periods<\/b> Priek\u0161meta forma un eboniz\u0113t\u0101 (melni kr\u0101sot\u0101) koka apdare nor\u0101da uz 19. gadsimta beigu vai 20. gadsimta s\u0101kuma est\u0113tiku, kas rakstur\u012bga Napoleona III vai v\u0113l\u012bn\u0101 historisma stila interjeriem.<\/p>\n
Ra\u017eot\u0101js<\/b> Darin\u0101jis nezin\u0101ms Eiropas meistars, prec\u012bzi iev\u0113rojot laikmeta m\u0113be\u013cu dizaina trad\u012bcijas un piev\u0113r\u0161ot \u012bpa\u0161u uzman\u012bbu virpotaj\u0101m deta\u013c\u0101m stat\u012bva pamatn\u0113.<\/p>\n
Retums un noz\u012bme<\/b> Br\u012bvi st\u0101vo\u0161i neliela form\u0101ta spogu\u013ci ar \u0161\u0101du tum\u0161u, akad\u0113misku apdari ir sal\u012bdzino\u0161i reti sastopami. Tie iemieso laiku, kad katram interjera priek\u0161metam bija sava noteikta funkcija telpas arhitekt\u016br\u0101 un gaismas sp\u0113l\u0113s.<\/p>\n
Pielietojums<\/b> Ide\u0101li piem\u0113rots k\u0101 funkcion\u0101ls spogulis gu\u013camistab\u0101, \u0123\u0113rbtuv\u0113 vai k\u0101 dekorat\u012bvs akcents v\u0113sturisk\u0101 kabinet\u0101, novietots pie sienas vai kam\u012bna, lai pie\u0161\u0137irtu telpai dzi\u013cumu un atstarotu telpas gaismu.<\/p>\n
St\u0101voklis<\/b> Laba vizu\u0101l\u0101 st\u0101vokl\u012b ar dabisk\u0101m laika un lietojuma paz\u012bm\u0113m. Koka da\u013c\u0101m viet\u0101m man\u0101ms neliels kr\u0101sas nobru\u017e\u0101jums, kas tikai paspilgtina priek\u0161meta autentisko raksturu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
19. gadsimta beigu momentuz\u0146\u0113mums, Jonass Basanavi\u010ds (Jonas Basanavi\u010dius):<\/i><\/b> Ir gadsimtu mija, un viss Baltijas re\u0123ions vibr\u0113 no nacion\u0101l\u0101s atmodas nemier\u012bg\u0101s ener\u0123ijas. Kam\u0113r R\u012bgas kafejn\u012bc\u0101s jaun\u0101 latvie\u0161u inteli\u0123ence kaisl\u012bgi debat\u0113 par n\u0101kotni un T\u0113rbat\u0101 briest igau\u0146u kult\u016bras sp\u0113ks, gaiss ir pies\u0101tin\u0101ts ar jaunu laikrakstu tipogr\u0101fijas svinu un smagu gaidu saj\u016btu par main\u012bgu pasaules k\u0101rt\u012bbu. Vec\u0101s imp\u0113rijas pamati l\u0113n\u0101m dr\u016bp zem v\u0101rdu un ideju svara, taut\u0101m iztaisnojot muguras un pieprasot ties\u012bbas uz savu balsi Eiropas v\u0113stur\u0113.<\/i><\/p>\n
K\u0101d\u0101 klus\u0101, mijkr\u0113\u0161\u013ca iet\u012bt\u0101 Vi\u013c\u0146as kabinet\u0101 Jonass Basanavi\u010ds (Jonas Basanavi\u010dius) s\u0113\u017e starp v\u0113stures rokrakstu kalniem, saj\u016btot uz saviem pleciem veselas n\u0101cijas atmi\u0146u un r\u012btdienas svaru. Vi\u0146\u0161 noguris no\u0146em apa\u013c\u0101s brilles, \u013caujot v\u0101jajai petrolejas lampas gaismai mest dzi\u013cas \u0113nas p\u0101ri telpai. St\u016br\u012b klusi v\u012bd tum\u0161s, gluds siluets, kura v\u0113sais stikls uz mirkli notver telpas atspulgu un p\u0113tnieka noguru\u0161o, bet ap\u0146\u0113m\u012bgo skatienu \u2014 \u0161\u012b meln\u0101, stalt\u0101 forma telp\u0101 st\u0101v k\u0101 kluss, nelok\u0101ms liecinieks v\u0113laj\u0101m stund\u0101m, kur\u0101s tiek p\u0101rrakst\u012bti likte\u0146i.<\/i><\/p>\n
Augstums: 96 \u0441\u043c Platums: 58 \u0441\u043c Dzi\u013cums: 40,5 \u0441\u043c<\/p>\n
\ud83c\uddf7\ud83c\uddfa \u042d\u043a\u0440\u0430\u043d-\u0437\u0435\u0440\u043a\u0430\u043b\u043e \u0438\u0437 \u0447\u0435\u0440\u043d\u0435\u043d\u043e\u0433\u043e \u0434\u0435\u0440\u0435\u0432\u0430 \u2014 \u0432 \u0441\u0442\u0438\u043b\u0435 \u041d\u0430\u043f\u043e\u043b\u0435\u043e\u043d\u0430 III<\/b><\/p>\n
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\u0424\u043e\u0440\u043c\u0430 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 \u0438 \u043e\u0442\u0434\u0435\u043b\u043a\u0430 \u0438\u0437 \u044d\u0431\u043e\u043d\u0438\u0437\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u043e\u0433\u043e (\u043e\u043a\u0440\u0430\u0448\u0435\u043d\u043d\u043e\u0433\u043e \u0432 \u0447\u0435\u0440\u043d\u044b\u0439 \u0446\u0432\u0435\u0442) \u0434\u0435\u0440\u0435\u0432\u0430 \u0443\u043a\u0430\u0437\u044b\u0432\u0430\u044e\u0442 \u043d\u0430 \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0443 \u043a\u043e\u043d\u0446\u0430 19-\u0433\u043e \u0438\u043b\u0438 \u043d\u0430\u0447\u0430\u043b\u0430 20-\u0433\u043e \u0432\u0435\u043a\u0430, \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u043d\u0443\u044e \u0434\u043b\u044f \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u043e\u0432 \u0432 \u0441\u0442\u0438\u043b\u0435 \u041d\u0430\u043f\u043e\u043b\u0435\u043e\u043d\u0430 III \u0438\u043b\u0438 \u043f\u043e\u0437\u0434\u043d\u0435\u0433\u043e \u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430. (@) \u042d\u043a\u0440\u0430\u043d \u0441\u043e\u0437\u0434\u0430\u043d \u043d\u0435\u0438\u0437\u0432\u0435\u0441\u0442\u043d\u044b\u043c \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u0438\u043c \u043c\u0430\u0441\u0442\u0435\u0440\u043e\u043c, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u0442\u043e\u0447\u043d\u043e \u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043b \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044f\u043c \u043c\u0435\u0431\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u0434\u0438\u0437\u0430\u0439\u043d\u0430 \u0442\u043e\u0439 \u044d\u043f\u043e\u0445\u0438, \u0443\u0434\u0435\u043b\u044f\u044f \u043e\u0441\u043e\u0431\u043e\u0435 \u0432\u043d\u0438\u043c\u0430\u043d\u0438\u0435 \u0442\u043e\u0447\u0435\u043d\u044b\u043c \u0434\u0435\u0442\u0430\u043b\u044f\u043c \u0432 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0438 \u0441\u0442\u043e\u0439\u043a\u0438. \u041e\u0442\u0434\u0435\u043b\u044c\u043d\u043e \u0441\u0442\u043e\u044f\u0449\u0438\u0435 \u0437\u0435\u0440\u043a\u0430\u043b\u0430 \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u043e\u0433\u043e \u0444\u043e\u0440\u043c\u0430\u0442\u0430 \u0441 \u0442\u0430\u043a\u043e\u0439 \u0442\u0435\u043c\u043d\u043e\u0439, \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0447\u043d\u043e\u0439 \u043e\u0442\u0434\u0435\u043b\u043a\u043e\u0439 \u0432\u0441\u0442\u0440\u0435\u0447\u0430\u044e\u0442\u0441\u044f \u043e\u0442\u043d\u043e\u0441\u0438\u0442\u0435\u043b\u044c\u043d\u043e \u0440\u0435\u0434\u043a\u043e. \u041e\u043d\u0438 \u0432\u043e\u043f\u043b\u043e\u0449\u0430\u044e\u0442 \u0432\u0440\u0435\u043c\u044f, \u043a\u043e\u0433\u0434\u0430 \u043a\u0430\u0436\u0434\u044b\u0439 \u043f\u0440\u0435\u0434\u043c\u0435\u0442 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430 \u0438\u043c\u0435\u043b \u0441\u0432\u043e\u044e \u043e\u043f\u0440\u0435\u0434\u0435\u043b\u0435\u043d\u043d\u0443\u044e \u0444\u0443\u043d\u043a\u0446\u0438\u044e \u0432 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0435 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0430 \u0438 \u0438\u0433\u0440\u0435 \u0441\u0432\u0435\u0442\u0430.<\/p>\n
\u042d\u0442\u043e\u0442 \u043f\u0440\u0435\u0434\u043c\u0435\u0442 \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u043e \u043f\u043e\u0434\u0445\u043e\u0434\u0438\u0442 \u0432 \u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435 \u0444\u0443\u043d\u043a\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0437\u0435\u0440\u043a\u0430\u043b\u0430 \u0432 \u0441\u043f\u0430\u043b\u044c\u043d\u0435, \u0433\u0430\u0440\u0434\u0435\u0440\u043e\u0431\u043d\u043e\u0439 \u0438\u043b\u0438 \u043a\u0430\u043a \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u044b\u0439 \u0430\u043a\u0446\u0435\u043d\u0442 \u0432 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0435. \u0423\u0441\u0442\u0430\u043d\u043e\u0432\u043b\u0435\u043d\u043d\u043e\u0435 \u0443 \u0441\u0442\u0435\u043d\u044b \u0438\u043b\u0438 \u043a\u0430\u043c\u0438\u043d\u0430, \u043e\u043d\u043e \u043f\u0440\u0438\u0434\u0430\u0441\u0442 \u043f\u043e\u043c\u0435\u0449\u0435\u043d\u0438\u044e \u0433\u043b\u0443\u0431\u0438\u043d\u0443 \u0438 \u0431\u0443\u0434\u0435\u0442 \u043a\u0440\u0430\u0441\u0438\u0432\u043e \u043e\u0442\u0440\u0430\u0436\u0430\u0442\u044c \u0441\u0432\u0435\u0442. \u042d\u043a\u0440\u0430\u043d \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u0445\u043e\u0440\u043e\u0448\u0435\u043c \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438 \u0441 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u043c\u0438 \u0441\u043b\u0435\u0434\u0430\u043c\u0438 \u0432\u0440\u0435\u043c\u0435\u043d\u0438. \u041d\u0430 \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u044b\u0445 \u0447\u0430\u0441\u0442\u044f\u0445 \u043c\u0435\u0441\u0442\u0430\u043c\u0438 \u0437\u0430\u043c\u0435\u0442\u043d\u044b \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u0438\u0435 \u043f\u043e\u0442\u0435\u0440\u0442\u043e\u0441\u0442\u0438 \u043a\u0440\u0430\u0441\u043a\u0438, \u043a\u043e\u0442\u043e\u0440\u044b\u0435 \u043b\u0438\u0448\u044c \u043f\u043e\u0434\u0447\u0435\u0440\u043a\u0438\u0432\u0430\u044e\u0442 \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u044b\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n
\u0421\u043d\u0438\u043c\u043e\u043a \u043a\u043e\u043d\u0446\u0430 19 \u0432\u0435\u043a\u0430, \u0419\u043e\u043d\u0430\u0441 \u0411\u0430\u0441\u0430\u043d\u0430\u0432\u0438\u0447\u044e\u0441 (Jonas Basanavi\u010dius):<\/i><\/b> \u041d\u0430\u0441\u0442\u0443\u043f\u0430\u0435\u0442 \u0440\u0443\u0431\u0435\u0436 \u0432\u0435\u043a\u043e\u0432, \u0438 \u0432\u0435\u0441\u044c \u0411\u0430\u043b\u0442\u0438\u0439\u0441\u043a\u0438\u0439 \u0440\u0435\u0433\u0438\u043e\u043d \u0432\u0438\u0431\u0440\u0438\u0440\u0443\u0435\u0442 \u043e\u0442 \u0431\u0435\u0441\u043f\u043e\u043a\u043e\u0439\u043d\u043e\u0439 \u044d\u043d\u0435\u0440\u0433\u0438\u0438 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043f\u0440\u043e\u0431\u0443\u0436\u0434\u0435\u043d\u0438\u044f. \u041f\u043e\u043a\u0430 \u0432 \u0440\u0438\u0436\u0441\u043a\u0438\u0445 \u043a\u0430\u0444\u0435 \u043c\u043e\u043b\u043e\u0434\u0430\u044f \u043b\u0430\u0442\u044b\u0448\u0441\u043a\u0430\u044f \u0438\u043d\u0442\u0435\u043b\u043b\u0438\u0433\u0435\u043d\u0446\u0438\u044f \u0441\u0442\u0440\u0430\u0441\u0442\u043d\u043e \u0441\u043f\u043e\u0440\u0438\u0442 \u043e \u0431\u0443\u0434\u0443\u0449\u0435\u043c, \u0430 \u0432 \u0414\u0435\u0440\u043f\u0442\u0435 (Tartu) \u0437\u0440\u0435\u0435\u0442 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u0430\u044f \u0441\u0438\u043b\u0430 \u044d\u0441\u0442\u043e\u043d\u0446\u0435\u0432, \u0432\u043e\u0437\u0434\u0443\u0445 \u043f\u0440\u043e\u043f\u0438\u0442\u0430\u043d \u0441\u0432\u0438\u043d\u0446\u043e\u043c \u0442\u0438\u043f\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u043e\u0439 \u043a\u0440\u0430\u0441\u043a\u0438 \u043d\u043e\u0432\u044b\u0445 \u0433\u0430\u0437\u0435\u0442 \u0438 \u0442\u044f\u0436\u0435\u043b\u044b\u043c \u043f\u0440\u0435\u0434\u0447\u0443\u0432\u0441\u0442\u0432\u0438\u0435\u043c \u043c\u0435\u043d\u044f\u044e\u0449\u0435\u0433\u043e\u0441\u044f \u043c\u0438\u0440\u043e\u043f\u043e\u0440\u044f\u0434\u043a\u0430. \u0424\u0443\u043d\u0434\u0430\u043c\u0435\u043d\u0442 \u0441\u0442\u0430\u0440\u043e\u0439 \u0438\u043c\u043f\u0435\u0440\u0438\u0438 \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u043e \u0440\u0443\u0448\u0438\u0442\u0441\u044f \u043f\u043e\u0434 \u0442\u044f\u0436\u0435\u0441\u0442\u044c\u044e \u0441\u043b\u043e\u0432 \u0438 \u0438\u0434\u0435\u0439, \u043d\u0430\u0440\u043e\u0434\u044b \u0440\u0430\u0441\u043f\u0440\u0430\u0432\u043b\u044f\u044e\u0442 \u043f\u043b\u0435\u0447\u0438 \u0438 \u0442\u0440\u0435\u0431\u0443\u044e\u0442 \u043f\u0440\u0430\u0432\u0430 \u043d\u0430 \u0441\u0432\u043e\u0439 \u0433\u043e\u043b\u043e\u0441 \u0432 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0439 \u0438\u0441\u0442\u043e\u0440\u0438\u0438.<\/i><\/p>\n
\u0412 \u0442\u0438\u0445\u043e\u043c, \u043e\u043a\u0443\u0442\u0430\u043d\u043d\u043e\u043c \u0441\u0443\u043c\u0435\u0440\u043a\u0430\u043c\u0438 \u0432\u0438\u043b\u044c\u043d\u044e\u0441\u0441\u043a\u043e\u043c \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0435 \u0419\u043e\u043d\u0430\u0441 \u0411\u0430\u0441\u0430\u043d\u0430\u0432\u0438\u0447\u044e\u0441 (Jonas Basanavi\u010dius) \u0441\u0438\u0434\u0438\u0442 \u0441\u0440\u0435\u0434\u0438 \u0433\u043e\u0440 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0440\u0443\u043a\u043e\u043f\u0438\u0441\u0435\u0439, \u043e\u0449\u0443\u0449\u0430\u044f \u043d\u0430 \u0441\u0432\u043e\u0438\u0445 \u043f\u043b\u0435\u0447\u0430\u0445 \u0433\u0440\u0443\u0437 \u043f\u0430\u043c\u044f\u0442\u0438 \u0446\u0435\u043b\u043e\u0439 \u043d\u0430\u0446\u0438\u0438 \u0438 \u043e\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0441\u0442\u044c \u0437\u0430 \u0435\u0435 \u0437\u0430\u0432\u0442\u0440\u0430\u0448\u043d\u0438\u0439 \u0434\u0435\u043d\u044c. \u041e\u043d \u0443\u0441\u0442\u0430\u043b\u043e \u0441\u043d\u0438\u043c\u0430\u0435\u0442 \u043a\u0440\u0443\u0433\u043b\u044b\u0435 \u043e\u0447\u043a\u0438, \u043f\u043e\u0437\u0432\u043e\u043b\u044f\u044f \u0442\u0443\u0441\u043a\u043b\u043e\u043c\u0443 \u0441\u0432\u0435\u0442\u0443 \u043a\u0435\u0440\u043e\u0441\u0438\u043d\u043e\u0432\u043e\u0439 \u043b\u0430\u043c\u043f\u044b \u043e\u0442\u0431\u0440\u0430\u0441\u044b\u0432\u0430\u0442\u044c \u0433\u043b\u0443\u0431\u043e\u043a\u0438\u0435 \u0442\u0435\u043d\u0438 \u043f\u043e \u0432\u0441\u0435\u0439 \u043a\u043e\u043c\u043d\u0430\u0442\u0435. \u0412 \u0443\u0433\u043b\u0443 \u0442\u0438\u0445\u043e \u0432\u044b\u0440\u0438\u0441\u043e\u0432\u044b\u0432\u0430\u0435\u0442\u0441\u044f \u0442\u0435\u043c\u043d\u044b\u0439, \u0433\u043b\u0430\u0434\u043a\u0438\u0439 \u0441\u0438\u043b\u0443\u044d\u0442, \u0447\u044c\u0435 \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u043e\u0435 \u0441\u0442\u0435\u043a\u043b\u043e \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u0443\u043b\u0430\u0432\u043b\u0438\u0432\u0430\u0435\u0442 \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u0438\u0435 \u043a\u043e\u043c\u043d\u0430\u0442\u044b \u0438 \u0443\u0441\u0442\u0430\u043b\u044b\u0439, \u043d\u043e \u0440\u0435\u0448\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u0432\u0437\u0433\u043b\u044f\u0434 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u0442\u0435\u043b\u044f \u2014 \u044d\u0442\u0430 \u0447\u0435\u0440\u043d\u0430\u044f, \u0441\u0442\u0430\u0442\u043d\u0430\u044f \u0444\u043e\u0440\u043c\u0430 \u0441\u0442\u043e\u0438\u0442 \u0432 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0435 \u043a\u0430\u043a \u0431\u0435\u0437\u043c\u043e\u043b\u0432\u043d\u044b\u0439, \u043d\u0435\u043f\u0440\u0435\u043a\u043b\u043e\u043d\u043d\u044b\u0439 \u0441\u0432\u0438\u0434\u0435\u0442\u0435\u043b\u044c \u043f\u043e\u0437\u0434\u043d\u0438\u0445 \u0447\u0430\u0441\u043e\u0432, \u043a\u043e\u0433\u0434\u0430 \u043f\u0435\u0440\u0435\u043f\u0438\u0441\u044b\u0432\u0430\u044e\u0442\u0441\u044f \u0441\u0443\u0434\u044c\u0431\u044b.<\/i><\/p>\n
Height: 96 cm Width: 58 cm Depth: 40.5 cm<\/p>\n
\ud83c\uddec\ud83c\udde7 Ebonized wood mirror screen \u2014 in Napoleon III style<\/b><\/p>\n
A deep black tone, understated elegance, and functional design come together in this exquisite ebonized wood mirror screen. Such freestanding mirrors historically served both as practical elements in dressing areas and boudoirs, and as decorative fireplace screens to reflect light and warmth into the room. Its flowing top line and expressively turned lower supports demonstrate a delicate balance between solidity and visual lightness.<\/p>\n
The shape of the piece and the blackened wood finish point to the aesthetics of the late 19th or early 20th century, characteristic of Napoleon III or late Historicism style interiors. (@) It was crafted by an unknown European maker who precisely followed the furniture design traditions of the era, paying special attention to the turned details at the base of the stand. Freestanding mirrors of this smaller format with such a dark, academic finish are relatively rare. They embody a time when every interior object had a specific function in the architecture and light play of a room.<\/p>\n
This piece is ideally suited as a functional mirror in a bedroom or dressing room, or as a decorative accent in a historical study. Placed against a wall or near a fireplace, it will add depth and reflect the ambient light of the room beautifully. The screen is in good visual condition with natural signs of age and use. The wooden parts show minor wear and rubbing to the paint in places, which only enhances the authentic antique character of the item. The condition of the item is fully reflected in the photographs.<\/p>\n
A snapshot from the late 19th century, Jonas Basanavi\u010dius (Jonas Basanavi\u010dius):<\/i><\/b> It is the turn of the century, and the entire Baltic region vibrates with the restless energy of national awakening. While young Latvian intellectuals passionately debate the future in the cafes of Riga, and the cultural strength of the Estonians gathers momentum in Tartu, the air is thick with the lead of new printing presses and the heavy anticipation of a changing world order. The foundations of the old empire are slowly crumbling beneath the weight of words and ideas, as nations straighten their backs and demand the right to their own voice in European history.<\/i><\/p>\n
In a quiet, twilight-draped study in Vilnius, Jonas Basanavi\u010dius (Jonas Basanavi\u010dius) sits amidst mountains of historical manuscripts, feeling the weight of a nation’s memory and its tomorrow on his shoulders. He wearily removes his round glasses, allowing the faint light of a kerosene lamp to cast deep shadows across the room. In the corner, a dark, smooth silhouette quietly emerges, its cool glass catching a fleeting reflection of the space and the tired but resolute gaze of the scholar \u2014 this black, stately form stands in the room as a silent, unwavering witness to the late-night hours when destinies are rewritten.<\/i><\/p>\n
Augstums: 96 cm Platums: 58 cm Dzi\u013cums: 40,5 cm<\/p>\n
\ud83c\udde9\ud83c\uddea Spiegelschirm aus geschw\u00e4rztem Holz \u2014 im Napoleon III. Stil<\/b><\/p>\n
Dieser elegante Spiegelschirm vereint einen tiefschwarzen Farbton mit funktionalem Design. Solche freistehenden Spiegel dienten historisch sowohl als praktische Elemente in Ankleidezimmern als auch als dekorative Kaminschirme, um Licht und W\u00e4rme im Raum zu reflektieren. Die flie\u00dfende obere Linie und die gedrechselten unteren St\u00fctzen zeigen eine feine Balance zwischen Massivit\u00e4t und visueller Leichtigkeit.<\/p>\n
Die Form und die ebonisierte Holzoberfl\u00e4che verweisen auf die \u00c4sthetik des sp\u00e4ten 19. oder fr\u00fchen 20. Jahrhunderts, die f\u00fcr Interieurs im Napoleon III. Stil charakteristisch ist. (@) Das St\u00fcck wurde von einem unbekannten europ\u00e4ischen Meister gefertigt, der die Designtraditionen der Epoche genau befolgte. Kleine freistehende Spiegel mit einer derart dunklen, akademischen Oberfl\u00e4che sind heute selten.<\/p>\n
Der Schirm eignet sich ideal als funktionaler Spiegel im Schlafzimmer oder als dekorativer Akzent in einem historischen Arbeitszimmer. Er befindet sich in einem guten visuellen Zustand mit nat\u00fcrlichen Altersspuren. Leichte Farbabriebe an den Holzteilen unterstreichen den authentischen antiken Charakter. Der Zustand des Artikels ist auf den Fotos vollst\u00e4ndig dargestellt.<\/p>\n
Eine Momentaufnahme aus dem sp\u00e4ten 19. Jahrhundert, Jonas Basanavi\u010dius (Jonas Basanavi\u010dius):<\/i><\/b> Es ist die Jahrhundertwende, und der gesamte baltische Raum vibriert von der unruhigen Energie des nationalen Erwachens. W\u00e4hrend in den Rigaer Caf\u00e9s junge lettische Intellektuelle leidenschaftlich \u00fcber die Zukunft debattieren und in Tartu die kulturelle Kraft der Esten heranreift, ist die Luft erf\u00fcllt vom Blei neuer Zeitungsdruckereien und der schweren Vorahnung einer sich wandelnden Weltordnung. Die Fundamente des alten Imperiums br\u00f6ckeln langsam unter dem Gewicht von Worten und Ideen, w\u00e4hrend die Nationen den R\u00fccken geradestellen und das Recht auf ihre eigene Stimme in der europ\u00e4ischen Geschichte einfordern.<\/i><\/p>\n
In einem ruhigen, d\u00e4mmerigen Arbeitszimmer in Vilnius sitzt Jonas Basanavi\u010dius (Jonas Basanavi\u010dius) inmitten von Bergen historischer Manuskripte und sp\u00fcrt die Last der Erinnerung einer ganzen Nation auf seinen Schultern. M\u00fcde nimmt er seine runde Brille ab und l\u00e4sst das schwache Licht einer Petroleumlampe tiefe Schatten in den Raum werfen. In der Ecke zeichnet sich leise eine dunkle, glatte Silhouette ab, deren k\u00fchles Glas f\u00fcr einen Moment das Spiegelbild des Raumes und den m\u00fcden, aber entschlossenen Blick des Gelehrten einf\u00e4ngt \u2014 diese schwarze, stattliche Form steht im Raum als stiller, unersch\u00fctterlicher Zeuge der sp\u00e4ten Stunden, in denen Schicksale neu geschrieben werden.<\/i><\/p>\n
Augstums: 96 cm Platums: 58 cm Dzi\u013cums: 40,5 cm<\/p>\n
\ud83c\uddeb\ud83c\uddf7 \u00c9cran \u00e0 miroir en bois noirci \u2014 de style Napol\u00e9on III<\/b><\/p>\n
Cet \u00e9l\u00e9gant \u00e9cran \u00e0 miroir allie un ton noir profond \u00e0 un design fonctionnel. Ces miroirs sur pied servaient historiquement d’\u00e9l\u00e9ments pratiques dans les dressings, ainsi que d’\u00e9crans de chemin\u00e9e d\u00e9coratifs pour refl\u00e9ter la lumi\u00e8re et la chaleur dans la pi\u00e8ce. La ligne sup\u00e9rieure fluide et les supports inf\u00e9rieurs tourn\u00e9s d\u00e9montrent un \u00e9quilibre d\u00e9licat entre solidit\u00e9 et l\u00e9g\u00e8ret\u00e9 visuelle.<\/p>\n
La forme et la finition en bois \u00e9bonis\u00e9 indiquent l’esth\u00e9tique de la fin du 19e ou du d\u00e9but du 20e si\u00e8cle, caract\u00e9ristique des int\u00e9rieurs de style Napol\u00e9on III ou de l’Historicisme. (@) La pi\u00e8ce a \u00e9t\u00e9 fabriqu\u00e9e par un ma\u00eetre europ\u00e9en inconnu. Les miroirs sur pied de ce petit format avec une finition aussi sombre et acad\u00e9mique sont relativement rares.<\/p>\n
L’\u00e9cran convient id\u00e9alement comme miroir fonctionnel dans une chambre ou comme accent d\u00e9coratif dans un bureau historique. Il est en bon \u00e9tat visuel avec des signes naturels d’\u00e2ge et d’utilisation. De l\u00e9g\u00e8res usures de la peinture sur les parties en bois soulignent le caract\u00e8re antique authentique. L’\u00e9tat de l’objet est fid\u00e8lement refl\u00e9t\u00e9 par les photographies.<\/p>\n
Un instantan\u00e9 de la fin du 19e si\u00e8cle, Jonas Basanavi\u010dius (Jonas Basanavi\u010dius):<\/i><\/b> C’est le tournant du si\u00e8cle, et toute la r\u00e9gion balte vibre de l’\u00e9nergie tr\u00e9pidante de l’\u00e9veil national. Tandis que dans les caf\u00e9s de Riga, de jeunes intellectuels lettons d\u00e9battent passionn\u00e9ment de l’avenir et qu’\u00e0 Tartu se forge la force culturelle des Estoniens, l’air est charg\u00e9 du plomb des nouvelles imprimeries et de la lourde anticipation d’un ordre mondial en mutation. Les fondations du vieil empire s’effritent lentement sous le poids des mots et des id\u00e9es, alors que les nations se redressent et revendiquent le droit \u00e0 leur propre voix dans l’histoire europ\u00e9enne.<\/i><\/p>\n
Dans un bureau calme et cr\u00e9pusculaire de Vilnius, Jonas Basanavi\u010dius (Jonas Basanavi\u010dius) est assis au milieu de montagnes de manuscrits historiques, sentant sur ses \u00e9paules le poids de la m\u00e9moire de toute une nation. Las, il retire ses lunettes rondes, laissant la faible lumi\u00e8re d’une lampe \u00e0 p\u00e9trole jeter de profondes ombres dans la pi\u00e8ce. Dans un coin, une silhouette sombre et lisse se dessine doucement, son verre frais captant un instant le reflet de l’espace et le regard fatigu\u00e9 mais r\u00e9solu de l’\u00e9rudit \u2014 cette forme noire et majestueuse se dresse dans la pi\u00e8ce comme un t\u00e9moin silencieux et in\u00e9branlable des heures tardives o\u00f9 les destins se r\u00e9\u00e9crivent.<\/i><\/p>\n
Augstums: 96 cm Platums: 58 cm Dzi\u013cums: 40,5 cm<\/p>\n
\ud83c\udde9\ud83c\uddf0 Spejlsk\u00e6rm af sortmalet tr\u00e6 \u2014 i Napoleon III-stil<\/b><\/p>\n
Denne elegante spejlsk\u00e6rm forener en dyb sort farve med funktionelt design. S\u00e5danne fritst\u00e5ende spejle tjente historisk b\u00e5de som praktiske elementer i omkl\u00e6dningsrum og som dekorative pejsesk\u00e6rme for at reflektere lys og varme ind i rummet. Den glidende toplinje og de drejede nedre st\u00f8tter viser en fin balance mellem soliditet og visuel lethed.<\/p>\n
Formen og den eboniserede tr\u00e6finish peger p\u00e5 \u00e6stetikken fra slutningen af det 19. eller begyndelsen af det 20. \u00e5rhundrede, karakteristisk for Napoleon III-stilen. (@) Stykket er fremstillet af en ukendt europ\u00e6isk mester. Sm\u00e5 fritst\u00e5ende spejle med en s\u00e5 m\u00f8rk, akademisk finish er relativt sj\u00e6ldne i dag.<\/p>\n
Sk\u00e6rmen er ideel som et funktionelt spejl i et sovev\u00e6relse eller som en dekorativ accent i et historisk arbejdsv\u00e6relse. Den er i god visuel stand med naturlige alders- og brugstegn. Let slid p\u00e5 malingen p\u00e5 tr\u00e6delene understreger den autentiske antikke karakter. Genstandens tilstand er fuldt ud afspejlet p\u00e5 fotografierne.<\/p>\n
Et \u00f8jebliksbillede fra slutningen af det 19. \u00e5rhundrede, Jonas Basanavi\u010dius (Jonas Basanavi\u010dius):<\/i><\/b> Det er \u00e5rhundredeskiftet, og hele den baltiske region vibrerer af den nationale v\u00e6kkelses urolige energi. Mens unge lettiske intellektuelle lidenskabeligt debatterer fremtiden p\u00e5 caf\u00e9erne i Riga, og esternes kulturelle styrke samler sig i Tartu, er luften tyk af blyet fra nye avistrykkerier og den tunge forventning om en foranderlig verdensorden. Det gamle imperiums fundamenter smuldrer langsomt under v\u00e6gten af ord og ideer, mens nationerne retter ryggen og kr\u00e6ver retten til deres egen stemme i den europ\u00e6iske historie.<\/i><\/p>\n
I et stille, tusm\u00f8rkekl\u00e6dt arbejdsv\u00e6relse i Vilnius sidder Jonas Basanavi\u010dius (Jonas Basanavi\u010dius) midt i bjerge af historiske manuskripter og m\u00e6rker v\u00e6gten af en hel nations hukommelse p\u00e5 sine skuldre. Han tager tr\u00e6t sine runde briller af og lader det svage lys fra en petroleumslampe kaste dybe skygger over rummet. I hj\u00f8rnet tr\u00e6der en m\u00f8rk, glat silhuet stille frem, og det k\u00f8lige glas fanger for et \u00f8jeblik refleksionen af rummet og den l\u00e6rdes tr\u00e6tte, men beslutsomme blik \u2014 denne sorte, statelige form st\u00e5r i rummet som et tavst, urokkeligt vidne til de sene timer, hvor sk\u00e6bner omskrives.<\/i><\/p>\n
Augstums: 96 cm Platums: 58 cm Dzi\u013cums: 40,5 cm<\/p>\n
\ud83c\uddf8\ud83c\uddea Spegelsk\u00e4rm i sv\u00e4rtat tr\u00e4 \u2014 i Napoleon III-stil<\/b><\/p>\n
Denna eleganta spegelsk\u00e4rm f\u00f6renar en djup svart ton med funktionell design. S\u00e5dana frist\u00e5ende speglar fungerade historiskt b\u00e5de som praktiska element i omkl\u00e4dningsrum och som dekorative eldstadssk\u00e4rmar f\u00f6r att reflektera ljus och v\u00e4rme in i rummet. Den mjuka \u00f6vre linjen och de svarvade nedre st\u00f6den visar p\u00e5 en fin balans mellan tyngd och visuell l\u00e4tthet.<\/p>\n
Formen och den eboniserade tr\u00e4ytan pekar p\u00e5 estetiken fr\u00e5n slutet av 1800-talet eller b\u00f6rjan av 1900-talet, karakteristisk f\u00f6r Napoleon III-stilen. (@) F\u00f6rem\u00e5let tillverkades av en ok\u00e4nd europeisk m\u00e4stare. Frist\u00e5ende speglar i detta lilla format med en s\u00e5 m\u00f6rk, akademisk finish \u00e4r relativt s\u00e4llsynta.<\/p>\n
Sk\u00e4rmen \u00e4r idealisk som en funktionell spegel i ett sovrum eller som en dekorativ accent i ett historiskt arbetsrum. Den \u00e4r i gott visuellt skick med naturliga \u00e5lders- och slitagesp\u00e5r. L\u00e4tt slitage p\u00e5 f\u00e4rgen p\u00e5 tr\u00e4delarna framh\u00e4ver den autentiska antika karakt\u00e4ren. F\u00f6rem\u00e5lets skick \u00e5terspeglas till fullo p\u00e5 fotografierna.<\/p>\n
En \u00f6gonblicksbild fr\u00e5n slutet av 1800-talet, Jonas Basanavi\u010dius (Jonas Basanavi\u010dius):<\/i><\/b> Det \u00e4r sekelskiftet, och hela den baltiska regionen vibrerar av det nationella uppvaknandets rastl\u00f6sa energi. Medan unga lettiska intellektuella passionerat debatterar framtiden p\u00e5 caf\u00e9erna i Riga, och esternas kulturella styrka samlas i Tartu, \u00e4r luften fylld av bly fr\u00e5n nya tidningstryckerier och den tunga f\u00f6rv\u00e4ntan p\u00e5 en f\u00f6r\u00e4nderlig v\u00e4rldsordning. Det gamla imperiets fundament smulas l\u00e5ngsamt s\u00f6nder under tyngden av ord och id\u00e9er, n\u00e4r nationerna str\u00e4cker p\u00e5 ryggen och kr\u00e4ver r\u00e4tten till sin egen r\u00f6st i den europeiska historien.<\/i><\/p>\n
I ett tyst, skymningskl\u00e4tt arbetsrum i Vilnius sitter Jonas Basanavi\u010dius (Jonas Basanavi\u010dius) bland berg av historiska manuskript och k\u00e4nner tyngden av en hel nations minne p\u00e5 sina axlar. Tr\u00f6tt tar han av sig sina runda glas\u00f6gon och l\u00e5ter det svaga ljuset fr\u00e5n en fotogenlampa kasta djupa skuggor \u00f6ver rummet. I h\u00f6rnet framtr\u00e4der tyst en m\u00f6rk, sl\u00e4t silhuett, vars kyliga glas f\u00f6r ett \u00f6gonblick f\u00e5ngar reflektionen av rummet och den l\u00e4rdes tr\u00f6tta men beslutsamma blick \u2014 denna svarta, st\u00e5tliga form st\u00e5r i rummet som ett tyst, orubbligt vittne till de sena timmar d\u00e5 \u00f6den skrivs om.<\/i><\/p>\n
Augstums: 96 cm Platums: 58 cm Dzi\u013cums: 40,5 cm<\/p>\n
\ud83c\uddf3\ud83c\uddf4 Speilskjerm i svertet tre \u2014 i Napoleon III-stil<\/b><\/p>\n
Denne elegante speilskjermen forener en dyp svart farge med et funksjonelt design. Slike frittst\u00e5ende speil tjente historisk b\u00e5de som praktiske elementer i omkledningsrom, og som dekorative peisskjermer for \u00e5 reflektere lys og varme i rommet. Den myke topplinjen og de dreide nedre st\u00f8ttene viser en fin balanse mellom massivitet og visuell letthet.<\/p>\n
Formen og den eboniserte trefinishen peker p\u00e5 estetikken fra slutten av 1800-tallet eller begynnelsen av 1900-tallet, karakteristisk for Napoleon III-stilen. (@) Stykket ble laget av en ukjent europeisk mester. Frittst\u00e5ende speil i dette formatet med en s\u00e5 m\u00f8rk, akademisk finish er relativt sjeldne.<\/p>\n
Skjermen er ideell som et funksjonelt speil p\u00e5 et soverom eller som en dekorativ aksent i et historisk arbeidsrom. Den er i god visuell stand med naturlige tegn p\u00e5 alder og bruk. Lette slitasjespor i malingen p\u00e5 tredelene fremhever den autentiske antikke karakteren. Gjenstandens tilstand er fullt ut gjenspeilet p\u00e5 fotografiene.<\/p>\n
Et \u00f8yeblikksbilde fra slutten av 1800-tallet, Jonas Basanavi\u010dius (Jonas Basanavi\u010dius):<\/i><\/b> Det er \u00e5rhundreskiftet, og hele den baltiske regionen vibrerer av den nasjonale oppv\u00e5kningens rastl\u00f8se energi. Mens unge latviske intellektuelle lidenskapelig diskuterer fremtiden p\u00e5 kafeene i Riga, og esternes kulturelle styrke samler seg i Tartu, er luften tykk av bly fra nye avistrykkerier og den tunge forventningen om en verdensorden i endring. Det gamle imperiets fundamenter smuldrer langsomt under vekten av ord og ideer, mens nasjonene retter ryggen og krever retten til sin egen stemme i den europeiske historien.<\/i><\/p>\n
I et stille, skumringskledd arbeidsrom i Vilnius sitter Jonas Basanavi\u010dius (Jonas Basanavi\u010dius) blant fjell av historiske manuskripter og kjenner vekten av en hel nasjons minne p\u00e5 sine skuldre. Trett tar han av seg de runde brillene og lar det svake lyset fra en parafinlampe kaste dype skygger over rommet. I hj\u00f8rnet trer en m\u00f8rk, glatt silhuett stille frem, og det kj\u00f8lige glasset fanger for et \u00f8yeblikk refleksjonen av rommet og den l\u00e6rdes trette, men m\u00e5lbevisste blikk \u2014 denne svarte, staselige formen st\u00e5r i rommet som et taust, urokkelig vitne til de sene timer da skjebner skrives om.<\/i><\/p>\n
Augstums: 96 cm Platums: 58 cm Dzi\u013cums: 40,5 cm<\/p>\n
\ud83c\uddeb\ud83c\uddee Mustattu peilisermi \u2014 Napoleon III -tyyli\u00e4<\/b><\/p>\n
T\u00e4m\u00e4 tyylik\u00e4s peilisermi yhdist\u00e4\u00e4 syv\u00e4n mustan s\u00e4vyn ja toimivan muotoilun. T\u00e4llaiset vapaasti seisovat peilit toimivat historiallisesti sek\u00e4 k\u00e4yt\u00e4nn\u00f6llisin\u00e4 elementtein\u00e4 pukeutumistiloissa ett\u00e4 koristeellisina takkasermein\u00e4, jotka heijastivat valoa ja l\u00e4mp\u00f6\u00e4 huoneeseen. Sen virtaava yl\u00e4linja ja sorvatut alatuet osoittavat hienoa tasapainoa massiivisuuden ja visuaalisen keveyden v\u00e4lill\u00e4.<\/p>\n
Muoto ja ebonisoitu (mustaksi maalattu) puupinta viittaavat 1800-luvun lopun tai 1900-luvun alun estetiikkaan, joka on tyypillist\u00e4 Napoleon III -tyylille. (@) Esineen on valmistanut tuntematon eurooppalainen mestari. Pienikokoiset vapaasti seisovat peilit, joissa on n\u00e4in tumma ja akateeminen viimeistely, ovat suhteellisen harvinaisia.<\/p>\n
Sermi sopii ihanteellisesti toimivaksi peiliksi makuuhuoneeseen tai koristeelliseksi korostukseksi historialliseen ty\u00f6huoneeseen. Se on hyv\u00e4ss\u00e4 visuaalisessa kunnossa, ja siin\u00e4 on luonnollisia i\u00e4n ja k\u00e4yt\u00f6n merkkej\u00e4. Puuosien v\u00e4h\u00e4inen maalin kuluminen vain korostaa esineen aitoa antiikkista luonnetta. Esineen kunto n\u00e4kyy t\u00e4ydellisesti valokuvissa.<\/p>\n
Tilannekuva 1800-luvun lopulta, Jonas Basanavi\u010dius (Jonas Basanavi\u010dius):<\/i><\/b> On vuosisadan vaihde, ja koko Baltian alue v\u00e4r\u00e4htelee kansallisen her\u00e4\u00e4misen levottomasta energiasta. Kun nuoret latvialaiset \u00e4lyk\u00f6t v\u00e4ittelev\u00e4t kiihke\u00e4sti tulevaisuudesta Riian kahviloissa ja virolaisten kulttuurinen voima ker\u00e4\u00e4ntyy Tartossa, ilma on sakeana uusien sanomalehtipainojen lyijyst\u00e4 ja raskaasta odotuksesta muuttuvan maailmanj\u00e4rjestyksen edess\u00e4. Vanhan imperiumin perustukset murenevat hitaasti sanojen ja aatteiden painon alla, kun kansakunnat suoristavat selk\u00e4ns\u00e4 ja vaativat oikeutta omaan \u00e4\u00e4neens\u00e4 Euroopan historiassa.<\/i><\/p>\n
Hiljaisessa, h\u00e4m\u00e4r\u00e4n peitt\u00e4m\u00e4ss\u00e4 Vilnan ty\u00f6huoneessa Jonas Basanavi\u010dius (Jonas Basanavi\u010dius) istuu historiallisten k\u00e4sikirjoitusten vuorten keskell\u00e4 ja tuntee kokonaisen kansakunnan muistin painon harteillaan. H\u00e4n riisuu v\u00e4syneen\u00e4 py\u00f6re\u00e4t silm\u00e4lasinsa ja antaa petrolilampun himme\u00e4n valon heitt\u00e4\u00e4 syvi\u00e4 varjoja huoneeseen. Nurkassa hahmottuu hiljaa tumma, sile\u00e4 siluetti, jonka viile\u00e4 lasi vangitsee hetkeksi huoneen heijastuksen ja oppineen v\u00e4syneen, mutta p\u00e4\u00e4tt\u00e4v\u00e4isen katseen \u2014 t\u00e4m\u00e4 musta, ylv\u00e4s muoto seisoo tilassa hiljaisena, j\u00e4rkkym\u00e4tt\u00f6m\u00e4n\u00e4 todistajana my\u00f6h\u00e4isille tunneille, jolloin kohtaloita kirjoitetaan uusiksi.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"
Melnkoka to\u0146a spogu\u013ca aizslietnis ar graciozu stat\u012bvu. Autentisks un elegants interjera elements, kas atspogu\u013co 19. gadsimta beigu est\u0113tiku un kalpo gan k\u0101 spogulis, gan telpas akcents.<\/p>\n","protected":false},"featured_media":35644,"template":"","meta":[],"product_brand":[],"product_cat":[210,224,204],"product_tag":[921,922,919,916,926,920,918,917,923,915,925,927,924],"class_list":["post-35643","product","type-product","status-publish","has-post-thumbnail","product_cat-spoguli","product_cat-spoguli-spoguli","product_cat-visas-lietas","product_tag-antique-cheval-screen","product_tag-baltic-historical-interior","product_tag-black-wooden-frame","product_tag-ebonized-wood-mirror-screen","product_tag-jonas-basanavicius","product_tag-melns-koka-stativs","product_tag-napoleon-iii-style","product_tag-napoleona-iii-stils","product_tag-senlaicigs-interjers","product_tag-spogula-aizslietnis","product_tag-925","product_tag-927","product_tag--iii-","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/35643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/35644"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=35643"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=35643"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=35643"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=35643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}