\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n
\ud83d\udcd0 IZM\u0112RI<\/strong> Augstums 179 cm \u00d7 platums 72 cm \u00d7 dzi\u013cums 47 cm.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n \u0160\u012b vitr\u012bna pieder tam augl\u012bgajam 19. gadsimta nogales periodam, kad Historicisms<\/strong> un Neorokoko<\/strong> sasniedza savu dekorat\u012bvo kulmin\u0101ciju \u2014 kad fran\u010du un be\u013c\u0123u galdnieki ar neparastu meistarl\u012bbu atdz\u012bvin\u0101ja Luija XV<\/strong> laikmeta (Louis XV<\/em>) m\u0113be\u013cu valodu, iet\u0113rpjot to mas\u012bv\u0101 ozolkok\u0101 ar rokdarba apjomu un precizit\u0101ti, kas bija tipiska lab\u0101kaj\u0101m r\u016bpn\u012bc\u0101m Lion\u0101<\/strong>, Lje\u017e\u0101<\/strong> un Briseles<\/strong> rajon\u0101.<\/p>\n Korpuss \u2014 mas\u012bvs ch\u00eane<\/em> (ozols), ar izteiktu dabisk\u0101 koka tekst\u016bru, kas izgrie\u0161anai pie\u0161\u0137ir papildu dzi\u013cumu un dz\u012bv\u012bgumu. Vitr\u012bnas priek\u0161puse veidota k\u0101 vienlaidu kompoz\u012bcija: aug\u0161da\u013c\u0101 \u2014 bomb\u00e9<\/em> (izliekta) fas\u0101de ar lielu stikla logu, kura r\u0101mi ieskauj bl\u012bvs rocaille<\/em> ornaments ar akantus<\/em> lapu virten\u0113m un asimetriskiem volutu<\/em> papildin\u0101jumiem \u2014 klasisks Rokok\u014d<\/strong> valodas elements. Durvju aug\u0161da\u013c\u0101 \u2014 papildu ov\u0101ls stikla laukums ar r\u0101mi, kas atst\u0101j iespaidu par sare\u017e\u0123\u012btu kartu\u0161u<\/em> (cartouche<\/em>) veidojumu.<\/p>\n Jumta fronton<\/em> beidzas ar monument\u0101lu centr\u0101lo rokaju<\/em> (rocaille<\/em>) akmens formas kro\u0146a mot\u012bvu \u2014 izci\u013c\u0146u, kas atg\u0101dina izplauku\u0161u glieme\u017ev\u0101ku apvienojum\u0101 ar lapu ritmu \u2014 viena no izsmalcin\u0101t\u0101kaj\u0101m Neorokoko<\/strong> galdniec\u012bbas kulmin\u0101cij\u0101m. St\u016bru vertik\u0101lie stabi \u2014 ar dzi\u013ci izgrieztu akantus<\/em> lapu ornamentiku. Apak\u0161da\u013c\u0101 \u2014 atsevi\u0161\u0137s maz\u0101ks aizstiklots sektors ar savu sl\u0113dzamo durti\u0146u. Iek\u0161pus\u0113 \u2014 divi izliekti (serpentine<\/em>) noapa\u013coti plaukti. K\u0101jas \u2014 izliektas cabriole<\/em> tipa ar smalki izgrieztiem pap\u0113\u017eiem.<\/p>\n Stikli \u2014 senie, ar viegliem vi\u013c\u0146ojumiem un optiskajiem efektiem, kas apliecina to 19. gs. izcelsmi un pie\u0161\u0137ir skatam papildu romantiku.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n Mar\u0137\u0113juma nav redzams. Konstrukcija, ozolkoka izv\u0113le un grie\u0161anas stils nor\u0101da uz Franciju<\/strong> vai Be\u013c\u0123iju<\/strong> \u2014 abas valstis bija vado\u0161ie Louis XV<\/em> un Neorokoko<\/strong> m\u0113be\u013cu ra\u017eo\u0161anas centri 19. gadsimta otraj\u0101 pus\u0113. Francij\u0101<\/strong> \u0161\u0101da tipa m\u0113beles ra\u017eoja t\u0101dos centros k\u0101 Liona<\/strong> (Lyon<\/em>) un Par\u012bze<\/strong>; Be\u013c\u0123ij\u0101<\/strong> \u2014 Lje\u017ea<\/strong> (Li\u00e8ge<\/em>) un Brisele<\/strong> (Bruxelles<\/em>) bija paz\u012bstamas ar augstv\u0113rt\u012bgu ozolkoka m\u0113be\u013cu eksportu vis\u0101 Eirop\u0101, tostarp uz Krievijas imp\u0113rijas<\/strong> un Baltijas<\/strong> tirgiem.<\/p>\n \u0160\u0101da tipa vitr\u012bnas atrad\u0101s lab\u0101kajos Par\u012bzes<\/strong> interjera veikalos un tika pas\u016bt\u012btas aristokr\u0101tiskiem saloniem, advok\u0101tu un \u0101rstu darba kabinetiem, k\u0101 ar\u012b bag\u0101t\u012bgi iek\u0101rtotiem bourgeois<\/em> m\u0101jok\u013ciem.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n Vitr\u012bnas ar tik intens\u012bvu un koherentu grie\u0161anas programmu \u2014 kur ornaments nav tikai dekor\u0101cija, bet struktur\u0101li organisks \u2014 ir iev\u0113rojami ret\u0101kas nek\u0101 standarta 19. gs. m\u0113beles. \u0160is eksempl\u0101rs izce\u013cas ar \u012bpa\u0161i augstu galdnieku darba l\u012bmeni: grie\u0161ana nav stamp\u0113ta vai lieta, bet ar roku darin\u0101ta, ar rakstur\u012bgu dz\u012bv\u012bgumu un nelielu asimetriju, kas pie\u0161\u0137ir tai autentiskas m\u0101kslas darba v\u0113rt\u012bbu. Piepras\u012bts kolekcion\u0101ru un interjera dizaineru vid\u016b vis\u0101 Eirop\u0101.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n \u0160\u012b vitr\u012bna ir interjera pazi\u0146ojums \u2014 nevis m\u0113bele, bet centr\u0101lais akords telp\u0101. Lieliski iek\u013caujas klasisk\u0101 fran\u010du<\/strong>, eklektisk\u0101<\/strong>, romantisk\u0101<\/strong> vai neoklasicistisk\u0101<\/strong> interjer\u0101. Var kalpot k\u0101 keramikas, stikla, gr\u0101matu vai citu kolekciju ekspon\u0113\u0161anas telpa. Interjera dizaineri izmanto \u0161\u0101da tipa m\u0113beles k\u0101 sala elementu<\/strong> dz\u012bvojam\u0101 istab\u0101 vai bibliot\u0113k\u0101. Fotogr\u0101fiem \u2014 izcila rekviz\u012btu un fona siena ar dzi\u013cu vizu\u0101lo sare\u017e\u0123\u012bt\u012bbu.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n Monarhiska d\u0101vana \u2014 reprezentat\u012bva gan k\u0101 korporat\u012bva, gan k\u0101 personiska. \u0160\u0101du m\u0113beli d\u0101vina ar noz\u012bmi \u2014 t\u0101 ir pazi\u0146ojums par gaumi, v\u0113rt\u012bb\u0101m un cie\u0146u pret sa\u0146\u0113m\u0113ju. Piem\u0113rota k\u0101 \u012bpa\u0161a d\u0101vana m\u0101jas iek\u0101rto\u0161anas gad\u012bjum\u0101, interjera atjauno\u0161anas vai kolekcijas s\u0101k\u0161anas kontekst\u0101.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n Vitr\u012bna kopum\u0101 lab\u0101 un konstrukt\u012bvi stabil\u0101 st\u0101vokl\u012b. Koka virsma ar vecuma pat\u012bnu un nelielu nolietojumu, kas atbilst t\u0101s vecumam \u2014 bez b\u016btiskiem boj\u0101jumiem grie\u0161anas ornament\u0101. Senie stikli saglab\u0101ti ar vi\u013c\u0146aino optiku un liecina par ori\u0123inalit\u0101ti. Durvju e\u0146\u0123es un sl\u0113dzenes darbojas. Iek\u0161\u0113jie plaukti \u2014 lab\u0101 st\u0101vokl\u012b. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udcd0 DIMENSIONS<\/strong> Height 179 cm \u00d7 width 72 cm \u00d7 depth 47 cm.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n This cabinet belongs to that fertile late 19th-century period when Historicism<\/strong> and Neo-Rococo<\/strong> reached their decorative culmination \u2014 when French and Belgian cabinetmakers revived the Louis XV<\/strong> furniture vocabulary with extraordinary skill, rendering it in solid oak with a depth of hand-carving typical of the finest workshops in Lyon<\/strong>, Li\u00e8ge<\/strong>, and the Brussels<\/strong> region.<\/p>\n The body is solid ch\u00eane<\/em> (oak), with a pronounced natural grain that lends additional depth and vitality to the carving. The front elevation is conceived as a unified composition: the upper section features a bomb\u00e9<\/em> (bowed) facade with a large glazed door, its frame enveloped in dense rocaille<\/em> ornament with acanthus<\/em> leaf tendrils and asymmetric volute<\/em> scrolls \u2014 quintessential Rococo<\/strong> language. The door’s upper register is further divided by an ovoid glazed panel framed to resemble an elaborate cartouche<\/em>.<\/p>\n The bonnet pediment terminates in a monumental central rocaille<\/em> crown motif \u2014 a sculptural eruption evoking an opened shell combined with cascading leaf rhythms \u2014 one of the most refined achievements of Neo-Rococo<\/strong> cabinetmaking. The corner stiles carry deeply cut acanthus<\/em> leaf carving throughout. The lower section has a separate smaller glazed compartment with its own lockable door. Inside \u2014 two shaped serpentine<\/em> shelves. The feet are curved cabriole<\/em> type with finely carved knees.<\/p>\n The glazing is period glass, with gentle undulations and optical effects confirming its 19th-century origin and lending an additional romanticism to the display.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f MAKER AND MANUFACTURER’S MARK<\/strong><\/p>\n No maker’s mark is visible. The construction, choice of oak, and carving style point to France<\/strong> or Belgium<\/strong> \u2014 both leading centres of Louis XV<\/em> and Neo-Rococo<\/strong> furniture production in the second half of the 19th century. In France<\/strong>, such pieces were produced in Lyon<\/strong> and Paris<\/strong>; in Belgium<\/strong>, Li\u00e8ge<\/strong> and Brussels<\/strong> were renowned for high-quality oak furniture exported throughout Europe, including to Imperial Russian<\/strong> and Baltic<\/strong> markets. Cabinets of this type were found in the finest Parisian<\/strong> interior shops and commissioned for aristocratic salons, lawyers’ and physicians’ studies, and affluent bourgeois<\/em> residences.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n Display cabinets with such an intense and coherent carving programme \u2014 where the ornament is not merely decorative but structurally organic \u2014 are considerably rarer than standard 19th-century furniture. This example stands out for its exceptionally high level of craftsmanship: the carving is not stamped or cast, but hand-executed, with the characteristic vitality and slight asymmetry that gives it the value of an authentic work of art. In demand among collectors and interior designers throughout Europe.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n This cabinet is an interior statement \u2014 not merely a piece of furniture, but the central chord of a room. It integrates beautifully into classical French<\/strong>, eclectic<\/strong>, romantic<\/strong>, or neoclassical<\/strong> interiors. It may serve as a display space for ceramics, glassware, books, or other collections. Interior designers use pieces of this type as a focal island element<\/strong> in a drawing room or library. For photographers and set designers \u2014 an outstanding backdrop and prop with deep visual complexity.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 AS A GIFT<\/strong><\/p>\n A gift of monarchic register \u2014 representative in both corporate and personal contexts. A piece of this kind is given with intention \u2014 it is a declaration of taste, values, and respect for the recipient. Appropriate as an exceptional gift for a home furnishing occasion, an interior renovation, or the beginning of a collection.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d CONDITION<\/strong><\/p>\n The cabinet is in overall good and structurally stable condition. The wood surface carries age-appropriate patina and minor wear consistent with its period \u2014 with no significant damage to the carved ornament. The period glass is intact, retaining its characteristic undulation and confirming originality. Door hinges and locks are functional. Interior shelves are in good condition. The condition of the item is fully reflected in the photographs.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n","protected":false},"excerpt":{"rendered":" Mas\u012bva ozolkoka vitr\u012bna ar bag\u0101t\u012bgu roku grie\u0161anu rocaille<\/em> un akantus<\/em> ornament\u0101, senajiem vi\u013c\u0146ainajiem stikliem un izliektiem plauktiem iek\u0161pus\u0113. Neorokoko \/ Luija XV stils, Francija vai Be\u013c\u0123ija, ap 1880.\u20131900. Augstums 179 cm \u00d7 platums 72 cm \u00d7 dzi\u013cums 47 cm.<\/p>\n","protected":false},"featured_media":34895,"template":"","meta":[],"product_brand":[],"product_cat":[207,204,218],"product_tag":[],"class_list":["post-34894","product","type-product","status-publish","has-post-thumbnail","product_cat-mebeles","product_cat-visas-lietas","product_cat-vitrinas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/34894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/34895"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=34894"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=34894"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=34894"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=34894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Ozolkoka Vitr\u012bna ar Bag\u0101t\u012bgu Skulptur\u0101lo Grie\u0161anu un Senajiem Stikliem \u2014 Neorokoko \/ Luija XV stils, Francija vai Be\u013c\u0123ija, ap 1880.\u20131900.<\/strong><\/h3>\n
Oak Display Cabinet with Rich Sculptural Carving and Period Glass \u2014 Neo-Rococo \/ Louis XV Style, France or Belgium, circa 1880\u20131900.<\/strong><\/h3>\n