\ud83d\udcd0 IZM\u0112RI<\/strong> \u2014 Augstums aptuveni 9\u201310 cm. Diametrs apm\u0113ram 5 cm. Vieglas. Komplekt\u0101 6 gab<\/p>\n

Se\u0161u Murano stikla li\u0137iera gl\u0101z\u012b\u0161u komplekts ar roku apgleznotu emaljas ziedu dekoru zilpel\u0113k\u0101 ton\u012b \u2014 Murano, It\u0101lija, ap 1920.\u20131960. gads<\/h3>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n
Ir br\u012b\u017ei, kas past\u0101v \u0101rpus laika. Viens no tiem \u2014 vakara gaism\u0101, kad sve\u010du liesmas atsp\u012bd p\u0101r zeltainiem stikla mal\u0101m un li\u0137iera p\u0113d\u0113jais piliens norit gar roku gleznota zieda ziedlapi\u0146u, apst\u0101joties tur, kur zelt\u012btais kartu\u0161a ornaments satiekas ar zilpel\u0113ko mat\u0113to stiklu. \u0160\u012bs gl\u0101z\u012btes nav rad\u012btas ikdienai \u2014 t\u0101s rad\u012btas tam vien\u012bgajam br\u012bdim, kad laiks pal\u0113nin\u0101s un kr\u0101sa, gaisma un smar\u017ea sapl\u016bst vien\u0101 saj\u016bt\u0101.<\/p>\n
Komplekts dat\u0113jams ar aptuveni 1920.\u20131960. gadu \u2014 periodu, kur\u0101 Murano stikla trad\u012bcija piedz\u012bvoja savu otro ziedu laiku, apvienojot 18. gs. smalto<\/em> emalj\u0113\u0161anas meistar\u012bbu ar Art Deco un v\u0113l\u0101k neobaroka dekorat\u012bv\u0101s m\u0101kslas formvalodu. Katra gl\u0101z\u012bte veidota no zilpel\u0113k\u0101 (grigio-azzurro<\/em>) mat\u0113t\u0101 stikla korpusa uz caursp\u012bd\u012bga, daudzskald\u0146u griezta k\u0101ti\u0146a \u2014 kontrasts starp mat\u0113to un sp\u012bd\u012bgo stiklu ir apzin\u0101ts m\u0101ksliniecisks l\u0113mums, kas k\u0101ti\u0146am pie\u0161\u0137ir krist\u0101la dzirksti uz gl\u0101z\u012btes miglain\u0101 klusuma fona. Dekor\u0101cija \u2014 tr\u012bsdimensiju emalj\u0113tu ziedu rozetes (rosette a smalto<\/em> vai a rilievo<\/em>) zelta baroka kartu\u0161a ietvar\u0101, ar apk\u0101rt\u0113jiem atsevi\u0161\u0137iem ziediem uz mat\u0113t\u0101 korpusa \u2014 ir izpild\u012bta ar smalku otu un precisit\u0101ti, kas atg\u0101dina miniat\u016brgleznu uz stikla.<\/p>\n
\u0160is ir tas augl\u012bgais p\u0101rejas br\u012bdis, kad Art Nouveau organiskais ziedu mot\u012bvs v\u0113l dz\u012bvo dekor\u0101, bet Art Deco un neobaroka \u0123eometrisk\u0101 kartu\u0161as forma jau nosaka kompoz\u012bcijas strukt\u016bru \u2014 abas est\u0113tikas sadz\u012bvo katr\u0101 gl\u0101z\u012bt\u0113 ar piln\u012bgu harmoniju.<\/p>\n
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\u269c\ufe0f RA\u017dOT\u0100JS UN TRAD\u012aCIJA<\/strong><\/p>\n
Murano \u2014 Ven\u0113cijas lag\u016bnas sala, kuras stiklap\u016b\u0161anas trad\u012bcija aizs\u0101k\u0101s 1291. gad\u0101, kad Ven\u0113cijas Republika p\u0101rc\u0113la visas stikla darbn\u012bcas uz \u0161o salu, lai pasarg\u0101tu pils\u0113tu no ugunsgr\u0113kiem un saglab\u0101tu stikla meistar\u012bbu k\u0101 valsts nosl\u0113pumu. Gadsimtu garum\u0101 Murano stikls bija Eiropas ekskluzivit\u0101tes simbols \u2014 Versa\u013cas pils spogu\u013cu z\u0101le ir izgatavojusi savus spogu\u013cus tie\u0161i no Murano stiklot\u0101jiem, Habsburgu galms pas\u016bt\u012bja Murano lusterus, un Ven\u0113cijas aristokr\u0101tija dz\u0113ra no Murano gl\u0101z\u0113m k\u0101 statusa z\u012bmes. Emaljas dekor\u0113\u0161anas tehnika \u2014 smalto a rilievo<\/em> jeb izci\u013c\u0146u emaljas, ko uzliek sl\u0101nis pa sl\u0101nim, lai rad\u012btu tr\u012bsdimensiju efektu \u2014 ir viena no Murano augst\u0101k\u0101s klases darbu paz\u012bm\u0113m, kas prasa daudzus apdedzin\u0101\u0161anas posmus un izcilu meistar\u012bbu. \u0160\u0101da veida gl\u0101z\u012btes 20. gs. pirmaj\u0101 pus\u0113 tika eksport\u0113tas uz Par\u012bzes smalkajiem univers\u0101lveikaliem un priv\u0101tajiem m\u0101jas pre\u010du namiem, apg\u0101d\u0101jot Eiropas augst\u0101k\u0101s bur\u017eu\u0101zijas galdu kl\u0101jumus.<\/p>\n
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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n
Piln\u012bgs se\u0161u gl\u0101z\u012b\u0161u komplekts ar vienotu dekoru, saglab\u0101t\u0101m tr\u012bsdimensiju emalj\u0101m un bez l\u016bzumiem ir iev\u0113rojami ret\u0101ks atradums nek\u0101 atsevi\u0161\u0137as gl\u0101z\u012btes \u2014 jo Murano stikls, neskatoties uz savu skaistumu, ir trausls, un komplekti laika gait\u0101 parasti tiek iz\u0161\u0137irti. Zilpel\u0113kais (grigio-azzurro<\/em>) pamatkr\u0101sas tonis kombin\u0101cij\u0101 ar zelta baroka kartu\u0161u un roku veidotiem emaljas ziediem ir vizu\u0101li viens no pievilc\u012bg\u0101kajiem Murano dekorat\u012bv\u0101 stikla variantiem, kuru kolekcion\u0101ri It\u0101lij\u0101, Francij\u0101, Lielbrit\u0101nij\u0101 un ASV v\u0113rt\u0113 gan k\u0101 lieto\u0161anas priek\u0161metu, gan k\u0101 m\u0101kslas objektu.<\/p>\n
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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n
\u0160\u012bs gl\u0101z\u012btes ir rad\u012btas sve\u010du gaism\u0101 \u2014 un tie\u0161i tur t\u0101s atkl\u0101j savu pilno skaistumu. Uz vakara galda ar li\u0137ieri vai grappa, kur zeltainais \u0161\u0137idrums caur zilpel\u0113ko stiklu ieg\u016bst ma\u0123isku dzi\u013cumu. Stikla vitr\u012bn\u0101 k\u0101 kolekcion\u0101ru kolekcijas centerpieces, kur katru dienu var baud\u012bt emaljas ziedu rota\u013cu gaism\u0101. Ven\u0113cie\u0161u, baroka, eklektisk\u0101 un romantisk\u0101<\/strong> stila interjeros \u2014 k\u0101 galda aksesu\u0101ri, kas st\u0101sta par Murano gadsimtiem ilgo meistar\u012bbu. Fotogr\u0101fij\u0101 \u2014 ide\u0101li priek\u0161meti still-life<\/em> un lifestyla uz\u0146\u0113mumiem, kur mat\u0113t\u0101 stikla kr\u0101sa, zelta sp\u012bdums un emalj\u0113to ziedu fakt\u016bra rada nep\u0101rsp\u0113jamu sensorisko dzi\u013cumu.<\/p>\n
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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n
Visp\u0101r\u0113jais st\u0101voklis \u2014 labs, atbilsto\u0161s vecumam<\/strong>. Visi 6 gabali veseli, bez l\u016bzumiem vai skald\u012bjumiem. Zilpel\u0113kais mat\u0113tais stikls saglab\u0101jis savu kr\u0101su un dzi\u013cumu. Tr\u012bsdimensiju emalj\u0113tie ziedi \u2014 labi saglab\u0101ju\u0161ies, ar rakstur\u012bgu minim\u0101lu nodilumu atsevi\u0161\u0137iem ziedlapi\u0146u galiem. Zelta apmale mal\u0101 un pamatn\u0113 saglab\u0101jusies labi. Grieztie caursp\u012bd\u012bgie k\u0101ti\u0146i \u2014 bez skramb\u0101m vai boj\u0101jumiem. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n
\ud83d\udcd0 DIMENSIONS<\/strong> \u2014 Height approximately 9\u201310 cm. Diameter approximately 5 cm. Lightweight. Set of 6 pieces.<\/p>\n
Set of Six Murano Glass Liqueur Glasses with Hand-Painted Enamel Floral D\u00e9cor in Blue-Grey \u2014 Murano, Italy, circa 1920\u20131960<\/h3>\n
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\ud83c\udfdb\ufe0f PERIOD, ART STYLE, HISTORICAL CONTEXT<\/strong><\/p>\n
There are moments that exist outside of time. One of them \u2014 in evening candlelight, when the flames dance across gilded glass rims and the last drop of liqueur runs down the petal of a hand-painted flower, pausing where the gilded cartouche ornament meets the blue-grey frosted glass. These glasses were not made for the everyday \u2014 they were made for that singular moment when time slows and colour, light and fragrance merge into a single sensation.<\/p>\n
The set dates to approximately 1920\u20131960 \u2014 a period in which the Murano glassmaking tradition experienced its second golden age, combining the 18th-century mastery of smalto<\/em> enamelling with the decorative language of Art Deco and later neo-Baroque. Each glass is formed from a blue-grey (grigio-azzurro<\/em>) frosted glass body on a transparent, multi-faceted cut stem \u2014 the contrast between the frosted and the brilliant glass is a deliberate artistic choice, giving the stem a crystalline sparkle against the misty stillness of the cup. The decoration \u2014 three-dimensional enamel flower rosettes (rosette a smalto a rilievo<\/em>) within a gilded Baroque cartouche, with additional scattered flowers on the frosted body \u2014 is executed with a delicate brush and a precision reminiscent of miniature painting on glass.<\/p>\n
This is that fertile transitional moment when the organic floral motif of Art Nouveau still lives in the decoration, while the geometric cartouche form of Art Deco and neo-Baroque already determines the compositional structure \u2014 both aesthetics coexist in each glass with complete harmony.<\/p>\n
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\u269c\ufe0f MAKER AND TRADITION<\/strong><\/p>\n
Murano \u2014 the island in the Venetian lagoon whose glassblowing tradition began in 1291, when the Venetian Republic relocated all its glassworks to this single island to protect the city from fire and guard the secrets of glassmaking as a matter of state. For centuries, Murano glass was the symbol of European exclusivity \u2014 the Hall of Mirrors at Versailles was supplied by Murano glassmakers, the Habsburg court commissioned Murano chandeliers, and the Venetian aristocracy drank from Murano glasses as a mark of rank. The enamel decoration technique \u2014 smalto a rilievo<\/em>, or raised enamel applied layer by layer to create a three-dimensional effect \u2014 is one of the defining marks of high-quality Murano work, requiring multiple firing stages and exceptional craftsmanship. Liqueur glasses of this type were exported in the first half of the 20th century to the finest Parisian department stores and private home goods houses, supplying the table settings of Europe’s haute bourgeoisie.<\/p>\n
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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n
A complete set of six glasses with a unified decoration, intact three-dimensional enamels, and no chips or losses is a considerably rarer find than individual pieces \u2014 for Murano glass, for all its beauty, is fragile, and sets are typically separated over time. The blue-grey (grigio-azzurro<\/em>) ground tone combined with the gilded Baroque cartouche and hand-formed enamel flowers is one of the most visually compelling variants of Murano decorative glass, prized by collectors in Italy, France, the United Kingdom, and the United States both as objects of use and as works of art.<\/p>\n
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\ud83d\udd6f\ufe0f USE IN INTERIOR DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n
These glasses were made for candlelight \u2014 and it is there that they reveal their full beauty. On the evening table with liqueur or grappa, where the golden liquid takes on a magical depth through the blue-grey glass. In a glass cabinet as the centrepiece of a collector’s display, where the enamel flowers can be enjoyed in the play of light each day. In Venetian, Baroque, eclectic, and romantic<\/strong> style interiors \u2014 as table accessories that tell of centuries of Murano mastery. In photography \u2014 ideal subjects for still-life and lifestyle shoots, where the frosted glass colour, golden lustre, and textured enamel flowers create an incomparable sensory depth.<\/p>\n
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\ud83d\udd0d CONDITION<\/strong><\/p>\n
Overall condition \u2014 good, consistent with age<\/strong>. All 6 pieces are intact, with no cracks or chips. The blue-grey frosted glass has retained its colour and depth. The three-dimensional enamel flowers are well preserved, with characteristic minimal wear to certain petal tips. The gold border at the rim and base is well retained. The cut transparent stems show no scratches or damage. The condition of the item is fully reflected in the photographs.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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