Augstums 29cm, platums 17cm.<\/p>\n
Roz\u0101 porcel\u0101na dekorat\u012bv\u0101 v\u0101ze ar orient\u0101listisku portretu medaljonu, melniem arabesku rokturiem un kora\u013c\u013cu akcentiem \u2014 Historicisms \/ Neorenesanse, Vieux Paris trad\u012bcija, Francija, ap 1850.\u20131880. gadu<\/strong><\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n Ir priek\u0161meti, kas n\u0113s\u0101 laika z\u012bmi ne uzrakst\u0101, bet \u0137ermen\u012b \u2014 kr\u0101s\u0101, proporcij\u0101, roktura izliekum\u0101. \u0160\u012b v\u0101ze pieder tam augl\u012bgajam p\u0101rejas br\u012bdim, kad Biedermeier klusais elegantais minim\u0101lisms v\u0113l tur\u0113ja formas t\u012br\u012bbu un proporciju mieru, bet Historicisma dekorat\u012bv\u0101 drosme jau atnesa melno arabesku, kora\u013c\u013ca dzirksti un orient\u0101listisko portretu \u2014 abas est\u0113tikas \u0161eit sadz\u012bvo vien\u0101 objekt\u0101 ar piln\u012bgu harmoniju.<\/p>\n V\u0101zes roz\u0101 porcel\u0101na korpuss \u2014 maigs, nedaudz puderaini roz\u0101, ko fran\u010di sauca par rose poudr\u00e9<\/em> \u2014 ir kam\u012bnplaukta kr\u0101sa, salona kr\u0101sa, kr\u0101sa, kas paredz\u0113ta gaism\u0101, ko met svece vai zemais ziemas saules stars pa logu. Amforas siluets ar izteiktu v\u0113deru, sa\u0161aurin\u0101tu kaklu un platenu malu ir klasicisma v\u0113l\u012bn\u0101 atbalss, ko 1850.\u20131880. gadu manufakt\u016bras interpret\u0113ja ar pieaugo\u0161u dekorat\u012bvo br\u012bv\u012bbu. Melni glaz\u0113tie rokturi ar to arabesku izliekumu un oran\u017ei sarkanajiem kora\u013c\u013cu akcentiem ir \u0161\u012b perioda rakstur\u012bg\u0101k\u0101 dekorat\u012bv\u0101 balss \u2014 kontrasts starp roz\u0101 \u0137ermeni un melno grafiku ir apzin\u0101ts, teatr\u0101ls un ar piln\u012bgu est\u0113tisku p\u0101rliec\u012bbu izpild\u012bts.<\/p>\n Medaljona portrets \u2014 baltb\u0101rdains v\u012brs roz\u0101 turb\u0101n\u0101, zelta \u0137\u0113d\u0113, tum\u0161i oran\u017e\u0101 apmetni, uz melna fona \u2014 nav iedom\u0101ta fig\u016bra. Tas ir 19. gs. Francijas orient\u0101lisma iem\u012b\u013cot\u0101kais t\u0113ls: Austrumu gudrais vai tirgot\u0101js, kura skatiens satur to, ko Eiropa taj\u0101 laik\u0101 projekt\u0113ja uz Austrumiem \u2014 dzi\u013cumu, nosl\u0113pumu, laiku, kas rit cit\u0101d\u0101k. P\u0113c Delakru\u0101 ce\u013cojuma uz Magrebu un Francijas iekaro\u0161anas Al\u017e\u012brij\u0101 1830. gad\u0101 orient\u0101lisms k\u013cuva par nacion\u0101lu kaisl\u012bbu, un porcel\u0101na manufakt\u016bras \u0101tri saprata, ka Par\u012bzes salons v\u0113las \u0161o t\u0113lu uz kam\u012bnplaukta \u2014 ne tikai uz audekla. \u0160is portrets, visticam\u0101k, ir br\u012bvs atdarin\u0101jums p\u0113c k\u0101da slavena Tici\u0101na vai D\u017eord\u017eones alla turca<\/em> portreta, ko 19. gs. gravieru izdevumi bija padar\u012bju\u0161i pla\u0161i paz\u012bstamus. Tas tika gleznots ar roku, kur\u0101 bija ota un laiks \u2014 un tas paliek redzams.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f RA\u017dOT\u0100JS UN TRAD\u012aCIJA<\/strong><\/p>\n V\u0101ze n\u0101k no t\u0101 saucam\u0101s Vieux Paris<\/em> porcel\u0101na trad\u012bcijas \u2014 Par\u012bzes un t\u0101s apk\u0101rtnes manufakt\u016bru pla\u0161\u0101 \u0123imene, kas darboj\u0101s no 18. gs. beig\u0101m l\u012bdz 19. gs. otrajai pusei. \u0160\u012bs manufakt\u016bras nebija S\u00e8vres \u2014 t\u0101s nebija karalisk\u0101s un nekad netiec\u0101s uz kro\u0146a z\u012bmogu. T\u0101s bija elegant\u0101 bur\u017eu\u0101zija porcel\u0101na pasaul\u0113: izsmalcin\u0101tas, ar skaidru roku, ar Par\u012bzes modes saj\u016btu, bet bez liel\u0101s slavas smaguma. Par\u012bzes lab\u0101kie maisons de curiosit\u00e9s<\/em> un magasins de nouveaut\u00e9s<\/em> uz Grands Boulevards p\u0101rdeva tie\u0161i \u0161\u0101da veida v\u0101zes k\u0101 galda un interjera aksesu\u0101rus, kas rot\u0101ja Ne tikai pils\u0113tas salonus, bet ar\u012b provinces pilso\u0146u dz\u012bvojam\u0101s istabas no Bordo l\u012bdz Strasb\u016brai.<\/p>\n Vieux Paris<\/em> manufakt\u016bras bie\u017ei vien str\u0101d\u0101ja bez past\u0101v\u012bga mar\u0137\u0113juma vai ar minim\u0101lu iespiesto formas numuru \u2014 \u0161aj\u0101 gad\u012bjum\u0101 pamatn\u0113 iekalts numurs 1604<\/strong> ir formas kataloga numurs, kas apliecina, ka v\u0101ze ra\u017eota no noteiktas veidnes s\u0113rij\u0101, ta\u010du nenor\u0101da uz konkr\u0113tu m\u0101ju. Tas ir rakstur\u012bgi t\u0101 perioda Francijas vid\u0113jai un augst\u0101kai dekorat\u012bv\u0101 porcel\u0101na produkcijai, kur izstr\u0101d\u0101juma kvalit\u0101te run\u0101ja pati par sevi.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n Bezmar\u0137\u0113ta Vieux Paris<\/em> v\u0101ze ar saglab\u0101tu orient\u0101listisku portretu medaljonu, veseliem kora\u013c\u013cu akcentiem uz melno rokturiem un \u0161aj\u0101 kvalit\u0101t\u0113 saglab\u0101tu roz\u0101 glaz\u016bru ir iev\u0113rojami ret\u0101ks atradums nek\u0101 standarta dekorat\u012bv\u0101s v\u0101zes bez portreta. Tie\u0161i orient\u0101listisk\u0101 tematika \u2014 ar t\u0101s kult\u016brv\u0113sturisko saikni ar Delakru\u0101, \u0122eromo un visu 19. gs. Francijas Austrumu fascin\u0101ciju \u2014 pie\u0161\u0137ir \u0161im priek\u0161metam papildu kolekcijas dimensiju. Kolekcion\u0101ri Francij\u0101, Be\u013c\u0123ij\u0101 un Lielbrit\u0101nij\u0101 p\u0113d\u0113jos gados akt\u012bvi p\u0101rv\u0113rt\u0113 tie\u0161i \u0161o “bez pases” Vieux Paris<\/em> kategoriju uz aug\u0161u, atpaz\u012bstot taj\u0101 autentisku 19. gs. Francijas porcel\u0101na m\u0101ksliniecisko balsi, kas ilgu laiku atradusies slaven\u0101ku manufakt\u016bru \u0113n\u0101.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n \u0160\u012b v\u0101ze ir rad\u012bta kam\u012bnplauktam \u2014 un tie\u0161i tur t\u0101 atkl\u0101j savu pilno skaistumu. Uguns gaism\u0101 roz\u0101 glaz\u016bra ieg\u016bst siltumu, ko dienas gaisma tikai iesaka, bet svece piln\u012bgi atkl\u0101j. Konso\u013cgalda centrs ar spogu\u013ca atspulgu, kur melnais arabesks un kora\u013c\u013ca oran\u017es veido kr\u0101su dialogu ar visu, ko novietots blakus. Stikla vitr\u012bn\u0101 kolekcij\u0101 ar citiem 19. gs. fran\u010du porcel\u0101na priek\u0161metiem \u2014 Vieux Paris<\/em> kr\u016bz\u012bt\u0113m, Empire stila \u0161\u0137\u012bvjiem vai Limoges v\u0101z\u0113m. Romantisma, Second Empire, eklektisk\u0101 un neobaroka<\/strong> stila interjeros \u0161\u012b v\u0101ze nav tikai dekors \u2014 t\u0101 ir kult\u016brv\u0113sturiska poz\u012bcija. Fotogr\u0101fij\u0101 \u2014 roz\u0101 un melns ar kora\u013c\u013ca punktiem ir vizu\u0101li pateic\u012bga kombin\u0101cija, kas still-life<\/em> uz\u0146\u0113mumos darbojas gan ar tum\u0161u dramatisku fonu, gan gai\u0161\u0101 Par\u012bzes stila kompoz\u012bcij\u0101 ar lina audumu un svaigiem ziediem.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n Visp\u0101r\u0113jais st\u0101voklis \u2014 labs, atbilsto\u0161s vecumam<\/strong>. Roz\u0101 glaz\u016bra saglab\u0101jusi savu dzi\u013cumu un maigumu bez plais\u0101m vai skald\u012bjumiem. Melnie arabesku rokturi ar kora\u013c\u013cu akcentiem veseli. Zelta apma\u013cu dabisks nodilums uz mutes malas \u2014 rakstur\u012bgs \u0161\u012b perioda porcel\u0101nam, v\u0113sturiski autentisks un gaid\u0101ms. Portreta medaljonas gleznojums saglab\u0101jies skaidri, ar visu kr\u0101su intensit\u0101ti. Pamatn\u0113 iespiests formas numurs 1604. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n Pink Porcelain Decorative Vase with Orientalist Portrait Medallion, Black Arabesque Handles and Coral Accents \u2014 Historicism \/ Neo-Renaissance, Vieux Paris Tradition, France, circa 1850\u20131880<\/strong><\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udcd0 DIMENSIONS<\/strong> \u2014 Height 29 cm. Width across handles 17 cm.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f PERIOD, ART STYLE, HISTORICAL CONTEXT<\/strong><\/p>\n There are objects that carry the mark of their time not in an inscription, but in the body itself \u2014 in colour, proportion, in the curve of a handle. This vase belongs to that fertile transitional moment when the quiet elegant minimalism of Biedermeier still held its formal purity and compositional calm, while the decorative boldness of Historicism had already introduced the black arabesque, the coral accent, and the Orientalist portrait \u2014 both aesthetics coexisting here in a single object with complete harmony.<\/p>\n The vase’s pink porcelain body \u2014 a soft, faintly powdery rose that the French called rose poudr\u00e9<\/em> \u2014 is the colour of the mantelpiece, the colour of the salon, a colour intended for the light cast by a candle or the low winter sun through tall windows. The amphora silhouette, with its pronounced belly, narrowed neck, and wide-flanged mouth, is a late echo of Classicism, interpreted by the manufacturers of 1850\u20131880 with growing decorative freedom. The black-glazed handles with their arabesque curves and orange-red coral accents are the most characteristic decorative voice of this period \u2014 the contrast between the pink body and the black graphic line is deliberate, theatrical, and executed with complete aesthetic conviction.<\/p>\n The medallion portrait \u2014 a white-bearded man in a pink turban, with a gold chain, in a dark amber cloak, set against a black ground \u2014 is not an invented figure. It is the most beloved image of 19th-century French Orientalism: the Eastern sage or merchant, whose gaze holds what Europe was then projecting onto the East \u2014 depth, mystery, time moving differently. After Delacroix’s journey to the Maghreb and France’s conquest of Algeria in 1830, Orientalism became a national passion, and porcelain manufacturers quickly understood that the Parisian salon wanted this image on the mantelpiece \u2014 not only on the canvas. This portrait is most likely a free interpretation after a celebrated Titian or Giorgione alla turca<\/em> portrait, made widely known through 19th-century engraving publications. It was painted by a hand that held a brush and time \u2014 and that remains visible.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f MAKER AND TRADITION<\/strong><\/p>\n The vase comes from the so-called Vieux Paris<\/em> porcelain tradition \u2014 the broad family of Paris and its surrounding manufacturers active from the late 18th century through the second half of the 19th century. These were not S\u00e8vres \u2014 they were not royal manufactories and never aspired to the royal mark. They were the elegant bourgeoisie of the porcelain world: refined, with a confident hand, attuned to Parisian fashion, but without the weight of grand celebrity. The finest Parisian maisons de curiosit\u00e9s<\/em> and magasins de nouveaut\u00e9s<\/em> on the Grands Boulevards sold exactly this type of vase as table and interior accessories, adorning not only city salons but provincial drawing rooms from Bordeaux to Strasbourg.<\/p>\n Vieux Paris<\/em> manufacturers frequently worked without a permanent mark, or with only a minimal impressed form number \u2014 in this case, the number 1604<\/strong> impressed into the base is a catalogue form number, confirming that the vase was produced from a specific mould within a series, without identifying the individual house. This is characteristic of the period’s French middle and upper decorative porcelain production, where the quality of the object spoke for itself.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n An unmarked Vieux Paris<\/em> vase with an intact Orientalist portrait medallion, complete coral accents on the black handles, and a pink glaze preserved in this quality is a considerably rarer find than standard decorative vases without portraiture. It is precisely the Orientalist subject matter \u2014 with its cultural connection to Delacroix, G\u00e9r\u00f4me, and the entirety of 19th-century France’s Eastern fascination \u2014 that gives this piece an additional collecting dimension. Collectors in France, Belgium, and the United Kingdom have in recent years been actively reassessing this unmarked Vieux Paris<\/em> category, recognising in it an authentic 19th-century French porcelain artistic voice that has long stood in the shadow of more celebrated manufactories.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f USE IN INTERIOR DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n This vase was made for the mantelpiece \u2014 and it is there that it reveals its full beauty. In firelight, the pink glaze acquires a warmth that daylight only suggests but candlelight fully discloses. As the centrepiece of a console table with a mirror behind it, where the black arabesque and the coral orange create a colour dialogue with everything placed beside them. In a glass cabinet as part of a collection of 19th-century French porcelain \u2014 Vieux Paris<\/em> cups, Empire-style plates, or Limoges vases. In Romantic, Second Empire, eclectic, and neo-Baroque<\/strong> interiors, this vase is not merely decoration \u2014 it is a cultural-historical statement. In photography \u2014 pink and black with coral accents is a visually generous combination, working equally in dramatic dark-background still-life compositions and in bright Parisian-style arrangements with linen and fresh flowers.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d CONDITION<\/strong><\/p>\n Overall condition \u2014 good, consistent with age<\/strong>. The pink glaze has retained its depth and softness, with no cracks or chips. The black arabesque handles with coral accents are intact. Natural gilding wear on the mouth rim is characteristic of porcelain of this period \u2014 historically authentic and entirely expected. The portrait medallion painting is well preserved, with full colour intensity. Form number 1604 impressed into the base. The condition of the item is fully reflected in the photographs.<\/p>\n","protected":false},"excerpt":{"rendered":" Augstums 29cm, platums 17cm. Roz\u0101 porcel\u0101na dekorat\u012bv\u0101 v\u0101ze ar orient\u0101listisku portretu medaljonu, melniem arabesku rokturiem un kora\u013c\u013cu akcentiem \u2014 Historicisms<\/p>\n","protected":false},"featured_media":34191,"template":"","meta":[],"product_brand":[],"product_cat":[211,230,204],"product_tag":[],"class_list":["post-34190","product","type-product","status-publish","has-post-thumbnail","product_cat-trauki","product_cat-vases-porcelain","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/34190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/34191"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=34190"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=34190"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=34190"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=34190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}