Augstums \u2014 96.5 cm<\/p>\n
Platums \u2014 151 cm<\/p>\n
Izcila, muzejiska m\u0113roga un m\u0101kslinieciski jaud\u012bga 20. gadsimta s\u0101kuma ori\u0123in\u0101lglezna (large framed maritime oil painting<\/i>), kas kalpos k\u0101 monument\u0101la interjera dominante jebkur\u0101 augst\u0101k\u0101s klases priv\u0101t\u0101 kolekcij\u0101, ku\u0123niec\u012bbas salon\u0101 vai pla\u0161\u0101 viesistab\u0101. Audekla kompoz\u012bcij\u0101 att\u0113lots dz\u012bv\u012bgs un ekspres\u012bvs ostas skats \u2014 mastiem bag\u0101ti zvejas un buru ku\u0123i, kas pietauvoti pie pils\u0113tas krastmalas, spogu\u013cojoties nemier\u012bgajos, dzidri zilajos un tirk\u012bza to\u0146u j\u016bras \u016bde\u0146os. Darbs izpild\u012bts t t\u0101d\u0101 postimpresionisma manier\u0113, izmantojot izteiksm\u012bgu, biezu un reljefu otas un \u0161pakteles triepienu (impasto) tehniku, kas pie\u0161\u0137ir \u016bdens virsmai un debes\u012bm apbr\u012bnojamu kust\u012bbas un gaismas dinamiku. Gleznu ieskauj t\u0101s ori\u0123in\u0101lais, mas\u012bvais koka r\u0101mis ar c\u0113lu, r\u016bsgani zelt\u012btu un patin\u0113tu fakt\u016bru.<\/p>\n
Izgatavo\u0161anas periods<\/b> Rad\u012bta 1931. gad\u0101, Eiropas starpkaru modernisma un postimpresionisma uzplaukuma posm\u0101, kad m\u0101kslinieki atteic\u0101s no gludas akad\u0113misk\u0101s glezniec\u012bbas par labu ekspres\u012bvai tekst\u016brai un gaismas tver\u0161anai.<\/p>\n
Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> Gleznas apak\u0161\u0113j\u0101 kreisaj\u0101 st\u016br\u012b ir skaidri salas\u0101ms autora ori\u0123in\u0101lais paraksts ar otu un dat\u0113jums: “Marcel Abougit 1931”. Gleznas aizmugur\u0113 uz koka apak\u0161r\u0101mja ir saglab\u0101jusies unik\u0101la, v\u0113sturiska fran\u010du izst\u0101\u017eu un re\u0123istr\u0101cijas pap\u012bra eti\u0137ete ar ma\u0161\u012bnraksta gadu “1934”, m\u0101kslinieka v\u0101rdu un vi\u0146a Par\u012bzes darbn\u012bcas adresi (187 rue Ordener<\/i>), kas apliecina darba autentiskumu un dal\u012bbu t\u0101 laika Francijas salonos.<\/p>\n
Retums un noz\u012bme<\/b> \u0160\u0101da izm\u0113ra (platums p\u0101rsniedz pusotru metru) un tik izcilas impasto tehnikas starpkaru perioda mar\u012bnas tirg\u016b non\u0101k \u0101rk\u0101rt\u012bgi reti. Darba v\u0113rt\u012bbu dubulto piln\u012bb\u0101 saglab\u0101jusies v\u0113sturisk\u0101 dokument\u0101cija uz apak\u0161r\u0101mja un neskartais ori\u0123in\u0101lais r\u0101mis.<\/p>\n
Pielietojums<\/b> Ide\u0101li piem\u0113rota liel\u0101m un reprezentabl\u0101m telp\u0101m \u2014 virs galven\u0101 kam\u012bna, kabinet\u0101, ku\u0123niec\u012bbas komp\u0101niju birojos vai klasisk\u0101 viesistab\u0101. T\u0101 acumirkl\u012b pie\u0161\u0137ir telpai v\u0113sturisku pamat\u012bgumu, pla\u0161uma saj\u016btu un nez\u016bdo\u0161u invest\u012bciju v\u0113rt\u012bbu.<\/p>\n
St\u0101voklis<\/b> Glezna un r\u0101mis ir izcil\u0101 v\u0113sturiskaj\u0101 un tehniskaj\u0101 st\u0101vokl\u012b. Audekls ir stingrs, e\u013c\u013cas kr\u0101sas sl\u0101nis ir piln\u012bb\u0101 stabils, bez plais\u0101m vai kr\u0101sas zudumiem, neraugoties uz t\u0101 biezumu. R\u0101mis ir struktur\u0101li stingrs un saglab\u0101jis savu ori\u0123in\u0101lo patinu.<\/p>\n
V\u0113sturisk\u0101 noska\u0146a:<\/i><\/b> Ernests Hemingvejs (Ernest Hemingway) r\u0101mi aps\u0113\u017eas pie sava galda ostas krodzi\u0146\u0101 1931. gada saulainaj\u0101, bet v\u0113jainaj\u0101 p\u0113cpusdien\u0101, v\u0113rojot, k\u0101 gaisma sp\u0113l\u0113jas vi\u013c\u0146u galotn\u0113s. Uz sienas virs mas\u012bv\u0101 koka letes \u0161is grandiozais buru ku\u0123u un nemier\u012bg\u0101s j\u016bras t\u0113lojums ienes patiesi me\u017eon\u012bgu, bet reiz\u0113 smalku br\u012bv\u012bbas akcentu. Vi\u0146a acis pakav\u0113jas pie Marsela Abug\u012b biezajiem un skarbajiem kr\u0101sas triepieniem, saskatot tajos to pa\u0161u nepieradin\u0101to dabas sp\u0113ku un v\u012bri\u0161\u0137\u012bgo pamat\u012bgumu, ko vi\u0146\u0161 vienm\u0113r mekl\u0113jis savos ce\u013cojumos un st\u0101stos. Telp\u0101, kur\u0101 valda r\u0101ms miers, tabakas d\u016bmi un s\u0101\u013c\u0101 j\u016bras gaisa elpa, \u0161is m\u0101kslinieciskais d\u0101rgums d\u0101v\u0101 patiesu gandar\u012bjumu un vizu\u0101las skaidr\u012bbas mirkli pirms jauna dz\u012bves st\u0101sta s\u0101kuma.<\/i><\/p>\nRU: \u041c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u0430\u044f \u043c\u043e\u0440\u0441\u043a\u0430\u044f \u043a\u0430\u0440\u0442\u0438\u043d\u0430 1931 \u0433\u043e\u0434\u0430 \u0432 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u043e\u0439 \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043e\u0439 \u0440\u0430\u043c\u0435<\/h3>\n
\u0412\u044b\u0441\u043e\u0442\u0430 \u2014 96.5 \u0441\u043c<\/p>\n
\u0428\u0438\u0440\u0438\u043d\u0430 \u2014 151 \u0441\u043c<\/p>\n
\u0412\u044b\u0434\u0430\u044e\u0449\u0438\u0439\u0441\u044f \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u043d\u044b\u0439 \u0430\u0440\u0442-\u043e\u0431\u044a\u0435\u043a\u0442 \u043c\u0443\u0437\u0435\u0439\u043d\u043e\u0433\u043e \u043c\u0430\u0441\u0448\u0442\u0430\u0431\u0430 (large framed maritime oil painting<\/i>), \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u044b\u0439 \u043c\u0430\u0441\u043b\u043e\u043c \u043d\u0430 \u0445\u043e\u043b\u0441\u0442\u0435 \u0432 \u044d\u043a\u0441\u043f\u0440\u0435\u0441\u0441\u0438\u0432\u043d\u043e\u0439 \u0442\u0435\u0445\u043d\u0438\u043a\u0435 \u0433\u0443\u0441\u0442\u043e\u0433\u043e \u043c\u0430\u0437\u043a\u0430 (\u0438\u043c\u043f\u0430\u0441\u0442\u043e). \u0412 \u0446\u0435\u043d\u0442\u0440\u0435 \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0438 \u2014 \u043e\u0436\u0438\u0432\u043b\u0435\u043d\u043d\u0430\u044f \u0433\u0430\u0432\u0430\u043d\u044c \u0441 \u043f\u0430\u0440\u0443\u0441\u043d\u044b\u043c\u0438 \u0441\u0443\u0434\u0430\u043c\u0438 \u0438 \u043b\u043e\u0434\u043a\u0430\u043c\u0438 \u0443 \u0433\u043e\u0440\u043e\u0434\u0441\u043a\u043e\u0439 \u043d\u0430\u0431\u0435\u0440\u0435\u0436\u043d\u043e\u0439, \u043e\u0442\u0440\u0430\u0436\u0430\u044e\u0449\u0438\u043c\u0438\u0441\u044f \u0432 \u0431\u0438\u0440\u044e\u0437\u043e\u0432\u044b\u0445 \u0432\u043e\u0434\u0430\u0445 \u043c\u043e\u0440\u044f. \u041f\u043e\u043b\u043e\u0442\u043d\u043e \u0437\u0430\u043a\u043b\u044e\u0447\u0435\u043d\u043e \u0432 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u0443\u044e \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u0443\u044e \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0443\u044e \u0440\u0430\u043c\u0443 \u0441 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u043e\u0439 \u043f\u043e\u0437\u043e\u043b\u043e\u0442\u043e\u0439 \u0438 \u043f\u0430\u0442\u0438\u043d\u043e\u0439.<\/p>\n
\u041f\u0435\u0440\u0438\u043e\u0434 \u0438 \u0430\u0432\u0442\u043e\u0440\u0441\u0442\u0432\u043e<\/b> \u041a\u0430\u0440\u0442\u0438\u043d\u0430 \u0441\u043e\u0437\u0434\u0430\u043d\u0430 \u0432 1931 \u0433\u043e\u0434\u0443 \u0438\u0437\u0432\u0435\u0441\u0442\u043d\u044b\u043c \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u043c \u043c\u0430\u0441\u0442\u0435\u0440\u043e\u043c \u041c\u0430\u0440\u0441\u0435\u043b\u0435\u043c \u0410\u0431\u0443\u0436\u0438. \u0412 \u043b\u0435\u0432\u043e\u043c \u043d\u0438\u0436\u043d\u0435\u043c \u0443\u0433\u043b\u0443 \u043f\u043e\u043b\u043e\u0442\u043d\u0430 \u0447\u0435\u0442\u043a\u043e \u0432\u0438\u0434\u043d\u0430 \u043f\u043e\u0434\u043f\u0438\u0441\u044c \u0430\u0432\u0442\u043e\u0440\u0430: “Marcel Abougit 1931”. \u041d\u0430 \u043e\u0431\u043e\u0440\u043e\u0442\u0435 \u043f\u043e\u0434\u0440\u0430\u043c\u043d\u0438\u043a\u0430 \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u0430\u0441\u044c \u0440\u0435\u0434\u043a\u0430\u044f \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u0430\u044f \u0431\u0443\u043c\u0430\u0436\u043d\u0430\u044f \u044d\u0442\u0438\u043a\u0435\u0442\u043a\u0430 \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u043e\u0433\u043e \u0441\u0430\u043b\u043e\u043d\u0430 1934 \u0433\u043e\u0434\u0430 \u0441 \u0443\u043a\u0430\u0437\u0430\u043d\u0438\u0435\u043c \u0430\u0434\u0440\u0435\u0441\u0430 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u043e\u0439 \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a\u0430 (187 rue Ordener<\/i>).<\/p>\n
\u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0438 \u043f\u0440\u0438\u043c\u0435\u043d\u0435\u043d\u0438\u0435<\/b> \u0420\u0430\u0437\u043c\u0435\u0440 \u0445\u043e\u043b\u0441\u0442\u0430 (\u0448\u0438\u0440\u0438\u043d\u0430 151 \u0441\u043c) \u0434\u0435\u043b\u0430\u0435\u0442 \u043a\u0430\u0440\u0442\u0438\u043d\u0443 \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u044b\u043c \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u044b\u043c \u044d\u043b\u0435\u043c\u0435\u043d\u0442\u043e\u043c \u0434\u043b\u044f \u043f\u0440\u043e\u0441\u0442\u043e\u0440\u043d\u043e\u0439 \u0433\u043e\u0441\u0442\u0438\u043d\u043e\u0439, \u043a\u0430\u043c\u0438\u043d\u043d\u043e\u0433\u043e \u0437\u0430\u043b\u0430 \u0438\u043b\u0438 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043b\u044c\u0441\u043a\u043e\u0433\u043e \u043e\u0444\u0438\u0441\u0430. \u041f\u043e\u043b\u043e\u0442\u043d\u043e \u0438 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u0430\u044f \u0440\u0430\u043c\u0430 \u043d\u0430\u0445\u043e\u0434\u044f\u0442\u0441\u044f \u0432 \u0431\u0435\u0437\u0443\u043f\u0440\u0435\u0447\u043d\u043e\u043c \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438, \u0441\u043b\u043e\u0438 \u043a\u0440\u0430\u0441\u043a\u0438 \u0441\u0442\u0430\u0431\u0438\u043b\u044c\u043d\u044b.<\/p>\n
\u0418\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0430\u0442\u043c\u043e\u0441\u0444\u0435\u0440\u0430:<\/i><\/b> \u042d\u0440\u043d\u0435\u0441\u0442 \u0425\u0435\u043c\u0438\u043d\u0433\u0443\u044d\u0439 (Ernest Hemingway) \u043d\u0435\u0442\u043e\u0440\u043e\u043f\u043b\u0438\u0432\u043e \u0443\u0441\u0442\u0440\u0430\u0438\u0432\u0430\u0435\u0442\u0441\u044f \u0437\u0430 \u0441\u0442\u043e\u043b\u0438\u043a\u043e\u043c \u0432 \u043f\u043e\u0440\u0442\u043e\u0432\u043e\u0439 \u0442\u0430\u0432\u0435\u0440\u043d\u0435 \u0441\u043e\u043b\u043d\u0435\u0447\u043d\u044b\u043c, \u043d\u043e \u0432\u0435\u0442\u0440\u0435\u043d\u044b\u043c \u0434\u043d\u0435\u043c 1931 \u0433\u043e\u0434\u0430. \u041d\u0430 \u0441\u0442\u0435\u043d\u0435, \u043d\u0430\u0434 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u043e\u0439 \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u043e\u0439 \u0441\u0442\u043e\u0439\u043a\u043e\u0439, \u044d\u0442\u043e\u0442 \u0433\u0440\u0430\u043d\u0434\u0438\u043e\u0437\u043d\u044b\u0439 \u043c\u043e\u0440\u0441\u043a\u043e\u0439 \u043f\u0435\u0439\u0437\u0430\u0436 \u041c\u0430\u0440\u0441\u0435\u043b\u044f \u0410\u0431\u0443\u0436\u0438 \u0441\u043e\u0437\u0434\u0430\u0435\u0442 \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u044b\u0439 \u0432\u0435\u043b\u0438\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0430\u043a\u0446\u0435\u043d\u0442 \u0441\u0432\u043e\u0431\u043e\u0434\u044b \u0438 \u0441\u0442\u0438\u0445\u0438\u0438. \u0412 \u0442\u0438\u0445\u043e\u0439 \u043a\u043e\u043c\u043d\u0430\u0442\u0435, \u043d\u0430\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u043e\u0439 \u0430\u0440\u043e\u043c\u0430\u0442\u043e\u043c \u0442\u0430\u0431\u0430\u043a\u0430 \u0438 \u0441\u043e\u043b\u0435\u043d\u043e\u0433\u043e \u0431\u0440\u0438\u0437\u0430, \u0441\u043c\u0435\u043b\u044b\u0435 \u0440\u0435\u043b\u044c\u0435\u0444\u043d\u044b\u0435 \u043c\u0430\u0437\u043a\u0438 \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a\u0430 \u043d\u0430 \u0445\u043e\u043b\u0441\u0442\u0435 \u043f\u0440\u0438\u043d\u043e\u0441\u044f\u0442 \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u043e\u0435 \u0447\u0443\u0432\u0441\u0442\u0432\u043e \u043f\u043e\u043a\u043e\u044f \u0438 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u043a\u043e\u0439 \u044f\u0441\u043d\u043e\u0441\u0442\u0438 \u043f\u0435\u0440\u0435\u0434 \u043d\u0430\u0447\u0430\u043b\u043e\u043c \u043d\u043e\u0432\u043e\u0433\u043e \u0434\u043d\u044f.<\/i><\/p>\nEN: Majestic and Monumental Maritime Harbor Oil Painting \u2014 Marcel Abougit 1931<\/h2>\n
Height \u2014 96.5 cm<\/p>\n
Width \u2014 151 cm<\/p>\n
A spectacular, museum-scale original oil masterpiece (large framed maritime oil painting<\/i>) rendered with exceptional textural intensity on a tightly stretched linen canvas. The expressionist composition depicts a bustling European harbor scene, capturing multiple sailing vessels, fishing boats, and historic docks mirrored beautifully against the vivid turquoise and deep blue tones of the moving sea. Painted using an uncompromised, heavy impasto technique with bold palette knife strokes, the artwork is beautifully showcased in its original structural wooden frame finished in a textured, patinated antique gold leaf.<\/p>\n
Production Period<\/b> Created in 1931, during the high era of European interwar modernism and post-impressionism, celebrating textural weight, light refraction, and rugged structural movement.<\/p>\n
Maker \/ Mark \/ Signature<\/b> The bottom-left corner of the canvas features the clear original brush signature and date of the artist: “Marcel Abougit 1931”. Furthermore, the reverse side of the stretcher frame preserves an authentic, historic French exhibition label dated 1934, documenting the artist’s name and his Paris studio address (187 rue Ordener<\/i>).<\/p>\n
Rarity and Significance<\/b> Grand salon-scale maritime paintings of this size (exceeding 1.5 meters in width) with untouched provenance labels and original frames are increasingly rare on the international market, making this an exceptional investment-grade acquisition.<\/p>\n
Application<\/b> This grand framed work serves as a commanding focal point for a stately coastal residence, a maritime corporate board room, a rustic brick fireplace hall, or above a large antique credenza in a traditional formal living room.<\/p>\n
Condition<\/b> The entire piece is in spectacular vintage and structural condition. Despite the thick paint layers, the oil pigments are fully stable with no cracking or paint loss. The massive gilded frame is tight and retains its magnificent authentic luster.<\/p>\n
Art Deco era snapshot:<\/i><\/b> Ernest Hemingway (Ernest Hemingway) sets down his writing notebook for a moment on a breezy afternoon in 1931, letting the coastal light illuminate the dark wood of a seaside tavern. On the wall, this grand maritime harbor painting by Marcel Abougit introduces an authentic scale of freedom and natural strength. His eyes appreciate the rich geometry of the sailing masts and the rugged impasto texture of the painted waves, finding the exact balance of raw adventure and classical structure he always sought in his own prose. In the quiet room, filled with the scent of tobacco and salt air, this artistic accent brings a sense of absolute peace and stable comfort before his next journey begins.<\/i><\/p>\n
\ud83c\udde9\ud83c\uddea<\/p>\n
H\u00f6he \u2014 96.5 cm<\/p>\n
Breite \u2014 151 cm<\/p>\n
Ein herrschaftliches, gro\u00dfformatiges Original-\u00d6lgem\u00e4lde (large framed maritime oil painting<\/i>), meisterhaft in dicker Impasto-Technik auf Leinwand ausgef\u00fchrt. Das Motiv zeigt ein klassisches Hafenstillleben mit zahlreichen Segelschiffen und Booten an einer st\u00e4dtischen Kaimauer, die sich im t\u00fcrkisfarbenen Meerwasser spiegeln. Das gro\u00dfartige Gem\u00e4lde wird von seinem originalen, massiven Holzrahmen mit antikem Goldblatt-Finish umschlossen.<\/p>\n
Epoche und Signatur<\/b> Hergestellt im Jahr 1931 von dem franz\u00f6sischen Meister Marcel Abougit. Im linken unteren Bereich befindet sich die deutliche Pinselsignatur des K\u00fcnstlers “Marcel Abougit 1931”. Auf der R\u00fcckseite des Keilrahmens dokumentiert ein originales Pariser Ausstellungslabel von 1934 die Adresse des K\u00fcnstlerateliers (187 rue Ordener<\/i>).<\/p>\n
Zustand und Verwendung<\/b> Das Gem\u00e4lde befindet sich in einem makellosen Zustand. Mit seinen monumentalen Ma\u00dfen von 151 cm Breite eignet es sich hervorragend als Prunkst\u00fcck \u00fcber einem Kamin, in gro\u00dfen Salons oder Repr\u00e4sentationsr\u00e4umen.<\/p>\n
Momentaufnahme der Art-D\u00e9co-Zeit:<\/i><\/b> Ernest Hemingway (Ernest Hemingway) setzt sich an einem windigen Nachmittag im Jahr 1931 an seinen Tisch in einer Hafentaverne und beobachtet, wie das Licht den Raum erhellt. An der Wand setzt dieses monumentale Seest\u00fcck von Marcel Abougit im Goldrahmen einen wunderbaren behaglichen Kontrast. Sein Blick erfasst den Realismus der gemalten Segelschiffe und Wellen, in dem er die perfekte Harmonie aus Freiheit und maritimer Tradition wiederfindet. In dem stillen Raum bringt dieser k\u00fcnstlerische Akzent eine harmonische Ruhe vor dem Schaffen neuer Meisterwerke.<\/i><\/p>\n
\ud83c\uddeb\ud83c\uddf7<\/p>\n
Hauteur \u2014 96.5 cm<\/p>\n
Largeur \u2014 151 cm<\/p>\n
Une \u0153uvre d’art originale monumentale et saisissante (large framed maritime oil painting<\/i>), peinte \u00e0 l’huile en forte mati\u00e8re (impasto) sur une toile de lin tendue. La composition classique d\u00e9voile un port anim\u00e9 avec ses voiliers et barques amarr\u00e9s au quai, se refl\u00e9tant dans les eaux turquoise de la mer. L’\u0153uvre est mise en valeur par son cadre d’origine en bois massif recouvert d’une dorure \u00e0 la feuille d’or avec patine.<\/p>\n
P\u00e9riode et Signature<\/b> Cr\u00e9\u00e9e en 1931 par l’artiste peintre fran\u00e7ais Marcel Abougit. Le coin inf\u00e9rieur gauche de la toile porte la signature : “Marcel Abougit 1931”. Le revers du ch\u00e2ssis en bois comporte l’\u00e9tiquette en papier d’origine d’un salon parisien dat\u00e9e de 1934, indiquant l’adresse de l’atelier de l’artiste (187 rue Ordener<\/i>).<\/p>\n
\u00c9tat et Usage<\/b> Mesurant 151 cm de longueur, l’ensemble est dans un \u00e9tat de conservation exceptionnel, la couche picturale \u00e9tant parfaitement stable. Ce tableau sera une pi\u00e8ce ma\u00eetresse id\u00e9ale pour un grand salon classique ou un bureau de prestige.<\/p>\n
Instantan\u00e9 de l’\u00e9poque Art Deco :<\/i><\/b> Ernest Hemingway (Ernest Hemingway) s’assied calmement \u00e0 sa table dans une taverne portuaire par une apr\u00e8s-midi venteuse de 1931, laissant la lumi\u00e8re \u00e9clairer son carnet. Au mur, cette grande peinture marine de Marcel Abougit apporte une note majestueuse et d’aventure sous son grand cadre dor\u00e9. En observant la richesse de la mati\u00e8re et l’\u00e9clat des vagues, il y retrouve cet esprit d’authenticit\u00e9 et de libert\u00e9 qu’il aime tant, installant un moment de paix et de pl\u00e9nitude.<\/i><\/p>\n
\ud83c\udde9\ud83c\uddf0<\/p>\n
H\u00f8jde \u2014 96.5 cm<\/p>\n
Bredde \u2014 151 cm<\/p>\n
Et unikt og visuelt overv\u00e6ldende originalt oliemaleri i stor skala (large framed maritime oil painting<\/i>), udf\u00f8rt med kraftig impasto-teknik p\u00e5 l\u00e6rred. Motivet er et klassisk overflodsstilleben af en europ\u00e6isk havn med sejlskibe og b\u00e5de, der spejler sig i det tirkisbl\u00e5 hav. Maleriet er indrammet i sin originale, brede tr\u00e6ramme med en antik guldfinish med fin patina.<\/p>\n
Periode og Signatur<\/b> Fremstillet i 1931 af den franske kunstner Marcel Abougit. Nederst til venstre p\u00e5 l\u00e6rredet findes kunstnerens tydelige signatur “Marcel Abougit 1931”. Bagsiden af bl\u00e6ndrammen b\u00e6rer den originale franske udstillingslabel fra 1934 med kunstnerens parisiske atelieradresse (187 rue Ordener<\/i>). Maleriet fremst\u00e5r i fuldst\u00e6ndig fejlfri stand.<\/p>\n
\u00d8jebliksbillede fra art deco-tiden:<\/i><\/b> Ernest Hemingway (Ernest Hemingway) s\u00e6tter sig roligt ved sit bord en bl\u00e6sende eftermiddag i 1931 og betragter lyset, der str\u00f8mmer ind i havneknejpen. P\u00e5 v\u00e6ggen skaber dette monumentale havnebillede af Marcel Abougit i den originale guldramme et levende og luksuri\u00f8st element af frihed. Hans \u00f8jne hviler p\u00e5 de rige linjer i guldrammen og b\u00f8lgekr\u00e6fternes impasto-glans, og han finder den samme balance mellem r\u00e5t eventyr og klassisk varme, som han altid har elsket. I det stille rum bringer denne fine kunst-accent en rolig harmoni.<\/i><\/p>\n
\ud83c\uddf8\ud83c\uddea<\/p>\n
H\u00f6jd \u2014 96.5 cm<\/p>\n
Bredd \u2014 151 cm<\/p>\n
En magnifik originalm\u00e5lning i monumentalt format (large framed maritime oil painting<\/i>), utf\u00f6rd med kraftig impastoteknik p\u00e5 sp\u00e4nd linneduk. Kompositionen visar ett klassiskt maritimt hamnmotiv med segelfartyg och b\u00e5tar som speglar sig i det turkosbl\u00e5 havsvattnet. M\u00e5lningen \u00e4r infattad i sin mycket breda originaltr\u00e4ram med antik f\u00f6rgyllning med fin patina.<\/p>\n
Period och Signatur<\/b> Skapad 1931 av den franske m\u00e4staren Marcel Abougit. I tavlans nedre v\u00e4nstra del finns konstn\u00e4rens penselsignatur “Marcel Abougit 1931”. P\u00e5 sp\u00e4nnramens baksida dokumenterar en fransk utst\u00e4llningsetikett fr\u00e5n 1934 konstn\u00e4rens Parisadress (187 rue Ordener<\/i>). Tavlan \u00e4r i absolut toppskick.<\/p>\n
\u00d6gonblicksbild fr\u00e5n art deco-tiden:<\/i><\/b> Ernest Hemingway (Ernest Hemingway) s\u00e4tter sig lugnt vid sitt bord en solig eftermiddag 1931 och betraktar ljuset som str\u00f6mmar in i hamntavernan. P\u00e5 v\u00e4ggen, precis ovanf\u00f6r den l\u00e5nga bardisken, skapar den stora marinm\u00e5lningen av Marcel Abougit en fantastisk k\u00e4nsla av \u00e4ventyr och frihet. Hans blick uppskattar den rena prakten i f\u00f6rgyllningen och de m\u00e5lade v\u00e5gornas textur, och finner den exakta balansen mellan klassiskt arv och havets vilda natur. I det tysta rummet sk\u00e4nker denna konstn\u00e4rliga accent en k\u00e4nsla av absolut frid.<\/i><\/p>\n
\ud83c\uddf3\ud83c\uddf4<\/p>\n
H\u00f8yde \u2014 96.5 cm<\/p>\n
Bredde \u2014 151 cm<\/p>\n
Et usedvanlig vakkert og visuelt imponererende originalt oljemaleri i stort format (large framed maritime oil painting<\/i>), utf\u00f8rt med kraftig impasto-tekstur p\u00e5 l\u00e6rred. Motivet er et klassisk maritimt stilleben med en luksuri\u00f8s havn scene av seilskuter og b\u00e5ter som speiler seg i det turkisbl\u00e5 vannet. Maleriet er rammet inn i sin originale, sv\u00e6rt brede treramme med antikk forgylling.<\/p>\n
Periode og Tilstand<\/b> Malt i 1931 av den franske kunstneren Marcel Abougit. Nederst til venstre p\u00e5 l\u00e6rredet finnes kunstnerens tydelige malte signatur “Marcel Abougit 1931”. P\u00e5 baksiden av blindrammen er den originale utstillingsetiketten fra Paris (1934) bevart med kunstnerens adresse (187 rue Ordener<\/i>). Kunstverket fremst\u00e5r i utmerket stand.<\/p>\n
\u00d8yeblikksbilde fra art deco-tiden:<\/i><\/b> Ernest Hemingway (Ernest Hemingway) setter seg langsomt ved sitt bord en vindfull ettermiddag i 1931 og betrakter sollyset som str\u00f8mmer inn i havnetavernaen. P\u00e5 veggen skaper dette store oljemaleriet av Marcel Abougit i sin tunge originale gullramme et levende og koselig element av maritim frihet. \u00d8ynene hans hviler p\u00e5 de rene linjene i rammen og b\u00f8lgenes impasto-glans, ja, han finner den samme balansen mellom r\u00e5tt eventyr og tradisjonell varme som han alltid krevde av sitt eget liv.<\/i><\/p>\nFI: Eritt\u00e4in suuri klassinen merimaalaus laivoilla ja satamalla \u2014 Marcel Abougit 1931<\/h3>\n
Korkeus \u2014 96.5 cm<\/p>\n
Leveys \u2014 151 cm<\/p>\n
Hienostunut, monumentaalinen ja visuaalisesti upea alkuper\u00e4isteos (large framed maritime oil painting<\/i>), joka on maalattu voimakkaalla impasto-tekniikalla pellavakankaalle. Aiheena on klassinen eurooppalainen sataman\u00e4kym\u00e4 purjelaivoineen ja veneineen, jotka heijastuvat kauniisti meren turkoosinvihre\u00e4\u00e4n veteen. Maalaus on kehystetty alkuper\u00e4iseen, upeaan puiseen kehykseen, jossa on antiikkinen lehtikultaviimeistely ja hienostunut patina.<\/p>\n
Aikakausi ja Allekirjoitus<\/b> Valmistettu vuonna 1931 ranskalaisen mestarin Marcel Abougit’n toimesta. Teoksen vasemmassa alalaidassa on taiteilijan selke\u00e4 sivellinallekirjoitus “Marcel Abougit 1931”. Kiilakehyksen taustapuolella on alkuper\u00e4inen ranskalainen n\u00e4yttelylappu vuodelta 1934 taiteilijan Pariisin osoitteella (187 rue Ordener<\/i>). Teos on erinomaisessa kunnossa.<\/p>\n
Tunnelma art deco -ajalta:<\/i><\/b> Ernest Hemingway (Ernest Hemingway) istahtaa hitaasti p\u00f6yt\u00e4ns\u00e4 \u00e4\u00e4reen tuulisena iltap\u00e4iv\u00e4n\u00e4 vuonna 1931 seuraten, kuinka valo siivil\u00f6ityy satamakapakkaan. Sein\u00e4ll\u00e4 t\u00e4m\u00e4 suuri ja upeasti kehystetty merimaisema tuo tilaan aitoa vapauden ja seikkailun tuntua. H\u00e4nen silm\u00e4ns\u00e4 arvostavat kultauksen loistoa ja maalatun meren impasto-pintaa l\u00f6yt\u00e4en niist\u00e4 saman el\u00e4m\u00e4nilon ja voimakkaan aitouden tasapainon, jota h\u00e4n aina vaali el\u00e4m\u00e4ss\u00e4\u00e4n ja teksteiss\u00e4\u00e4n. Hiljaisessa tilassa, jossa tuoksuu tupakka ja suolainen meri, t\u00e4m\u00e4 taiteellinen yksityiskohta tuo mukanaan t\u00e4ydellisen rauhan tunteen.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"
Muzeja m\u0113roga, iespaid\u012bga 1931. gada ori\u0123in\u0101lglezna, kas tapusi biez\u0101, ekspres\u012bv\u0101 e\u013c\u013cas tehnik\u0101 (impasto) uz audekla. Darb\u0101 att\u0113lota dinamiska un atmosf\u0113riska ostas skata kompoz\u012bcija ar buru ku\u0123iem, laiv\u0101m un pils\u0113tas krastmalu. Glezna ir ietverta t\u0101s v\u0113sturiskaj\u0101, zelt\u012btaj\u0101 koka r\u0101m\u012b ar smalku tekst\u016bru. Izcils, rets un kolekcijas l\u012bme\u0146a m\u0101kslas darbs j\u016bras tematikas un v\u0113sturisk\u0101s m\u0101kslas cien\u012bt\u0101jiem.<\/p>\n","protected":false},"featured_media":34080,"template":"","meta":[],"product_brand":[],"product_cat":[206,204],"product_tag":[669,673,650,675,671,674,665,672,649,667,668,651,666,670,641],"class_list":["post-34079","product","type-product","status-publish","has-post-thumbnail","product_cat-gleznas","product_cat-visas-lietas","product_tag-1931-gads","product_tag-antique-harbor-scene","product_tag-ellas-glezna","product_tag-ernest-hemingway","product_tag-impasto-tehnika","product_tag-investiciju-maksla","product_tag-kugu-motivs","product_tag-large-framed-maritime-oil-painting","product_tag-liela-glezna","product_tag-marina","product_tag-marsels-abugi","product_tag-originalglezna","product_tag-osta","product_tag-vesturiska-gleznieciba","product_tag-zelta-ramis","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/34079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/34080"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=34079"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=34079"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=34079"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=34079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}