Labi, rakst\u0101m!<\/p>\n

\ud83d\udcd0 Augstums: 31 cm \/ 24,5 cm \/ 21 cm \u00d7 Platums: 10 cm. Komplekts \u2014 3 gabali.<\/strong><\/p>\n

Tr\u012bs dekorat\u012bvu stikla burci\u0146u komplekts “Evelynn” \u2014 V\u0113lais J\u016bgendstils \/ Edvarda laikmets, Francija vai Be\u013c\u0123ija, ap 1900.\u20131920.<\/h3>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n
\u0160is tr\u012bs burci\u0146u komplekts pieder tam \u012bpa\u0161ajam un \u012bsajam laikmetam Eiropas dekorat\u012bv\u0101s m\u0101kslas v\u0113stur\u0113, kad J\u016bgendstils v\u0113l tur\u0113ja savus organiskos, ziedo\u0161os mot\u012bvus, bet Edvarda laikmeta ilustrat\u012bv\u0101 grafika jau atnesa jaunas vieglas, gai\u0161as un narat\u012bvas est\u0113tikas \u2014 abas \u0161\u012bs pasaules \u0161eit sadz\u012bvo vien\u0101 komplekt\u0101.<\/p>\n
Sievie\u0161u t\u0113li \u2014 t\u0113rptas garos, pl\u016bsto\u0161os kleijt\u0101s ar augstiem apkak\u013ciem un platmales cepur\u0113s \u2014 ir tie\u0161i 1900.\u20131910. gada modes iemiesojums. Katrai burci\u0146ai ir sava sieviete, savs d\u0101rzs, sava noska\u0146a: pirm\u0101 \u2014 balta kleita, zilais fons, balts balodis rok\u0101; otr\u0101 \u2014 zila kleita, za\u013cais d\u0101rzs, mier\u012bga s\u0113do\u0161\u0101 poza; tre\u0161\u0101 \u2014 roz\u0101 to\u0146i, font\u0101ns, saulains parka solis. Tr\u012bs sievietes, tr\u012bs st\u0101sti, viena pasaule. Ro\u017eu v\u012btnes, kas ietver katru kompoz\u012bciju aug\u0161\u0101, ir t\u012brs J\u016bgendstila ornament\u0101l\u0101s valodas elements \u2014 organisks, ritmisks, dekorat\u012bvs.<\/p>\n
Z\u012bm\u012bgs ir paraksts “Evelynn”<\/strong> \u2014 kurs\u012bv\u0101 rakst\u012bts uz katras burci\u0146as. Visticam\u0101k tas ir dizaineres v\u0101rds vai s\u0113rijas nosaukums, kas pie\u0161\u0137ir komplektam apzin\u0101tas m\u0101kslinieciskas autor\u012bbas raksturu.<\/p>\n
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\u269c\ufe0f RA\u017dOT\u0100JS UN IZGATAVO\u0160ANAS TRAD\u012aCIJA<\/strong><\/p>\n
Burci\u0146u rakstur\u012bgais zilganza\u013cais stikla tonis ir klasiskais verre souffl\u00e9<\/strong> \u2014 p\u016bst\u0101 r\u016bpniecisk\u0101 stikla paz\u012bme, kas rakstur\u012bga fran\u010du un be\u013c\u0123u stikla ra\u017eotn\u0113m ap 1900.\u20131920. gadu. \u0160aj\u0101 period\u0101 gan Francij\u0101, gan Be\u013c\u0123ij\u0101 darboj\u0101s noz\u012bm\u012bgas stikla manufact\u016bras \u2014 tostarp re\u0123ion\u0101 ap \u0160arleroa un Lj\u0113\u017eu Be\u013c\u0123ij\u0101, k\u0101 ar\u012b Lotringij\u0101 un Normandij\u0101 Francij\u0101 \u2014 kas ra\u017eoja gan ikdienas lieto\u0161anas, gan dekorat\u012bvus stikla priek\u0161metus ar augstu m\u0101ksliniecisko kvalit\u0101ti.<\/p>\n
Ilustr\u0101cijas uzkl\u0101tas ar decalcomania<\/strong> \u2014 dek\u0101lma\u0146u tehnikas \u2014 pal\u012bdz\u012bbu, kas \u0161aj\u0101 laikmet\u0101 tika izmantota lab\u0101kaj\u0101s dekorat\u012bv\u0101 stikla s\u0113rij\u0101s. Kr\u0101su precizit\u0101te un l\u012bniju smalkums liecina par augstu drukas kvalit\u0101ti, kas nav rakstur\u012bga l\u0113tam masas produktam. Kor\u0137a aizb\u0101\u017e\u0146i ir ori\u0123in\u0101li un saglab\u0101ju\u0161ies lab\u0101 st\u0101vokl\u012b.<\/p>\n
Ra\u017eot\u0101ja mar\u0137\u0113jums uz burci\u0146u apak\u0161as nav konstat\u0113ts.<\/p>\n
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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n
Piln\u012bgi saglab\u0101ju\u0161ies tr\u012bs burci\u0146u komplekti ar identisku ilustrat\u012bvo s\u0113riju, ori\u0123in\u0101liem kor\u0137a aizb\u0101\u017e\u0146iem un bez boj\u0101jumiem ir reti sastopami kolekcion\u0101ru tirg\u016b. Liel\u0101k\u0101 da\u013ca \u0161\u0101 perioda dekorat\u012bv\u0101 stikla ir non\u0101kusi nepiln\u012bgos komplektos vai ar boj\u0101tiem aizb\u0101\u017e\u0146iem. \u0160is komplekts ir saglab\u0101jies piln\u0101 sast\u0101v\u0101 \u2014 visi tr\u012bs izm\u0113ri, visas tr\u012bs ilustr\u0101cijas, visi tr\u012bs kor\u0137i.<\/p>\n
J\u016bgendstila un Edvarda laikmeta dekorat\u012bvais stikls ar sievie\u0161u fig\u016bru mot\u012bviem pieder pie akt\u012bvi mekl\u0113taj\u0101m kolekciju kategorij\u0101m \u2014 \u012bpa\u0161i Francij\u0101, Be\u013c\u0123ij\u0101, Lielbrit\u0101nij\u0101 un Skandin\u0101vij\u0101, kur \u0161\u0101 laikmeta interjera est\u0113tika piedz\u012bvo akt\u012bvu renesansi.<\/p>\n
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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n
\u0160is komplekts ir virtuves, vannas istabas vai dz\u012bvojam\u0101s istabas dekorat\u012bvais akcents<\/strong> \u2014 izmantojams gan funkcion\u0101li, gan est\u0113tiski. Tr\u012bs da\u017e\u0101die augstumi rada ritmisku, dz\u012bvu kompoz\u012bciju uz letes, plaukta vai palodzes. Zilganza\u013cais stikla tonis skaisti mijiedarbojas ar dabisko gaismu, radot maigu, caursp\u012bd\u012bgu efektu.<\/p>\n
Interjera dizaineri izmanto \u0161\u0101da veida vintage stiklu romantiska, eklektiska vai Provansas stila<\/strong> interjeross k\u0101 autentisku deta\u013cu, kuras nevar aizst\u0101t ar m\u016bsdienu reprodukcij\u0101m. Fotogr\u0101fi un stilisti iesaista \u0161\u0101dus priek\u0161metus dz\u012bvesveida un floristisko kompoz\u012bciju uz\u0146\u0113mumos \u2014 redzamais fotogr\u0101fij\u0101s tulpju un krist\u0101la v\u0101zes kaimi\u0146\u0161an\u0101s ar burci\u0146\u0101m ir tie\u0161i \u0161\u0101da stilistisk\u0101 dialoga piem\u0113rs.<\/p>\n
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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n
Visas tr\u012bs burci\u0146as ir \u013coti lab\u0101 st\u0101vokl\u012b. Stikls ir bez plais\u0101m, skramb\u0101m vai b\u016btiskiem boj\u0101jumiem. Ilustr\u0101cijas ir spilgtas, ar labu kr\u0101su saglab\u0101t\u012bbu. Kor\u0137a aizb\u0101\u017e\u0146i ir ori\u0123in\u0101li un funkcion\u0101li. Nelielas laika pat\u012bnas p\u0113das atbilst priek\u0161metu god\u012bgajam vecumam un nek\u0101d\u0101 veid\u0101 nemazina to dekorat\u012bvo vai kolekcion\u0101ro v\u0113rt\u012bbu.<\/p>\n
Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n
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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n
Set of Three Decorative Glass Jars “Evelynn” \u2014 Late Art Nouveau \/ Edwardian Period, France or Belgium, circa 1900\u20131920<\/h2>\n
\ud83d\udcd0 Heights: 31 cm \/ 24.5 cm \/ 21 cm \u00d7 Width: 10 cm. Complete set of three.<\/strong><\/p>\n
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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE AND HISTORICAL CONTEXT<\/strong><\/p>\n
This set of three glass jars belongs to that brief and exceptional moment in European decorative arts history when Art Nouveau still held its organic, floral motifs, while the Edwardian illustrative tradition was already bringing a lighter, more narrative aesthetic \u2014 both worlds coexist here within a single ensemble.<\/p>\n
The female figures \u2014 dressed in long flowing gowns with high collars and wide-brimmed hats \u2014 are a precise embodiment of fashion circa 1900\u20131910. Each jar carries its own woman, its own garden, its own mood: the first in white against a blue ground, releasing a white dove; the second in blue, seated quietly in a green garden; the third in rose tones beside a fountain on a sunlit park bench. Three women, three stories, one world. The rose garlands framing each composition are pure Art Nouveau ornamental language \u2014 organic, rhythmic, decorative.<\/p>\n
Of particular note is the signature “Evelynn”<\/strong> \u2014 written in cursive script on each jar \u2014 most likely the name of the designer or the title of the series, lending the ensemble the character of intentional artistic authorship.<\/p>\n
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\u269c\ufe0f MAKER AND CRAFT TRADITION<\/strong><\/p>\n
The characteristic blue-green glass tone is the classic verre souffl\u00e9<\/strong> \u2014 the hallmark of blown industrial glass from French and Belgian glassworks circa 1900\u20131920. In this period, significant glass manufactories operated in both countries \u2014 in the region around Charleroi and Li\u00e8ge in Belgium, and in Lorraine and Normandy in France \u2014 producing both functional and decorative glassware of high artistic quality.<\/p>\n
The illustrations were applied using the decalcomania<\/strong> technique, widely used in the finest decorative glass series of this era. The precision of colour registration and the delicacy of line indicate a high standard of printing not associated with mass-market production. The cork stoppers are original and in good condition.<\/p>\n
No maker’s mark has been identified on the base of the jars.<\/p>\n
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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n
Fully intact three-jar sets with a consistent illustrative series, original cork stoppers and no damage are uncommon on the collector’s market. The majority of decorative glass from this period survives in incomplete sets or with damaged stoppers. This ensemble has survived complete \u2014 all three sizes, all three illustrations, all three corks.<\/p>\n
Art Nouveau and Edwardian decorative glass featuring female figure motifs belongs to one of the most actively sought collecting categories \u2014 particularly in France, Belgium, the United Kingdom and Scandinavia, where the interior aesthetic of this era is experiencing a strong revival.<\/p>\n
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\ud83d\udd6f\ufe0f USE IN INTERIOR DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n
This set is a decorative accent for kitchen, bathroom or living room<\/strong> \u2014 equally at home as a functional object or a purely aesthetic one. The three different heights create a rhythmic, lively composition on a counter, shelf or windowsill. The blue-green glass tone interacts beautifully with natural light, creating a soft, luminous effect.<\/p>\n
Interior designers use vintage glass of this kind in romantic, eclectic or Proven\u00e7al-style<\/strong> interiors as an authentic detail that no modern reproduction can replace. Photographers and stylists engage such pieces in lifestyle and floristry compositions \u2014 the pairing of tulips and crystal visible in these photographs is precisely this kind of stylistic dialogue.<\/p>\n
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\ud83d\udd0d CONDITION<\/strong><\/p>\n
All three jars are in very good condition. The glass is free of cracks, chips or significant damage. The illustrations are vivid, with good colour retention. The cork stoppers are original and functional. Minor traces of age-related patina are consistent with the honest age of the pieces and in no way diminish their decorative or collector value.<\/p>\n
The condition of this piece is fully represented in the photographs.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Labi, rakst\u0101m! \ud83d\udcd0 Augstums: 31 cm \/ 24,5 cm \/ 21 cm \u00d7 Platums: 10 cm. Komplekts \u2014 3 gabali.<\/p>\n","protected":false},"featured_media":33963,"template":"","meta":[],"product_brand":[],"product_cat":[242,211,204],"product_tag":[],"class_list":["post-33962","product","type-product","status-publish","has-post-thumbnail","product_cat-glabasanas-trauki","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/33962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/33963"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=33962"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=33962"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=33962"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=33962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}