Garums 57.5cm, platums 29.5cm.<\/p>\n
\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n Garums 57,5 cm \u00d7 platums 29,5 cm. Svars \u2014 iev\u0113rojams, mas\u012bvs met\u0101la izstr\u0101d\u0101jums.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n \u0160\u012b papl\u0101te pieder tam augl\u012bgajam p\u0101rejas posmam, kad Historicisma stil\u0101 iedibin\u0101t\u0101 m\u012blest\u012bba uz Luija XVI neoklasicismu \u2014 t\u0101 skaidraj\u0101m ov\u0101laj\u0101m form\u0101m, lauru vainagu fr\u012bz\u0113m un simetriski savald\u012btajiem rokturiem \u2014 v\u0113l piln\u0101 sp\u0113k\u0101 veidoja Eiropas galda kult\u016bras est\u0113tiku, bet Art Nouveau ornament\u0101l\u0101 valoda jau klusi ien\u0101ca rozes ziedu un vij\u012bgo stubl\u0101ju reljef\u0101 uz rokturiem un malas joslas. Abi stili \u0161eit sadz\u012bvo vien\u0101 objekt\u0101: konstrukt\u012bv\u0101 discipl\u012bna un monument\u0101l\u0101 ov\u0101la forma pieder neoklasicismam, bet organisk\u0101 floralit\u0101te uz rokturiem \u2014 jau jaunajam laikmetam. Edvarda laikmeta (Edwardian era<\/em>, 1901\u20131910) galda kult\u016br\u0101 \u0161\u0101da apjoma papl\u0101tes bija reprezent\u0101cijas priek\u0161mets \u2014 t\u0101s tika izmantotas viz\u012btkart\u012b\u0161u, t\u0113jas serv\u012bzes vai v\u012bna karafu pasnieg\u0161anai viesiem, un to kl\u0101tb\u016btne dz\u012bvojam\u0101s telpas bufetes virsm\u0101 bija statusa simbols.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n Fotogr\u0101fij\u0101s nav redzams skaidrs ra\u017eot\u0101ja z\u012bmogs \u2014 tas ir rakstur\u012bgi m\u00e9tal argent\u00e9<\/em> (sudraba p\u0101rkl\u0101juma) izstr\u0101d\u0101jumiem, kas tika ra\u017eoti liel\u0101 apjom\u0101 presti\u017e\u0101s Eiropas sudraba lie\u0161anas darbn\u012bc\u0101s. Papl\u0101tes izpild\u012bjuma kvalit\u0101te \u2014 rozes ziedu reljefs uz rokturiem, lauru vainagu josla apmal\u0113, elegantie sav\u012bto vol\u016btu k\u0101ji ar akanta lap\u0101m \u2014 nor\u0101da uz Francijas vai Be\u013c\u0123ijas orf\u00e8vrerie<\/em> trad\u012bciju. \u0160aj\u0101 period\u0101 t\u0101das manufact\u016bras k\u0101 Christofle<\/em> (Par\u012bze), Ercuis<\/em> vai M\u00e9tal Blanc Lacroix<\/em> ra\u017eoja sudraba p\u0101rkl\u0101juma (plaqu\u00e9 argent<\/em> jeb EPNS<\/em>) galda piederumus, kas bija vizu\u0101li neat\u0161\u0137irami no mas\u012bva sudraba, bet pieejami pla\u0161\u0101kai augstbur\u017eu\u0101ziskai klient\u016brai. Christofle<\/em> manufakt\u016bra, dibin\u0101ta 1830. gad\u0101, pieg\u0101d\u0101ja galda sudraba izstr\u0101d\u0101jumus Napoleona III galmam, krievu cariem un Osma\u0146u sult\u0101niem \u2014 un tie\u0161i \u0161\u0101das ov\u0101las papl\u0101tes ar rokturiem un monogrammu bija viena no t\u0101s ikonisk\u0101kaj\u0101m produktu kategorij\u0101m. Zelta kr\u0101sas monogramma vid\u016b, ar sav\u012btu burtu un akantuslapu ornamentu, ir roku grav\u0113ta \u2014 tas liecina par individu\u0101lu pas\u016bt\u012bjumu, nevis s\u0113rijveida ra\u017eo\u0161anu.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n Liela izm\u0113ra sudraba p\u0101rkl\u0101juma papl\u0101tes ar saglab\u0101tiem rokturiem, ori\u0123in\u0101lajiem k\u0101jiem un roku grav\u0113tu monogrammu ir iev\u0113rojami ret\u0101ks atradums nek\u0101 maz\u0101kas serv\u0113\u0161anas papl\u0101tes. \u0160\u012b izm\u0113ra papl\u0101tes \u2014 57,5 cm garum\u0101 \u2014 bija paredz\u0113tas gan praktiskai serv\u0113\u0161anai, gan reprezent\u0101cijai, un to ra\u017eo\u0161ana pras\u012bja augstu amatniecisko meistar\u012bbu. Kolekcion\u0101ru un interjera dizaineru pasaul\u0113 \u0161\u0101das papl\u0101tes piedz\u012bvo stabilu piepras\u012bjumu, jo t\u0101s funkcion\u0113 gan k\u0101 dekorat\u012bvs elements, gan k\u0101 izmantojams galda piederums. Monogrammas saglab\u0101t\u0101 zelta kr\u0101sa uz nolietota sudraba pamata rada vizu\u0101li izsmalcin\u0101tu kontrastu, kas ir \u0161\u012b priek\u0161meta est\u0113tisk\u0101 v\u0113rt\u012bba.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n Papl\u0101te ir izcilas interjera izmanto\u0161anas iesp\u0113jas klasiskos, eklektiskos un grandmillennial<\/em> stilos \u2014 k\u0101 centr\u0101lais elements uz konsoles, bufetes vai kafijas galda, kur taj\u0101 var izvietot sveces, parfim\u0113riju, s\u012bkus dekorat\u012bvus priek\u0161metus vai aromatiz\u0113tus akmenti\u0146us. Interjera stilisti to bie\u017ei izmanto k\u0101 s\u0101kuma punktu “sudraba papl\u0101tes kompoz\u012bcijai” \u2014 grup\u0113jot ap to da\u017e\u0101da augstuma sve\u010dturus, krist\u0101la traukus un \u017e\u0101v\u0113tas pu\u0137es. Produktu fotogr\u0101fiem t\u0101 ir nenov\u0113rt\u0113jams rekviz\u012bts \u2014 t\u0101s atspulga virsma atspogu\u013co gaismu un rada dzi\u013cumu kadra kompoz\u012bcij\u0101, bet redzamais novecojums pie\u0161\u0137ir kadriem autentisku, v\u0113stur\u0113 iesak\u0146otu noska\u0146u.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n Papl\u0101te ir god\u012bg\u0101 ant\u012bk\u0101 lieto\u0161anas st\u0101vokl\u012b. Virsmas centr\u0101 gaismas atsp\u012bdum\u0101 redzamas daudzas skr\u0101p\u0113juma l\u012bnijas \u2014 dabisks intens\u012bvas lieto\u0161anas nolietojums vair\u0101ku gadu desmitu gait\u0101. Sudraba p\u0101rkl\u0101jumam vietumis redzama oksid\u0101cija un kr\u0101sas mai\u0146a uz zeltainu vai br\u016bnganu toni \u2014 rakstur\u012bga ant\u012bka sudraba p\u0101rkl\u0101juma paz\u012bme. Rokturi un k\u0101ji struktur\u0101li veseli, bez deform\u0101cij\u0101m. Rozes ziedu reljefs uz rokturiem labi saglab\u0101jies. Zelta monogramma vid\u016b saglab\u0101jusies ar nelielu dabisku novecojumu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n Length 57.5 cm \u00d7 width 29.5 cm.\u00a0 Weight \u2014 substantial, a piece of considerable mass.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f PERIOD, ART STYLE, HISTORICAL CONTEXT<\/strong><\/p>\n This tray belongs to that fertile transitional period when the Historicist devotion to Louis XVI neoclassicism \u2014 its clear oval forms, laurel wreath friezes, and symmetrically restrained handles \u2014 still governed the aesthetic of European table culture, while the ornamental language of Art Nouveau was already quietly entering through the rose blossom and sinuous stem relief on the handles and border frieze. Both styles coexist within a single object: the constructive discipline and monumental oval form belong to neoclassicism, while the organic florality of the handles already speaks of the new era. In Edwardian table culture (1901\u20131910), trays of this scale were objects of representation \u2014 used for presenting visiting cards, tea services, or wine decanters to guests, and their presence on a drawing room sideboard was a marker of social standing.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n No clear maker’s mark is visible in the photographs \u2014 characteristic of m\u00e9tal argent\u00e9<\/em> (silver-plated) wares produced in quantity by prestigious European silversmithing workshops. The quality of execution \u2014 the rose blossom relief on the handles, the laurel wreath border frieze, the elegant scrolled volute feet with acanthus leaves \u2014 points to the French or Belgian orf\u00e8vrerie<\/em> tradition. During this period, manufacturers such as Christofle<\/em> (Paris), Ercuis<\/em>, or M\u00e9tal Blanc Lacroix<\/em> produced silver-plated (plaqu\u00e9 argent<\/em>, also known as EPNS<\/em>) table wares that were visually indistinguishable from solid silver, yet accessible to a broader upper-bourgeois clientele. The Christofle<\/em> manufactory, founded in 1830, supplied silver table wares to the court of Napoleon III, to the Russian tsars, and to the Ottoman sultans \u2014 and oval handled trays of precisely this type were among its most iconic product categories. The gilded monogram at the centre, with its interlaced letters and acanthus ornament, is hand-engraved \u2014 evidence of an individual commission rather than serial production.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n Large-format silver-plated trays retaining their original handles, feet, and hand-engraved monogram are a considerably rarer find than smaller serving pieces. A tray of this scale \u2014 57.5 cm in length \u2014 was intended both for practical service and for representation, and its production demanded a high level of craftsmanship. In the world of collectors and interior designers, trays of this type enjoy consistent demand, functioning both as a decorative element and as a usable table accessory. The preserved gilding of the monogram against the worn silver ground creates a visually refined contrast that constitutes a significant part of this object’s aesthetic value.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n The tray lends itself exceptionally well to classical, eclectic, and grandmillennial<\/em> interior arrangements \u2014 as a centrepiece on a console, sideboard, or coffee table, where it may hold candles, perfume bottles, small decorative objects, or scented stones. Interior stylists frequently use it as the anchor of a “silver tray composition,” grouping candlesticks of varying heights, crystal vessels, and dried botanicals around it. For product and interior photographers it is an invaluable prop \u2014 its reflective surface captures and redistributes light, adding depth to the compositional frame, while its visible patina lends an authentically historical atmosphere to the image.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d CONDITION<\/strong><\/p>\n The tray is in honest antique used condition. The central surface in the light bears numerous scratch lines \u2014 the natural wear of intensive use over several decades. The silver plating shows areas of oxidation and tonal shift toward golden or brownish hues \u2014 characteristic of antique silver-plated wares. The handles and feet are structurally intact, without deformation. The rose blossom relief on the handles is well preserved. The gilded monogram at the centre is retained with minor natural age-related wear. The condition of the item is fully reflected in the photographs.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n Garums 57.5cm, platums 29.5cm. Sudraba P\u0101rkl\u0101juma Ov\u0101la Papl\u0101te ar Zelta Monogrammu \u2014 Luija XVI \/ Historisma stils, Francija \/ Eiropa,<\/p>\n","protected":false},"featured_media":33638,"template":"","meta":[],"product_brand":[],"product_cat":[256,211,204],"product_tag":[],"class_list":["post-33637","product","type-product","status-publish","has-post-thumbnail","product_cat-paplates","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/33637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/33638"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=33637"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=33637"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=33637"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=33637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Silver-Plated Oval Tray with Gilded Monogram \u2014 Louis XVI \/ Historicist Style, France \/ Europe, circa 1880\u20131910<\/h2>\n