\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Augstums 16,5 cm \u00d7 garums 35 cm \u00d7 platums 20 cm. Iespaid\u012bgs ov\u0101ls form\u0101ts \u2014 klasisks jardini\u00e8re proporcij\u0101s, kas paredz\u0113ts k\u0101 galda vai konsoles centrepiece.<\/p>\n

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Porcel\u0101na ka\u0161po ar roku gleznotu ro\u017eu vainagu, sievietes sejas rokturiem un melniem l\u0101pas k\u0101ji\u0146u stat\u012bviem \u2014 Historicisms \/ J\u016bgendstils, Francija vai Be\u013c\u0123ija, ap 1890.\u20131905.<\/strong><\/p>\n

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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n

\u0160is ka\u0161po ir viens no izcil\u0101kajiem J\u016bgendstila<\/strong> un Historicisma p\u0101rejas perioda<\/strong> piem\u0113riem, ko var iedom\u0101ties \u0161\u0101d\u0101 izm\u0113r\u0101. T\u0101 veidols run\u0101 div\u0101s valod\u0101s ar piln\u012bgu p\u0101rliec\u012bbu \u2014 un tie\u0161i \u0161\u012b divbals\u012bba padara priek\u0161metu \u0101rk\u0101rt\u012bgi interesantu.<\/p>\n

Historicisma valoda ir kl\u0101teso\u0161o form\u0101: ov\u0101ls siluets ar a\u017e\u016bru cauru\u013cveida joslu zem malas, meln\u0101s glaz\u0113t\u0101s porcel\u0101na k\u0101ji\u0146as ar l\u0101pas formas akantus lapu kron\u0101m un reljefin\u0101m porcel\u0101na roktur\u0113m \u2014 tas viss ir svin\u012bg\u0101s Eiropas dekorat\u012bv\u0101s m\u0101kslas gramatika, kas veidojusies 19. gs. otraj\u0101 pus\u0113. Ta\u010du J\u016bgendstila valoda run\u0101 tikpat ska\u013ci: divas sievietes sejas profili \u2014 glaz\u0113t\u0101 pel\u0113kzil\u0101 porcel\u0101n\u0101, ar matu lok\u0101 iepl\u016bsto\u0161\u0101m m\u0101ju lapi\u0146u form\u0101m \u2014 ir tipisks femme-fleur<\/em> <\/strong>jeb sieviete-zieds t\u0113ls, kas bija viens no J\u016bgendstila centr\u0101lajiem simboliem vis\u0101 Eirop\u0101. Tie\u0161i \u0161\u0101di sievietes profili k\u0101 rokturi vai dekorat\u012bvi elementi par\u0101d\u0101s Par\u012bzes, Briseles un Pr\u0101gas J\u016bgendstila keramik\u0101 un izstr\u0101d\u0101jumos ar bronzas apkalumu.<\/p>\n

Gleznojums \u2014 br\u012bvi pl\u016bsto\u0161i roz\u0101 ro\u017eu zari ar kr\u0101sain\u0101m lap\u0101m vis\u0101 korpusa garum\u0101, bez medaljona ietv\u0113ruma, bez simetrijas nosac\u012bjuma \u2014 ir t\u012bra agr\u012bn\u0101 J\u016bgendstila est\u0113tika: daba k\u0101 br\u012bva kust\u012bba, nevis k\u0101 ornament\u0101ls mot\u012bvs.<\/p>\n

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\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n

Apak\u0161\u0101 nav redzams kr\u0101sots manufakt\u016bras z\u012bmogs \u2014 glaz\u0113ta balta porcel\u0101na plakne bez mar\u0137\u0113juma. K\u0101ji\u0146u stat\u012bvs ir porcel\u0101na, nevis met\u0101la, ar melno glaz\u016bru un zelta deta\u013c\u0101m \u2014 tas liecina par integr\u0113tu, vienlaic\u012bgu ra\u017eo\u0161anu, nevis v\u0113l\u0101k pievienotu apkalumu.<\/p>\n

P\u0113c sievietes sejas roktur\u0113m profila stil\u0101, ro\u017eu gleznojuma br\u012bvuma, meln\u0101s glaz\u016bras un a\u017e\u016br\u0101s malas kombin\u0101cijas \u0161is priek\u0161mets viscie\u0161\u0101k atbilst Francijas vai Be\u013c\u0123ijas lielaj\u0101m keramikas manufakt\u016br\u0101m agr\u012bn\u0101 J\u016bgendstila period\u0101<\/strong> \u2014 ar iesp\u0113jamu stilistisko pieder\u012bbu Boch Fr\u00e8res Keramis<\/strong> (Be\u013c\u0123ija) vai Saint-Amand-les-Eaux \/ Choisy-le-Roi<\/strong> (Francija) trad\u012bcijai. \u0160\u012bs manufakt\u016bras \u0161aj\u0101 period\u0101 ra\u017eoja tie\u0161i \u0161\u0101da tipa reprezentat\u012bvus ka\u0161po un jardini\u00e8res ar figur\u0101liem rokturiem, a\u017e\u016bru malu un roku gleznotu ro\u017eu dekoru.<\/p>\n

Boch Fr\u00e8res Keramis, dibin\u0101ta 1841. gad\u0101, ieguva starptautisku atzin\u012bbu Par\u012bzes Pasaules izst\u0101d\u0113s un pieg\u0101d\u0101ja savu preci Eiropas aristokr\u0101tijai. Choisy-le-Roi bija atz\u012bta par vienu no tehnisk\u0101 l\u012bme\u0146a zi\u0146\u0101 augst\u0101kaj\u0101m Francijas manufakt\u016br\u0101m \u2014 t\u0101s prece par\u0101d\u012bj\u0101s Par\u012bzes presti\u017eajos m\u0101kslas tirgot\u0101jos un tika eksport\u0113ta uz visiem Eiropas tirgiem, tai skait\u0101 Baltijas valst\u012bm un Krieviju.<\/p>\n

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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n

\u0160is ka\u0161po ir retums vair\u0101ku apst\u0101k\u013cu d\u0113\u013c vienlaikus. Pirmk\u0101rt, sievietes sejas profila rokturi glaz\u0113t\u0101 pel\u0113kzil\u0101 porcel\u0101n\u0101 \u2014 tas ir izsmalcin\u0101ts J\u016bgendstila figur\u0101lais elements, ko izmantoja tikai augst\u0101kas klases manufakt\u016bras. Otrk\u0101rt, meln\u0101 glaz\u0113t\u0101 porcel\u0101na k\u0101ji\u0146u stat\u012bvs ar integr\u0113t\u0101m zelta deta\u013c\u0101m ir tehniski sare\u017e\u0123\u012bt\u0101ks risin\u0101jums nek\u0101 parasts met\u0101la apkalums. Tre\u0161k\u0101rt, visu \u0161o elementu saglab\u0101\u0161an\u0101s kop\u0101 \u2014 rokturi, k\u0101ji\u0146as, a\u017e\u016br\u0101 mala un gleznojums \u2014 piln\u0101 komplekt\u0101 un bez restaur\u0101cij\u0101m ir neparasti. \u0160\u0101di priek\u0161meti Eiropas augst\u0101k\u0101s klases antikv\u0101ro m\u0101kslu tirg\u016b tiek klasific\u0113ti k\u0101 museum quality<\/em> vai collector’s piece<\/em>.<\/p>\n

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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n

\u0160\u012b ka\u0161po m\u0113rogs, gleznojums un figur\u0101lie rokturi padara to par iespaid\u012bgu centrepiece jebkur\u0101 vid\u0113 \u2014 kam\u012bnplaukts, \u0113damistabas galda centr\u0101, konsoles galvenais akcents vai bibliot\u0113kas dekor\u0101cija. Meln\u0101 un balt\u0101 kr\u0101su sp\u0113le ar roz\u0101 ro\u017eu gleznojumu un sievietes sejas profilu ir vizu\u0101li \u013coti sp\u0113c\u012bga un darbojas gan klasisk\u0101, gan eklektisk\u0101, gan pat modern\u0101 interjer\u0101.<\/p>\n

Fotogr\u0101fiem un stilistiem tas ir teju ide\u0101ls priek\u0161mets \u2014 sievietes sejas profils k\u0101 rokturis ir viena no t\u0101m deta\u013c\u0101m, kas pat tuvpl\u0101n\u0101 st\u0101sta visu par laikmetu.<\/p>\n

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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n

\u0160is ka\u0161po ar sievietes sejas profila rokturiem un ro\u017eu gleznojumu ir reprezentat\u012bva d\u0101vana augst\u0101k\u0101 l\u012bmen\u012b \u2014 tas ir priek\u0161mets, ko var d\u0101vin\u0101t k\u0101 korporat\u012bvu vai diplom\u0101tisku d\u0101vanu, k\u0101 ar\u012b k\u0101 \u012bpa\u0161u person\u012bgu velt\u012bjumu cilv\u0113kam ar izsmalcin\u0101tu gaumi un nov\u0113rt\u0113tu interjeru. Ro\u017eu tematika un sievietes t\u0113ls padara to par \u012bpa\u0161i piem\u0113rotu jubilejas vai atzin\u012bbas d\u0101vanu.<\/p>\n

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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n

Porcel\u0101ns lab\u0101 st\u0101vokl\u012b. Gleznojums saglab\u0101jies labi vis\u0101 korpusa garum\u0101 ar dz\u012bv\u012bg\u0101m kr\u0101s\u0101m. A\u017e\u016br\u0101 mala piln\u0101 komplekt\u0101 bez tr\u016bksto\u0161\u0101m caurumo\u0161an\u0101m. Sievietes sejas rokturi abi saglab\u0101ju\u0161ies. Meln\u0101 glaz\u0113t\u0101 k\u0101ji\u0146u sist\u0113ma bez tr\u016bksto\u0161\u0101m da\u013c\u0101m. Zelta deta\u013cas ar laika patinu. Iek\u0161puse ar lieto\u0161anas p\u0113d\u0101m, kas atbilst priek\u0161meta vecumam. Nav redzamas restaur\u0101cijas.<\/p>\n

Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n

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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n

Porcelain cachepot with hand-painted rose garland, female face handles, and black glazed porcelain feet \u2014 Historicism \/ Art Nouveau style, France or Belgium, circa 1890\u20131905.<\/strong><\/p>\n

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\ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n

Height 16.5 cm \u00d7 length 35 cm \u00d7 width 20 cm. An impressive oval form in classic jardini\u00e8re proportions, designed as a table or console centrepiece.<\/p>\n

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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, HISTORICAL CONTEXT<\/strong><\/p>\n

This cachepot is one of the most compelling examples of the Historicism-to-Art Nouveau transitional period<\/strong> one might encounter at this scale. Its design speaks two languages with complete conviction \u2014 and it is precisely this duality that makes the piece so remarkable.<\/p>\n

The Historicist language is present in the form: the oval silhouette with a pierced gallery rim below the edge, the black-glazed porcelain feet with acanthus-leaf crowns in relief, and the monumental moulded handles \u2014 all part of the ceremonial decorative grammar of the later 19th century. Yet the Art Nouveau language speaks with equal force: the two female face profiles \u2014 glazed in pale grey-blue porcelain, with hair flowing into leaf-like shapes \u2014 are characteristic femme-fleur<\/em> (woman-flower) figures, one of the central symbols of Art Nouveau across Europe. Precisely such female profiles as handles or decorative elements appear in Parisian, Brussels, and Prague Art Nouveau ceramics and bronze-mounted works.<\/p>\n

The painted decoration \u2014 freely flowing pink rose branches with colourful leaves extending across the full length of the body, without medallion framing or symmetrical constraint \u2014 is pure early Art Nouveau aesthetics: nature as free movement rather than ornamental motif.<\/p>\n

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\u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n

No painted maker’s mark is visible on the base \u2014 a clean white glazed porcelain surface without markings. The footed stand is porcelain rather than metal, with black glaze and gilded accents \u2014 indicating integrated, simultaneous production rather than later-added mounts.<\/p>\n

Based on the female face handles in profile, the freedom of the rose painting, the combination of black glaze and pierced rim, this piece corresponds most closely to the French or Belgian large ceramic manufactory tradition of the early Art Nouveau period<\/strong> \u2014 with possible stylistic attribution to Boch Fr\u00e8res Keramis<\/strong> (Belgium) or the Saint-Amand-les-Eaux \/ Choisy-le-Roi<\/strong> (France) tradition. These manufactories produced precisely this type of representative cachepot and jardini\u00e8re with figural handles, pierced rims, and hand-painted rose decoration during this period.<\/p>\n

Boch Fr\u00e8res Keramis, founded in 1841, gained international recognition at the Paris World Expositions and supplied European aristocracy with its wares. Choisy-le-Roi was regarded as one of the technically most accomplished French manufactories \u2014 its pieces appeared in the leading Parisian art dealerships and were exported to all European markets, including the Baltic states and Russia.<\/p>\n

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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n

This cachepot is remarkable for several reasons simultaneously. The female face profile handles in pale grey-blue glazed porcelain represent a refined Art Nouveau figural element used only by higher-tier manufactories. The black-glazed porcelain footed stand with integrated gilded details is technically more complex than a simple metal mount. The survival of all these elements together \u2014 handles, feet, pierced rim, and painted decoration \u2014 in complete form and without restoration is unusual. Objects of this type are classified in the European high-end antique art market as museum quality or collector’s pieces.<\/p>\n

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\ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n

The scale, painting, and figural handles of this cachepot make it a powerful centrepiece in any setting \u2014 a mantelpiece, the centre of a dining table, the principal accent of a console, or a library decoration. The interplay of black and white with the pink rose painting and the female face profile is visually compelling and works equally well in classical, eclectic, and modern interiors.<\/p>\n

For photographers and stylists, it is a near-ideal subject \u2014 the female face profile as a handle is one of those details that tells the entire story of an era even in close-up.<\/p>\n

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\ud83c\udf81 AS A GIFT<\/strong><\/p>\n

This cachepot with female face handles and rose decoration is a representative gift at the highest level \u2014 a piece that can be given as a corporate or diplomatic present, or as a deeply personal gift to someone with refined taste and a cherished interior. The rose theme and the female figure make it particularly fitting for an anniversary or an expression of distinguished appreciation.<\/p>\n

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\ud83d\udd0d CONDITION<\/strong><\/p>\n

The porcelain is in good condition. The painted decoration is well preserved across the full length of the body with vivid colours. The pierced gallery rim is complete with no missing perforations. Both female face handles are intact. The black-glazed footed stand has no missing parts. The gilded details show natural age patina. The interior shows traces of use consistent with the object’s age. No visible restoration.<\/p>\n

The condition of the item is fully reflected in the photographs.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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