{"id":32533,"date":"2025-03-13T16:51:56","date_gmt":"2025-03-13T14:51:56","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=32533"},"modified":"2026-09-08T01:28:41","modified_gmt":"2026-09-07T22:28:41","slug":"5395","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5395\/","title":{"rendered":"J\u016bgendstila bronzas ka\u0161po \/ jardini\u00e8re ar femme-fleur fig\u016bru un mago\u0146u dekoru \u2014 J\u016bgendstils, Francija vai Be\u013c\u0123ija, ap 1895.\u20131910. J\u016bgendstila\/Art Nuoveau Trauks Ziediem, Vid\u0113ja Izm\u0113ra (5395)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Garums 49,5 cm \u00d7 augstums 18,5 cm \u00d7 platums 16,5 cm. Iespaid\u012bgs, horizont\u0101li izstiepts form\u0101ts \u2014 klasiska jardini\u00e8re centrepiece proporcij\u0101s.<\/p>\n

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J\u016bgendstila bronzas ka\u0161po \/ jardini\u00e8re ar femme-fleur<\/em> fig\u016bru un mago\u0146u dekoru \u2014 J\u016bgendstils, Francija vai Be\u013c\u0123ija, ap 1895.\u20131910.<\/strong><\/p>\n

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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n

\u0160is trauks ir t\u012brs, kompromisus nepie\u013caujo\u0161s J\u016bgendstils t\u0101 pilnbrieda posm\u0101 \u2014 period\u0101, kad Par\u012bze, Brisele un Nensija bija k\u013cuvu\u0161as par Eiropas m\u0101kslas avangarda centriem, un kad met\u0101llietuve bija tikpat svar\u012bgs m\u0101ksliniecisks instruments k\u0101 gleznot\u0101ja birste vai t\u0113lnieka kalts.<\/p>\n

Visas formas elements \u0161eit pak\u0101rtots vienam principam \u2014 dz\u012bves pl\u016bsmai. Ov\u0101l\u0101 b\u013coda ar izliektu dibenu un augstajiem galotn\u0113m nav tvertne m\u0101kslas noz\u012bm\u0113 \u2014 t\u0101 ir ku\u0123is, kas peld cauri lapotnes un vi\u013c\u0146u pasaulei. Abas galas uz aug\u0161u tiecas k\u0101 niedr\u0101ji vai \u016bdens liliju lapas, a\u017e\u016bri caurstr\u0101d\u0101tas ar Jap\u0101nisma iedvesmotu ornamentiku. Centr\u0101 \u2014 augstu reljefu femme-fleur<\/em> biste: sieviete ar br\u012bviem matiem, p\u0113r\u013cu kaklarotu un mago\u0146u ziediem matos, kas organiski izaug no auga formas \u2014 ne k\u0101 fig\u016bra uz priek\u0161meta, bet k\u0101 viena un t\u0101 pa\u0161a dz\u012bv\u0101 organisma da\u013ca. Tie\u0161i \u0161is femme-fleur<\/em> jeb sieviete-zieds t\u0113ls bija J\u016bgendstila centr\u0101l\u0101 ikona \u2014 to izmantoja Alfons Muha savos plak\u0101tos, Em\u012bls Gall\u0113 savos stikla darbos, Hektors Gim\u0101rs sav\u0101 arhitekt\u016br\u0101. Reljefie mago\u0146u un augu mot\u012bvi korruptos ova\u013cos medaljona formos ab\u0101s fig\u016bras pus\u0113s papildina kompoz\u012bciju ar smalku, tekstur\u0113tu virsmu, kas piln\u0101 gaism\u0101 atdz\u012bvojas k\u0101 zeltainais bronzas pl\u016bdums.<\/p>\n

K\u0101ji\u0146as \u2014 plakanas, izliekt\u0101 S-profil\u0101, organiski iepl\u016bsto\u0161as \u0137ermen\u012b \u2014 ir t\u012brs J\u016bgendstila arhitekt\u016bras paraksts, identisks k\u0101ji\u0146u tipam, k\u0101du Gim\u0101rs izmantoja Par\u012bzes metro stacijas un Par\u012bzes J\u016bgendstila namu interjeros.<\/p>\n

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\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n

Uz apak\u0161as nav redzams ra\u017eot\u0101ja z\u012bmogs. Met\u0101ls \u2014 visticam\u0101k bronzas l\u0113jums ar zelt\u012b\u0161anas p\u0101rkl\u0101jumu (r\u00e9gule dor\u00e9<\/em>), kas bija standarta materi\u0101ls dekorat\u012bvajiem J\u016bgendstila priek\u0161metiem masveida un augst\u0101k\u0101s klases s\u0113rij\u0101s Francij\u0101 un Be\u013c\u0123ij\u0101. Aukst\u0101s virsmas tekst\u016bra un patinas raksturs atbilst autentiskam laikmeta l\u0113jumam.<\/p>\n

P\u0113c femme-fleur<\/em> fig\u016bras plastiskuma, kompoz\u012bcijas strukt\u016bras, k\u0101ji\u0146u profila un ornament\u0101l\u0101s valodas \u0161is trauks vistuv\u0101k atbilst Francijas vai Be\u013c\u0123ijas J\u016bgendstila dekorat\u012bvo m\u0101kslu lietuves produkcijai<\/strong> \u2014 t\u0101diem uz\u0146\u0113mumiem k\u0101 Par\u012bzes vai Lionas l\u0113jn\u012bcas, kas \u0161aj\u0101 period\u0101 ra\u017eoja tie\u0161i \u0161\u0101da tipa jardini\u00e8res un ka\u0161po s\u0113rijas presti\u017eiem Eiropas tirgot\u0101jiem. Francij\u0101 darboj\u0101s specializ\u0113tas l\u0113jn\u012bcas, kas sadarboj\u0101s ar J\u016bgendstila m\u0101ksliniekiem \u2014 tostarp ar Alfona Muha tipa kompoz\u012bcij\u0101m inspir\u0113tu femme<\/em> fig\u016bru s\u0113rij\u0101m dekorat\u012bvo priek\u0161metu ra\u017eo\u0161an\u0101.<\/p>\n

Be\u013c\u0123ij\u0101 \u0161\u0101da tipa prece tika ra\u017eota Lje\u017eas un Briseles met\u0101llietuv\u0113s un par\u0101d\u012bj\u0101s Briseles 1897. gada un Par\u012bzes 1900. gada Pasaules izst\u0101d\u0113s \u2014 vien\u0101s no svar\u012bg\u0101kaj\u0101m J\u016bgendstila prezent\u0101cijas platform\u0101m v\u0113stur\u0113.<\/p>\n

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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n

J\u016bgendstila met\u0101la jardini\u00e8re ar femme-fleur<\/em> fig\u016bru piln\u0101 reljef\u0101 un saglab\u0101tu ori\u0123in\u0101lo patinu ir iev\u0113rojami ret\u0101ks priek\u0161mets nek\u0101 tipiskais J\u016bgendstila keramikas vai stikla izstr\u0101d\u0101jums \u2014 met\u0101la l\u0113jumi bija tehniski sare\u017e\u0123\u012bt\u0101ki, smag\u0101ki transport\u0113\u0161an\u0101 un bie\u017e\u0101k g\u0101ja boj\u0101 vai tika p\u0101rkaus\u0113ti. \u0160\u0101da izm\u0113ra jardini\u00e8re ar abpus\u0113ji simetrisku kompoz\u012bciju un centr\u0101lo fig\u016bru ir viens no reprezentat\u012bv\u0101kajiem J\u016bgendstila dekorat\u012bvo m\u0101kslu form\u0101tiem \u2014 tas nav ikdienas priek\u0161mets, bet salona centrepiece, kas paredz\u0113ts skat\u012b\u0161anai no vair\u0101kiem le\u0146\u0137iem.<\/p>\n

J\u016bgendstila met\u0101la prece ar femme<\/em> tematiku ir stabils un augsti nov\u0113rt\u0113ts kolekcion\u0101ru segments Francij\u0101, Be\u013c\u0123ij\u0101, Anglij\u0101 un Zieme\u013camerik\u0101.<\/p>\n

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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n

\u0160is trauks ir viena no t\u0101m retaj\u0101m liet\u0101m, kas bez papildu kompoz\u012bcijas darba pati par sevi ir piln\u012bga skulpt\u016bra. Tas darbojas uz marmora, akmens vai koka virsmas \u2014 kam\u012bnplaukts, \u0113damistabas galda centrs, konsole \u2014 un pie\u0161\u0137ir jebkurai telpai nek\u013c\u016bd\u012bgu 19.\/20. gs. mijas Eiropas m\u0101kslas gaisotni. Modern\u0101 minim\u0101lism\u0101 tas darbojas k\u0101 d\u0101sns kontrasts.<\/p>\n

Fotogr\u0101fiem un stilistiem tas ir ide\u0101ls priek\u0161mets \u2014 sievietes sejas biste bronzas reljefu mas\u0101 ir no jebkura le\u0146\u0137a fotog\u0113niska, \u012bpa\u0161i s\u0101nu gaism\u0101, kas atdz\u012bvina tekst\u016bras dzi\u013cumu.<\/p>\n

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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n

\u0160is jardini\u00e8re ar femme-fleur<\/em> fig\u016bru ir reprezentat\u012bva d\u0101vana augst\u0101kaj\u0101 l\u012bmen\u012b \u2014 piem\u0113rota korporat\u012bvai vai diplom\u0101tiskai d\u0101vanai, izsmalcin\u0101ta interjera entuziastam, m\u0101kslas kolekcion\u0101ram vai arhitektam. Sievietes t\u0113ls ar mago\u0146u ziediem matos nes sev\u012b po\u0113tisku un m\u0101ksliniecisku v\u0113st\u012bjumu \u2014 tas ir priek\u0161mets, ko d\u0101vina cilv\u0113kam, kuram tiek izr\u0101d\u012bta augst\u0101k\u0101 cie\u0146a un nov\u0113rt\u0113\u0161ana.<\/p>\n

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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n

Met\u0101la l\u0113jums lab\u0101 st\u0101vokl\u012b ar bag\u0101tu, daudzsl\u0101\u0146ainu patinu, kas veidojusies laika gait\u0101 un pie\u0161\u0137ir priek\u0161metam dzi\u013cumu un autentiskumu. Iek\u0161pus\u0113 redzama za\u013cgana vara oks\u012bda patina, kas ir dabisks un gaid\u0101ms r\u0101d\u012bt\u0101js met\u0101la priek\u0161metam \u0161\u0101d\u0101 vecum\u0101. Reljefie ornamenti un femme-fleur<\/em> fig\u016bra saglab\u0101ju\u0161ies skaidri bez meh\u0101niskiem boj\u0101jumiem. K\u0101ji\u0146as piln\u0101 komplekt\u0101. Nav redzamas restaur\u0101cijas vai l\u0101p\u012bjumu p\u0113das.<\/p>\n

Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n

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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n

Art Nouveau bronze-finish jardini\u00e8re with femme-fleur<\/em> figure and poppy decoration \u2014 Art Nouveau style, France or Belgium, circa 1895\u20131910.<\/strong><\/p>\n

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\ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n

Length 49.5 cm \u00d7 height 18.5 cm \u00d7 width 16.5 cm. An impressive, horizontally elongated form in classic jardini\u00e8re centrepiece proportions.<\/p>\n

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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, HISTORICAL CONTEXT<\/strong><\/p>\n

This piece is pure, uncompromising Art Nouveau at its height \u2014 the period when Paris, Brussels, and Nancy had become the centres of the European artistic avant-garde, and when the metal foundry was as important an artistic instrument as the painter’s brush or the sculptor’s chisel.<\/p>\n

Every element of the form here is subordinated to a single principle \u2014 the flow of life. The oval bowl with its curved base and high terminals is not a container in the conventional sense \u2014 it is a vessel sailing through a world of foliage and waves. Both ends reach upward like reeds or water lily leaves, pierced with Japonisme-inspired ornamentation. At the centre \u2014 a high-relief femme-fleur<\/em> bust: a woman with free-flowing hair, a pearl necklace, and poppy flowers woven into her hair, growing organically from the plant form \u2014 not as a figure placed upon an object, but as part of the same living organism. This femme-fleur<\/em>, or woman-flower figure, was the central icon of Art Nouveau \u2014 employed by Alphonse Mucha in his posters, \u00c9mile Gall\u00e9 in his glasswork, and Hector Guimard in his architecture. The relief poppy and plant motifs within oval medallion forms on either side of the figure complete the composition with a subtly textured surface that comes alive in raking light as a golden bronze flow.<\/p>\n

The feet \u2014 flat, in curved S-profile, organically flowing into the body \u2014 are a pure Art Nouveau architectural signature, identical to the foot type used by Guimard in the Paris M\u00e9tro stations and the interiors of Parisian Art Nouveau buildings.<\/p>\n

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\u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n

No maker’s mark is visible on the base. The metal is most likely cast bronze alloy with a gilded finish (r\u00e9gule dor\u00e9<\/em>), the standard material for decorative Art Nouveau objects in both mass-market and higher-grade series in France and Belgium. The surface texture and patina character are consistent with an authentic period casting.<\/p>\n

Based on the plasticity of the femme-fleur<\/em> figure, the compositional structure, the foot profile, and the ornamental language, this piece most closely corresponds to French or Belgian Art Nouveau decorative arts foundry production<\/strong> \u2014 enterprises such as Parisian or Lyonnais foundries that manufactured precisely this type of jardini\u00e8re and cachepot series for prestigious European dealers during this period. Specialised French foundries collaborated with Art Nouveau artists \u2014 including female figure series inspired by Mucha-type compositions \u2014 for the decorative object market.<\/p>\n

In Belgium, this type of production was manufactured in the Li\u00e8ge and Brussels metal foundries and appeared at the Brussels World Exposition of 1897 and the Paris World Exposition of 1900 \u2014 among the most important presentation platforms for Art Nouveau in history.<\/p>\n

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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n

An Art Nouveau metal jardini\u00e8re with a full-relief femme-fleur<\/em> figure and preserved original patina is considerably rarer than the typical Art Nouveau ceramic or glass object \u2014 metal castings were technically more complex, heavier to transport, and more frequently damaged or melted down. A jardini\u00e8re of this scale with a symmetrical composition and central figure is one of the most representative formats of Art Nouveau decorative art \u2014 not an everyday object, but a salon centrepiece designed to be viewed from multiple angles.<\/p>\n

Art Nouveau metal work with femme<\/em> themes is a stable and highly valued collector’s category in France, Belgium, England, and North America.<\/p>\n

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\ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n

This piece is one of those rare objects that is itself a complete sculpture without any additional compositional work. It functions on marble, stone, or wood surfaces \u2014 a mantelpiece, the centre of a dining table, a console \u2014 and lends any space the unmistakable atmosphere of turn-of-the-century European art. In a modern minimalist setting it operates as a generous counterpoint.<\/p>\n

For photographers and stylists, it is an ideal subject \u2014 the female face bust within the bronze relief mass is photogenic from any angle, particularly in raking side light that brings out the full depth of the texture.<\/p>\n

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\ud83c\udf81 AS A GIFT<\/strong><\/p>\n

This jardini\u00e8re with its femme-fleur<\/em> figure is a representative gift at the highest level \u2014 suited to a corporate or diplomatic presentation, to an enthusiast of refined interiors, an art collector, or an architect. The female figure with poppy flowers woven into her hair carries a poetic and artistic message \u2014 it is a piece one gives to someone to whom the highest esteem and appreciation is being expressed.<\/p>\n

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\ud83d\udd0d CONDITION<\/strong><\/p>\n

The metal casting is in good condition with a rich, multi-layered patina that has developed over time and gives the piece depth and authenticity. The interior shows a green copper oxide patina, a natural and expected characteristic of a metal object of this age. The relief ornaments and the femme-fleur<\/em> figure are well preserved with no mechanical damage. The feet are complete. No visible restoration or repairs.<\/p>\n

The condition of the item is fully reflected in the photographs.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\ud83d\udcd0 IZM\u0112RI Garums 49,5 cm \u00d7 augstums 18,5 cm \u00d7 platums 16,5 cm. Iespaid\u012bgs, horizont\u0101li izstiepts form\u0101ts \u2014 klasiska jardini\u00e8re<\/p>\n","protected":false},"featured_media":32534,"template":"","meta":[],"product_brand":[],"product_cat":[238,211,204],"product_tag":[],"class_list":["post-32533","product","type-product","status-publish","has-post-thumbnail","product_cat-pukpodi-kaspo","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/32533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/32534"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=32533"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=32533"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=32533"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=32533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}