\ud83d\udcd0 Augstums 29 cm \u00d7 platums 13,5 cm.<\/p>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n \u0160is sve\u010dturu p\u0101ris pieder Belle \u00c9poque<\/strong> laikmeta dekorat\u012bvajai met\u0101la m\u0101kslai \u2014 tam kr\u0101\u0161\u0146ajam periodam no 1871. l\u012bdz 1914. gadam, kad Eiropas darbn\u012bcas ar sudrabo\u0161anas tehnolo\u0123ij\u0101m rad\u012bja priek\u0161metus, kas izskat\u012bj\u0101s k\u0101 sudrabs, bet bija pieejami pla\u0161\u0101kam pirc\u0113ju lokam. M\u0101kslinieciskais stils \u2014 Neobaroks<\/strong> ar Historicisma<\/strong> elementiem \u2014 izpau\u017eas bag\u0101t\u012bgaj\u0101 reljefdekoru valod\u0101: apa\u013c\u0101 pamatne ar volutu<\/em> un akantus<\/em> ornamentiem un gadroona<\/em> joslu, koniskais stumbrs ar vertik\u0101lu riev\u0101jumu, un sve\u010du kauss ar izliektu, plastiski model\u0113tu akantus lapu<\/em> vainagu \u2014 katrs elements run\u0101 par baroka grezni kr\u0101\u0161\u0146o ornament\u0101lo trad\u012bciju, kas Belle \u00c9poque<\/strong> period\u0101 atgriez\u0101s jaun\u0101, r\u016bpniecisk\u0101 izpild\u012bjum\u0101.<\/p>\n \u0160is p\u0101ris atrodas interesant\u0101 stilistisk\u0101 dialog\u0101 starp Empire<\/strong> discipl\u012bnu \u2014 kas j\u016btama koniskaj\u0101 stumbr\u0101 un apa\u013caj\u0101 pamatn\u0113 \u2014 un Neobaroka<\/strong> ener\u0123iju, ko izsaka bag\u0101t\u012bgais akantus lapu<\/em> sve\u010du kauss. \u0160is ir tie\u0161i tas p\u0101rejas br\u012bdis, kad Historicisms<\/strong> v\u0113l tur\u0113ja klasisk\u0101s formas, bet Neobaroks<\/strong> jau atnesa plastisk\u0101ku, dz\u012bv\u012bg\u0101ku ornament\u0101lo valodu \u2014 abas est\u0113tikas \u0161eit sadz\u012bvo vien\u0101 objekt\u0101.<\/p>\n Tie\u0161i \u0161ajos gados Rihards V\u0101gners pabeidza savu Gredzenu ciklu un Bairoitas festiv\u0101ls pirmo reizi atv\u0113ra durvis \u2014 visa Eiropa bija aps\u0113sta ar pag\u0101tnes grandiozit\u0101ti. Par\u012bzes un Briseles darbn\u012bcas ra\u017eoja sve\u010dturus, kas izskat\u012bj\u0101s k\u0101 mantojums no sen\u010diem, bet paties\u012bb\u0101 tika l\u0113ju\u0161i vakar.<\/em><\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n Fotogr\u0101fij\u0101s nav redzams ra\u017eot\u0101ja z\u012bmogs. Sudrabojuma nodiluma raksturs \u2014 vara\/bronzas pamatmet\u0101ls redzams stumbram un pamatnes aug\u0161da\u013cai \u2014 liecina par galvanisk\u0101 sudrabojuma<\/em> (galvanic silver plating<\/em>) tehnolo\u0123iju, kas bija pla\u0161i izplat\u012bta Francij\u0101<\/strong> un Be\u013c\u0123ij\u0101<\/strong> 19. gadsimta otraj\u0101 pus\u0113. Pamatnes volutu<\/em> un gadroona<\/em> ornament\u0101cijas kvalit\u0101te un sve\u010du kausa akantus lapu<\/em> plastisk\u0101 precizit\u0101te nor\u0101da uz pieredz\u0113ju\u0161u manufakt\u016bru, kas specializ\u0113j\u0101s reprezentat\u012bvu galda piederumu ra\u017eo\u0161an\u0101 vid\u0113jai un augst\u0101kai bur\u017eu\u0101zijai.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n Apsudrabotu sve\u010dturu p\u0101ri ar redzamu, autentisku nodilumu \u2014 kur cauri sp\u012bd vara pamatmet\u0101ls \u2014 m\u016bsdienu kolekcion\u0101ru vid\u016b tiek nov\u0113rt\u0113ti k\u0101 patinas<\/em> un vecuma liecinieki. \u0160\u0101ds izskats nav tr\u016bkums \u2014 tas ir laika z\u012bme, ko m\u0101ksl\u012bgi nevar reproduc\u0113t. Vintage<\/em> un antique<\/em> interjeru entuziastu vid\u016b tie\u0161i \u0161\u0101da “nodilusi sudraba” estetika ir \u013coti mekl\u0113ta.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n \u0160ie sve\u010dturi ar rakstur\u012bgo nodilu\u0161\u0101 sudrabojuma patinu<\/em> ir ide\u0101li vintage<\/strong>, dark academia<\/strong>, rustic chic<\/strong> vai bohemian<\/strong> interjera stiliem. Vara pamatmet\u0101la izspie\u0161an\u0101s caur sudrabojumu rada divkr\u0101sainu, siltu efektu \u2014 sudrabs un var\u0161 vien\u0101 objekt\u0101 \u2014, kas fotogr\u0101fij\u0101s izskat\u0101s \u0101rk\u0101rt\u012bgi bag\u0101t\u012bgi. Stilisti un fotogr\u0101fi<\/strong> \u0161\u0101dus priek\u0161metus mekl\u0113 \u012bpa\u0161i, jo tie nav “p\u0101r\u0101k nevainojami” un pie\u0161\u0137ir uz\u0146\u0113mumam autentiskumu un dv\u0113seli.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n \u0160is p\u0101ris ir izsmalcin\u0101ta d\u0101vana cilv\u0113kam ar vintage<\/em> vai eklektisko interjeru, kas nov\u0113rt\u0113 autentiku un laika raksturu vair\u0101k nek\u0101 nevainojamu izskatu. Piem\u0113rots ar\u012b k\u0101 d\u0101vana m\u0101ksliniekiem, fotogr\u0101fiem un stilistiem.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n Sudrabojums iev\u0113rojami nodilis \u2014 stumbram un pamatnes virsmai redzams vara\/bronzas pamatmet\u0101ls. \u0160is nodilums ir vienm\u0113r\u012bgs un rakstur\u012bgs priek\u0161metu vecumam, veidojot autentisku patinu<\/em>. Pamatnes volutu<\/em> un akantus<\/em> ornamenti saglab\u0101ju\u0161ies skaidri. Sve\u010du kausu akantus lapu<\/em> apmale ir neskaita. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n \ud83d\udcd0 Height 29 cm \u00d7 Width 13.5 cm.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n This pair of candlesticks belongs to the decorative metalwork of the Belle \u00c9poque<\/strong> \u2014 that splendid period from 1871 to 1914, when European workshops used silver-plating technologies to produce objects that looked like silver but were accessible to a wider buying public. The artistic style \u2014 Neo-Baroque<\/strong> with Historicism<\/strong> elements \u2014 is expressed in the richly modelled ornamental vocabulary: a circular base with volute<\/em> and acanthus<\/em> relief and a gadroon<\/em> band, a conical stem with vertical ribbing, and a candle cup with a plastically modelled acanthus leaf<\/em> crown \u2014 each element speaking of the Baroque tradition of lavish ornament, reborn in the Belle \u00c9poque<\/strong> in a new, industrially produced form.<\/p>\n This pair stands at an interesting stylistic dialogue between Empire<\/strong> discipline \u2014 felt in the conical stem and circular base \u2014 and Neo-Baroque<\/strong> energy, expressed in the richly modelled acanthus leaf<\/em> cup. This is precisely the transitional moment when Historicism<\/strong> still held classical forms, while Neo-Baroque<\/strong> already brought a more plastic, animated ornamental language \u2014 both aesthetics coexist within a single object.<\/p>\n In these very years, Richard Wagner completed his Ring cycle and the Bayreuth Festival opened its doors for the first time \u2014 all of Europe was gripped by an obsession with past grandeur. Workshops in Paris and Brussels produced candlesticks that looked like heirlooms from ancestors, but had in fact been cast only yesterday.<\/em><\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f MAKER AND HALLMARK<\/strong><\/p>\n No maker’s mark is visible in the photographs. The pattern of silver wear \u2014 with the copper\/bronze base metal showing through on the stem and upper base \u2014 indicates galvanic silver plating<\/em> technology, widely used in France<\/strong> and Belgium<\/strong> in the second half of the 19th century. The quality of the volute<\/em> and gadroon<\/em> ornamentation on the base, and the plastic precision of the acanthus leaf<\/em> candle cup, point to an experienced manufacturer specialising in representative table accessories for the middle and upper bourgeoisie.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n Silver-plated candlestick pairs with visible, authentic wear \u2014 where the copper base metal shows through \u2014 are valued by today’s collectors as witnesses to patina<\/em> and time. This appearance is not a flaw \u2014 it is a mark of age that cannot be artificially reproduced. Among vintage<\/em> and antique<\/em> interior enthusiasts, this “worn silver” aesthetic is particularly sought after.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n These candlesticks, with their characteristic worn silver patina<\/em>, are ideal for vintage<\/strong>, dark academia<\/strong>, rustic chic<\/strong>, or bohemian<\/strong> interior styles. The copper base metal showing through the silver creates a two-tone, warm effect \u2014 silver and copper in a single object \u2014 that photographs extraordinarily richly. Stylists and photographers<\/strong> actively seek out pieces like this, as they are not “too perfect” and lend shoots an authenticity and soul that polished pieces cannot provide.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 AS A GIFT<\/strong><\/p>\n This pair makes a refined gift for someone with a vintage<\/em> or eclectic interior who values authenticity and the character of time over a pristine appearance. Also suitable as a gift for artists, photographers, and stylists.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d CONDITION<\/strong><\/p>\n The silver plating is considerably worn \u2014 the copper\/bronze base metal is visible on the stem and upper surface of the base. This wear is even and characteristic of the age of the pieces, forming an authentic patina<\/em>. The volute<\/em> and acanthus<\/em> ornaments on the base remain clearly defined. The acanthus leaf<\/em> rim of the candle cups is intact. The condition of the item is fully reflected in the photographs.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n","protected":false},"excerpt":{"rendered":" Apsudrabotu sve\u010dturu p\u0101ris ar akantus lapu sve\u010du kausu, volutu pamatni un gadroona joslu. Sudrabojums da\u013c\u0113ji nodilis \u2014 redzams vara pamatmet\u0101ls. Neobaroks \/ Historicisms, Francija vai Be\u013c\u0123ija, ap 1870.\u20131900. Augstums 29 cm \u00d7 platums 13,5 cm.<\/p>\n","protected":false},"featured_media":31623,"template":"","meta":[],"product_brand":[],"product_cat":[208,228,204],"product_tag":[],"class_list":["post-31622","product","type-product","status-publish","has-post-thumbnail","product_cat-lampas","product_cat-svecturi","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/31622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/31623"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=31622"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=31622"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=31622"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=31622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Pair of Silver-Plated Candlesticks with Acanthus Leaf D\u00e9cor \u2014 Neo-Baroque \/ Historicism, France or Belgium, c. 1870\u20131900.<\/strong><\/h3>\n