{"id":31428,"date":"2024-11-22T11:32:36","date_gmt":"2024-11-22T09:32:36","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=31428"},"modified":"2026-09-08T01:11:41","modified_gmt":"2026-09-07T22:11:41","slug":"5290","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5290\/","title":{"rendered":"Monument\u0101ls ant\u012bks kam\u012bna ekr\u0101ns ar Parad\u012bzes putnu \u2014 iz\u0161uvums un \u012bstas spalvas (feather art tapestry) (5290)"},"content":{"rendered":"<p data-path-to-node=\"9\">\ud83c\uddf1\ud83c\uddfb<\/p>\n<p data-path-to-node=\"10\">Augstums: 142 cm<\/p>\n<p data-path-to-node=\"11\">Platums: 85 cm<\/p>\n<h3 data-path-to-node=\"12\">Monument\u0101ls ant\u012bks kam\u012bna ekr\u0101ns ar Parad\u012bzes putnu \u2014 iz\u0161uvums un \u012bstas spalvas (feather art tapestry)<\/h3>\n<p data-path-to-node=\"13\">Izsmalcin\u0101ta Viktorijas laikmeta autortehnika un monument\u0101ls interjera v\u0113riens satiekas \u0161aj\u0101 liela izm\u0113ra un smagaj\u0101 m\u0101kslas darb\u0101. S\u0101kotn\u0113ji veidots k\u0101 majest\u0101tisks kam\u012bna priek\u0161as ekr\u0101ns, \u0161is objekts ir izcils 19. gadsimta otr\u0101s puses eksotisk\u0101s dekorat\u012bv\u0101s m\u0101kslas (<i data-path-to-node=\"13\" data-index-in-node=\"269\">feather art<\/i>) paraugs. Kompoz\u012bcijas centr\u0101 ir att\u0113lots teiksmainais Parad\u012bzes putns, kura kr\u0101\u0161\u0146\u0101, pl\u016bsto\u0161\u0101 aste un sp\u0101rnu reljefs ir meistar\u012bgi izveidots no \u012bst\u0101m, dabisk\u0101m putnu spalv\u0101m, radot piln\u012bgu tr\u012bsdimensiju dz\u012bv\u012bguma efektu. Putnu ieskauj bl\u012bvs, augstv\u0113rt\u012bgs un ar rok\u0101m krustd\u016brien\u0101 iz\u0161\u016bts ziedu vainags, kur\u0101 domin\u0113 klasisk\u0101s rozes, tulpes un eksotiski v\u012bte\u0146augi. \u0160o unik\u0101lo tekstila un dabas materi\u0101lu sasp\u0113li ietver mas\u012bvs, tum\u0161s koka r\u0101mis ar kr\u0101\u0161\u0146iem neorokoko stila kokgriezumiem, kartu\u0161a aug\u0161da\u013c\u0101 un izliekt\u0101m k\u0101j\u0101m pamatn\u0113. Priek\u0161pus\u0113 kompoz\u012bciju dzel\u017eaini aizsarg\u0101 biezs, ori\u0123in\u0101lais aizsargstikls.<\/p>\n<p data-path-to-node=\"14\"><b data-path-to-node=\"14\" data-index-in-node=\"0\">Izgatavo\u0161anas periods<\/b> 19. gadsimta otr\u0101 puse, aptuveni 1870.\u20131885. gads. \u0160aj\u0101 historisma un eklektikas plaukuma period\u0101 Eiropas augst\u0101kaj\u0101 sabiedr\u012bb\u0101 vald\u012bja milz\u012bga kaisl\u012bba pret eksotiskiem dabas mot\u012bviem un t\u0101laj\u0101m zem\u0113m, padarot \u0161\u0101dus salonu ekr\u0101nus par izteiktu luksusa un izsmalcin\u0101tas gaumes simbolu.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> Darbs ir augst\u0101k\u0101s klases Francijas vai Anglijei rakstur\u012bg\u0101s autortehnikas \u0161edevrs. \u0160\u0101da m\u0113roga un sare\u017e\u0123\u012bt\u012bbas ekr\u0101nus, kur spalvu aplik\u0101cija tika kombin\u0113ta ar stila kokgriezuma r\u0101mi un aizmugur\u0113jo z\u012bda drap\u0113jumu, pas\u016bt\u012bja tikai \u013coti tur\u012bgu namu un mui\u017eu interjeru iek\u0101rto\u0161anai.<\/p>\n<p data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">Retums un noz\u012bme<\/b> Priek\u0161meta retums ir t\u0101 izcilais m\u0113rogs un neskartais st\u0101voklis. Spalvu m\u0101kslas (<i data-path-to-node=\"16\" data-index-in-node=\"98\">feather art<\/i>) darbi to organisk\u0101s dabas d\u0113\u013c laika gait\u0101 ir \u013coti trausli un bie\u017ei g\u0101ju\u0161i boj\u0101 no mitruma vai kait\u0113k\u013ciem. Pateicoties herm\u0113tiskajam ori\u0123in\u0101lajam stiklam un dzel\u017eainajai konstrukcijai, \u0161aj\u0101 eksempl\u0101r\u0101 putna spalvu kr\u0101\u0161\u0146ums un iz\u0161uvuma kr\u0101su p\u0101rejas ir saglab\u0101ju\u0161\u0101s nep\u0101rejo\u0161\u0101, muzeja l\u012bme\u0146a kvalit\u0101t\u0113.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\">Pielietojums<\/b> \u0160is monument\u0101lais ekr\u0101ns darbosies k\u0101 galven\u0101 interjera dominante. Tas ir ide\u0101li piem\u0113rots novieto\u0161anai pie v\u0113sturiska kam\u012bna, salona vai \u0113damz\u0101les st\u016br\u012b, vai ar\u012b k\u0101 patst\u0101v\u012bgs, skatu piesaisto\u0161s m\u0101kslas objekts pla\u0161\u0101 priek\u0161nam\u0101 blakus ant\u012bk\u0101m m\u0113bel\u0113m, ienesot telp\u0101 aristokr\u0101tisku c\u0113lumu un dzi\u013cumu.<\/p>\n<p data-path-to-node=\"18\"><b data-path-to-node=\"18\" data-index-in-node=\"0\">St\u0101voklis<\/b> Objekts ir izcil\u0101 ant\u012bk\u0101 st\u0101vokl\u012b. Smagais koka r\u0101mis ir piln\u012bb\u0101 stabils, kokgriezuma elementi un k\u0101jas ir veselas, bez l\u016bzumiem. Spalvu aplik\u0101cija putna t\u0113l\u0101 ir piln\u012bga, kupla un nav zaud\u0113jusi savu dabisko mirdzumu un apjomu. Iz\u0161uvums ir t\u012brs, bez izbal\u0113\u0161anas paz\u012bm\u0113m. Aizmugur\u0113 saglab\u0101ts v\u0113sturiskais auduma drap\u0113jums ar dabisku vecuma patinu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"19\"><b data-path-to-node=\"19\" data-index-in-node=\"0\"><i data-path-to-node=\"19\" data-index-in-node=\"0\">Laikmeta momentuz\u0146\u0113mums, barons fon Renne:<\/i><\/b> <i data-path-to-node=\"19\" data-index-in-node=\"43\">Mui\u017eas lielaj\u0101 bibliot\u0113k\u0101 valda v\u0113ls un kluss p\u0113cpusdienas mieri\u0146\u0161, ko piepilda dego\u0161u malkas skaidu smar\u017ea un klusa pulkste\u0146a tik\u0161\u0137\u0113\u0161ana. Pie loga d\u016bmos t\u012btas sarunas risina mui\u017eas saimnieks barons fon Renne un vi\u0146a viesis \u2014 dabas p\u0113tnieks, kur\u0161 nupat atgriezies no eksped\u012bcijas t\u0101laj\u0101s Austrumu sal\u0101s. Barons piece\u013cas no sava dzi\u013c\u0101 \u0101das kr\u0113sla un pam\u0101j uz mas\u012bv\u0101, tum\u0161\u0101 koka ekr\u0101na pusi, kas novietots blakus kam\u012bnam un kura stikla aizmugur\u0113 vakara saul\u0113 iemirdzas apjom\u012bga dzeltenpel\u0113ka aste. &#8220;Apskatieties, mans draugs,&#8221; barons klusi saka, nor\u0101dot uz teiksmain\u0101 Parad\u012bzes putna spalvu vieglumu, ko ieskauj smalki iz\u0161\u016bto ro\u017eu vainags, &#8220;kam\u0113r \u0101r\u0101, Tosmares purvos, in\u017eenieri dzen zem\u0113 pirmos p\u0101\u013cus jaunaj\u0101m r\u016bpn\u012bc\u0101m un pasaule steidzas, \u0161eit, \u0161ajos akanta lapu kokgriezumos, m\u0113s esam notv\u0113ru\u0161i m\u016b\u017e\u012bgo dabas un roku darba piln\u012bbu.&#8221; Viesis pam\u0101j ar galvu, kam\u0113r aiz loga p\u0101ri mui\u017eas parkam l\u0113ni s\u0101k nolaisties pirm\u0101 kr\u0113sla.<\/i><\/p>\n<p data-path-to-node=\"21\">\ud83c\uddf7\ud83c\uddfa<\/p>\n<h3 data-path-to-node=\"22\">\u041c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u043a\u0430\u043c\u0438\u043d\u043d\u044b\u0439 \u044d\u043a\u0440\u0430\u043d \u0441 \u0420\u0430\u0439\u0441\u043a\u043e\u0439 \u043f\u0442\u0438\u0446\u0435\u0439 \u2014 \u0432\u044b\u0448\u0438\u0432\u043a\u0430 \u0438 \u043d\u0430\u0442\u0443\u0440\u0430\u043b\u044c\u043d\u044b\u0435 \u043f\u0435\u0440\u044c\u044f (feather art tapestry)<\/h3>\n<p data-path-to-node=\"23\">\u0423\u0442\u043e\u043d\u0447\u0435\u043d\u043d\u0430\u044f \u0442\u0435\u0445\u043d\u0438\u043a\u0430 \u0432\u0438\u043a\u0442\u043e\u0440\u0438\u0430\u043d\u0441\u043a\u043e\u0439 \u044d\u043f\u043e\u0445\u0438 \u0438 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u043d\u044b\u0439 \u0440\u0430\u0437\u043c\u0430\u0445 \u0441\u043e\u0435\u0434\u0438\u043d\u0438\u043b\u0438\u0441\u044c \u0432 \u044d\u0442\u043e\u043c \u043a\u0440\u0443\u043f\u043d\u043e\u043c \u0438 \u0442\u044f\u0436\u0435\u043b\u043e\u043c \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430. \u0418\u0437\u043d\u0430\u0447\u0430\u043b\u044c\u043d\u043e \u0441\u043e\u0437\u0434\u0430\u043d\u043d\u044b\u0439 \u043a\u0430\u043a \u0432\u0435\u043b\u0438\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u043a\u0430\u043c\u0438\u043d\u043d\u044b\u0439 \u044d\u043a\u0440\u0430\u043d, \u044d\u0442\u043e\u0442 \u043f\u0440\u0435\u0434\u043c\u0435\u0442 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 \u0440\u0435\u0434\u0447\u0430\u0439\u0448\u0438\u0439 \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u044d\u043a\u0437\u043e\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u043e-\u043f\u0440\u0438\u043a\u043b\u0430\u0434\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u044b XIX \u0432\u0435\u043a\u0430 (<i data-path-to-node=\"23\" data-index-in-node=\"316\">feather art<\/i>). \u0412 \u0446\u0435\u043d\u0442\u0440\u0435 \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0438 \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0430 \u0441\u043a\u0430\u0437\u043e\u0447\u043d\u0430\u044f \u0420\u0430\u0439\u0441\u043a\u0430\u044f \u043f\u0442\u0438\u0446\u0430, \u0447\u044c\u0438 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u044b\u0439 \u0441\u0442\u0440\u0443\u044f\u0449\u0438\u0439\u0441\u044f \u0445\u0432\u043e\u0441\u0442 \u0438 \u0440\u0435\u043b\u044c\u0435\u0444 \u043a\u0440\u044b\u043b\u044c\u0435\u0432 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u0438 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u044b \u0438\u0437 \u043d\u0430\u0441\u0442\u043e\u044f\u0449\u0438\u0445, \u043d\u0430\u0442\u0443\u0440\u0430\u043b\u044c\u043d\u044b\u0445 \u043f\u0442\u0438\u0447\u044c\u0438\u0445 \u043f\u0435\u0440\u044c\u0435\u0432, \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u044f \u043f\u043e\u043b\u043d\u044b\u0439 \u044d\u0444\u0444\u0435\u043a\u0442 \u0442\u0440\u0435\u0445\u043c\u0435\u0440\u043d\u043e\u0433\u043e \u043e\u0431\u044a\u0435\u043c\u0430. \u041f\u0442\u0438\u0446\u0443 \u043e\u043a\u0440\u0443\u0436\u0430\u0435\u0442 \u043f\u043b\u043e\u0442\u043d\u044b\u0439, \u0432\u044b\u0441\u043e\u043a\u043e\u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0432\u0435\u043d\u043e\u043a \u0438\u0437 \u0440\u043e\u0437 \u0438 \u0442\u044e\u043b\u044c\u043f\u0430\u043d\u043e\u0432, \u0432\u044b\u0448\u0438\u0442\u044b\u0439 \u0432\u0440\u0443\u0447\u043d\u0443\u044e \u043a\u0440\u0435\u0441\u0442\u043e\u043c. \u041a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044e \u043e\u0431\u0440\u0430\u043c\u043b\u044f\u0435\u0442 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u0430\u044f \u0440\u0430\u043c\u0430 \u0438\u0437 \u0442\u0435\u043c\u043d\u043e\u0433\u043e \u0434\u0435\u0440\u0435\u0432\u0430 \u0441 \u043f\u044b\u0448\u043d\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u043e\u0439 \u0432 \u0441\u0442\u0438\u043b\u0435 \u043d\u0435\u043e\u0440\u043e\u043a\u043e\u043a\u043e \u0438 \u0438\u0437\u043e\u0433\u043d\u0443\u0442\u044b\u043c\u0438 \u043d\u043e\u0436\u043a\u0430\u043c\u0438. \u0421\u043f\u0435\u0440\u0435\u0434\u0438 \u0440\u0430\u0431\u043e\u0442\u0430 \u043d\u0430\u0434\u0435\u0436\u043d\u043e \u0437\u0430\u0449\u0438\u0449\u0435\u043d\u0430 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u043c \u0442\u043e\u043b\u0441\u0442\u044b\u043c \u0441\u0442\u0435\u043a\u043b\u043e\u043c.<\/p>\n<p data-path-to-node=\"24\">\u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u0431\u044b\u043b \u0441\u043e\u0437\u0434\u0430\u043d \u0432 \u043f\u0435\u0440\u0438\u043e\u0434 \u0441 1870 \u043f\u043e 1885 \u0433\u043e\u0434 \u2014 \u044d\u043f\u043e\u0445\u0443 \u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430, \u043a\u043e\u0433\u0434\u0430 \u0432 \u0432\u044b\u0441\u0448\u0435\u043c \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u0435 \u0415\u0432\u0440\u043e\u043f\u044b \u0438 \u043e\u0441\u0442\u0437\u0435\u0439\u0441\u043a\u0438\u0445 \u0433\u0443\u0431\u0435\u0440\u043d\u0438\u0439 \u0446\u0430\u0440\u0438\u043b\u0430 \u043c\u043e\u0434\u0430 \u043d\u0430 \u044d\u043a\u0437\u043e\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043f\u0440\u0438\u0440\u043e\u0434\u043d\u044b\u0435 \u043c\u043e\u0442\u0438\u0432\u044b. \u0418\u0437-\u0437\u0430 \u0445\u0440\u0443\u043f\u043a\u043e\u0441\u0442\u0438 \u043e\u0440\u0433\u0430\u043d\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u043e\u0432 \u0442\u0430\u043a\u0438\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0440\u0435\u0434\u043a\u043e \u0434\u043e\u0445\u043e\u0434\u044f\u0442 \u0434\u043e \u043d\u0430\u0448\u0438\u0445 \u0434\u043d\u0435\u0439 \u0432 \u043f\u0435\u0440\u0432\u043e\u0437\u0434\u0430\u043d\u043d\u043e\u043c \u0432\u0438\u0434\u0435. \u0411\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u044f \u0433\u0435\u0440\u043c\u0435\u0442\u0438\u0447\u043d\u043e\u0441\u0442\u0438 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0441\u0442\u0435\u043a\u043b\u0430, \u043f\u0435\u0440\u044c\u044f \u043f\u0442\u0438\u0446\u044b \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u0438 \u043f\u044b\u0448\u043d\u043e\u0441\u0442\u044c \u0438 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0431\u043b\u0435\u0441\u043a, \u0430 \u0432\u044b\u0448\u0438\u0432\u043a\u0430 \u2014 \u044f\u0440\u043a\u043e\u0441\u0442\u044c \u043a\u0440\u0430\u0441\u043e\u043a. \u042d\u0442\u043e\u0442 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u044d\u043a\u0440\u0430\u043d \u0441\u0442\u0430\u043d\u0435\u0442 \u0433\u043b\u0430\u0432\u043d\u043e\u0439 \u0434\u043e\u043c\u0438\u043d\u0430\u043d\u0442\u043e\u0439 \u043f\u0440\u043e\u0441\u0442\u043e\u0440\u043d\u043e\u0433\u043e \u0437\u0430\u043b\u0430 \u0438\u043b\u0438 \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0438, \u043f\u0440\u0438\u0432\u043d\u043e\u0441\u044f \u0432 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440 \u0430\u0440\u0438\u0441\u0442\u043e\u043a\u0440\u0430\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0435 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u0441\u0442\u0432\u043e. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"25\"><b data-path-to-node=\"25\" data-index-in-node=\"0\"><i data-path-to-node=\"25\" data-index-in-node=\"0\">\u0417\u0430\u0440\u0438\u0441\u043e\u0432\u043a\u0430 \u044d\u043f\u043e\u0445\u0438, \u0431\u0430\u0440\u043e\u043d \u0444\u043e\u043d \u0420\u0435\u043d\u043d\u0435:<\/i><\/b> <i data-path-to-node=\"25\" data-index-in-node=\"34\">\u0412 \u0431\u043e\u043b\u044c\u0448\u043e\u0439 \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0435 \u043f\u043e\u043c\u0435\u0441\u0442\u044c\u044f \u0446\u0430\u0440\u0438\u0442 \u0442\u0438\u0445\u0438\u0439 \u043f\u043e\u0441\u043b\u0435\u043f\u043e\u043b\u0443\u0434\u0435\u043d\u043d\u044b\u0439 \u043f\u043e\u043a\u043e\u0439, \u043d\u0430\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u044b\u0439 \u0430\u0440\u043e\u043c\u0430\u0442\u043e\u043c \u0433\u043e\u0440\u044f\u0449\u0438\u0445 \u043f\u043e\u043b\u0435\u043d\u044c\u0435\u0432 \u0438 \u043c\u0435\u0440\u043d\u044b\u043c \u0442\u0438\u043a\u0430\u043d\u044c\u0435\u043c \u0447\u0430\u0441\u043e\u0432. \u0423 \u043e\u043a\u043d\u0430 \u0432\u0435\u0434\u0443\u0442 \u043d\u0435\u0441\u043f\u0435\u0448\u043d\u0443\u044e \u0431\u0435\u0441\u0435\u0434\u0443 \u0445\u043e\u0437\u044f\u0438\u043d \u0443\u0441\u0430\u0434\u044c\u0431\u044b \u0431\u0430\u0440\u043e\u043d \u0444\u043e\u043d \u0420\u0435\u043d\u043d\u0435 \u0438 \u0435\u0433\u043e \u0433\u043e\u0441\u0442\u044c \u2014 \u043d\u0430\u0442\u0443\u0440\u0430\u043b\u0438\u0441\u0442, \u0442\u043e\u043b\u044c\u043a\u043e \u0447\u0442\u043e \u0432\u0435\u0440\u043d\u0443\u0432\u0448\u0438\u0439\u0441\u044f \u0438\u0437 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u0438 \u043f\u043e \u0434\u0430\u043b\u0435\u043a\u0438\u043c \u0432\u043e\u0441\u0442\u043e\u0447\u043d\u044b\u043c \u043e\u0441\u0442\u0440\u043e\u0432\u0430\u043c. \u0411\u0430\u0440\u043e\u043d \u043f\u043e\u0434\u043d\u0438\u043c\u0430\u0435\u0442\u0441\u044f \u0438\u0437 \u0433\u043b\u0443\u0431\u043e\u043a\u043e\u0433\u043e \u043a\u043e\u0436\u0430\u043d\u043e\u0433\u043e \u043a\u0440\u0435\u0441\u043b\u0430 \u0438 \u0443\u043a\u0430\u0437\u044b\u0432\u0430\u0435\u0442 \u043d\u0430 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u044b\u0439 \u043a\u0430\u043c\u0438\u043d\u043d\u044b\u0439 \u044d\u043a\u0440\u0430\u043d \u0438\u0437 \u0442\u0435\u043c\u043d\u043e\u0433\u043e \u0434\u0435\u0440\u0435\u0432\u0430, \u0437\u0430 \u0441\u0442\u0435\u043a\u043b\u043e\u043c \u043a\u043e\u0442\u043e\u0440\u043e\u0433\u043e \u0432 \u043b\u0443\u0447\u0430\u0445 \u0437\u0430\u0445\u043e\u0434\u044f\u0449\u0435\u0433\u043e \u0441\u043e\u043b\u043d\u0446\u0430 \u0433\u043e\u0440\u0438\u0442 \u043f\u044b\u0448\u043d\u044b\u0439 \u0436\u0435\u043b\u0442\u043e-\u0441\u0435\u0440\u044b\u0439 \u0445\u0432\u043e\u0441\u0442. \u00ab\u041f\u043e\u0441\u043c\u043e\u0442\u0440\u0438\u0442\u0435, \u043c\u043e\u0439 \u0434\u0440\u0443\u0433\u00bb, \u2014 \u0442\u0438\u0445\u043e \u0433\u043e\u0432\u043e\u0440\u0438\u0442 \u0431\u0430\u0440\u043e\u043d, \u0432\u043e\u0441\u0445\u0438\u0449\u0430\u044f\u0441\u044c \u043b\u0435\u0433\u043a\u043e\u0441\u0442\u044c\u044e \u043f\u0435\u0440\u044c\u0435\u0432 \u0420\u0430\u0439\u0441\u043a\u043e\u0439 \u043f\u0442\u0438\u0446\u044b \u0432 \u043e\u043a\u0440\u0443\u0436\u0435\u043d\u0438\u0438 \u0432\u044b\u0448\u0438\u0442\u044b\u0445 \u0440\u043e\u0437, \u2014 \u00ab\u043f\u043e\u043a\u0430 \u0442\u0430\u043c, \u043d\u0430 \u0431\u043e\u043b\u043e\u0442\u0430\u0445 \u0422\u043e\u0441\u043c\u0430\u0440\u0435, \u0438\u043d\u0436\u0435\u043d\u0435\u0440\u044b \u0432\u0431\u0438\u0432\u0430\u044e\u0442 \u043f\u0435\u0440\u0432\u044b\u0435 \u0441\u0432\u0430\u0438 \u0434\u043b\u044f \u043d\u043e\u0432\u044b\u0445 \u0437\u0430\u0432\u043e\u0434\u043e\u0432 \u0438 \u043c\u0438\u0440 \u043d\u0435\u0441\u0435\u0442\u0441\u044f \u0432\u043f\u0435\u0440\u0435\u0434, \u0437\u0434\u0435\u0441\u044c, \u0432 \u044d\u0442\u0438\u0445 \u0437\u0430\u0432\u0438\u0442\u043a\u0430\u0445 \u0440\u0435\u0437\u043d\u043e\u0433\u043e \u0434\u0435\u0440\u0435\u0432\u0430, \u043c\u044b \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u0438 \u0432\u0435\u0447\u043d\u043e\u0435 \u0441\u043e\u0432\u0435\u0440\u0448\u0435\u043d\u0441\u0442\u0432\u043e \u043f\u0440\u0438\u0440\u043e\u0434\u044b \u0438 \u0447\u0435\u043b\u043e\u0432\u0435\u0447\u0435\u0441\u043a\u0438\u0445 \u0440\u0443\u043a\u00bb. \u0413\u043e\u0441\u0442\u044c \u0441\u043e\u0433\u043b\u0430\u0441\u043d\u043e \u043a\u0438\u0432\u0430\u0435\u0442, \u043f\u043e\u043a\u0430 \u0437\u0430 \u043e\u043a\u043d\u043e\u043c \u043d\u0430\u0434 \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u044b\u043c \u043f\u0430\u0440\u043a\u043e\u043c \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u043e \u043e\u043f\u0443\u0441\u043a\u0430\u044e\u0442\u0441\u044f \u0441\u0443\u043c\u0435\u0440\u043a\u0438.<\/i><\/p>\n<p data-path-to-node=\"27\">\ud83c\uddec\ud83c\udde7<\/p>\n<h2 data-path-to-node=\"28\">Monumental Antique Fire Screen with Bird of Paradise \u2014 Hand Embroidery &amp; Real Feathers (feather art tapestry)<\/h2>\n<p data-path-to-node=\"29\">Exquisite Victorian-era artistry and monumental interior scale converge in this exceptionally large and heavy historical masterpiece. Originally designed as a majestic fire screen, this piece stands as an elite exemplar of late 19th-century <i data-path-to-node=\"29\" data-index-in-node=\"241\">feather art<\/i> and textile craftsmanship. The centerpiece features a mythical Bird of Paradise, whose cascading, fluid tail and winged contours are masterfully constructed from genuine, natural bird feathers to achieve a striking three-dimensional lifelike quality. The avian figure is framed by a dense, highly detailed wreath of roses, tulips, and foliage entirely hand-embroidered in cross-stitch. Encasing this unique union of organic materials is a heavy, dark wooden frame boasting elaborate Neo-Rococo (Louis XV revival) openwork carvings, an ornamental top cresting, and scrolled structural feet. The entire presentation is strictly protected by its thick, original historic glass.<\/p>\n<p data-path-to-node=\"30\">Crafted between 1870 and 1885 during the height of the Historicist movement, pieces of this caliber reflected the high society&#8217;s deep fascination with exotic expeditions and foreign lands, serving as definitive symbols of luxury. While organic feather installations are notoriously fragile and rarely survive the decades intact, this specimen remains in museum-grade preservation due to the hermetic barrier of its original glazing. The feathers retain their full volume and natural luster, while the embroidery exhibits zero fading. This monumental screen is intended to serve as a premier focal point near a fireplace or within a grand library, instilling an aura of aristocratic depth. The condition of the item is fully reflected in the photos.<\/p>\n<p data-path-to-node=\"31\"><b data-path-to-node=\"31\" data-index-in-node=\"0\"><i data-path-to-node=\"31\" data-index-in-node=\"0\">Historical era snapshot, Baron von R\u00f6nne:<\/i><\/b> <i data-path-to-node=\"31\" data-index-in-node=\"42\">Inside the manor\u2019s grand library, a late and peaceful afternoon quiet prevails, filled with the scent of burning firewood and the slow ticking of a bracket clock. By the tall window, the estate owner Baron von R\u00f6nne and his guest\u2014a naturalist recently returned from an expedition to the distant Eastern islands\u2014are engaged in a low, smoke-trailed conversation. The Baron rises from his deep leather armchair and motions toward the massive dark wooden screen standing by the hearth, where a voluminous yellow-grey tail feathers gleam behind the glass in the setting sun. &#8220;Look closely, my friend,&#8221; the Baron whispers, admiring the airy lightness of the Bird of Paradise set within its hand-embroidered wreath of roses, &#8220;while out there in the Tosmare marshlands, engineers drive the first iron piles for the new factories and the world rushes blindly ahead, here within these carved acanthus scrolls, we have captured the eternal harmony of nature and human hands.&#8221; The naturalist nods silently as the first evening shadows begin to fall over the ancient estate park.<\/i><\/p>\n<p data-path-to-node=\"33\">\ud83c\udde9\ud83c\uddea<\/p>\n<h3 data-path-to-node=\"34\">Monumentaler antiker Kaminschirm mit Paradiesvogel \u2014 Stickerei und echte Federn (feather art tapestry)<\/h3>\n<p data-path-to-node=\"35\">Erlesene Handwerkskunst des sp\u00e4ten 19. Jahrhunderts und monumentaler Stil verbinden sich in diesem au\u00dfergew\u00f6hnlich gro\u00dfen und schweren Kaminschirm. Das Prunkst\u00fcck ist ein seltenes Beispiel historistischer <i data-path-to-node=\"35\" data-index-in-node=\"205\">Feder-Kunst<\/i> (Feather Art). Im Zentrum der Komposition prangt ein Paradiesvogel, dessen pr\u00e4chtiges Gefieder dreidimensional aus echten Vogelfedern gearbeitet ist. Der Vogel wird von einem dichten, handgestickten Rosen- und Tulpenkranz umrahmt. Gefasst ist das Kunstwerk in einen schweren Holzrahmen mit opulenten Neorokoko-Schnitzereien und geschwungenen F\u00fc\u00dfen. Die Vorderseite ist durch das originale dicke Glas gesch\u00fctzt.<\/p>\n<p data-path-to-node=\"36\">Hergestellt um 1870\u20131885, reflektiert das St\u00fcck die Leidenschaft der damaligen Elite f\u00fcr exotische Naturmotive. Aufgrund der hervorragenden Konservierung hinter Glas sind die Federn vollz\u00e4hlig und farbfrisch geblieben. Ein museales Prunkst\u00fcck f\u00fcr herrschaftliche R\u00e4ume oder Bibliotheken. Der Zustand des Artikels ist auf den Fotos vollst\u00e4ndig wiedergegeben.<\/p>\n<p data-path-to-node=\"37\"><b data-path-to-node=\"37\" data-index-in-node=\"0\"><i data-path-to-node=\"37\" data-index-in-node=\"0\">Historische Epochenaufnahme, Baron von R\u00f6nne:<\/i><\/b> <i data-path-to-node=\"37\" data-index-in-node=\"46\">In der gro\u00dfen Bibliothek des Herrenhauses herrscht Nachmittagsstille, erf\u00fcllt vom Duft brennenden Kaminholzes. Am Fenster unterhalten sich der Gutsherr Baron von R\u00f6nne und sein Gast, ein Naturforscher, der soeben von einer Expedition aus \u00dcbersee zur\u00fcckgekehrt ist. Der Baron erhebt sich und zeigt auf den massiven Kaminschirm aus dunklem Holz, hinter dessen Glas der gelb-graue Federschweif im Abendlicht schimmert. \u201eSehen Sie, mein Freund\u201c, sagt der Baron leise und bewundert die Leichtigkeit des Paradiesvogels im gestickten Rosenkranz, \u201ew\u00e4hrend drau\u00dfen in Tosmare die Ingenieure die Pf\u00e4hle f\u00fcr neue Fabriken in den Boden treiben und die Welt hastet, haben wir in diesen Holzschnitzereien die ewige Vollkommenheit der Natur bewahrt.\u201c Der Gast nickt schweigend, w\u00e4hrend sich die D\u00e4mmerung \u00fcber den Park legt.<\/i><\/p>\n<p data-path-to-node=\"39\">\ud83c\uddeb\ud83c\uddf7<\/p>\n<h3 data-path-to-node=\"40\">\u00c9cran de Chemin\u00e9e Antique Monumental \u00e0 l&#8217;Oiseau de Paradis \u2014 Broderie et Plumes Naturelles (feather art tapestry)<\/h3>\n<p data-path-to-node=\"41\">Le raffinement de l&#8217;\u00e9poque victorienne et une envergure d\u00e9corative monumentale s&#8217;unissent dans cette \u0153uvre d&#8217;art d&#8217;une taille exceptionnelle. Con\u00e7u \u00e0 l&#8217;origine comme un majestueux \u00e9cran de chemin\u00e9e, cet objet est un exemple magistral de l&#8217;art des plumes (<i data-path-to-node=\"41\" data-index-in-node=\"255\">feather art<\/i>) de la seconde moiti\u00e9 du XIXe si\u00e8cle. Le centre de la composition met en sc\u00e8ne un Oiseau de Paradis dont la queue fluide et le relief des ailes sont enti\u00e8rement r\u00e9alis\u00e9s en plumes naturelles tridimensionnelles, conf\u00e9rant un r\u00e9alisme saisissant. L&#8217;oiseau est entour\u00e9 d&#8217;une riche couronne de roses et de tulipes brod\u00e9e \u00e0 la main au point de croix. L&#8217;ensemble est magnifi\u00e9 par un lourd cadre en bois sombre richement sculpt\u00e9 de motifs n\u00e9o-rococo et reposant sur des pieds cambr\u00e9s. La face avant est scell\u00e9e par sa vitre d&#8217;origine.<\/p>\n<p data-path-to-node=\"42\">Fabriqu\u00e9 entre 1870 et 1885, au c\u0153ur de la p\u00e9riode de l&#8217;Historicisme, cet \u00e9cran t\u00e9moigne de la fascination de la haute soci\u00e9t\u00e9 pour les contr\u00e9es lointaines. Gr\u00e2ce \u00e0 la protection herm\u00e9tique du verre d&#8217;origine, les plumes ont conserv\u00e9 leur volume et leur \u00e9clat naturel, et la broderie sa vivacit\u00e9. Une pi\u00e8ce de niveau mus\u00e9al destin\u00e9e \u00e0 devenir la pi\u00e8ce ma\u00eetresse d&#8217;un grand salon ou d&#8217;une biblioth\u00e8que. L&#8217;\u00e9tat de l&#8217;article est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<p data-path-to-node=\"43\"><b data-path-to-node=\"43\" data-index-in-node=\"0\"><i data-path-to-node=\"43\" data-index-in-node=\"0\">Instantan\u00e9 de l&#8217;\u00e9poque, le baron von R\u00f6nne:<\/i><\/b> <i data-path-to-node=\"43\" data-index-in-node=\"44\">Dans la grande biblioth\u00e8que du domaine, le calme de la fin de l&#8217;apr\u00e8s-midi s&#8217;installe, impr\u00e9gn\u00e9 de l&#8217;odeur du bois qui br\u00fble. Pr\u00e8s de la fen\u00eatre, le ma\u00eetre des lieux, le baron von R\u00f6nne, s&#8217;entretient \u00e0 voix basse avec son invit\u00e9, un naturaliste de retour d&#8217;une exp\u00e9dition dans les \u00eeles lointaines d&#8217;Orient. Le baron se l\u00e8ve de son profond fauteuil en cuir et d\u00e9signe le grand \u00e9cran en bois sombre plac\u00e9 pr\u00e8s de l&#8217;\u00e2tre, derri\u00e8re le verre duquel une somptueuse queue de plumes jaune et gris accroche le soleil couchant. \u00ab Regardez, mon cher ami, \u00bb dit le baron en admirant la l\u00e9g\u00e8ret\u00e9 de l&#8217;Oiseau de Paradis au milieu des roses brod\u00e9es, \u00ab tandis que l\u00e0-bas, dans les marais de Tosmare, les ing\u00e9nieurs plantent des pieux pour les nouvelles usines et que le monde s&#8217;emballe, nous avons captur\u00e9 ici, dans ces volutes de bois sculpt\u00e9, l&#8217;harmonie \u00e9ternelle de la nature et de la main de l&#8217;homme. \u00bb L&#8217;invit\u00e9 acquiesce alors que l&#8217;ombre s&#8217;\u00e9tend doucement sur le parc du ch\u00e2teau.<\/i><\/p>\n<p data-path-to-node=\"45\">\ud83c\udde9\ud83c\uddf0<\/p>\n<h3 data-path-to-node=\"46\">Monumental Antik Kaminsk\u00e6rm med Paradisfugl \u2014 Broderi og \u00c6gte Fjer (feather art tapestry)<\/h3>\n<p data-path-to-node=\"47\">Uds\u00f8gt victoriansk kunsth\u00e5ndv\u00e6rk og monumentalt interi\u00f8rformat m\u00f8des i dette store og tunge kunstv\u00e6rk. Oprindeligt skabt som en majest\u00e6tisk kaminsk\u00e6rm, er dette emne et sj\u00e6ldent og enest\u00e5ende eksempel p\u00e5 det 19. \u00e5rhundredes eksotiske <i data-path-to-node=\"47\" data-index-in-node=\"234\">fjer-kunst<\/i> (Feather Art). Midt i kompositionen ses den sagnomspundne Paradisfugl, hvis rige, svungne hale er mesterligt udf\u00f8rt af \u00e6gte, naturlige fuglefjer, hvilket giver en fantastisk tredimensionel effekt. Fuglen er omkranset af en t\u00e6t, smuk blomsterkrans broderet i h\u00e5nden med korssting. Rammen er udf\u00f8rt i m\u00f8rkt tr\u00e6 med rige nyrokoko-udsk\u00e6ringer og svungne f\u00f8dder. Forsiden er beskyttet af det tykke originale glas.<\/p>\n<p data-path-to-node=\"48\">Fremstillet omkring 1870\u20131885, hvor overklassen sv\u00e6rmede for eksotiske naturmotiver. Takket v\u00e6re det beskyttende glas fremst\u00e5r fjerene i perfekt stand med fuld volumen og naturlig glans. Et absolut pragtstykke til den herskabelige stue eller herrev\u00e6relset. Varens stand er fuldt ud vist p\u00e5 billederne.<\/p>\n<p data-path-to-node=\"49\"><b data-path-to-node=\"49\" data-index-in-node=\"0\"><i data-path-to-node=\"49\" data-index-in-node=\"0\">Historistisk tidsbillede, baron von R\u00f6nne:<\/i><\/b> <i data-path-to-node=\"49\" data-index-in-node=\"43\">I godsets store bibliotek hersker en dyb eftermiddagsro, fyldt med duften af br\u00e6nde fra kaminen. Ved vinduet taler godsejer baron von R\u00f6nne d\u00e6mpet med sin g\u00e6st, en naturforsker, der netop er vendt hjem fra en ekspedition til de fjerne \u00f8stlige \u00f8er. Baronen rejser sig fra sin l\u00e6derstol og peger p\u00e5 den massive kaminsk\u00e6rm i m\u00f8rkt tr\u00e6, hvor den rige gul-gr\u00e5 fjerhale glimter bag glasset i solnedgangen. \u201eSe godt efter, min ven,\u201c hvisker baronen og beundrer Paradisfuglens fjerlette elegance midt i de broderede roser, \u201emens ingeni\u00f8rerne ude i Tosmare-mosserne jager de f\u00f8rste p\u00e6le i jorden til nye fabrikker, og verden haster af sted, har vi her i disse tr\u00e6sk\u00e6ringer indfanget naturens og menneskeh\u00e5ndens evige fuldkommenhed.\u201c G\u00e6sten nikker tavst, mens m\u00f8rket langsomt s\u00e6nker sig over den gamle park.<\/i><\/p>\n<p data-path-to-node=\"51\">\ud83c\uddf8\ud83c\uddea<\/p>\n<h3 data-path-to-node=\"52\">Monumental Antik Kaminsk\u00e4rm med Paradisf\u00e5gel \u2014 Broderi och \u00c4kta Fj\u00e4drar (feather art tapestry)<\/h3>\n<p data-path-to-node=\"53\">Uts\u00f6kt viktorianskt konsthantverk och monumentalt format m\u00f6ts i detta mycket stora och tunga konstverk. Ursprungligen utf\u00f6rd som en st\u00e5tlig kaminsk\u00e4rm, utg\u00f6r detta f\u00f6rem\u00e5l ett s\u00e4llsynt och praktfullt exempel p\u00e5 1800-talets exotiska <i data-path-to-node=\"53\" data-index-in-node=\"232\">fj\u00e4derkonst<\/i> (Feather Art). I centrum av kompositionen ses den mytomspunna Paradisf\u00e5geln, vars magnifika, b\u00f6ljande stj\u00e4rt och vingar \u00e4r m\u00e4sterligt skapade av \u00e4kta, naturliga f\u00e5gelfj\u00e4drar som ger en sl\u00e5ende tredimensionell effekt. F\u00e5geln omges av en t\u00e4t, handbroderad blomsterkrans av rosor och tulpaner. Konstverket infattas av en tung ram i m\u00f6rkt tr\u00e4 med rika nyrokoko-sniderier (Louis XV-stil) och sv\u00e4ngda f\u00f6tter. Framsidan skyddas helt av det tjocka originalglaset.<\/p>\n<p data-path-to-node=\"54\">Tillverkad omkring 1870\u20131885, en period d\u00e5 aristokratin greps av en stor passion f\u00f6r exotiska naturmotiv och fj\u00e4rran l\u00e4nder. Tack vare glasets skydd har fj\u00e4drarna beh\u00e5llit sin fulla volym och naturliga lyster i museikvalitet. En magnifik kulturhistorisk skatt f\u00f6r ett herrg\u00e5rdsbibliotek eller en paradsalong. Varans skick \u00e4r helt reflekterat i bilderna.<\/p>\n<p data-path-to-node=\"55\"><b data-path-to-node=\"55\" data-index-in-node=\"0\"><i data-path-to-node=\"55\" data-index-in-node=\"0\">Historisk tidsbild, baron von R\u00f6nne:<\/i><\/b> <i data-path-to-node=\"55\" data-index-in-node=\"37\">I herrg\u00e5rdens stora bibliotek r\u00e5der en stilla eftermiddag, fylld av doften fr\u00e5n brinnande bj\u00f6rkved. Vid f\u00f6nstret samtalar gods\u00e4garen baron von R\u00f6nne d\u00e4mpat med sin g\u00e4st \u2014 en naturforskare som nyligen \u00e5terv\u00e4nt fr\u00e5n en expedition till de fj\u00e4rran \u00f6stliga \u00f6arna. Baronen reser sig ur sin djupa l\u00e4derf\u00e5t\u00f6lj och visar mot den massiva kaminsk\u00e4rmen i m\u00f6rkt tr\u00e4, d\u00e4r den fylliga gulgr\u00e5 fj\u00e4derstj\u00e4rten glimmar bakom glaset i skymningssolen. \u201dSe noga, min v\u00e4n\u201d, viskar baronen och beundrar paradisf\u00e5gelns fj\u00e4derl\u00e4tta elegans mitt i kransen av broderade rosor, \u201dmedan ingenj\u00f6rerna ute i Tosmare-mossarna driver ner de f\u00f6rsta p\u00e5larna f\u00f6r nya fabriker och v\u00e4rlden hastar vidare, har vi h\u00e4r i dessa tr\u00e4sniderier f\u00e5ngat naturens och m\u00e4nniskohandens eviga full\u00e4ndning.\u201d Naturforskaren nickar tyst medan kv\u00e4llens skuggor l\u00e5ngsamt t\u00e4cker den gamla slottsparken.<\/i><\/p>\n<p data-path-to-node=\"57\">\ud83c\uddf3\ud83c\uddf4<\/p>\n<h3 data-path-to-node=\"58\">Monumental Antikk Kaminskjerm med Paradisfugl \u2014 Broderi og Ekte Fj\u00e6r (feather art tapestry)<\/h3>\n<p data-path-to-node=\"59\">Uts\u00f8kt viktoriansk kunsth\u00e5ndverk og monumentalt interi\u00f8rformat m\u00f8tes i dette store og tunge kunstverket. Opprinnelig skapt som en majestetisk kaminskjerm, er dette emnet et sjeldent og enest\u00e5ende eksempel p\u00e5 det 19. \u00e5rhundrets eksotiske <i data-path-to-node=\"59\" data-index-in-node=\"237\">fj\u00e6r-kunst<\/i> (Feather Art). Midt i komposisjonen ses den sagnomsuste Paradisfuglen, hvis rike, svungne hale er mesterlig utf\u00f8rt av ekte, naturlige fuglefjer, noe som gir en fantastisk tredimensjonal effekt. Fuglen er omkranset av en tett, vakker blomsterkrans brodert i h\u00e5nden med korssting. Rammen er utf\u00f8rt i m\u00f8rkt tre med rike nyrokoko-utsk\u00e6ringer og svungne f\u00f8dder. Forsiden er beskyttet av det tykke originale glasset.<\/p>\n<p data-path-to-node=\"60\">Fremstilt rundt 1870\u20131885, hvor overklassen sv\u00e6rmede for eksotiske naturmotiver. Takket v\u00e6re det beskyttende glasset fremst\u00e5r fjerene i perfekt stand med full volumen og naturlig glans. Et absolutt pragtstykke til den herskapelige stuen eller herrev\u00e6relset. Varens stand er fuldt ud vist p\u00e5 billederne.<\/p>\n<p data-path-to-node=\"61\"><b data-path-to-node=\"61\" data-index-in-node=\"0\"><i data-path-to-node=\"61\" data-index-in-node=\"0\">Historistisk tidsbilde, baron von R\u00f6nne:<\/i><\/b> <i data-path-to-node=\"61\" data-index-in-node=\"41\">I godsets store bibliotek hersker en dyp ettermiddagsro, fylt med duften av brenne fra kaminen. Ved vinduet taler godseier baron von R\u00f6nne dempet med sin gjest, en naturforsker som nettopp er vendt hjem fra en ekspedisjon til de fjerne \u00f8stlige \u00f8yer. Baronen rejser seg fra sin l\u00e6rstol og peger p\u00e5 den massive kaminskjerm i m\u00f8rkt tre, hvor den rike gul-gr\u00e5 fjerhale glimter bak glasset i solnedgangen. \u201eSe godt etter, min venn,\u201c hvisker baronen og beundrer Paradisfuglens fjerlette eleganse midt i de broderte roser, \u201emens ingeni\u00f8rene ute i Tosmare-mosserne jager de f\u00f8rste p\u00e6le i jorden til nye fabrikker, og verden haster av sted, har vi her i disse treskj\u00e6ringer innfanget naturens og menneskeh\u00e5ndens evige fuldkommenhed.\u201c Gjesten nikker tavst, mens m\u00f8rket langsomt senker seg over den gamle parken.<\/i><\/p>\n<p data-path-to-node=\"63\">\ud83c\uddeb\ud83c\uddee<\/p>\n<h3 data-path-to-node=\"64\">Monumentaalinen Anttiikki Takkasermi Paratiisilinnulla \u2014 Kirjontaty\u00f6 ja Aidot Sulat (feather art tapestry)<\/h3>\n<p data-path-to-node=\"65\">Hienostunut viktoriaanisen aikakauden tekniikka ja monumentaalinen mittakaava kohtaavat t\u00e4ss\u00e4 poikkeuksellisen suuressa ja painavassa taideteoksessa. Alun perin majesteettiseksi takkasermiksi luotu kohde on harvinainen 1800-luvun j\u00e4lkipuoliskon eksottisen koristetaiteen (<i data-path-to-node=\"65\" data-index-in-node=\"272\">feather art<\/i>) mestarin\u00e4yte. Komposition keskipisteen\u00e4 on tarunomainen Paratiisilintu, jonka pitk\u00e4, valuva pyrst\u00f6 ja siipien muodot on rakennettu aidoista linnunsulista luomaan upea kolmiulotteinen vaikutelma. Lintua ymp\u00e4r\u00f6i tihe\u00e4, k\u00e4sin ristiinpistoilla kirjailtu ruusu- ja tulppaaniseppele. Teoksen kehyst\u00e4\u00e4 massiivinen, tumma puurunko uusrokoko-tyylisill\u00e4 (<i data-path-to-node=\"65\" data-index-in-node=\"630\">Louis XV<\/i>) leikkauksilla ja kaarevilla jaloilla. Edest\u00e4 kokonaisuutta suojaa alkuper\u00e4inen paksu lasi.<\/p>\n<p data-path-to-node=\"66\">Valmistettu noin 1870\u20131885 \u2014 historismin aikakaudella, jolloin Euroopan yl\u00e4luokka oli syv\u00e4sti kiintynyt kaukomaiden eksotiikkaan. Sulkataideteokset ovat orgaanisen luonteensa vuoksi eritt\u00e4in herkk\u00e4rakenteisia, ja ne ovat harvoin s\u00e4ilyneet nykyp\u00e4iv\u00e4\u00e4n asti. Alkuper\u00e4isen lasin antaman suojan ansiosta sulat ovat s\u00e4ilytt\u00e4neet tuuheutensa ja luonnollisen loistonsa, ja kirjonta on pysynyt v\u00e4rikyll\u00e4isen\u00e4 museotason laadussa. Sermi toimii arvokkaana katseenvangitsijana suuressa salissa tai kirjastossa. Tuotteen kunto n\u00e4kyy t\u00e4ydellisesti valokuvissa.<\/p>\n<p data-path-to-node=\"67\"><b data-path-to-node=\"67\" data-index-in-node=\"0\"><i data-path-to-node=\"67\" data-index-in-node=\"0\">Historismin aikakauden tuokiokuva, paroni von R\u00f6nne:<\/i><\/b> <i data-path-to-node=\"67\" data-index-in-node=\"53\">Kartanon suuressa kirjastossa vallitsee iltap\u00e4iv\u00e4n rauha, jota t\u00e4ytt\u00e4\u00e4 palavien puunrunkojen tuoksu ja sein\u00e4kellon hidas raksutus. Ikkunan \u00e4\u00e4ress\u00e4 keskustelevat kartanonherra paroni von R\u00f6nne ja h\u00e4nen vieraansa \u2014 luonnontutkija, joka on juuri palannut retkikunnalta kaukaisilta It\u00e4isilt\u00e4 saarilta. Paroni nousee syv\u00e4st\u00e4 nahkatuolistaan ja osoittaa takan viereen sijoitettua massiivista puusermi\u00e4, jonka lasin takana ilta-auringossa kimmelt\u00e4\u00e4 tuuhea keltaharmaa sulkapyrst\u00f6. \u201dKatsohan, yst\u00e4v\u00e4ni\u201d, paroni sanoo hiljaa ihaillen Paratiisilinnun sulkien keveytt\u00e4 kirjailtujen ruusujen keskell\u00e4, \u201dsamalla kun tuolla Tosmarin soilla insin\u00f6\u00f6rit ly\u00f6v\u00e4t maahan ensimm\u00e4isi\u00e4 ter\u00e4spaaluja uusia tehtaita varten ja maailma kiirehtii, me olemme n\u00e4iss\u00e4 puuleikkauksissa vanginneet luonnon ja k\u00e4sity\u00f6n ikuisen harmonian.\u201d Vierais pureskelee piippuaan ja ny\u00f6kk\u00e4\u00e4 hiljaa, kun iltah\u00e4m\u00e4r\u00e4 alkaa hitaasti laskeutua vanhan puiston ylle.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ekskluz\u012bvs, liela izm\u0113ra un smags ant\u012bks kam\u012bna ekr\u0101ns (dekorat\u012bvs sienas objekts) grezn\u0101 Luija XV (neorokoko) stila kokgriezuma r\u0101m\u012b. M\u0101kslas darba centr\u0101 ir kr\u0101\u0161\u0146s Parad\u012bzes putns, kura aste un spalvas veidotas tr\u012bsdimensiju tehnik\u0101 no \u012bst\u0101m putnu spalv\u0101m, bet to ieskauj smalks, ar rok\u0101m iz\u0161\u016bts ziedu (ro\u017eu, tulpju un fuksiju) vainags. Darbu priek\u0161pus\u0113 aizsarg\u0101 ori\u0123in\u0101lais stikls.<\/p>\n","protected":false},"featured_media":31429,"template":"","meta":[],"product_brand":[],"product_cat":[206,204],"product_tag":[1113,1121,1120,1118,1119,1115,428,1053,480,759,1122,1116,1054,1117,1114,1087],"class_list":["post-31428","product","type-product","status-publish","has-post-thumbnail","product_cat-gleznas","product_cat-visas-lietas","product_tag-antiks-kamina-ekrans","product_tag-barons-fon-renne","product_tag-bird-of-paradise","product_tag-eklektika","product_tag-feather-art-tapestry","product_tag-gobelens","product_tag-koka-ramis","product_tag-libava","product_tag-luija-xv-stils","product_tag-neorokoko","product_tag-paradiesvogel","product_tag-paradizes-putns","product_tag-riga","product_tag-rozu-izsuvums","product_tag-spalvu-maksla","product_tag-tosmare","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/31428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/31429"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=31428"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=31428"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=31428"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=31428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}