{"id":31265,"date":"2024-11-22T10:34:58","date_gmt":"2024-11-22T08:34:58","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=31265"},"modified":"2026-09-08T01:09:15","modified_gmt":"2026-09-07T22:09:15","slug":"5277","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5277\/","title":{"rendered":"Ant\u012bka stila sudraboti galda trauki uz marmora pamatnes, p\u0101ris \u2014 Amp\u012bra stils (antique silver footed tazza marble base pair) (5277)"},"content":{"rendered":"<p data-path-to-node=\"11\">\ud83c\uddf1\ud83c\uddfb <b data-path-to-node=\"11\" data-index-in-node=\"5\">LATVIE\u0160U VALODAS BLOKS<\/b><\/p>\n<p data-path-to-node=\"12\">Izm\u0113ri: Augstums \u2014 18 cm Garums \u2014 29 cm Platums \u2014 20,5 cm Marmora pamatne \u2014 14 cm<\/p>\n<p data-path-to-node=\"13\"><b data-path-to-node=\"13\" data-index-in-node=\"0\">Grezns sudrabotu tazu p\u0101ris uz mas\u012bv\u0101m za\u013c\u0101 marmora pamatn\u0113m<\/b><\/p>\n<p data-path-to-node=\"14\">Kolekcijas l\u012bme\u0146a, neparasti smags un vizu\u0101li monument\u0101ls divu identisku galda trauku-vazu p\u0101ris (<i data-path-to-node=\"14\" data-index-in-node=\"98\">tazza<\/i> vai <i data-path-to-node=\"14\" data-index-in-node=\"108\">compote<\/i>) uz paaugstin\u0101juma (<i data-path-to-node=\"14\" data-index-in-node=\"136\">antique silver footed tazza marble base pair<\/i>). Katra trauka neso\u0161\u0101 b\u013coda un k\u0101ja ir izgatavota no mas\u012bva met\u0101la, kas kl\u0101ts ar augstv\u0113rt\u012bgu, pul\u0113tu sudraba kr\u0101sas kl\u0101jumu. Dizaina kompoz\u012bcija ir ietur\u0113ta svin\u012bg\u0101 <b data-path-to-node=\"14\" data-index-in-node=\"347\">Amp\u012bra<\/b> un neoklasicisma stilistik\u0101 \u2014 l\u0113zeno, ov\u0101lo trauku lejasda\u013cu un pamatnes k\u0101ju rot\u0101 izteiksm\u012bgs, ritmisks reljefu d\u0113l\u012b\u0161u jeb rievu (<i data-path-to-node=\"14\" data-index-in-node=\"485\">gadroon<\/i>) ornaments, ko perimetr\u0101 papildina smalka p\u0113r\u013cveida josla. Abos s\u0101nos iestr\u0101d\u0101ti divi skulptur\u0101li, barok\u0101li izliekti rokturi ar kr\u0101\u0161\u0146iem akanta lapu un vol\u016btu vijumiem, kas kalpo k\u0101 c\u0113ls m\u0101kslinieciskais akcents. Katrs trauks ir stingri uzst\u0101d\u012bts uz biezas, kvadr\u0101tveida pamatnes, kas izgriezta no dab\u012bga, pul\u0113ta tum\u0161i za\u013c\u0101 marmora ar izteiksm\u012bgu, gai\u0161u kalc\u012bta dz\u012bslu strukt\u016bru. Lai pasarg\u0101tu m\u0113be\u013cu virsmas no saskares ar akmeni, pamatnes apak\u0161\u0113j\u0101 da\u013ca ir r\u016bp\u012bgi apvilkta ar sarkanu samta vai filca kl\u0101jumu.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Izgatavo\u0161anas periods<\/b> 20. gadsimta vidus, darin\u0101ts 19. gadsimta s\u0101kuma fran\u010du amp\u012bra un klasisko pils serv\u0113\u0161anas trad\u012bciju est\u0113tik\u0101.<\/p>\n<p data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> \u0160is izsmalcin\u0101tais komplekts p\u0101rst\u0101v specializ\u0113to Eiropas (visdr\u012bz\u0101k Francijas vai It\u0101lijas) m\u0101kslas lietuvju un sudrablietu darbn\u012bcu sniegumu, kas nodro\u0161in\u0101ja augst\u0101k\u0101 l\u012bme\u0146a galda un salona aksesu\u0101ru izgatavo\u0161anu. Konkr\u0113tas meistara proves vai manufakt\u016bras z\u012bmogi uz met\u0101la konstrukcijas nav saglab\u0101ju\u0161ies.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\">Retums un noz\u012bme<\/b> Saimniec\u012bb\u0101 un kolekcij\u0101s sudraboti trauki-tazas uz marmora postamentiem visbie\u017e\u0101k os sastopami pa vienam priek\u0161metam; piln\u012bb\u0101 saglab\u0101ts, identisks un neboj\u0101ts divu trauku p\u0101ris ir sal\u012bdzino\u0161i reta v\u0113rt\u012bba. Komplekta noz\u012bme sl\u0113pjas harmoniskaj\u0101 un kontrast\u0113jo\u0161\u0101 materi\u0101lu sasp\u0113l\u0113, kur sudraba mirdzums satiekas ar smago, c\u0113lo za\u013co akmeni.<\/p>\n<p data-path-to-node=\"18\"><b data-path-to-node=\"18\" data-index-in-node=\"0\">Pielietojums<\/b> Trauki ir ide\u0101li izmantojami k\u0101 simetrisks un reprezentabls galda centr\u0101lais elements (<i data-path-to-node=\"18\" data-index-in-node=\"100\">surtout de table<\/i>) konfek\u0161u, aug\u013cu vai nelielu desertu pasnieg\u0161anai. T\u0101pat tie kalpo k\u0101 izsmalcin\u0101ti patst\u0101v\u012bgi dekorat\u012bvie fokusa punkti klasisk\u0101 interjer\u0101 \u2013 novietojami abos galos uz kam\u012bna dzegas, konsoles, bufetes vai liel\u0101 pusdienu galda, pie\u0161\u0137irot telpai aristokr\u0101tisku l\u012bdzsvaru.<\/p>\n<p data-path-to-node=\"19\"><b data-path-to-node=\"19\" data-index-in-node=\"0\">St\u0101voklis<\/b> Izcil\u0101 ant\u012bk\u0101 saglab\u0101t\u012bb\u0101. Abi met\u0101la r\u0101mji un rokturi ir piln\u012bgi stingri, stabili un taisni. Sudrabot\u0101 virsma ie spodra, ar vieglu, dabisku un nevienm\u0113r\u012bgu v\u0113sturisko pat\u012bnu padzi\u013cin\u0101jumos, kas lieliski izce\u013c reljefa dzi\u013cumu. Abas mas\u012bv\u0101s marmora pamatnes ir veselas, bez plais\u0101m, robiem vai nol\u016bzu\u0161iem st\u016briem. Komplekts ir piln\u012bb\u0101 gatavs t\u016bl\u012bt\u0113jai ekspon\u0113\u0161anai.<\/p>\n<p data-path-to-node=\"20\"><b data-path-to-node=\"20\" data-index-in-node=\"0\"><i data-path-to-node=\"20\" data-index-in-node=\"0\">Amp\u012bra stila momentuz\u0146\u0113mums:<\/i><\/b> <i data-path-to-node=\"20\" data-index-in-node=\"29\">Komponists \u017daks Ofenbahs (Jacques Offenbach) l\u0113ni staig\u0101ja pa sava Par\u012bzes dz\u012bvok\u013ca saulaino salonu, klusi dungodams topo\u0161\u0101s operetes \u0101rijas mot\u012bvu. Vi\u0146a skatiens uz mirkli apst\u0101j\u0101s pie kam\u012bna dzegas, kur abi sudrabotie trauki uz smagaj\u0101m, za\u013caj\u0101m marmora pamatn\u0113m st\u0101v\u0113ja k\u0101 stingrs un simetrisks l\u012bniju kopums p\u0113cpusdienas saules gaism\u0101. Pul\u0113t\u0101 met\u0101la virsma laist\u012bj\u0101s silt\u0101 ton\u012b, kontrast\u0113jot ar mas\u012bvajiem akanta lapu rokturiem, kas eleganti pac\u0113l\u0101s virs rievotaj\u0101m mal\u0101m. Klusa krist\u0101la gl\u0101\u017eu \u0161\u0137indo\u0146a, pulkste\u0146a tik\u0161\u0137\u0113\u0161ana un steidz\u012bgas rakst\u0101mspalvas ska\u0146as t\u0101lum\u0101 sapl\u016bda vienot\u0101 pl\u016bsm\u0101, un \u0161ie abi pamat\u012bgie priek\u0161meti, kuros akmens un met\u0101la ciet\u012bba sastap\u0101s ar piln\u012bgu formu harmoniju, acumirkl\u012b p\u0101rv\u0113rta parastu br\u012bdi nemirst\u012bg\u0101 un c\u0113l\u0101 skaistuma ritu\u0101l\u0101.<\/i><\/p>\n<p data-path-to-node=\"22\">\ud83c\uddf7\ud83c\uddfa <b data-path-to-node=\"22\" data-index-in-node=\"5\">\u0420\u0423\u0421\u0421\u041a\u0418\u0419 \u0411\u041b\u041e\u041a<\/b><\/p>\n<p data-path-to-node=\"23\">\u0412\u044b\u0441\u043e\u0442\u0430 \u2014 18 \u0441\u043c \u0414\u043b\u0438\u043d\u0430 \u2014 29 \u0441\u043c \u0428\u0438\u0440\u0438\u043d\u0430 \u2014 20,5 \u0441\u043c \u041c\u0440\u0430\u043c\u043e\u0440\u043d\u043e\u0435 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0435 \u2014 14 \u0441\u043c<\/p>\n<h3 data-path-to-node=\"24\"><b data-path-to-node=\"24\" data-index-in-node=\"0\">\u041f\u0430\u0440\u0430 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0445 \u043f\u043e\u0441\u0435\u0440\u0435\u0431\u0440\u0435\u043d\u043d\u044b\u0445 \u0432\u0430\u0437-\u0442\u0430\u0446\u0446 \u043d\u0430 \u043c\u0440\u0430\u043c\u043e\u0440\u043d\u043e\u043c \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0438 \u2014 \u0421\u0442\u0438\u043b\u044c \u0410\u043c\u043f\u0438\u0440<\/b><\/h3>\n<p data-path-to-node=\"25\">\u0412\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u044b\u0439, \u043f\u0430\u0440\u043d\u044b\u0439 \u0438 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u043d\u0430\u0441\u0442\u043e\u043b\u044c\u043d\u044b\u0439 \u0433\u0430\u0440\u043d\u0438\u0442\u0443\u0440 (\u0434\u0432\u0435 \u0432\u0430\u0437\u044b-\u043a\u043e\u043c\u043f\u043e\u0442\u044c\u0435\u0440\u044b) \u0441\u0435\u0440\u0435\u0434\u0438\u043d\u044b 20 \u0432\u0435\u043a\u0430, \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u044b\u0439 \u0432 \u0441\u0442\u0440\u043e\u0433\u0438\u0445 \u0438 \u0442\u043e\u0440\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0445 \u043a\u0430\u043d\u043e\u043d\u0430\u0445 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0433\u043e <b data-path-to-node=\"25\" data-index-in-node=\"157\">\u0430\u043c\u043f\u0438\u0440\u0430<\/b> (<i data-path-to-node=\"25\" data-index-in-node=\"165\">antique silver footed tazza marble base pair<\/i>). \u0427\u0430\u0448\u0438 \u0432\u0430\u0437 \u0438 \u0444\u0438\u0433\u0443\u0440\u043d\u044b\u0435 \u043d\u043e\u0436\u043a\u0438 \u043e\u0442\u043b\u0438\u0442\u044b \u0438\u0437 \u0442\u044f\u0436\u0435\u043b\u043e\u0433\u043e \u0441\u043f\u043b\u0430\u0432\u0430 \u0438 \u043f\u043e\u043a\u0440\u044b\u0442\u044b \u0441\u043b\u043e\u0435\u043c \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u043e\u0433\u043e \u0441\u0435\u0440\u0435\u0431\u0440\u0435\u043d\u0438\u044f. \u041d\u0438\u0436\u043d\u044f\u044f \u0447\u0430\u0441\u0442\u044c \u0447\u0430\u0448 \u0438 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0435 \u043d\u043e\u0436\u0435\u043a \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u044b \u0432 \u0440\u0438\u0442\u043c\u0438\u0447\u043d\u043e\u043c \u0440\u0435\u043b\u044c\u0435\u0444\u043d\u043e\u043c \u0443\u0437\u043e\u0440\u0435 \u0438\u0437 \u0433\u043e\u0434\u043e\u043d\u043e\u0432 \u0438 \u0436\u0435\u043c\u0447\u0443\u0436\u043d\u043e\u0433\u043e \u0444\u0440\u0438\u0437\u0430, \u0430 \u0431\u043e\u043a\u043e\u0432\u044b\u0435 \u0441\u0442\u043e\u0440\u043e\u043d\u044b \u0434\u043e\u043f\u043e\u043b\u043d\u0435\u043d\u044b \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u044b\u043c\u0438 \u0431\u0430\u0440\u043e\u0447\u043d\u044b\u043c\u0438 \u0440\u0443\u0447\u043a\u0430\u043c\u0438 \u0441 \u0432\u043e\u043b\u044e\u0442\u0430\u043c\u0438 \u0438 \u0430\u043a\u0430\u043d\u0442\u043e\u0432\u044b\u043c\u0438 \u043b\u0438\u0441\u0442\u044c\u044f\u043c\u0438. \u041a\u0430\u0436\u0434\u0430\u044f \u0432\u0430\u0437\u0430 \u0443\u0441\u0442\u0430\u043d\u043e\u0432\u043b\u0435\u043d\u0430 \u043d\u0430 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u044b\u0439 \u043a\u0432\u0430\u0434\u0440\u0430\u0442\u043d\u044b\u0439 \u043f\u043e\u0441\u0442\u0430\u043c\u0435\u043d\u0442 \u0438\u0437 \u043d\u0430\u0442\u0443\u0440\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043f\u043e\u043b\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u043e\u0433\u043e \u0442\u0435\u043c\u043d\u043e-\u0437\u0435\u043b\u0435\u043d\u043e\u0433\u043e \u043c\u0440\u0430\u043c\u043e\u0440\u0430 \u0441 \u043a\u0440\u0430\u0441\u0438\u0432\u044b\u043c \u0440\u0438\u0441\u0443\u043d\u043a\u043e\u043c \u0441\u0432\u0435\u0442\u043b\u044b\u0445 \u043f\u0440\u043e\u0436\u0438\u043b\u043e\u043a. \u041e\u0431\u043e\u0440\u043e\u0442\u043d\u0430\u044f \u0441\u0442\u043e\u0440\u043e\u043d\u0430 \u043a\u0430\u043c\u043d\u044f \u0437\u0430\u0449\u0438\u0449\u0435\u043d\u0430 \u0431\u0430\u0440\u0445\u0430\u0442\u043d\u043e\u0439 \u043f\u043e\u0434\u043b\u043e\u0436\u043a\u043e\u0439. \u041f\u043e\u0434\u043e\u0431\u043d\u044b\u0435 \u043f\u0430\u0440\u043d\u044b\u0435 \u0432\u0430\u0437\u044b (<i data-path-to-node=\"25\" data-index-in-node=\"724\">surtout de table<\/i>) \u0441\u043b\u0443\u0436\u0438\u043b\u0438 \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u044b\u043c \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u0438\u0435\u043c \u043f\u0430\u0440\u0430\u0434\u043d\u044b\u0445 \u0441\u0442\u043e\u043b\u043e\u0432 \u0438\u043b\u0438 \u0440\u0430\u0437\u043c\u0435\u0449\u0430\u043b\u0438\u0441\u044c \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u043e \u043d\u0430 \u043a\u0430\u043c\u0438\u043d\u043d\u044b\u0445 \u043f\u043e\u043b\u043a\u0430\u0445. \u0418\u0437\u0434\u0435\u043b\u0438\u0435 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u043e\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u0439 \u0441\u043e\u0445\u0440\u0430\u043d\u043d\u043e\u0441\u0442\u0438. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"26\"><b data-path-to-node=\"26\" data-index-in-node=\"0\"><i data-path-to-node=\"26\" data-index-in-node=\"0\">\u0421\u043d\u0438\u043c\u043e\u043a \u0432 \u0441\u0442\u0438\u043b\u0435 \u042d\u043f\u043e\u0445\u0438:<\/i><\/b> <i data-path-to-node=\"26\" data-index-in-node=\"22\">\u041a\u043e\u043c\u043f\u043e\u0437\u0438\u0442\u043e\u0440 \u0416\u0430\u043a \u041e\u0444\u0444\u0435\u043d\u0431\u0430\u0445 (Jacques Offenbach) \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u043e \u043f\u0440\u043e\u0445\u0430\u0436\u0438\u0432\u0430\u043b\u0441\u044f \u043f\u043e \u0441\u0432\u0435\u0442\u043b\u043e\u043c\u0443 \u0441\u0430\u043b\u043e\u043d\u0443 \u0441\u0432\u043e\u0435\u0439 \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u043e\u0439 \u043a\u0432\u0430\u0440\u0442\u0438\u0440\u044b, \u0442\u0438\u0445\u043e \u043d\u0430\u043f\u0435\u0432\u0430\u044f \u043c\u043e\u0442\u0438\u0432 \u0430\u0440\u0438\u0438 \u0438\u0437 \u043d\u043e\u0432\u043e\u0439 \u043e\u043f\u0435\u0440\u0435\u0442\u0442\u044b. \u0415\u0433\u043e \u0432\u0437\u0433\u043b\u044f\u0434 \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u043e\u0441\u0442\u0430\u043d\u043e\u0432\u0438\u043b\u0441\u044f \u043d\u0430 \u043a\u0430\u043c\u0438\u043d\u043d\u043e\u0439 \u043f\u043e\u043b\u043a\u0435, \u0433\u0434\u0435 \u0434\u0432\u0435 \u0441\u0435\u0440\u0435\u0431\u0440\u0438\u0441\u0442\u044b\u0435 \u0432\u0430\u0437\u044b-\u0442\u0430\u0446\u0446\u044b \u043d\u0430 \u0442\u044f\u0436\u0435\u043b\u044b\u0445 \u0437\u0435\u043b\u0435\u043d\u044b\u0445 \u043c\u0440\u0430\u043c\u043e\u0440\u043d\u044b\u0445 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u044f\u0445 \u0441\u0442\u043e\u044f\u043b\u0438 \u043a\u0430\u043a \u0441\u0442\u0440\u043e\u0433\u043e\u0435 \u0438 \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u043e\u0435 \u0441\u043e\u0447\u0435\u0442\u0430\u043d\u0438\u0435 \u043b\u0438\u043d\u0438\u0439, \u043b\u043e\u0432\u044f \u043b\u0443\u0447\u0438 \u043f\u043e\u0441\u043b\u0435\u043f\u043e\u043b\u0443\u0434\u0435\u043d\u043d\u043e\u0433\u043e \u0441\u043e\u043b\u043d\u0446\u0430. \u0413\u043b\u0430\u0434\u043a\u0430\u044f \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u044c \u043c\u0435\u0442\u0430\u043b\u043b\u0430 \u043c\u0435\u0440\u0446\u0430\u043b\u0430, \u043a\u043e\u043d\u0442\u0440\u0430\u0441\u0442\u0438\u0440\u0443\u044f \u0441 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u044b\u043c\u0438 \u0440\u0443\u0447\u043a\u0430\u043c\u0438 \u0438\u0437 \u0430\u043a\u0430\u043d\u0442\u043e\u0432\u044b\u0445 \u043b\u0438\u0441\u0442\u044c\u0435\u0432, \u043f\u0440\u043e\u0447\u043d\u043e \u0432\u043e\u0437\u0432\u044b\u0448\u0430\u0432\u0448\u0438\u043c\u0438\u0441\u044f \u043d\u0430\u0434 \u0440\u0438\u0444\u043b\u0435\u043d\u044b\u043c\u0438 \u043a\u0440\u0430\u044f\u043c\u0438. \u0422\u0438\u0445\u0438\u0439 \u0437\u0432\u043e\u043d \u0445\u0440\u0443\u0441\u0442\u0430\u043b\u044c\u043d\u044b\u0445 \u0431\u043e\u043a\u0430\u043b\u043e\u0432, \u0442\u0438\u043a\u0430\u043d\u044c\u0435 \u0447\u0430\u0441\u043e\u0432 \u0438 \u0441\u043a\u0440\u0438\u043f \u043f\u0435\u0440\u044c\u0435\u0432\u043e\u0439 \u0440\u0443\u0447\u043a\u0438 \u0432\u0434\u0430\u043b\u0438 \u0441\u043b\u0438\u0432\u0430\u043b\u0438\u0441\u044c \u0432 \u0435\u0434\u0438\u043d\u044b\u0439 \u043f\u043e\u0442\u043e\u043a, \u0438 \u044d\u0442\u0438 \u0434\u0432\u0430 \u043e\u0441\u043d\u043e\u0432\u0430\u0442\u0435\u043b\u044c\u043d\u044b\u0445 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u043d\u043e \u043f\u0440\u0435\u0432\u0440\u0430\u0449\u0430\u043b\u0438 \u043e\u0431\u044b\u0434\u0435\u043d\u043d\u044b\u0439 \u043c\u043e\u043c\u0435\u043d\u0442 \u0432 \u0437\u0430\u0432\u0435\u0440\u0448\u0435\u043d\u043d\u044b\u0439 \u0438 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u0439 \u0440\u0438\u0442\u0443\u0430\u043b \u043a\u0440\u0430\u0441\u043e\u0442\u044b.<\/i><\/p>\n<p data-path-to-node=\"28\">\ud83c\uddec\ud83c\udde7 <b data-path-to-node=\"28\" data-index-in-node=\"5\">ENGLISH BLOCK<\/b><\/p>\n<p data-path-to-node=\"29\">Height \u2014 18 cm Length \u2014 29 cm Width \u2014 20.5 cm Marble Base \u2014 14 cm<\/p>\n<h2 data-path-to-node=\"30\"><b data-path-to-node=\"30\" data-index-in-node=\"0\">Antiquarian Silver-Plated Tazza Urns on Green Marble Plinths \u2014 Pair, Empire Style<\/b><\/h2>\n<p data-path-to-node=\"31\">This exceptional mid-20th-century decorative dining centerpiece set is a definitive statement of grand luxury, highlighting two identical footed composition bowls (<i data-path-to-node=\"31\" data-index-in-node=\"164\">antique silver footed tazza marble base pair<\/i>). The heavy metal structures are finished with a premium, highly polished silver-toned layer, decorated around the lower section and fluted stems with a classic repeating gadroon and beaded border. Flanking each urn are two sculptural, baroque-style handles meticulously cast with sweeping acanthus foliage and scrolling volutes. Each vessel is securely mounted on a substantial, square plinth cut from solid dark green marble, exhibiting a spectacular natural configuration of light-toned calcite veins. The bottom edges of the stone are finished with a protective red velvet lining to guard underlying furniture surfaces. Perfectly serving as a symmetrical decorative set for a formal mantle or side cabinet, this heavy pair captures the romance of early 19th-century European design. The physical condition is immaculate. The condition of the item is fully reflected in the photographs.<\/p>\n<p data-path-to-node=\"32\"><b data-path-to-node=\"32\" data-index-in-node=\"0\"><i data-path-to-node=\"32\" data-index-in-node=\"0\">Period Style snapshot:<\/i><\/b> <i data-path-to-node=\"32\" data-index-in-node=\"23\">The composer Jacques Offenbach (Jacques Offenbach) slowly walked through the bright salon of his Parisian apartment, quietly humming the theme of an aria from his upcoming operetta. His gaze stopped for a moment on the mantelpiece, where the two silver-toned tazza bowls on heavy green marble bases stood like a strict and symmetrical interplay of lines in the afternoon sun. The polished surface of the metal shimmered in a warm tone, contrasting with the massive acanthus leaf handles that rose elegantly over the gadrooned rims. The quiet clinking of crystal glasses, the ticking of a clock, and hurried sounds of a quill pen in the distance merged into a single flow, and this two solid masterpieces instantly turned an ordinary moment into a timeless and noble ritual.<\/i><\/p>\n<p data-path-to-node=\"34\">\ud83c\udde9\ud83c\uddea <b data-path-to-node=\"34\" data-index-in-node=\"5\">GERMAN BLOCK<\/b><\/p>\n<p data-path-to-node=\"35\">H\u00f6he \u2014 18 cm L\u00e4nge \u2014 29 cm Breite \u2014 20,5 cm Marmorbasis \u2014 14 cm<\/p>\n<h3 data-path-to-node=\"36\"><b data-path-to-node=\"36\" data-index-in-node=\"0\">Antikes versilbertes Tazza-Schalenpaar auf gr\u00fcnem Marmorsockel \u2014 im Empire-Stil<\/b><\/h3>\n<p data-path-to-node=\"37\">Dieses herrschaftliche Paar identischer Anrichteschalen aus der Mitte des 20. Jahrhunderts besticht durch seine noble Materialkombination und klassische Symmetrie (<i data-path-to-node=\"37\" data-index-in-node=\"164\">antique silver footed tazza marble base pair<\/i>). Die Schalen und die geschwungenen S\u00e4ulenf\u00fc\u00dfe sind hochwertig versilbert; der Korpus zeigt ein rhythmisches Relief aus kannelierten Kordelz\u00fcgen (Gadroons) und feinen Perlborten im Geist des <b data-path-to-node=\"37\" data-index-in-node=\"400\">Klassizismus<\/b>. Seitlich sind die Prunkvasen mit zwei schweren, durchbrochenen Handgriffen versehen, die mit \u00fcppigen Akanthusbl\u00e4ttern und Voluten reliefiert sind. Getragen werden die schweren Gef\u00e4\u00dfe von quadratischen Sockeln aus massivem, dunkelgr\u00fcnem Prachtmarmor mit markanten hellen Calcitadern. Die Unterseite ist mit Samt bezogen. Dieses au\u00dfergew\u00f6hnliche Paar diente auf den Prunktafeln oder Kaminen der gehobenen Gesellschaft als symmetrischer Blickfang f\u00fcr feines Konfekt. Das Ensemble befindet sich in einem hervorragenden Erhaltungszustand mit herrlicher Originalpatina im Relief. Der Zustand des Gegenstands ist vollst\u00e4ndig auf den Bildern wiedergegeben.<\/p>\n<p data-path-to-node=\"38\"><b data-path-to-node=\"38\" data-index-in-node=\"0\"><i data-path-to-node=\"38\" data-index-in-node=\"0\">Momentaufnahme der Epoche:<\/i><\/b> <i data-path-to-node=\"38\" data-index-in-node=\"27\">Der Komponist Jacques Offenbach (Jacques Offenbach) ging langsam durch den hellen Salon seiner Pariser Wohnung und summte leise das Motiv einer Arie aus seiner neuen Operette. Sein Blick verweilte einen Moment auf dem Kaminsims, wo die beiden silbernen Tazza-Schalen auf schweren gr\u00fcnen Marmorsockeln wie ein strenges und symmetrisches Linienspiel im Nachmittagslicht standen. Die gl\u00e4nzende Metalloberfl\u00e4che wirkte edel und bildete einen reizvollen Kontrast zu den massiven Akanthusgriffen, die sich markant \u00fcber den kannelierten R\u00e4ndern erhoben. Das leise Klirren von Kristallgl\u00e4sern, das Ticken der Uhr und das ferne Kratzen einer Schreibfeder verschmolzen zu einem einzigen Fluss, und diese beiden soliden Gegenst\u00e4nde machten den Augenblick augenblicklich zu einem zeitlosen und edlen Ritual.<\/i><\/p>\n<p data-path-to-node=\"40\">\ud83c\uddeb\ud83c\uddf7 <b data-path-to-node=\"40\" data-index-in-node=\"5\">FRENCH BLOCK<\/b><\/p>\n<p data-path-to-node=\"41\">Hauteur \u2014 18 cm Longueur \u2014 29 cm Largeur \u2014 20,5 cm Socle en marbre \u2014 14 cm<\/p>\n<h3 data-path-to-node=\"42\"><b data-path-to-node=\"42\" data-index-in-node=\"0\">Paire de coupes tasses anciennes en m\u00e9tal argent\u00e9 et marbre vert \u2014 de style Empire<\/b><\/h3>\n<p data-path-to-node=\"43\">Une pr\u00e9cieuse et importante paire de coupes sur\u00e9lev\u00e9es, dites &#8220;tazzas&#8221; ou coupelles de surtout, du milieu du XXe si\u00e8cle, ex\u00e9cut\u00e9e dans le go\u00fbt pur du n\u00e9oclassicisme europ\u00e9en (<i data-path-to-node=\"43\" data-index-in-node=\"175\">antique silver footed tazza marble base pair<\/i>). Les vasques ovales et les pi\u00e9douches pr\u00e9sentent un magnifique d\u00e9cor en relief de godrons rayonnants et de rangs de perles, caract\u00e9ristiques de l&#8217;orf\u00e8vrerie de style <b data-path-to-node=\"43\" data-index-in-node=\"387\">Empire<\/b>. Les bordures se prolongent de part et d&#8217;autre par deux importantes anses de pr\u00e9hension ajour\u00e9es \u00e0 enroulements de volutes et de feuillages d&#8217;acanthe d&#8217;une belle nettet\u00e9. Chaque coupe s&#8217;\u00e9l\u00e8ve sur un \u00e9pais socle carr\u00e9 en marbre vert de mer au poli parfait, laissant transpara\u00eetre un riche r\u00e9seau de veines calcaires claires. La face inf\u00e9rieure est munie de son feutre rouge d&#8217;origine pour prot\u00e9ger les meubles. Cette paire de prestige, id\u00e9ale pour garnir sym\u00e9triquement une chemin\u00e9e ou un buffet, est dans un \u00e9tat de conservation exceptionnel, le m\u00e9tal arborant une patine ancienne lumineuse. L&#8217;\u00e9tat de l&#8217;objet est pleinement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<p data-path-to-node=\"44\"><b data-path-to-node=\"44\" data-index-in-node=\"0\"><i data-path-to-node=\"44\" data-index-in-node=\"0\">Instantan\u00e9 de l&#8217;\u00e9poque :<\/i><\/b> <i data-path-to-node=\"44\" data-index-in-node=\"25\">Le compositeur Jacques Offenbach (Jacques Offenbach) marchait lentement dans le salon lumineux de son appartement parisien, fredonnant doucement le th\u00e8me d&#8217;un air de sa prochaine op\u00e9rette. Son regard s&#8217;arr\u00eata un instant sur le dessus de la chemin\u00e9e, l\u00e0 o\u00f9 les deux coupes argent\u00e9es sur leurs lourds socles en marbre vert reposaient comme un jeu de lignes sym\u00e9trique et rigoureux sous la lumi\u00e8re d&#8217;apr\u00e8s-midi. La surface m\u00e9tallique polie miroitait dans une teinte chaude, contrastant avec les motifs d&#8217;acanthe riches des anses qui s&#8217;\u00e9levaient avec force sur les marlis godronn\u00e9s. Le tintement discret des verres en cristal, le tic-tac de la pendule et les bruits h\u00e2tifs d&#8217;une plume d&#8217;oie au loin se fondaient en un seul flux, et ces deux objets solides transformaient instantan\u00e9ment un instant ordinaire en un rituel intemporel et noble.<\/i><\/p>\n<p data-path-to-node=\"46\">\ud83c\udde9\ud83c\uddf0 <b data-path-to-node=\"46\" data-index-in-node=\"5\">DANISH BLOCK<\/b><\/p>\n<p data-path-to-node=\"47\">H\u00f8jde \u2014 18 cm L\u00e6ngde \u2014 29 cm Bredde \u2014 20,5 cm Marmorsokkel \u2014 14 cm<\/p>\n<h3 data-path-to-node=\"48\"><b data-path-to-node=\"48\" data-index-in-node=\"0\">Par antikke s\u00f8lvpletteret opsatssk\u00e5le p\u00e5 gr\u00f8n marmorfod \u2014 i Empire-stil<\/b><\/h3>\n<p data-path-to-node=\"49\">Dette par identiske serveringssk\u00e5le (tazza-sk\u00e5le) fra midten af det 20. \u00e5rhundrede pr\u00e6senterer sig med klassisk symmetri og herreg\u00e5rds-sk\u00f8nhed (<i data-path-to-node=\"49\" data-index-in-node=\"144\">antique silver footed tazza marble base pair<\/i>). Sk\u00e5lenes stel er belagt med en kraftig s\u00f8lvplettering, pyntet med en oml\u00f8bende kanneleret bort (godroner) og fine perlestave langs kanten og foden. Siderne er udstyret med to kraftige gennembrudte h\u00e5ndtag dekoreret med rige relieffer af akantusblade og volutter i ren <b data-path-to-node=\"49\" data-index-in-node=\"459\">klassicistisk<\/b> tradition. Hver sk\u00e5l hviler p\u00e5 en tung, kvadratisk sokkel af massivt poleret m\u00f8rkegr\u00f8nt marmor med fantastiske lyse \u00e5retegninger. Undersiden er monteret med r\u00f8dt fl\u00f8jl for at beskytte bordpladen. Dette par vil udg\u00f8re et aristokratisk midtpunkt p\u00e5 et d\u00e6kket bord eller placeret simetrisk p\u00e5 en kaminhylde. Fremst\u00e5r i perfekt stand med en flot alderspatina i s\u00f8lvoverfladen. Genstandens tilstand er fuldt ud gengivet p\u00e5 fotografierne.<\/p>\n<p data-path-to-node=\"50\"><b data-path-to-node=\"50\" data-index-in-node=\"0\"><i data-path-to-node=\"50\" data-index-in-node=\"0\">\u00d8jebliksbillede fra epoken:<\/i><\/b> <i data-path-to-node=\"50\" data-index-in-node=\"28\">Komponisten Jacques Offenbach (Jacques Offenbach) gik langsomt hen over gulvet i sin lyse parisiske salon, mens han overvejede opbygningen af sin kommende operette. Hans fingre standsede et \u00f8jeblik p\u00e5 kaminhylden, vvor de to s\u00f8lvfarvede tazza-sk\u00e5le p\u00e5 tunge gr\u00f8nne marmorsokler stod som et strengt og symmetrisk linjespil i eftermiddagslyset. Den glatte overflade p\u00e5 metallen glimtede i en varm nuance og dannede en smuk kontrast til de massive akantush\u00e5ndtag, der stod markant frem over de kannelerede kanter. Den stille klirren fra krystalglas, urets tikken og den fjerne skraben fra en skrivefjer smeltede sammen til en enkelt str\u00f8m, og disse to solide genstande forvandlede \u00f8jeblikkeligt et hverdagsagtigt \u00f8jeblik til et rent og \u00e6delt ritual.<\/i><\/p>\n<p data-path-to-node=\"52\">\ud83c\uddf8\ud83c\uddea <b data-path-to-node=\"52\" data-index-in-node=\"5\">SWEDISH BLOCK<\/b><\/p>\n<p data-path-to-node=\"53\">Bredd \u2014 20,5 cm L\u00e4ngd \u2014 29 cm H\u00f6jd \u2014 18 cm Marmorbas \u2014 14 cm<\/p>\n<h3 data-path-to-node=\"54\"><b data-path-to-node=\"54\" data-index-in-node=\"0\">Par antika f\u00f6rsilvrade tazzask\u00e5lar p\u00e5 gr\u00f6n marmorfot \u2014 i Empirestil<\/b><\/h3>\n<p data-path-to-node=\"55\">Ett symmetriskt par identiska sk\u00e5lar p\u00e5 fot (tazzor eller kompottsk\u00e5lar) fr\u00e5n mitten av 1900-talet, utf\u00f6rda i en p\u00e5kostad nyklassicistisk <b data-path-to-node=\"55\" data-index-in-node=\"138\">Empire-stil<\/b> (<i data-path-to-node=\"55\" data-index-in-node=\"151\">antique silver footed tazza marble base pair<\/i>). Sk\u00e5larna och de kannelerade pelarf\u00f6tterna \u00e4r t\u00e4ckta av ett h\u00f6gklassigt silverf\u00e4rgat skikt prytt med klassiska godronb\u00e5rder och perlst\u00e4nger l\u00e4ngs kanten. Kortsidorna pryds av JavaScript tv\u00e5 helt integrerade genombrutna handtag med rika reliefer av akantusblad och dekorativa voluter. Varje sk\u00e5l vilar stadigt p\u00e5 en tjock, kvadratisk sockel av solid polerad m\u00f6rkgr\u00f6n marmor med framtr\u00e4dande ljusa \u00e5dringar. Undersidan \u00e4r kl\u00e4dd med r\u00f6d sammet f\u00f6r optimalt skydd av underlaget. Detta unika par var avsett f\u00f6r symmetrisk placering p\u00e5 spiselkransen eller buff\u00e9n. Mycket gott antikskick med en vackert \u00e5ldrad originalpatina i reliefferna. F\u00f6rem\u00e5lets skick \u00e5terges fullst\u00e4ndigt p\u00e5 fotografierna.<\/p>\n<p data-path-to-node=\"56\"><b data-path-to-node=\"56\" data-index-in-node=\"0\"><i data-path-to-node=\"56\" data-index-in-node=\"0\">\u00d6gonblicksbild fr\u00e5n jugendtiden:<\/i><\/b> <i data-path-to-node=\"56\" data-index-in-node=\"33\">Komposit\u00f6ren Jacques Offenbach (Jacques Offenbach) gick l\u00e5ngsamt \u00f6ver mattan i sitt ljusa parisiska salong och nynnade tyst p\u00e5 temat till une aria fr\u00e5n sin kommande operett. Hans blick fastnade vid de tv\u00e5 silverf\u00e4rgade tazzask\u00e5larna p\u00e5 tunga gr\u00f6na marmorbaser p\u00e5 spiselkransen, som stod som ett strengt och symmetriskt linjespel i eftermiddagssolen. Den gl\u00e4nsande metallytan skimrade i en varm nyans, i kontrast till de upph\u00f6jda akantushandtagen som reste sig tydligt \u00f6ver de godronerade kanterna. Det tysta klirrandet fr\u00e5n kristallglas, urets tickande och det avl\u00e4gsna skrapandet fr\u00e5n en skrivfj\u00e4der sm\u00e4lte samman till ett enda fl\u00f6de, och dessa tv\u00e5 gedigna f\u00f6rem\u00e5l f\u00f6rvandlade omedelbart \u00f6gonblicket till en tidl\u00f6s och \u00e4del ritual.<\/i><\/p>\n<p data-path-to-node=\"58\">\ud83c\uddf3\ud83c\uddf4 <b data-path-to-node=\"58\" data-index-in-node=\"5\">NORWEGIAN BLOCK<\/b><\/p>\n<p data-path-to-node=\"59\">Bredde \u2014 20,5 cm Lengde \u2014 29 cm H\u00f8yde \u2014 18 cm Marmorbase \u2014 14 cm<\/p>\n<h3 data-path-to-node=\"60\"><b data-path-to-node=\"60\" data-index-in-node=\"0\">Par antikke s\u00f8lvplett-tazzask\u00e5ler p\u00e5 gr\u00f8nn marmorfot \u2014 i Empire-stil<\/b><\/h3>\n<p data-path-to-node=\"61\">Dette er et symmetrisk og elegant par identiske oppsatsstativ (tazza-sk\u00e5ler) fra midten av 1900-tallet, utf\u00f8rt i en rik nyklassisistisk <b data-path-to-node=\"61\" data-index-in-node=\"136\">Empire<\/b>-tradisjon (<i data-path-to-node=\"61\" data-index-in-node=\"154\">antique silver footed tazza marble base pair<\/i>). Sk\u00e5lenes overflate og rillede faste f\u00f6tter har et f\u00f8rsteklasses s\u00f8lvplett-kl\u00e6de prydet med repeterende godronborter og perlestave langs kanten. Sidene l\u00f8per elegant ut i to gennembrutte h\u00e5ndtak dekket med relieffer av akantusblader og fine volutter. Hver sk\u00e5l hviler p\u00e5 en tung, kvadratisk sokkel av solid polerit m\u00f8rkegr\u00f8nn marmor med nydelige lysere \u00e5retegninger. Undersiden har beholdt sin originale r\u00f8de fl\u00f8yelsbeskyttelse for optimal beskyttelse. Dette paret gj\u00f8r seg utmerket plassert simetrisk p\u00e5 en kaminhylle. Fremst\u00e5r i utmerket antikk stand. Gjenstandens tilstand er fullstendig gjengitt p\u00e5 fotografiene.<\/p>\n<p data-path-to-node=\"62\"><b data-path-to-node=\"62\" data-index-in-node=\"0\"><i data-path-to-node=\"62\" data-index-in-node=\"0\">\u00d8yeblikksbilde fra jugendtiden:<\/i><\/b> <i data-path-to-node=\"62\" data-index-in-node=\"32\">Komponisten Jacques Offenbach (Jacques Offenbach) gikk langsomt over teppet i sitt lyse arbeidsrom i sin parisiske leilighet og overveide oppbygningen av sin kommende operette. Hans blikk dvelte et \u00f8yeblikk ved kaminhyllen, der de to s\u00f8lvfargede tazza-sk\u00e5lene p\u00e5 tunge gr\u00f8nne marmorsokler stod som et strengt og symmetrisk linjespil i ettermiddagslyset. Den glatte overflaten p\u00e5 metallen glimtet i une varm nyanse og dannet en vakker kontrast til de massive akantush\u00e5ndtakene som stod markant frem over de rillede kantene. Den stille klirringen fra krystalglass, urets tikking og den fjerne skrapingen fra en skrivepenn smeltet sammen med tanker\u00e6kken, og disse to solide gjenstandene forvandlet \u00f8yeblikkelig \u00f8yeblikket til et rent og edelt ritual.<\/i><\/p>\n<p data-path-to-node=\"64\">\ud83c\uddeb\ud83c\uddee <b data-path-to-node=\"64\" data-index-in-node=\"5\">FINNISH BLOCK<\/b><\/p>\n<p data-path-to-node=\"65\">Korkeus \u2014 18 cm Pituus \u2014 29 cm Leveys \u2014 20,5 cm Marmorijalusta \u2014 14 cm<\/p>\n<h3 data-path-to-node=\"66\"><b data-path-to-node=\"66\" data-index-in-node=\"0\">Antiikkinen hopeoitu tazza-kulhapari vihre\u00e4ll\u00e4 marmorijalustalla \u2014 Ampiirityyli\u00e4<\/b><\/h3>\n<p data-path-to-node=\"67\">Eritt\u00e4in hienostunut ja koristeellinen kahden samanlaisen maljan (tazzan) muodostama parisarja, joka edustaa eurooppalaista <b data-path-to-node=\"67\" data-index-in-node=\"124\">ampiirityylist\u00e4<\/b> muotokielt\u00e4 kauneimmillaan (<i data-path-to-node=\"67\" data-index-in-node=\"168\">antique silver footed tazza marble base pair<\/i>). Maljat ja niiden pystyrihlatut jalkaosat on pinnoitettu paksulla hopeoinnilla, jota kiert\u00e4\u00e4 perinteinen uritettu kohokuviointi (godronit) ja helmireunus. Sivuilla on kaksi upeaa avointa valukahvaa, joita korostavat akantuksenlehti- ja voluuttakierteet. Jokainen malja lep\u00e4\u00e4 tukevasti paksulla, neli\u00f6nmuotoisella jalustalla, joka on leikattu massiivisesta tummanvihre\u00e4st\u00e4 marmorista vaaleine kalsiittisuonineen. Jalustan pohja on vuorattu punaisella sametilla huonekalujen pintojen suojaamiseksi. T\u00e4m\u00e4 parisarja on suunniteltu symmetriseen esillepanoon esimerkiksi takanreunalle tai buffet-p\u00f6yd\u00e4lle. Astiat ovat eritt\u00e4in hienossa kunnossa, ja niiss\u00e4 on upea vanha patina. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n<p data-path-to-node=\"68\"><b data-path-to-node=\"68\" data-index-in-node=\"0\"><i data-path-to-node=\"68\" data-index-in-node=\"0\">Ajan tunnelma:<\/i><\/b> <i data-path-to-node=\"68\" data-index-in-node=\"15\">S\u00e4velt\u00e4j\u00e4 Jacques Offenbach (Jacques Offenbach) k\u00e4veli hitaasti pariisilaisasuntonsa valoisassa salongissa ja hyr\u00e4ili hiljaa aarian teemaa tulevasta operetistaan. H\u00e4nen katseensa pys\u00e4htyi hetkeksi takanreunalle, miss\u00e4 molemmat hopeiset tazza-maljat raskailla vihreill\u00e4 marmorijalustoillaan seisoivat symmetrisen\u00e4 viivojen leikkin\u00e4 iltap\u00e4iv\u00e4n auringonvalossa. Kiillotetun metallin pinta kimmelsi l\u00e4mpim\u00e4ss\u00e4 s\u00e4vyss\u00e4, asettuen vastakkain massiivisten akantuslehtikahvojen kanssa, jotka kohosivat vankasti rihlattujen reunojen yl\u00e4puolelle. Kristallilasien hiljainen kilin\u00e4, kellon tikitys ja sulkakyn\u00e4n kaukainen raapustus sulautuivat ajatusten virtaan, ja n\u00e4m\u00e4 kaksi vankkaa esinett\u00e4 muuttivat silm\u00e4nr\u00e4p\u00e4yksess\u00e4 arkisen hetken osaksi ajatonta ja ylev\u00e4\u00e4 kauneuden rituaalia.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Elegants un t\u0113lnieciski izteiksm\u012bgs divu sudrabotu galda trauku-tazu p\u0101ris (antique silver footed tazza marble base pair) uz smag\u0101m, za\u013c\u0101 marmora pamatn\u0113m, ko rot\u0101 klasiski rievoti dekori un mas\u012bvi barok\u0101li rokturi (5277).<\/p>\n","protected":false},"featured_media":31266,"template":"","meta":[],"product_brand":[],"product_cat":[242,211,204],"product_tag":[],"class_list":["post-31265","product","type-product","status-publish","has-post-thumbnail","product_cat-glabasanas-trauki","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/31265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/31266"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=31265"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=31265"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=31265"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=31265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}