{"id":31163,"date":"2024-11-21T21:34:27","date_gmt":"2024-11-21T19:34:27","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=31163"},"modified":"2026-09-08T01:07:34","modified_gmt":"2026-09-07T22:07:34","slug":"5264","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5264\/","title":{"rendered":"Ant\u012bka stila dekorat\u012bv\u0101 papl\u0101te ar stiklu \u2014 Luija XV stil\u0101 (antique silver glass mirror tray platter) (5264)"},"content":{"rendered":"<p data-path-to-node=\"8\">\ud83c\uddf1\ud83c\uddfb <b data-path-to-node=\"8\" data-index-in-node=\"5\">LATVIE\u0160U VALODAS BLOKS<\/b><\/p>\n<p data-path-to-node=\"9\">Izm\u0113ri: Garums \u2014 46,5 cm Platums \u2014 22 cm Augstums \u2014 9 cm<\/p>\n<p data-path-to-node=\"10\"><b data-path-to-node=\"10\" data-index-in-node=\"0\">Ant\u012bka stila sudraba kr\u0101sas met\u0101la papl\u0101te ar stikla virsmu<\/b><\/p>\n<p data-path-to-node=\"11\">Elegants, vid\u0113ja izm\u0113ra un vizu\u0101li viegls tualetes vai viesistabas galda aksesu\u0101rs \u2014 ov\u0101las kont\u016bras prezent\u0101cijas un serv\u0113jam\u0101 papl\u0101te (<i data-path-to-node=\"11\" data-index-in-node=\"137\">antique silver glass mirror tray platter<\/i>). Priek\u0161meta neso\u0161o r\u0101mi veido kr\u0101\u0161\u0146s, reljefs un detaliz\u0113ts sudraba kr\u0101sas met\u0101la (patin\u0113ta baltmet\u0101la vai alvas sakaus\u0113juma) l\u0113jums, kas ietur\u0113ts dinamisk\u0101 Luija XV stila (rokoko) est\u0113tik\u0101. R\u0101mja carskas da\u013cu un abus paceltos, izliektos s\u0101nu rokturus rot\u0101 vij\u012bgas akanta lapu cirtas, integr\u0113ti dabas mot\u012bvi un reljefi ziedu pumpuri (redzams att\u0113l\u0101 IMG_9097.jpeg un IMG_9098.jpeg). Papl\u0101tes gar\u0101ko malu centros ir iestr\u0101d\u0101ti izteiksm\u012bgi barok\u0101li maskaroni (sejas\/masku mot\u012bvi) ar klasisku glieme\u017ev\u0101ku (<i data-path-to-node=\"11\" data-index-in-node=\"681\">rocaille<\/i>) kron\u0113jumu (skat\u012bt IMG_9100.jpeg). Papl\u0101tes vid\u016b ir neman\u0101mi ievietota gluda, caursp\u012bd\u012bga stikla plakne, kas vizu\u0101li neapgr\u016btina priek\u0161metu, bet apak\u0161pus\u0113 ir nostiprin\u0101ta ar dro\u0161iem, ori\u0123in\u0101liem met\u0101la klip\u0161iem un skav\u0101m (konstrukcija redzama IMG_9108.jpeg). Visu kompoz\u012bciju balsta \u010detras skulptur\u0101li izliektas kabriola tipa k\u0101ji\u0146as ar vol\u016btu nobeigumiem stabilit\u0101tei.<\/p>\n<p data-path-to-node=\"12\"><b data-path-to-node=\"12\" data-index-in-node=\"0\">Izgatavo\u0161anas periods<\/b> 20. gadsimta vidus. \u0160is priek\u0161mets veidots k\u0101 augstv\u0113rt\u012bga fran\u010du 18. gadsimta v\u0113sturisk\u0101 rokoko dizaina un tualetes galdi\u0146u kult\u016bras formu interpret\u0101cija.<\/p>\n<p data-path-to-node=\"13\"><b data-path-to-node=\"13\" data-index-in-node=\"0\">Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> M\u0113be\u013cu un galda piederumu aksesu\u0101rs p\u0101rst\u0101v Rietumeiropas (visdr\u012bz\u0101k Francijas vai Be\u013c\u0123ijas) dekorat\u012bv\u0101s m\u0101kslas darbn\u012bcu sniegumu, kas specializ\u0113j\u0101s stiliz\u0113tu met\u0101la un stikla interjera elementu ra\u017eo\u0161an\u0101. Konkr\u0113tas meistara proves vai manufakt\u016bras z\u012bmogi uz met\u0101la r\u0101mja iek\u0161\u0113j\u0101m rib\u0101m nav saglab\u0101ju\u0161ies.<\/p>\n<p data-path-to-node=\"14\"><b data-path-to-node=\"14\" data-index-in-node=\"0\">Retums un noz\u012bme<\/b> \u0160\u0101da veida sudrabota vai sudraba ton\u0113juma met\u0101la papl\u0101tes ar caursp\u012bd\u012bgu stikla ieliktni, nevis koka vai spogu\u013ca pamatni, ir sal\u012bdzino\u0161i ret\u0101k sastopamas. To m\u0101ksliniecisk\u0101 v\u0113rt\u012bba sl\u0113pjas meistar\u012bgi patin\u0113taj\u0101 r\u0101m\u012b \u2014 tum\u0161\u0101kie oksid\u0101cijas laukumi padzi\u013cin\u0101jumos rada sp\u0113c\u012bgu tr\u012bsdimensiju kontrastu ar met\u0101la sp\u012bd\u012bgaj\u0101m reljefa \u0161\u0137autn\u0113m, p\u0101rv\u0113r\u0161ot papl\u0101ti par patst\u0101v\u012bgu dizaina elementu.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Pielietojums<\/b> Papl\u0101te ir piln\u012bb\u0101 funkcion\u0101la un teicami kalpo uz tualetes galdi\u0146a budu\u0101r\u0101 smar\u017eu pudel\u012b\u0161u, kosmetolo\u0123ijas trauku vai rotaslietu izvieto\u0161anai. T\u0101pat to var izmantot viesistab\u0101 vai salon\u0101 k\u0101 greznu pamatni ant\u012bkas krist\u0101la karafes, v\u012bna gl\u0101\u017eu vai nelielu sudraba sve\u010dturu pasnieg\u0161anai, ienesot telp\u0101 historisma un klasisku namu noska\u0146u.<\/p>\n<p data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">St\u0101voklis<\/b> \u013boti lab\u0101 ant\u012bk\u0101 saglab\u0101t\u012bb\u0101. Mas\u012bvais met\u0101la r\u0101mis un rokturi ir piln\u012bgi stingri, stabili, bez plais\u0101m vai restaur\u0101cijas paz\u012bm\u0113m. Uz sudrabot\u0101 met\u0101la virsmas ir dabiski saglab\u0101jusies kr\u0101\u0161\u0146a, dabiski izveidojusies un nevienm\u0113r\u012bga v\u0113sturisk\u0101 pat\u012bna, kas pastiprina priek\u0161meta vecumu un izce\u013c reljefa z\u012bm\u0113jumu dzi\u013cumu. Caursp\u012bd\u012bg\u0101 stikla virsma ir vesela, t\u012bra, bez robiem vai dzi\u013ciem skr\u0101p\u0113jumiem. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\"><i data-path-to-node=\"17\" data-index-in-node=\"0\">Laikmeta momentuz\u0146\u0113mums:<\/i><\/b> <i data-path-to-node=\"17\" data-index-in-node=\"25\">Komponists \u017daks Ofenbahs (Jacques Offenbach) l\u0113ni staig\u0101ja pa sava Par\u012bzes dz\u012bvok\u013ca gai\u0161o salonu, klusi dungodams topo\u0161\u0101s operetes operetes \u0101rijas mot\u012bvu. Vi\u0146a skatiens uz mirkli apst\u0101j\u0101s pie galda st\u016bra, kur sudrabaini zaigojo\u0161ais papl\u0101tes r\u0101mis k\u0101 nemirst\u012bga l\u012bniju sp\u0113le uztv\u0113ra p\u0113cpusdienas saules gaismu. Caursp\u012bd\u012bg\u0101 stikla plakne \u0161\u0137ita gais\u012bgi viegla, kontrast\u0113jot ar mas\u012bvajiem, lietajiem maskaronu mot\u012bviem un vij\u012bgajiem akanta lapu rokturiem, kas stingri pac\u0113l\u0101s virs kabriola k\u0101ji\u0146\u0101m. Klusa krist\u0101la gl\u0101\u017eu dzidr\u0101 \u0161\u0137indo\u0146a un steidz\u012bgas rakst\u0101msp spalvas ska\u0146as t\u0101lum\u0101 sapl\u016bda ar pils\u0113tas noska\u0146u aiz loga, un \u0161is priek\u0161mets, kur\u0101 met\u0101la smagums sastap\u0101s ar piln\u012bgu caursp\u012bd\u012bgumu, acumirkl\u012b p\u0101rv\u0113rta ikdieni\u0161\u0137o mirkli nemirst\u012bg\u0101 un c\u0113l\u0101 ritu\u0101l\u0101.<\/i><\/p>\n<p data-path-to-node=\"19\">\ud83c\uddf7\ud83c\uddfa <b data-path-to-node=\"19\" data-index-in-node=\"5\">\u0420\u0423\u0421\u0421\u041a\u0418\u0419 \u0411\u041b\u041e\u041a<\/b><\/p>\n<p data-path-to-node=\"20\">\u0414\u043b\u0438\u043d\u0430 \u2014 46,5 \u0441\u043c \u0428\u0438\u0440\u0438\u043d\u0430 \u2014 22 \u0441\u043c \u0412\u044b\u0441\u043e\u0442\u0430 \u2014 9 \u0441\u043c<\/p>\n<h3 data-path-to-node=\"21\"><b data-path-to-node=\"21\" data-index-in-node=\"0\">\u0410\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u043c\u0435\u0442\u0430\u043b\u043b\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043f\u043e\u0434\u043d\u043e\u0441 \u0441\u043e \u0441\u0442\u0435\u043a\u043b\u043e\u043c \u2014 \u0432 \u0441\u0442\u0438\u043b\u0435 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV<\/b><\/h3>\n<p data-path-to-node=\"22\">\u0418\u0437\u044f\u0449\u043d\u044b\u0439 \u0438 \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u043e \u043b\u0435\u0433\u043a\u0438\u0439 \u043e\u0432\u0430\u043b\u044c\u043d\u044b\u0439 \u0441\u0435\u0440\u0432\u0438\u0440\u043e\u0432\u043e\u0447\u043d\u044b\u0439 \u043f\u043e\u0434\u043d\u043e\u0441 \u0441\u0435\u0440\u0435\u0434\u0438\u043d\u044b 20 \u0432\u0435\u043a\u0430, \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u044b\u0439 \u0432 \u043b\u0443\u0447\u0448\u0438\u0445 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u0445 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044f\u0445 \u0441\u0442\u0438\u043b\u044f \u0440\u043e\u043a\u043e\u043a\u043e (<i data-path-to-node=\"22\" data-index-in-node=\"132\">antique silver-plated openwork basket tray<\/i>). \u041a\u0430\u0440\u043a\u0430\u0441 (\u0446\u0430\u0440\u0433\u0430) \u0438 \u0432\u044b\u0441\u043e\u043a\u0438\u0435 \u0438\u0437\u043e\u0433\u043d\u0443\u0442\u044b\u0435 \u0440\u0443\u0447\u043a\u0438 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 \u043e\u0442\u043b\u0438\u0442\u044b \u0438\u0437 \u0442\u044f\u0436\u0435\u043b\u043e\u0433\u043e \u0441\u043f\u043b\u0430\u0432\u0430 \u0441\u0435\u0440\u0435\u0431\u0440\u044f\u043d\u043e\u0433\u043e \u0446\u0432\u0435\u0442\u0430 (\u043f\u0430\u0442\u0438\u043d\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u043e\u0433\u043e \u0448\u043f\u0438\u0430\u0442\u0440\u0430 \u0438\u043b\u0438 \u043e\u043b\u043e\u0432\u0430) \u0438 \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u044b \u0441\u043b\u043e\u0436\u043d\u044b\u043c \u0444\u043b\u043e\u0440\u0430\u043b\u044c\u043d\u044b\u043c \u0440\u0435\u043b\u044c\u0435\u0444\u043e\u043c, \u0437\u0430\u0432\u0438\u0442\u043a\u0430\u043c\u0438 \u0430\u043a\u0430\u043d\u0442\u043e\u0432\u044b\u0445 \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0438 \u0431\u0443\u0442\u043e\u043d\u0430\u043c\u0438 \u0440\u043e\u0437. \u041f\u043e \u0446\u0435\u043d\u0442\u0440\u0430\u043c \u0434\u043b\u0438\u043d\u043d\u044b\u0445 \u0441\u0442\u043e\u0440\u043e\u043d \u043f\u043e\u0434\u043d\u043e\u0441\u0430 \u0440\u0430\u0441\u043f\u043e\u043b\u043e\u0436\u0435\u043d\u044b \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0435 \u0431\u0430\u0440\u043e\u0447\u043d\u044b\u0435 \u043c\u0430\u0441\u043a\u0430\u0440\u043e\u043d\u044b, \u0443\u0432\u0435\u043d\u0447\u0430\u043d\u043d\u044b\u0435 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u0438\u043c\u0438 \u0440\u043e\u043a\u0430\u0439\u043b\u044f\u043c\u0438. \u0412\u043d\u0443\u0442\u0440\u044c \u0440\u0430\u043c\u044b \u0438\u043d\u0442\u0435\u0433\u0440\u0438\u0440\u043e\u0432\u0430\u043d\u043e \u043f\u0440\u043e\u0437\u0440\u0430\u0447\u043d\u043e\u0435 \u0433\u043b\u0430\u0434\u043a\u043e\u0435 \u0441\u0442\u0435\u043a\u043b\u043e, \u0437\u0430\u043a\u0440\u0435\u043f\u043b\u0435\u043d\u043d\u043e\u0435 \u0441 \u043e\u0431\u0440\u0430\u0442\u043d\u043e\u0439 \u0441\u0442\u043e\u0440\u043e\u043d\u044b \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u043c\u0438 \u043c\u0435\u0442\u0430\u043b\u043b\u0438\u0447\u0435\u0441\u043a\u0438\u043c\u0438 \u043a\u043b\u0438\u043f\u0441\u0430\u043c\u0438-\u0444\u0438\u043a\u0441\u0430\u0442\u043e\u0440\u0430\u043c\u0438. \u041a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u044f \u043f\u0440\u043e\u0447\u043d\u043e \u043e\u043f\u0438\u0440\u0430\u0435\u0442\u0441\u044f \u043d\u0430 \u0447\u0435\u0442\u044b\u0440\u0435 \u0444\u0438\u0433\u0443\u0440\u043d\u044b\u0435 \u043d\u043e\u0436\u043a\u0438-\u043a\u0430\u0431\u0440\u0438\u043e\u043b\u0438 \u0441 \u0432\u043e\u043b\u044e\u0442\u0430\u043c\u0438. \u041f\u043e\u0434\u043e\u0431\u043d\u044b\u0435 \u043f\u043e\u0434\u043d\u043e\u0441\u044b \u0441\u043e \u0441\u0442\u0435\u043a\u043b\u044f\u043d\u043d\u044b\u043c \u0434\u043d\u043e\u043c \u0441\u043b\u0443\u0436\u0438\u043b\u0438 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u044b\u043c \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u0438\u0435\u043c \u0434\u0430\u043c\u0441\u043a\u0438\u0445 \u0431\u0443\u0434\u0443\u0430\u0440\u043e\u0432 \u0438 \u0433\u043e\u0441\u0442\u0438\u043d\u044b\u0445 \u0434\u043b\u044f \u0440\u0430\u0437\u043c\u0435\u0449\u0435\u043d\u0438\u044f \u0444\u043b\u0430\u043a\u043e\u043d\u043e\u0432 \u0434\u0443\u0445\u043e\u0432 \u0438\u043b\u0438 \u0445\u0440\u0443\u0441\u0442\u0430\u043b\u044c\u043d\u044b\u0445 \u0433\u0440\u0430\u0444\u0438\u043d\u043e\u0432. \u0418\u0437\u0434\u0435\u043b\u0438\u0435 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u043e\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u0439 \u0441\u043e\u0445\u0440\u0430\u043d\u043d\u043e\u0441\u0442\u0438, \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u0430\u044f \u043d\u0435\u0440\u0430\u0432\u043d\u043e\u043c\u0435\u0440\u043d\u0430\u044f \u043f\u0430\u0442\u0438\u043d\u0430 \u0432\u044b\u0433\u043e\u0434\u043d\u043e \u043f\u043e\u0434\u0447\u0435\u0440\u043a\u0438\u0432\u0430\u0435\u0442 \u0433\u043b\u0443\u0431\u0438\u043d\u0443 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u043b\u0438\u0442\u044c\u044f. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"23\"><b data-path-to-node=\"23\" data-index-in-node=\"0\"><i data-path-to-node=\"23\" data-index-in-node=\"0\">\u0421\u043d\u0438\u043c\u043e\u043a \u0432 \u0441\u0442\u0438\u043b\u0435 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV:<\/i><\/b> <i data-path-to-node=\"23\" data-index-in-node=\"28\">\u041a\u043e\u043c\u043f\u043e\u0437\u0438\u0442\u043e\u0440 \u0416\u0430\u043a \u041e\u0444\u0444\u0435\u043d\u0431\u0430\u0445 (Jacques Offenbach) \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u043e \u043f\u0440\u043e\u0445\u0430\u0436\u0438\u0432\u0430\u043b\u0441\u044f \u043f\u043e \u0441\u0432\u0435\u0442\u043b\u043e\u043c\u0443 \u0441\u0430\u043b\u043e\u043d\u0443 \u0441\u0432\u043e\u0435\u0439 \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u043e\u0439 \u043a\u0432\u0430\u0440\u0442\u0438\u0440\u044b, \u0442\u0438\u0445\u043e \u043d\u0430\u043f\u0435\u0432\u0430\u044f \u043c\u043e\u0442\u0438\u0432 \u0430\u0440\u0438\u0438 \u0438\u0437 \u043d\u043e\u0432\u043e\u0439 \u043e\u043f\u0435\u0440\u0435\u0442\u0442\u044b. \u0415\u0433\u043e \u0432\u0437\u0433\u043b\u044f\u0434 \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u043e\u0441\u0442\u0430\u043d\u043e\u0432\u0438\u043b\u0441\u044f \u043d\u0430 \u0443\u0433\u043b\u0443 \u0441\u0442\u043e\u043b\u0430, \u0433\u0434\u0435 \u0441\u0435\u0440\u0435\u0431\u0440\u0438\u0441\u0442\u044b\u0439 \u043c\u0435\u0442\u0430\u043b\u043b\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043a\u0430\u0440\u043a\u0430\u0441 \u043f\u043e\u0434\u043d\u043e\u0441\u0430, \u0441\u043b\u043e\u0432\u043d\u043e \u0437\u0430\u0441\u0442\u044b\u0432\u0448\u0430\u044f \u0438\u0433\u0440\u0430 \u043b\u0438\u043d\u0438\u0439, \u043b\u043e\u0432\u0438\u043b \u043b\u0443\u0447\u0438 \u043f\u043e\u0441\u043b\u0435\u043f\u043e\u043b\u0443\u0434\u0435\u043d\u043d\u043e\u0433\u043e \u0441\u043e\u043b\u043d\u0446\u0430. \u041f\u0440\u043e\u0437\u0440\u0430\u0447\u043d\u0430\u044f \u0441\u0442\u0435\u043a\u043b\u044f\u043d\u043d\u0430\u044f \u043f\u043b\u043e\u0441\u043a\u043e\u0441\u0442\u044c \u043a\u0430\u0437\u0430\u043b\u0430\u0441\u044c \u0432\u043e\u0437\u0434\u0443\u0448\u043d\u043e\u0439, \u043a\u043e\u043d\u0442\u0440\u0430\u0441\u0442\u0438\u0440\u0443\u044f \u0441 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u044b\u043c\u0438 \u043b\u0438\u0442\u044b\u043c\u0438 \u043c\u0430\u0441\u043a\u0430\u0440\u043e\u043d\u0430\u043c\u0438 \u0438 \u0432\u0438\u0442\u044b\u043c\u0438 \u0440\u0443\u0447\u043a\u0430\u043c\u0438, \u043f\u0440\u043e\u0447\u043d\u043e \u0432\u043e\u0437\u0432\u044b\u0448\u0430\u0432\u0448\u0438\u043c\u0438\u0441\u044f \u043d\u0430 \u0438\u0437\u043e\u0433\u043d\u0443\u0442\u044b\u0445 \u043d\u043e\u0436\u043a\u0430\u0445. \u0422\u0438\u0445\u0438\u0439 \u0437\u0432\u043e\u043d \u0445\u0440\u0443\u0441\u0442\u0430\u043b\u044c\u043d\u044b\u0445 \u0431\u043e\u043a\u0430\u043b\u043e\u0432 \u0438 \u0441\u043a\u0440\u0438\u043f \u043f\u0435\u0440\u044c\u0435\u0432\u043e\u0439 \u0440\u0443\u0447\u043a\u0438 \u0432\u0434\u0430\u043b\u0438 \u0441\u043b\u0438\u0432\u0430\u043b\u0438\u0441\u044c \u0441 \u0448\u0443\u043c\u043e\u043c \u0433\u043e\u0440\u043e\u0434\u0430 \u0437\u0430 \u043e\u043a\u043d\u043e\u043c, \u0438 \u044d\u0442\u043e\u0442 \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u044b\u0439 \u043f\u0440\u0435\u0434\u043c\u0435\u0442, \u0432 \u043a\u043e\u0442\u043e\u0440\u043e\u043c \u043e\u0441\u043d\u043e\u0432\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0441\u0442\u044c \u043c\u0435\u0442\u0430\u043b\u043b\u0430 \u0441\u043e\u0447\u0435\u0442\u0430\u043b\u0430\u0441\u044c \u0441 \u0430\u0431\u0441\u043e\u043b\u044e\u0442\u043d\u043e\u0439 \u043f\u0440\u043e\u0437\u0440\u0430\u0447\u043d\u043e\u0441\u0442\u044c\u044e, \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u043d\u043e \u043f\u0440\u0435\u0432\u0440\u0430\u0449\u0430\u043b \u043e\u0431\u044b\u0434\u0435\u043d\u043d\u044b\u0439 \u043c\u043e\u043c\u0435\u043d\u0442 \u0432 \u0431\u0435\u0441\u0441\u043c\u0435\u0440\u0442\u043d\u044b\u0439 \u0438 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u0439 \u0440\u0438\u0442\u0443\u0430\u043b.<\/i><\/p>\n<p data-path-to-node=\"25\">\ud83c\uddec\ud83c\udde7 <b data-path-to-node=\"25\" data-index-in-node=\"5\">ENGLISH BLOCK<\/b><\/p>\n<p data-path-to-node=\"26\">Length \u2014 46.5 cm Width \u2014 22 cm Height \u2014 9 cm<\/p>\n<h2 data-path-to-node=\"27\"><b data-path-to-node=\"27\" data-index-in-node=\"0\">Antiquarian Silver-Toned Metal Tray with Clear Glass Base \u2014 Louis XV Style<\/b><\/h2>\n<p data-path-to-node=\"28\">This exceptional mid-20th-century French style low presentation platter is a definitive statement of grand architectural luxury, highlighting a fully cast silver-toned heavy frame and a clear glass inset (<i data-path-to-node=\"28\" data-index-in-node=\"205\">antique silver glass mirror tray platter<\/i>). The substantial frame is meticulously cast directly from heavy alloy metal, presenting an intricate, deep-relief decoration of acanthus foliage scrolls, integrated rosebuds, and traditional rococo scrolls (<i data-path-to-node=\"28\" data-index-in-node=\"454\">rocaille<\/i>). Prominently featured on the center borders are two highly detailed baroque mascarons (face masks) emerging beneath stylized shell cartouches. The structure is supported by four sinuous <i data-path-to-node=\"28\" data-index-in-node=\"650\">cabriole<\/i> legs embellished with high-relief botanical details at the knees, terminating in elegant scrolled volute feet. The interior houses a clear, thick glass panel securely fastened on the reverse with original industrial metal retention clips and stabilization rods. Bringing an authentic touch of Parisian high-society elegance to a dressing table or executive sideboard, this heavy furniture-weight tray displays a gorgeously aged genuine historic patina across the metalwork. The condition of the item is fully reflected in the photographs.<\/p>\n<p data-path-to-node=\"29\"><b data-path-to-node=\"29\" data-index-in-node=\"0\"><i data-path-to-node=\"29\" data-index-in-node=\"0\">Louis XV Style snapshot:<\/i><\/b> <i data-path-to-node=\"29\" data-index-in-node=\"25\">The composer Jacques Offenbach (Jacques Offenbach) slowly walked through the bright salon of his Parisian apartment, quietly humming the theme of an aria from his upcoming operetta. His gaze stopped for a moment on the table&#8217;s edge, where the silver-toned metal frame of the tray, like a frozen interplay of lines, caught the final reflections of the afternoon sun. The clear glass plane felt airily weightless, contrasting with the massive cast mascarons and the sweeping acanthus handles that rose significantly over the cabriole legs. The quiet clinking of crystal glasses and hurried sounds of a quill pen in the distance merged with the city&#8217;s mood outside the window, and this refined object, where heavy metal met absolute transparency, instantly turned an ordinary moment into a timeless and noble ritual.<\/i><\/p>\n<p data-path-to-node=\"31\">\ud83c\udde9\ud83c\uddea <b data-path-to-node=\"31\" data-index-in-node=\"5\">GERMAN BLOCK<\/b><\/p>\n<p data-path-to-node=\"32\">L\u00e4nge \u2014 46,5 cm Breite \u2014 22 cm H\u00f6he \u2014 9 cm<\/p>\n<h3 data-path-to-node=\"33\"><b data-path-to-node=\"33\" data-index-in-node=\"0\">Antikes Messing-Couchtisch mit schwerer gr\u00fcner Marmorplatte \u2014 im Louis-XV-Stil<\/b><\/h3>\n<p data-path-to-node=\"34\">Dieses hochelegante ovale Prunktablett aus der Mitte des 20. Jahrhunderts besticht durch seine noble Materialit\u00e4t und herrschaftliche Schwungf\u00fchrung (<i data-path-to-node=\"34\" data-index-in-node=\"150\">antique silver glass mirror tray platter<\/i>). Das tragende Untergestell und die zwei hochgezogenen Griffe sind vollst\u00e4ndig aus massivem, schwerem Metall im Silberton gegossen und mit einem detailreichen plastischen Relief aus Akanthusbl\u00e4ttern, Rosenknospen und asymmetrischen Rocaille-Muscheln verziert. Den gestalterischen Mittelpunkt der L\u00e4ngsseiten bilden zwei ausdrucksstarke barocke Maskaron-K\u00f6pfe unter reliefierten Muschelkartuschen. In den Rahmen ist eine dicke, vollkommen transparente Glasplatte b\u00fcndig eingelassen, die auf der Unterseite durch originale Metallklammern und Fixierstifte gesichert ist. Getragen wird die schwere Konstruktion von vier geschwungenen <i data-path-to-node=\"34\" data-index-in-node=\"821\">Cabriole<\/i>-Beinen, die in eleganten Volutenf\u00fc\u00dfen auslaufen. Dieses au\u00dfergew\u00f6hnliche Tablett f\u00fcgt sich harmonisch auf historischen Toilettentischen oder Buffets ein und verleiht jedem Salon eine aristokratische Note. Das exklusive St\u00fcck befindet sich in einem hervorragenden Erhaltungszustand mit herrlicher Alterspatina auf dem Guss. Der Zustand des Gegenstands ist vollst\u00e4ndig auf den Bildern wiedergegeben.<\/p>\n<p data-path-to-node=\"35\"><b data-path-to-node=\"35\" data-index-in-node=\"0\"><i data-path-to-node=\"35\" data-index-in-node=\"0\">Momentaufnahme der Louis-XV-Zeit:<\/i><\/b> <i data-path-to-node=\"35\" data-index-in-node=\"34\">Der Komponist Jacques Offenbach (Jacques Offenbach) ging langsam durch den hellen Salon seiner Pariser Wohnung und summte leise das Motiv einer Arie aus seiner neuen Operette. Sein Blick verweilte einen Moment auf der Tischkante, wo der silberne Metallrahmen des Tabletts wie ein erstarrtes Linienspiel die letzten Reflexe der Nachmittagssonne einfing. Die transparente Glasfl\u00e4che wirkte luftig leicht und bildete einen reizvollen Kontrast zu den massiven gegossenen Maskaronen und den geschwungenen Akanthusgriffen, die sich markant \u00fcber den Cabriole-Beinen erhoben. Das leise Klirren von Kristallgl\u00e4sern und das ferne Kratzen einer Schreibfeder verschmolzen mit dem Rauschen der Stadt vor dem Fenster, und dieser edle Gegenstand, bei dem sich die Schwere des Metalls mit absoluter Transparenz verband, machte einen gew\u00f6hnlichen Augenblick augenblicklich zu einem zeitlosen und edlen Ritual.<\/i><\/p>\n<p data-path-to-node=\"37\">\ud83c\uddeb\ud83c\uddf7 <b data-path-to-node=\"37\" data-index-in-node=\"5\">FRENCH BLOCK<\/b><\/p>\n<p data-path-to-node=\"38\">Longueur \u2014 46,5 cm Largeur \u2014 22 cm Hauteur \u2014 9 cm<\/p>\n<h3 data-path-to-node=\"39\"><b data-path-to-node=\"39\" data-index-in-node=\"0\">Table basse ancienne en laiton massif et marbre vert galb\u00e9 \u2014 de style Louis XV<\/b><\/h3>\n<p data-path-to-node=\"40\">Exceptionnel plateau de pr\u00e9sentation ovale mouvement\u00e9 du milieu du XXe si\u00e8cle, ex\u00e9cut\u00e9 dans le go\u00fbt pur de la rocaille parisienne (<i data-path-to-node=\"40\" data-index-in-node=\"131\">antique silver glass mirror tray platter<\/i>). La monture et les anses sur\u00e9lev\u00e9es, d&#8217;une grande lourdeur, sont enti\u00e8rement fondues dans un alliage m\u00e9tallique de couleur argent\u00e9e, par\u00e9es d&#8217;un d\u00e9cor en fort relief de rinceaux d&#8217;acanthe, de boutons de roses et de coquilles asym\u00e9triques (<i data-path-to-node=\"40\" data-index-in-node=\"412\">rocaille<\/i>). Les ceintures centrales se parent de deux spectaculaires mascarons baroques \u00e9mergeant sous des motifs de coquillages stylis\u00e9s. Le centre accueille une \u00e9paisse dalle de verre transparent, fix\u00e9e solidement au revers par des pattes et des clips m\u00e9talliques d&#8217;origine. La structure s&#8217;\u00e9l\u00e8ve sur quatre jambes cambr\u00e9es (<i data-path-to-node=\"40\" data-index-in-node=\"737\">cabriole<\/i>) se terminant par de d\u00e9licats pieds en volutes enroul\u00e9es. Ce plateau de salon ou de toilette, id\u00e9al pour accueillir des flacons de parfum ou une carafe en cristal, est dans un \u00e9tat de conservation remarquable, le m\u00e9tal arborant une patine ancienne profonde et le verre \u00e9tant exempt de tout accident. L&#8217;\u00e9tat de l&#8217;objet est pleinement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<p data-path-to-node=\"41\"><b data-path-to-node=\"41\" data-index-in-node=\"0\"><i data-path-to-node=\"41\" data-index-in-node=\"0\">Instantan\u00e9 de la p\u00e9riode Louis XV :<\/i><\/b> <i data-path-to-node=\"41\" data-index-in-node=\"36\">Le compositeur Jacques Offenbach (Jacques Offenbach) marchait lentement dans le salon lumineux de son appartement parisien, fredonnant doucement le th\u00e8me d&#8217;un air de sa prochaine op\u00e9rette. Son regard s&#8217;arr\u00eata un instant sur le bord de la table, l\u00e0 o\u00f9 le b\u00e2ti m\u00e9tallique argent\u00e9 du plateau, comme un jeu de lignes fig\u00e9, captait les derniers reflets du soleil d&#8217;apr\u00e8s-midi. Le plan de verre transparent semblait d&#8217;une l\u00e9g\u00e8ret\u00e9 a\u00e9rienne, contrastant avec les motifs de mascarons riches et les anses d&#8217;acanthe mouvement\u00e9es qui s&#8217;\u00e9levaient avec force sur les jambes cambr\u00e9es. Le tintement discret des verres en cristal et les bruits h\u00e2tifs d&#8217;une plume d&#8217;oie au loin se fondaient dans l&#8217;atmosph\u00e8re de la ville derri\u00e8re la fen\u00eatre, et cet objet raffin\u00e9, o\u00f9 le m\u00e9tal lourd \u00e9pousait la transparence absolue, transformait instantan\u00e9ment un instant ordinaire en un rituel intemporel et noble.<\/i><\/p>\n<p data-path-to-node=\"43\">\ud83c\udde9\ud83c\uddf0 <b data-path-to-node=\"43\" data-index-in-node=\"5\">DANISH BLOCK<\/b><\/p>\n<p data-path-to-node=\"44\">L\u00e6ngde \u2014 46,5 cm Bredde \u2014 22 cm H\u00f8jde \u2014 9 cm<\/p>\n<h3 data-path-to-node=\"45\"><b data-path-to-node=\"45\" data-index-in-node=\"0\">Antikt s\u00f8lfarvet metalbakke med gennemsigtig glasplade \u2014 i Louis XV-stil<\/b><\/h3>\n<p data-path-to-node=\"46\">Dette enest\u00e5ende og markante franske salon- og toilets\u00e6t-fad fra midten af det 20. \u00e5rhundrede pr\u00e6senterer sig med storsl\u00e5et rokoko-sk\u00f8nhed og enest\u00e5ende detaljerigdom (<i data-path-to-node=\"46\" data-index-in-node=\"168\">antique silver glass mirror tray platter<\/i>). Bordets stel og de to integrerede, svungne h\u00e5ndtag er fuldst\u00e6ndig st\u00f8bt i massivt, tungt s\u00f8lvfarvet metal (patineret hvidmetal eller tinlegering), pyntet med dybe relieffer af akantusblade, rosenknopper og asymmetriske muslingeskaller (<i data-path-to-node=\"46\" data-index-in-node=\"447\">rocaille<\/i>). Midt p\u00e5 bakkens langsider findes to udtryksfulde barokke maskaroner (ansigtsmasker) under fine reliefkartoucher. Indvendigt i rammen er der indlagt en tyk, helt gennemsigtig glasplade, som er sikkert fastgjort p\u00e5 undersiden med originale metalclips og holdest\u00e6nger. Stativet hviler p\u00e5 fire svungne <i data-path-to-node=\"46\" data-index-in-node=\"756\">cabriole<\/i>-ben, der afsluttes i elegante volutf\u00f8dder. Fremst\u00e5r i s\u00e6rdeles flot stand med en smuk, m\u00f8rk og velbevaret alderspatina i metalstellet, der giver en fantastisk dybde. Genstandens tilstand er fuldt ud gengivet p\u00e5 fotografierne.<\/p>\n<p data-path-to-node=\"47\"><b data-path-to-node=\"47\" data-index-in-node=\"0\"><i data-path-to-node=\"47\" data-index-in-node=\"0\">\u00d8jebliksbillede fra Louis XV-tiden:<\/i><\/b> <i data-path-to-node=\"47\" data-index-in-node=\"36\">Komponisten Jacques Offenbach (Jacques Offenbach) gik langsomt hen over gulvet i sin lyse parisiske salon, mens han stille nynnede temaet til en arie fra sin kommende operette. Hans fingre standsede et \u00f8jeblik p\u00e5 bordkanten, hvor bakkens s\u00f8lvfarvede metalstel som et fastfrosset linjespil fangede eftermiddagssolens sidste reflekser. Den gennemsigtige glasflade virkede gennemsigtig og let og dannede en smuk kontrast til de massive st\u00f8bte maskaroner og akantush\u00e5ndtagene, der stod markant frem over cabriole-benene. Den stille klirren fra krystalglas og den fjerne skraben fra en skrivefjer smeltede sammen med byens lyde uden for vinduet, og denne solide genstand, hvor metallets tyngde gik over i fuldst\u00e6ndig gennemsigtighed, gjorde \u00f8jeblikkeligt et hverdagsagtigt \u00f8jeblik til et rent og \u00e6delt ritual.<\/i><\/p>\n<p data-path-to-node=\"49\">\ud83c\uddf8\ud83c\uddea <b data-path-to-node=\"49\" data-index-in-node=\"5\">SWEDISH BLOCK<\/b><\/p>\n<p data-path-to-node=\"50\">L\u00e4ngd \u2014 46,5 cm Bredd \u2014 22 cm H\u00f6jd \u2014 9 cm<\/p>\n<h3 data-path-to-node=\"51\"><b data-path-to-node=\"51\" data-index-in-node=\"0\">Antik silverf\u00e4rgad metallbricka med transparent glasskiva \u2014 i Louis XV-stil<\/b><\/h3>\n<p data-path-to-node=\"52\">Ett utomordentligt magnifikt franskt salongs- och toalettbordsfat fr\u00e5n mitten av 1900-talet, utf\u00f6rt i en p\u00e5kostad och tung rokoko-arkitektur (<i data-path-to-node=\"52\" data-index-in-node=\"142\">antique silver glass mirror tray platter<\/i>). Underredet, sargen och de tv\u00e5 integrerade handtagen \u00e4r helt gjutna i solid, tung silverf\u00e4rgad metall (patinerad vitmetall eller tennlegering) med djupa reliefer av akantusslingor, rosenknoppar och asymmetriska sn\u00e4ckor (<i data-path-to-node=\"52\" data-index-in-node=\"404\">rocaille<\/i>). L\u00e5ngsidorna pryds av tv\u00e5 framtr\u00e4dande, uttrycksfulla barocka maskaroner (ansiktsmasker) under skulpturala musselkartuscher. Toppytan utg\u00f6rs av ett tjockt, helt transparent glas b\u00e4ndat och s\u00e4krat p\u00e5 undersidan med fasta originalmetallkl\u00e4mmor och monteringsstift. De fyra graci\u00f6sa <i data-path-to-node=\"52\" data-index-in-node=\"694\">cabriole<\/i>-benen avslutas i eleganta volutf\u00f6tter. Denna typ av tunga dekorationsbrickor tillf\u00f6r en aristokratisk atmosf\u00e4r till rummet och \u00e4r perfekt f\u00f6r parfymflaskor eller karaffer. Mycket gott skick med en vackert \u00e5ldrad originalpatina \u00f6ver hela gjutningen. F\u00f6rem\u00e5lets skick \u00e5terges fullst\u00e4ndigt p\u00e5 fotografierna.<\/p>\n<p data-path-to-node=\"53\"><b data-path-to-node=\"53\" data-index-in-node=\"0\"><i data-path-to-node=\"53\" data-index-in-node=\"0\">\u00d6gonblicksbild fr\u00e5n Louis XV-tiden:<\/i><\/b> <i data-path-to-node=\"53\" data-index-in-node=\"36\">Komposit\u00f6ren Jacques Offenbach (Jacques Offenbach) gick l\u00e5ngsamt \u00f6ver golvet i sin ljusa parisiska salong och nynnade tyst p\u00e5 temat till en aria fr\u00e5n sin kommande operett. Hans fingrar stannade ett \u00f6gonblick p\u00e5 bordskanten och k\u00e4nde hur brickans silverf\u00e4rgade metallunderrede, likt ett fruset linjespel, f\u00e5ngade eftermiddagssolens sista reflexer. Den transparenta glasytan k\u00e4ndes fj\u00e4derl\u00e4tt och kontrasterade mot underredets upph\u00f6jda maskaroner och akantushandtagen som reste sig tydligt \u00f6ver cabriole-benen. Det tysta klirrandet fr\u00e5n kristallglas och det avl\u00e4gsna skrapandet fr\u00e5n en skrivfj\u00e4der sm\u00e4lte samman med stadens brus utanf\u00f6r f\u00f6nstret, och detta gedigna f\u00f6rem\u00e5l, d\u00e4r tung metall \u00f6vergick i fullst\u00e4ndig transparens, f\u00f6rvandlade omedelbart ett vardagligt \u00f6gonblick till en tidl\u00f6s och \u00e4del ritual.<\/i><\/p>\n<p data-path-to-node=\"55\">\ud83c\uddf3\u00d8 <b data-path-to-node=\"55\" data-index-in-node=\"4\">NORWEGIAN BLOCK<\/b><\/p>\n<p data-path-to-node=\"56\">Lengde \u2014 46,5 cm Bredde \u2014 22 cm H\u00f8yde \u2014 9 cm<\/p>\n<h3 data-path-to-node=\"57\"><b data-path-to-node=\"57\" data-index-in-node=\"0\">Antikk s\u00f8lvfarget metallbrett med gjennomsiktig glass \u2014 i Louis XV-stil<\/b><\/h3>\n<p data-path-to-node=\"58\">Dette er et usedvanlig staselig, massivt og tungt fransk serveringsbrett fra midten av 1900-tallet, utf\u00f8rt i en rik og dekorativ rokoko-tradisjon (<i data-path-to-node=\"58\" data-index-in-node=\"147\">antique silver glass mirror tray platter<\/i>). Rammen, sargen og de to h\u00f8ye, integrerte h\u00e5ndtakene er fullstendig st\u00f8pt i solid, tung s\u00f8lvfarget metall (patinert hvitmetall eller tinnlegering) med dype relieffer av asymmetriske rokokko-skjell (<i data-path-to-node=\"58\" data-index-in-node=\"387\">rocaille<\/i>), rosenknopper og akantusblader. Sentralt p\u00e5 langsidene er det plassert to uttrykksfulle barokke maskaroner (ansiktsmasker) under elegante relieffkartusjer. Brettets midtpunkt er den tykke, helt gjennomsiktige glassplaten, som er sikkert festet p\u00e5 undersiden med originale metallklips og holdestifter. Stativet hviler p\u00e5 fire lave <i data-path-to-node=\"58\" data-index-in-node=\"727\">cabriole<\/i>-ben med volutter. Bordet fremst\u00e5r i utmerket antikk stand, konstruksjonen er helt stabil og metallet har en nydelig, m\u00f8rk og autentisk alderspatina i relieffdetaljene. Gjenstandens tilstand er fullstendig gjengitt p\u00e5 fotografiene.<\/p>\n<p data-path-to-node=\"59\"><b data-path-to-node=\"59\" data-index-in-node=\"0\"><i data-path-to-node=\"59\" data-index-in-node=\"0\">\u00d8jeblikksbilde fra Louis XV-tiden:<\/i><\/b> <i data-path-to-node=\"59\" data-index-in-node=\"35\">Komponisten Jacques Offenbach (Jacques Offenbach) gikk langsomt over gulvet i sin lyse parisiske salong, mens han stille nynnet temaet til en arie fra sin kommende operette. Hans fingre stanset et \u00f8yeblikk p\u00e5 bordkanten, der brettets s\u00f8lvfargede metallunderstell som et fastfrosset linjespill fanget ettermiddagssolens siste reflekser. Den gjennomsiktige glassflaten virket vektl\u00f8s og lett, og dannet en vakker kontrast til de massive st\u00f8pte maskaronene og akantush\u00e5ndtakene som stod markant frem over cabriole-bena. Den stille klirringen fra krystalglass og den fjerne skrapingen fra en skrivepenn smeltet sammen med byens lyder utenfor vinduet, og denne solide gjenstanden, hvor metallets tyngde gikk over i fullstendig gjennomsiktighet, gjorde \u00f8yeblikkelig et hverdagsaktig \u00f8yeblikk til et rent og edelt ritual.<\/i><\/p>\n<p data-path-to-node=\"61\">\ud83c\uddeb\ud83c\uddee <b data-path-to-node=\"61\" data-index-in-node=\"5\">FINNISH BLOCK<\/b><\/p>\n<p data-path-to-node=\"62\">Korkeus \u2014 9 cm Leveys \u2014 22 cm Pituus \u2014 46,5 cm<\/p>\n<h3 data-path-to-node=\"63\"><b data-path-to-node=\"63\" data-index-in-node=\"0\">Antiikkinen hopeanv\u00e4rinen metallitarjotin lasikannella \u2014 Ludvig XV -tyyli\u00e4<\/b><\/h3>\n<p data-path-to-node=\"64\">Eritt\u00e4in n\u00e4ytt\u00e4v\u00e4, painava ja veistoksellinen soikea tarjoilu- ja esittelytarjotin 1900-luvun puoliv\u00e4list\u00e4, joka edustaa perinteist\u00e4 ranskalaista rokokoo-muotoilua (<i data-path-to-node=\"64\" data-index-in-node=\"165\">antique silver glass mirror tray platter<\/i>). Tarjottimen runko (sarja) ja kaksi kohotettua k\u00e4densijaa on valettu kokonaan massiivisesta, raskaasta hopeanv\u00e4risest\u00e4 metallista (patinoidusta valumetallista tai tinaseoksesta), jota koristaa syv\u00e4 ja yksityiskohtainen simpukka- (<i data-path-to-node=\"64\" data-index-in-node=\"437\">rocaille<\/i>), ruusunnuppu- ja akantuslehtikuviointi. Pitkien sivujen keskelle on valettu kaksi ilmeik\u00e4st\u00e4 barokkityylist\u00e4 maskaronia (kasvomotiivia) simpukkakartussien alle. Tarjottimen sis\u00e4\u00e4n on upotettu tasainen, t\u00e4ysin l\u00e4pin\u00e4kyv\u00e4 paksu lasilevy, joka on kiinnitetty pohjasta alkuper\u00e4isill\u00e4 metalliklipseill\u00e4 ja suojatapeilla. Runko lep\u00e4\u00e4 nelj\u00e4ll\u00e4 kaartuvalla <i data-path-to-node=\"64\" data-index-in-node=\"796\">cabriole<\/i>-jalalla, jotka p\u00e4\u00e4ttyv\u00e4t tyylikk\u00e4isiin voluuttakierteisiin. Metallipinnoissa on kaunis alkuper\u00e4inen patina, ja esine on s\u00e4ilynyt t\u00e4ysin ehj\u00e4n\u00e4. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n<p data-path-to-node=\"65\"><b data-path-to-node=\"65\" data-index-in-node=\"0\"><i data-path-to-node=\"65\" data-index-in-node=\"0\">Ludvig XV -tyylin tunnelma:<\/i><\/b> <i data-path-to-node=\"65\" data-index-in-node=\"28\">S\u00e4velt\u00e4j\u00e4 Jacques Offenbach (Jacques Offenbach) k\u00e4veli hitaasti pariisilaisasuntonsa valoisassa salongissa ja hyr\u00e4ili hiljaa aarian teemaa tulevasta operetistaan. H\u00e4nen sormensa pys\u00e4htyiv\u00e4t hetkeksi p\u00f6yd\u00e4n reunalle, miss\u00e4 tarjottimen hopeinen metallirunko vangitsi iltap\u00e4iv\u00e4n auringon viimeiset s\u00e4teet kuin j\u00e4hmettynyt viivojen leikki. L\u00e4pin\u00e4kyv\u00e4 lasipinta tuntui h\u00f6yhenenkeve\u00e4lt\u00e4 ja kontrastoi sirosti rungon kohotettujen maskaronien ja akantuskahvojen kanssa, jotka kohosivat vankasti cabriole-jalkojen yl\u00e4puolelle. Kristallilasien hiljainen kilin\u00e4 ja sulkakyn\u00e4n kaukainen raapustus sulautuivat ikkunan takaisen kaupungin tunnelmaan, ja t\u00e4m\u00e4 hienostunut esine, jossa metallin raskaat muodot kohtasivat t\u00e4ydellisen l\u00e4pin\u00e4kyvyyden, muutti arkisen hetken silm\u00e4nr\u00e4p\u00e4yksess\u00e4 osaksi ajatonta ja ylev\u00e4\u00e4 rituaalia.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Izsmalcin\u0101ta 20. gadsimta vidus ov\u0101las formas galda prezent\u0101cijas papl\u0101te, kas ietver kr\u0101\u0161\u0146i lietu sudraba kr\u0101sas met\u0101la r\u0101mi (antique silver glass mirror tray platter), caursp\u012bd\u012bgu stikla virsmu un \u010detras skulptur\u0101las kabriola k\u0101ji\u0146as rokoko stila est\u0113tik\u0101 (5264).<\/p>\n","protected":false},"featured_media":31164,"template":"","meta":[],"product_brand":[],"product_cat":[256,211,204],"product_tag":[],"class_list":["post-31163","product","type-product","status-publish","has-post-thumbnail","product_cat-paplates","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/31163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/31164"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=31163"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=31163"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=31163"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=31163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}