{"id":30843,"date":"2024-11-20T07:19:20","date_gmt":"2024-11-20T05:19:20","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=30843"},"modified":"2026-09-08T01:02:34","modified_gmt":"2026-09-07T22:02:34","slug":"5234","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5234\/","title":{"rendered":"Apgleznoti Fran\u010du Porcel\u0101na Ka\u0161po, Vid\u0113ja Izm\u0113ra, Pieejami 2gab (5234)"},"content":{"rendered":"
\n
\n
\n
\n
\n
\n
\n
\n
\n

\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Pieejami 2 gabali \u2014 cena nor\u0101d\u012bta par 1 gabalu.<\/strong> Augstums 20 cm \u00d7 platums 20,5 cm.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

Porcel\u0101na ka\u0161po p\u0101ris ar roku gleznotu \u017eanrain\u0101 si\u017eeta dekoru \u2014 V\u0113lais Historicisms \/ Sentiment\u0101lais Natur\u0101lisms, Altwasser, Sil\u0113zija (V\u0101cija), ap 1880.\u20131900.<\/strong><\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n

\u0160ie izcilie porcel\u0101na ka\u0161po izgatavoti V\u0101cij\u0101 19. gadsimta p\u0113d\u0113j\u0101s desmitgad\u0113s \u2014 laikposm\u0101, kad Eiropas porcel\u0101na m\u0101ksla piedz\u012bvoja savu v\u0113l\u0101 Historicisma kulmin\u0101ciju<\/strong>. \u0160is ir tas augl\u012bgais br\u012bdis, kad akad\u0113misk\u0101 glezniec\u012bba un dekorat\u012bv\u0101 porcel\u0101na m\u0101ksla sapl\u016bda vien\u0101 \u2014 manufakt\u016bras algoja profesion\u0101lus gleznot\u0101jus, kas uz porcel\u0101na virsmas reproduc\u0113ja pilnv\u0113rt\u012bgas ainavas un \u017eanra ainas. Abu ka\u0161po gleznojums veido st\u0101st\u012bjumu: vien\u0101 \u2014 meitene ko\u0161\u0101 t\u0113rp\u0101 vainago balta marmora bustu ar ziedu vainagu d\u0101rz\u0101, otr\u0101 \u2014 divas b\u0113rnu fig\u016bras pie balustr\u0101des, no kuras nodod aug\u013cus. \u0160ie si\u017eeti ir tipiski 19. gadsimta otr\u0101s puses Sentiment\u0101lajam Natur\u0101lismam \u2014 virzienu, kas idealiz\u0113ja b\u0113rn\u012bbu, dabu un nevain\u012bgu lauku dz\u012bvi k\u0101 pretsvaru industrializ\u0101cijas Eiropai. Panor\u0101miski apgleznojums, kas nep\u0101rtraukti iet apk\u0101rt visam traukam, ir augst\u0101k\u0101s prasmes pras\u012bgs pa\u0146\u0113miens \u2014 t\u0101das glezniec\u012bbas tehnikas, kas tika lietotas tikai lab\u0101kaj\u0101s Eiropas manufakt\u016br\u0101s. Pamatto\u0146i \u2014 p\u0113r\u013cpel\u0113k\u0101 \u0101rpuse ar melniem un zelta apmales sv\u012btriem \u2014 pie\u0161\u0137ir ka\u0161po svin\u012bgu, aristokr\u0101tisku raksturu.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n

Uz apak\u0161as redzams za\u013c\u0161 iespiests z\u012bmogs “CFH \/ GDM”<\/strong> \u2014 tas pieder Carl Friedrich Heinrich Schumann<\/strong> manufakt\u016brai Altwasser, Sil\u0113zij\u0101 (tagad Wa\u0142brzych apgabals, Polija). \u0160\u012b manufakt\u016bra darboj\u0101s no 1845. gada un bija viena no noz\u012bm\u012bg\u0101kaj\u0101m Sil\u0113zijas porcel\u0101na ra\u017eotn\u0113m 19. gadsimta otraj\u0101 pus\u0113. Apz\u012bm\u0113jums GDM<\/strong> noz\u012bm\u0113 “Gesch\u00fctzte Deutsche Muster”<\/em> \u2014 aizsarg\u0101ts V\u0101cijas dizains \u2014 kas liecina, ka konkr\u0113tais dekors bija re\u0123istr\u0113ts un aizsarg\u0101ts, t.i., tas nebija vienk\u0101r\u0161s r\u016bpniecisks ra\u017eojums, bet apzin\u0101ti rad\u012bts m\u0101ksliniecisks produkts. Schumann manufakt\u016bra specializ\u0113j\u0101s augstas kvalit\u0101tes dekorat\u012bvaj\u0101 porcel\u0101n\u0101 ar figur\u0101lu un ainavu gleznojumu \u2014 t\u0101s izstr\u0101d\u0101jumi tika pieg\u0101d\u0101ti V\u0101cijas augst\u0101kajai sabiedr\u012bbai un eksport\u0113ti uz Rietumeiropu. Z\u012bmoga za\u013c\u0101 kr\u0101sa un \u0161\u012b perioda formas nor\u0101da uz izgatavo\u0161anas laiku aptuveni 1880.\u20131900. gad\u0101 \u2014 V\u0101cijas Keizarvalsts porcel\u0101na m\u0101kslas ziedu laiku.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n

P\u0101ris \u2014 nevis viens, bet divi identiski ka\u0161po ar da\u017e\u0101diem, bet saturiski saist\u012btiem si\u017eetiem \u2014 ir krietni ret\u0101ks atradums nek\u0101 atsevi\u0161\u0137s priek\u0161mets. \u0160\u0101di p\u0101ri tika izgatavoti speci\u0101li k\u0101 komplekti aristokr\u0101tiskajiem saloniem un redzam\u0101kajiem interjeriem \u2014 tie nekad nav biju\u0161i masas prece. Schumann \/ CFH GDM z\u012bmogs ar aizsarg\u0101tu dizaina statusu pie\u0161\u0137ir kolekcion\u0101r\u0101 v\u0113rt\u012bbu: \u0161ie ir dokument\u0113ti m\u0101kslas izstr\u0101d\u0101jumi, nevis anon\u012bma produkcija. V\u0101cijas 19. gadsimta Historicisma porcel\u0101na \u017eanraino ainu ka\u0161po p\u0101ri ir mekl\u0113ts objekts gan Eiropas, gan Zieme\u013camerikas antikvari\u0101tu tirg\u016b.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n

\u0160\u0101da izm\u0113ra ka\u0161po p\u0101ris (augstums 20 cm) ir ide\u0101ls k\u0101 kam\u012bna plaukta p\u0101ris simetrisk\u0101 kompoz\u012bcij\u0101, k\u0101 balkonu vai loglogu dekor\u0101cija augiem, vai k\u0101 gaite\u0146a konsoles galda centr\u0101lais akords. Pel\u0113k\u0101 pamatto\u0146a un zeltain\u0101 apmales kombin\u0101cija \u013cauj integr\u0113t abus ka\u0161po gan klasiskajos, gan modern\u0101kajos interjer\u0101s \u2014 tie der Eiropas “Old Money” est\u0113tik\u0101, fran\u010du salona stil\u0101, k\u0101 ar\u012b m\u016bsdienu eklektiskaj\u0101 luksusa interjer\u0101. Fotogr\u0101fiem un rekviz\u012btu stilistiem \u0161ie ka\u0161po ir izcila izv\u0113le lielform\u0101ta flati\u0146u, d\u0101rglietu vai parfim\u0113rijas kadros \u2014 apgleznojuma ainava darbojas k\u0101 miniat\u016bra pasaule aiz priek\u0161meta.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\ud83c\udf81 D\u0100VANA<\/strong><\/p>\n

Ka\u0161po p\u0101ris ir reprezentat\u012bva d\u0101vana ar sp\u0113c\u012bgu st\u0101stu \u2014 piem\u0113rota k\u0101 augst\u0101k\u0101 l\u012bme\u0146a korporat\u012bva vai diplom\u0101tiska d\u0101vana, kas liecina par izsmalcin\u0101tu gaumi un kult\u016brv\u0113sturisko izgl\u012bt\u012bbu. Atsevi\u0161\u0137s gabals der ar\u012b k\u0101 izsmalcin\u0101ta d\u0101vana kolekcion\u0101riem, interjera dizaina entuziastiem un tiem, kas nov\u0113rt\u0113 Eiropas 19. gadsimta m\u0101kslas mantojumu.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n

Abi ka\u0161po ir lab\u0101 visp\u0101r\u0113j\u0101 st\u0101vokl\u012b, \u0146emot v\u0113r\u0101 to vecumu. Gleznojums saglab\u0101jies ar spilgtu kr\u0101su intensit\u0101ti. Vienam ka\u0161po aizmugur\u0113j\u0101 pus\u0113 redzams neapgleznots baltais porcel\u0101ns \u2014 tas ir autentiskas ra\u017eo\u0161anas iez\u012bme, nevis boj\u0101jums. Dabiska nolieto\u0161an\u0101s uz apmales un zelt\u012bjuma, atbilsto\u0161a 130\u2013140 gadu vecumam. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n

Pair of hand-painted porcelain cachepots with genre scene decoration \u2014 Late Historicism \/ Sentimental Naturalism, Altwasser, Silesia (Germany), circa 1880\u20131900.<\/strong><\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n

Height 20 cm \u00d7 width 20.5 cm. Available as a pair of 2 pieces \u2014 price indicated per individual piece.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\ud83c\udfdb\ufe0f PERIOD, ART STYLE, HISTORICAL CONTEXT<\/strong><\/p>\n

These exceptional porcelain cachepots were made in Germany during the final decades of the 19th century \u2014 a period when European porcelain art reached the culmination of Late Historicism<\/strong>. This was the fertile moment when academic painting and decorative porcelain converged: manufactories employed professional artists to paint fully realised landscapes and genre scenes on porcelain surfaces. The decoration on each cachepot tells a narrative: one depicts a girl in a vivid dress crowning a white marble bust with a floral wreath in a garden setting; the other shows two children at a garden balustrade, one passing fruit down to the other. These subjects are characteristic of 19th-century Sentimental Naturalism \u2014 a tendency that idealised childhood, nature and innocent rural life as a counterpoint to industrialising Europe. The panoramic decoration, which flows continuously around the entire body of each vessel without interruption, is a technically demanding achievement requiring the skill of a trained porcelain painter \u2014 a technique reserved for the finest European manufactories. The pearl-grey exterior ground with black and gold border lines lends both pieces a formal, aristocratic character.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\u269c\ufe0f MAKER AND MANUFACTURER’S MARK<\/strong><\/p>\n

The underside bears a green printed mark “CFH \/ GDM”<\/strong> \u2014 the mark of the Carl Friedrich Heinrich Schumann<\/strong> manufactory in Altwasser, Silesia (now the Wa\u0142brzych region of Poland). This manufactory operated from 1845 and was one of the most significant Silesian porcelain producers of the second half of the 19th century. The designation GDM<\/strong> stands for “Gesch\u00fctzte Deutsche Muster”<\/em> \u2014 Protected German Design \u2014 indicating that the specific decoration was registered and legally protected: this was not a generic industrial product but a deliberately created artistic work. The Schumann manufactory specialised in high-quality decorative porcelain with figurative and landscape painting, supplying the upper echelons of German society and exporting to Western Europe. The green mark and the formal characteristics of the period place the date of manufacture at approximately 1880\u20131900 \u2014 the height of porcelain art in the German Empire.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n

A matched pair \u2014 not one but two identical cachepots bearing different yet narratively connected scenes \u2014 is considerably rarer than a single piece. Such pairs were produced specifically as sets for aristocratic salons and prestigious interiors; they were never a mass-market commodity. The Schumann CFH GDM mark with its protected design status adds collectible significance: these are documented works of decorative art, not anonymous production. A matched pair of German 19th-century Historicist porcelain cachepots with genre figure scenes is a sought-after object in both European and North American antiques markets.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n

A matched pair of cachepots of this size (height 20 cm) is ideal as a symmetrical mantelpiece arrangement, as a window ledge or balcony display with plants, or as the central accent on a console table in an entrance hall. The grey ground combined with gold border lines allows both pieces to integrate naturally into classical as well as more contemporary interiors \u2014 they suit the European “Old Money” aesthetic, the French salon style, and modern eclectic luxury interiors alike. For photographers and prop stylists, these cachepots are an outstanding choice for large-format still life, jewellery or perfumery shoots \u2014 the painted landscape functions as a miniature world framing the subject.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\ud83c\udf81 AS A GIFT<\/strong><\/p>\n

The pair makes a distinguished gift with a powerful provenance story \u2014 appropriate as a high-level corporate or diplomatic present that conveys refined taste and cultural knowledge. An individual piece also makes an excellent gift for collectors, interior design enthusiasts and those who appreciate the artistic legacy of 19th-century Europe.<\/p>\n

\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

\ud83d\udd0d CONDITION<\/strong><\/p>\n

Both cachepots are in good overall condition given their age. The painted decoration retains strong colour intensity. One cachepot has an undecorated white porcelain reverse \u2014 this is an authentic feature of manufacture, not damage. Natural wear to the border and gilding is consistent with an age of approximately 130\u2013140 years. The condition of the items is fully reflected in the photographs.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
<\/div>\n
\n
\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
<\/div>\n
<\/div>\n<\/div>\n
\n
\n
<\/div>\n<\/div>\n
<\/div>\n
\n
<\/p>\n
\n
<\/div>\n<\/div>\n
\n
<\/div>\n
\n
\n
\n
\n
<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
<\/div>\n<\/div>\n
<\/div>\n
<\/div>\n<\/div>\n
\n
\n
\n
Sonnet 4.6 Low<\/span><\/div>\n<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
<\/div>\n