{"id":30804,"date":"2024-11-20T07:03:57","date_gmt":"2024-11-20T05:03:57","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=30804"},"modified":"2026-09-08T01:02:01","modified_gmt":"2026-09-07T22:02:01","slug":"5230","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5230\/","title":{"rendered":"Izsmalcin\u0101ti, Liela Izm\u0113ra Napoleona III laikmeta Bronzas Sve\u010dturi ar Fajansu, 2gab (5230)"},"content":{"rendered":"
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\ud83d\udcd0 Augstums 34,5 cm \u00b7 Platums 13,5 cm \u00b7 2 gabali (p\u0101ris)<\/p>\n

Izsmalcin\u0101ts fran\u010du Napoleona III laikmeta\u00a0 bronzas un fajansa sve\u010dturu p\u0101ris<\/strong><\/p>\n

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\ud83c\udfdb\ufe0f Sve\u010dturi izgatavoti aptuveni 19. gadsimta otraj\u0101 pus\u0113 \u2014 Napoleona III laikmeta period\u0101 (1850\u20131880), kas Francij\u0101 iez\u012bm\u0113j\u0101s ar grezn\u012bbu,eklektismu un v\u0113lmi apvienot da\u017e\u0101dus m\u0101kslas stilus vien\u0101 priek\u0161met\u0101. \u0160is periods bija ziedu laiki t\u0101 d\u0113v\u0113tajai “grands magasins” kult\u016brai \u2014 modes nami un m\u0101jas dekora darbn\u012bcas sacen\u0161as eleganc\u0113. Sve\u010dturu dizains ietver Luija XVI stila elementus \u2014 akantusa lapu bronzas l\u0113jumus, kanel\u0113tas pamatnes ar ornament\u0101lu lentes rakstu \u2014 apvienojum\u0101 ar romantisma laikmeta porcel\u0101na glezniec\u012bbas trad\u012bciju: kr\u0101\u0161\u0146i roku gleznoti ziedu pu\u0161\u0137i balt\u0101 un gai\u0161i zil\u0101 fajansa k\u0101t\u0101.<\/p>\n

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\u269c\ufe0f Sve\u010dturu bronzas da\u013cas ir augstas kvalit\u0101tes liet\u0101 un zelt\u012bta bronza (ormolu tipa apdare), rakstur\u012bga Par\u012bzes un Be\u013c\u0123ijas augst\u0101k\u0101s klases dekorat\u012bv\u0101s m\u0101kslas darbn\u012bc\u0101m. Fajansa k\u0101ts ar roku gleznotu ziedu dekoru liecina par darbu, kas var\u0113tu b\u016bt saist\u012bts ar Francijas provinces fajansa manufakt\u016br\u0101m \u2014 iesp\u0113jams Sarreguemines vai l\u012bdz\u012bg\u0101m Lotringas \/ Elzasas darbn\u012bc\u0101m, kas akt\u012bvi ra\u017eoja dekorat\u012bvo keramiku Napoleona III laikmet\u0101. Pamatnes apak\u0161pus\u0113 redzams pel\u0113ks neapdares l\u0113jums bez spilgtas zelt\u012b\u0161anas \u2014 tas ir ori\u0123in\u0101l\u0101s izgatavo\u0161anas paz\u012bme, nevis restaur\u0101cija. Z\u012bmogs nav skaidri salas\u0101ms.<\/p>\n

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\ud83d\udc8e Kvalitat\u012bvu fran\u010du bronzas sve\u010dturu p\u0101ri ar roku gleznotiem fajansa k\u0101tiem ir sal\u012bdzino\u0161i rets atradums \u2014 \u012bpa\u0161i tad, ja abi eksempl\u0101ri saglab\u0101ju\u0161ies kop\u0101 k\u0101 p\u0101ris ar identisku dekoru. Antikv\u0101ru tirg\u016b \u0161\u0101da tipa sve\u010dturi ar Napoleona III perioda bronzas l\u0113jumiem tiek augstu v\u0113rt\u0113ti, jo apvieno divus amatus: bronzas lietuvja un porcel\u0101na\/fajansa gleznot\u0101ja meistar\u012bbu. Kolekcion\u0101ri, kas specializ\u0113jas fran\u010du dekorat\u012bvaj\u0101 m\u0101ksl\u0101 vai Napoleona III interjer\u0101, \u0161\u0101dus priek\u0161metus akt\u012bvi mekl\u0113, jo veseli p\u0101r\u012b saglab\u0101ju\u0161ies eksempl\u0101ri k\u013c\u016bst arvien ret\u0101ki.<\/p>\n

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\ud83d\udd6f\ufe0f Sve\u010dturi lieliski ieder\u0113tos klasisk\u0101, romantisk\u0101 vai eklektisk\u0101 interjer\u0101 \u2014 uz kam\u012bna plaukta simetriski izvietoti, uz konsol\u012btes vai \u0113damistabas galda k\u0101 galda dekor\u0101cijas centr\u0101lais elements. To balt\u0101, gai\u0161i zil\u0101 un zelta kr\u0101su palete \u013cauj tos harmoniski iek\u013caut gan tradicion\u0101l\u0101, gan m\u016bsdien\u012bg\u0101 “grandmillennial” stil\u0101, kas p\u0113d\u0113jos gados atgriezies modes virsotnes. Interjera dizaineri tos var izmantot k\u0101 izsmalcin\u0101tu akcentu romantiski noska\u0146otos vai franciski elegant\u0101 stil\u0101 veidotos dz\u012bves telp\u0101s. Fotogr\u0101fiem un rekviz\u012btu mekl\u0113t\u0101jiem \u0161ie sve\u010dturi nodro\u0161ina nevainojamu vintage Eiropas aristokr\u0101tisko atmosf\u0113ru \u2014 piem\u0113roti modes, k\u0101zu un interjera fotograf\u0113\u0161anai.<\/p>\n

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\ud83d\udd0d Sve\u010dturi ir lab\u0101 antikv\u0101r\u0101 st\u0101vokl\u012b ar atbilsto\u0161u vecuma patinu. Bronzas da\u013cas uzr\u0101da vieglu nolietojumu un tum\u0161\u0101ku patinu da\u017e\u0101s viet\u0101s, kas ir dabisks laika z\u012bmogs. Fajansa k\u0101tu gleznojums kopum\u0101 saglab\u0101jies labi, bez b\u016btiskiem skr\u0101p\u0113jumiem. Pamatn\u0113m ir neapdares apak\u0161a ar rakstur\u012bgu pel\u0113ku l\u0113jumu \u2014 ori\u0123in\u0101la iez\u012bme, nav boj\u0101jums. Nelielas net\u012brumu p\u0113das pamatnes reljef\u0101. Lietotas, bet cien\u012bjam\u0101 st\u0101vokl\u012b.<\/p>\n

Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n

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\ud83c\uddec\ud83c\udde7 Height 34.5 cm \u00b7 Width 13.5 cm \u00b7 2 pieces (pair)<\/p>\n

An Exquisite Pair of French Napoleon III Epoque Bronze and Faience Candlesticks<\/strong><\/p>\n

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\ud83c\udfdb\ufe0f These candlesticks were made approximately in the second half of the 19th century, during the Napoleon III period (1850\u20131880) \u2014 an era in France defined by opulence, eclecticism and the desire to combine multiple artistic traditions in a single decorative object. The design incorporates Louis XVI style elements \u2014 cast acanthus leaf bronze mounts, a fluted base with ornamental ribbon motifs \u2014 combined with the Romantic era tradition of hand-painted porcelain: lush floral garlands painted on a white and pale blue faience shaft.<\/p>\n

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\u269c\ufe0f The bronze components are of high-quality cast and gilded bronze (ormolu-type finish), characteristic of Parisian and Belgian high-end decorative arts workshops. The hand-painted faience shaft with its floral decoration suggests work associated with French provincial faience manufacturers \u2014 possibly Sarreguemines or similar workshops from Lorraine or Alsace, which were prolific producers of decorative ceramics during the Napoleon III era. The underside of the base reveals an unfinished grey cast without gilding \u2014 a mark of authentic period manufacture, not a restoration. No clear maker’s mark is legible in the photographs.<\/p>\n

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\ud83d\udc8e A quality pair of French bronze candlesticks with hand-painted faience shafts is a comparatively rare find \u2014 particularly when both pieces survive together as a matching pair with identical decoration. On the antique market, candlesticks of this type combining Napoleon III-era bronze casting with faience painting are highly regarded, as they unite two distinct crafts: the bronze founder’s and the ceramic painter’s art. Collectors specialising in French decorative arts or Napoleon III interiors actively seek such pieces, as intact matching pairs become increasingly scarce.<\/p>\n

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\ud83d\udd6f\ufe0f These candlesticks would sit beautifully in a classical, romantic or eclectic interior \u2014 placed symmetrically on a mantelpiece, on a console table, or as a central element of a dining table arrangement. Their palette of white, pale blue and gold allows harmonious integration into both traditional settings and the contemporary “grandmillennial” aesthetic that has recently returned to prominence. Interior designers can use them as a refined accent in romantically or French elegantly styled living spaces. For photographers and prop stylists, these candlesticks provide an impeccable vintage European aristocratic atmosphere \u2014 ideal for fashion, wedding and interior photography.<\/p>\n

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\ud83d\udd0d The candlesticks are in good antique condition with an appropriate aged patina. The bronze parts show light wear and darker patina in certain areas, which is a natural mark of time. The painted decoration on the faience shafts is generally well preserved, without significant scratches. The bases have an unfinished grey cast underside \u2014 an original manufacturing feature, not a defect. Minor dirt residue visible in the relief of the bases. Used, but in respectable condition.<\/p>\n

The condition of the item is fully reflected in the photographs.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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