{"id":3072,"date":"2020-11-25T12:13:57","date_gmt":"2020-11-25T10:13:57","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=3072"},"modified":"2026-09-07T20:22:27","modified_gmt":"2026-09-07T17:22:27","slug":"large-carved-wooden-table-with-2-drawers-724","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/large-carved-wooden-table-with-2-drawers-724\/","title":{"rendered":"Ov\u0101ls Rieksta Koka Galds ar Kokgriezumiem un 2 Atvilkn\u0113m \u2014 Historicisms, Francija\/Be\u013c\u0123ija, 19.gs. (724)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Garums 145 cm \u00d7 platums 90 cm \u00d7 augstums 75,5 cm. Mas\u012bvs, smags gabals.<\/p>\n

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Ov\u0101ls Salona Galds ar Kokgriezumiem un Div\u0101m Atvilkn\u0113m \u2014 Historicisms \/ Neorokoko, Francija\/Be\u013c\u0123ija, ap 1860.\u20131890.<\/strong><\/h3>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n
\u0160is iespaid\u012bgais salona galds pieder Belle \u00c9poque<\/strong> laikmeta s\u0101kumposmam \u2014 tam augl\u012bgajam br\u012bdim p\u0113c 1871. gada, kad Historicisms<\/strong> sav\u0101 vispla\u0161\u0101kaj\u0101 izpausm\u0113 aptv\u0113ra Eiropas lab\u0101ko m\u0101ju interjerus, un Neorokoko<\/strong> k\u013cuva par galma un lielbur\u017eu\u0101zijas izv\u0113l\u0113to valodu. Galds dat\u0113jams aptuveni 1860.\u20131890. gados<\/strong> \u2014 period\u0101, kad Francijas un Be\u013c\u0123ijas lab\u0101k\u0101s darbn\u012bcas sacen\u0161as izcil\u012bb\u0101 rokoko renesanses interpret\u0101cij\u0101.<\/p>\n
Viss \u0161aj\u0101 gald\u0101 run\u0101 ar baroka un rokoko gramatiku: akantus lapu<\/em> cirpumi uz mas\u012bvaj\u0101m izliektaj\u0101m k\u0101j\u0101m, glieme\u017ev\u0101ku kartu\u0161a<\/em> centr\u0101laj\u0101 fr\u012bz\u0113, vol\u016btas<\/em> k\u0101ju aug\u0161da\u013c\u0101s un krusteniskais X formas savienojums, kuru kron\u0113 centr\u0101l\u0101 urna ar finiali<\/em> \u2014 klasisks Second Empire<\/strong> un Neorokoko<\/strong> mot\u012bvs. Galds uz rite\u0146iem ar bronzas kastoram<\/em> \u2014 eleganta funkcion\u0101l\u0101 deta\u013ca, kas \u013c\u0101va to viegli p\u0101rvietot pa lielu salonu.<\/p>\n
\u0160is priek\u0161mets pieder tam augl\u012bgajam p\u0101rejas br\u012bdim, kad Historicisms<\/strong> v\u0113l tur\u0113ja savas kr\u0101\u0161\u0146\u0101s formas, bet Belle \u00c9poque<\/strong> gars jau atnesa jaunu dz\u012bves prieka ornament\u0101lo valodu \u2014 abas est\u0113tikas \u0161eit sadz\u012bvo vien\u0101 objekt\u0101 ar lielisku pa\u0161p\u0101rliecin\u0101t\u012bbu.<\/p>\n
Gust\u0101vs Flob\u0113rs bija miris tikai da\u017eus gadus pirms \u0161\u012b galda lab\u0101kajiem gadiem. Bet tie\u0161i \u0161\u0101da veida salonos dz\u012bvoja vi\u0146a Madame Bovary<\/em> varo\u0146i \u2014 tiecoties p\u0113c t\u0101s skaist\u0101s, d\u0101rg\u0101s dz\u012bves, ko simboliz\u0113ja katrs cirpums, katrs akantus lapas<\/em> v\u012bte\u0146ojums uz rieksta koka k\u0101jas.<\/p>\n
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\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n
Redzama ra\u017eot\u0101ja z\u012bmoga nav. Tom\u0113r izpild\u012bjuma l\u012bmenis, materi\u0101la kvalit\u0101te un kokgriezumu precizit\u0101te nor\u0101da uz Francijas<\/strong> vai Be\u013c\u0123ijas<\/strong> profesion\u0101lu m\u0113be\u013cu darbn\u012bcu \u2014 \u00e9b\u00e9nisterie<\/em> trad\u012bciju, kas \u0161aj\u0101 period\u0101 sasniedza augst\u0101ko kvalit\u0101ti galvaspils\u0113tu un lielpils\u0113tu aprind\u0101s. Be\u013c\u0123ija<\/strong> \u0161aj\u0101 laik\u0101 bija viena no vado\u0161aj\u0101m rieksta koka m\u0113be\u013cu ra\u017eot\u0101j\u0101m Eirop\u0101, un \u0161\u0101da veida galdi tika eksport\u0113ti uz lab\u0101kaj\u0101m Eiropas namam. Rieksta koka tum\u0161\u0101, bag\u0101t\u012bg\u0101 kr\u0101sa un grauds, k\u0101 ar\u012b cirpumu dzi\u013cums un kvalit\u0101te liecina par augstas klases pas\u016bt\u012bjumu.<\/p>\n
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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n
Ov\u0101li salona galdi ar X formas krustenisko pamatni un centr\u0101lo urnu ir viens no Neorokoko<\/strong> un Second Empire<\/strong> stila ikonisk\u0101kajiem m\u0113be\u013cu veidiem \u2014 mekl\u0113ti un nov\u0113rt\u0113ti starptautiskaj\u0101 antikv\u0101ru tirg\u016b. \u0160\u012b galda kokgriezumu bag\u0101t\u012bba un saglab\u0101t\u012bbas l\u012bmenis to izce\u013c no viduv\u0113ja pied\u0101v\u0101juma. \u012apa\u0161i kolekcion\u0101ri, kas veido 19. gadsimta salonu ansamb\u013cus<\/strong>, mekl\u0113 tie\u0161i \u0161\u0101dus centr\u0101los gabalus, ap kuriem veidot telpu.<\/p>\n
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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n
\u0160is galds ir rad\u012bts, lai ie\u0146emtu telpas centru \u2014 un to tas dar\u012bs ar pa\u0161p\u0101rliecin\u0101t\u012bbu jebkur\u0101 vid\u0113. Klasisk\u0101 vai eklektisk\u0101<\/strong> interjer\u0101 tas funkcion\u0113 k\u0101 galvenais elements, ap kuru organiz\u0113jas telpa. M\u016bsdienu maximalist<\/strong> vai neo-klassika<\/strong> stil\u0101 tas pie\u0161\u0137ir telpai t\u016bl\u012bt\u0113ju v\u0113sturisko dzi\u013cumu. Interjeru fotogr\u0101fiem galda virsmas organiskais rieksta koka grauds un pamatnes skulptur\u0101lais siluets nodro\u0161ina neparastu vizu\u0101lo dinamiku kadr\u0101.<\/p>\n
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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n
\u0160\u0101da l\u012bme\u0146a v\u0113sturisks salona galds ir reprezentat\u012bva d\u0101vana augst\u0101k\u0101 l\u012bmen\u012b \u2014 piem\u0113rots korporat\u012bvam vai diplom\u0101tiskam d\u0101vin\u0101jumam, k\u0101 ar\u012b k\u0101 izcils papildin\u0101jums priv\u0101tai kolekcijam. Cilv\u0113kam, kas nov\u0113rt\u0113 19. gadsimta Eiropas m\u0101kslu un amatniec\u012bbu, \u0161is galds ir ne tikai m\u0113bele, bet v\u0113stures gabals ikdienas lieto\u0161anai.<\/p>\n
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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n
Galds ir lab\u0101 visp\u0101r\u0113j\u0101 st\u0101vokl\u012b atbilsto\u0161i vecumam. Virsmai ir redzamas nolietojuma p\u0113das un dz\u012bves z\u012bmes \u2014 s\u012bkas skr\u0101p\u0113jumu p\u0113das, kas liecina par ilgu un akt\u012bvu izmanto\u0161anu. Kokgriezumi saglab\u0101ju\u0161ies \u013coti labi \u2014 deta\u013cas skaidras un asas. Bronzas kastori<\/em> funkcion\u0113. Konstrukcija stabila. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n
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\ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n
Length 145 cm \u00d7 width 90 cm \u00d7 height 75.5 cm. Massive and heavy.<\/p>\n
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Oval Carved Walnut Salon Table with Two Drawers \u2014 Historicism \/ Neo-Rococo, France\/Belgium, c. 1860\u20131890<\/strong><\/h3>\n
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\ud83c\udfdb\ufe0f PERIOD, ART STYLE, EPOCH<\/strong><\/p>\n
This commanding salon table belongs to the opening chapter of the Belle \u00c9poque<\/strong> \u2014 that fertile moment after 1871 when Historicism<\/strong> in its fullest expression swept through the interiors of Europe’s finest homes, and Neo-Rococo<\/strong> became the chosen language of court circles and the grand bourgeoisie. The table dates to approximately 1860\u20131890<\/strong>, a period when the great workshops of France and Belgium competed in their reinterpretation of the Rococo vocabulary.<\/p>\n
Everything here speaks in the grammar of Baroque and Rococo: the acanthus leaf<\/em> carvings on the sweeping cabriole legs, the shell cartouche<\/em> at the centre of the apron, volutes<\/em> at the leg shoulders, and the X-form stretcher crowned by a central urn with finial<\/em> \u2014 a defining motif of Second Empire<\/strong> and Neo-Rococo<\/strong> design. The table moves on brass castors<\/em> \u2014 an elegant functional detail that allowed it to glide across the parquet of a grand salon.<\/p>\n
This piece belongs to that richly productive transitional moment when Historicism<\/strong> still held its magnificent forms, while the spirit of the Belle \u00c9poque<\/strong> was already bringing a new ornamental language of joie de vivre \u2014 both aesthetics coexist in this single object with remarkable confidence.<\/p>\n
Gustave Flaubert had died only a few years before this table’s finest hours. Yet it was precisely in salons like this that his Madame Bovary<\/em> characters lived \u2014 reaching toward the beautiful, expensive life symbolised by every carved acanthus scroll<\/em> on a walnut leg.<\/p>\n
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\u269c\ufe0f MAKER AND MARK<\/strong><\/p>\n
No visible maker’s mark has been identified. The level of execution, quality of timber, and precision of the carved ornament point firmly to a professional French<\/strong> or Belgian<\/strong> furniture workshop \u2014 the \u00e9b\u00e9nisterie<\/em> tradition that reached its apex in the capitals and major cities of this period. Belgium<\/strong> was one of Europe’s leading producers of fine walnut furniture during these decades, and tables of this type were exported to the finest households across the continent. The depth and sharpness of the carving indicate a high-end commission rather than a trade piece.<\/p>\n
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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n
Oval salon tables with X-form stretchers and central urn finials represent one of the most iconic furniture forms of Neo-Rococo<\/strong> and Second Empire<\/strong> style \u2014 consistently sought and valued on the international antiques market. The richness of this table’s carving and its level of preservation distinguish it from average offerings. Collectors assembling 19th-century salon ensembles<\/strong> seek precisely this type of centrepiece around which to organise a room.<\/p>\n
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\ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n
This table was made to occupy the centre of a room \u2014 and it will do so with authority in almost any setting. In a classical or eclectic<\/strong> interior it functions as the dominant element around which the space organises itself. In a contemporary maximalist<\/strong> or neo-classical<\/strong> context it imparts immediate historical depth. For interior photographers, the organic walnut grain of the top surface and the sculptural silhouette of the base provide exceptional visual dynamism in any frame.<\/p>\n
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\ud83c\udf81 GIFT AND PERSONALISATION<\/strong><\/p>\n
A historic salon table of this calibre represents a gift at the highest level \u2014 appropriate as a corporate or diplomatic presentation, or as an outstanding addition to a private collection. For anyone who values 19th-century European art and craftsmanship, this table is not merely a piece of furniture but a fragment of history in daily use.<\/p>\n
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\ud83d\udd0d CONDITION<\/strong><\/p>\n
The table is in good overall condition consistent with its age. The surface shows honest signs of wear and use \u2014 minor surface marks that speak of a long and active history. The carved decoration is very well preserved throughout, with details remaining crisp and clearly defined. The brass castors<\/em> are functional. The structure is solid and stable. The condition of the item is fully reflected in the photographs.<\/p>\n","protected":false},"excerpt":{"rendered":"
Iespaid\u012bgs ov\u0101ls salona galds no rieksta koka ar bag\u0101t\u012bgiem kokgriezumiem \u2014 akantus lapas, volutas, glieme\u017ev\u0101ku medaljoni. Krustenisks X formas pamatne ar centr\u0101lo urnu. Historicisms \/ Neobaroks, Francija\/Be\u013c\u0123ija, ap 1860.\u20131890. Garums 145 cm \u00d7 platums 90 cm \u00d7 augstums 75,5 cm.<\/p>\n","protected":false},"featured_media":3073,"template":"","meta":[],"product_brand":[],"product_cat":[241,213,207,204],"product_tag":[],"class_list":["post-3072","product","type-product","status-publish","has-post-thumbnail","product_cat-edamgaldi","product_cat-galdi-mebeles","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/3072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/3073"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=3072"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=3072"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=3072"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=3072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}