{"id":30639,"date":"2024-11-19T21:35:01","date_gmt":"2024-11-19T19:35:01","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=30639"},"modified":"2026-09-08T00:59:22","modified_gmt":"2026-09-07T21:59:22","slug":"5213","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5213\/","title":{"rendered":"Majolika \/ fajanss jardini\u00e8re ar renesanses ornamentiku kobaltzilas un olivza\u013cas glaz\u016br\u0101 \u2014 Historicisms \/ Neorenensanse, Austro-Ung\u0101rija vai V\u0101cija, ap 1870.\u20131895. Fajansa Ka\u0161po, Trauks Za\u013cos To\u0146os, Vid\u0113ja Izm\u0113ra (5213)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Garums 37,5 cm \u00d7 augstums 12 cm \u00d7 platums 23,5 cm. Horizont\u0101li izstiepts, zems un platisks form\u0101ts \u2014 klasiska galda centrepiece vai kam\u012bnplaukta jardini\u00e8re proporcij\u0101s.<\/p>\n

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Majolika \/ fajanss jardini\u00e8re ar renesanses ornamentiku kobaltzilas un olivza\u013cas glaz\u016br\u0101 \u2014 Historicisms \/ Neorenensanse, Austro-Ung\u0101rija vai V\u0101cija, ap 1870.\u20131895.<\/strong><\/p>\n

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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n

\u0160is trauks ir izcils Eiropas Historicisma<\/strong> majolika trad\u012bcijas piem\u0113rs \u2014 laikmeta, kad 19. gadsimta otr\u0101s puses Eiropas manufakt\u016bras ar apzin\u0101tu entuziasmu atgriez\u0101s pie Renesanses It\u0101lijas un klasisk\u0101s sen\u0101s Romas ornament\u0101l\u0101s valodas, uzskatot to par Eiropas civiliz\u0101cijas augst\u0101ko dekorat\u012bvo sasniegumu.<\/p>\n

Forma ir klasiski Neorenensanses: zems ov\u0101ls trauks ar izliektu, profil\u0113tu malu, reljefin\u0101m k\u0101ji\u0146\u0101m un a\u017e\u016briem izvirz\u012bjumiem malas aug\u0161da\u013c\u0101 \u2014 viss piesaist\u012bts arhitektoniskai lo\u0123ikai. \u0100r\u0113j\u0101 siena ir organiz\u0113ta k\u0101 miniat\u016bra arhitekt\u016bras fr\u012bze: kolonnu stabi ar savilkumiem iedala sienu regul\u0101ros panelos, kuros uz dzi\u013ci kobalta zil\u0101 fona reljefin\u0101s olivza\u013c\u0101s un kr\u0113mbalt\u0101s glaz\u016br\u0101s att\u012bst\u0101s akantus lapas, ritmiski izvietoti ziedi un vij\u012bgas v\u012bte\u0146u spir\u0101les \u2014 kompoz\u012bcija, kas tie\u0161i cit\u0113 16. gadsimta It\u0101lijas majolikas un arhitekt\u016bras frizas trad\u012bciju, bet ar\u012b romie\u0161u triumfa arku un termu dekor\u0101ciju.<\/p>\n

Kobaltzilas un olivza\u013cas kr\u0101su kombin\u0101cija ir \u0161\u012bs trad\u012bcijas paz\u012b\u0161anas z\u012bme \u2014 to izmantoja gan Francijas Palissyware imit\u0101cijas, gan V\u0101cijas un Austro-Ung\u0101rijas majolika manufakt\u016bras, kas \u0161aj\u0101 period\u0101 pieg\u0101d\u0101ja preci Eiropas aristokr\u0101tisko m\u0101ju un bur\u017eu\u0101zisko vilo interjoriem.<\/p>\n

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\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n

Apak\u0161\u0101 redzams iespieduma z\u012bmogs \u2014 sare\u017e\u0123\u012bts ligzdz\u012bmogs ar burtiem vai monogrammu, k\u0101 ar\u012b skait\u013ci 512<\/strong> un 4<\/strong>. Z\u012bmoga forma \u2014 stiliz\u0113ta, ar dekorat\u012bvi sav\u012btu burtu strukt\u016bru \u2014 ir rakstur\u012bga Austro-Ung\u0101rijas vai V\u0101cijas keramikas manufakt\u016br\u0101m<\/strong> 19. gs. otraj\u0101 pus\u0113.<\/p>\n

Vistuv\u0101k \u0161\u012b z\u012bmoga stils un preces raksturojums atbilst Villeroy & Boch<\/strong> (Mettlach, V\u0101cija) vai Sch\u00fctz Cilli<\/strong> (Cilli \/ Celje, Slov\u0113nija, tolaik Austro-Ung\u0101rija) majolika produkcijai \u2014 abas manufakt\u016bras bija Eiropas vado\u0161ie majolika un fajanss ra\u017eot\u0101ji \u0161aj\u0101 period\u0101, kuru prece regul\u0101ri par\u0101d\u012bj\u0101s Par\u012bzes, V\u012bnes un Berl\u012bnes pasaules izst\u0101d\u0113s. Villeroy & Boch Mettlach noda\u013ca bija \u012bpa\u0161i paz\u012bstama ar tie\u0161i \u0161\u0101das kobaltzilas un olivza\u013cas glaz\u016bras kombin\u0101ciju Neorenensanses ornamentik\u0101 \u2014 t\u0101 saukt\u0101 “Mettlach keramika” bija presti\u017es kolekcijas priek\u0161mets vis\u0101 Eiropas augst\u0101kaj\u0101 sabiedr\u012bb\u0101 1870.\u20131900. gados. Numurs 512<\/strong> var\u0113tu b\u016bt formas numurs, bet 4<\/strong> \u2014 lotes vai darbn\u012bcas apz\u012bm\u0113jums.<\/p>\n

Villeroy & Boch dibin\u0101ta 1748. gad\u0101 un l\u012bdz 19. gadsimta beig\u0101m bija k\u013cuvusi par vienu no Eiropas liel\u0101kaj\u0101m keramikas grup\u0101m, pieg\u0101d\u0101jot preci Eiropas karaliskaj\u0101m galmam, aristokr\u0101tijai un presti\u017eajiem viesn\u012bc\u0101m, k\u0101 ar\u012b Par\u012bzes un Berl\u012bnes izsmalcin\u0101t\u0101kajiem m\u0101kslas tirgot\u0101jiem.<\/p>\n

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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n

Majolika jardini\u00e8res ar Neorenensanses ornamentiku kobaltzilas un olivza\u013cas glaz\u016br\u0101 no 19. gs. otr\u0101s puses ir stabils kolekcion\u0101ru segments \u2014 \u012bpa\u0161i tad, ja z\u012bmogs ir identific\u0113jams un ornament\u0101l\u0101 kvalit\u0101te ir augsta. \u0160is trauks ir vizu\u0101li iespaid\u012bgs un labi saglab\u0101jies, ar dzi\u013cu kobalta spo\u017eumu un skaidriem reljefiem. T\u0101da tipa prece Eiropas antikv\u0101ro m\u0101kslu tirg\u016b \u2014 \u012bpa\u0161i V\u0101cij\u0101, Austrij\u0101 un Anglij\u0101 \u2014 tiek klasific\u0113ta k\u0101 Historicisma dekorat\u012bvo m\u0101kslu liecinieks augst\u0101kaj\u0101 kvalit\u0101tes kategorij\u0101.<\/p>\n

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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n

Kobaltzilas un olivza\u013cas kombin\u0101cija uz kr\u0113mbalta fona ir vizu\u0101li sp\u0113c\u012bga un daudzpus\u012bga \u2014 \u0161is trauks darbojas klasiski tum\u0161u koka m\u0113be\u013cu vid\u0113 k\u0101 reprezentat\u012bvs galda centrepiece, kam\u012bnplaukst\u0101 k\u0101 arhitektonisks akcents vai bibliot\u0113k\u0101 k\u0101 kult\u016brv\u0113sturisks objekts. Modern\u0101 interjer\u0101 kobalt\u0101 zil\u0101 kr\u0101sa darbojas k\u0101 dramstisks kontrasts.<\/p>\n

Fotogr\u0101fiem tas ir ide\u0101ls priek\u0161mets \u2014 reljefa dzi\u013cums s\u0101nu gaism\u0101 atdz\u012bvina katru akantus lapu un katru ziedu atsevi\u0161\u0137i, radot teju arhitekt\u016bras fotogr\u0101fijas saj\u016btu.<\/p>\n

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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n

\u0160is jardini\u00e8re ir reprezentat\u012bva d\u0101vana augst\u0101kaj\u0101 l\u012bmen\u012b \u2014 arhitektam, v\u0113sturniekam, m\u0101kslas kolekcion\u0101ram vai ikvienam, kura interjer\u0101 valda klasisk\u0101 Eiropas kult\u016bras gaisotne. K\u0101 korporat\u012bva vai diplom\u0101tiska d\u0101vana tas ir priek\u0161mets ar ac\u012bmredzamu kult\u016bras svaru un vizu\u0101lo p\u0101rliec\u012bbu.<\/p>\n

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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n

Majolika kopum\u0101 lab\u0101 st\u0101vokl\u012b. Iek\u0161pus\u0113 redzamas glaz\u016bras plais\u0101\u0161anas (crazing<\/em>) p\u0113das ar br\u016bngan\u0101m oks\u012bda ies\u016bk\u0161an\u0101s viet\u0101m \u2014 tas ir dabisks un gaid\u0101ms r\u0101d\u012bt\u0101js \u0161\u0101da vecuma majolik\u0101, kas pier\u0101da priek\u0161meta autentiskumu. \u0100r\u0113j\u0101 reljefornamentikas glaz\u016bra saglab\u0101jusies ar dzi\u013cu kobalta spo\u017eumu bez plais\u0101jumiem. K\u0101ji\u0146as piln\u0101 komplekt\u0101, ar nolietojuma p\u0113d\u0101m uz neglaz\u0113taj\u0101m galotn\u0113m. Nav redzamas restaur\u0101cijas.<\/p>\n

Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n

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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n

Majolica \/ faience jardini\u00e8re with Renaissance ornament in cobalt blue and olive green glazes \u2014 Historicism \/ Neo-Renaissance style, Austro-Hungary or Germany, circa 1870\u20131895.<\/strong><\/p>\n

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\ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n

Length 37.5 cm \u00d7 height 12 cm \u00d7 width 23.5 cm. A horizontally elongated, low, and wide form \u2014 classic proportions for a table centrepiece or mantelpiece jardini\u00e8re.<\/p>\n

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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, HISTORICAL CONTEXT<\/strong><\/p>\n

This piece is a fine example of the European Historicis<\/strong>t majolica tradition \u2014 the period during which the manufactories of the later 19th century returned with conscious enthusiasm to the ornamental language of Renaissance Italy and classical ancient Rome, regarding it as the supreme decorative achievement of European civilisation.<\/p>\n

The form is classically Neo-Renaissance: a low oval vessel with a curved, profiled rim, relief feet, and pierced projections along the upper rim \u2014 all organised according to an architectural logic. The outer wall is structured as a miniature architectural frieze: column shafts with entasis divide the wall into regular panels, within which acanthus leaves, rhythmically placed flowers, and sinuous tendril spirals develop in olive-green and cream-white relief against a deep cobalt blue ground \u2014 a composition that directly cites the 16th-century Italian majolica and architectural frieze tradition, as well as the decoration of Roman triumphal arches and thermae.<\/p>\n

The combination of cobalt blue and olive green is the identifying mark of this tradition \u2014 employed by both French Palissyware imitations and German and Austro-Hungarian majolica manufactories that supplied the interiors of European aristocratic homes and bourgeois villas throughout this period.<\/p>\n

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\u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n

The base bears an impressed mark \u2014 a complex ligature with letters or a monogram, alongside the numerals 512<\/strong> and 4<\/strong>. The form of the mark \u2014 stylised, with a decoratively intertwined letter structure \u2014 is characteristic of Austro-Hungarian or German ceramic manufactories<\/strong> of the second half of the 19th century.<\/p>\n

The mark style and product character most closely correspond to the majolica production of Villeroy & Boch<\/strong> (Mettlach, Germany) or Sch\u00fctz Cilli<\/strong> (Cilli \/ Celje, Slovenia, then Austro-Hungary) \u2014 both were leading European majolica and faience producers of this period, whose wares appeared regularly at the World Expositions in Paris, Vienna, and Berlin. The Villeroy & Boch Mettlach division was particularly known for precisely this combination of cobalt blue and olive green glaze in Neo-Renaissance ornament \u2014 the so-called “Mettlach ceramics” were a prestigious collector’s object throughout European high society from the 1870s to 1900s. The numeral 512<\/strong> is likely a form number, while 4<\/strong> denotes a batch or workshop designation.<\/p>\n

Villeroy & Boch, founded in 1748, had by the later 19th century become one of Europe’s largest ceramic groups, supplying European royal courts, the aristocracy, and prestigious hotels, as well as the most distinguished art dealers in Paris and Berlin.<\/p>\n

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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n

Majolica jardini\u00e8res with Neo-Renaissance ornament in cobalt blue and olive green glaze from the second half of the 19th century represent a consistent collector’s category \u2014 particularly when the mark is identifiable and the ornamental quality is high. This piece is visually striking and well preserved, with a deep cobalt glaze intensity and clear relief definition. Wares of this type in the European antique art market \u2014 particularly in Germany, Austria, and England \u2014 are classified as Historicist decorative arts witnesses of the highest quality category.<\/p>\n

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\ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n

The combination of cobalt blue and olive green on a cream-white ground is visually powerful and versatile \u2014 this piece works in a classically furnished dark-wood interior as a representative table centrepiece, on a mantelpiece as an architectural accent, or in a library as a cultural-historical object. In a modern interior the cobalt blue functions as a dramatic counterpoint.<\/p>\n

For photographers it is an ideal subject \u2014 the depth of the relief in raking side light brings each acanthus leaf and each flower to life individually, creating an effect close to architectural photography.<\/p>\n

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\ud83c\udf81 AS A GIFT<\/strong><\/p>\n

This jardini\u00e8re is a representative gift at the highest level \u2014 for an architect, historian, art collector, or anyone whose interior is governed by the atmosphere of classical European culture. As a corporate or diplomatic gift it is an object with unmistakable cultural weight and visual authority.<\/p>\n

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\ud83d\udd0d CONDITION<\/strong><\/p>\n

The majolica is in overall good condition. The interior shows glaze crazing with areas of brown oxide absorption \u2014 a natural and expected characteristic of majolica of this age, confirming the object’s authenticity. The outer relief ornament glaze is preserved with deep cobalt intensity and no cracking. The feet are complete, with wear on the unglazed tips. No visible restoration.<\/p>\n

The condition of the item is fully reflected in the photographs.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\ud83d\udcd0 IZM\u0112RI Garums 37,5 cm \u00d7 augstums 12 cm \u00d7 platums 23,5 cm. Horizont\u0101li izstiepts, zems un platisks form\u0101ts \u2014<\/p>\n","protected":false},"featured_media":30640,"template":"","meta":[],"product_brand":[],"product_cat":[242,238,211,204],"product_tag":[],"class_list":["post-30639","product","type-product","status-publish","has-post-thumbnail","product_cat-glabasanas-trauki","product_cat-pukpodi-kaspo","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/30639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/30640"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=30639"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=30639"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=30639"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=30639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}