{"id":29268,"date":"2024-10-02T22:03:20","date_gmt":"2024-10-02T19:03:20","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=29268"},"modified":"2026-09-08T00:38:27","modified_gmt":"2026-09-07T21:38:27","slug":"5087","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5087\/","title":{"rendered":"Met\u0101la Kappa ar Lauvas Galv\u0101m, Vid\u0113ja Izm\u0113ra Kalt\u0101 misi\u0146a ka\u0161po ar lauvas galv\u0101m un \u0113rg\u013ca naga k\u0101ji\u0146\u0101m \u2014 Neoklasicisms \/ V\u0113lais Historicisms, Rietumeiropa, ap 1880.\u20131910. (5087)"},"content":{"rendered":"
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\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Augstums 33,5 cm \u00d7 platums 31 cm.<\/p>\n

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Kalt\u0101 misi\u0146a ka\u0161po ar lauvas galv\u0101m un \u0113rg\u013ca naga k\u0101ji\u0146\u0101m \u2014 Neoklasicisms \/ V\u0113lais Historicisms, Rietumeiropa, ap 1880.\u20131910.\u00a0<\/strong><\/p>\n

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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n

\u0160is iespaid\u012bgais kalt\u0101 misi\u0146a ka\u0161po pieder Neoklasicisma un V\u0113l\u0101 Historicisma robe\u017ezonai \u2014 laikposmam, kad 19. gadsimta beigu Eiropas dekorat\u012bv\u0101 met\u0101lapstr\u0101de sasniedza savu augst\u0101ko kvalit\u0101tes l\u012bmeni. Manu\u0101li kalt\u0101s misi\u0146a virsmas pamatojums \u2014 t\u0101 saukt\u0101 “hammered” jeb \u0101mursitienu tekst\u016bra \u2014 ir ne tikai est\u0113tisks pa\u0146\u0113miens, bet ar\u012b liecinieks par roku darba meistara prasmi: katrs sitienu nospiedums ir individu\u0101ls, radot gaismas lauzu efektu, kas nekad neatk\u0101rtojas div\u0101s vien\u0101d\u0101s viet\u0101s. \u0160o tehnikas pa\u0146\u0113mienu, kas bija Viduslaiku un Renesanses kal\u0113ju rakstur\u012bg\u0101 valoda, 19. gadsimta otraj\u0101 pus\u0113 atdz\u012bvin\u0101ja Arts and Crafts kust\u012bba Anglij\u0101 un tai paral\u0113lie Kunsthandwerk virzieni V\u0101cij\u0101 un Austrij\u0101 \u2014 k\u0101 reakcija uz r\u016bpniecisk\u0101s ra\u017eo\u0161anas bezpersoniskumu. Divi lauvas galvu ielogi ar bronzas gredzeniem ir tipiski Neoklasicisma elements, kas gadsimtiem ilgi rot\u0101ja Eiropas aristokr\u0101tijas durvis, \u0161\u0137irstus un m\u0113beles \u2014 lauva k\u0101 varas, dro\u0161\u012bbas un c\u0113luma simbols. Tr\u012bs \u0113rg\u013ca nagam l\u012bdz\u012bg\u0101s k\u0101ji\u0146as ar akantus lapas ornament\u0113tu aug\u0161da\u013cu ir klasisks Empire un Neoklasicisma m\u0113be\u013cu un interjera priek\u0161metu stilistiskais elements, kas paz\u012bstams no lab\u0101kaj\u0101m Eiropas galdnieku un met\u0101lapstr\u0101d\u0101t\u0101ju darbn\u012bc\u0101m.<\/p>\n

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\u269c\ufe0f RA\u017dOT\u0100JS UN STILISTISK\u0100 PIEDER\u012aBA<\/strong><\/p>\n

Nav ra\u017eot\u0101ja z\u012bmoga \u2014 tas ir rakstur\u012bgi roku darba met\u0101la priek\u0161metiem no \u0161\u012b perioda, jo met\u0101lapstr\u0101dnieku darbn\u012bcas mar\u0137\u0113ja savu produkciju daudz ret\u0101k nek\u0101 porcel\u0101na manufakt\u016bras. Priek\u0161meta izpild\u012bjuma kvalit\u0101te \u2014 lauvas galvu lietuves asums, k\u0101ji\u0146u detaliz\u0101cija, misi\u0146a biezums un kal\u0161anas vienm\u0113r\u012bba \u2014 nor\u0101da uz profesion\u0101lu amatnieka vai nelielas specializ\u0113tas darbn\u012bcas roku, nevis masveida r\u016bpniecisko ra\u017eo\u0161anu. \u0160\u0101di misi\u0146a ka\u0161po tika izgatavoti vis\u0101 Rietumeirop\u0101 \u2014 Anglij\u0101, Be\u013c\u0123ij\u0101, N\u012bderland\u0113, V\u0101cij\u0101 un Austrij\u0101 \u2014 un tie pieder\u0113ja pie t\u0101 perioda augst\u0101k\u0101s klases interjera aksesu\u0101riem, ko izmantoja liel\u0101ku augu \u2014 palmu, laurkoku, fikusu \u2014 noform\u0113\u0161anai burgeru un aristokr\u0101tu m\u0101jokl\u012b. Lauvas galvas k\u0101 s\u0101nu rokturi ar gredzeniem nor\u0101da uz iesp\u0113ju, ka ka\u0161po s\u0101kotn\u0113ji var\u0113ja tikt izmantots ar\u012b k\u0101 v\u0113rien\u012bgs dz\u0113rienu vai ledus trauks reprezent\u0101cijas vajadz\u012bb\u0101m.<\/p>\n

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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n

Kalts misi\u0146a ka\u0161po ar pilnv\u0113rt\u012bgiem lauvas galvu rokturu ielogiem un ornament\u0113t\u0101m \u0113rg\u013ca naga k\u0101ji\u0146\u0101m \u0161\u0101d\u0101 izm\u0113r\u0101 un kvalit\u0101t\u0113 ir sal\u012bdzino\u0161i rets atradums. Liel\u0101k\u0101 da\u013ca analogu priek\u0161metu, kas saglab\u0101ju\u0161ies l\u012bdz m\u016bsdien\u0101m, ir maz\u0101ka izm\u0113ra vai ar vienk\u0101r\u0161otu ornamentiku. \u0160is ka\u0161po iev\u0113rojam\u0101 augstuma (33,5 cm) un platuma (31 cm) d\u0113\u013c pieder pie reprezent\u0101cijas kategorijas \u2014 tas nav galda aksesu\u0101rs, bet gan gr\u012bdas vai konsoles akcentpriek\u0161mets. Kolekcion\u0101ri, kas specializ\u0113jas 19. gadsimta met\u0101lapstr\u0101d\u0113, Arts and Crafts stil\u0101 un Neoklasicisma interjera dekor\u0101, \u0161\u0101du priek\u0161metu nov\u0113rt\u0113s augstu.<\/p>\n

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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n

\u0160is misi\u0146a ka\u0161po ir viena no t\u0101m interjera liet\u0101m, kas darbojas gandr\u012bz jebkur\u0101 vid\u0113 \u2014 t\u0101 dzelten\u0101 zelta mirdzums silda gan klasisku, gan m\u016bsdien\u012bgu interjeru. Tas ide\u0101li paredz\u0113ts liel\u0101ku podi\u0146augu ievieto\u0161anai \u2014 palmas, fikusa, lauru vai liela monstera pod\u0101 iek\u0161\u0101 \u2014 veidojot bag\u0101t\u012bgu un reprezentat\u012bvu za\u013cumu akcentu. Darbojas k\u0101 kam\u012bna s\u0101nu dekors, gaite\u0146a akcents pie durv\u012bm, k\u0101 ar\u012b k\u0101 patst\u0101v\u012bgs skulptur\u0101ls objekts uz gr\u012bdas st\u016br\u012b. Fotogr\u0101fiem un stilistiem tas ir izcilas izmanto\u0161anas rekviz\u012bts luksusa interjera, v\u012brie\u0161u modes vai “old money” tematiku fotograf\u0113\u0161anai \u2014 lauvas galvas un \u0101mursitienu tekst\u016bra rada t\u016bl\u012bt\u0113ju aristokr\u0101tiskas vides asoci\u0101ciju.<\/p>\n

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\ud83c\udf81 D\u0100VANA<\/strong><\/p>\n

\u0160is misi\u0146a ka\u0161po ar lauvas simboliku ir izsmalcin\u0101ta un reprezentat\u012bva d\u0101vana augst\u0101kaj\u0101 kategorij\u0101. Lauva ir varas, drosmes un c\u0113luma univers\u0101lais simbols \u2014 t\u0101p\u0113c \u0161is priek\u0161mets der k\u0101 d\u0101vana vad\u012bt\u0101jiem, juristiem, milit\u0101rperson\u0101m, politi\u0137iem un ikvienam, kam lauva ir person\u012bgais vai profesion\u0101lais simbols. Der\u0113tu ar\u012b k\u0101 korporat\u012bv\u0101 d\u0101vana biroja vai p\u0101rst\u0101vniec\u012bbas telpas iek\u0101rto\u0161anai. Lauvas z\u012bmes horoskopa cilv\u0113kam \u0161\u012b b\u016btu neaizmirstama un simboliski prec\u012bza d\u0101vana.<\/p>\n

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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n

Ka\u0161po ir lab\u0101 visp\u0101r\u0113j\u0101 st\u0101vokl\u012b atbilsto\u0161i t\u0101 vecumam. Misi\u0146a virsmai rakstur\u012bga dabiska patina un oksid\u0101cijas p\u0113das, kas pie\u0161\u0137ir priek\u0161metam autentiskumu. Lauvas galvu un k\u0101ji\u0146u detaliz\u0101cija saglab\u0101jusies skaidri. Iek\u0161pus\u0113 redzamas dabiskas laika lieto\u0161anas p\u0113das. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n

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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n

Hammered brass cachepot with lion’s head handles and eagle claw feet \u2014 Neoclassicism \/ Late Historicism, Western Europe, circa 1880\u20131910.<\/strong><\/p>\n

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\ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n

Height 33.5 cm \u00d7 width 31 cm.<\/p>\n

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\ud83c\udfdb\ufe0f PERIOD, ART STYLE, HISTORICAL CONTEXT<\/strong><\/p>\n

This imposing hammered brass cachepot occupies the boundary between Neoclassicism and Late Historicism \u2014 a period when late 19th-century European decorative metalwork reached its highest level of quality. The manually hammered surface texture \u2014 each individual strike of the hammer leaving its own unique impression \u2014 is not merely an aesthetic device but a testament to the craftsman’s skill: the play of light across the surface never repeats itself in the same way twice. This technique, the characteristic language of medieval and Renaissance smiths, was revived in the second half of the 19th century by the Arts and Crafts movement in England and by parallel Kunsthandwerk currents in Germany and Austria \u2014 as a conscious reaction against the impersonality of industrial production. The two lion’s head cartouches with bronze rings are a classic Neoclassical element that for centuries adorned the doors, chests and furniture of European aristocracy \u2014 the lion as a universal symbol of power, security and nobility. The three eagle claw feet with their acanthus-leaf ornamented upper sections are a canonical Empire and Neoclassical decorative element, familiar from the finest European cabinetmakers and metalworkers’ workshops.<\/p>\n

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\u269c\ufe0f MAKER AND STYLISTIC ATTRIBUTION<\/strong><\/p>\n

No maker’s mark is present \u2014 this is characteristic of handcrafted metal objects from this period, as metalworking workshops marked their output far less consistently than porcelain manufactories. The quality of execution \u2014 the crispness of the lion’s head casting, the detail of the feet, the thickness of the brass and the evenness of the hammering \u2014 points to a professional craftsman or a small specialised workshop rather than mass industrial production. Cachepots of this type were produced throughout Western Europe \u2014 in England, Belgium, the Netherlands, Germany and Austria \u2014 and belonged to the premium tier of period interior accessories, used to display large plants such as palms, bay trees, ficus and similar specimens in the homes of the bourgeoisie and aristocracy. The lion’s head side handles with rings also suggest that the cachepot may originally have served as a substantial drinks or ice vessel for representative occasions.<\/p>\n

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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n

A hammered brass cachepot with fully realised lion’s head handle cartouches and ornamental eagle claw feet of this size and quality is a comparatively rare find. The majority of surviving analogues are smaller in scale or carry simplified ornament. At a height of 33.5 cm and a width of 31 cm, this piece belongs to the representational category \u2014 it is not a table accessory but a floor or console statement object. Collectors specialising in 19th-century metalwork, the Arts and Crafts style and Neoclassical interior decoration will value a piece of this kind highly.<\/p>\n

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\ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n

This brass cachepot is one of those interior objects that functions in almost any setting \u2014 its warm golden lustre suits both classical and contemporary interiors. It is ideally suited to housing larger potted plants \u2014 palms, ficus, bay trees or large monsteras \u2014 creating a rich and representational green accent. It works as a fireside accessory, as a statement piece flanking an entrance door, and as a freestanding sculptural object in a room corner. For photographers and stylists it is an outstanding prop for luxury interior, menswear or “old money” themed shoots \u2014 the lion’s heads and hammered texture create an immediate association with an aristocratic environment.<\/p>\n

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\ud83c\udf81 AS A GIFT<\/strong><\/p>\n

This brass cachepot with lion symbolism makes a distinguished and representational gift at the highest level. The lion is the universal symbol of power, courage and nobility \u2014 making this piece an ideal gift for executives, lawyers, military officers, politicians and anyone for whom the lion holds personal or professional significance. It would also suit as a corporate gift for an office or representative space. For someone born under the sign of Leo, this would be a memorable and symbolically precise present.<\/p>\n

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\ud83d\udd0d CONDITION<\/strong><\/p>\n

The cachepot is in good overall condition consistent with its age. The brass surface shows natural patina and oxidation traces characteristic of the period, which lend the piece its authentic character. The detail of the lion’s heads and feet is well preserved. The interior shows natural signs of period use. The condition of the item is fully reflected in the photographs.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\ud83d\udcd0 IZM\u0112RI Augstums 33,5 cm \u00d7 platums 31 cm. \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015 Kalt\u0101 misi\u0146a ka\u0161po ar lauvas galv\u0101m un \u0113rg\u013ca naga k\u0101ji\u0146\u0101m<\/p>\n","protected":false},"featured_media":29269,"template":"","meta":[],"product_brand":[],"product_cat":[238,211,204],"product_tag":[],"class_list":["post-29268","product","type-product","status-publish","has-post-thumbnail","product_cat-pukpodi-kaspo","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/29268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/29269"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=29268"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=29268"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=29268"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=29268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}