\ud83c\uddf1\ud83c\uddfb<\/p>\n
Izcils, liela izm\u0113ra un vizu\u0101li iespaid\u012bgs antikv\u0101r\u0101 met\u0101la m\u0101kslas priek\u0161mets (grand bronze rococo candelabra for six candles<\/i>), kas rad\u012bts k\u0101 galvenais reprezentablais akcents greznam interjeram. \u0160is se\u0161u \u017euburu kandelabrs ir veidots kr\u0101\u0161\u0146aj\u0101 un dinamiskaj\u0101 neorokoko<\/b> stila est\u0113tik\u0101, kur katra l\u012bnija tiecas telp\u0101 ar plastisku un asimetrisku v\u0113rienu. No mas\u012bv\u0101, reljef\u0101 k\u0101ta izaug pieci eleganti izloc\u012bti, vij\u012bgi s\u0101nu zari, kurus papildina viens centr\u0101lais, augst\u0101k paceltais sve\u010dturis. Katra sveces ligzda un pilienu \u0161\u0137\u012bv\u012btis ir veidots k\u0101 pl\u016bsto\u0161a, uzplaukusi zieda vai vi\u013c\u0146veida vol\u016btas rozete, ko bag\u0101t\u012bgi rot\u0101 akanta lapu un dabas mot\u012bvu reljefi. Kandelabram ir plata, stabila un smagi lieta pamatne ar izteiksm\u012bg\u0101m, ritmisk\u0101m k\u0101ji\u0146u vol\u016bt\u0101m, kas nodro\u0161ina nevainojamu l\u012bdzsvaru \u0161im iespaid\u012bgajam m\u0101kslas darbam.<\/p>\n
Izgatavo\u0161anas periods<\/b> Izgatavots 19. gadsimta otraj\u0101 pus\u0113, Napoleona III jeb Otr\u0101s imp\u0113rijas vald\u012b\u0161anas laik\u0101, kad Francijas un visas Eiropas presti\u017e\u0101kaj\u0101s lietuv\u0113s piedz\u012bvoja uzplaukumu neorokoko<\/b> stils, atgrie\u017eot interjeros Luija XV laikmeta pi\u013cu grezn\u012bbu un dekorat\u012bvo drosmi.<\/p>\n
Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> Priek\u0161mets ir izgatavots p\u0113c augst\u0101kajiem fran\u010du dekorat\u012bv\u0101s un arhitektonisk\u0101s bronzas apstr\u0101des standartiem. Lai gan l\u0113jums nesatur tie\u0161u manufakt\u016bras parakstu, t\u0101 izpild\u012bjuma sare\u017e\u0123\u012bt\u012bba, deta\u013cu plastika un iev\u0113rojamais svars nep\u0101rprotami nor\u0101da uz pieredz\u0113ju\u0161u un specializ\u0113tu m\u0101ksliniecisk\u0101s bronzas lietuvi, kas orient\u0113j\u0101s uz ekskluz\u012bviem augst\u0101k\u0101s sabiedr\u012bbas salona pas\u016bt\u012bjumiem.<\/p>\n
Retums un noz\u012bme<\/b> Kandelabra galven\u0101 v\u0113rt\u012bba ir t\u0101 izteiksm\u012bgais m\u0113rogs un meistar\u012bgais roku darbs bronzas kal\u0161an\u0101 un zelt\u012b\u0161an\u0101. \u0160\u0101di liela izm\u0113ra, smagi galda sve\u010dturi, kas nav cietu\u0161i laika gait\u0101 un saglab\u0101ju\u0161i visu \u017euburu ori\u0123in\u0101lo asimetrisko ritmu, ir sal\u012bdzino\u0161i rets un \u013coti augstu v\u0113rt\u0113ts kolekciju priek\u0161mets connoisseur vid\u016b.<\/p>\n
Pielietojums<\/b> Kandelabrs kalpos k\u0101 majest\u0101tisks sv\u0113tku mielasta galda centrs, k\u0101 ar\u012b izcili izskat\u012bsies uz mas\u012bvas kam\u012bna malas, lielas konsoles vai bufetes l\u012bdz\u0101s antikv\u0101riem spogu\u013ciem un glezn\u0101m. Iededzot taj\u0101 visas se\u0161as sveces, liesmu gaisma dabiski rota\u013c\u0101jas bronzas vijumos, radot pilij rakstur\u012bgu, siltu un aristokr\u0101tisku atmosf\u0113ru.<\/p>\n
St\u0101voklis<\/b> Priek\u0161mets ir teicam\u0101 tehnisk\u0101 un vizu\u0101laj\u0101 st\u0101vokl\u012b. Mas\u012bv\u0101 un \u013coti smag\u0101 bronzas konstrukcija ir piln\u012bb\u0101 stingra, stabila un dro\u0161a. Visi zari un sve\u010du ligzdas ir veselas, l\u0113jumam nav plaisu vai l\u016bzumu. Met\u0101la virsmai ir pat\u012bkams, silts zelta mirdzums ar c\u0113lu, dabisku laika patinu reljefa padzi\u013cin\u0101jumos, kas izce\u013c katru lapas un vol\u016btas l\u012bniju. Pamatnes apak\u0161da\u013ca ir r\u016bp\u012bgi p\u0101rvilkta ar sarkanu aizsargfilcu, lai pasarg\u0101tu m\u0113be\u013cu virsmas no skr\u0101p\u0113jumiem. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
Neorokoko laikmeta momentuz\u0146\u0113mums:<\/i><\/b> Rihards \u0160trauss (Richard Strauss) uz mirkli noliek mal\u0101 spalvask\u0101tu un pace\u013c skatienu no jaunas operas partit\u016bras, \u013caujot vakara gaismai iel\u016bkoties vi\u0146a darba istabas dzi\u013cum\u0101. Uz lakot\u0101 galdi\u0146a starp ziedu kompoz\u012bcij\u0101m zaigo kr\u0101\u0161\u0146s un smags bronzas mirdzums, kura asimetriski izloc\u012btie zari \u0161\u0137iet tikpat dinamiski un polifoniski k\u0101 or\u0137estra st\u012bgu vijumi. Vi\u0146a plauksta viegli p\u0101rvelk p\u0101ri v\u0113sajai un nesatricin\u0101mi smagajai asij, j\u016btot katru akanta lapas reljefu, kas telpas kr\u0113sl\u0101 tver r\u0101mas un dzi\u013cas \u0113nas uz sienas. Se\u0161i izteiksm\u012bgie \u017euburi k\u0101 sastingu\u0161i vi\u013c\u0146i tiecas aug\u0161up, radot telp\u0101 piln\u012bgu monument\u0101la miera un v\u0113sturiska v\u0113riena harmoniju. Kad sve\u010du liesmas r\u0101mi s\u0101k laist\u012bties met\u0101la kausi\u0146os, komponistu p\u0101r\u0146em nesatricin\u0101ms po\u0113tiska gandar\u012bjuma mirklis pirms gaid\u0101m\u0101 koncerta.<\/i><\/p>\n
\ud83c\uddf7\ud83c\uddfa<\/p>\n
\u042d\u0442\u043e\u0442 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439, \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u044b\u0439 \u0438 \u043d\u0435\u043e\u0431\u044b\u0447\u0430\u0439\u043d\u043e \u0442\u044f\u0436\u0435\u043b\u044b\u0439 \u043d\u0430\u043f\u043e\u043b\u044c\u043d\u043e-\u043d\u0430\u0441\u0442\u043e\u043b\u044c\u043d\u044b\u0439 \u043a\u0430\u043d\u0434\u0435\u043b\u044f\u0431\u0440 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 \u0432\u044b\u0434\u0430\u044e\u0449\u0438\u0439\u0441\u044f \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0433\u043e \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u043e\u0433\u043e \u043b\u0438\u0442\u044c\u044f \u043f\u0435\u0440\u0438\u043e\u0434\u0430 \u043f\u0440\u0430\u0432\u043b\u0435\u043d\u0438\u044f \u041d\u0430\u043f\u043e\u043b\u0435\u043e\u043d\u0430 III. \u0418\u0437\u0434\u0435\u043b\u0438\u0435 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043e \u043d\u0430 \u0448\u0435\u0441\u0442\u044c \u0441\u0432\u0435\u0447\u0435\u0439 \u0432 \u0438\u0437\u044f\u0449\u043d\u043e\u0439 \u0438 \u043f\u043e\u043c\u043f\u0435\u0437\u043d\u043e\u0439 \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0435 \u0441\u0442\u0438\u043b\u044f \u043d\u0435\u043e\u0440\u043e\u043a\u043e\u043a\u043e<\/b>. \u041e\u0442 \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0444\u0438\u0433\u0443\u0440\u043d\u043e\u0433\u043e \u0448\u0442\u0430\u0442\u0438\u0432\u0430 \u0434\u0438\u043d\u0430\u043c\u0438\u0447\u043d\u043e \u0440\u0430\u0441\u0445\u043e\u0434\u044f\u0442\u0441\u044f \u043f\u044f\u0442\u044c \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u043e \u0437\u0430\u043a\u0440\u0443\u0447\u0435\u043d\u043d\u044b\u0445 \u0430\u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u044b\u0445 \u0440\u043e\u0436\u043a\u043e\u0432, \u0434\u043e\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u044b\u0445 \u0448\u0435\u0441\u0442\u044b\u043c, \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u044b\u043c \u0433\u043d\u0435\u0437\u0434\u043e\u043c \u043d\u0430 \u0432\u043e\u0437\u0432\u044b\u0448\u0435\u043d\u0438\u0438. \u041a\u0430\u0436\u0434\u0430\u044f \u0441\u0432\u0435\u0447\u043d\u0430\u044f \u0447\u0430\u0448\u0430 \u0438 \u0440\u043e\u0437\u0435\u0442\u043a\u0430 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u044b \u0432 \u0432\u0438\u0434\u0435 \u043f\u044b\u0448\u043d\u044b\u0445, \u0440\u0430\u0441\u043f\u0443\u0441\u0442\u0438\u0432\u0448\u0438\u0445\u0441\u044f \u0446\u0432\u0435\u0442\u043e\u0432 \u0438 \u0432\u043e\u043b\u044e\u0442, \u0441\u043f\u043b\u043e\u0448\u044c \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u043d\u044b\u0445 \u0447\u0435\u043a\u0430\u043d\u043d\u044b\u043c\u0438 \u043b\u0438\u0441\u0442\u044c\u044f\u043c\u0438 \u0430\u043a\u0430\u043d\u0442\u0430 \u0438 \u0440\u0430\u0441\u0442\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u043c\u0438 \u043c\u043e\u0442\u0438\u0432\u0430\u043c\u0438. \u041c\u0430\u0441\u0441\u0438\u0432\u043d\u043e\u0435 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0435 \u0441 \u0440\u043e\u043a\u0430\u0439\u043b\u044c\u043d\u044b\u043c\u0438 \u0437\u0430\u0432\u0438\u0442\u043a\u0430\u043c\u0438 \u0433\u0430\u0440\u0430\u043d\u0442\u0438\u0440\u0443\u0435\u0442 \u0431\u0435\u0437\u0443\u043f\u0440\u0435\u0447\u043d\u0443\u044e \u0443\u0441\u0442\u043e\u0439\u0447\u0438\u0432\u043e\u0441\u0442\u044c \u0432\u0441\u0435\u0439 \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u0438. \u041c\u0435\u0442\u0430\u043b\u043b \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u0439 \u0437\u043e\u043b\u043e\u0442\u0438\u0441\u0442\u044b\u0439 \u0431\u043b\u0435\u0441\u043a \u0441 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u0432\u0435\u043a\u043e\u0432\u043e\u0439 \u043f\u0430\u0442\u0438\u043d\u043e\u0439 \u0432 \u0443\u0433\u043b\u0443\u0431\u043b\u0435\u043d\u0438\u044f\u0445 \u0440\u0435\u043b\u044c\u0435\u0444\u0430, \u043f\u043e\u0434\u0447\u0435\u0440\u043a\u0438\u0432\u0430\u044e\u0449\u0435\u0439 \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u044b\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430. \u041d\u0438\u0436\u043d\u044f\u044f \u0447\u0430\u0441\u0442\u044c \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u044f \u0437\u0430\u0449\u0438\u0449\u0435\u043d\u0430 \u043a\u0440\u0430\u0441\u043d\u044b\u043c \u0444\u0435\u0442\u0440\u043e\u043c. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n
\u0421\u043d\u0438\u043c\u043e\u043a \u044d\u043f\u043e\u0445\u0438 \u043d\u0435\u043e\u0440\u043e\u043a\u043e\u043a\u043e:<\/i><\/b> \u0420\u0438\u0445\u0430\u0440\u0434 \u0428\u0442\u0440\u0430\u0443\u0441 (Richard Strauss) \u043e\u0442\u043a\u043b\u0430\u0434\u044b\u0432\u0430\u0435\u0442 \u043f\u0435\u0440\u043e \u043f\u043e \u0437\u0430\u0432\u0435\u0440\u0448\u0435\u043d\u0438\u0438 \u0441\u043b\u043e\u0436\u043d\u043e\u0439 \u043e\u043f\u0435\u0440\u043d\u043e\u0439 \u0441\u0446\u0435\u043d\u044b \u0438 \u043f\u043e\u0434\u043d\u0438\u043c\u0430\u0435\u0442 \u0432\u0437\u0433\u043b\u044f\u0434 \u043d\u0430 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u0441\u0438\u043b\u0443\u044d\u0442, \u0432\u043e\u0437\u0432\u044b\u0448\u0430\u044e\u0449\u0438\u0439\u0441\u044f \u043d\u0430 \u0435\u0433\u043e \u0441\u0442\u043e\u043b\u0435. \u041e\u043d \u043f\u043e\u0434\u0445\u043e\u0434\u0438\u0442 \u043a \u0442\u044f\u0436\u0435\u043b\u043e\u0439 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u043e\u0439 \u043a\u043e\u043b\u043e\u043d\u043d\u0435, \u0447\u044c\u044f \u0440\u0438\u0444\u043b\u0435\u043d\u0430\u044f \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u044c \u043f\u043e\u0434 \u0435\u0433\u043e \u043b\u0430\u0434\u043e\u043d\u044f\u043c\u0438 \u043a\u0430\u0436\u0435\u0442\u0441\u044f \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u043e\u0439 \u0438 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u043e \u0432\u0435\u0441\u043e\u043c\u043e\u0439, \u0441\u043b\u043e\u0432\u043d\u043e \u043e\u0441\u043d\u043e\u0432\u0430\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u0431\u0430\u0441\u043e\u0432\u044b\u0439 \u0430\u043a\u043a\u043e\u0440\u0434. \u041f\u044f\u0442\u044c \u0430\u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u044b\u0445 \u0440\u043e\u0436\u043a\u043e\u0432 \u0438 \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u043e\u0435 \u0433\u043d\u0435\u0437\u0434\u043e \u0443\u0441\u0442\u0440\u0435\u043c\u043b\u044f\u044e\u0442\u0441\u044f \u0432\u0432\u0435\u0440\u0445, \u043b\u043e\u0432\u044f \u043f\u0440\u0435\u0434\u0432\u0435\u0447\u0435\u0440\u043d\u0438\u0439 \u0441\u0432\u0435\u0442 \u0441\u0432\u043e\u0438\u043c\u0438 \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u044b\u043c\u0438 \u0447\u0430\u0448\u0430\u043c\u0438 \u0438 \u043e\u0442\u0431\u0440\u0430\u0441\u044b\u0432\u0430\u044f \u0434\u043b\u0438\u043d\u043d\u044b\u0435 \u0438\u0437\u044f\u0449\u043d\u044b\u0435 \u0442\u0435\u043d\u0438 \u043d\u0430 \u0441\u0442\u0435\u043d\u0443. \u0412 \u0442\u0438\u0445\u043e\u0439 \u043a\u043e\u043c\u043d\u0430\u0442\u0435, \u043d\u0430\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u043e\u0439 \u0430\u0440\u043e\u043c\u0430\u0442\u043e\u043c \u0441\u0432\u0435\u0436\u0438\u0445 \u0446\u0432\u0435\u0442\u043e\u0432 \u0438 \u0441\u0442\u0430\u0440\u044b\u0445 \u043d\u043e\u0442\u043d\u044b\u0445 \u043b\u0438\u0441\u0442\u043e\u0432, \u044d\u0442\u043e\u0442 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0430\u043a\u0446\u0435\u043d\u0442 \u0441\u043e\u0437\u0434\u0430\u0435\u0442 \u043e\u0449\u0443\u0449\u0435\u043d\u0438\u0435 \u0430\u0431\u0441\u043e\u043b\u044e\u0442\u043d\u043e\u0433\u043e \u043f\u043e\u043a\u043e\u044f \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0432\u0435\u043b\u0438\u0447\u0438\u044f. \u041a\u043e\u0433\u0434\u0430 \u043f\u043b\u0430\u043c\u044f \u0441\u0432\u0435\u0447\u0435\u0439 \u043d\u0430\u0447\u0438\u043d\u0430\u0435\u0442 \u043c\u044f\u0433\u043a\u043e \u0441\u0432\u0435\u0442\u0438\u0442\u044c\u0441\u044f \u043d\u0430\u0434 \u0443\u0437\u043e\u0440\u0430\u043c\u0438, \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u043e \u043d\u0430\u043f\u043e\u043b\u043d\u044f\u0435\u0442\u0441\u044f \u043d\u0435\u043f\u043e\u0434\u0434\u0435\u043b\u044c\u043d\u044b\u043c \u0430\u0440\u0438\u0441\u0442\u043e\u043a\u0440\u0430\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u043c \u0443\u044e\u0442\u043e\u043c \u0438 \u043f\u043e\u044d\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u043c \u0441\u043e\u0432\u0435\u0440\u0448\u0435\u043d\u0441\u0442\u0432\u043e\u043c.<\/i><\/p>\n
\ud83c\uddec\ud83c\udde7<\/p>\n
This monumental and exceptionally heavy bronze floor lamp candelabra<\/b> (desktop version) serves as a paramount example of mid-to-late 19th-century European ornamental bronze casting. Masterfully rendered in the opulent Neo-Rococo style<\/b> during the French Napoleon III era, the piece channels the grand asymmetry and natural romanticism of the Louis XV period. The central baluster column gives rise to five dynamically scrolled arms, accompanied by a single, higher-elevated central light socket.<\/p>\n
Each socket and drip pan is intricately cast as an open, stylized blossom decorated with high-relief acanthus leaves and scrolling wave-like frameworks. The substantial, scalloped base features thick rocaille feet, assuring absolute stability for this large and heavy piece. The metal exhibits an exquisite golden luster with a rich, authentic time-worn patina enhancing the deeper contours. The underside of the base is neatly protected with red felt. Mechanically sound and completely intact, the object’s condition is fully reflected in the photographs.<\/p>\n
Neo-Rococo era snapshot:<\/i><\/b> Richard Strauss (Richard Strauss) sets down his pen upon completing a page of his new opera score and looks up toward the room’s depths, where the evening sun begins to illuminate heavy, gilded branches. He steps toward the noble, scrolling form, its cast metal feeling cool and unshakeably heavy under his hands, much like the grounded bass of a full orchestral chord. The six arms rise like bronze waves toward the ceiling, catching the light in their floral cups and throwing dramatic, graceful shadows upon the wall background. In the quiet study, filled with the scent of fresh flowers and old parchment, this artistic accent brings a sense of absolute peace and historical scale. The heavy base holds the table firmly, granting the composer a deep feeling of comfort and poetic perfection.<\/i><\/p>\n
\ud83c\udde9\ud83c\uddea<\/p>\n
Dieser monumentale und au\u00dfergew\u00f6hnlich schwere antike Leuchter f\u00fcr sechs Kerzen ist ein exquisites Meisterwerk europ\u00e4ischen Historismus-Bronzegusses, gefertigt im prunkvollen Stil des Neorokoko<\/b>. Die Mitte wird von einem reich verzierten Balusterschaft beherrscht, von dem f\u00fcnf elegant geschwungene, asymmetrische Leuchterarme abzweigen, erg\u00e4nzt durch eine sechste, zentral erh\u00f6hte Kerzent\u00fclle. Jede T\u00fclle und Tropfschale ist als plastisch ausgeformte, aufbl\u00fchende Bl\u00fcte mit Akanthusblatt-Reliefs und Wellenvoluten gearbeitet.<\/p>\n
Die wuchtige, geschweifte Basis ruht auf prachtvollen Rocaillenf\u00fc\u00dfen, die der schweren Konstruktion einen absolut sicheren Stand verleihen. Die Metalloberfl\u00e4che zeigt einen edlen, goldenen Glanz mit einer wundersch\u00f6nen, authentischen Alterspatina in den Vertiefungen, die die feine Bildhauerarbeit perfekt betont. Die Unterseite ist mit rotem Schutzfilz versehen. Der Kandelaber befindet sich in einem makellosen Zustand. Der Zustand des Gegenstandes ist vollst\u00e4ndig auf den Bildern wiedergegeben.<\/p>\n
Momentaufnahme der Neorokoko-Zeit:<\/i><\/b> Richard Strauss (Richard Strauss) lehnt sich am Klavier zur\u00fcck, nachdem er eine Seite seiner neuen Opernpartitur fertiggestellt hat, und blickt in die Tiefe des Raumes, wo die Abendsonne die schweren, vergoldeten Arme zu beleuchten beginnt. Er tritt an die edle, geschwungene Form heran, deren gegossenes Metall sich unter seinen H\u00e4nden k\u00fchl und unersch\u00fctterlich schwer anf\u00fchlt, ganz wie das feste Fundament eines vollen Orchesterakkords. Die sechs Arme ragen wie bronzene Wellen zur Decke empor, fangen das Licht in ihren bl\u00fctenf\u00f6rmigen Schalen ein und werfen dramatische, anmutige Schatten an die Wand. In dem stillen Arbeitszimmer, das nach frischen Blumen und altem Pergament duftet, bringt dieser k\u00fcnstlerische Akzent eine harmonische Ruhe und historische Gr\u00f6\u00dfe. Die schwere Basis steht fest und schenkt dem Komponisten tiefe Geborgenheit.<\/i><\/p>\n
\ud83c\uddeb\ud83c\uddf7<\/p>\n
Ce monumental cand\u00e9labre de table en bronze<\/b> coul\u00e9 et cisel\u00e9 illustre avec faste la virtuosit\u00e9 des bronziers d’art de la seconde moiti\u00e9 du XIXe si\u00e8cle, s’inscrivant dans le mouvement du N\u00e9o-Rococo<\/b> sous le Second Empire. L’important f\u00fbt central en balustre d\u00e9ploie cinq bras de lumi\u00e8re en consoles asym\u00e9triques mouvement\u00e9es, compl\u00e9t\u00e9s par une sixi\u00e8me lumi\u00e8re en amortissement sur\u00e9lev\u00e9. Chaque binet et coupelle est trait\u00e9 comme une corolle de fleur \u00e9panouie, riche de rinceaux, de coquilles et de feuilles d’acanthe.<\/p>\n
L’ensemble repose sur un important pi\u00e9tement polylob\u00e9 \u00e0 enroulements rocailles, garantissant une stabilit\u00e9 parfaite \u00e0 cette pi\u00e8ce de grande densit\u00e9. La surface pr\u00e9sente un superbe \u00e9clat d’or mat, soulign\u00e9 par une patine d’oxydation naturelle dans les creux de la ciselure. Le revers du pi\u00e8tement est prot\u00e9g\u00e9 par un feutre rouge d’origine. L’\u00e9tat de conservation est absolument irr\u00e9prochable. L’\u00e9tat de l’objet est pleinement repr\u00e9sent\u00e9 sur les photographies.<\/p>\n
Instantan\u00e9 de l’\u00e9poque N\u00e9o-Rococo :<\/i><\/b> Richard Strauss (Richard Strauss) se penche sur son piano, achevant une page de la partition de son nouvel op\u00e9ra, et l\u00e8ve les yeux vers la p\u00e9nombre de la pi\u00e8ce o\u00f9 le couchant commence \u00e0 \u00e9clairer de lourdes branches dor\u00e9es. Il s’approche de la forme noble en mouvement, dont le m\u00e9tal cisel\u00e9 s’av\u00e8re frais et d’une densit\u00e9 in\u00e9branlable sous ses paumes, pareille \u00e0 la basse profonde d’un accord orchestral. Les six bras de lumi\u00e8re s’\u00e9l\u00e8vent comme des vagues de bronze fig\u00e9es vers le plafond, captant la lumi\u00e8re dans leurs calices floraux et projetant des ombres longues et dramatiques sur le mur. Dans le cabinet silencieux, o\u00f9 flotte un parfum de fleurs fra\u00eeches et de vieux parchemin, cet accent artistique installe une harmonie de paix et de grandeur historique. La base lourde s’ancre fermement, lui offrant un sentiment de pl\u00e9nitude.<\/i><\/p>\n
\ud83c\udde9\ud83c\uddf0<\/p>\n
Dette imponerende og meget tunge antikke lysestager-s\u00e6t til seks lys er et sandt pragteksemplar fra den franske neorokoko<\/b>-periode under Napoleon III. Kandelaberens centrale akse prydes af en rigt dekoreret balusterstang, hvorfra fem flot svungne, asymmetriske arme forgrener sig, suppleret med en sjette, centralt h\u00e6vet lysestil. Hver kop og drypsk\u00e5l er udformet som en detaljeret, opblomstret blomst prydet med akantusblade og volutter.<\/p>\n
Den tunge, svungne bund hviler p\u00e5 solide rocailler-f\u00f8dder, hvilket sikrer perfekt stabilitet for denne store genstand. Overfladen har en flot, gylden glans med en dyb, autentisk patina i relieffets fordybninger, som fremh\u00e6ver st\u00f8bearbejdets fine detaljer. Bundens underside er beskyttet med r\u00f8d filt. Kandelaberen fremst\u00e5r i fuldst\u00e6ndig perfekt stand uden revner. Genstandens tilstand er fuldt ud gengivet p\u00e5 fotografierne.<\/p>\n
\u00d8jebliksbillede fra neorokoko-tiden:<\/i><\/b> Richard Strauss (Richard Strauss) l\u00e6ner si ind over klaveret, mens han f\u00e6rdigg\u00f8r en side i partituret til sin nye opera, og ser op mod rummets dybde, hvor aftensolen begynder at oplyse de tunge, gyldne arme. Han rejser sig og g\u00e5r hen til den \u00e6dle, svungne lampe, hvis st\u00f8bte metal f\u00f8les k\u00f8ligt og urokkeligt tungt under hans h\u00e6nder, pr\u00e6cis som den solide bund i en fuld orkesterakkord. De seks arme h\u00e6ver sig som bronzeb\u00f8lger mod loftet, fanger lyset i deres blomsterformede sk\u00e5le og kaster dramatiske, graci\u00f8se skygger p\u00e5 v\u00e6ggen bagved. I det stille arbejdsv\u00e6relse, der dufter af friske blomster og gammelt pergament, bringer denne kunstneriske accent en f\u00f8lelse af absolut fred og historisk storhed. Den tunge bund st\u00e5r fast p\u00e5 bordet og sk\u00e6nker komponisten en dyb hygge.<\/i><\/p>\n
\ud83c\uddf8\ud83c\uddea<\/p>\n
Denna monumentala och exceptionellt tunga antika ljusstake f\u00f6r sex ljus \u00e4r ett enast\u00e5ende m\u00e4sterverk som perfekt representerar neorokoko-stilens<\/b> storslagna estetik under det franska andra kejsard\u00f6met. Kandelaberns centrala pelare ger upphov till fem elegant sv\u00e4ngda, asymmetriska ljusarmar, kompletterade av en sj\u00e4tte, centralt upph\u00f6jd ljuspipa. Varje pipa och droppsk\u00e5l \u00e4r intrikat gjuten som en \u00f6ppen, stiliserad blomma dekorerad med akantusblad och v\u00e5gformade voluter.<\/p>\n
Den tunga, sv\u00e4ngda basen vilar p\u00e5 kraftiga rocailler-f\u00f6tter, vilket ger kandelabern en perfekt stabilitet. Metallen har en vacker gyllene lyster med en djup, tidstypisk patina i relieffens f\u00f6rdjupningar som framh\u00e4ver bildgjuteriets fina detaljer. Basens undersida \u00e4r skyddad med r\u00f6d filtfoder. Kandelabern \u00e4r i absolut toppskick. F\u00f6rem\u00e5lets skick \u00e5terges fullst\u00e4ndigt p\u00e5 fotografierna.<\/p>\n
\u00d6gonblicksbild fr\u00e5n neorokoko-tiden:<\/i><\/b> Richard Strauss (Richard Strauss) lutar sig \u00f6ver pianot efter att ha f\u00e4rdigst\u00e4llt en sida i partituret till sin nya opera, och blickar in i rummets skugga d\u00e4r aftonsolen b\u00f6rjar lysa upp de tunga, f\u00f6rgyllda armarna. Han reser sig och g\u00e5r fram till den \u00e4dla, sv\u00e4ngda lampan, vars gjutna metall k\u00e4nns sval och orubbligt tung under hans h\u00e4nder, alldeles som det fasta fundamentet i ett fullt orkesterackord. De sex armarna reser sig som bronsv\u00e5gor mot taket, f\u00e5ngar ljuset i sina blomformade sk\u00e5lar och kastar dramatiska, graci\u00f6sa skuggor p\u00e5 v\u00e4ggen bakom. I det tysta arbetsrummet, fyllt av doften fr\u00e5n friska blommor och gammalt pergament, sk\u00e4nker denna konstn\u00e4rliga accent en k\u00e4nsla av absolut frid och historisk storhet. Den tunga basen st\u00e5r stadigt p\u00e5 bordet och ger komposit\u00f6ren djup trygghet.<\/i><\/p>\n
\ud83c\uddf3\ud83c\uddf4<\/p>\n
En usedvanlig herskapelig og tung antik kandelaber til seks lys fra den franske Napoleon III-perioden, utf\u00f8rt i den storslagne neorokoko-stilen<\/b>. Midtstangen preges av en vakkert utformet balusterform, hvorfra fem svingte, asymmetriske armer forgrener seg, supplert med et sjette, sentralt hevet lysesete. Hver kopp og dryppsk\u00e5l er utformet som en detaljert, \u00e5pen blomst prydet med akantusblader og volutter i relieff.<\/p>\n
Den massive, tunge konstruksjonen hviler st\u00f8dig p\u00e5 en svunget base med kraftige rocailler-f\u00f8tter, noe som sikrer perfekt stabilitet. Metallet har bevart en vakker gylden glans med en dyp og autentisk tidspatina i relieffets detaljer, som fremhever bronsest\u00f8pets form. Bunnen er beskyttet med r\u00f8d filtsbekledning. Kandelaberen er i utmerket stand. Gjenstandens tilstand er fullstendig gjengitt p\u00e5 fotografiene.<\/p>\n
\u00d8yeblikksbilde fra neorokoko-tiden:<\/i><\/b> Richard Strauss (Richard Strauss) lener seg over pianoet idet han fullf\u00f8rer en side i partituret til sin nye opera, og ser opp mot rommets dybde der aftensolen begynner \u00e5 lyse opp de tuge, forgylte armene. Han reiser seg og g\u00e5r bort til den edle, svingte lampen, hvis st\u00f8pte metall f\u00f8les kj\u00f8lig og urokkelig tungt under hendene hans, akkurat som den solide bunnen i en full orkesterakkord. De seks armene hever seg som bronseb\u00f8lger mot taket, fanger lyset i sine blomsterformede sk\u00e5ler og kaster dramatiske, grasi\u00f8se skygger p\u00e5 veggen bak. I det stille arbeidsrommet, som dufter av friske blomster og gammelt pergament, bringer denne kunstneriske aksenten en f\u00f8lelse av absolutt fred og historisk storhed. Den tunge basen st\u00e5r st\u00f8tt p\u00e5 bordet og gir komponisten en dyp ro.<\/i><\/p>\n
\ud83c\uddeb\ud83c\uddee<\/p>\n
T\u00e4m\u00e4 poikkeuksellisen upea ja eritt\u00e4in painava antiikkinen pronssinen<\/b> kynttil\u00e4njalka kuudelle kynttil\u00e4lle on loistava taidonn\u00e4yte historismin aikakaudelta, ja se kunnioittaa neorokokootyylin<\/b> mahtipontista estetiikkaa. Valaisimen keski\u00f6ss\u00e4 on runsaasti koristeltu balusterivarsi, josta viisi kaarevaa, ep\u00e4symmetrist\u00e4 haaraa jakautuu upeasti, huipentuen kuudentena keskell\u00e4 olevaan korotettuun kynttil\u00e4pes\u00e4\u00e4n. Jokainen pes\u00e4 ja valumamalja on muotoiltu avautuvaksi kukaksi, jota koristavat runsas akantuksenlehtikuviointi ja voluutit.<\/p>\n
Aallonmukaiseksi muotoiltu jalusta vahvoilla rokokoojaloilla takaa t\u00e4ydellisen vakauden t\u00e4lle painavalle esineelle. Pronssipinnassa on kaunis kultainen hohde ja upea, syviss\u00e4 kohokuvioissa lep\u00e4\u00e4v\u00e4 aito ajan tuoma patina, joka korostaa valuty\u00f6n muotoja. Pohja on vuorattu punaisella suojahuovalla. Kandelaberi on erinomaisessa kunnossa. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n
Tunnelma neorokokoon ajalta:<\/i><\/b> Richard Strauss (Richard Strauss) kumartuu pianonsa \u00e4\u00e4reen viimeistellen uuden oopperansa partituurisivua ja nostaa katseensa huoneen h\u00e4m\u00e4ryyteen, jossa iltarusko alkaa valaista raskaita, kullattuja haaroja. H\u00e4n astuu jalon, kaarevan valaisimen luo, jonka valettu metalli tuntuu k\u00e4mmenten alla viile\u00e4lt\u00e4 ja horjumattomalta painavalta, aivan kuin t\u00e4yden orkesterisoinnun vankka perusta. Kuusi haaraa nousevat kuin pronssiset aallot kohti kattoa vangiten valon kukkaismaljoihinsa ja heitt\u00e4en dramaattisia, siroja varjoja takana olevalle sein\u00e4lle. Hiljaisessa ty\u00f6huoneessa, jossa tuoksuvat tuoreet kukat ja vanha pergamentti, t\u00e4m\u00e4 taiteellinen yksityiskohta tuo mukanaan t\u00e4ydellisen rauhan ja historiallisen suuruuden tunteen. Painava jalusta ankkuroituu tiukasti p\u00f6yt\u00e4\u00e4n suoden s\u00e4velt\u00e4j\u00e4lle syv\u00e4n turvallisuuden tunteen.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"
\ud83c\uddf1\ud83c\uddfb Grezns un Monument\u0101ls Bronzas Kandelabrs 6 Svec\u0113m \u2014 Neorokoko stil\u0101 Izcils, liela izm\u0113ra un vizu\u0101li iespaid\u012bgs antikv\u0101r\u0101 met\u0101la m\u0101kslas<\/p>\n","protected":false},"featured_media":29054,"template":"","meta":[],"product_brand":[],"product_cat":[208,228,204],"product_tag":[],"class_list":["post-29053","product","type-product","status-publish","has-post-thumbnail","product_cat-lampas","product_cat-svecturi","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/29053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/29054"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=29053"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=29053"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=29053"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=29053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}