{"id":28967,"date":"2024-10-02T08:04:32","date_gmt":"2024-10-02T05:04:32","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=28967"},"modified":"2026-09-08T00:34:00","modified_gmt":"2026-09-07T21:34:00","slug":"5058","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5058\/","title":{"rendered":"Misi\u0146a Ka\u0161po ar Caurstr\u0101d\u0101tu Arabesku Ornamentiku un Lauvas Galvas K\u0101ji\u0146\u0101m \u2014 Renesanses Atdzim\u0161anas stils, Francija \/ Be\u013c\u0123ija, ap 1870.\u20131900. Neliela Izm\u0113ra Ka\u0161po ar Smalku Detaliz\u0101ciju, Viegls P\u0113c Svara (5058)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Augstums 17,5 cm \u00d7 Platums (diametrs) 21,5 cm. Apa\u013ca forma. Viegls p\u0113c svara \u2014 pl\u0101nsienu misi\u0146a izstr\u0101d\u0101jums.<\/p>\n

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Misi\u0146a Ka\u0161po ar Caurstr\u0101d\u0101tu Arabesku Ornamentiku un Lauvas Galvas K\u0101ji\u0146\u0101m \u2014 Renesanses Atdzim\u0161anas stils, Francija \/ Be\u013c\u0123ija, ap 1870.\u20131900.<\/strong><\/p>\n

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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n

\u0160is ka\u0161po pieder 19. gadsimta otr\u0101s puses Historisma<\/strong> laikmetam \u2014 prec\u012bz\u0101k, tam t\u0101 virzienam, kuru d\u0113v\u0113 par Renesanses Atdzim\u0161anu (Renaissance Revival<\/em>)<\/strong>, kas Eirop\u0101 uzplauka aptuveni no 1860. l\u012bdz 1900. gadam. Tas bija laikmets, kad Eiropas r\u016bpniec\u012bba apguva prec\u012bzas met\u0101lapstr\u0101des tehniku un amatniecisk\u0101 trad\u012bcija savij\u0101s ar r\u016bpniecisko ra\u017eo\u0161anu \u2014 rezult\u0101ts bija priek\u0161meti ar rokdarba \u0161\u0137ietam\u012bbu un r\u016bpn\u012bcas discipl\u012bnu.<\/p>\n

\u0160is ka\u0161po ir tie\u0161i \u0161\u012b dialoga auglis: caururbta arabeska ornamentika ar akantus lapu un vol\u016btu mot\u012bviem, kas atsaucas uz 16. gadsimta it\u0101\u013cu bronzas m\u0101kslu un Renesanses dekorat\u012bvo repertu\u0101ru \u2014 ta\u010du izpild\u012bta 19. gadsimta met\u0101lapstr\u0101des precizit\u0101t\u0113. Apak\u0161\u0113j\u0101 josla ar iegrav\u0113tiem oleandru vai akantus lapu medaljoniem, p\u0113r\u013cu rinda starp joslu un l\u016bpu, un \u2014 jo \u012bpa\u0161i \u2014 lauvas maska k\u0101ji\u0146u aug\u0161da\u013c\u0101: tas viss run\u0101 par vienotu, p\u0101rdom\u0101tu m\u0101ksliniecisko programmu, nevis tikai funkcion\u0101lu izstr\u0101d\u0101jumu.<\/p>\n

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\u269c\ufe0f RA\u017dOT\u0100JS UN APZ\u012aM\u0112JUMS<\/strong><\/p>\n

Apak\u0161\u0101 nav redzams ra\u017eot\u0101ja z\u012bmogs vai mar\u0137\u0113jums \u2014 tikai dabisk\u0101 misi\u0146a patina ar vecin\u0101\u0161an\u0101s plankumiem. Tas ir rakstur\u012bgi Francijas un Be\u013c\u0123ijas 19. gadsimta beigu dekorat\u012bv\u0101 misi\u0146a ra\u017eot\u0101jiem, kuri specializ\u0113j\u0101s interjeraccessoires \u2014 ka\u0161po, sve\u010du tur\u0113t\u0101jos, galda aksesu\u0101ros un ziedu st\u0101vos. Par\u012bz\u0113 un Brisel\u0113 darboj\u0101s virkne m\u0101kslas met\u0101lapstr\u0101des uz\u0146\u0113mumu, kas pieg\u0101d\u0101ja savas produkcijas augst\u0101k\u0101s klases bur\u017eu\u0101zijai un aristokr\u0101tijai bez \u012bpa\u0161a mar\u0137\u0113juma, jo pirc\u0113js z\u012bmola garantiju ieguva, ieg\u0101d\u0101joties no uzticama tirgot\u0101ja, nevis no z\u012bmoga.<\/p>\n

Lauvas galvas k\u0101ji\u0146u plastika ir \u012bpa\u0161i augstv\u0113rt\u012bga \u2014 katra k\u0101ji\u0146a ir neliela skulptur\u0101la forma ar izteiksm\u012bgu seju, kr\u0113pes deta\u013cu un loksnes formas pamatni. \u0160\u0101da veida smalka figu\u0101la furnit\u016bra tika piemetin\u0101ta atsevi\u0161\u0137i un liecina par augst\u0101ku ra\u017eo\u0161anas kvalit\u0101ti. L\u012bdz\u012bgas lauvas maskas tika izmantotas Otr\u0101s Imp\u0113rijas stila m\u0113bel\u0113s, bronzas pulkste\u0146os un reprezentat\u012bvos interjera aksesu\u0101ros, ko pas\u016bt\u012bja Par\u012bzes un Briseles augst\u0101k\u0101 sabiedr\u012bba.<\/p>\n

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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n

Caururbti misi\u0146a ka\u0161po ar figur\u0101lu lauvas galvas k\u0101ji\u0146u deta\u013cu ir piepras\u012bts antikv\u0101ru tirg\u016b gan k\u0101 interjera priek\u0161mets, gan k\u0101 kolekcion\u0101ru objekts. Lauva k\u0101 heraldisks un dekorat\u012bvs mot\u012bvs pie\u0161\u0137ir priek\u0161metam papildu simbolisko svaru \u2014 tas nav tikai pods, tas ir varas, cie\u0146as un klasisk\u0101s Eiropas kult\u016bras z\u012bme. \u0160\u0101da veida misi\u0146a darbi no 19. gadsimta beigu Francijas vai Be\u013c\u0123ijas par\u0101d\u0101s Londonas, Par\u012bzes un Amstereamas antikvari\u0101tos k\u0101 dekorat\u012bv\u0101 met\u0101la kategorij\u0101 augsti v\u0113rt\u0113ti priek\u0161meti.<\/p>\n

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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n

Ka\u0161po ir univers\u0101ls interjera akcents: tas vien\u0101di labi iederas klasisk\u0101 ang\u013cu bibliot\u0113k\u0101, Osman stila salon\u0101, industri\u0101li romantisk\u0101 loft\u0101 vai m\u016bsdienu eklektisk\u0101 m\u0101jokl\u012b. Zeltenais misi\u0146\u0161 k\u013c\u016bst par siltuma un elegances avotu jebkur\u0101 apgaismojum\u0101 \u2014 gan dienas gaism\u0101, gan vakar\u0101 pie lampas. Interjera dizaineri \u0161\u0101dus ka\u0161po bie\u017ei izmanto k\u0101 centr\u0101lo akcentu uz gr\u0101matu plauktiem, konsol\u0113s vai k\u0101 roku ziedu podu pie loga. Arabeska caurumot\u0101 strukt\u016bra rada interesantu gaismas un \u0113nas sp\u0113li, \u012bpa\u0161i ar sveci vai apgaismojumu iek\u0161\u0101. Fotogr\u0101fi augstu nov\u0113rt\u0113 misi\u0146a patinas to\u0146u bag\u0101t\u012bbu \u2014 tas fotograf\u0113jas k\u0101 dz\u012bvs materi\u0101ls.<\/p>\n

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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n

Lauvas k\u0101ji\u0146as \u0161o ka\u0161po padara par izcilu d\u0101vanu cilv\u0113kam ar Lauvas zodiaka z\u012bmi \u2014 Lauva (Leo) ir dzimis 23. j\u016blij\u0101 l\u012bdz 22. augustam, un lauva k\u0101 simbols ir saist\u012bts ar vad\u012bbu, sp\u0113ku, cie\u0146u un karalisko dabu. Priek\u0161mets ir ar\u012b representat\u012bva korporat\u012bv\u0101 vai diplom\u0101tisk\u0101 d\u0101vana \u2014 misi\u0146a ant\u012bkais ka\u0161po run\u0101 par gaumi, trad\u012bciju un rietumeiropas kult\u016bras mantojuma cie\u0146u. Tas der\u0113tu biroja vai kabineta interjerim augst\u0101k\u0101 vad\u012bt\u0101ja l\u012bmen\u012b.<\/p>\n

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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n

Visp\u0101r\u0113jais st\u0101voklis ir labs, atbilsto\u0161s priek\u0161meta vecumam. Fotogr\u0101fij\u0101s apak\u0161\u0101 redzama dabisk\u0101 misi\u0146a patina ar oksid\u0101cijas un lieto\u0161anas plankumiem \u2014 tas ir autentisks vecuma liecinieks, nevis boj\u0101jums. Caururbto sienu ornamentika ir neskarita un piln\u012bga. Lauvas galvas k\u0101ji\u0146as ir visas \u010detras kl\u0101t un neskartas. Iek\u0161puse uzr\u0101da pel\u0113c\u012bgu met\u0101la oksid\u0101cijas toni, kas liecina par priek\u0161meta v\u0113sturisko lieto\u0161anu k\u0101 ziedu poda tur\u0113t\u0101jam. Misi\u0146a l\u016bpa aug\u0161\u0101 uzr\u0101da nelielas nolietojuma p\u0113das. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n

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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n

Brass Cachepot with Pierced Arabesque Ornament and Lion’s Head Feet \u2014 Renaissance Revival Style, France \/ Belgium, circa 1870\u20131900.<\/strong><\/p>\n

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\ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n

Height 17.5 cm \u00d7 Width (diameter) 21.5 cm. Circular form. Lightweight \u2014 thin-walled brass construction.<\/p>\n

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\ud83c\udfdb\ufe0f PERIOD, ART STYLE AND HISTORICAL CONTEXT<\/strong><\/p>\n

This cachepot belongs to the Renaissance Revival<\/strong> current of 19th-century Historicism<\/strong>, which flourished across Europe from approximately 1860 to 1900. It was an era in which European industry had mastered precision metalworking, and the artisanal tradition merged with industrial production \u2014 yielding objects with the appearance of handcraft and the discipline of the factory.<\/p>\n

This cachepot is precisely the fruit of that dialogue: pierced arabesque ornament with acanthus leaf and volute motifs evoking 16th-century Italian bronze work and the Renaissance decorative vocabulary \u2014 yet executed with 19th-century metalworking precision. The lower band of engraved acanthus or oleander medallions, the beaded rim between band and lip, and above all the lion mask at the top of each foot all speak of a unified, considered artistic programme rather than merely a functional object.<\/p>\n

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\u269c\ufe0f MAKER AND MARK<\/strong><\/p>\n

The base bears no maker’s mark or stamp \u2014 only the natural brass patina with age-related discolouration. This is characteristic of French and Belgian late-19th-century decorative brass makers who specialised in interior accessories \u2014 cachepots, candleholders, desk accessories, and jardini\u00e8res \u2014 and supplied the upper bourgeoisie and aristocracy without specific marking, as the buyer’s assurance came from the trusted retailer rather than from a stamp.<\/p>\n

The sculptural quality of the lion’s head feet is particularly noteworthy \u2014 each foot is a small sculptural form with an expressive face, mane detail, and a scrolled base plate. Such fine figural hardware was applied separately and indicates a higher tier of production quality. Similar lion masks were used in Second Empire furniture, bronze mantel clocks, and prestigious interior accessories commissioned by the highest Parisian and Brussels society.<\/p>\n

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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n

Pierced brass cachepots with figurative lion’s head feet are sought after in the antiques market both as interior objects and as collector’s pieces. The lion as a heraldic and decorative motif lends the object additional symbolic weight \u2014 this is not merely a planter but a sign of authority, dignity, and the classical European cultural tradition. Works of this kind from late-19th-century France or Belgium appear in London, Paris, and Amsterdam antique dealers as highly regarded examples within the decorative metals category.<\/p>\n

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\ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n

The cachepot is a versatile interior accent: it sits equally at home in a classical English library, an Ottoman-style salon, an industrial-romantic loft, or a contemporary eclectic interior. The golden brass becomes a source of warmth and elegance in any light \u2014 both in daylight and by lamplight in the evening. Interior designers frequently use cachepots of this kind as focal accents on bookshelves, console tables, or as potted plant holders by a window. The pierced arabesque structure creates a striking play of light and shadow, particularly with a candle or light source placed inside. Photographers prize the tonal richness of brass patina \u2014 it photographs as a living, breathing material.<\/p>\n

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\ud83c\udf81 AS A GIFT<\/strong><\/p>\n

The lion’s head feet make this cachepot an outstanding gift for anyone born under the sign of Leo \u2014 born between 23 July and 22 August \u2014 with the lion as a symbol associated with leadership, strength, dignity, and a regal nature. The object is equally a distinguished corporate or diplomatic gift: an antique brass cachepot speaks of taste, tradition, and respect for the Western European cultural heritage. It would suit the office or study of a senior executive or public figure.<\/p>\n

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\ud83d\udd0d CONDITION<\/strong><\/p>\n

Overall condition is good, appropriate to the age of the piece. The photographs show natural brass patina on the base with oxidation and use marks \u2014 an authentic witness to age, not a defect. The pierced ornament of the body walls is intact and complete. All four lion’s head feet are present and undamaged. The interior shows a grey metal oxidation tone consistent with historical use as a flower pot holder. The brass lip at the top shows minor wear. The condition of the item is fully reflected in the photographs.<\/p>\n","protected":false},"excerpt":{"rendered":"

\ud83d\udcd0 IZM\u0112RI Augstums 17,5 cm \u00d7 Platums (diametrs) 21,5 cm. Apa\u013ca forma. Viegls p\u0113c svara \u2014 pl\u0101nsienu misi\u0146a izstr\u0101d\u0101jums. \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n","protected":false},"featured_media":28968,"template":"","meta":[],"product_brand":[],"product_cat":[238,211,204],"product_tag":[],"class_list":["post-28967","product","type-product","status-publish","has-post-thumbnail","product_cat-pukpodi-kaspo","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/28967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/28968"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=28967"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=28967"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=28967"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=28967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}